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CCM Alumnus Ty Olwin stars with Kristen Stewart in International film ‘Personal Shopper’

Ty Olwin in CCM's production of 'Coram Boy.'

Ty Olwin in CCM’s production of ‘Coram Boy.’

Ty Olwin has had a busy and successful career since he graduated from CCM with a BFA in Drama in 2013. He has appeared in plays, television shows, and will soon co-star with actress Kristen Stewart in Personal Shopper, an international film about a ghost story that takes place in the fashion underworld of Paris.

Personal Shopper is set to appear in the Cannes Film Festival in France May 11-22. Olwin, 25, was cast to play Stewart’s boyfriend, Gary, in the film. The film reunites Stewart with French Director, Oliver Assayas — the two worked together in Assayas’ Clouds of Sils Maria (2014). Stewart became the first American actress to win a Cesar award for her role in Clouds of Sils Maria, which went on to receive five additional Ceasar nominations.

Olwin is a Chicago-based actor who has made his mark in the Steppenwolf Theatre Company’s productions of Lord of the Flies, East of Eden and Russian Transport. He has also appeared in Brilliant Adventures at Steep Theatre Company, Season on the Line at The House Theatre of Chicago, and the Raven Theatre’s production of Tennessee Williams’ Vieux Carre. In addition, Ty has landed guest starring roles on Crisis and Chicago Fire on NBC.

While enrolled at CCM, Olwin was recognized by the League of Cincinnati Theatres with an award for Leading Actor in a Play for his role in the conservatory’s production of Coram Boy. As a sophomore, he earned an Acclaim Award nomination for his role in CCM’s production of Red Light Winter. Olwin’s other CCM credits include The Three Sisters, Picnic, A Midsummer Night’s Dream, and The Time of Your Life.

Most recently, he has worked with playwright Rebecca Gilman and Director Robert Falls in a new play Soups, Stews and Casseroles: 1976, which will run from May 21- June 19 at the Goodman Theatre in Chicago. The play examines workers’ rights and the effects of big business on small town lives.

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Betty Ireland and Marc Scorca

Opera America Office Dedicated in Memory of CCM Alumnus Jim Ireland

The National Opera Center recently dedicated its Technical/Production Office in honor of famed University of Cincinnati College-Conservatory of Music alumnus James D. Ireland (BBA Business Administration, 1966; MM 1970), a well-respected opera administrator who helped develop Opera America into a leading organization for arts advancement in the United States.

Jim Ireland

Jim Ireland

Ireland passed away at the age of 69 in September 2012 after a brief battle with lung cancer. The ceremony and dedication took place this past November at the Opera America headquarters in New York City. Numerous friends and family from around the country were there to honor Ireland, including his sister and UC alumna, Betty Scott Ireland (BS Education, 1967).

“To know Jim was to love and admire him,” said Opera America President/CEO Marc Scorca during the dedication. “With cherished memories and enduring affection, let’s be joyful that James D. Ireland has a permanent home at the National Opera Center in good company with other dynamic leaders who forged an American opera industry.”

“Dynamic leader” is an appropriate moniker for Ireland, who had a long and storied career in the arts. A native of Charleston, West Virginia, he made a name for himself locally, often performing with the Charleston Light Opera Guild and playing organ for several area churches.

Ireland began studying voice at CCM under the tutelage of Helen Laird in 1965, shortly before Laird established the conservatory’s Musical Theatre Program in 1968. During his time at CCM, he also studied conducting with Elmer Thomas and piano with John Quincy Bass.

After graduating from CCM in 1970, he worked heavily behind the scenes to promote opera across the country. From 1972–79, he worked with the National Endowment for the Arts (NEA) and created their opera/musical theatre arm. It was also during this time that he began working with Opera America, which has since developed a glowing international reputation.

From there, Ireland transitioned into one of the leading opera company administrators in America. For 22 years, he served as Managing and Producing Director of the acclaimed Houston Grand Opera and helped the reputation of the company grow through numerous world premieres and other artistic endeavors.

He later served as Director of Hartford Stage in Connecticut (2002–05) and the President and first CEO of the Orlando Opera (2006–09). At the time of his passing, he was working as a consultant for numerous opera organizations across the country.

JoAnne Greiser (BA English, 1968/BS Education, 1969), who was friends with Ireland when they were both students at the University of Cincinnati, attended the dedication with her husband Ron Nyhan.

“In a field that is, by definition, focused on performance and its stars, only a knowledgeable, opera-loving giant on the business side of the house could command the attention of the opera field to make significant changes behind the scenes,” she said. “Jim was that giant.”

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Story by CCM graduate Kevin Norton (DMA Saxophone, 2015)

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Scenes from the Expedition Alaska Adventure Race. Photo by UC Production Master Class.

Student Documentary, ‘The Making of Expedition Alaska,’ Accepted into U.S. Drone Film Festival

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A student-produced documentary that chronicles an adventure race through “Alaska’s Playground” was recently accepted into the U.S. Drone Film Festival. The behind-the-scenes documentary, The Making of Expedition Alaska was created by the University of Cincinnati Production Master Class and focuses on the process that went into filming a 350-mile, seven-day adventure race in the Kenai Peninsula.

Students also created a documentary series titled Expedition Alaska which features the grueling race and beautiful Alaskan landscape. Two episodes of the series will premiere at the Esquire Theatre in Clifton from 7:30-9:30 p.m., Wednesday, April 27.

As previously reported, seven UC students traveled to Alaska in the summer of 2015 to work with two UC professors and a cadre of media professionals to film the documentaries. The Making of Expedition Alaska was nominated for Best News/Documentary in the New York City Drone Film Festival earlier this year and was recently accepted into the U.S. Drone Film Festival, where it will be screened April 30.

The UC Production Master Class used drones to film and chronicle the Expedition Alaska Adventure Race through the Kenai Peninsula. Photo provided by the UC Production Master Class.

The UC Production Master Class used drones to film and chronicle the Expedition Alaska Adventure Race through the Kenai Peninsula. Photo provided by the UC Production Master Class.

Featuring the pristine wilderness of the Kenai Peninsula, Expedition Alaska captures stunning scenery of ocean kayaking, whitewater rafting, glacier trekking, rock climbing and mountain biking during the Expedition Alaska Adventure Race — a qualifying race for the Adventure Racing World Series. The race pits four-person teams, comprised of the world’s best endurance athletes, against each other as they navigate by map and compass through the remote and beautiful terrain.

The UC Production Master Class crew gets wet while whitewater rafting during the Expedition Alaska Adventure Race. Photo provided by the UC Production Master Class.

The UC Production Master Class crew gets wet while whitewater rafting during the Expedition Alaska Adventure Race. Photo provided by the UC Production Master Class.

Expedition Alaska‘s premiere at Esquire Theatre is a FREE event and open to the general public. It is sponsored and supported by the UC Office of the President, Center for Film and Media Students, UC Forward Initiative, College-Conservatory of Music’s Electronic Media Division, and UC Alumni Association.

The Production Master Class is a collaborative, experiential learning initiative that involves students, faculty and alumni from CCM’s Electronic Media Division, the College of Design, Art, Architecture and Planning’s School of Design and the McMicken College of Arts and Sciences’ Department of Communication.

UC students, professors, and a cadre of media professionals traveled to film "Expedition Alaska." Photo provided by the UC Production Master Class.

UC students, professors, and a cadre of media professionals traveled to film “Expedition Alaska.” Photo provided by the UC Production Master Class.

Since its inception in 2012, the PMC has provided a transformative “hands-on” experience for more than 100 students from nine different academic programs at UC, taking them out of the classroom to connect with nationally recognized professionals from the film and television industry.

“The idea was to totally re-invent the college classroom,” notes UC President Santa Ono, “focusing interdisciplinary teams of faculty and students on real world projects.”

NBC’s Universal Sports Network nationally broadcast the 2013 Gold Rush Expedition Race documentary series, produced by the PMC from 2012-15. Focusing on a grueling 275-mile adventure race through the California wilderness, the documentary was nominated by the National Academy of Television Arts and Sciences for an Ohio Valley Regional Emmy Award in the professional category of Best Documentary. Additionally, the student design team was recognized with a Silver Award at the prestigious Graphis New Talent Annual 2015, an international student design competition.

Join us for the FREE premiere of Expedition Alaska at the Esquire Theatre Wednesday, April 27, from 7:30 – 9:30 p.m.!

Racers from the Expedition Alaska Adventure Race trek up a glacier in the Kenai Peninsula. Photo provided by the UC Production Master Class.

Racers from the Expedition Alaska Adventure Race trek up a glacier in the Kenai Peninsula. Photo provided by the UC Production Master Class.

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Background on the Production Master Class
The PMC is an interdisciplinary collaboration at the UC. It involves CCM Professors Kevin Burke and Lorin Parker, DAAP Professor Yoshiko Burke and Brian J. Leitten, UC Alumnus and Emmy award-winning producer. The initiative was originally made possible by a grant from the UC Forward Collaborative that supports experiential learning and is part of the UC Academic Master Plan. In 2015, the PMC received additional support from the Office of the President and the Center for Film and Media Studies at UC, and external sponsorship by Switch Sunglasses. The PMC is offered as a class through the Electronic Media Division and School of Design; both programs provide the facilities and staff support.

During the production, students take on the roles of supervising producers, story producers, editors, scriptwriters, music supervisors and narrators. Electronic Media Professor Kevin Burke and Brian Leitten serve as Executive Producers on the documentary, advising and managing the project while providing professional guidance and feedback during all phases of the film’s development. Leitten joins Professor Burke for each class session via video conferencing from New York, where he serves as Director of Production at VEVO. Communication Design Professor Yoshiko Burke supervises students in the creation of all motion and graphic design content, and Electronic Media Professor Lorin Parker provides guidance and expertise to students regarding the audio mix and sound design. At each stage of the project, the students are held to the standards and expectations of professionals in their discipline, providing them with invaluable industry experience.

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A banner for the Richard Tucker Music Foundation.

CCM Alumnae Tamara Wilson and Amanda Woodbury Receive Major Awards from Richard Tucker Music Foundation

We are ecstatic to report that CCM alumnae Tamara Wilson (BM Voice, 2004) and Amanda Woodbury (MM Voice, 2012) have both received major awards from the prestigious Richard Tucker Music Foundation.

Wilson, a soprano who studied with Barbara Honn while attending CCM, has been named winner of the 2016 Richard Tucker Award. Dubbed the “Heisman Trophy of Opera,” the Tucker Award carries the foundation’s most substantial cash prize of $50,000, and is conferred each year by a panel of opera industry professionals on an American singer at the threshold of a major international career. Featuring such luminaries as Renée Fleming, Stephanie Blythe, Lawrence Brownlee, David Daniels, Christine Goerke and Joyce DiDonato, the list of past winners reads like a who’s who of American opera. Wilson is a previous recipient of the Foundation’s Sara Tucker Study Grant in 2008 and Richard Tucker Career Grant in 2011.

Barry Tucker, president of the Richard Tucker Music Foundation and son of the Brooklyn-born tenor, commented, “I first met Tamara Wilson when she auditioned for – and won – a Sara Tucker Study Grant in 2008. I was blown away not only by the power and sheer beauty of her voice, but also by how grounded she is as a person. Last year, when I was listening to the Saturday matinee broadcast of Aida from the Met and realized it was her singing the title role, I couldn’t have been more impressed by how she’s evolved as an artist. She has a bright future ahead of her, and we are thrilled to have her as our 2016 Richard Tucker Award winner.”

Wilson is not the only CCM-trained singer honored by the Richard Tucker Music Foundation this year. Woodbury, a soprano who studied with William McGraw while attending CCM, has been named a 2016 Richard Tucker Career Grant recipient. Selected through a vocal competition, these grants are provided to singers who have begun professional careers and who have already performed roles with opera companies nationally or internationally. As previously reported, Woodbury was awarded the Foundation’s Sara Tucker Grant in 2014.

About the Richard Tucker Music Foundation
Founded in 1975, the Richard Tucker Music Foundation is a non-profit cultural organization that honors the artistic legacy of the great American tenor through support of talented American opera singers and by bringing opera into the community.

The Foundation’s awards program offers grants for study, performance opportunities and other career-enhancing activities, thereby providing professional development for singers at several levels of career-readiness. You can learn more about the Richard Tucker Music Foundation by visiting richardtucker.org/about.

Soprano Tamara Wilson (BM Voice, 2004).

Soprano Tamara Wilson (BM Voice, 2004).

About Tamara Wilson
American soprano Tamara Wilson made her much-anticipated Metropolitan Opera debut in December of 2014 in the title role of Aida, when the New York Times praised the “laserlike authority of her high notes,” and observed: “Her voice blooms with her palpable involvement in her own story: Her singing is urgent, her physical performance restrained yet powerful.”

Nominated for a 2016 Olivier Award for Outstanding Achievement in Opera after her English National Opera debut last fall as Leonora in La forza del destino, the soprano will make further debuts next season at the Bayerischer Staatsoper and Deutsche Oper Berlin. She was a finalist in the 2004 Metropolitan Opera National Council Auditions, a Grand Prize Winner at Barcelona’s Annual Francisco Viñas Competition, a winner of the George London Award and the recipient of both a 2008 Sara Tucker Study Grant and a 2011 Richard Tucker Career Grant from the Richard Tucker Music Foundation.

After launching the present season headlining Aida at the Aspen Music Festival, Wilson returned to Oper Frankfurt as Elisabeth de Valois in Don Carlo; sang Lucrezia in Verdi’s I due Foscari in Santiago, Chile; made her Cleveland Orchestra debut; and joined Marin Alsop for Mahler in São Paulo. Back in the States after touring Japan as Rosalinde in Die Fledermaus under the baton of Seiji Ozawa, the soprano looks forward to taking Brahms’s German Requiem on an East Coast tour with Seraphic Fire and singing Desdemona in Otello at Cincinnati’s May Festival, in celebration of James Conlon’s 37th and final year as Music Director. Last season Wilson made her role and house debuts headlining Norma at Barcelona’s Gran Teatre del Liceu, following recent debuts at Houston Grand Opera, Washington National Opera, Los Angeles Opera, and Carnegie Hall. In addition to being a CCM graduate, Wilson is also an alumna of the Houston Grand Opera Studio.

CCM alumna Amanda Woodbury.

CCM alumna Amanda Woodbury.

About Amanda Woodbury
An alumna of Los Angeles Opera’s Domingo-Colburn-Stein Young Artist Program, Amanda Woodbury was recently honored with the second place and Audience Choice awards in Plácido Domingo’s Operalia Competition. She also won the 2014 Metropolitan Opera National Council Auditions, a 2014 Sara Tucker Study Grant, and both second place and Audience Choice awards at Houston Grand Opera’s Eleanor McCollum Competition.

Woodbury made her professional debut as Micaëla in Carmen at Los Angeles Opera, where she returned as Papagena in Die Zauberflöte. She then joined the roster of the Metropolitan Opera, appearing as Tebaldo in Don Carlo and covering the roles of Antonia and Stella in Les Contes d’Hoffmann.

This season she sang Leïla in Les pêcheurs de perles at the Met, and looks forward to appearing as Musetta in La bohème with the Los Angeles Opera. Having taken part in the Met’s “Rising Stars” concert tour, she looks forward to headlining a new Met production of Roméo et Juliette and making house debuts at PORTopera as Micaëla in Carmen and at Atlanta Opera as Konstanze in Die Entführung aus dem Serail. Woodbury completed her Master’s Degree in Vocal Performance at CCM in 2012, after receiving her Bachelor of Music from Indiana University.

In a 2014 interview with the Cincinnati Enquirer, Woodbury reflected on her recent success and on her time at CCM, telling Janelle Gelfand:

“I sang two roles onstage [at CCM], Donna Anna in Don Giovanni and Madame Lidoine in Dialogues of the Carmelites. I can’t tell you how much that has helped my career. It helped me to prepare for the next step, and just everything they did opened up doors for me. I’m so glad I went to CCM, because I passed up Juilliard for CCM.”

You can read the Enquirer‘s full interview with Woodbury online here.

Learn more about the achievements of CCM’s students and alumni by subscribing to The Village News!
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Story by Curt Whitacre

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Logo for Broadway's 'Matilda the Musical.'

BroadwayBox Spotlights CCM Alumna Jennifer Bowles

CCM alumna Jennifer Bowles.

CCM alumna Jennifer Bowles.

Last month, BroadwayBox turned the spotlight on CCM alumna Jennifer Bowles (BFA Musical Theatre, 2004) as part of the website’s popular “Singular Sensation” series, which profiles New York’s most mesmerizing ensemble members.

Bowles is currently making waves in the Broadway production of Matilda. BroadwayBox’s Josh Ferri writes:

“In ‘Matilda,’ Bowles catches your eye dancing up a storm in the ensemble and breaking your heart as The Acrobat; she also understudies Mrs. Phelps and Miss Honey.”

You can read the full Singular Sensation interview with Bowles here.

Bowles was also recently seen as Irma in Irma La Douce at City Center Encores. She appeared in the original Broadway production of American Idiot in 2010 and was in the ensemble for the rock opera’s national tour in 2011.

She also had a recurring role on HBO’s Boardwalk Empire and appeared as a backup dancer during Kanye West’s Saturday Night Live appearance.

Learn more about the achievements of CCM’s students and alumni by subscribing to The Village News!

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The Lotte Lenya Competition.

CCM Students Advance to the Final Round of the 2016 Lotte Lenya Competition

We are elated to report that CCM students Talya Lieberman and Reilly Nelson have been named as finalists for the 2016 Lotte Lenya Competition. They have been selected alongside 13 other young singer/actors and will take part in the final round of the competition on Saturday, April 16.

Both Lieberman and Nelson also made strong showings in last year’s Lotte Lenya Competition. Nelson advanced to the semifinal round of the competition (along with three other CCM-trained singers), while Lieberman won the Lys Symonette Award for Outstanding Performance of an Individual Number during the final round.

Lieberman and Nelson are the latest in a long line of CCM students and alumni who have reached the final rounds of the Lotte Lenya Competition. CCM alumna Lauren Roesner (BFA Musical Theatre, 2013) took Third Prize in the 2013 installment of this prestigious international theatre singing contest. CCM alumna Caitlin Mathes (MM Voice, 2009; Artist Diploma in Opera, 2010) earned First Prize in 2011 and fellow alumna Alisa Suzanne Jordheim (BM Voice, 2008; MM Voice, 2010; DMA candidate) progressed to the final round of the competition that same year.

Selected from 31 semifinalists, this year’s finalists represent a diverse range of performers, ages 21 to 31, from across the United States, Canada, Europe and Israel. All will sing repertoire from the operatic, golden age and contemporary musical stages, and of course, the music of Kurt Weill, for a chance win the top prize of $15,000.

Semifinalist judges, Tony Award-winners Jeanine Tesori and Victoria Clark, adjudicated and coached the performers. Clark, who first judged the competition in 2008, noted that “I can feel the leap in overall talent from when I last judged the semifinals.”

Kurt Weill Foundation President Kim Kowalke stated that “this year’s finalists are the largest and most diverse group in the Competition’s 19-year history, with contestants currently working on- and off-Broadway, in national touring companies, and in major regional theaters and opera companies. Many are well on their way to distinguished careers.”

The final round takes place April 16 at Kilbourn Hall at the Eastman School of Music in Rochester, NY. Each finalist will present a 15 minute program of four selections in the daytime round, 11:00-4:00. An evening concert, in which contestants sing only a segment of their programs, follows at 8:00. The concert concludes with the announcement of awards and prizes. Both the daytime round and evening concert are free and open to the public.

All finalists receive a minimum cash award of $1,000, with additional discretionary awards of $3,500 each, and top prizes ranging from $7,500 to $15,000. Total prizes will exceed $60,000.

Returning to judge for the tenth time, international opera legend Teresa Stratas leads the judges’ panel. The Lenya Competition remains the only vocal competition she has ever consented to adjudicate. Joining her on the jury are Rodgers & Hammerstein Organization President and former American Theater Wing Chairman Theodore S. Chapin (also returning for his tenth time), and Broadway (and Audra McDonald’s) music director, conductor and accompanist Andy Einhorn.

Past prize winners have gone on to appear on major theater, opera and concert stages around the world. Don’t miss the competition described by Opera News as “target[ing] today’s total-package talents, unearthing up-and-coming singers who are ready for their close-ups.”

About the Kurt Weill Foundation
The Kurt Weill Foundation for Music, Inc. is dedicated to promoting understanding of the life and works of composer Kurt Weill (1900-50) and preserving the legacies of Weill and his wife, actress-singer Lotte Lenya (1898-1981). The Foundation administers the Weill-Lenya Research Center, a Grant Program, the Kurt Weill Book Prize and the Lotte Lenya Competition, and publishes the Kurt Weill Edition and the Kurt Weill Newsletter. Learn more by visiting www.kwf.org.

CCM student Talya Lieberman.

CCM student Talya Lieberman.

About Talya Lieberman
Originally from Forest Hills, New York, soprano Talya Ilana Lieberman is currently pursuing an Artist Diploma at CCM as a student of Professor William McGraw.

Recently described by Opera News as “poetically compelling,” “delectably stylish” and “technically refined,” Lieberman is equally at home with operatic, art song and musical theatre repertoire. Starting in September 2016 she will be seen frequently on stage at Komische Oper Berlin, where she will be assuming the soprano position in the Opernstudio. Her upcoming performances include debuts with Cincinnati Opera and Opera Columbus, as well as the title role in CCM’s Mainstage Series production of Janáček’s The Cunning Little Vixen.

Lieberman returned to Cincinnati this fall after completing a summer as a Filene Young Artist with Wolf Trap Opera, where her ability to “make a point with the merest flick of a finger” (Washington Post) shined in a highly lauded run as Susanna in Mozart’s Le Nozze di Figaro. She also appeared in concert with Steven Blier at Wolf Trap in a program celebrating the Broadway legacy of the Rodgers family (The Rodgers Family – A Century of Musicals).

Lieberman is a convert from the orchestra pit and started singing after receiving her master’s degree in trumpet performance from the University of North Carolina School of the Arts under the tutelage of Judith Saxton. She completed her BA at Duke University with highest distinction in linguistics (Phi Beta Kappa, Magna Cum Laude). She is a two-time winner of full tuition and stipend—winning the Russell-Seybold and Italo Tajo Awards, respectively—at CCM’s Opera Scholarship Competition.

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

About Reilly Nelson
Born in the coastal town of Sault Ste. Marie in Ontario, Canada, Reilly Nelson attended the Eastman School of Music where she received a Bachelor of Music in Vocal Performance and CCM where she completed a Master of Music in Vocal Performance.

Nelson is currently pursuing her Doctor of Musical Arts degree at CCM.

At CCM she performed Hansel in Hansel and Gretel and Mary in Ricky Ian Gordon’s Morning Star. She also performed Hansel, as well as Cherubino in Le nozze di Figaro, at Janiec Opera Company at the Brevard Music Center.

The mezzo-soprano was a vocal fellow at the renowned Tanglewood Music Festival for the summers of 2014 and 2015, performing Les nuits d’été, Op. 7 and Folk Songs by Bernard Rands.

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Story by Curt Whitacre

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The Pensacola Children's Chorus.

CCM Alumnus Alex Gartner Appointed Artistic Director of Pensacola Children’s Chorus

CCM alumnus Alex Gartner.

CCM alumnus Alex Gartner.

CCM alumnus Alex Gartner (BM Music Education, 2012) has been named the new Artistic Director of the Pensacola Children’s Chorus (PCC) in Pensacola, Florida.

Gartner will take over for Allen and Susan Pote, who founded the organization in 1990 in conjunction with the Pensacola Symphony Orchestra.

Gartner’s new appointment ends a long and fruitful partnership with both CCM and the Cincinnati Children’s Choir (CCC), which began in 2000 when he joined CCC as a young choir member and performed with them in their international choral festival, “Worldsong.” Later, during his undergraduate studies, he rejoined the CCC; starting as an accompanist and student intern, he later rose to become the Richard Wesp Assistant Conductor, a position he held until his recent hiring by the PCC.

“Alex has special gifts that uniquely meet the needs of the Pensacola Children’s Chorus,” said CCC Founder, Managing Artistic Director and Conductor Robyn Lana. “He has grown tremendously throughout his years with CCC. It is with great pride, as his mentor, to see him become Artistic Director of his own program. A bright future is in store for Alex and for the Pensacola Children’s Chorus.”

In addition to his work with the CCC, Gartner has been very active in the local music scene. As a choral director, he has served as the director of traditional music and worship at Epiphany United Methodist Church in Loveland, Ohio. He has also served as music director for numerous local theatre productions and founded the Commonwealth Artists Summer Theatre, a summer theatre program based in Fort Thomas, Kentucky, that serves high school students in the Cincinnati metro area.

The Pensacola Children's Chorus.

The Pensacola Children’s Chorus.

This theatre experience and his CCC experience will be merged in his new job in Pensacola. With over 300 students spread throughout seven different youth choirs, the PCC combines traditional children’s choir pedagogy and repertoire with the showmanship of musical theatre. The organization continues to collaborate regularly with the Pensacola Symphony and also works often with the Pensacola Opera and the University of West Florida.

For more information, please visit www.cincinnatichoir.org.
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Story by CCM alumnus Kevin Norton (DMA Saxophone, 2015)

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