Peter Landgren, Dean of the College-Conservatory of Music (CCM)

A Message From Peter Landgren

Dear CCM Community,

The power of CCM, which is fueled by you – the college’s faculty, staff, students, alumni, volunteers, donors and advisors – is as strong as ever at the University of Cincinnati. As such, I have accepted an offer from Interim President Beverly Davenport to fill the role of Interim Senior Vice President for Academic Affairs and Provost, paralleling her interim presidency. You can learn more about this appointment here.

This is an interim role for me, I’m not going far – just a few buildings away from the CCM Village – and CCM will have an excellent individual at the helm as Interim Dean.

brucce mcclung will be Interim Dean at CCMWe are fortunate to have a leader amongst leaders who has agreed to serve as CCM’s Interim Dean, Dr. bruce mcclung. A member of CCM’s faculty since 1992, Dr. mcclung has most recently served as head of the Division of Composition, Musicology and Theory. Dr. mcclung is a highly respected musicologist, a consummate researcher, pedagogue, advisor and mentor. He is detail-oriented, focused on excellence and possesses a watchful eye on fiscal health. He is a strong communicator and a leader who naturally turns listening and collaboration into action.

Dr. mcclung received his bachelor’s degree from the New England Conservatory, two master’s degrees from the Eastman School of Music and his Ph.D. from the University of Rochester. He has been awarded several campus-wide accolades from the University of Cincinnati, including the A. B. “Dolly” Cohen Award for Distinguished Excellence in Teaching in 2013, the UC Graduate School Excellence in Doctoral Mentoring Award in 2009 and was elected to the University’s Academy for Fellows of Teaching and Learning. You can read the official announcement of bruce’s interim appointment here.

When I asked if he would fill the role as CCM’s Interim Dean, bruce’s first question to me revealed his insight and dedication as a leader and creative individual: How could he continue to propel the ONECCM initiative forward during this interim period? Yes, there were other questions to follow, yet this lead enquiry told me a great deal about bruce’s desire to maintain the positive trajectory that the college has enjoyed. I am confident that bruce will assist each of you who hold an individual role in propelling the college beyond all imagination.

As a university community, we are equally fortunate to have a compassionate and compelling leader in Dr. Davenport. I cannot thank Dr. Davenport enough for her confidence in my leadership abilities. As Interim Senior Vice President of Academic Affairs and Provost, I will support her as Interim President in a unified vision for UC, and will assist all of the university’s deans and colleges in attaining or superseding their goals. My term will begin today and parallel Interim President Davenport’s.

Please join me in thanking bruce as he steps into this new role of intellectual and artistic guidance at CCM. I also want to thank you – the CCM community – for supporting Interim Dean mcclung, Interim President Davenport and me as each of us enter new positions to guide our university forward.

CCM is the college that has given me my career. I will always be a proud alum of this great college, and my pride and respect extends to each of you. Both CCM and UC have made great strides in recent years. Working together, we will continue to build upon those accomplishments and achieve even greater successes.

Sincerely yours,

DeanSignature
Peter Landgren, Dean
Thomas James Kelly Professor of Music
College-Conservatory of Music
University of Cincinnati

CCM News Faculty Fanfare
Cincinnati World Piano Competition 60th Anniversary Concert

Cincinnati World Piano Competition to hold 60th Anniversary Concert at CCM

In lieu of a summer competition series, the Cincinnati World Piano Competition (CWPC) will hold a 60th Anniversary Concert at 7:30 p.m. on Saturday, July 30, at CWPCCorbett Auditorium, located at the University of Cincinnati College-Conservatory of Music (CCM).

This special one-night-only performance honors CWPC founder and former Executive Director Gloria Ackerman, who retired in 2013. It features pianists Angela Cheng, Daria Rabotkina and CWPC Artistic Director Awadagin Pratt performing repertoire for piano and orchestra with the Cincinnati Symphony Orchestra (CSO) led by Associate Conductor Keitaro Harada.

“This recognition for Gloria’s remarkable contributions is overdue and it’s particularly fitting that we honor her with a concert featuring two past CWPC medalists along with Awadagin, who is, of course, a world-renowned pianist in his own right,” said CWPC Board Chair Jack Rouse.

The program will open with Ravel’s Piano Concerto, performed by 1983 CWPC Gold Medalist Angela Cheng. Cheng, who went on to win the Gold Medal at the Arthur Rubinstein International Piano Masters Competition, was also the first Canadian to win the prestigious Montreal International Piano Competition. She is consistently praised for her brilliant technique, tonal beauty and superb musicianship. In addition to guest appearances with the major orchestras in her home country of Canada, Cheng regularly performs with orchestras and in recital across the US and Europe.

Strauss’ Burleske will be performed by 2002 CWPC Silver Medalist Daria Rabotkina who, according to the Washington Post, has impressed audiences and critics alike with her “clearly prodigious musical gifts.” She went on to win the 2007 Concert Artists Guild International Competition, has received top prizes at many international competitions, and has worked with conductors Michael Tilson Thomas, Valery Gergiev and Giancarlo Guerrero, among others.

The concert closes with Pratt performing Brahms’ Piano Concerto No. 1. In addition to serving as CWPC Artistic Director and Professor of Piano at CCM, Pratt is internationally acclaimed for his musical insight and intensely involved performances in recital and with symphony orchestras. He last performed with the CSO in 2011 for Paavo Järvi’s triumphant final concerts as the Orchestra’s Music Director.

“It is always an honor and pleasure to make music with the world-class musicians of the Cincinnati Symphony Orchestra,” Pratt said.

As previously announced, this special CWPC performance on July 30 at CCM’s Corbett Auditorium is being presented in lieu of this summer’s competition while the organization examines and explores ways to further build on recent successes.

“Most international competitions do not occur annually and that’s one of the many issues we’re exploring,” Pratt said. “The CWPC remains committed to fostering the talent of young pianists.”

Tickets for the CWPC’s 60th Anniversary Concert are on sale at the Music Hall Box Office, online at cincinnatiwpc.org, or by phone, 513-381-3300.

About the Cincinnati World Piano Competition

Founded in 1956, the CWPC has undergone many changes, artistic, strategic, and otherwise in its 60-year history. One of the most pivotal of these changes occurred in 2013 when the CWPC joined forces with two of Cincinnati’s most revered cultural institutions: the Cincinnati Symphony Orchestra and the University of Cincinnati College-Conservatory of Music, where Artistic Director Awadagin Pratt also serves on the faculty. The Competition occurs on CCM’s campus and three finalists are afforded the opportunity to perform with the CSO during the final round. Both CCM and the CSO also assist the CWPC with administrative resources.

Awadagin Pratt
Among his generation of concert artists, pianist Pratt is acclaimed for his musical insight and intensely involving performances in recital and with symphony orchestras. At the age of 16, he entered the University of Illinois where he studied piano, violin, and conducting. He subsequently enrolled at the Peabody Conservatory of Music where he became the first student in the school’s history to receive diplomas in three performance areas – piano, violin and conducting. In recognition of this achievement and for his work in the field of classical music, Pratt recently received the Distinguished Alumni Award from Johns Hopkins. Has also been awarded an Honorary Doctorate from Illinois Wesleyan University.

In 1992 Pratt won the Naumburg International Piano Competition and two years later was awarded an Avery Fisher Career Grant. Since then, he has played numerous recitals throughout the US including performances at Lincoln Center, Kennedy Center, Dorothy Chandler Pavilion in Los Angeles and Chicago’s Orchestra Hall. His many orchestral performances include appearances with the New York Philharmonic, Minnesota Orchestra and the Pittsburgh, Atlanta, Baltimore, St. Louis, National, Detroit and New Jersey symphonies among many others. Internationally, Pratt has toured Japan four times and performed in Germany, Italy, Switzerland, Poland, Israel, Colombia and South Africa.

In November 2009, Pratt was one of four artists selected to perform at a White House classical music event that included student workshops hosted by the First Lady, Michelle Obama and performing in concert for guests including President Barack Obama. He has performed two other times at the White House, both at the invitation of former President Bill Clinton and former First Lady Hillary Clinton.

Pratt is currently Professor of Piano and Artist in Residence at the University of Cincinnati College-Conservatory of Music. He is also the Artistic Director of the Cincinnati World Piano Competition in Cincinnati as well as the Artistic Director of the Art of the Piano Festival at CCM. He is a Yamaha artist.

Cheng 4(1)Angela Cheng
In addition to regular guest appearances with virtually every orchestra in Canada, Cheng has also performed with the Alabama Symphony, Buffalo Philharmonic, Colorado Symphony, Houston Symphony, Indianapolis Symphony, Jacksonville Symphony, Louisiana Philharmonic, Saint Louis Symphony, San Diego Symphony, Syracuse Symphony, Utah Symphony and the Israel Philharmonic. In the spring of 2012, Ms. Cheng made her highly acclaimed Carnegie Hall debut with the Edmonton Symphony. She also made her debut at the prestigious Salzburg Festival in a recital with Pinchas Zukerman during the summer of 2012. Highlights this coming season include the National Arts Centre Orchestra in Ottawa, Sinfonia Toronto, Vancouver Symphony and the Winnipeg Symphony.

In 2009, at the invitation of Pinchas Zukerman, Cheng toured both Europe and China as a member of the Zukerman Chamber Players. She joined them again in the spring of 2010 for a U.S. tour, which included concerts at Kennedy Center in Washington, D.C. and the 92nd Street Y in New York. Subsequent seasons have seen multiple tours of Europe, Asia and South America, including performances at the Musikverein in Vienna, the Concertgebouw in Amsterdam, and at the Schleswig-Holstein, Salzburg and Ravinia festivals.

An avid recitalist, Cheng appears regularly on recital series throughout the United States and Canada and has collaborated with numerous chamber ensembles including the Takács, Colorado and Vogler quartets. Her festival appearances include Chautauqua, Banff, Colorado, Houston, Vancouver, the Festival International de Lanaudière in Quebec and the Cartegena International Music Festival in Colombia.

Cheng has been Gold Medalist of the Arthur Rubinstein International Piano Masters Competition, as well as the first Canadian to win the prestigious Montreal International Piano Competition. Other awards include the Canada Council’s coveted Career Development Grant and the Medal of Excellence for outstanding interpretations of Mozart from the Mozarteum in Salzburg.

Daria Rabotkina
Rabotkina’s concerto highlights include San Francisco and New World Symphonies, Kirov (Mariinsky) Orchestra, Moscow State Symphony, Winnipeg Symphony, Hudson Philharmonic, Charleston Symphony, Harrisburg Symphony, Orquesta Sinfonica de Concepción and Turku Philharmonic Orchestra. Her orchestral collaborations include conductors Michael Tilson Thomas, Valery Gergiev, Vladimir Feltsman, Julian Kuerti, JoAnn Falletta, Benjamin Shwartz, and Giancarlo Guerrero. Rabotkina has given recitals at the Kennedy Center, Weill Recital Hall at Carnegie Hall and Merkin Concert Hall in New York, Ravinia’s Rising Stars, Dame Myra Hess and PianoForte Salon Series in the Chicago area, the Moscow Tchaikovsky Conservatory and in Denmark, Switzerland and Japan.

Winner of the 2007 Concert Artists Guild International Competition, Rabotkina has received top prizes at many international competitions and participated in Russia’s White Nights Festival, Finland’s Kuhmo Festival, Copenhagen’s Summer Festival and Germany’s MusikFest in Kreuth. In the US, Rabotkina has appeared at the Rockport Chamber Music Festival, International Keyboard Institute and Festival, Music Academy of the West and PianoSummer at New Paltz.

Rabotkina was born in Kazan, Russia, into a family of musicians and gave her first solo recital at the age of ten. Her earliest musical steps were guided by her parents, Guzel Abdoullina and Sergei Rabotkin, both outstanding pianists, and Nora Kazachkova at the Special Music School in Kazan. She received her education at the Kazan State Conservatory and Mannes College of Music in New York City under the tutelage of Vladimir Feltsman. Rabotkina also holds a Doctorate degree and the Artist Certificate from the Eastman School of Music where she studied with Natalya Antonova. Rabotkina will be joining the faculty of Texas State University in San Marcos, Texas in the fall of 2016.

KHKeitaro Harada
Harada’s passion for musical excellence has led him to be a recipient of multiple awards including the Solti Foundation U.S. Career Assistance Award, Bruno Walter National Conductor Preview and the Seiji Ozawa Conducting Fellowship at Tanglewood Music Festival. Completing his first season as Associate Conductor of the CSO, Harada regularly assists Music Director Louis Langrée and conducts the CSO, Cincinnati Pops, and Cincinnati World Piano Competition, as well as assists James Conlon for the May Festival. Harada also holds the positions of Associate Conductor of the Arizona Opera and Associate Conductor of the Richmond Symphony.

With a growing schedule as a guest conductor, the coming season holds several high profile engagements for Harada. He starts the summer at the 2016 Pacific Music Festival by invitation of Valery Gergiev, makes his conducting debut with Tokyo Symphony Orchestra and Tokyo Philharmonic Orchestra in the fall, and leads the world premiere performances of Riders of the Purple Sage for Arizona Opera in 2017. He also makes his conducting debut with Boise Philharmonic, West Virginia Symphony and South Bend Symphony Orchestra.

Most recently, Harada made his conducting debut in Japan with the New Japan Philharmonic in a sold out performance as well as his debut with Indianapolis Symphony Orchestra. He led performances of Carmen for Arizona Opera and conducted concerts with Tucson Symphony, Phoenix Symphony, Virginia Symphony, Sierra Vista Symphony, and Orquesta Filarmónica de Sonora.

A native of Tokyo, Japan, Harada is a graduate of Interlochen Arts Academy and Mercer University. He completed his formal conducting training at the University of Arizona with Thomas Cockrell and Charles Bontrager. He has also studied under Christoph von Dohnányi, Robert Spano and Michael Tilson Thomas among others. Harada champions creative programming, development of the orchestra as a part of a community’s cultural fabric, advancement of each musician he encounters, and responsibility as an artistic and civic leader.

 

CCM News
CCM's Classical Guitar Workshop returns July 10-16

CCM’s Classical Guitar workshop returns July 10-16

The 33rd annual Classical Guitar Workshop at CCM returns July 10-16, featuring master classes for aspiring artists and a series of free public recitals.

Classical guitarists of all ages and skills levels will participate in the classes and ensembles as well as special sessions focused on recital preparation, specific guitar composers, period styles, early music instruments, guitar construction and more.

The weeklong workshop, co-directed by faculty members Clare Callahan and Rodney Stucky, includes a series of free public recitals, beginning with the Faculty Ensemble at 8 p.m. on Sunday and concluding with the Participants Recital at 2 p.m. on Saturday, July 16.

This year’s faculty list boasts a diverse array of educators from the United States and South America: Renato Butturi (University of Evansville), Carlos Pérez (University of Santiago, Chile), Jeffrey Van (University of Minnesota), Karl Wohlwend (Otterbein University) and Stanley Yates (Austin Peay State University). Guest coaches Christopher Wilke, Sarah Wilke, Jeremy Collins, John Alvarado, Amy Brucksch, Kevin Ebert, Michael Fogler, Richard Goering, Julie Goldberg, John Hedger, Christopher Hubbard, Kevin Mulhall, Larry Snitzier and Andrew Winner will also help with instruction.

For workshop fees, an online application, a full workshop schedule and additional information, please visit the Classical Guitar Workshop page on CCM’s website or call 513-281-2865.

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CCM Classical Guitar Workshop
2016 Recital Series

8 p.m. Sunday, July 10
Faculty Ensemble Recital
Featuring Renato Butturi, Clare Callahan, Rodney Stucky, Jeffrey Van, Christopher Wilke, William Willits, Karl Wohlwend and Stanley Yates
Location: Cohen Family Studio Theater
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8 p.m. Monday, July 11
Guitar Chamber Music Recital
Location:
Cohen Family Studio Theater
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8 p.m. Wednesday, July 13
Douglas James and Hazel Ketchum Recital
Location: Cohen Family Studio Theater
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8 p.m. Thursday, July 14
Stanley Yates Recital
Location:
Cohen Family Studio Theater
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8 p.m. Friday, July 15
Solos, Chamber Music and Guitar Orchestra
Location: Corbett Auditorium
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2 p.m. Saturday, July 16
Participants Recital
Location:
Corbett Auditorium

Admission & Parking Information
All recitals are free and open to the public and take place on the CCM campus at the University of Cincinnati.

Parking is available in the CCM Garage (at the base of Corry Boulevard off of Jefferson Avenue) and additional garages throughout the UC campus.

For additional information, call 513-281-2865 or visit ccm.uc.edu/summer/classicalguitar.

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Story by CCM graduate Kevin Norton (DMA Saxophone, 2015)

CCM News
ccmvillage-copy.jpg

In Memoriam: Emeritus Faculty Member Ronald de Kant

We are saddened to share news of the passing of Ronald Zecher de Kant, Emeritus Professor of Clarinet at CCM. Born in Lancaster, PA, on Oct. 30, 1931, de Kant passed away in Cincinnati on June 22, 2016. He is survived by his wife, Brenda Mitchell of Cincinnati, daughter Monique (Niki) of Vancouver, BC, and cousin Barrie Zecher (wife Leoma) of Lititz, PA.

CCM Professor Emeritus Ronald de Kant.

CCM Professor Emeritus Ronald de Kant.

De Kant was professor of clarinet at CCM from 1987 until his retirement in 2004. During his tenure at CCM, he also served as chair of woodwinds and brass from 1989-2004. Many of his former students have held positions in major Canadian and US orchestras and military bands.

De Kant received the Artist Diploma from Juilliard in 1953, where he studied with Daniel Bonade. Following Juilliard, during his military service, he taught for two years at the U.S. Naval School of Music in Washington, DC. He then performed as principal clarinet for a year in Toronto with Canada’s National Ballet Orchestra. He was principal clarinet with the New Orleans Philharmonic Orchestra from 1956-65, then principal clarinet of the Vancouver Symphony Orchestra from 1965-80. He was also principal clarinet of the CBC Vancouver Chamber Orchestra 1967-83 and performed with the Santa Fe Opera 1970-72. An active chamber musician, at various times he was a member of the New Orleans Woodwind Quintet, the Vancouver Woodwind Quintet, the Vancouver Symphony Orchestra Chamber Ensemble, and the Cassenti Players. He was a soloist with both the Vancouver Symphony Orchestra and the CBC Vancouver Chamber Orchestra. Recordings as clarinet soloist include the Mozart Quintet with the Purcell String Quartet and the Copland Clarinet Concerto with the CBC Vancouver Chamber Orchestra.

In addition to his time as a CCM faculty member, De Kant taught at the university level concurrently with his orchestral appointments in both New Orleans and Vancouver. He also taught part-time at the University of British Columbia from 1965-80, then full-time until 1983. From 1977-84 he coached woodwinds at the Banff Centre for the Arts, where he premiered the Sonata for Clarinet and Piano by Oscar Morawetz. He was professor of clarinet at Arizona State University 1983-87. He taught clarinet at Louisiana State University during the 2004-05 academic year.

Our thoughts and prayers are with Professor de Kant’s family and friends during this time. You can share your memories of Ronald de Kant online at www.neidhardyoungfuneralhome.com/obituaries/Ronald-De-KantMemorial contributions may be made to the American Heart Association.

CCM News Faculty Fanfare
Rehearsals for CCM's April 2016 production of SWAN LAKE.

E-Media Alumnus Wins Regional Emmy for Collaborative Student Video Series

Behind-the-scenes of CCM's production of 'Swan Lake.' Photos by UC News Writing and Production Class.

Behind-the-scenes of CCM’s production of “Swan Lake.” Photos by UC News Writing and Production Class.

After months of work and hours of filming, University of Cincinnati students produced a video series that recently won an Emmy at the Ohio Chapter of the National Academy of Television Arts and Sciences.

Mark D’Andrea (BFA E-Media, 2016) won the Emmy as director and videographer of Building a Ballet. He worked on the project as a student with classmates enrolled in the Advanced News Writing and Production course, part of UC’s Digital Media Collaborative (DMC) between CCM, the College of Design Architecture, Art and Planning, the McMicken College of Arts & Sciences and UC Libraries.

Taught by Assistant Professor of E-Media Hagit Limor and Journalism Professor Bob Jonason, the class was created under the DMC umbrella in 2015 to build a bridge between colleges, giving students a hands-on learning experience that goes beyond the classroom. It blends technical and production skills  with creative expertise and storytelling.

“They learn to collaborate, they learn from each other, and they learn what it takes to produce professional-quality work,” Jonason said. “We think the class emulates real life. No matter where students land a job, they likely will be working in teams and with colleagues with various skills and from various backgrounds. And they will be held to high standards. This class helps prepare them for that work environment.”

Once completed, student projects are pitched to local media outlets for publication. The “Building a Ballet” videos were featured in Cincinnati Magazine. Previous class projects have been published by WCPO, FOX19 and the Cincinnati Enquirer, according to Limor. Students carry the project from idea to reality setting up interviews, shooting the film and editing it down to the final product. “They are in charge,” she said.

At the beginning of spring semester, students pitched the idea to create a video series focused on CCM’s production of Swan Lake.

Students spent months filming 'Swan Lake' rehearsals and interviewing cast members.

A clip from the “Building a Ballet” videos. Students spent months filming “Swan Lake” rehearsals and interviewing cast members.

How do you build a ballet? What do rehearsals look like?

They answered those questions in four videos composed of cast interviews and raw rehearsal footage.

Visit the class website students created to watch all four videos.

The series was created by students Brevin Couch, Tyler Dunn, Daniel Honerkamp, Ailish Masterston and Andrew Wilkins under D’Andrea’s “amazing eye,” Limor said.

D’Andrea shot and edited hours of footage featuring interviews with Swan Lake cast members Madison Holschuh, Sam Jones, Kianhna Saneshige and Dance Department chair and Swan Lake co-director Jiang Qi. The student director said his biggest challenge was capturing the emotion of the dancers on film.

“Watching the dancers perform was incredibly powerful, and at first, I didn’t feel like I was doing it justice,” D’Andrea said. “So I asked my teachers, and I kept experimenting and trying new things, really watching the dance and seeing where I needed to be to get it right.”

A recent graduate, D’Andrea is currently working as an assignment editor at FOX19 and has applied to several video production jobs. His dream is to one day make music videos or special skits for Saturday Night Live.

The Advanced News Writing and Production class is designed to give students professional work experience so they can build their resumes before they graduate, Limor said. Each project serves to strengthen their skill sets with hands-on experience.

“When you get out of school, potential employers want you to be as well-rounded as possible,” Limor said. “This is an innovative class that is exactly what the future needs to be for this line of work. Experiential learning is everything when training people for a job.”

CCM News Student Salutes
'Romeo and Juliet' photo by Mark Lyons.

CCM Announces 2016-17 Mainstage Series of Acting, Dance, Musical Theatre and Opera

CCM is pleased to announce details for its 2016-17 Mainstage Series of acting, dance, musical theatre and opera productions. Between Sept. 29, 2016 and April 15, 2017, CCM’s stars-of-tomorrow and world-class faculty and staff members will present eight diverse masterworks, which span the spectrum of the theatre arts.

Mainstage Hero Image

Click the graphic for more information.

Dubbed “a season of passion, courage and romance,” CCM’s 2016-17 Mainstage Series will bring new interpretations of popular classics in the fall with a retelling William Shakespeare’s Romeo and Juliet, a revival of the nine-time Tony Award-winning musical A Chorus Line, a flirty and fun-filled production of the fairytale opera Cendrillon and a mixed repertoire dance concert featuring Classics with a Twist.

In the spring, CCM will also present the Mainstage Series debuts of stirring drama Her Naked Skin, powerful musical Mack and Mabel and epic opera Idomeneo, along with the Dance Department’s celebration of Masterworks and Beyond.

Production and ticketing details are listed below. Single tickets go on sale beginning Aug. 29, 2016, but subscribing is the best way to guarantee your seats for these must-see shows! Fully customizable renewal subscriptions are on sale now with priority seating before July 15, 2016. Subscription packages for new subscribers will go on sale July 18, 2016.

Additional Information
Titles and dates are subject to change – rights pending. To order subscriptions, contact the CCM Box Office at 513-556-4183.

For a complete calendar of events, please visit us online at ccm.uc.edu.
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CCM 2016-17 MAINSTAGE SERIES
Acting, Dance, Musical Theatre, Opera

ROMEO AND JULIET
Written by William Shakespeare
Brant Russell, director

“For never was a story of more woe than this of Juliet and her Romeo.” William Shakespeare’s legendary tale of young love and bitter hatred returns to the CCM stage like you’ve never seen it before. Witness the deadly feud between the Montagues and Capulets in this subversive retelling of the Bard’s iconic story. It’s a comedy ­— until it’s not.

Performance Dates: Sept. 28 (preview), Sept. 29–Oct. 2, 2016
Location: Patricia Corbett Theater
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A CHORUS LINE
Conceived and originally directed and choreographed by Michael Bennett
Book by James Kirkwood Jr. and Nicholas Dante
Music by Marvin Hamlisch
Lyrics by Edward Kleban
Diane Lala, director and choreographer
Roger Grodsky, musical director

A nine-time Tony Award-winner, and one of the longest-running productions in Broadway history, A Chorus Line tells a strikingly honest tale about the backstage world of musical theatre as 17 dancers vie to make the final cut for the latest smash hit. As the auditions proceed, the diverse backgrounds and motivations of the hopefuls come to the fore, revealing stories that run the gamut of human experience and emotion as they all compete with and learn about one another. It is a process that will change them all forever… for better or worse. A Pulitzer Prize-winning fusion of dance, song and drama, A Chorus Line is a powerful metaphor for all human aspiration.

Performance Dates: Oct. 20–30, 2016
Location: Patricia Corbett Theater
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CENDRILLON (CINDERELLA)
Composed by Jules Massenet
Libretto by Henri Caïn
Mark Gibson, conductor
Robin Guarino, director

One of the world’s most beloved fairy tales comes to the CCM stage in a new modernist production! Despite being under the thumb of her evil stepmother, a poor girl wishes for her dream to come true. Enter her fairy godmother, who provides a ticket to the ball! The poor girl meets Prince Charming and they fall in love. When the clock strikes 12, though, she vanishes… leaving only a single shoe behind. Jules Massenet’s elegant score brings wit and charm to this timeless romance based on Charles Perrault’s telling of the Cinderella fairy tale. This production is sung in French with English supertitles.

Performance Dates: Nov. 17 – 20, 2016
Location: Corbett Auditorium
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CLASSICS WITH A TWIST
CCM Ballet Ensemble
Jiang Qi and Andre Megerdichian, co-directors

CCM’s Department of Dance opens its performance season with a concert of mixed repertoire featuring alumnus James Cunningham of the Cincinnati Ballet, who will choreograph a new work La Nymph with music by Youngwon French. Highlights also include a performance of Schubert’s Winterreise with choreography by Dance Department Chair Jiang Qi and accompaniment by CCM students Yijia Fang, cello and Xinyuan Li, piano. In addition, the graceful performers from CCM Dance will mount a staging of Glazunov’s Scénes de Ballet with choreography by Associate Professor Michael Tevlin, and Assistant Professor Andre Megerdichian will choreograph a collage of dance scenes spanning diverse genres.

Performance Dates: Dec. 1–4, 2016
Location: Patricia Corbett Theater
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HER NAKED SKIN
Written by Rebecca Lenkiewicz
Richard Hess, director

London 1913. Women are demanding the right to vote. Thousands of suffragettes of all classes serve time in Holloway Prison in their determination to gain equality through the vote. Their willingness to suffer for social injustice serves as the backdrop for an unlikely love story set in a period of turmoil. Described by the Independent as “a great drama about women, by a woman,” Her Naked Skin premiered to great acclaim at London’s National Theatre in 2008. By exploring the hunger for political and personal emancipation, this play plants a defiant feminist flag center stage. This production contains adult themes and is not recommend for young audiences.

Performance Dates: Feb. 8 (preview), Feb. 9–12, 2017
Location: Patricia Corbett Theater
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MACK AND MABEL
Based on an idea by Leonard Spigelglass
Book by Michael Stewart
Music and lyrics by Jerry Herman
Aubrey Berg, director
William Evan Roider, musical director
Patti James, choreographer

Set against the madcap world of Keystone Kops, Bathing Beauties and pies-in-the-face, the tumultuous relationship between workaholic film director Mack Sennett and his silent-screen star Mabel Normand was the stuff of Hollywood legend. With a memorable score by Broadway master Jerry Herman (Hello, Dolly!, Mame, La Cage aux Folles) Mack and Mabel is a star-crossed, bittersweet love story that explores both the lighter and the darker side of the Golden Age of Comedy. Nominated for eight Tony Awards, Mack and Mabel was praised by the New York Times as “a musical in the old and true tradition.”

Performance Dates: March 2–5, 2017
Location: Corbett Auditorium
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IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco (after Antoine Danchet)
Aik Khai Pung, conductor
Marcus Shields, director

Set in the aftermath of the Trojan War, Mozart’s opera seria weaves a tale of gods and monsters, unrequited love and selfless heroism. During his perilous journey back to Greece after years at war, King Idomeneo pledges to sacrifice the first mortal he finds to Neptune in exchange for a safe journey home. When that mortal turns out to be his son Idamante, Idomeneo struggles to find another way to appease the gods, which creates dire repercussions for the people of Crete. Completed in 1780 when the composer was only 24 years old, Idomeneo is widely considered the first of Mozart’s great operas and remains a favorite of opera houses around the world. This production is sung in Italian with English supertitles.

Performance Dates: March 30–April 2, 2017
Location: Patricia Corbett Theater
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MASTERWORKS AND BEYOND
Jiang Qi and Deirdre Carberry, co-directors

Celebrate spring’s arrival with the CCM Ballet Ensemble as they present an exciting mixed bill. Highlights of the program include George Balanchine’s masterwork Valse-Fantaisie with a restaging by guest artist Viki Psihoyos. This concert also includes a world premiere created by Alabama Ballet associate artistic director Roger Van Fleteren, along with new works by CCM faculty members Michael Tevlin and Andre Megerdichian. Valse-Fantaisie is performed by permission of George Balanchine Trust.

Performance Dates: April 13–15, 2017
Location: Patricia Corbett Theater
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Mainstage Series Subscriptions
The 2016-17 CCM Mainstage Series of acting, dance, musical theatre and opera productions includes subscription packages for six-or-more show, four-show and three-show combinations.

Renewal subscription packages are on sale now. CCM’s fully customizable subscription packages range in price from $69 – $188. Subscribers to CCM’s 2015-16 Mainstage Series can receive priority access to seating by renewing their subscriptions by Friday, July 15, 2016.

New subscriptions go on sale July 18, 2016. Single tickets will be available for purchase beginning Monday, Aug. 29, 2016.

To order subscriptions, contact the CCM Box Office at 513-556-4183.

Concert Series Options
As the largest single source of performing arts events in Ohio, CCM also offers world-class chamber music, choral, jazz, orchestra, percussion, piano and wind ensemble concerts each season. CCM’s Mainstage subscribers receive priority access to Ariel Quartet subscription packages, CCM Concert Series flex ticket packages, prepaid parking and other exclusive perks.

Full programming and package details for CCM’s 2016-17 Ariel Quartet Series and Concert Series will be announced in July. Visit ccm.uc.edu for more information.
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A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

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CCM Drama major Bartley Booz in the E-Media short film 'Solitude.'

What’s in a name? CCM ‘Drama’ is now ‘Acting’ department

The University of Cincinnati College-Conservatory of Music’s Drama Department will now be known as the Acting Department to better reflect the scope of training and experiences designed to take students beyond the stage to work in various mediums of performance. In addition, the new CCM Acting Department will offer the BFA in Acting instead of the BFA in Dramatic Performance.

Once housed in the McMicken College of Arts and Sciences, the Drama Department had a long history of teaching theatre in a liberal arts setting and once offered the BA in Theatre Arts. The department moved to CCM in 1983 with a new focus and degree, the BFA in Dramatic Performance. The focus at the time was exclusively on the stage and the study of theatre and drama.

Student filmmaker Eric Mwangi working in Nairobi, Kenya.

Student filmmaker Eric Mwangi working in Nairobi, Kenya.

Fast-forward 33 years — graduates of the program are finding work from coast to coast and internationally in film, television, commercials, voice-overs and on stage. CCM Acting trains actors for all media and offers students acting experience in a variety of mediums.

“Our degree name sounded like an antique, with a limited focus on the stage,” said CCM Professor of Acting Richard Hess. “But that’s no longer true. We train actors. The ‘triple threats’ we create in CCM Acting are students who can succeed on stage, film, and in the creation of new works.”

In recent years, the new Acting Department has embraced various multimedia efforts to give students a well-rounded education in acting. The department worked with CCM’s E-Media program to create a 48-Hour Film Festival and to shoot an original film with the new Digital Media Collaborative.

CCM Drama’s name change to Acting will go into effect immediately. “We have often said, ‘we make actors.’ Now we match,” Hess said. “Our new identity will position our strength more clearly to the world.”

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