An installation to prepare for a electronic music presentation at the 2016 International Computer Music Conference.

Composition Student Presents New Work at International Conference in Netherlands

Composition doctoral candidate Mike Lukaszuk recently traveled to Utrecht, Netherlands to present an original piece at the 42nd International Computer Music Conference, an annual event that connects computer music practitioners from around the world in a series of presentations and concerts of new music.

The International Computer Music Conference was recently held in Utrecht, Netherlands. Photo provided by Mike Lukaszuk.

The International Computer Music Conference was recently held in Utrecht, Netherlands. Photo provided by Mike Lukaszuk.

Lukaszuk is in his third year at CCM, where he studies with composition professor Mara Helmuth. At the conference, he not only had the opportunity to present his new electronic music piece Przypadek, but also learned about new music and techniques from international musicians. Lukaszuk said he was fortunate to be included in the same concert as the conference’s keynote speaker, Ake Parmerud — an influential electronic musician.

“Attending these kinds of events is an extremely effective way to improve yourself,” Lukaszuk said. “You really get a sense of the standard that the top people in the field are working at and then can challenge yourself to aspire to that same level in your own music.”

“I think that the experience of attending and sharing my music with the many wonderful performers and researchers allowed me to get a sense of the direction I wish to take with my work.”

Przypadek is a Polish word for something that happens by chance, which is a reflection of the aspect of “randomness” that Lukaszuk incorporated into the music. “I feel that the use of randomness can fill a piece with a strong sense of mystery, but also a kind of relatable quality since our lives are often unavoidably affected by luck, coincidence and other forces beyond our own control,” he said. “So although the piece might sound quite calculated there’s a lot of  random selection — within a controlled framework — going on behind the scenes deciding various subtle details.”

In his music, Lukaszuk often blends real-world acoustic sounds with computer-generated sounds and uses a variety of studio techniques to create new, abstract material. You can listen to an excerpt from Przypadek here:

To listen to the full version of Przypadek, visit Lukaszuk’s website:

Lukaszuk also had the chance to hear new music. One piece that stood out to him was Starboard by Canadian composer David Berezan. He said that Berezan created a powerful sound by juxtaposing elements of melody and noise. Lukaszuk described the piece as “beautiful without being excessively sentimental.”

He hopes to incorporate what he learned at the conference into the Cincinnati Composers Laptop Orchestra Project (CiCLOP), a group formed at CCM in 2011 that is directed by Lukaszuk.

“I like the idea of developing and using tools that make this kind of music more accessible to people regardless of their skill level with music technology and expanding the notion of what can be considered a musical instrument.”

Mike Lukaszuk

Mike Lukaszuk

About Mike Lukaszuk
Michael Lukaszuk (b.1989) is a Canadian composer based in Cincinnati, Ohio. He is currently in the third year of a DMA in Composition at the University of Cincinnati, College-Conservatory of Music where he studies with Mara Helmuth. Michael holds degrees in music theory and composition from the University of Western Ontario. His music has been performed at events such as the International Computer Music Conference, the Toronto International Electroacoustic Symposium, the SEAMUS National Conference, the New York City Electroacoustic Music Festival, Electronic Music Midwest and New Music Edmonton’s Now Hear This Festival of New Music. In 2015, Michael received first prize in the SOCAN Foundation’s Hugh Le Caine Awards for electroacoustic music. While much of his recent output consists of fixed electronic works, improvisation with electronic and computer music instruments is an important part of his creative practice. Michael is the director of the Cincinnati Composers Laptop Orchestra Project (CiCLOP). He is particularly interested in designing  new musical instruments that allow users with any level of experience to create and perform electronic and computer music.

CCM News Student Salutes
Romeo and Juliet preview photography by Mark Lyons.

Q&A with DAAP Student Hope Rice, Dramaturg for CCM’s “Romeo and Juliet”

This week, CCM opens the Fall 2016 Mainstage Season with William Shakespeare’s Romeo and Juliet. For this production, the creative team includes a collaboration with a senior art history major from UC’s College of Design, Art, Architecture and Planning (DAAP). Hope Rice teams up with the Romeo and Juliet crew to bring the show together as its “dramaturg.”

But what exactly is a dramaturg? And how is the role used for Romeo and Juliet? CCM graduate student Charlotte Kies reached out to Rice to find out more about her role in the production.

Rice’s interest in theatre was sparked after she took a few classes with CCM assistant professor of acting, Brant Russell — who also directs the upcoming production of Romeo and Juliet. She was then invited to join CCM’s TRANSMIGRATION in 2015 and is now pursuing an independent study in dramaturgy with Christine Mok, assistant professor of drama and performance in UC’s McMicken College of Arts and Sciences.

It’s always exciting to cast students from multiple departments in CCM productions. As a DAAP student, however, your involvement is unique. What was your experience like when you were previously cast in CCM’s TRANSMIGRATION?
I got to work with seven CCM Acting students in writing and performing our play. I became intimately acquainted with the logistics of writing a short play, the rehearsal and technical process and the performance. I had a small role with no speaking lines (at my request) because I originally wanted to be involved from a writing and directing position. My favorite experience from TRANSMIGRATION was getting to know the members of my team and creating a play that was meaningful to all of us. I also learned how collaboration and accountability are an intrinsic part of the process of getting the play from script to stage.

What is your role as dramaturg for Romeo and Juliet?
There are a lot of different ways to describe dramaturgy. Not just in this production, but in all shows, dramaturgs help to support the director’s vision by making sure that all elements that make up the play are coherent. Dramaturgs act as an outside eye to see connections between the script, actors and audience. So in the rehearsal process, dramaturgs observe acting, blocking, set design, sounds, etc. and take notes. We then meet with the director after rehearsals and discuss our thoughts. Dramaturgs support the concept of the play and help the director find elements to refine and enhance that vision.

How has your degree and experience in DAAP helped you in this role?
I am a senior in the art history program in DAAP with a focus in film studies. The art history program has taught me how to take apart an art work and analyze its pieces within the whole, while also considering its social, political and economic context and consequences. Dramaturging a play uses some of the same types of critical thinking.

What have you learned from working on Romeo and Juliet?
Besides TRANSMIGRATION, I have not seen a play develop from start to finish, so I have learned what that process is like from Romeo and Juliet. Specifically, I’ve been able to see how all the elements of a play — directing, acting, sound, light, design, dramaturgy, etc. — all collaborate and work to produce the show. Most importantly, I’ve learned that theatre would not be possible without collaboration. The CCM Acting program has a close community within and outside the theatre, and I’ve been able to see how that contributes to the magic of CCM productions.

Hope Rice will join CCM again in the spring for the annual TRANSMIGRATION festival. Catch a performance of CCM’s Romeo and Juliet this weekend to see her contribution as dramaturg reflected on stage.

Romeo and Juliet opens on Wednesday, Sept. 28 (preview) and runs through Sunday, Oct. 2 at CCM’s Patricia Corbett Theater.

Performance Times
• 8 p.m. Wednesday, Sept. 28 (preview)
• 8 p.m. Thursday, Sept. 29
• 8 p.m. Friday, Sept. 30
• 2 and 8 p.m. Saturday, Oct. 1
• 2 p.m. Sunday, Oct. 2

Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Romeo and Juliet are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Tickets to the Sept. 28 preview performance are just $15.

Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Customizable subscription packages are also available for CCM’s 2016-17 Mainstage Series.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit for more information on parking rates.

For detailed maps and directions, please visit Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s


Story by CCM graduate student Charlotte Kies

CCM News Faculty Fanfare Student Salutes
Cohen Studio

Student Compositions Showcased in CCM’s “A View from the Edge” Recital

The University of Cincinnati’s College-Conservatory of Music offers a few recitals each semester called “A View from the Edge.” These free concerts showcase original works of student composers and give audiences a look over the precipice of current compositional techniques.

The first of this season’s student composition recitals is at 8 p.m. on Monday, Sept. 26 in CCM’s Cohen Family Studio Theater. The concert program includes a set of three songs for soprano and piano inspired by the ancient Egyptian Book of the Dead, a freshman composer’s first piano sonata and How I Lost My Voice, a piece for flute and guitar that a student wrote in response to the Nov. 13, 2015 terrorist attacks in Paris.

Daniel Harrison

Daniel Harrison.

Daniel Harrison, a third-year doctoral candidate studying music composition, is one of the student coordinators for this installment of “A View from the Edge.” CCM graduate student Alexandra Doyle got in touch with Harrison to get a preview of the upcoming recital.

Can you tell me a bit about “A View from the Edge” and the goals of these recitals?
The “View From The Edge” series was created as a way to showcase the newest compositions from the students in the CCM composition studio. At these concerts, you will hear premieres of chamber music, which range from solos to small ensembles and occasionally works that incorporate electronics. One of the outstanding characteristics of our composition studio is how diverse all of our compositional voices are; everyone has something different to say and their own way of saying it.

What’s it like to work with student performers to hone your pieces? Have you found that you make a significant amount of changes after rehearsals have begun?
Working with other students is great! I love it when there is a sense that we, as a team, are collaborating together to create an experience for a concert-goer. As a composer, I view my role in this as only a third of the equation; the audience and performer make up the other two thirds. I have gotten advice from performers that has led to some significant revisions, both in terms of idiomatic treatment of the instruments and notional choices.

Which three pieces on the program stand out to you, and why?
One of the three pieces on the concert that I’m really looking forward to hearing is Phillip Robert‘s Her em Iteru, which is a set of three songs for soprano and piano based on texts found in the ancient Egyptian Book of the Dead. Another is our incoming freshman composer Maksym Mahlay‘s first piano sonata, which looks like a fiery and virtuosic piece for solo piano. It’s also worth noting that the composer himself will be performing the piece. Lastly, my piece for flute and guitar, How I Lost My Voice, will be premiered at the recital. This piece attempts to capture the feeling of not being able to express oneself vocally and contains extended techniques in the flute and guitar that give the illusion of a voice becoming hoarse and transparent.

Did a personal experience inspire your work, How I Lost My Voice?
While I was composing this piece, the Nov. 13, 2015 Paris attacks occurred. After the initial shock, I vividly recall feeling this wave of absolute hopelessness. What could I do? As someone whose profession is to write music, in a country thousands of miles away and separated from France by an ocean, ‘not much’ is as a gross understatement. This event radically refocused my perspective and reframed the project I was working on for a reading session, which was a simple, short piece for flute and guitar.

I began asking what purpose music served in response to tragedy. I imagined that even if I screamed until I lost my voice, there was nothing that I could do to undo what happened. My only recourse was to respond through music well after the fact.

What should people who haven’t experienced much new music expect if they come to “A View from the Edge”?
I would come in to these concerts with an open mind. Our composition studio is filled with students who have different aesthetics. No two recitals will offer the same sounds. One bit of advice that I would offer to someone who is looking to experience a new music concert for the first time is to listen to the music in the same way one would taste a new dish­ – just be open to the experience!

The first “A View from the Edge” recital is at 8 p.m. on Monday, Sept. 26 in CCM’s Cohen Family Studio Theater. Composition students will have another opportunity to showcase their new works in the second concert at 8 p.m. on Monday, Oct. 31 in Patricia Corbett Theater.


Story by CCM graduate student Alexandra Doyle

CCM News Student Salutes

Know Theatre Co-production “Runaways” Opens CCM’s Studio Series

Students from the University of Cincinnati College-Conservatory of Music are taking over the stage at the Know Theatre for a free public preview performance of Elizabeth Swados’ Runaways at 8 p.m. Wednesday, Sept. 21.

Runaways, created in the 1970s, is based on hundreds of interviews with teenagers who had run away from home, from predators or from themselves. It blends musical styles from pop to hip-hop, jazz to reggae, while asking why children can’t remain children.

CCM Musical Theatre students in "Runaways", co-produced by the Know Theatre.

CCM Musical Theatre students in “Runaways”, co-produced by the Know Theatre.

Co-produced by CCM and Know Theatre, Runaways is directed and choreographed by CCM Professor Vince DeGeorge with musical direction from first-year Masters of Music student, Luke Flood. The cast is made entirely of CCM Musical Theatre students and the stage management team is comprised of students from CCM’s Theatre Design and Production Department. It will run at the Know Theatre Wednesday, Sept.21-Sunday, Sept. 25.

The Know Theatre and CCM have worked to co-produce multiple productions that give students opportunities to perform on a professional stage and showcase their talents outside of the CCM campus community. This partnership began shortly after CCM alumnus Andrew Hungerford (MFA Lighting Design and Technology, 2005) became the Producing Artistic Director at the Know.

“I am continually amazed at how invested the students are in this very unique musical,” DeGeorge said of the Runaways cast. “Every rehearsal these young actors are challenging themselves to physically, psychologically and emotionally live through the songs and monologues of this show – telling stories that, for the most part, may be very far away from their own personal experiences.”

“The challenging and life-affirming work that is being done in this show is testament to the genius of Elizabeth Swados and the courage of the students that we have here at CCM.”

To prepare for their performances, students have received additional training from Maria Fernanda Del Real, a junior in CCM’s Acting Department who is working as the Spanish-language coach for the production. Additionally, Elizabeth Jean-Baptise, an assistant professor in field service at UC, has taught sign language to student Kyle Pollack, who plays a deaf character named Hubble in the musical.

“Learning the ins and outs of a deaf character has strengthened my understanding of the text, the use of my body in space, my relationships with others in the show, and the way I view, accept and understand others in daily life,” Pollack said. “Runaways has continued to challenge me as an actor and instill even more love for our craft with each day.”

Student Tyler Sodoma added: “Runaways was written almost 40 years ago and contains social issues and material that are still such a huge part of society today. The fact that this work of art still speaks to us young adults and audience members today proves how brilliant the writing is.  I am so excited to open this production and bring it to Cincinnati, especially in the heart of downtown, OTR.  The Know Theatre is the perfect venue for this intimate and extremely personal show.”

CCM's Studio Series opens with Elizabeth Swados' RUNAWAYS, co-produced with Know Theatre of Cincinnati.

CCM’s Studio Series opens with Elizabeth Swados’ RUNAWAYS, co-produced with Know Theatre of Cincinnati.

Runaways will run at the Know Theatre, located at 1120 Jackson St. in Over-the-Rhine, with performances at 8 p.m. on Sept. 21-24. The musical has additional performances at 3 p.m. on Sept. 24-25 and a final 7:30 p.m. show on Sept. 25. Tickets range from $15 to $25 and are available on Know Theatre’s website,

Runaways Creative Team:
Vince DeGeorge, director
Luke Flood, music director*
k. Jenny Jones, fight director
Foster Johns, dialect coach
Maria Fernanda Del Real, Spanish-language coach*
Elizabeth Jean-Baptiste, ASL coach
Jenny Mollet, assistant director/choreographer*
Scott Slucher, production stage manager*
Courtney Hickenlooper, assistant stage manager*
Kate Pozner, production assistant*
Kat Miller, props master/coordinator
* CCM Student

Runaways Cast:
Delaney Guyer
Ciara Harris
Marissa Hecker
Kendall McCarthy
Emily Ashton Meredith
Jenny Mollet
Gabriela Rodrigues
Emily Royer
Shauna Topian
Amanda Valenzuela
Bryce Baxter
Dylan Dougal
Zach Erhardt
Louis Griffin
Tyler Jent
Jordan Miller
Dylan Mulvaney
Kyle Pollak
Tyler Sodoma
Alex Stone
Donelvan Thigpen
Zack Triska

The KNOW Staff:
Andrew Hungerford, Producing Artistic Director
Tamara Winters, Associate Artistic Director
Emily James, Resident Stage Manager
Nick Koehlke, Technical Director
Alice Flanders, Managing Director
Sarah Beth Hall, Production and Design Associate

CCM News Faculty Fanfare Student Salutes

CCM and Twin Towers Partnership Grows to Embed Four Students Within Senior Living Community

In 2015, CCM and Twin Towers partnered to create a new artist-in-residence program, which provided two CCM graduate students with free housing as they lived and performed in the senior living community. The program provides students with an immersive learning experience while bringing new musical talents to the Twin Towers residents.

It began as an experiment, said Twin Towers Executive Director Jim Lay, and after a successful first year, the program doubled to embed two more graduate students in the community. The four student artists reside on one of the Twin Towers campuses as they work complete their graduate degrees at CCM. They perform one recital per month and socialize with the community’s residents throughout the year in discussions and open rehearsals.

“None of us imagined the level and depth of mutual connection and personal relationships that have emerged between these individuals of different generations, nor did we imagine the potential impact that this relationship has had on the energy and vitality within our Twin Towers community,” Lay said.

The program’s inaugural artists-in-residence were second-year Master of Music students soprano Annie Barr and collaborative pianist Alyssa Griffith. This year, they are joined by harpist Anna Odell and jazz studies major Angie Coyle, both are first-year Master of Music students at CCM.

Annie Barr remembers how supportive the Twin Towers residents were during the first year of the program and said she loved performing in front of such an encouraging audience, which usually included around 200 residents.

“Making someone else’s day brighter with music makes my day,” she said. “I talk to many of the residents most days, simply from walking on community grounds or practicing in the main lounge. I’ve learned a lot about their lives and in return they’ve learned about my life as a musician.”

The two new artists-in-residence, Anna Odell and Angie Coyle, moved in to their new homes in August and were quickly invited to a welcome “block party” to meet their Twin Towers neighbors.

“When I first heard about Twin Towers, I loved the idea of automatically having ‘150 grandparents,’ “Odell said. “Living at Twin Towers has been amazing. The community is so kind and welcoming; I felt at home right as soon as I moved in.”

The program offers her a valuable opportunity to improve performance skills in monthly recitals for the residents, she said. “Performing is a skill that definitely takes practice and gets easier the more you do it, so playing at Twin Towers is a great atmosphere in which to fine-tune that skill.”

Angie Coyle added: “This program makes it easier for us to focus on our studies by helping with the financial burden and it also gives us a chance to be somewhere that our music is truly appreciated. It is nice to see people so grateful for us being here and sharing our music with them.”

All four artists-in-residence performed at Twin Towers for the first time this year on Thursday, Sept. 15, in a “meet and greet” concert for the senior living community. They will also perform short, 30-minute concerts as part of “Twin Towers Day” at the CiTiRAMA home showing event in College Hill on Friday, Sept. 16.

On October 14, the students will perform in the Twin Towers “A Musical Feast” fundraising concert. Event details for “A Musical Feast” will be available on the Twin Towers website within the month.

“When you attend an evening concert, it is inspiring to see the genuine affection shared between those who perform and their audience of neighbors and dear friends,” Jim Lay said. “I cannot envision a future at Twin Towers that would not include these beloved artists.”

twin-towersAbout the Twin Towers Senior Living Community
Located on Hamilton Avenue between Cincinnati’s Northside and College Hill neighborhoods, Twin Towers is committed to enhancing adult lifestyles through a philosophy of whole-person wellness. Specializing in both residential and assisted living, the community consists of patio and apartment homes throughout their Towers, Greeno, North and Parkview areas. Twin Towers provides a full neighborhood experience including an extensive dining area, full gym and pool, and multiple other locations for residents to meet, interact and partake in the arts.

Twin Towers is owned and operated by Loveland-based Life Enriching Communities, Inc. (LEC), a private not-for-profit corporation, offering an integrated family of lifestyle communities and senior living services in greater Cincinnati. Best known for their Twin Towers and Twin Lakes senior living communities, they deliver exceptional everyday experiences to everyone they serve. With a focus on quality living options and healthcare services, and a commitment to whole-person wellness, LEC has become one of the area’s leading senior living providers. Life Enriching Communities is affiliated with the West Ohio Conference of the United Methodist Church and welcomes people of all faiths. For more information, please visit

CCM News Student Salutes

Freshmen Acting Students find Bill Clinton during CCM Scavenger Hunt

Bill Clinton’s surprise visit to Graeter’s Ice Cream shop will likely leave a lasting impression on a few CCM Acting students who found him during an annual scavenger hunt Monday afternoon.

Each year, CCM “Acting I” students are sent on a Labor Day weekend scavenger hunt to explore Cincinnati staples such as Findlay Market, Washington Park and Fountain Square. The student teams will create original theatrical compositions to present to the rest of the class based on their scavenger hunt experiences this week.

“Our students come to Cincinnati from across the U.S., and, rather than sitting in their dorms on their first holiday weekend, I want them to conquer Cincinnati together and learn that it is a place in which to play,” said CCM Professor of Acting Richard Hess. “A student who immerses herself in our city learns that artists must draw from the life that surrounds us.”

This year, students found an unexpected surprise and completed an unassigned stop on their scavenger hunt: Find a former U.S. President.

CCM Acting students Paige Lindsay Jordan and Matt Fox with former president Bill Clinton.

CCM Acting students Paige Lindsay Jordan and Matt Fox with former president Bill Clinton.

Freshmen Acting students Paige Lindsay Jordan, Nick King, Will Clark and Matt Fox found former U.S. President Bill Clinton at Graeter’s Ice Cream shop while he was in Cincinnati to support his wife Hillary Clinton’s local presidential campaign efforts.

Hess said the encounter was a shock to the students, who may incorporate the chance meeting in their original work to share with classmates.

CCM News Student Salutes
CCM Music Education students perform in the Notre Dame cathedral in Paris during a study abroad trip.

Summer Memories: Music Education Students Study Abroad in Europe

As part of the first music education study abroad trip, a group of 20 adventurous CCM students traveled to Europe to study in the countries where Western art music was born last summer.

Associate Professor of Music Education Eva Floyd hopes to organize a second study abroad trip in spring 2018. The first trip led the students to Budapest, Vienna, Salzburg and Paris on the 12-day adventure to deepen their appreciation and understanding of music. Students participated in master classes, performed in historic venues, attended concerts and visited cities in which some of classical music’s greatest composers lived and worked.

“When you see the places where Haydn, Mozart and Beethoven were born, lived or worked, it makes the music seem more human,” Floyd said, adding that half of the students had previously never travelled internationally.

Supported by grants from UC International and the Tangeman Sacred Music Center, this was the first study abroad trip for a CCM music education class, according to Floyd.

Traveling to the cities in which these great composers created masterpieces gave new life to their art and added personal dimension to music beyond what can be taught in a classroom.

Similar to learning a foreign language, music literacy is strengthened through studies as well as experience. The act of engaging with a culture first hand is a crucial step towards fluency. Likewise, studying and experiencing music in the countries of its origin encourages a broader understanding of music and music education.

Program participant Taylor Limbert, a junior in vocal music education, reflected on his experience with the program:

“Actually talking with and learning from and performing for people from other cultures was so enriching and I’m so glad I had that opportunity. I had been to Europe before last summer’s trip but this trip was by far the most important in my personal journey as an educator and a person.”

Students in front of Esterhazy Palace in Austria, home one of Haydn’s most important patrons.

Students in front of Esterhazy Palace in Austria, home one of Haydn’s most important patrons.

Students observed music classes of a variety of grades and levels and participated in workshops at the Kodaly Institute in Hungary and the Orff Institute in Salzburg. They had previously studied the famous “Kodaly approach” to music education“seeing it in person made them realize the full potential of music education,” Floyd said.

As part of the program students were able to walk in the figurative footsteps of classical giants. They visited Esterhazy Palace in Eisenstadt, Austria — home to one of Haydn’s most important patrons. Students also toured Liszt’s and Kodaly’s residences in Budapest, Beethoven’s and Haydn’s residences in Vienna and Mozart’s birth home and family residence in Salzburg. Participants also heard concerts while traveling through these historic cities, including the famous Vienna Boys Choir.

Not only did the students visit cultural landmarks, they also had the opportunity to perform in some of the most historically significant and recognizable venues such as the Kodaly Institute in Hungary, St. Stephen’s Cathedral in Vienna, Mondsee Cathedral outside Salzburg and Notre Dame Cathedral in Paris.

“It is a privilege to see and walk through historic cathedrals,” Floyd said. “To make music in such a space allows you to take a piece of it home in your heart.”

Floyd prepared the group’s choral repertoire and organized a choral conducting master class with Peter Erdei, professor at the Liszt Academy and Kodaly Institute, for both CCM and Kodaly Institute students.

“The interchange between students from all corners of the globe was very exciting and proved to be a rich experience for all,” said Floyd, who studied in Hungary for two years before joining CCM faculty.

“The experience is so much more than just learning content and traveling. It helps you learn about yourself. It is very beneficial to get out of your comfort zone, and to be an outsider with language and culture. This helps you empathize with others and find confidence within yourself.”


Story by CCM graduate student Charlotte Kies

CCM News Faculty Fanfare Student Salutes