Playbill Streams Broadway’s ‘Bandstand’ Musical Film on April 10

Playbill will stream the 2017 Broadway musical Bandstand, written by CCM Acting alumnus Richard Oberacker (BFA, ’93) and Robert Taylor, beginning tonight, April 10, 2020. The Tony Award-winning musical tells the story of World War II veteran Donny Novitski, who forms a band with fellow veterans and enters a national contest to become America’s newest musical sensation.

Richard Oberacker with CCM Acting Professor Richard Hess at a preview performance of “Bandstand” on Broadway.

The first Playbill Playback, a new series in which old and recent favorite musicals can be streamed on Playbill.com, Bandstand will be streamed for the first time at 8 p.m. on April 10 and will be available through April 17. A portion of the proceeds raised with the stream will go to The Actors Fund.

The Bandstand stream will also feature an interview with co-stars Laura Osnes, Corey Cott and Beth Leavel as well as director-choreographer Andy Blankenbuehler and co-creators Oberacker and Taylor.

In addition to Oberacker, alumni from across CCM are involved in this award-winning musical. Geoff Packard (BFA Musical Theatre, ’04) plays Wayne Wright, a trombonist in the veteran band; Max Clayton (BFA Musical Theatre, ’14) is in the ensemble; Greg Anthony Rassen (MM Orchestral Conducting, ’03) is the co-orchestrator, music supervisor and music arranger; and David Kreppel (BFA Musical Theatre, ’92) is the vocal music arranger.

Bandstand was the first theatrical production in history to be certified authentic by Got Your 6, an organization that advocates for authentic portrayal of the military across entertainment.

Learn more about the Bandstand stream on Playbill.

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Enjoy a Classic Jazz Performance from CCM’s Video Archives

Although the theaters and concert halls at the University of Cincinnati’s nationally ranked and internationally renowned College-Conservatory of Music are temporarily silent, audiences can still experience world-class performances through CCM’s new CCMONSTAGE Online video series. This week’s release features a classic jazz performance from CCM’s video archives.

On May 22, 2011, the CCM Jazz Ensemble was joined by Grammy Award-nominee, National Endowment for the Arts Jazz Master and Kennedy Center “Living Legend of Jazz” Gerald Wilson (1918-2014) for an unforgettable evening of big band music. The concert also featured the talents of Mary Ellen Tanner (1946-2014), a renowned jazz vocalist who taught at CCM for many years.

An acclaimed composer, arranger and band leader of modern jazz who was in his 92nd year at the time of this recording, Wilson’s talent was legendary among jazz insiders. His classic compositions include “Blues for Count Basie” written for Basie while Wilson was in his band and “Blues for Yna Yna,” which was the second jazz waltz ever written.

“Gerald Wilson is a living legend and a part of the golden age of the big band as a writer, arranger and trumpet player,” CCM Professor and Jazz department head Scott Belck commented in 2011, adding that Wilson was also “one of the most interesting cats you will ever meet.” Wilson passed away in Los Angeles in September 2014.

Wilson’s groundbreaking compositions, intricate arrangements and immediately recognizable sound put him in a league of his own. In his prolific seven-decade career as composer and arranger, Wilson was behind some of the greatest names in jazz, including Duke Ellington, Count Basie, Ray Charles, Ella Fitzgerald, Benny Carter, Nancy Wilson and Bobby Darin. Beyond his jazz accomplishments, Wilson’s symphonic compositions were performed by the Los Angeles Philharmonic under the direction of Zubin Mehta. He even scored a top 40 pop hit with El Chicano’s 1970 version of his “Viva Tirado,” a song that has been recorded in at least 18 different versions, including a hip-hop rendition by Latino rapper Kid Frost.

This concert was originally streamed online with support provided by the Corbett Endowment for CCM and the Franklin L. Folger Trust. The performance was later broadcast on CET Cincinnati Public Television.

Receive updates on future CCMONSTAGE Online performances by subscribing to our mailing list at https://ccm.uc.edu/subscribe


Featured image at top: The CCM Jazz Ensemble in a March 2012 rehearsal. Photo/Dottie Stover/UC Creative Services.

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CCM Named ‘Best of Cincinnati’ by CityBeat Readers and Staff

Three productions with CCM connections were voted “Best of Cincinnati” by CityBeat readers and staff. CityBeat’s Best of Cincinnati 2020 issue is available online now!

CCMONSTAGE Play Series presented “The Curious Incident of the Dog in the Night-Time” in October 2019. Photo/Richard Hess

CCM’s production of The Curious Incident of the Dog in the Night-Time won “Best Play (Student/Community)” in the magazine’s readers poll. Directed by CCM Acting Professor Richard E. Hess, the play was presented in October as part of the CCMONSTAGE Play Series.

Blind Injustice, CCM’s co-production with Cincinnati Opera and UC College of Law’s Ohio Innocence Project, received a special Best of Cincinnati staff pick award as “Best World Premiere Opera to Open Your Eyes.” Directed by CCM Opera Professor Robin Guarino, the opera featured stories of six wrongly incarcerated people who were aided by the OIP.

Blind Injustice, CCM’s co-production with Cincinnati Opera and the Ohio Innocence Project, was presented in July 2019 at Music Hall’s Wilks Studio. Photo/Philip Groshong

CityBeat staff wrote: “Robin Guarino’s terrific staging of the sold-out series of shows in the Wilks Studio in Music Hall in July 2019 drew excellent performances from a gifted cast that included members of Cincinnati’s Young Professionals Choral Collaborative. The five performances sold out months in advance, as did a free presentation at Allen Temple A.M.E. Church in Bond Hill. Blind Injustice is proof positive that opera can bear powerful witness to the social issues of our time, as well as to the strength of the human spirit in the face of mindless injustice. May it be seen again and again and again, here and throughout the country.”

CCM students self-produced “The Flick” at Clifton’s Esquire movie theater in July 2019. Photo/Ella Eggold

CityBeat staff also recognized CCM students who produced and acted in a unique presentation of The Flick, a Pulitzer Prize-winning play by Annie Baker, at Clifton’s Esquire movie theater. The production was dubbed “Best Play Held in an Unconventional Setting.” CCM Acting alumni and current students Ella Eggold, Gabriella DiVincenzo, Graham Rogers, Leonard Peterson and Kristina Steinmetz acted and produced the play, which was stage managed by CCM Theatre Design and Production student Jennelle John-Lewis. CityBeat staff praised the production team’s efforts as “spectacular” and “outstanding.”

Congratulations to all of our friends and partners also featured in this special issue of CityBeat! Read more on CityBeat’s website or view a digital version of the issue.


Featured image at top: Best of Cincinnati graphic by Taylor Speed/CityBeat

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New York Times: WVXU and CCM Revive Rare Rod Serling Baseball Comedy

Rod Serling’s comedy about confusion between Russians and the Cincinnati Reds airs at 8 p.m. on March 25 on WVXU 91.7.

CCM and Cincinnati Public Radio station 91.7 WVXU have co-produced a long-lost baseball comedy by The Twilight Zone creator Rod Serling. Recently featured by the New York Times, the radio play titled O’Toole From Moscow airs on 91.7 WVXU at 8 p.m. this Wednesday, March 25, 2020

The New York Times describes the comedy as “a screwball romp, with a side of whimsy.” Read the full article.

O’Toole From Moscow is about confusion between Russians and the Cincinnati Reds at the height of the “Red Scare” over possible Communist infiltration of American institutions during the Cold War. Serling originally wrote the one-hour television play for NBC Matinee Theatre and it was only broadcast once on Dec. 12, 1955. The performance was not filmed or recorded.

O’Toole From Moscow was adapted for radio and produced by WVXU’s John Kiesewetter, who tracked down the original script with the help of Serling historians. He also met with Serling’s daughter, Anne, who is the program host and narrator on the radio play. CCM Acting students recorded the comedy, which was directed by CCM Professor Richard Hess, at Cincinnati Public Radio’s studio. Sammi Grant, a visiting master’s student from London’s Central School of Speech and Drama, tutored the cast so they would sound authentically Russian.

Hess hand-picked his lineup of eight student cast members for the radio play: Chandler Bates, Austin James Cleri, Matt Fox, Dustin Parsons, Jack Steiner, Frankie Chuter, Cameron Nalley and Lucas Prizant. The team also recruited Cincinnati Reds organist John Schutte, who provided the ballpark organ music for the broadcast. Read more about the making of this radio play on WVXU.

The “O’Toole From Moscow” team, from left: WVXU engineer Josh Elstro, Frankie Chuter, Matt Fox, Chandler Bates, director Richard Hess, Cameron Nalley, Jack Steiner, Austin James Cleri, Dustin Parsons, Sammi Grant and Lucas Prizant. Photo/John Kiesewetter

Long-time baseball fans will enjoy Serling’s script and hear references to some of baseball’s biggest stars of the 1950s including: Jackie Robinson, Willie Mays, Mickey Mantle, Yogi Berri, Stan Musial and Ted Kluszewski.

In O’Toole From Moscow a Russian consulate staffer named Mushnick is being sent back from New York to Moscow for re-education because of his high absences due to attending Brooklyn Dodgers games at Ebbets Field. So Mushnick and a muscular Russian security officer named Joseph Bishofsky hop a train and go as far west as their money will take them — to Cincinnati. Bishofsky panics in Cincinnati and goes to the Reds office to turn himself in, mistaking the baseball team for his Russian comrades. Mushnick bursts in to explain that Joseph – whom he calls “Joseph O’Toole” – is an outfielder wanting a tryout. The Reds give O’Toole a shot, and he ends up being a better slugger than Kluszewski – until the Russians find him.

Tune in to hear the O’Toole From Moscow broadcast on 91.7 WVXU at 8 p.m. this Wednesday, March 25. A live stream of the broadcast will also be available on the WVXU website.
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CCM Announces Michael Mergen as New Associate Professor of Trumpet

CCM Dean Stanley E. Romanstein has announced the addition of acclaimed trumpeter/cornetist Michael Mergen to the college’s roster of distinguished performance faculty members. Mergen’s appointment as Associate Professor of Trumpet begins on Aug. 15, 2020.

A portrait of new CCM faculty member Michael Mergen holding a trumpet.Known for his strong and beautiful sound, Mergen is currently a member of the trumpet/cornet section of “The President’s Own” United States Marine Band. He also performs with the Blossom Festival Band in Ohio and is a founding member of Valor Brass. In addition, Mergen has performed with the National Symphony Orchestra in Washington, D.C., the Washington Symphonic Brass, the Singapore Symphony in the Republic of Singapore, the Harrisburg Symphony in Pennsylvania and the Choral Arts Society of Washington. He was a Fellow at the Tanglewood Music Center in Lenox, Massachusetts, and attended the Aspen Music Festival. He has worked with conductors Seiji Ozawa, Leonard Slatkin, Osmo Vanska, John Williams and Bramwell Tovey.

Dedicated to education, Mergen currently serves as guest artist and applied faculty at the Penn State Honors Music Institute teaching trumpet. In addition, he has given numerous master classes at world-class institutions including The Juilliard School, University of Michigan, Eastman School of Music, University of Illinois and many others. He has brought his passion for music education to middle and high schools in the Washington D.C. area as part of the Marine Band’s “Music in the Schools Initiative,” formulating a rich program for brass quintets, which he has led in numerous performances. Mergen also maintains a studio of private trumpet students.

As an active soloist, Mergen’s solo performances include numerous appearances with the “The President’s Own” United States Marine Band and most recently with the Allentown Band, which was televised in Pennsylvania. He sounded Taps for the White House moment of silence in observance of 9/11 in 2018 and 2019 as well as the 2017 nationally televised Memorial Day Concert at the US Capitol. He also co-commissioned Hanging by a Thread, a four-movement work for solo trumpet and solo tuba with wind ensemble by James Stephenson and with his brother Paul gave the U.S. premiere with the DePauw University Concert Band in 2018. Recordings of his solo performances can be heard on both the “The President’s Own” United States Marine Band YouTube channel and website. Additional non-solo recordings include numerous volumes of the U.S. Marine Band’s annual recording as well as the Valor Brass recording Inaugural.

Mergen began his musical journey at age nine. His early studies included The Juilliard School Pre-College and the Kinhaven Music School summer program. He received his Bachelor in Music degree in both Trumpet Performance and Music Education from the University of Michigan, his Master of Music degree in Trumpet Performance from Eastman School of Music, and he completed the Doctor of Music Arts degree in Performance from The Catholic University of America in 2008. He is honored to have studied with Charles Daval, Charles Geyer and the late Armando Ghitalla.

A lifelong learner, when not performing or teaching, Mergen further channels his passion for music into creating arrangements for brass quintet and trumpet ensemble, and exploring the history of the trumpet and cornet.

“Michael Mergen is a superb addition to our faculty and a wonderful successor to our distinguished colleague Professor Alan Siebert, who retires this spring after a nearly 30-year tenure at CCM,” said Romanstein. “Michael’s expertise as both an international performing artist and an accomplished educator will help us continue to prepare future generations of students for positions on the world stage. I am grateful to Trumpet Search Committee Chair Scott Belck and committee members Sandra Rivers, Denise Tryon, Timothy Anderson and Timothy Northcut for their work finding CCM’s next great trumpet professor.”

Please join us in welcoming Professor Mergen to the CCM family!

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

CCM’s world-class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-of-the-art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts.

For more information about CCM, please visit us online at ccm.uc.edu.

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Established Broadway Veteran Named Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM

UC College-Conservatory of Music Dean Stanley E. Romanstein has announced the appointment of Eric Santagata to the position of Associate Professor and Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM. A 2004 graduate of CCM’s nationally recognized BFA Musical Theatre program, Santagata’s appointment begins on Aug. 15, 2020.

“The appointment of Eric Santagata ushers in an exciting new era for CCM Musical Theatre, which is recognized nationally for its tradition of excellence in preparing our graduates to take their places on the world’s stages,” Romanstein says.

Photo of Eric Santagata

Eric Santagata. Photo by Walter McBride.

The Musical Theatre program at CCM was the first of its kind in the country. A four-year bachelor of fine arts (BFA) program, it was used by the National Association of Schools of Theatre in creating the guidelines for accreditation of Musical Theatre programs nationwide. The program is widely recognized for its “triple-threat” approach to training and many of its graduates are following careers as performers and creative artists in every facet of the entertainment industry. The program is regularly ranked near the top of Playbill Magazine’s annual list of “10 Most Represented Colleges on Broadway.”

“A gifted director, teacher and nurturing mentor, Eric is precisely the kind of educator who will lead our top-rated musical theatre training program to even greater heights,” says Denton Yockey, CCM Professor of Arts Administration and Head of the Division of Theatre Arts, Production and Arts Administration (TAPAA).

Santagata’s appointment concludes an extensive national search that began when long-time CCM Musical Theatre Chair Aubrey Berg retired at the end of the 2018-19 academic year after holding the position for 32 years. Yockey chaired the search committee, which consisted of CCM faculty members Diane Lala, Roger Grodsky, Vincent DeGeorge, Richard Hess, Robin Guarino, Mark Halpin, Katie Johannigman, Shauna Steele and UC College of Arts and Sciences faculty member Sharrell Luckett.

“As a musical theatre alumnus, CCM has been crucial in my development as both an educator and an artist,” Santagata says. “The tools and training I honed here have been the backbone of my career. I look forward to having the opportunity to take the knowledge I’ve accrued in the professional entertainment industry and focus it into a curriculum that speaks to the tradition that CCM is founded on, while ushering it into a new era of success.”

An accomplished director, choreographer, performer and educator, Santagata has worked on Broadway, Off-Broadway, on national tours and in regional theaters across the country. He was most recently seen on Broadway in the Hal Prince retrospective Prince Of Broadway at the Manhattan Theater Club. His other performing credits include Bullets Over Broadway at St. James Theatre, Chaplin at Barrymore Theatre, The Apple Tree at Roundabout Theatre Company, Happiness at Lincoln Center Theater, Stairway to Paradise and Face the Music at City Center Encores!.

Santagata has served as associate director to Tony Award-winning director/writer James Lapine in the national tour and Broadway productions of Falsettos — nominated for five Tony Awards — as well as assistant director and choreographer to Lapine in A New Brain at Encores! Off-Center in New York. He has also served as associate director and choreographer to Tony Award-winning director/choreographer Susan Stroman in Off-Broadway productions of The Beast in the Jungle and Dot at Vineyard Theatre as well as Broadway productions of The Scottsboro Boys, which received 12 Tony Award nominations, seven Olivier Award Nominations and the Ned Sherrin Award for Best Musical. In London, Santagata was the associate choreographer on Stroman’s The Scottsboro Boys at the Young Vic and West End theaters.

In addition to his work on stage and behind-the-scenes, Santagata has presented master classes and taught theatre arts at universities and programs across the country including at Penn State STAGES Conference, Eugene O’Neill Theater Center, Kennedy Center American College Theater Festival, Orpheum Theater Group, Lincoln Center for the Performing Arts, Oklahoma City University and the Open Jar Institute as well as London’s Mousetrap Theatre Organization. His master classes and talkbacks focus on Santagata’s professional experiences in acting, singing, dancing, directing, choreographing and audition techniques.

He is also an active board member of Westport Country Playhouse’s Resident Conservatory – the Broadway Method Academy, a non-profit program that offers focused training for young adults while connecting them with established industry professionals. He previously served as an adjudicator at the 2017-18 Stephen Sondheim Awards, Connecticut’s Regional Award program in association with the Jimmy Awards and the National High School Musical Theatre Awards; and as a directing mentor during the week-long Staples High School Directing Intensive in Westport, Connecticut.

Santagata is a member of the Screen Actors Guild, American Federation of Television and Radio Artists, Actors Equity Association and Stage Directors and Choreographers Society.

About CCM Musical Theatre

The Musical Theatre program at the University of Cincinnati College-Conservatory of Music (CCM) is the oldest in the country and was the first of its kind. A four-year bachelor of fine arts (BFA) program, it was used by the National Association of Schools of Theatre in formulating the guidelines for the accreditation of Musical Theatre programs nationwide.

The program provides professional conservatory training designed to help singers, dancers and actors become accomplished musical theatre performers. Students participate in a number of productions while in residence and create a freshman and a senior showcase, the latter functioning as their New York debut for agents and casting directors. In addition, students undertake courses in English, history, psychology, dramatic literature, social and ethical issues and the humanities.

CCM Musical Theatre is widely recognized for its “triple-threat” approach to training and many of its graduates are following careers as performers and creative artists in every facet of the entertainment industry. CCM Musical Theatre graduates are working on Broadway and throughout the nation in such productions as Anastasia, Hamilton, Waitress, Moulin Rouge, The Phantom of the Opera, The Book of Mormon, Pippin, Wicked, Jersey Boys, Les Misérables, Kinky Boots, Big Fish, Newsies and The Lion King. Students represent CCM in national and international touring productions, in dinner theatres and theme parks, on cruise ships, on television, in talent agencies, as producers and in many of the related entertainment fields.

The Musical Theatre program is part of a larger academic division known as TAPAA: Theatre Arts, Production and Arts Administration. At the time of its establishment in 1991, the Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM was the only academic chair of its kind in the United States, the American equivalent of the Chair in Musical Theatre endowed by Cameron Macintosh in honor of Stephen Sondheim at Oxford one year later.

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts.

The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world’s stage. For more information about CCM, please visit us online at ccm.uc.edu.

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The four members of the Ariel Quartet, string quartet-in-residence at CCM, pose on a couch with their musical instruments. Photo by Marco Borggreve.

Alumnus Anton Nel Joins the Ariel Quartet in Concert on March 10

The four members of the Ariel Quartet, string quartet-in-residence at CCM, pose on a couch with their musical instruments. Photo by Marco Borggreve.

The accomplished pianist performs Brahms’ Piano Quartet No. 1 in G Minor and other works with CCM’s string quartet-in-residence. Tickets available online

The Ariel Quartet welcomes pianist Anton Nel (MM Piano, ’84) for two works featuring strings and piano, as well as Haydn’s String Quartet in C Major, the “Emperor” quartet in the ensemble’s final performance of its 2019-20 concert series at UC’s College-Conservatory of Music. The concert, titled “Hungary,” takes place at 7:30 p.m. on Tuesday, March 10 in CCM’s Robert J. Werner Recital Hall.

The program’s highlight is Brahms’ Piano Quartet No. 1 in G Minor. This piece for piano, violin, viola and cello premiered in 1861, with Clara Schumann performing the piano part. Also featured on the program is Ernö Dohnányi’s Piano Quintet No. 2 in E-flat Minor. Brahms was a proponent of Dohnányi’s works, especially his first piano quintet, which Brahms helped to promote in Vienna. Later in his life, Dohnányi transcribed the fourth movement of Brahms’ Piano Quartet No. 1 as a showpiece for solo piano.

Described by the New York Times as “an uncommonly elegant pianist,” Nel is an accomplished solo performer who has given concerts with the Cleveland Orchestra, Chicago Symphony Orchestra, London Symphony Orchestra, and many others. He is the Priscilla Pond Flawn Regents Professor of Piano and Chamber Music, as well as the head of the Division of Keyboard Studies, at the University of Texas at Austin. He has an extensive discography and was the winner of the first prize in the 1987 Naumburg International Piano Competition at Carnegie Hall. Cincinnati audiences might remember Nel’s powerful performance with the CCM Philharmonia during the college’s Sesquicentennial Alumni Showcase in 2018.

Described by the American Record Guide as “a consummate ensemble gifted with utter musicality and remarkable interpretive power,” the Ariel Quartet has earned a glowing international reputation. The ensemble is comprised of Alexandra “Sasha” Kazovsky, violin; Amit Even-Tov, cello; Gershon Gerchikov, violin; and Jan Grüning, viola. The group was formed in Israel in 1998 and has served as CCM’s string quartet-in-residence since 2012.

About Anton Nel

Anton Nel.

Anton Nel.

Anton Nel, winner of the first prize in the 1987 Naumburg International Piano Competition at Carnegie Hall, continues to enjoy a remarkable and multifaceted career that has taken him to North and South America, Europe, Asia and South Africa. Following an auspicious debut at the age of 12 with Beethoven’s C Major Concerto after only two years of study, the Johannesburg native captured first prizes in all the major South African competitions while still in his teens, toured his native country extensively and became a well-known radio and television personality. A student of Adolph Hallis, he made his European debut in France in 1982, and in the same year graduated with highest distinction from the University of the Witwatersrand in Johannesburg. He came to the United States in 1983, attending the University of Cincinnati, where he pursued his Masters and Doctor of Musical Arts degrees under Bela Siki and Frank Weinstock. In addi-tion to garnering many awards from his alma mater during this three-year period, he was a prize winner at the 1984 Leeds International Piano Competition in England and won several first prizes at the Joanna Hodges International Piano Competition in Palm Desert in 1986.

Highlights of Nel’s four decades of concertizing include performances with the Cleveland Orchestra, the symphonies of Chicago, Dallas, San Francisco, Seattle, Detroit and London, among many others. He has an active repertoire of more than 100 works for piano and orchestra. An acclaimed Beethoven interpreter, Nel has performed the concerto cycle several times, most notably on two consecutive evenings with the Cape Philharmonic in 2005. Additionally, he has performed all-Beethoven solo recitals, complete cycles of the violin and cello works, and most recently a highly successful run of the Diabelli Variations as part of Moises Kaufman’s play 33 Variations. He was also chosen to give the North American premiere of the newly discovered Piano Concerto No. 3 in E Minor by Felix Mendelssohn in 1992. Two noteworthy world premieres of works by living composers include Virtuoso Alice by David Del Tredici (dedicated to and performed by Nel at his Lincoln Center debut in 1988) as well as Stephen Paulus’s Piano Concerto also written for Nel; the acclaimed world premiere took place in New York in 2003.

As recitalist he has appeared at Carnegie Hall, Lincoln Center, the Metropolitan Museum and the Frick Collection in New York, the Ambassador Auditorium in Pasadena, Davies Hall in San Francisco, and the Library of Congress in Washington, D.C. Internationally he has performed recitals in major concert halls in Canada, England (Queen Elizabeth and Wigmore Halls in London), France, Holland (Concertgebouw in Amsterdam), Japan (Suntory Hall in Tokyo), Korea, China and South Africa.

A favorite at summer festivals, he has performed at Lincoln Center’s Mostly Mozart Festival, as well as at the music festivals of Aspen and Ravinia (where he is on the artist-faculties), Vancouver, Cartagena and Stellenbosch, among many others. Possessing an encyclopedic chamber music and vocal repertoire he has, over the years, regularly collaborated with many of the world’s foremost string quartets, instrumen-tal soloists and singers. With acclaimed violinist Sarah Chang he completed a highly successful tour of Japan as well as appeared at a special benefit concert for Live Music Now in London, hosted by HRH the Prince of Wales.

Eager to pursue dual careers in teaching and performing, he was appointed to the faculty of the University of Texas at Austin in his early 20s, followed by professorships at the Eastman School of Music and the University of Michigan, where he was chairman of the piano department. In September 2000, Nel was appointed as the Priscilla Pond Flawn Regents Professor of Piano and Chamber music at the University of Texas at Austin, where he teaches an international class of students and heads the Division of Keyboard Studies. Since his return he has also been the recipient of two Austin-American Statesman Critics Circle Awards, as well as the University Cooperative Society/College of Fine Arts award for extra-curricular achievement. In 2001 he was appointed Visiting “Extraordinary” Professor at the University of Stellenbosch in South Africa, and continues to teach master classes worldwide. In January 2010 he became the first holder of the new Joe R. and Teresa Lozano Long Endowed Chair in Piano at the University of Texas at Austin. Since 2015 he has been presenting an annual series of masterclasses in piano and chamber music at the Manhattan School of Music in New York as Visiting Professor and also teaches regularly at the Glenn Gould School in Toronto.

Nel is also an acclaimed harpsichordist and fortepianist. In recent seasons he has per-formed annual recitals on both instruments, concertos by the Bach family, Haydn and Mozart with La Follia Austin Baroque as well as the Poulenc Harpsichord Concerto (Concert Champêtre) with the Austin Symphony.

His recordings include four solo CDs, several chamber music recordings (including the complete Beethoven Piano and Cello Sonatas and Variations, and the Brahms Sonatas with Bion Tsang), and works for piano and orchestra by Franck, Faure and Saint-Saens. His latest release features premiere recordings of all the works for piano and orchestra of Edward Burlingame Hill with the Austin Symphony conducted by Peter Bay.

Nel became a citizen of the United States on September 11, 2003 and is a Steinway artist.

Repertoire

  • HAYDN: String Quartet No. 62 in C Major, Op. 76, No. 3, “Emperor”
  • DOHNÁNYI: Piano Quintet No. 2 in E-flat Minor, Op. 26
  • BRAHMS: Piano Quartet No. 1 in G Minor, Op. 25

Location

Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Performance Time

7:30 p.m. Tuesday, March 10

Purchasing Tickets

Single ticket prices start at $29.50 each; student and group discounts available. Pricing is inclusive of all fees. All performances are reserved seating.

Tickets can be purchased online though our e-box office, over the phone at 513-556-4183 or in person at the CCM Box Office in the Atrium of UC’s Corbett Center for the Performing Arts.

Learn about additional ticket options for current CCM students.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village. Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates. For detailed maps and directions, please visit uc.edu/visitors.

Story by CCM Graduate Student Alexandra Doyle

The Ariel Quartet’s 2019-20 CCM concert series is made possible by the generous contributions of an anonymous donor, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. Randolph L. Wadsworth, Judith Schonbach Landgren and Peter Landgren, Mr. and Mrs. Harry H. Santen, Elizabeth C. B. and Paul G. Sittenfeld, Mr. and Mrs. Thomas E. Stegman, Dr. and Mrs. Theodore W. Striker and Mrs. Harry M. Hoffheimer.

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