Romeo and Juliet preview photography by Mark Lyons.

Q&A with DAAP Student Hope Rice, Dramaturg for CCM’s “Romeo and Juliet”

This week, CCM opens the Fall 2016 Mainstage Season with William Shakespeare’s Romeo and Juliet. For this production, the creative team includes a collaboration with a senior art history major from UC’s College of Design, Art, Architecture and Planning (DAAP). Hope Rice teams up with the Romeo and Juliet crew to bring the show together as its “dramaturg.”

But what exactly is a dramaturg? And how is the role used for Romeo and Juliet? CCM graduate student Charlotte Kies reached out to Rice to find out more about her role in the production.

Rice’s interest in theatre was sparked after she took a few classes with CCM assistant professor of acting, Brant Russell — who also directs the upcoming production of Romeo and Juliet. She was then invited to join CCM’s TRANSMIGRATION in 2015 and is now pursuing an independent study in dramaturgy with Christine Mok, assistant professor of drama and performance in UC’s McMicken College of Arts and Sciences.

It’s always exciting to cast students from multiple departments in CCM productions. As a DAAP student, however, your involvement is unique. What was your experience like when you were previously cast in CCM’s TRANSMIGRATION?
I got to work with seven CCM Acting students in writing and performing our play. I became intimately acquainted with the logistics of writing a short play, the rehearsal and technical process and the performance. I had a small role with no speaking lines (at my request) because I originally wanted to be involved from a writing and directing position. My favorite experience from TRANSMIGRATION was getting to know the members of my team and creating a play that was meaningful to all of us. I also learned how collaboration and accountability are an intrinsic part of the process of getting the play from script to stage.

What is your role as dramaturg for Romeo and Juliet?
There are a lot of different ways to describe dramaturgy. Not just in this production, but in all shows, dramaturgs help to support the director’s vision by making sure that all elements that make up the play are coherent. Dramaturgs act as an outside eye to see connections between the script, actors and audience. So in the rehearsal process, dramaturgs observe acting, blocking, set design, sounds, etc. and take notes. We then meet with the director after rehearsals and discuss our thoughts. Dramaturgs support the concept of the play and help the director find elements to refine and enhance that vision.

How has your degree and experience in DAAP helped you in this role?
I am a senior in the art history program in DAAP with a focus in film studies. The art history program has taught me how to take apart an art work and analyze its pieces within the whole, while also considering its social, political and economic context and consequences. Dramaturging a play uses some of the same types of critical thinking.

What have you learned from working on Romeo and Juliet?
Besides TRANSMIGRATION, I have not seen a play develop from start to finish, so I have learned what that process is like from Romeo and Juliet. Specifically, I’ve been able to see how all the elements of a play — directing, acting, sound, light, design, dramaturgy, etc. — all collaborate and work to produce the show. Most importantly, I’ve learned that theatre would not be possible without collaboration. The CCM Acting program has a close community within and outside the theatre, and I’ve been able to see how that contributes to the magic of CCM productions.

Hope Rice will join CCM again in the spring for the annual TRANSMIGRATION festival. Catch a performance of CCM’s Romeo and Juliet this weekend to see her contribution as dramaturg reflected on stage.

Romeo and Juliet opens on Wednesday, Sept. 28 (preview) and runs through Sunday, Oct. 2 at CCM’s Patricia Corbett Theater.

Performance Times
• 8 p.m. Wednesday, Sept. 28 (preview)
• 8 p.m. Thursday, Sept. 29
• 8 p.m. Friday, Sept. 30
• 2 and 8 p.m. Saturday, Oct. 1
• 2 p.m. Sunday, Oct. 2

Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Romeo and Juliet are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Tickets to the Sept. 28 preview performance are just $15.

Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Customizable subscription packages are also available for CCM’s 2016-17 Mainstage Series.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit for more information on parking rates.

For detailed maps and directions, please visit Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s


Story by CCM graduate student Charlotte Kies

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Know Theatre Co-production “Runaways” Opens CCM’s Studio Series

Students from the University of Cincinnati College-Conservatory of Music are taking over the stage at the Know Theatre for a free public preview performance of Elizabeth Swados’ Runaways at 8 p.m. Wednesday, Sept. 21.

Runaways, created in the 1970s, is based on hundreds of interviews with teenagers who had run away from home, from predators or from themselves. It blends musical styles from pop to hip-hop, jazz to reggae, while asking why children can’t remain children.

CCM Musical Theatre students in "Runaways", co-produced by the Know Theatre.

CCM Musical Theatre students in “Runaways”, co-produced by the Know Theatre.

Co-produced by CCM and Know Theatre, Runaways is directed and choreographed by CCM Professor Vince DeGeorge with musical direction from first-year Masters of Music student, Luke Flood. The cast is made entirely of CCM Musical Theatre students and the stage management team is comprised of students from CCM’s Theatre Design and Production Department. It will run at the Know Theatre Wednesday, Sept.21-Sunday, Sept. 25.

The Know Theatre and CCM have worked to co-produce multiple productions that give students opportunities to perform on a professional stage and showcase their talents outside of the CCM campus community. This partnership began shortly after CCM alumnus Andrew Hungerford (MFA Lighting Design and Technology, 2005) became the Producing Artistic Director at the Know.

“I am continually amazed at how invested the students are in this very unique musical,” DeGeorge said of the Runaways cast. “Every rehearsal these young actors are challenging themselves to physically, psychologically and emotionally live through the songs and monologues of this show – telling stories that, for the most part, may be very far away from their own personal experiences.”

“The challenging and life-affirming work that is being done in this show is testament to the genius of Elizabeth Swados and the courage of the students that we have here at CCM.”

To prepare for their performances, students have received additional training from Maria Fernanda Del Real, a junior in CCM’s Acting Department who is working as the Spanish-language coach for the production. Additionally, Elizabeth Jean-Baptise, an assistant professor in field service at UC, has taught sign language to student Kyle Pollack, who plays a deaf character named Hubble in the musical.

“Learning the ins and outs of a deaf character has strengthened my understanding of the text, the use of my body in space, my relationships with others in the show, and the way I view, accept and understand others in daily life,” Pollack said. “Runaways has continued to challenge me as an actor and instill even more love for our craft with each day.”

Student Tyler Sodoma added: “Runaways was written almost 40 years ago and contains social issues and material that are still such a huge part of society today. The fact that this work of art still speaks to us young adults and audience members today proves how brilliant the writing is.  I am so excited to open this production and bring it to Cincinnati, especially in the heart of downtown, OTR.  The Know Theatre is the perfect venue for this intimate and extremely personal show.”

CCM's Studio Series opens with Elizabeth Swados' RUNAWAYS, co-produced with Know Theatre of Cincinnati.

CCM’s Studio Series opens with Elizabeth Swados’ RUNAWAYS, co-produced with Know Theatre of Cincinnati.

Runaways will run at the Know Theatre, located at 1120 Jackson St. in Over-the-Rhine, with performances at 8 p.m. on Sept. 21-24. The musical has additional performances at 3 p.m. on Sept. 24-25 and a final 7:30 p.m. show on Sept. 25. Tickets range from $15 to $25 and are available on Know Theatre’s website,

Runaways Creative Team:
Vince DeGeorge, director
Luke Flood, music director*
k. Jenny Jones, fight director
Foster Johns, dialect coach
Maria Fernanda Del Real, Spanish-language coach*
Elizabeth Jean-Baptiste, ASL coach
Jenny Mollet, assistant director/choreographer*
Scott Slucher, production stage manager*
Courtney Hickenlooper, assistant stage manager*
Kate Pozner, production assistant*
Kat Miller, props master/coordinator
* CCM Student

Runaways Cast:
Delaney Guyer
Ciara Harris
Marissa Hecker
Kendall McCarthy
Emily Ashton Meredith
Jenny Mollet
Gabriela Rodrigues
Emily Royer
Shauna Topian
Amanda Valenzuela
Bryce Baxter
Dylan Dougal
Zach Erhardt
Louis Griffin
Tyler Jent
Jordan Miller
Dylan Mulvaney
Kyle Pollak
Tyler Sodoma
Alex Stone
Donelvan Thigpen
Zack Triska

The KNOW Staff:
Andrew Hungerford, Producing Artistic Director
Tamara Winters, Associate Artistic Director
Emily James, Resident Stage Manager
Nick Koehlke, Technical Director
Alice Flanders, Managing Director
Sarah Beth Hall, Production and Design Associate

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Cohen Studio

Professor Aik Khai Pung Gives Inside Look into Polish Festival Experience

With more than 700 audience members in attendance, the Sept. 9 opening concert of CCM’s Polish Festival was a great success! Far from being over, the Polish Festival events continue on Tuesday, Sept. 13 at 8 p.m. with a performance by CCM’s preeminent modern music ensemble, Cafè MoMus, in Cohen Family Studio Theater.

Led by CCM Assistant Professor of Music Aik Khai Pung, the Cafè MoMus concert features an evening of exciting new sounds, including a world premiere by Artur Słotwiński and a grand finale performance of the first movement of Krzysztof Penderecki’s Sextet (2000). Audience members can meet with Słotwiński and Café MoMus after the performance for coffee and conversation.

Also as part of the Polish Festival, Professor Pung will direct the CCM Concert Orchestra in a performance of Chopin’s Piano Concerto No. 1 and Górecki’s breathtaking Symphony of Sad Songs on Saturday, September 17 at 8 p.m. in Corbett Auditorium.

CCM graduate student Charlotte Kies had the pleasure of speaking with Professor Pung about his experience participating in the Polish Festival so far.

Why is it important that CCM produce a festival of concerts and lectures devoted to Polish music?
Most of our students spend about two to four years at CCM. All teachers will try to squeeze in as much materials to the students as possible during this short amount of time. These materials are important of course, but not necessarily connected. When we learn a piece of music, it is crucial that we know the background and be able to connect it with visual arts, cultures and related artists, etc. By producing such a festival, the students get an opportunity to learn about a specific topic in depth.

Hopefully this will influence and inspire them to discover more about the music they will play in the future, rather than merely playing all the right notes and rhythms. For this Polish festival, we have living scholars, artists, soloists and composers all gathered here at CCM to help our students understand more about Polish music, which is extremely valuable.

How did you pick the repertoire for the Concert Orchestra’s Sept. 17 performance? What can you tell me about your decision to pair Chopin’s Piano Concerto No. 1 with Górecki’s Symphony No. 3?
For the piano concerto, it is an opportunity for a piano student to play with a real orchestra. This year we have eight participants who competed to be featured in the concert. Piano students practice in a tiny room most of the time and rarely have a chance to play with an orchestra so it is important for us to create these types of opportunities. Górecki’s Symphony No. 3 is gorgeous and very much appropriate for training a young orchestra, especially the string section. The work requires over 50 minutes of playing with a very disciplined bow. We all know that playing slow bow exercises is essential, but how many of us really practice that daily? By programming Górecki’s Symphony, we kind of force the young string players to play beautifully and with a well-controlled bow.

In addition to directing the CCM Concert Orchestra, you also direct Café MoMus, CCM’s modern music ensemble. What can you tell me about the unique experience that MoMus will bring to this festival?
Exploring new sound is fun and exciting. I enjoy working with living composers and exploring the world of sound with them. For this festival, Café MoMus is presenting three Polish composers from different generations and backgrounds. Although all three of them were born in Poland, Krzysztof Penderecki became the professor at Yale School of Music around the mid-1970s and Bettina Skrzypczhak spent a lot of time in Switzerland and some time in Germany. Artur Słotwiński has remained in Poland for most of his life. They received different influences of cultures, which affects their compositional styles.

Instead of programming all works of well-known composers, the goal of Café MoMus is to discover young talents as well. I find Artur Słotwiński’s works energetic, well-crafted and effective. The student musicians have enjoyed playing it, but of course there are some tricky passages. Słotwiński will be here to coach us himself for the world premiere of his Piano Quintet. Bettina Skrzypczhak’s Mirrors is one of the most difficult pieces I have ever conducted — not only the complexity of construction, but also the philosophical idea behind each poem. I would say the music matches the texts and poems 100%, as if you could see the words in the music. Penderecki of course is very well-known and the Sextet is one of his few chamber works. Some scholars consider this to be one of his finest works. This is a very unique pairing and I hope it will create some sort of chemistry.


The Polish Festival runs Sept. 9-Oct. 2 throughout the CCM Village. You can learn more about the festival’s future events below or by visiting

8 p.m. Tuesday, Sept. 13
• Orchestra Series •
Café MoMus
Aik Khai Pung, music director
As part of the Polish Festival, Café MoMus will present works of Polish composers from three different generations: Krzysztof Penderecki, Bettina Skrzypczak and Artur Słotwiński. Join us for coffee and conversation with Artur Słotwiński and the musicians after the performance.
Location: Cohen Family Studio Theater
Admission: FREE

8 p.m. Saturday, Sept. 17
• Orchestra Series •
CCM Concert Orchestra
Aik Khai Pung, music director and conductor
CHOPIN: Piano Concerto No. 1
Featuring the winner of the CCM Piano Competition
GÓRECKI: Symphony No. 3 (“Symphony of Sad Songs”)
Featuring the winner of the CCM Voice Competition
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.

7 p.m. Sunday, Sept. 18
• Jazz Series •
CCM Jazz Orchestra and Faculty Jazztet
Featuring guest artist Wlodek Pawlik, piano
Scott Belck, conductor
Join us as we celebrate the stunning music and musicians of Poland and feature Grammy Award-winning pianist and composer Wlodek Pawlik as he performs his original compositions and arrangements.
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.

4 p.m. Sunday, Oct. 2
• Orchestra & Choral Series •
CCM Philharmonia, CCM Chamber Choir and Xavier University Concert Choir
Featuring faculty artist Daniel Weeks, tenor
Mark Gibson, music director and conductor
MONIUSZKO: Overture to Halka
PENDERECKI: Threnody to the Victims of Hiroshima
SKROWACZEWSKI: English Horn Concerto
SZYMANOWSKI: Symphony No. 3 in B-flat Major, Op. 27 (“Song of the Night”)
Featuring Daniel Weeks, soloist
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.

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Mark Gibson conducts the CCM Philharmonia at Moveable Feast.

Discussing CCM’s Polish Festival with Professor Mark Gibson

The University of Cincinnati College-Conservatory of Music is proud to present an interdisciplinary collection of concerts in the month-long Polish Festival running Sept. 9 through Oct. 2.


The coat of arms of Poland.

Through a series of classical and jazz concerts, lectures and a special art installation, CCM’s Polish Festival celebrates the wealth of extraordinary music and creative expression of one of the world’s great cultures.

The festival’s opening concert begins at 8 p.m. on Friday, Sept. 9, with a performance by the CCM Philharmonia in Corbett Auditorium. CCM Director of Orchestral Studies Mark Gibson will lead the Philharmonia in a concert featuring the world premiere of American Dreams by alumnus Piotr Szewczyk (BM Violin, 2000; MM Violin and Composition, 2003). The program will also include Witold Lutosławski’s Concerto for Orchestra. Naumburg Gold Medalist and CCM faculty artist Soyeon Kate Lee will join the Philharmonia for a performance of Chopin’s Piano Concerto No. 2.

Follow this link to the Polish Festival Schedule to view all of the events:

CCM graduate student Charlotte Kies sat down with Polish Festival Artistic Director Mark Gibson to learn more about the creation and inspiration behind the event.

What originally inspired you to create the Polish Festival?
The initial inspiration came through discussion with Polish friends on the wealth of extraordinary music from Poland, especially in the last century. I jokingly suggested that the only reason we don’t perform more of it is because the names are unfamiliar and daunting. After overcoming that minor stumbling block, the music on the other side – masterworks by Lutosławski, Szymanowski, Skrowaczewski, Penderecki and more – immediately rose to the level of challenge and quest.

What do you hope students will learn from participating in the Polish Festival concerts?
They are learning that there is so much beyond Chopin, even as we enjoy the rare opportunity to share both Chopin piano concertos with our students and public. Specifically, the Lutosławski Concerto for Orchestra takes its place next to, not beneath, its namesake by Bartók. The Szymanowski “Song of the Night” is nothing less than the most colorful Polish Impressionism, inspired by Ravel but uniquely crafted and painted in sound. And Penderecki’s magnum opus, “Threnody for the Victims of Hiroshima,” remains one of the most dramatic, powerful evocations of the horrors of war ever committed to paper.

Every score we have programmed, from the legendary opera composer Stanisław Moniuszko to the Grammy Award-winning jazz pianist and composer Włodek Pawlik, bears the mark of mastery and import. They all demand to be heard and experienced.

Besides the fact that the composers of the festival are Polish, how did you program all of the music? Could you tell me what led you to pair Chopin’s Piano Concerto No. 2 with Lutosławski’s Concerto for Orchestra for your opening concert?
The opening concert of the CCM Philharmonia season has more than once featured a faculty guest artist as a soloist. I had been looking for a chance to work with Soyeon Kate Lee, former Naumburg Competition winner, ever since her arrival at CCM several years ago. The Chopin was the ideal opportunity; when I asked which of the two concertos she preferred to play, she offered the F Minor. The Lutosławski leapt out as among the most celebratory, virtuosic scores I have never conducted, though I have admired it for decades. We perform Bartók’s Concerto for Orchestra in November, so the Lutosławski was therefore an easy choice to open the season. The Philharmonia is eating it up!

As for the remainder of the programming, I had the difficult task of choosing between literally dozens of worthy composers and styles. A work such as Górecki’s gorgeous and moving “Symphony of Sad Songs” is by now part of the canon. Along with the Penderecki Threnody, a broad spectrum of Polish music will be performed. Skrowaczewski’s English Horn Concerto was selected to provide a venue to feature another of our superb students. The Szymanowski Third Symphony, the “Song of the Night,” has been on my wish list for at least 20 years. It will be an honor to share it not only with our students and public, but with the Xavier University Choir and tenor soloist CCM faculty artist Daniel Weeks as collaborators on this performance. Ultimately, there were too many scores to choose from and unfortunately we can’t devote an entire year to Polish music. I hope our public might be inspired to explore further by what they hear.

Did you have a strong relationship with the Cincinnati Polish community before planning this festival?
My primary contact with the Polish community in Cincinnati has been through my jazz colleague, Rick VanMatre, who is married to the brilliant Polish visual artist, Anna Socha VanMatre. In fact, she has donated a major art work, a dramatic piece from her “Metamorphosis” series, for display in Corbett Auditorium for the Festival concerts. Through my friendship with the VanMatre’s, I have been introduced to more members of the local community, notably the scientist Piotr Chomczynski and his wife, Dr. Judith Heiny, whose generous sponsorship makes this festival possible. It has been gratifying to see the support from the local community, in particular the Polish-American Society of Greater Cincinnati, led by Emilia Bacca.

Music making is about community after all, the creation of family through sound. Our family just became significantly bigger.

Is the Polish Festival a one-time event, or do you hope to make it into a recurring celebration of Polish music?
For the past 10 years, we have started our orchestral season with a festival dedicated either to a specific composer or a national style. I felt it was time that Polish music be celebrated in a similar fashion, and though I cannot anticipate another festival dedicated to Polish music, I know that we will continue to feature it in our programming. Next year, we are committing major resources to celebrate the centenary of Leonard Bernstein, one of my conducting teachers and a major influence on the lives of so many American musicians.

Do you have any other thoughts you’d like to share?
I promise those who come to our concerts will be delighted with and inspired by the music of Poland, and they will absolutely learn how to pronounce the names of the composers by the end! I encourage one and all to join us for this unique tribute to one of the world’s great musical traditions.


The Polish Festival runs Sept. 9-Oct. 2 throughout the CCM Village. You can learn more about the festival’s opening concert and other events here.

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CCM Music Education students perform in the Notre Dame cathedral in Paris during a study abroad trip.

Summer Memories: Music Education Students Study Abroad in Europe

As part of the first music education study abroad trip, a group of 20 adventurous CCM students traveled to Europe to study in the countries where Western art music was born last summer.

Associate Professor of Music Education Eva Floyd hopes to organize a second study abroad trip in spring 2018. The first trip led the students to Budapest, Vienna, Salzburg and Paris on the 12-day adventure to deepen their appreciation and understanding of music. Students participated in master classes, performed in historic venues, attended concerts and visited cities in which some of classical music’s greatest composers lived and worked.

“When you see the places where Haydn, Mozart and Beethoven were born, lived or worked, it makes the music seem more human,” Floyd said, adding that half of the students had previously never travelled internationally.

Supported by grants from UC International and the Tangeman Sacred Music Center, this was the first study abroad trip for a CCM music education class, according to Floyd.

Traveling to the cities in which these great composers created masterpieces gave new life to their art and added personal dimension to music beyond what can be taught in a classroom.

Similar to learning a foreign language, music literacy is strengthened through studies as well as experience. The act of engaging with a culture first hand is a crucial step towards fluency. Likewise, studying and experiencing music in the countries of its origin encourages a broader understanding of music and music education.

Program participant Taylor Limbert, a junior in vocal music education, reflected on his experience with the program:

“Actually talking with and learning from and performing for people from other cultures was so enriching and I’m so glad I had that opportunity. I had been to Europe before last summer’s trip but this trip was by far the most important in my personal journey as an educator and a person.”

Students in front of Esterhazy Palace in Austria, home one of Haydn’s most important patrons.

Students in front of Esterhazy Palace in Austria, home one of Haydn’s most important patrons.

Students observed music classes of a variety of grades and levels and participated in workshops at the Kodaly Institute in Hungary and the Orff Institute in Salzburg. They had previously studied the famous “Kodaly approach” to music education“seeing it in person made them realize the full potential of music education,” Floyd said.

As part of the program students were able to walk in the figurative footsteps of classical giants. They visited Esterhazy Palace in Eisenstadt, Austria — home to one of Haydn’s most important patrons. Students also toured Liszt’s and Kodaly’s residences in Budapest, Beethoven’s and Haydn’s residences in Vienna and Mozart’s birth home and family residence in Salzburg. Participants also heard concerts while traveling through these historic cities, including the famous Vienna Boys Choir.

Not only did the students visit cultural landmarks, they also had the opportunity to perform in some of the most historically significant and recognizable venues such as the Kodaly Institute in Hungary, St. Stephen’s Cathedral in Vienna, Mondsee Cathedral outside Salzburg and Notre Dame Cathedral in Paris.

“It is a privilege to see and walk through historic cathedrals,” Floyd said. “To make music in such a space allows you to take a piece of it home in your heart.”

Floyd prepared the group’s choral repertoire and organized a choral conducting master class with Peter Erdei, professor at the Liszt Academy and Kodaly Institute, for both CCM and Kodaly Institute students.

“The interchange between students from all corners of the globe was very exciting and proved to be a rich experience for all,” said Floyd, who studied in Hungary for two years before joining CCM faculty.

“The experience is so much more than just learning content and traveling. It helps you learn about yourself. It is very beneficial to get out of your comfort zone, and to be an outsider with language and culture. This helps you empathize with others and find confidence within yourself.”


Story by CCM graduate student Charlotte Kies

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Janelle Gelfand’s 10 picks to see this Fall at CCM

The arts and e-media school — College-Conservatory of Music at the University of Cincinnati — offers an embarrassment of riches (the most performances in the state, I’m told) and much of it is free. The season starts Aug. 29. See the whole digital calendar here. (My list is just the tip of the iceberg.)…

via My 10 picks to see this Fall at CCM — janellesnotes

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CCM faculty artists Craig Bailey, James Bunte and Scott Belck. Photography by Andrew Higley.

CCM Presents Free Performances by World-Class Musicians with Fall 2016 Faculty Artist Series

The esteemed faculty artists at UC’s College-Conservatory of Music take center stage during 12 diverse performances this fall! Running from August 29 through November 1, these programs highlight music from multiple genres, from classical styles to contemporary commercial music and beyond.

Each concert in CCM’s Faculty Artist Series series is free and open to the general public, offering audiences the chance to hear recitals by world-class artists in CCM’s stunning performance halls.

Please refer to the listings below for a complete schedule and additional performance information.



8 p.m. Monday, Aug. 29
Timothy Northcut, tuba
Location: Cohen Family Studio Theater

8 p.m. Wednesday, Sept. 7
Alan Siebert, trumpet
Sandra Rivers, piano
A night of trumpet and piano, with selections by Joseph Turrin, George Gershwin, Robert Schumann, J.G.B. Neruda, Brendan Collins and others.
Location: Robert J. Werner Recital Hall

4 p.m. Sunday, Sept. 11
Marie-France Lefebvre, piano
Featuring Mark Gibson, piano; Donna Loewy, piano; and Nathaniel Chaitkin, cello
This program will include Rachmaninoff’s Cello Sonata, Op. 19, and Corigliano’s Gazebo Dances, along with works by Mozart and Schubert.
Location: Robert J. Werner Recital Hall

The previously announced Sept. 19 performance by Daniel Weeks and Donna Loewy has been rescheduled for 4 p.m. on Sunday, Jan. 22, 2017. The performance will remain in the Robert J. Werner Recital Hall.


8 p.m. Monday, Sept. 19
Allen Otte, Percussion
Featuring music written for Allen Otte by Rzewski, Schuette and Applebaum as well as original compositions by Otte himself!
Location: Cohen Family Studio Theater

8 p.m. Tuesday, Sept. 20
Mary Stucky, mezzo-soprano
Rodney Stucky, guitar and lute
Performing songs from the rich repertory of French, German, Spanish and English music for voice, guitar and lute.
Location: Robert J. Werner Recital Hall

8 p.m. Tuesday, Sept. 20
Russell Burge, vibraphone
Steve Allee, piano
Original compositions and great American standards.
Location: Cohen Family Studio Theater

8 p.m. Wednesday, Sept. 21
Mara Helmuth, composition
Pianists Shiau-uen Ding and Kristofer Rucinsky perform Helmuth’s All Alarms Sounding, a new work for two pianos and 8-channel electronics. This recital also features from O for two cellos and electronics, along with works from the Sonic Refuges projects, which was inspired by Helmuth’s trip to Australia.
Location: Robert J. Werner Recital Hall

4 p.m. Sunday, Sept. 25
Michael Chertock, piano
Featuring the music of Ravel, Prokofiev, Stravinsky and Messiaen.
Location: Robert J. Werner Recital Hall

The previously announced Sept. 26 performance by Thomas Baresel, Amy Johnson, Kenneth Griffiths and Mark Gibson has been rescheduled for 8 p.m. on Tuesday, Jan. 17, 2017. The performance will remain in the Robert J. Werner Recital Hall.

8 p.m. Tuesday, Sept. 27
Commercial Music Production Faculty Concert
Experience the musical innovations of CCM’s Commercial Music Production (CMP) faculty members with a concert program featuring musical genres from across the globe! For this concert, our faculty artists perform original music with their own groups and also collectively as the CMP Faculty Group! CMP Program Director Kim Pensyl performs with faculty members Aaron Jacobs, John Taylor and Rusty Burge, along with faculty emeritus Rick VanMatre. CMP faculty artists Jim Connerely, Dan Karlsberg and Ric Hordinski also perform during this special event, which is the first concert presented by the CMP department!
Location: Robert J. Werner Recital Hall

7 p.m. Tuesday, Oct. 11
CCM Faculty Jazztet
CCM’s world-famous jazz faculty artists show off their skills with a set of cool charts and blazing solos!
Location: Robert J. Werner Recital Hall

8 p.m. Tuesday, Nov. 1
Percussion Group Cincinnati
Featuring music by Cage, Stockhausen and a premiere from CCM alumnus Mark Saya.
Location: Patricia Corbett Theater

Event Information
All events listed here take place in CCM Village on the campus of the University of Cincinnati. Admission to Faculty Artist Series performances is free and reservations are not required.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit for information on parking rates.

For detailed maps and directions, please visit Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit


CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation


A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at

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