CCM Village at night

CCM’s Music Theory and Musicology Society hosts student conference Sept. 11-12, 2020

CCM Village at night

The conference is designed to engage UC and non-UC students in the broad field of music scholarship

The Music Theory and Musicology Society (MTMS) at the University of Cincinnati College-Conservatory of Music (CCM) hosts its eighth biennial student conference on Sept. 11 and 12, 2020 (rescheduled from April 3-4). Entitled “Conversations in Music,” the conference is designed to engage both UC students and students from other institutions in the broad field of music scholarship.

The conference features keynote speakers Daniel Goldmark (Case Western Reserve University) and Jennifer Beavers (University of Texas at San Antonio). It will be held in conjunction with the long-running Joseph and Frances Jones Poetker Thinking About Music Lecture Series at CCM.

The conference will include pre-recorded video presentations and live interactive sessions held virtually via Zoom. Please fill out the registration form below to receive emails with further information and links to access the presentation videos and Zoom platform.

Please note that the times listed in the schedule are in Eastern time zone.

Schedule

Friday, Sept. 11

2 p.m.

PIXAR’S MEMORIES: CONTEMPORARY CARTOON MUSIC SPEAKS TO THE PAST
Daniel Goldmark, Case Western Reserve University

The ever-increasing popularity of Hollywood animation, driven in part by the dominance of Pixar, has come about not just through technological advances or the breaking down of decades-old biases about cartoons being just for kids, but also through the emotionally nuanced storytelling deployed recently by studios. While practically all of Pixar’s features are overrun with issues of nostalgia, their more recent films—Inside OutFinding DoryCars 3Incredibles 2Toy Story 4—do more than simply revel in the remembrance of times past (real or imagined): they also explore the creation of memory and the reasons why memories fade or endure. Sound and music have played key roles in the recollections and impressions of all these films. In this presentation, I look at trends in scoring and sound design in animation to show how the melodies of childhood—and adulthood—are being used to drive the stories of recent Hollywood animated features—and how these stories revolve around how our notions of the past speak to the present and guide our future.


4:30 p.m.

MEET-AND-GREET “RECEPTION”


5:30 p.m.

PRESENTER Q&A SESSION


Saturday, Sept. 12

8-9:30 a.m.

CONFERENCE WORKSHOP
This year’s conference will include a workshop led by ethnomusicologist and CCM faculty member Scott Linford, PhD, inviting conference participants to engage in an interactive discussion focused on the application of sound studies in the areas of musicology, music theory and ethnomusicology.


10 a.m.-2 p.m.

PRESENTER Q&A SESSIONS


2 p.m.

The Music Theory and Musicology Society Conference Keynote
RAVEL’S SONIC ILLUSIONS
Jennifer Beavers, University of Texas at San Antonio
Ravel’s interwar compositions and transcriptions reveal a sophisticated engagement with timbre and orchestration. Of interest, is the way he uses timbre to connect and conceal passages in his music. In this talk, I look at the way he manipulates instrumental timbre to create sonic illusions that transform expectations, mark the form, and create meaning. I examine how he uses instrumental groupings to create distinct or blended auditory events. Using a sound-based analytical approach, I develop these descriptions of timbre and auditory scenes to interpret ways in which different timbre-spaces function. Through techniques such as timbral transformations, magical effects, and timbre and contour fusion, I examine the ways in which Ravel conjures sound objects in his music that are imaginary, transformative or illusory.


Conference Registration

Register for the conference by filling out an online form.

CCM’s Music Theory and Musicology Society engages all interested members of the UC community to discuss issues relating to music theory and musicology. The MTMS regularly maintains forums for the purpose of discussing theoretical, historical and cultural topics in music. Past MTMS Conference programs are available online.

Please e­mail all inquiries to MTMS Executive Board Members Rebecca Schreiber, Jacy Pedersen, Hannah Blanchette and Kabelo Chirwa at ccm.mtms@gmail.com.

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Stay Connected: CCMONSTAGE Online’s Latest Newsletter

Experience the artistry and expertise of our students, alumni, faculty and staff through our CCMONSTAGE Online e-newsletter. Our latest edition features performance videos, stories and other resources designed to help us stay connected.

UC plans to welcome back students to campus on Aug. 24 for the start of the fall semester. A thoughtful blend of in-person and virtual offerings, in addition to enhanced health and safety measures, will provide students with the best collegiate experience possible in this new era of living and learning. Learn more about UC’s Return to Campus.

Sign up to receive CCM’s e-newsletter at ccm.uc.edu/subscribe.

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Internationally acclaimed stage director Greg Eldridge joins CCM’s opera faculty

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Eight UC faculty recognized for excellence in mentoring undergraduate researchers

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CCM Organ Professor spotlights C.B. Fisk Opus 148 Organ on “Around Cincinnati”

Cincinnati’s Christ Church Cathedral dedicated a new C.B. Fisk Organ Opus 148 in 2018. To learn more about this special instrument, WVXU’s Alexander Watson recently spoke with CCM Professor of Organ and Harpsichord Michael Unger and David Pike, head tonalist from C. B. Fisk Organ Builders. Read more.


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FAQs and Online Resources

Please refer to our coronavirus resource website to help answer your frequently asked questions. This website is updated as new information develops, so please check back often. See more UC answers to your important questions.

For more information about the University of Cincinnati’s response to COVID-19, please visit uc.edu/publichealth.


Sign up to receive CCM’s bi-weekly e-newsletter at ccm.uc.edu/subscribe.

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Watch CCM’s 2020 Musical Theatre Senior Showcase

A group shot of CCM Musical Theatre's Class of 2020

Although the theaters and concert halls at UC’s nationally ranked and internationally renowned College-Conservatory of Music are temporarily silent, audiences can still experience world-class performances through the CCMONSTAGE Online video series. This week’s release features the CCM Musical Theatre Class of 2020’s Senior Showcase, which was performed on March 12, 2020, in Patricia Corbett Theater.

Featuring hit songs from Broadway, Off-Broadway and pop music, the Senior Showcase was created by CCM’s Musical Theatre Class of 2020 under the supervision of faculty. This year’s showcase was directed by CCM Musical Theatre alumnus Justin Bohon and advised by Rachel Hoffman. The showcase was associate directed by Katie Johannigman and produced by Diane Lala and Denton Yockey. Musical direction by Julie Spangler. The showcase also features an original song by CCM Acting alumnus Todd Almond.

Receive updates on future CCMONSTAGE Online performances by subscribing to our mailing list.

Get to know the graduating seniors by reading their professional summaries! 


Get to know CCM Musical Theatre’s Class of 2020

Andrew Alstat: Originally from Pomona, Illinois. Regional credits: Chuck Cranston in Footloose (The Muny), Albert in Newsies (Wagon Wheel Center for the Arts), Emmett in Legally Blonde, Billy Crocker in AnythingGoes (McLeod Summer Playhouse). CCM credits: Rocky in The Rocky Horror Show, Frederick in TheHunchback of Notre Dame, Angie the Ox in Guys and Dolls, Jesus Christ Superstar. Proud member of AEA. For more, visit andrewalstat.com and follow @a12tat on Instagram.


Nick Berninger:Originally from Wayne, New Jersey. Regional credits: A Gentleman’s Guide To Love And Murder (The D’Ysquith Family), Cabaret (Emcee), The Little Mermaid (Scuttle/Chef Louis) at Clinton Area Showboat Theatre, New Jersey Regional premier of School of Rock (Dewey Finn) at Union County PAC, South Pacific (Billis), Cats (Bustopher/Gus) at Interlakes Summer Theatre. CCM credits: 42nd Street (Julian Marsh), Guys and Dolls (Nicely Nicely Johnson), Mack and Mabel (Fatty Arbuckle) Seussical (Horton u/s) and The Secret Garden (Ben). Workshops/Readings: Home Street Home (Big John), Nasha America (Uncle Vadim) and Rocket Science (Doyle) with the CCM Musical Theatre Incubator Project. Proud member of the AEA. For more, visit nickberninger.com and follow @nick_berninger on Instagram. 

Kurtis Bradley Brown: Originally from Louisville, Kentucky. Regional credits: 42nd Street at Bucks County Playhouse, Sondheim on SondheimNewsies and Legally Blonde at the Lexington Theatre Company in the Euan Morton track, as the Crutchie understudy and as “Kiki, the colorist” (fierce!), respectively. CCM Credits: Dickon in The Secret Garden and many more. Currently training at the Upright Citizens Brigade Theatre. For more, visit kurtisbradleybrown.com and follow @kurtisbradleybrown on Instagram.

Michael Canu: Originally from Rochester, Michigan. Regional credits: A Chorus Line (Mark) at the Cape Playhouse, Mamma Mia! (Sky) and West Side Story (Snowboy) at Shenandoah Summer Music Theatre, Footloose (Ren McCormack) and Newsies (Albert, Jack u/s) at the Clinton Showboat Theatre and The Nutcracker (Russian Soloist) with Michigan Ballet Theatre. He was also apart of the first symphonic version of Children of Eden (Adam) with Rochester Summer Music Theatre. CCM credits: 42nd Street (Andy Lee), Jesus Christ Superstar and Guys and Dolls (Harry The Horse). Michael won the Battaglia Scholarship Award for performance excellence in a musical. For more visit, michaelcanu.com and follow @michael_canu on Instagram.

Matt Copley: Originally from Detroit, Michigan. Regional credits: Grease and Oklahoma! at Pittsburgh CLO. Footloose (Ren) and Newsies at Wagon Wheel Center for the Arts. Hockey: The Musical! (World Premiere) at City Theatre Detroit. Thoroughly Modern Millie (Jimmy) at Riverbank Theatre. CCM credits: Guys and Dolls (Nathan Detroit), The Hunchback of Notre DameJesus Christ Superstar. Additional credits: Writer, Composer and Creator of blueprint the musical, Niko in Home Street Home workshop. Proud member of AEA. For more, visit matt-copley.com and follow @matt_copley on Instagram.

Madison Deadman: Originally from Ann Arbor, MI. Regional credits: Rock of Ages (Young Groupie) at PCLO, Cabaret (Sally Bowles) at Clinton Area Showboat Theatre, Les Miserables (Eponine), Joseph… Dreamcoat (Narrator) and Little Women (Amy) at Encore Musical Theatre Company, The Addams Family (Wednesday) at Thunder Bay Theatre. CCM credits: Godspell (Jesus), Theory of Relativity (Caroline). Workshops: Home Street Home (Mom) with Kevin McCollum, Jeff Marx and NOFX; Rocket Science (Jenny Ryerson) with Richard Israel. Television: PBS special: SciEngiMathePloration. Film: A Girl Like Her (Emily Sailler). Print: model for Kotex UBY. For more, visit madisondeadman.com and follow @mjdeadman on Instagram.

Bailee Endebrock: Originally from Herrin, Illinois. Regional credits: Mamma Mia (Sophie), Singin’ in the Rain (Kathy Selden), Oklahoma! (Dance Captain) at Wagon Wheel Center for the Arts. A Chorus Line (Maggie) and Sondheim on Sondheim (Leslie Kritzer Track) at The Lexington Theatre Company. The Sound of Music (Liesl) and Bring it On (Campbell) at McLeod Summer Playhouse. CCM credits: 42nd Street (Peggy Sawyer), The Secret Garden (Dance Captain/Alice), Yeast Nation (Jan-the-Sweet), Guys and Dolls (Hot Box Girl). For more, visit baileeendebrock.com and follow @bailee_endebrock on Instagram.

Zoë Grolnick: Originally fromBoulder, Colorado. Regional credits: Rock of Ages at Lake Dillon Theatre Company, Godspell at Center Stage Theatre Company. CCM credits: 42nd Street (Anytime Annie), Guys and Dolls (Hot Box Chick), Theory of Relativity (Jenny), A Chorus Line (Vicki/Swing), Hunchback of Notre Dame and Seussical. For more, visit zoegrolnick.com and follow @zoegrolnick on Instagram.

Delaney Guyer: Originally from Seattle, Washington. Delaney studied Meisner at the Maggie Flanigan Studio in New York for two months following her sophomore year. She has performed in regional theatres across the country including the 5th Avenue Theatre of Seattle, Village Theatre of Issaquah, Washington, the Lexington Theatre Company in Kentucky, the KNOW Theatre of Cincinnati and Sound Theatre Company of Seattle. CCM credits: The Rocky Horror Show (Magenta)and Yeast Nation (Jan The Sly) Secret Garden (Lily), Gruesome Playground Injuries (Kayleen). For more, visit delaneyguyer.com and follow @delaneyguyer on Instagram.

Madison Hagler: Originally from Rainsville, Alabama. Regional credits: Gabe in Next to Normal (Porthouse Theatre), Pastor Olgethorpe in Smoke on the Mountain and Ensemble/Brother in Joseph…Dreamcoat (Totem Pole Playhouse). CCM credits: Archibald Craven in The Secret Garden, Judas/John the Baptist in Godspell, Annas in Jesus Christ Superstar, Tap Ensemble in 42nd Street, Gargoyle/ King Louis XI in The Hunchback of Notre Dame, Seussical the Musical, Children of Eden and Lewinsky in Rocket Science, a new musical workshop. As an expert magician, Madison has toured the southeast with his grand illusion show, and has appeared as Magic Consultant for shows such as Pippin, Godspell, Big Fish and The Bartered Bride. For more, visit madisonhagler.com or follow @MadisonAdamsHagler on Instagram. 

Elijah Lee King:Originally from Arlington, Virginia. Regional credits: Man of La Mancha (Pedro) and Music Man at Porthouse Theatre, Mamma Mia! at Totem Pole Playhouse and Joseph…Dreamcoat (Joseph) at City of Fairfax Theatre Co. CCM credtis: The Secret Garden (Ian Shaw), 42nd Street (Assistant Director), Yeast Nation (The Youngest), Guys and Dolls (Big Jule), Jesus Christ Superstar (Solider), The Little Mermaid Ballet (King Triton), Mack and Mabel (Ensemble). TV/Film: Power (STARZ), I Was Possessed (Lifetime), Copycat Killers (REELZ) and Evil Kin (Discovery ID). For more, visit elijahleeking.com and follow @Elijah_Lee_King on Instagram.

Kylie Liya Page:Originally adopted from China, from New York. Broadway credits: 2006 revival Les Miserables (Young Cosette/ Eponine) at the Broadhurst Theater. National Tours credits: How The Grinch Stole Christmas (Annie Who/ u.s. Cindy Lou), Les Miserables (Young Cosette/ Eponine) at Theater of the Stars. Readings/Workshops: The Nightingale by Duncan Shiek/Steven Sadar (Nightingale) NYSAF with James Lapine and at Vassar College with Moises Kaufman. Nasha America (Jackie) at CCM. Film/TV: Friends From College (Teenager) Netflix, Gossip Girl (Constance Girl) CW Network/ Netflix, Ninja Assassin (Young Kariko) Warner Bros., Step Up 3D (Ice Cream Truck Girl) Disney. Off Broadway: Carousel (Louise) NAAP at the Peter J. Sharp Theater. CCM credits: (Dance Ensemble) in Jesus Christ SuperstarThe Hunchback of Notre Dame42nd Street at CCM. She is a proud member of AEA and SAG-AFTRA. For more, visit kylieliya.com and follow @kylieliya on Instagram. 

Sam Pickart: Originally from Wisconsin. Regional credits: Anything Goes (Billy Crocker) and Saturday Night Fever (Gus) at Mac-Haydn Theatre, Mamma Mia (Sam Carmichael) and Bonnie & Clyde (Bob Alcorn) at Summer Repertory Theatre, Parade (Frankie Epps) at Greendale Theatre. CCM credits: The Secret Garden (Dr. Neville Craven), Guys and Dolls (Benny Southstreet), Theory of Relativity (Paul), 42nd Street (Pat Denning), The Hunchback of Notre Dame (Tribunal/Gargoyle). For more, visit sampickart.com and follow @sampickart on Instagram.

Erich W. Schleck: Originally from Seattle, Washington. Regional credits: Jesus Christ Superstar (Peter) and Newsies (Finch) at NCC Summer Theatre, Spring Awakening (Melchior) and Cabaret (Emcee) at Ballyhoo Theatre and the Original Cast Recording of A Christmas Story: The Musical with the 5th Avenue Theatre. CCM credits: The Rocky Horror Show (Riff Raff), Yeast Nation (Jan-the-Wise), Guys and DollsJesus Christ SuperstarSondheim on SondheimChildren of Eden and the CCM Musical Theatre Incubator of Rocket Science (Heston). He originated the role of Rodrich in Nasha America in Cincinnati and NYC with Alchemation. Erich is also a choreographer with work that includes Big Fish (Village Theatre), Spring AwakeningWizard of OzRENT and Once on this Island (5th Avenue Award Recipient). His original dance show This Moment premiered at CCM during a workshop in Spring 2019. For more, visit erichschleck.com and follow @erichschleck on Instagram.

Hank von Kolnitz: Originally from Alexandria, Virginia. Regional credit: West Side Story (Big Deal) at The Lex; Little Mermaid (Prince Eric), Jesus Christ Superstar (Pontius Pilate) at the Clinton Area Showboat. West Side Story (Riff), Chicago and The Drowsy Chaperone at Santa Rosa Summer Rep; Mamma MiaBest Little Whorehouse in Texas at Totem Pole Playhouse. CCM credits: Rocky Horror Picture Show (Eddie/Dr. Scott), Hunchback of Notre Dame (Ensemble), Seussical (Ensemble U/S Wickershams), Guys and Dolls (Rusty Charlie) and more. For more, visit hankvonkolnitz.com and follow @hankvonko on Instagram.


About CCM Musical Theatre

The Musical Theatre program at the University of Cincinnati College-Conservatory of Music (CCM) is the oldest in the country and was the first of its kind. A four-year bachelor of fine arts (BFA) program, it was used by the National Association of Schools of Theatre in formulating the guidelines for the accreditation of Musical Theatre programs nationwide.

The program provides professional conservatory training designed to help singers, dancers and actors become accomplished musical theatre performers. Students participate in a number of productions while in residence and create a freshman and a senior showcase, the latter functioning as their New York debut for agents and casting directors. In addition, students undertake courses in English, history, psychology, dramatic literature, social and ethical issues and the humanities.

CCM Musical Theatre is widely recognized for its “triple-threat” approach to training and many of its graduates are following careers as performers and creative artists in every facet of the entertainment industry. CCM Musical Theatre graduates are working on Broadway and throughout the nation in such productions as AnastasiaHamiltonWaitressMoulin RougeThe Phantom of the OperaThe Book of Mormon, Pippin, WickedJersey BoysLes Misérables, Kinky Boots, Big Fish, Newsies and The Lion King. Students represent CCM in national and international touring productions, in dinner theatres and theme parks, on cruise ships, on television, in talent agencies, as producers and in many of the related entertainment fields.

The Musical Theatre program is part of a larger academic division known as TAPAA: Theatre Arts, Production and Arts Administration. At the time of its establishment in 1991, the Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM was the only academic chair of its kind in the United States, the American equivalent of the Chair in Musical Theatre endowed by Cameron Macintosh in honor of Stephen Sondheim at Oxford one year later.

Learn more about CCM’s BFA Musical Theatre program.

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Alumnus recruits MLB stars and musicians for virtual rendition of ‘Take Me Out to the Ballgame’

Warm up for the start of the Major League Baseball season with a special virtual performance of “Take Me Out to the Ballgame” that showcases UC College-Conservatory of Music students and alumni with MLB players. The performance is available to watch online.

Alumnus Harrison Sheckler (BM Piano, ’19) brought 200 people together for the performance, which was professionally produced with help from former Cincinnati Reds pitcher Bronson Arroyo. The performance features singers and musicians from CCM and the Brooklyn College. Filling out the roster for the project are Bret Saberhagen (pitcher in the Royals Hall of Fame and 1985 World Series champion and former Met); Jim Day (FOX Red’s baseball announcer); Susan Roush Dellinger (author of “Red Legs and Black Sox” and granddaughter of Baseball Hall of Famer Edd Roush); Nick Martinez (pitcher for the Hokkaido Nippon Ham Fighters of Nippon Professional Baseball and former Ranger’s pitcher); Aristides Aquino (Red’s outfielder); Dale Scott (Former MLB umpire) and many others.

The video features 22 CCM students and alumni representing multiple areas of the college including violin, cello, clarinet, double bass, oboe, flute, piano, harp, horn and more. It also includes CCM Professor of Music (Tuba and Euphonium) Tim Northcut. It was produced by CCM Commercial Music Production alumni Armin Meyer and Grant Bayer, who are audio engineers at Cincinnati’s Zated Records. Many of these students and alumni also participated in Sheckler’s virtual performance of “You’ll Never Walk Alone.” CCM students and alumni involved in the “Take Me Out to the Ballgame” performance include:

  • Armin Meyer (BM Commercial Music Production, ’18)
  • Grant Bayer (BM Commercial Music Production, ’18)
  • Natalie Orth (BM Violin, ’20)
  • Jonathan Lin (BM Violoncello, ’18)
  • Carolyn Regula – former DMA Violoncello student
  • Peter Ryan (MM Violoncello, ’19) – current DMA Violoncello current
  • Sarah Minnemanm – current DMA Oboe student
  • Patrick Grimone (BM Oboe, ’19)
  • Taylor Overholt (BM Clarinet, ’19)
  • Collin Goff – current BM Music Education and Clarinet
  • David Goist (BM Violin, ’16; MM Violin, ’18)
  • Kanako Shimasaki – current DMA Violin student
  • Taylor Fleshman (BM Harp, ’18)
  • Evan Sacks-Wilner – current BM Tuba student
  • Li-han Eliza Tseng (DMA Violoncello, ’19)
  • Katie Riley – current BM Flute student
  • Ryan Penshorn – former BM Horn student
  • Eliza Edge (BM Horn, ’19)
  • Phillip Palmore (BM Horn, ’20)
  • Taiga Benito – current BM Double Bass student
  • Harrison Sheckler (BM Piano, ’19)
  • Tim Garner (BM Commercial Music Production, ’19)

The performance has earned media attention from the Cincinnati EnquirerWGN-TVBackstage and Spectrum News.

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CCM Arts Administration Student wins Gena Branscombe Project Award

In its inaugural year, the Gena Branscombe Project has awarded its 2020 scholarships to four women, including UC College-Conservatory of Music Arts Administration student Sydney Pepper. The scholarships support the winners in their continuing pursuit of undergraduate and graduate studies and shine “a light on exceptional emerging, talented, women in music.”

CCM Arts Administration student Sydney Pepper. Photo/Provided.

CCM Arts Administration student Sydney Pepper. Photo/Provided.

Named after influential composer and advocate of contemporary American music Gena Branscombe (1881-1977), the Project awarded Pepper the 2020 Emerging Arts Administrator scholarship. It also awarded the 2020 Emerging Composer scholarship to Catherine Willingham, the 2020 Emerging Conductor scholarship to Genevieve Welch and gave a 2020 Emerging Conductor Honorable Mention award to Michaela Gleason. Read more about the award winners in the online announcement.

Pepper will begin her second year in CCM’s MA/MBA Arts Administration program in August. Her experience in Cincinnati spans from working in CCM Preparatory and Community Engagement to the Cincinnati Shakespeare Company. She was originally scheduled to serve as a development intern for the Opera Theatre of St. Louis this summer, but COVID-19 cancelled those plans. Instead, Pepper is doing development work for both the Portland Bach Experience in Maine and for the Cincinnati Shakespeare Company.

“The [CCM] Arts Admin program has transformed and expanded my love of the field,” says Pepper, who previously attended Clark University to pursue a vocal performance degree. “A year ago, I couldn’t have imagined the amount of knowledge that I would have gained throughout this year, but I am so very grateful. Not only am I grateful for all of the learning opportunities, but I could never express enough my gratitude to Professors Jean Hamilton and Rebecca Bromels as well as my cohort, all of whom have made a year full of uncertainty and challenges so, so much easier.”

Pepper’s first experience as an arts administrator was with the Portland Bach Experience, where she began as an intern and worked her way to Festival Manager. In her senior year at Clark University, she served as the Marketing and Box Office Coordinator for Music Worcester, Inc. and as the President of the Clark University Choirs. Under her supervision, the Clark University Choirs performed a 21st century revival of lost composer Gena Branscombe’s Pilgrims of Destiny.

About the Gena Branscombe Project

The Gena Branscombe Project is dedicated to the revival and performance of the music of American composer and conductor Gena Branscombe. Founded by Branscombe experts and family members, the project seeks to continue the spirit of Branscombe’s lifelong example of inspiring women in music, by awarding three yearly scholarships in her honor. All proceeds of the revived music go to support the yearly scholarships. The project is run by Kathleen Shimeta, Daniel P. Ryan and Regan Siglin.

About Gena Branscombe

The legacy of Gena Branscombe (1881-1977) is that of composer, conductor and leader of women in music. Composing over 150 arts songs, chamber music, piano pieces and choral works, they were available from 23 different publishers. As a conductor she led MacDowell choruses, the Chicago Women’s Symphony, college choirs, women’s club choruses and her own Branscombe Choral. These groups under her direction performed music by American composers and in particular, American women composers. Holding national office Branscombe was a member of the General Federation of Women’s Clubs, National League of American Pen Women, National Federation of Music Clubs, Society of American Women Composers, Altrusa International and more. At meetings on the state and local levels she encouraged women to be active in their communities’ music organizations and to perform at their own meetings. She organized and presented programs of American music for club members to use as guidelines for programming. Branscombe was a wife, mother of four, pianist, composer, conductor and leader of women whose legacy inspires the Gena Branscombe Project scholarships.

CCM News Student Salutes

Hope After Hate: E-Media Professor Shares Father’s Holocaust Experience

CCM E-Media Professor and Emmy Award-winning journalist Hagit Limor shares her father’s Holocaust survival story with lessons to inspire action against hatred and bigotry today

The spring 2020 edition of UC Magazine features a cover story about the ground-breaking “Hope After Hate” project launched by CCM E-Media Professor Hagit Limor. The story is available to read online.

Inspired by her father’s story of struggle and survival during the Holocaust, Limor set out to create “Hope After Hate: Moniek’s Legacy” to share his experience through immersive theatre and virtual reality. In October 2019, Limor’s Media Topics class of 15 students traveled to Poland and Germany to retrace her father’s journey. They will use the photos, videos and research collected during the trip to create an immersive play and virtual reality experience for the “Hope After Hate” project.

“Hope After Hate” will be an innovative, new kind of theatre — part play, part video and part virtual reality. Projections of historical settings will surround the audience during the immersive play, creating a virtual set in which they sit and interact with the actor portraying Moniek Limor. The “Hope After Hate” team is also creating a separate 15-minute virtual reality experience that will immerse users in Moniek’s story with goggles and hand sensors.

Viewers will be transported into the attic where he hid with his family as a child, into the Hasag-Pelcery labor camp where he was enslaved for more than a year as an adolescent, into the cattle-car train that transported him to the Buchenwald concentration camp when he was 14 and into the camp itself, where he was an inmate for four months. The project explores how people struggle to hold on to their humanity when surrounded by hate and fear. It also shares historical lessons in an effort to turn bystanders into upstanders who will speak out against hatred and bigotry today.

“Hope After Hate” unites students, faculty and staff from across UC, including undergraduate and graduate students majoring in E-Media, Acting, International Affairs, Political Science, Geography and History. CCM Acting Professor Susan Felder is adapting Limor’s memoir of her father’s experience into a script for the immersive play. Additionally, the “Hope After Hate” team is collaborating with CCM Lighting Design and Technology Professor Sharon Huizinga on how to create projections for the play. UC’s Center for Simulations and Virtual Environments Research (UCSIM) is building the VR experience with the 360-degree photos and videos that students captured while on the trip.

Read UC Magazine’s cover story on “Hope After Hate” to learn more about the project. Readers can also view photo galleries of images taken during the study abroad trip and watch a student-created documentary on the project.


“Hope After Hate” is sponsored by Cincinnati’s Holocaust and Humanity Center, and has already received support from private donors as well as Cincinnati’s Jewish Innovation Funds and the CCM Harmony Fund. This support offset travel expenses during the study abroad trip and funded some production expenses. However, the class is still actively collecting donations for projectors needed for the play and virtual reality equipment. Visit hopeafterhate.com for updates on the project and to learn how to get involved. 

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Long Beach Opera’s production of The Central Park Five. Photo credit: Long Beach Opera

CCM alumnus Leslie B. Dunner conducts Pulitzer Prize-winning opera ‘The Central Park Five’

Long Beach Opera’s production of The Central Park Five. Photo credit: Long Beach Opera

Anthony Davis’ opera won the prestigious prize after Dunner led the world premiere in June 2019

CCM graduate Leslie B. Dunner (DMA Orchestral Conducting, ’82) conducted the premiere of Anthony Davis’ The Central Park Five last June with California’s Long Beach Opera. In May, the opera won the 2020 Pulitzer Prize in Music.

Composed by Davis with a libretto by Richard Wesley, the opera was described by the jury of the prestigious award as, “a courageous operatic work, marked by powerful vocal writing and sensitive orchestration, that skillfully transforms a notorious example of contemporary injustice into something empathetic and hopeful.”

The Central Park Five’s musical style combines elements of jazz, hip-hop, blues and other historically African-American genres. The opera centers on the five African American and Latino teenagers who were unjustly convicted of a Central Park assault in the 1980s, but were exonerated through DNA evidence 13 years later.

CCM audiences may remember Dunner from his recent appearance on campus. In October 2019, Dunner returned to CCM to conduct the Philharmonia in its “CSI Halloween: Post-Mortem” performance. While on campus, Dunner connected with CCM conducting students over dinner and worked with them in studio class as well as in rehearsals to prepare for the performance.

An award-winning conductor with a glowing international reputation, Dunner is the Music Director of the South Shore Opera Company in Chicago and serves as the conductor of the Interlochen Arts Academy Orchestra, the World Youth Symphony Orchestra and the Interlochen Arts Camp.

Dunner began rehearsals for The Central Park Five shortly after his teaching and conducting work at the Interlochen Arts Academy ended for the 2018-19 school year. In an interview for Interlochen’s website, Dunner commented on the importance of telling the stories and struggles of black Americans through the lens of opera.

“Anthony Davis said something very interesting,” Dunner tells Interlochen. “He had an interview where he was asked what he thought was relevant with opera. Because the interviewer said, ‘Opera was becoming a dead medium.’ And Anthony replied, ‘No. It’s not a dead medium. It’s a dead medium for your stories. It’s not a dead medium for our stories because our stories have not been told in opera.’”

For Dunner, the story of the Central Park Five is very personal. “I grew up in the area where all of this took place,” Dunner tells Interlochen. “I lived eight blocks away. I used to go to that part of Central Park as a kid. All of what went on during that time I have been through.”

From the Central Park Five to today’s #BlackLivesMatter movement, stories of cultural, racial and socio-economic injustices regularly make headlines across the country. “The cycle is still being perpetuated,” Dunner tells Interlochen. “What happened to them should not be happening anymore. Yet it is still happening. That is the relevance. That’s why this was important.”

One month after Dunner led the world premiere of The Central Park Five at Long Beach Opera, another opera focused on wrongful convictions premiered at Cincinnati Opera. The stories of six people who were wrongfully imprisoned and then freed were told in Blind Injustice, a collaboration with CCM, UC’s Ohio Innocence Project (OIP) and the Young Professionals Choral Collective. Based on casework by the OIP and the book “Blind Injustice” by UC law professor and OIP Director Mark Godsey, the highly acclaimed opera was directed by CCM Professor of Opera Robin Guarino and featured several current and former CCM students in the cast.

Efforts to share diverse stories through the performing arts is not limited to tales of wrongful convictions and struggle. In February, Dunner conducted the Toledo Symphony in a program that highlighted classical musicians of color. Selections included excerpts from Nkeiru Okoye’s opera Harriet Tubman: When I Crossed That Line to Freedom, Duke Ellington’s The River Suite, André Previn’s Honey and Rue and William Grant Still’s Symphony No. 1, among other pieces. As Music Director and Interim Artistic Director of Chicago’s South Shore Opera, Dunner furthers the company’s mission to provide greater opportunities for professional artists of color, especially local black artists, in performances of classic and contemporary operas.

“We are just now coming to the foreground,” Dunner tells Interlochen. “So we are using this medium to tell our stories, and we are modifying the medium so that it’s relevant to our population, and that’s what’s interesting, and that’s what’s exciting, and that’s what I want to be a part of.”

Read Dunner’s full interview on Interlochen’s website.

Learn more about Pulitzer Prize-winning opera, The Central Park Five.

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A photo of the entrance to the CCM Atrium on UC's campus. Photo/UC Creative + Brand.

CCM Acting Faculty, Alumni and Students Embrace Local and National Digital Theatre

A photo of the entrance to the CCM Atrium on UC's campus. Photo/UC Creative + Brand.

Cincinnati Playhouse and the One-Minute Play Festival share creative monologues and short-plays featuring CCM Acting faculty, alumni and students

The pandemic isn’t stopping theatre artists from connecting and sharing their work. Although they can’t gather on stage or perform in front of an in-person audience right now, actors and directors are creating digital spaces to share theatre online.

CCM Acting Professor Brant Russell recently participated in two digital theatre efforts through Cincinnati Playhouse in the Park’s Monologues of Hope series and the national One-Minute Play Festival (1MPF).

“A bunch of us have refused to allow the lack of sanctioned or safe traditional theatre methods to hamper our practice. We can’t gather, we can’t even be near each other, but the need to make work still exists, and the audiences for it are there,” Russell says. “Zoom/digital theatre is a burgeoning practice, and I’m proud CCM is in the mix.”

The Playhouse’s series commissioned 10 local playwrights to write monologues on the theme of hope during the pandemic. Each monologue is performed by a local actor and shared on the Playhouse’s website and social media accounts. So far, the Monologues of Hope Series has shared nine new works, including Russell’s Play for Our Time and Hope Deconstructed by CCM Acting alumna Torie Wiggins (BFA, ’02).

In Play for Our Time, Russell travels back in time to the Yellow Fever outbreak of 1878 to get some advice from Cincinnati Chief Health Administrator Dr. Thomas C. Minor, portrayed by actor Barry Mulholland. The 19th-century doctor is a bit uncomfortable with Russell’s “rectangle device” (smart phone), but he manages to share some timely words of wisdom.

Wiggins’ Hope Deconstructed features actor Ernaisja Curry in a comedic monologue that examines how “we’ve been getting hope all wrong” by associating it with negativity. “Hope should be hopeful. It should sound hopeful; it should look hopeful. It should start in the eyes like smizing, then the rest of the face follows suit, then the tone of voice, then the positive words with a burst of energy,” the actor exclaims in the monologue.

Hope and creativity fuel these digital theatre projects and various online performances across the country. It is evident in the commitment of these teachers, students, actors, directors and theatre companies who are determined to stay connected and share their work in new ways.

“Theatre develops and strengthens community,” says CCM Acting student Anastasia Jacques. “Digital theatre and live performances over Zoom have made me feel so connected to people very far away.”

Jacques participated in the One Minute Play Festival’s (1MPF) Coronavirus Plays Project, which presented 625 plays via Zoom over 11 days. Russell directed 62 of the one-minute plays, which ranged in topic from “old married couples dealing with quarantine to pigeons deciding on whom they should poop,” he says.

Dominic D’Andrea is the Founder and Producing Artistic Director of the 1MPF, which is the country’s largest and longest consistently running community-engaged theatre project. Russell directed 1MPF plays when it came to Chicago in 2011 and wrote/directed for the IMPF when it came to Cincinnati in 2015. He cast CCM students for the project and passed his directing duties to a CCM Acting student the next year. A CCM Acting student has been directing for the Cincinnati 1MPF each year ever since, and Russell continues to write plays for it.

“We produce about 1,000 plays a year in 15-20 cities and communities, in real life. We just moved what we do online, so it wasn’t that hard for us,” D’Andrea says of the 1MPF Coronavirus Plays Project. “In this case we did a partnership with The Dramatists Guild of America and, for the first time ever, did an open call. We had about 1,300 emails and 625 useable plays from that. We offered the work up to our partnering orgs and alumni directors to stage some of it. So we built a little online coalition.”

Brant Russell directs CCM Acting students, alumni and other actors through Zoom in the 1MPF's Coronavirus Plays Project. Photo/1MPF

Brant Russell directs CCM Acting students, alumni and other actors through Zoom in the 1MPF’s Coronavirus Plays Project. Photo/1MPF

Russell and D’Andrea have known each other for around 15 years, dating back to when they met at the Lincoln Center Director’s Lab. When D’Andrea launched 1MPF’s Coronavirus Plays Project, he enlisted Russell to direct 62 of them.

D’Andrea estimates that a couple thousand audience members watched the plays through Zoom, and the project involved about 14 directors, 120 actors and 625 writers from 14 different countries.

Russell’s casts included Jacques as well as CCM Acting alumni Ella Eggold (BFA, ’19), Gabriella DiVincenzo (BFA, ’19) and Paige Jordan (BFA, ’20).

Jacques played various roles during the 1MPF project including a loving spouse, a poetic farmer and — her favorite — a doting New Jersey mother. This was the first digital theatre project she has worked on, but it won’t be the last. Jacques is planning to be a guest speaker on “Reliving Childhood,” a YouTube channel launched by CCM Acting students Carlee Coulehan, Sierra Coachman and Noah Buyak. “Reliving Childhood” centers around re-watching TV shows from the students’ youth, and the idea was brought to life when students were separated during quarantine.

“We are taught that live theatre is magical because the audience and the actors are in the same room breathing the same air, but I think it is important to recognize that storytelling is the best medicine — period,” Jacques says. “If we can’t breathe the same air at least we can see each other’s faces and see each other’s hearts.”


Featured image at top: The entrance to the CCM Atrium on UC’s campus. Photo/UC Creative + Brand.

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CCM Village at night

CCM E-Media professor and student help UC Emeriti Center launch new website

CCM Village at night

The University of Cincinnati Emeriti Association and Center, headed by College-Conservatory of Music E-Media Professor Peter DePietro, unveiled a new website in April that showcases the work of recent graduate Jonathan Kilberg (BFA E-Media, ’20). As the center’s multimedia intern, Kilberg’s work included web design/development, user experience design, videography and audio production — a grouping of disciplines that are unique to CCM’s E-Media program.

Assistant Professor of E-Media Peter DePietro.

Peter DePietro.

DePietro is the first non-interim executive director of the Emeriti Center, which advocates for the interests of emeriti, provides intellectual and social opportunities and strengthens ties between emeriti and the university, local, national and international communities. The new website includes videos from the Center’s YouTube channel as well as helpful resources for the university’s retired faculty members.

Since having a major role in the Center, DePietro has worked on creating connections between UC and community leaders as well as connecting deans from different colleges across campus. He is also focused on growth and expanding membership. At CCM he continues to educate his students through experience-based learning, which is why he recruited a student to help build the Center’s new website. DePietro enlisted the help of Kilberg because he believes that engaging students in practical learning is important.

“It was an amazing opportunity to be able to work for the Center,” Kilberg says. “I jumped at the opportunity. Every single member is supportive and kind and sociable. It was amazing to meet all these people from campus life and beyond campus life.”

Creating the UC Emeriti website was no small feat. The task required both Kilberg and DePietro to take classes and tests in order to train on the university’s web content management system and to meet the standards of UC’s Digital Communications office. In addition to the website, Kilberg and DePietro created a YouTube channel with original video content. The crown jewel of the YouTube channel is the EmeriTALKS series which Kilberg noted as one of the best parts of working on this project. The EmeriTALKS videos include a joint-venture between the Center and CCM, featuring the leadership of Cincinnati’s Playhouse in the Park, and another featuring former UC President Nancy Zimpher.

As an E-Media student at CCM, Kilberg has enjoyed multiple opportunities to participate in hands on learning experiences. In October 2019, Kilberg traveled to Germany and Poland with CCM E-Media Professor Hagit Limor’s multi-disciplinary Media Topics class. The group of 15 students set out to create “Hope After Hate,” an immersive play and virtual reality experience that shares Limor’s father’s experience during the Holocaust with lessons to inspire action against future acts of hatred.

CCM’s BFA E-Media program encompasses the integrated media arts of film and digital cinema, television and broadcast media news, audio production and new media design. Students are given the opportunity to study in the track of their choosing, including Broadcast and Media Production, Multimedia Production and Film and Television Production. Internships are a key part of the curriculum and take advantage of the professional resources in Cincinnati and other areas across the country. With its emphasis on experiential learning, students acquire the hands-on skills and a digital portfolio necessary to transition successfully into the professional world.

Kilberg plans on going into the film industry and feels that one of the biggest skills E-Media has taught him is how to effectively work with a team. “E-Media pushed me to work with other people, which is so necessary in the field that I want to go in. The program taught me the importance of working as a team.”

“The professors are talented and they work hard at creating community,” Kilberg says. “They also offer great resources and there is support from the alumni of E-Media. Going forward they are going to continue to do an amazing job preparing students.”


Story by CCM Graduate Student Kelly Barefield

Featured image at top: An aerial view of CCM Village. Photo/Jay Yocis

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A photo of the entrance to the CCM Atrium on UC's campus. Photo/UC Creative + Brand.

Music at Home: Recent CCM graduates share senior recital performance video

The University of Cincinnati’s transition to remote learning put in-person public performances at the College-Conservatory of Music on pause, including senior recitals that graduating students typically present during the spring semester. However, harpist Anna Dunlap didn’t let that stop her from sharing a piece she planned to perform during her recital online.

Dunlap, who recently graduated with a Master of Music in Harp, planned to perform Marcel Tournier’s La lettre du Jardinier with fellow CCM student Sean McKay, who just graduated with a Master of Music in Trumpet. They were disappointed to lose the opportunity to perform the piece that they had already spent time practicing, so McKay suggested they present it digitally.

“Music, as it always does, provides comfort, joy and an escape from the more difficult times in life,“ says Anna Dunlap (MM Harp, ’20). “The arts are a vitally important part of everyone’s lives, so by sharing our music we are able to stay connected to our audiences, friends and colleagues.”

Dunlap, who studied with CCM Professor Gillian Benet Sella, is thankful that McKay was as excited about the performance video as she was. She was introduced to La lettre du Jardinier by her former teacher Kathleen Bride while she was an undergraduate student at Eastman School of Music.

“I never had the chance to program it there, so I was really happy about finding a friend to perform this piece with me here at CCM,” Dunlap says.

McKay, who studied with CCM Professor Alan Siebert, created the initial click track that the musicians used to record, then recorded the performances and edited the video. He says the recording part only took a couple of hours but that he probably spent around 4 hours editing the audio.

McKay is a self-taught video editor and used his experience as a performer, as well as the advice of experienced friends, for the audio recording and editing. He is using his free time during the pandemic to build a larger digital presence for himself as a freelance musician and educator.

“One of the biggest ‘silver linings’ that has come from this quarantine has been that I am moving in the right direction to expand my digital footprint, and that I have had a few opportunities to make music with friends,” McKay says. “I think that as musicians and students of music, we take for granted the simple and yet highly complex phenomena that is the experience of making music with other people.”

“I think that it is so very important for musicians to stay connected during this time, because each of us has a fire burning inside of us which drives our passion to make music; and when that fire is told to stay inside and stay healthy, that fire needs fuel to stay alive,“ says  Sean McKay (MM Trumpet, ’20). “These types of projects and collaborations with friends are what fuels our inner fire.”

Dunlap is using her time in quarantine to explore old hobbies like drawing and painting and she is staying connected with friends through video chats and virtual game nights. She is also working on new repertoire, updating her website and planning a virtual harp camp with a mentor.

She enjoys seeing the variety of creative ways musicians are continuing to perform and share music during this uncertain time. Dunlap is inspired by the orchestra videos, like the New York Philharmonic’s performance excerpt from Mahler’s Symphony No. 5 “Adagietto and the Dallas Symphony Orchestra’s performance of Ravel’s “Le jardin féerique” (The Fairy Garden) from Ma mère l’Oye (Mother Goose Suite).

From Broadway stars to prestigious professional orchestras to student musicians, performing artists across the world are determined to share their work in new ways. Recently on May 16, the Cincinnati Symphony Orchestra presented “Live from Music Hall,” which featured a performance of Mahler’s Piano Quartet and the world premiere of the first piece for The Fanfare Project by CSO Creative Partner Matthias Pintscher. The performance featured CCM professors Dwight Parry, oboe; Michael Chertock, piano; Ilya Finkelshteyn, cello; and CSO concertmaster Stefani Matsuo and principal viola Christian Colberg.

“Music is a beautiful thing. Music heals. Music sparks creativity and passion. Music helps people in so many ways. Music can change the outcome of a person’s whole day,” McKay says. “My favorite quote about music is from Aldous Huxley: ‘After silence, that which comes nearest to expressing the inexpressible is music.’ When words fail, music speaks. When people are hurt, music is there to heal and soothe.“


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