CCM Village at night. Photo by Jay Yocis.

CCM Celebrates 150th Anniversary With Must-See Mainstage Series

The University of Cincinnati College-Conservatory of Music (CCM) marks the 150th anniversary of its founding with a year-long Sesquicentennial Celebration beginning in the fall of 2017. Commemorating a tradition of innovation and excellence dating back to the founding of the Cincinnati Conservatory of Music in 1867, CCM’s Sesquicentennial programming includes eight must-see masterworks presented as part of the 2017-18 Mainstage Series.

Click the graphic for more information.

Click the graphic for more information.

Between Sept. 27, 2017, and April 14, 2018, CCM’s stars of tomorrow and world-class faculty and staff members will stage eight diverse productions. This year’s Mainstage Series includes cherished classics like William Shakespeare’s Hamlet, Leonard Bernstein’s Candide and Andrew Lloyd Weber and Tim Rice’s Jesus Christ Superstar.

CCM’s Sesquicentennial lineup also includes an opera double-bill featuring Giacomo Puccini’s Gianni Schicchi and Suor Angelica, two mixed-repertoire ballet productions and the Mainstage Series debuts of Stephen Flaherty and Lynn Ahrens’ Seussical and Caryl Churchill’s Love and Information.

The Mainstage Series is just one part of the yearlong CCM Sesquicentennial Celebration, which will also include world premieres, guest artist performances, a series of off-campus concerts and a one-of-a-kind alumni showcase event. For an initial overview of CCM’s 150th anniversary programming, please visit ccm.uc.edu/about/villagenews/notations-ovations/sesquicentennial-celebration.

The complete 2017-18 Mainstage Series lineup is listed below. Titles and dates are subject to change – rights pending. For the most current calendar of events, please visit us online at ccm.uc.edu.

Additional Information
Single tickets go on sale beginning Sept. 5, 2017, but subscribing is the best way to guarantee your seats for CCM’s Mainstage Series! Fully customizable renewal subscriptions are on sale now with priority seating before July 7, 2017. Subscription packages for new subscribers go on sale July 10, 2017.

To order subscriptions, contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.
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CCM’S 150TH ANNIVERSARY MAINSTAGE SERIES
Acting, Musical Theatre, Opera, Dance

HAMLET
Written by William Shakespeare
Susan Felder, director

CCM’s anniversary season opens with one of Shakespeare’s most classic tragedies. Hamlet returns from college to find something rotten in his hometown. A deadly game of cat and mouse ensues between Hamlet and his uncle, the King. Shakespeare’s thriller plunges audiences into the madness of family disillusionment, lost romance, betrayal, murder, suicide and the existential question of what it means to be human. “What a piece of work is a man!”

Performance Dates: Sept. 27 (preview), Sept. 28-Oct. 1, 2017
Location: Patricia Corbett Theater
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SEUSSICAL
Book by Lynn Ahrens and Stephen Flaherty
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Co-conceived by Eric Idle
Based on the works of Dr. Seuss
Vince DeGeorge, director and co-choreographer
Luke Flood, musical director
Christopher Kelley, co-choreographer

The CCM Sesquicentennial celebrates the work of distinguished alumnus Stephen Flaherty (BM Composition, 1982)! Now one of the most performed shows in America, Seussical is a fantastical, magical, musical extravaganza. The Tony Award-winning team of Flaherty and Lynn Ahrens (Anastasia, Once on This Island, Ragtime) have lovingly brought to life all of our favorite Dr. Seuss characters, including Horton the Elephant, The Cat in the Hat, Gertrude McFuzz, Lazy Mayzie and a little boy with a big imagination – Jojo. This colorful cast of characters transports us from the Jungle of Nool to the Circus McGurkus to the invisible world of the Whos.

Performance Dates: Oct. 19-22 and Oct. 25-29, 2017
Location: Patricia Corbett Theater
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CANDIDE
Music by Leonard Bernstein
Book by Hugh Wheeler, after Voltaire
Lyrics by Richard Wilbur, Stephen Sondheim, John La Touche, Lillian Hellman, Dorothy Parker and Leonard Bernstein
Mark Gibson, conductor
Emma Griffin, director

CCM at 150 celebrates Leonard Bernstein at 100! Now lauded as one of Bernstein’s most characteristic theatrical creations, CCM’s stars of tomorrow proudly present Candide as part of a world-wide celebration leading up to Leonard Bernstein’s 100th birthday. Crossing the boundaries between opera, operetta and stage musical, Bernstein’s Candide journeys through Voltaire’s “best of all possible worlds” with verve and satirical humor. Highlights include the energetic overture and the aria “Glitter and Be Gay.” Presented in conjunction with the official Leonard Bernstein at 100 centennial celebration.

Performance Dates: Nov. 16-19, 2017
Location: Patricia Corbett Theater
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THE ART OF MOTION
Jiang Qi and Deirdre Carberry, co-directors
Alexandria Black, conductor

CCM’s Department of Dance opens this anniversary season with a concert of mixed repertoire featuring the enchanting The Little Mermaid choreographed by guest artist and Missouri Ballet Theatre director Adam Sage with music by Léo Delibes and Antonín Dvoràk. The concert also showcases Paquita (Act II) with music by Ludwig Minkus, restaged by Deirdre Carberry. Additional highlights include the world premiere of Shaker Loops, choreographed by André Megerdichian and featuring music by John Adams performed by CCM’s Café MoMus ensemble. This premiere will also include an illuminated collaboration with DAAP faculty member Henry Hildebrandt.

Performance Dates: Nov. 30-Dec. 3, 2017
Location: Patricia Corbett Theater
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LOVE AND INFORMATION
Written by Caryl Churchill
Brant Russell, directo
r

Described by the New York Times as “thought-churning” and “deeply poignant,” Love and Information premiered in London’s Royal Court Theatre in 2012. In this fast-moving kaleidoscope, more than 100 characters try to make sense of what they know. The play explores the prevalence of technology in today’s culture, the thirst for knowledge and the importance of human connection.

Performance Dates: Feb. 7 (preview), Feb. 8-11, 2018
Location: Patricia Corbett Theater
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JESUS CHRIST SUPERSTAR
Music by Andrew Lloyd Webber
Lyrics by Tim Rice
Diane Lala, director and choreographer
Roger Grodsky, musical director

What’s the buzz? The first musical by Andrew Lloyd Webber and Tim Rice to be produced for the professional stage, Jesus Christ Superstar has wowed audiences for over 40 years. A timeless work, the rock opera is based on the last week of Jesus’ life. Set against the backdrop of an extraordinary and universally-known series of events, the story is told through the eyes of Judas Iscariot. A true global phenomenon, the iconic 1970s rock score contains such well-known numbers as “Superstar,” “I Don’t Know How to Love Him” and “Gethsemane.”

Performance Dates: Feb. 22-25 and Feb. 28-March 4, 2018
Location: Patricia Corbett Theater
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OPERA DOUBLE BILL: GIANNI SCHICCHI & SUOR ANGELICA
Music by Giacomo Puccini
Libretto by Giovacchino Forzano
Mark Gibson, conductor
Andreas Hagar, director (Gianni Schicchi)
Meredith Kitz, director (Suor Angelica)

The CCM Sesquicentennial pairs two of Puccini’s most popular operas for one can’t-miss Mainstage Series production! CCM’s stars of tomorrow present the farcical Gianni Schicchi and the moving Suor Angelica as a double-bill highlighting Puccini’s mastery of emotional storytelling.

Performance Dates: March 22-25, 2018
Location: Patricia Corbett Theater
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LEGENDS OF DANCE
Jiang Qi, director
Aik Khai Pung, music director and conductor

Celebrate spring’s arrival with the CCM Ballet Ensemble as they present an exciting mixed bill accompanied by the CCM Concert Orchestra. The program includes one of the most celebrated excerpts in all classical ballets, “The Kingdom of the Shades” from La Bayadére, staged by CCM faculty member Deirdre Carberry with music by Ludwig Minkus. In addition, guest artist Pablo Francisco Ruvalcaba will restage José Limón’s masterful A Choreographic Offering set to music by J. S. Bach. The program’s rousing finale features The Sleeping Beauty (Act III), after Marius Petipa’s classical ballet with music by Tchaikovsky.

Performance Dates: April 12-14, 2018
Location: Corbett Auditorium
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Mainstage Series Subscriptions
The 2017-18 CCM Mainstage Series of acting, musical theatre, opera and dance productions includes subscription packages for combinations of six-or-more shows, four-shows or three-shows.

Renewal subscription packages are on sale now. CCM’s fully customizable subscription packages range in price from $69 – $188. Subscribers to CCM’s 2016-17 Mainstage Series can receive priority access to seating by renewing their subscriptions by July 7, 2017.

Subscription packages for new subscribers go on sale July 10, 2017. Single tickets go on sale beginning Sept. 5, 2017.

To order subscriptions, contact the CCM Box Office at 513-556-4183.

CCM Sesquicentennial Performances and Concert Series Options

CCM will present additional special events and public performances celebrating its Sesquicentennial throughout the 2017-18 concert season. As the largest single source of performing arts events in Ohio, CCM will also present its typical lineup of chamber music, choral, jazz, orchestra, percussion, piano and wind ensemble concerts each season.

Beginning in January of 2018, the CCM Sesquicentennial will celebrate Leonard Bernstein’s centennial with a collection of performances by students and faculty artists from throughout the college. Subscribers get first access to the Leonard Bernstein Experience, which includes concerts and special events held in the spring and fall of 2018 as part of a world-wide celebration of Bernstein’s 100th birthday.

CCM’s Mainstage subscribers receive priority access to the Bernstein Experience, Ariel Quartet subscription packages, CCM Concert Series flex ticket packages, prepaid parking and other exclusive perks.

Full programming and package details for CCM’s Sesquicentennial Special Event Series, 2017-18 Ariel Quartet Series and Concert Series will be announced in July. Visit ccm.uc.edu for more information.
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Mainstage Season Production Sponsor: Macy’s

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

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CCM Alumni in Seven Tony-Nominated Productions

Tony Awards LogoCCM alumni are involved with at least seven productions that have been nominated in the 71st Tony Awards, which air live on CBS at 8/7 central on Sunday, June 11. This year’s nominees include two Broadway musicals that were not only written by CCM alums, but also feature the work of alumni on stage.

Nominated for two Tony Awards, Anastasia features music and lyrics by alumnus Stephen Flaherty (BM Composition, 1982) and his long-time writing partner Lynn Ahrens. Alumna Christy Altomare (BFA Musical Theatre, 2008) performs the title role in the production. Musical Theatre alumni Kathryn Boswell (BFA, 2013) and Kyle Brown (BFA, 2008) perform in the show’s ensemble. In addition to the Tony Award nominations, Anastasia has been nominated for one Chita Rivera Award, two Drama League Awards, 9 Drama Desk Awards and 13 Outer Critics Circle Awards.

Also nominated for two Tony Awards is Bandstand: The New American Musical, with music, book and lyrics by Richard Oberacker (BFA Acting, 1993). Greg Anthony Rassen (MM Orchestra Conducting, 2003) is the co-orchestrator, music supervisor and music arranger of the show. He and co-orchestrator Bill Elliott were nominated for Tony Awards and won a Drama Desk Award for Outstanding Orchestrations in Bandstand. David Kreppel (BFA Musical Theatre, 1992) is the vocal music arranger of the production. Two musical theatre alumni have roles in BandstandGeoff Packard (BFA, 2004) as Wayne Wright and Max Clayton (BFA, 2014) as an ensemble member. Clayton, who is also the understudy for Bandstand’s lead role Donny Novitski, received a Chita Rivera Award nomination for Outstanding Male Dancer in a Broadway Show. Bandstand has been nominated for six Chita Rivera Awards, two Drama League Awards, seven Drama Desk Awards and three Outer Critics Circle Awards.

Sharon Wheatley (BFA Musical Theatre, 1990) and Josh Breckenridge (BFA Musical Theatre, 2007) perform in Come From Away, which was nominated for seven Tony Awards, two Chita Rivera Awards, one Drama League Award, nine Drama Desk Awards and seven Outer Critics Circle Awards.

Sean Montgomery (BFA Musical Theatre, 2007) and Joseph Medeiros (BFA Musical Theatre, 2006) are in Groundhog Day, nominated for seven Tony Awards, one Chita Rivera Award, two Drama League Awards, one Drama Desk Award and five Outer Critics Circle Awards.

Nicholas Belton (BFA Musical Theatre, 2002) plays Bolkonsky/Andrey in Natasha, Pierre & the Great Comet of 1812. Blaine Krauss (BFA Musical Theatre, 2014) performs in the show’s ensemble. Hair and wig design for the show is by Leah Loukas (BFA Make-Up & Wig Design, 2004). The musical has been nominated for 12 Tony Awards, one Chita Rivera Award, three Drama League Awards, four Drama Desk Awards and three Outer Critics Circle Awards.

Eric Santagata (BFA Musical Theatre, 2004) is the associate director of Falsettos, which features Betsy Wolfe (BFA Musical Theatre, 2004) as Cordelia. The musical has been nominated for five Tony Awards, two Drama League Awards, three Drama Desk Awards and three Outer Critics Circle Awards.

Stephanie Jae Park (BFA Musical Theatre, 2014) and Angel Reda (BFA Musical Theatre, 2003) perform in War Paint. The musical has been nominated for four Tony Awards, three Drama League Awards, seven Drama Desk Awards and four Outer Critics Circle Awards.

The Tony Awards, hosted by Kevin Spacey, will be broadcast live on CBS at 8/7 central on Sunday, June 11. Find out more by visiting www.tonyawards.com/en_US/nominees/.

Are you a CCM Alumnus with news? Stay in touch by sharing your story with us!

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Photo of SCPA.

SCPA and CCM: Partners in Arts Education

At first glance, recent CCM graduates Ryan Donohue (BM Violincello, 2017) and Jack Bogard (BM Jazz Studies, 2017) may not appear to have much in common. However, they have traversed a unique pipeline of talent that runs from Over-the-Rhine to Clifton. Before their time at CCM, both men graduated from Cincinnati’s School of Creative and Performing Arts (SCPA). They attended the magnet arts school to prepare for their collegiate education, following a long line of SCPA students who chose to continue their training at CCM.

“For the almost half-century since SCPA was founded, the school’s graduates have matriculated to CCM,” says SCPA Executive Director Nick Nissley. “From there they have found their way to Broadway and LA, and places in between, creating and performing as professional artists. They have also become lawyers, teachers and productive citizens in their communities. Many call Cincinnati home.”

“We’re proud to be a wellspring for this talent pipeline that links Cincinnati’s young, diverse talent with CCM — and ultimately — the rest of the world,” he adds. “This year is no exception, with eight SCPA graduates of our Class of 2017 continuing their education at CCM in the fall.”

The two schools have an established connection in furthering arts education and preparing young artists for professional careers. CCM’s Preparatory and Community Engagement Division (CCM Prep) is partnered with the Cincinnati Public Schools to provide private and group music lessons to students at the SCPA. CCM Prep also works with the City Gospel Mission to present after-school arts activities for elementary students in other Cincinnati Public Schools.

CCM is already seeing the benefits of such partnerships, as it counted 16 SCPA graduates amongst its collegiate student population in 2016-17, a number which has increased for 2017-18.

Bogard says the SCPA gave him a “high school flavored analogue” of his experience at CCM. “In addition to the academic coursework I was involved in, the kinds of ensembles and other musical experiences I was fortunate enough to have at SCPA gave me a breadth of experience and knowledge that prepared me well for the challenges and opportunities I was going to have at CCM.”

CCM Professor and Cincinnati Symphony Orchestra cellist Alan Rafferty with Ryan Donohue.

Donohue agrees. “At CCM, you are always around music,” he says. “With the amount of practice and rehearsal time necessary to truly capitalize on what CCM offers, you are required to immerse yourself in music. SCPA provided me with a preview of this. Attending a high school that puts heavy emphasis on the arts, I spent much more time with my cello than I would have at a more traditional high school. When I got to CCM, I was already used to having orchestra rehearsals on most days.”

The graduating seniors plan to continue their arts education in graduate school and will use the upcoming year to prepare for auditions. Over the summer, Donohue will spend one month in Japan participating in the Pacific Music Festival. He also performs in the Blue Ash Montgomery Symphony Orchestra and teaches private lessons to young cellists.

“It is vital for people who are interested in playing music to have good teachers — especially young people, so that their interest is nurtured early on,” says Donohue.

“I teach in hopes that what I say resonates with the students and encourages them to build upon their interest,” adds Donohue.

Bogard shares Donohue’s passion for teaching and will give music lessons to young musicians through Cincinnati Strings beginning in August. He is thankful to the CCM faculty for providing training for his “rather odd set of musical interests.” Bogard plays the violin, mandolin, tenor banjo, guitar and piano. This summer he will play mandolin in Ottorino Respighi’s Roman Festivals with the National Repertory Orchestra.

“My jazz violin teacher Paul Patterson has really been the pillar of my experience at CCM,” says Bogard. “While officially he teaches me jazz violin, we have covered everything from plectrum choice for orchestral mandolin solos, orchestral violin excerpts, string quartet arranging, how to play under a microphone as a violinist, chord voicings for fingerstyle guitar and so many other things. I can’t put into words how thankful I am that I was able to study with him.”

Bogard regularly freelances with performance ensembles throughout the Tristate including the Richmond Symphony Orchestra, Ohio Valley Symphony Orchestra and the Cincinnati Chamber Orchestra. As he prepares for graduate school, Bogard plans to apply to play in pre-professional orchestras such as the New World Symphony Orchestra in Miami and the Chicago Civic Orchestra.

“Looking back at the past four years, perhaps what I am most thankful for is how supportive the faculty at CCM has been,” Donohue recalls. “As a musician and as a person, I have grown more than I had thought possible four years ago, and that is largely due to the faculty, especially my teacher Alan Rafferty, constantly pushing and inspiring me.”

Both students began their path to careers as professional artists at the SCPA and CCM. They were not the first to do so and they most certainly will not be the last.

“SCPA and CCM are natural partners in arts education,” comments CCM Interim Dean bruce mcclung. “From CCM providing Suzuki string training to SCPA Grades 1-3 to the eight SCPA graduates who will be continuing their education at CCM in the fall, I hope that we can continue to grow and to deepen our partnership.”

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CCM Alumna Betsy Wolfe to Replace Sara Bareilles in Broadway’s ‘Waitress’

CCM Musical Theatre alumna Betsy Wolfe (BFA 2004) has made a name for herself by winning major roles, including Cordelia in the current Broadway revival of Falsettos, which was recently nominated for five Tony Awards. She will take on her next Broadway role as Jenna Hunterson in Waitress on June 13.

Waitress features music and lyrics by six-time Grammy Award nominee Sara Bareilles, who is currently playing Jenna on Broadway. Bareilles is leaving the show on June 11, and Wolfe will take her place.

The musical is about a waitress and excellent pie-maker (Jenna) who feels trapped in her loveless marriage and small town. A baking contest and the arrival of an attractive young doctor help her realize her dreams, giving her a chance at a fresh start. With a book by acclaimed screenwriter Jessie Nelson and direction by Tony Award-winner Diane Paulus, the musical is based on the 2007 film of the same name.

Wolfe was recently awarded CCM’s 2017 Musical Theatre Young Alumni Award, which recognizes the outstanding professional achievements of young graduates of the college’s Musical Theatre program. She returned to CCM in March for the annual Musical Theatre Senior Showcase and spoke to students about her career.

Local audiences may remember Wolfe from the enormously successful semi-staged version of The Music Man, which she starred in with the Cincinnati Pops Orchestra in May 2015.

Since graduating from CCM, Wolfe has starred in 110 in the Shade, Everyday Rapture, The Mystery of Edwin Drood, Bullets Over Broadway and Falsettos. She also starred in the off-Broadway revival of The Last Five Years and in Merrily We Roll Along at City Center Encores. She’s been a hot commodity on the concert circuit as well, having soloed with the Cincinnati Pops, New York Pops, New York City Ballet and more.

For more information about Wolfe visit broadwayworld.com/people/Betsy-Wolfe/.

For more information on Waitress visit waitressthemusical.com.

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Story by CCM graduate student Alexandra Doyle

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Paulina Villarreal with fellow 2017 Lotte Lenya Competition prize winners and judges. Photo provided by the Kurt Weill Foundation.

CCM Alums and Students Win Awards in Lotte Lenya Competition

We are delighted to announce that three current and former CCM students won awards as finalists in the 2017 Lotte Lenya Competition. Sponsored by the Kurt Weill Foundation for Music, the prestigious competition was held on Saturday, April 22, in Kilbourn Hall of the Eastman School of Music in Rochester, New York.

DMA Voice candidate Paulina Villarreal (MM Voice, 2015) won Third Prize, which includes a cash award of $10,000. Jasmin Habersham (AD Opera, 2015; MM Voice, 2013) and first-year voice masters student Lisa Marie Rogali each received prizes of $3000 as finalists in the competition.

Fourteen artists competed in the final round of the Lotte Lenya Competition. You can learn more about all of this year’s winners by visiting www.kwf.org.

The 14 finalists who competed in the 2017 Lotte Lenya Competition. Photo provided by the Kurt Weill Foundation.

The 14 finalists who competed in the 2017 Lotte Lenya Competition. Photo provided by the Kurt Weill Foundation.

Villarreal, Habersham and Rogali are the latest in a long line of CCM students and alumni who have reached the final rounds of the Lotte Lenya Competition. CCM alumna Talya Lieberman (AD Opera, 2016) took Third Prize in the 2016 installment of this prestigious international theatre singing contest. CCM alumna Lauren Roesner (BFA Musical Theatre, 2013) won Third Prize in 2013 and alumna Caitlin Mathes (MM Voice, 2009; AD Opera, 2010) won First Prize in 2011.

For this year’s competition, each finalist presented four selections from the operatic, Golden Age, contemporary musical theatre repertoires and the music of Kurt Weill to compete for prizes totaling more than $75,000.

The panel of judges included renowned stage director Anne Bogart, Tony Award-winning actor Shuler Hensley and returning judge Rob Berman, who was most recently seen on Broadway as music director for Bright Star and Dames at Sea.

Over the last 20 years, the Lotte Lenya Competition has grown from a small contest exclusively for students of the Eastman School of Music, to one of the widest-reaching international vocal competitions. Past prize winners have gone on to appear on major theater, opera and concert stages around the world. This season, LLC laureates can be seen in seven Broadway shows, at the Metropolitan Opera, Royal Opera House, Komische Oper, in concert with the Los Angeles Chamber Orchestra, on national and international theatrical tours and heard on two Grammy Award-winning recordings.

About the Kurt Weill Foundation
The Kurt Weill Foundation for Music, Inc. is dedicated to promoting understanding of the life and works of composer Kurt Weill (1900-50) and preserving the legacies of Weill and his wife, actress-singer Lotte Lenya (1898-1981). The Foundation administers the Weill-Lenya Research Center, a Grant Program, the Kurt Weill Book Prize and the Lotte Lenya Competition, and publishes the Kurt Weill Edition and the Kurt Weill Newsletter. Learn more by visiting www.kwf.org.

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Alums and Students in #TheatreCompany Premiere Short Film Starring Diane Kvapil

For the past two years, alumni and students from UC’s College-Conservatory of Music have worked to write and produce a new short film starring one of Cincinnati’s most beloved artists, Emeritus Professor Diane Kvapil. Presented by the #TheatreCompany, A Thankless Child premieres on Thursday, April 27, at UC’s MainStreet Cinema in the Tangeman University Center.

A Thankless Child is the story of a family haunted by a huge secret and the victims left in its wake. It is an absurdist take on the burdens and responsibilities of being a part of a family. This film was made possible by the generous contributions to the #thedianemovie crowd-funding campaign and CCMpower.

The film gives Kvapil an opportunity to get back in front of the arts community that she has fostered and loved for more than 40 years. Locally, Kvapil has performed at Playhouse in the Park, Edgecliffe Theatre and the Cincinnati Shakespeare Company in numerous productions since 1957. She was a treasured CCM Acting faculty member from 1977 until her retirement in 2015.

At CCM, Kvapil directed productions of Trojan Women (with original music by Richard Oberacker), Our Town, Three Sisters (Acclaim Award winner for Outstanding Ensemble) and Tom Stoppard’s Arcadia. In 2011 she was named Outstanding Theatre Educator by the ACCLAIM Awards in Cincinnati.

Diane Kvapil throughout her years in the performing arts.

A sample of Diane Kvapil’s work throughout her years in the performing arts.

“Diane is the definition of a passionate life-long artist and educator,” says #TheatreCompany co-founder AC Horton (BFA Acting, 2015). “She is moved by her immense love of the work and storytelling and her dedication to passing that love on to her students.”

The idea for A Thankless Child started with a joke made by CCM Acting student Katie Langham during a performance at Kvapil’s home in March 2015.

“The energy was palpable,” remembers Langham, co-founder of #TheatreCompany. “Just a moment in her home and you can feel the stories around you. I asked Diane if she would be open to making a short film in the home upon her retirement. Thinking that it was never going to happen, she half-jokingly said ‘yes.’ Unfortunately for her, I never half-joke.”

At the time, Langham and AC Horton were working with fellow students and alumni in the #TheatreCompany, a new company of young theatre professionals dedicated to creating honest, exciting and contemporary work. The company was born at CCM when Horton used #TheatreCompany to refer to the one-night-only shows she directed in classrooms. The company grew to produce an original piece, The Gospel of Fat Kathy, which was performed in New York City.

Langham, Horton and John Patrick Maddock (BFA Acting, 2014) wrote the script for A Thankless Child as they worked on The Gospel of Fat Kathy in New York. The entire cast, crew and creative team for A Thankless Child is made of former and current students from CCM’s Acting, Theatre Design and Production, E-Media and Commercial Music Production programs.

“When Katie first asked me to do it, I almost said no,” Horton recalls. “The idea was absolutely terrifying. But, I agreed that if she could get Diane to do it, I would do it. One thing I learned during my time at CCM is that you have to follow the fear.”

Kate Wilford in "A Thankless Child."

Kate Wilford in “A Thankless Child.”

Horton directs the film, which stars Kvapil and her daughter, Kate Wilford. It marks the first time the mother-daughter duo have acted together. Langham plays Kvapil’s estranged granddaughter and serves as the film’s Executive Producer.

“I would not have had the courage or faith in myself to lead a project of this size without the lessons taught to me by my CCM professors, specifically Richard Hess,” Langham says. “He has taught me how to find the heart of a project and how to be fearless and generous every step of the way. Without CCM I would not be the ‘woman in art’ I am today.”

“Working on this film has been an incredible, life-changing learning experience,” Langham says. “Not only did I get to act alongside my mentor, teacher and very good friend Diane Kvapil, but I worked with a crew that was gifted, patient and eager to be in the room.”

A Thankless Child premieres at 7:15 p.m. on Thursday, April 27 at UC’s MainStreet Cinema in the Tangeman University Center. The UC Alumni Association will host a reception with light snacks and refreshments at 6:30 p.m.

The reception and premiere are free; please RSVP online at alumni.uc.edu/ccm/thedianemovie.

PRODUCTION TEAM
Director/Writer – AC Horton (BFA Acting, 2015)
Executive Producer/Writer/Maddie Steele – Katie Langham* (CCM Acting)
Writer/Producer/Andy Steele – John Patrick Maddock (BFA Acting, 2014)
Genevieve Clark – Diane Kvapil
Cynthia Steele – Kate Wilford
V.O. David Steele – D’Arcy Smith, CCM Acting professor
Director of Photography – Zacharias Muller (BFA E-Media, 2015)
Camera 2 – Asa Featherstone IV (BA Communications, E-Media Minor, 2016)
Script Supervisor/Assistant Director – Danielle Kokochak* (E-Media Minor)
Lighting Designer – Josh Davenport (CCM Theatre Design and Production, 2014-2014)
Set Design/Props – Logan Greenwell* (CCM Theatre Design and Production)
Hair & Make-up – Danae Jimenez* (CCM Theatre Design and Production)
Production Assistant – Jacob Berry* (CCM E-Media)
Production Assistant – Clare Bradley Combest* (CCM Acting)
Audio Engineer – Haley Wolf (BFA E-Media, 2015)
Audio Engineer – Lauren Osinski (BFA E-Media, 2016)
Artistic Mentor – Shaun S. Sutton (BFA Acting, 2014)

POST PRODUCTION TEAM
Soundtrack – Jennifer Rowecamp (BFA Commercial Music Production, 2016)
Editor – Bradley Theodore Thompson* (CCM E-Media)
Editor – Sam Medert (BFA E-Media, 2016)
Audio Editor – Lindsey Singleton Ballou* (CCM E-Media)

*CCM student

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Summer scenes on campus, CCM.

Thank You: CCM Celebrates Faculty and Staff Retirements

As the academic year comes to a close, we celebrate the careers of nine retiring faculty and staff members who have given nearly 250 years of combined service to UC’s College-Conservatory of Music. These members of the CCM family have dedicated themselves to continuing the college’s legacy as a leading training center for the performing and media arts.

View photos of their time at CCM:

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Retiring Faculty Members Share Memories:

This year marks my 48th year of continuous work — 21 years as a singer/actress, and another 20 years as a college professor and theatre producer. In 2009 my husband and I retired to Cincinnati, where I received an unexpected invitation to return to CCM — my alma mater — to teach musical theatre voice as an adjunct professor. These past seven years have been a total joy. I call it simply “the gift I gave myself.” As an older professional, it means so much to continue to contribute and feel appreciated. I’ve been truly honored to work with wonderful colleagues, and to have been given the opportunity to teach and mentor my talented and remarkable students. A number of my students surprised me in New York with a champagne brunch on April 2 to celebrate my retirement. I have no words to express what that meant to me, and the joy I feel, seeing them claim their places on Broadway and other stages, following their dreams. I would like to thank UC for recognizing and honoring the work of adjunct faculty. It is rare for a university to recognize adjunct contributions, and I salute UC for doing so. I’ll be forever grateful that I have been able to come full circle, and share the training I received at CCM with another generation of students. CCM is about to celebrate its 150th anniversary. I look forward to continuing to serve on the CCMPower board, raising money for scholarships, and helping to ensure that CCM will be here for another 150 years, training and graduating outstanding music professionals. – Kimberly Daniel de Acha
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Some of my favorite times at CCM revolve around hearing and interacting with such a wonderful faculty, be it at their concerts, at committee meetings, or in day by day interaction. I feel honored to have worked with such stellar teachers and artists! – Mary Stucky
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When I started fall 1975, DVAC was the Schmidlapp Gymnasium, Memorial was a women’s dorm, the main way to the garage was from Calhoun down to CCM garage — the connector tunnel didn’t exist. Werner Hall and Starbucks weren’t here and CCM had about half of the students it does now. It was an exciting time for me, as I was starting in LaSalle Quartet. We did four concerts a year in Corbett and two to four international tours a year. I worked with so many wonderful colleagues over all these years, some are sadly no longer with us. Almost my whole professional life has been at CCM, more than four decades worth of experiences. – Lee Fiser
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In 1999, I received a call asking me to teach at CCM. Who would have thought that almost two decades later my passion for teaching has only increased because of the talented students and faculty that I have had the pleasure of working with! Thank you all so much! – Patti James
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There’s something a touch poetic for me about retiring along with Lee Fiser — the final retirement from the LaSalle String Quartet. I came to the CCM faculty as a quite young person. It was the Quartet who were instrumental in getting Percussion Group Cincinnati the appointment to CCM. Some of my strongest memories of that first decade here are the Quartet’s concerts on Corbett stage, and I endeavored to live up to the beautiful standards that they had set. I wanted a percussion group in the late 20th century to be able to function just as the greatest string quartets always had, and I am grateful to CCM for giving me and my colleagues that opportunity and support. – Allen Otte

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