CCM presents COSÌ FAN TUTTE from April 9-12, 2015. Photography by Mark Lyons.

CCM Slideshows: Così fan tutte

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CCM’s 2014-15 Mainstage Series comes to a spectacular conclusion TONIGHT through Sunday, April 12, with a groovy new production of Mozart’s Così fan tutte.

Don’t miss your opportunity to experience this masterpiece this week ONLY. Mark Gibson conducts, with direction by Robin Guarino. Photography by Mark Lyons.

Performance Times

  • 8 p.m. Thursday, April 9
  • 8 p.m. Friday, April 10
  • 8 p.m. Saturday, April 11
  • 2 p.m. Sunday, April 12

Location
Patricia Corbett Theater, CCM Village, University of Cincinnati

Purchasing Tickets
Tickets to Così fan tutte are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/cosi-fan-tutte-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

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Sarah Davenport as Heidi Holland in CCM's Mainstage Series production of THE HEIDI CHRONICLES. Photography by Jay Yocis.

CCM’s Mainstage Series Presents the Tony Award and Pulitzer Prize-Winning ‘The Heidi Chronicles’ Next Week

Sarah Davenport as Heidi Holland in CCM's THE HEIDI CHRONICLES. photography by Mark Lyons.

Sarah Davenport as Heidi Holland in CCM’s THE HEIDI CHRONICLES. photography by Mark Lyons.

CCM’s Department of Drama opens its spring Mainstage Series with its debut of Wendy Wasserstein’s The Heidi Chronicles, running Feb. 11 through Feb. 15, in the Patricia Corbett Theater.

An examination of feminism and its evolution from the 1960s through the late 1980s, The Heidi Chronicles follows Heidi Holland, a successful art historian, who tries to find her true self in a rapidly changing world as the roles of women were being redefined.

Students and audience members alike will get the chance to witness a piece of history on stage as director Richard E. Hess, A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance, attempts to make connections between a generation who lived through the ’60s, ’70s and ’80s and students who are now products of this age.

Hess asks a thought-provoking and timely question: “What would Wendy think of life in America in 2015, where we still must deeply question this country’s commitment to racial and gender equality?”

Wasserstein was the first woman playwright to receive a Tony Award for Best Play for The Heidi Chronicles. Her work also earned her prestigious awards including the 1989 Pulitzer Prize, a New York Drama Critics Circle Award and a Drama Desk Award, among others.

Hess says that Wasserstein liked to create characters “who struggled with the shifting demands and definitions of self, unique to a time and place.” This struggle rings true even today.

Second-year Theater Design and Production graduate student Jillian Coratti serves as costume designer for this production. She talked with Hess at the beginning of rehearsals about his vision for the look and feel of the production. “The hardest part about this production was making it look real,” she explains. “This show is dramatic and thoughtful, but very rarely flashy. The characters are real and contemporary, so I didn’t want to make anything come across as overly theatrical.”

Coratti did a great deal of research in magazines and blogs, even pulling out older family photo albums. Her uncles grew up as members of the “baby boomer” generation, so she was able to find looks from the 70s and 80s in their wedding albums. Since each scene in The Heidi Chronicles is set in a new time period, there are a lot of quick costume changes. Heidi alone has 13 changes!

But the easiest and most rewarding part has been the fittings. Coratti says, “The actors are so eager and willing to see their costumes because they can connect with these clothes. They’re very similar to what we wear everyday, yet some come from our parents closets.”

  • Richard E. Hess, director
  • Thomas C. Umfrid, scenic designer
  • Jillian Coratti, costume designer
  • Taylor Malott, wig & make-up designer
  • Joe Beumer, lighting designer
  • Corbin Wescott, sound designer
  • k. Jenny Jones, fight choreographer
  • Susan Stephenson, stage manager

The Heidi Chronicles Cast List:

  • Sarah Davenport as Heidi Holland
  • Clare Combest as Susan Johnston
  • Colin Edgar as Peter Patron
  • Connor Lawrence as Scoop Rosenbaum
  • Ryan Garrett as Chris Boxer/Steve/Waiter
  • Katie McDonald as Jill/Sandra Zucker-Hall
  • AC Horton as Fran
  • Julia Netzer as Becky
  • Rachel Baumgarten as Debbie
  • Owen Alderson as 1968 Hippie/Mark/Dr. Ray
  • Michaela Tropeano as Molly McBride/Clara
  • Alice Skok as Lisa
  • Carli Rhoades as Betsy
  • Sydney Ashe as Denise
  • Katie Langham as April

About The Heidi Chronicles
After its initial opening in November 1988 Off-Broadway, The Heidi Chronicles was praised by the New York Daily News as “witty, hilarious…not just a funny play, but a wise one… I doubt we’ll see a better play this season.” Even Variety raved, “Not many plays manage Heidi’s feat of inducing almost continuous laughter while forcing the audience to examine its preconceptions.” In March of 1989, The Heidi Chronicles was transferred to Broadway and became a long-running success with an impressive 622 performances when it closed in September of 1990.

Comprised of a series of interrelated scenes, the play traces the coming of age of Heidi Holland, a successful art historian, as she tries to find her bearings in a rapidly changing world. Gradually distancing herself from her friends, she watches them move from the idealism and political radicalism of their college years through militant feminism and, eventually, back to the materialism that they had sought to reject in the first place. Eventually Heidi comes to accept the fact that liberation can be achieved only if one is true to oneself, with goals that come out of need rather than circumstance.

Read Rick Pender’s thoughts on the legacy of Wendy Wasserstein and the importance of The Heidi Chronicles, courtesy of CityBeat.

Performance Times

  • 8 p.m. Wednesday, Feb. 11 (preview)
  • 8 p.m. Thursday, Feb. 12
  • 8 p.m. Friday, Feb. 13
  • 2 and 8 p.m. Saturday, Feb. 14
  • 2 p.m. Sunday, Feb. 15

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Heidi Chronicles are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Saturday matinee student rush discount tickets are available beginning at 1 p.m. on Saturday, Feb. 14 and are $12-15. Tickets to the Feb. 11 preview performance are just $12.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/heidi-chronicles-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News
CCM's Mainstage Production of HANSEL AND GRETEL. Photography by Mark Lyons.

CCM Slideshows: Hansel and Gretel

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CCM’s Mainstage Series resumes this evening with a contemporary production of Engelbert Humperdinck’s timeless opera Hansel and Gretel. Running Nov. 20 – 23, this magical production also features the Cincinnati Children’s Choir, ensemble-in-residence at CCM. Mark Gibson conducts with stage direction by Robin Guarino.

Above, enjoy a preview slideshow of the opera that Richard Strauss regarded as “a masterpiece of the highest quality.”

WCPO calls the opera the number one thing to do in Cincinnati this weekend, and the Cincinnati Enquirer and CityBeat have also highlighted the production! Learn even more about Hansel and Gretel here.

Performance Times

  • 8 p.m. Thursday, Nov. 20
  • 8 p.m. Friday, Nov. 21
  • 8 p.m. Saturday, Nov. 22
  • 2 p.m. Sunday, Nov. 23

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to CCM’s Mainstage production of Hansel and Gretel are $31-35 adults, $20-24 non-UC students and $18-22 UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/hansel-and-gretel-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News
Photography by Mark Lyons.

CCM’s Mainstage Production of ‘Legally Blonde’ Receives a 4.5 Star Rating from the League of Cincinnati Theatres

Senior Lawson Young as Elle and junior Chris Collins-Pisano as Emmett in CCM's production of LEGALLY BLONDE, playing Oct. 23 - Nov. 2, 2014. Photography by Mark Lyons.

Senior Lawson Young as Elle and junior Chris Collins-Pisano as Emmett in CCM’s production of LEGALLY BLONDE, playing Oct. 23 – Nov. 2, 2014. Photography by Mark Lyons.

We are tickled pink to report that panelists for the League of Cincinnati Theatres (LCT) have recognized CCM’s Mainstage Series production of Legally Blonde – The Musical with a 4.5 star recommendation.

Panelists loved the CCM production, with one individual reporting: “Going back to college for the opening night of CCM‘s Legally Blonde did not disappoint! The stage becomes a powerhouse of song and dance… Ohmigod you guys, just go see this show and have a lot of fun.”

Panelists praised Diane Lala’s “well designed and executed” choreography (“the highlight of the show”) and guest scenic designer/CCM alumnus Joe Leonard’s “spectacular” scenic design: “Sophisticated…transforms constantly and seamlessly.”

Lead actress Lawson Young as Elle, lead actor Chris Collins-Pisano as Emmett, and supporting actress Madeline Lynch as Paulette were all singled out for their outstanding performances, but panelists gave kudos to all the performers: “The real strength of this musical was the total ensemble singing and dancing their hearts out for the pure joy felt by the audience.”

Legally Blonde plays tonight through next Sunday, Nov. 2, in Patricia Corbett Theater. Tickets are on sale now. Learn more by visiting ccm.uc.edu/boxoffice/legally-blonde-mainstage.

About the League of Cincinnati Theatres
The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. Learn more about the LCT here.

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'Metamorphoses,' from CCM's acclaimed 2013-14 Mainstage Series.

Announcing CCM’s 2014-15 Mainstage Series of Opera, Musical Theatre and Drama

The University of Cincinnati College-Conservatory of Music (CCM) is pleased to announce initial details for its 2014-15 Mainstage Series of opera, musical theatre and drama productions.

The 2014-15 Mainstage Series features a dazzling collection of both classic and contemporary masterworks, including a gender-bending new production of Shakespeare’s gripping tragedy Macbeth, an extended run of the high-energy romantic-comedy Legally Blonde – The Musical and a magical production of the opera Hänsel and Gretel.

In early 2015, CCM’s student and faculty artists will also present Wendy Wasserstein’s Pulitzer Prize-winning and zeitgeist-dominating The Heidi Chronicles and a soaring musical production of Peter Pan. Mozart’s Così fan tutte will close out the series, with a new production directed by Robin Guarino, who recently staged this masterpiece at the Metropolitan Opera.

This year’s must-see Mainstage Series features six fully staged works guaranteed to fill audiences with delight, with performances scheduled from Oct. 1, 2014, through April 12, 2015. All performances take place in the Corbett Center for the Performing Arts on the University of Cincinnati campus.

Production and ticketing details are below. Priority subscription packages go on sale May 2014. Single tickets become available in August, but subscribing is the only way to guarantee your seats for these must-see shows!

Visit ccm.uc.edu/boxoffice/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

Additional Information
Titles and dates are subject to change—rights pending. To order subscriptions, contact the CCM Box Office at 513-556-4183. For additional information, visit ccm.uc.edu, email boxoff@uc.edu or call the Box Office.
CCM News

CCM Slideshows: Don Pasquale

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Mary Ellyn Hutton calls CCM’s Mainstage Series production of Don Pasquale a “fast-moving delight start to finish, with beautiful singing, lively acting and a lovely-to-look-at, period production” in her review for the Cincinnati Enquirer! Read the full review here.

This week’s issue of CityBeat features an excellent profile of Don Pasquale‘s director, CCM graduate student Omer Ben-Seadia. You can read that Anne Arenstein-penned story online here.

Don Pasquale plays through this Sunday, April 6, and tickets are still available. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/donpasquale.

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CCM’s Mainstage Opera Series Presents Donizetti’s ‘Don Pasquale’ April 3-6

William Tvrdik as the title character in CCM's Mainstage Series production of 'Don Pasquale.' Photography by Mark Lyons.

William Tvrdik as the title character in CCM’s Mainstage Series production of ‘Don Pasquale.’ Photography by Mark Lyons.

CCM’s Mainstage Opera Series proudly presents Gaetano Donizetti’s Don Pasquale from April 3–6 in UC’s Patricia Corbett Theater. This beloved opera buffa is conducted by Mark Gibson with stage direction by accomplished artist’s diploma student Omer Ben-Seadia. The opera will be sung in Italian with English supertitles.

A comedic masterpiece that has captivated audiences since its 1843 premiere, Don Pasquale remains one of the most popular of Donizetti’s nearly 70 operas. On its surface, the opera details the plight of Ernesto, who fights to follow his heart rather than marry the woman his haughty old uncle Don Pasquale thinks he should. Outraged, the lifelong bachelor Pasquale decides to cut Ernesto out of his will and simply father his own heir, instead! A series of uproarious twists and turns ensues as a raucous ensemble of characters begin to take over the Pasquale homestead.

While it is easy to root for Ernesto and true love to prevail, Ben-Seadia suggests that it is Don Pasquale who serves as the true hero of this opera. She explains, “With all that is at stake, Pasquale is the one willing to risk it all… not just for love but for life. Sure we love to see him fail, but after all is said and done we look at Pasquale not with pity, but with the hope that he in fact will try again.”

Don Pasquale's house staff. Photography by Tom Umfrid.

Don Pasquale’s house staff. Photography by Tom Umfrid.

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