Katie Johannigman

Alumna Katie Johannigman Returns to CCM as Visiting Adjunct Assistant Professor of Musical Theatre

Katie Johannigman

CCM Interim Dean bruce d. mcclung welcomes alumna Katie Johannigman (BFA Musical Theatre, 2012) to the college’s illustrious faculty. As Visiting Adjunct Assistant Professor of Musical Theatre, Johannigman will choreograph three of CCM’s 2017-18 productions, and teach tap and jazz dance to students.

Johannigman’s connection to CCM spans three generations of her family. Her grandmother and father took piano lessons at the college, and her sister was enrolled in ballet classes through CCM Preparatory for her entire childhood. Johannigman says she started watching her sister’s dance classes at CCM when she was 9 months old and didn’t leave the college until she graduated with her BFA.

“I am extremely honored and excited to return home to the school where I learned to walk, and eventually sing, dance and act,” Johannigman says. “I am thrilled to pass on my experiences as a professional to the next generation of artists in whatever way I can. In my 20 years of training at CCM, an array of wonderful and patient teachers generously shared their time, energy and knowledge. I am so grateful for this opportunity to join their ranks.”

Johannigman began her performing career when she was in the eighth grade by joining the National Tour of Oliver!. As a CCM student, she attended the Royal Academy of Dramatic Arts in London and studied at the Second City Training Center in Chicago. After graduating, Johannigman served as Artistic Director at the Broadway Method Academy in Connecticut.

Her professional credits include Thoroughly Modern Millie and Pirates! at the Muny, The Light in the Piazza and Anything Goes at Lincolnshire Marriott, Mary Poppins at Kansas City Straight Theatre, Company at the Gallery Players, and Cats and Chicago at the West Virginia Public Theatre.

As a choreographer, Johannigman’s work has appeared at the Connecticut Repertory Theater, The Human Race Theater and the Broadway Method Academy. At CCM she choreographed the Musical Theatre Studio Series productions of They Were You in 2016 and Out of This World in 2011.

This fall, Johannigman will choreograph the Studio Series production of Sondheim on Sondheim (October 5-7) and the Mainstage production of Leonard Bernstein’s Candide (November 16-19). In the spring, she will direct and choreograph the Studio Series production of The Theory of Relativity (March 29-31).

Please join us in welcoming Professor Johannigman to the CCM family!

Learn more about CCM’s illustrious faculty by visiting ccm.uc.edu/about/villagenews/faculty.

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CCM’s 2017-18 Season Brochure Now Available In Print and Online

Welcome to CCM’s Sesquicentennial Performance Season!

The cover to CCM's 2017-18 Season Brochure.This season, the University of Cincinnati College-Conservatory of Music (CCM) celebrates the 150th anniversary of its founding with an unparalleled series of performances and special events designed to highlight a tradition of innovation and excellence dating back to 1867.

The history of CCM’s success involves three institutions separate in their origins but united by a common cause: the Cincinnati Conservatory of Music, the College of Music of Cincinnati and the University of Cincinnati. Sometimes partners and sometimes rivals, these three institutions would eventually join forces to establish one of the world’s premier schools for the performing and media arts.

In the year ahead, we will look back on CCM’s illustrious history, celebrate the careers of our impressive alumni and showcase the talents of our incredible students and faculty members. We look forward to welcoming you to the CCM Village to experience our ongoing history, the artistry of our alumni and a chance to experience the stars of tomorrow.

Download a digital copy of CCM’s 2017-18 brochure today (7.1 MB). Physical copies are also available at the CCM Box Office.

Subscription and flex ticket packages are on sale now. Single tickets go on sale Tuesday, Sept. 5, 2017. For more details about CCM’s 2017-18 performance schedule, contact the CCM Box Office at 513-556-4183 or visit ccm.uc.edu.

Learn more about CCM’s Sesquicentennial by visiting ccm.uc.edu/about/villagenews/notations-ovations/sesquicentennial-celebration.

This is our story. This is your season.
Join us for a celebration 150 years in the making!

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CCM Village at night. Photo by Jay Yocis.

CCM Celebrates 150th Anniversary With Must-See Mainstage Series

The University of Cincinnati College-Conservatory of Music (CCM) marks the 150th anniversary of its founding with a year-long Sesquicentennial Celebration beginning in the fall of 2017. Commemorating a tradition of innovation and excellence dating back to the founding of the Cincinnati Conservatory of Music in 1867, CCM’s Sesquicentennial programming includes eight must-see masterworks presented as part of the 2017-18 Mainstage Series.

Click the graphic for more information.

Click the graphic for more information.

Between Sept. 27, 2017, and April 14, 2018, CCM’s stars of tomorrow and world-class faculty and staff members will stage eight diverse productions. This year’s Mainstage Series includes cherished classics like William Shakespeare’s Hamlet, Leonard Bernstein’s Candide and Andrew Lloyd Weber and Tim Rice’s Jesus Christ Superstar.

CCM’s Sesquicentennial lineup also includes an opera double-bill featuring Giacomo Puccini’s Gianni Schicchi and Suor Angelica, two mixed-repertoire ballet productions and the Mainstage Series debuts of Stephen Flaherty and Lynn Ahrens’ Seussical and Caryl Churchill’s Love and Information.

The Mainstage Series is just one part of the yearlong CCM Sesquicentennial Celebration, which will also include world premieres, guest artist performances, a series of off-campus concerts and a one-of-a-kind alumni showcase event. For an initial overview of CCM’s 150th anniversary programming, please visit ccm.uc.edu/about/villagenews/notations-ovations/sesquicentennial-celebration.

The complete 2017-18 Mainstage Series lineup is listed below. Titles and dates are subject to change – rights pending. For the most current calendar of events, please visit us online at ccm.uc.edu.

Additional Information
Single tickets go on sale beginning Sept. 5, 2017, but subscribing is the best way to guarantee your seats for CCM’s Mainstage Series! Fully customizable renewal subscriptions are on sale now with priority seating before July 7, 2017. Subscription packages for new subscribers go on sale July 10, 2017.

To order subscriptions, contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.
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CCM’S 150TH ANNIVERSARY MAINSTAGE SERIES
Acting, Musical Theatre, Opera, Dance

HAMLET
Written by William Shakespeare
Susan Felder, director

CCM’s anniversary season opens with one of Shakespeare’s most classic tragedies. Hamlet returns from college to find something rotten in his hometown. A deadly game of cat and mouse ensues between Hamlet and his uncle, the King. Shakespeare’s thriller plunges audiences into the madness of family disillusionment, lost romance, betrayal, murder, suicide and the existential question of what it means to be human. “What a piece of work is a man!”

Performance Dates: Sept. 27 (preview), Sept. 28-Oct. 1, 2017
Location: Patricia Corbett Theater
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SEUSSICAL
Book by Lynn Ahrens and Stephen Flaherty
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Co-conceived by Eric Idle
Based on the works of Dr. Seuss
Vince DeGeorge, director and co-choreographer
Luke Flood, musical director
Christopher Kelley, co-choreographer

The CCM Sesquicentennial celebrates the work of distinguished alumnus Stephen Flaherty (BM Composition, 1982)! Now one of the most performed shows in America, Seussical is a fantastical, magical, musical extravaganza. The Tony Award-winning team of Flaherty and Lynn Ahrens (Anastasia, Once on This Island, Ragtime) have lovingly brought to life all of our favorite Dr. Seuss characters, including Horton the Elephant, The Cat in the Hat, Gertrude McFuzz, Lazy Mayzie and a little boy with a big imagination – Jojo. This colorful cast of characters transports us from the Jungle of Nool to the Circus McGurkus to the invisible world of the Whos.

Performance Dates: Oct. 19-22 and Oct. 25-29, 2017
Location: Patricia Corbett Theater
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CANDIDE
Music by Leonard Bernstein
Book by Hugh Wheeler, after Voltaire
Lyrics by Richard Wilbur, Stephen Sondheim, John La Touche, Lillian Hellman, Dorothy Parker and Leonard Bernstein
Mark Gibson, conductor
Emma Griffin, director

CCM at 150 celebrates Leonard Bernstein at 100! Now lauded as one of Bernstein’s most characteristic theatrical creations, CCM’s stars of tomorrow proudly present Candide as part of a world-wide celebration leading up to Leonard Bernstein’s 100th birthday. Crossing the boundaries between opera, operetta and stage musical, Bernstein’s Candide journeys through Voltaire’s “best of all possible worlds” with verve and satirical humor. Highlights include the energetic overture and the aria “Glitter and Be Gay.” Presented in conjunction with the official Leonard Bernstein at 100 centennial celebration.

Performance Dates: Nov. 16-19, 2017
Location: Patricia Corbett Theater
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THE ART OF MOTION
Jiang Qi and Deirdre Carberry, co-directors
Alexandria Black, conductor

CCM’s Department of Dance opens this anniversary season with a concert of mixed repertoire featuring the enchanting The Little Mermaid choreographed by guest artist and Missouri Ballet Theatre director Adam Sage with music by Léo Delibes and Antonín Dvoràk. The concert also showcases Paquita (Act II) with music by Ludwig Minkus, restaged by Deirdre Carberry. Additional highlights include the world premiere of Shaker Loops, choreographed by André Megerdichian and featuring music by John Adams performed by CCM’s Café MoMus ensemble. This premiere will also include an illuminated collaboration with DAAP faculty member Henry Hildebrandt.

Performance Dates: Nov. 30-Dec. 3, 2017
Location: Patricia Corbett Theater
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LOVE AND INFORMATION
Written by Caryl Churchill
Brant Russell, directo
r

Described by the New York Times as “thought-churning” and “deeply poignant,” Love and Information premiered in London’s Royal Court Theatre in 2012. In this fast-moving kaleidoscope, more than 100 characters try to make sense of what they know. The play explores the prevalence of technology in today’s culture, the thirst for knowledge and the importance of human connection.

Performance Dates: Feb. 7 (preview), Feb. 8-11, 2018
Location: Patricia Corbett Theater
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JESUS CHRIST SUPERSTAR
Music by Andrew Lloyd Webber
Lyrics by Tim Rice
Diane Lala, director and choreographer
Roger Grodsky, musical director

What’s the buzz? The first musical by Andrew Lloyd Webber and Tim Rice to be produced for the professional stage, Jesus Christ Superstar has wowed audiences for over 40 years. A timeless work, the rock opera is based on the last week of Jesus’ life. Set against the backdrop of an extraordinary and universally-known series of events, the story is told through the eyes of Judas Iscariot. A true global phenomenon, the iconic 1970s rock score contains such well-known numbers as “Superstar,” “I Don’t Know How to Love Him” and “Gethsemane.”

Performance Dates: Feb. 22-25 and Feb. 28-March 4, 2018
Location: Patricia Corbett Theater
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OPERA DOUBLE BILL: GIANNI SCHICCHI & SUOR ANGELICA
Music by Giacomo Puccini
Libretto by Giovacchino Forzano
Mark Gibson, conductor
Andreas Hagar, director (Gianni Schicchi)
Meredith Kitz, director (Suor Angelica)

The CCM Sesquicentennial pairs two of Puccini’s most popular operas for one can’t-miss Mainstage Series production! CCM’s stars of tomorrow present the farcical Gianni Schicchi and the moving Suor Angelica as a double-bill highlighting Puccini’s mastery of emotional storytelling.

Performance Dates: March 22-25, 2018
Location: Patricia Corbett Theater
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LEGENDS OF DANCE
Jiang Qi, director
Aik Khai Pung, music director and conductor

Celebrate spring’s arrival with the CCM Ballet Ensemble as they present an exciting mixed bill accompanied by the CCM Concert Orchestra. The program includes one of the most celebrated excerpts in all classical ballets, “The Kingdom of the Shades” from La Bayadére, staged by CCM faculty member Deirdre Carberry with music by Ludwig Minkus. In addition, guest artist Pablo Francisco Ruvalcaba will restage José Limón’s masterful A Choreographic Offering set to music by J. S. Bach. The program’s rousing finale features The Sleeping Beauty (Act III), after Marius Petipa’s classical ballet with music by Tchaikovsky.

Performance Dates: April 12-14, 2018
Location: Corbett Auditorium
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Mainstage Series Subscriptions
The 2017-18 CCM Mainstage Series of acting, musical theatre, opera and dance productions includes subscription packages for combinations of six-or-more shows, four-shows or three-shows.

Renewal subscription packages are on sale now. CCM’s fully customizable subscription packages range in price from $69 – $188. Subscribers to CCM’s 2016-17 Mainstage Series can receive priority access to seating by renewing their subscriptions by July 7, 2017.

Subscription packages for new subscribers go on sale July 10, 2017. Single tickets go on sale beginning Sept. 5, 2017.

To order subscriptions, contact the CCM Box Office at 513-556-4183.

CCM Sesquicentennial Performances and Concert Series Options

CCM will present additional special events and public performances celebrating its Sesquicentennial throughout the 2017-18 concert season. As the largest single source of performing arts events in Ohio, CCM will also present its typical lineup of chamber music, choral, jazz, orchestra, percussion, piano and wind ensemble concerts each season.

Beginning in January of 2018, the CCM Sesquicentennial will celebrate Leonard Bernstein’s centennial with a collection of performances by students and faculty artists from throughout the college. Subscribers get first access to the Leonard Bernstein Experience, which includes concerts and special events held in the spring and fall of 2018 as part of a world-wide celebration of Bernstein’s 100th birthday.

CCM’s Mainstage subscribers receive priority access to the Bernstein Experience, Ariel Quartet subscription packages, CCM Concert Series flex ticket packages, prepaid parking and other exclusive perks.

Full programming and package details for CCM’s Sesquicentennial Special Event Series, 2017-18 Ariel Quartet Series and Concert Series will be announced in July. Visit ccm.uc.edu for more information.
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Mainstage Season Production Sponsor: Macy’s

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

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CCM Alumni in Seven Tony-Nominated Productions

Tony Awards LogoCCM alumni are involved with at least seven productions that have been nominated in the 71st Tony Awards, which air live on CBS at 8/7 central on Sunday, June 11. This year’s nominees include two Broadway musicals that were not only written by CCM alums, but also feature the work of alumni on stage.

Nominated for two Tony Awards, Anastasia features music and lyrics by alumnus Stephen Flaherty (BM Composition, 1982) and his long-time writing partner Lynn Ahrens. Alumna Christy Altomare (BFA Musical Theatre, 2008) performs the title role in the production. Musical Theatre alumni Kathryn Boswell (BFA, 2013) and Kyle Brown (BFA, 2008) perform in the show’s ensemble. In addition to the Tony Award nominations, Anastasia has been nominated for one Chita Rivera Award, two Drama League Awards, 9 Drama Desk Awards and 13 Outer Critics Circle Awards.

Also nominated for two Tony Awards is Bandstand: The New American Musical, with music, book and lyrics by Richard Oberacker (BFA Acting, 1993). Greg Anthony Rassen (MM Orchestra Conducting, 2003) is the co-orchestrator, music supervisor and music arranger of the show. He and co-orchestrator Bill Elliott were nominated for Tony Awards and won a Drama Desk Award for Outstanding Orchestrations in Bandstand. David Kreppel (BFA Musical Theatre, 1992) is the vocal music arranger of the production. Two musical theatre alumni have roles in BandstandGeoff Packard (BFA, 2004) as Wayne Wright and Max Clayton (BFA, 2014) as an ensemble member. Clayton, who is also the understudy for Bandstand’s lead role Donny Novitski, received a Chita Rivera Award nomination for Outstanding Male Dancer in a Broadway Show. Bandstand has been nominated for six Chita Rivera Awards, two Drama League Awards, seven Drama Desk Awards and three Outer Critics Circle Awards.

Sharon Wheatley (BFA Musical Theatre, 1990) and Josh Breckenridge (BFA Musical Theatre, 2007) perform in Come From Away, which was nominated for seven Tony Awards, two Chita Rivera Awards, one Drama League Award, nine Drama Desk Awards and seven Outer Critics Circle Awards.

Sean Montgomery (BFA Musical Theatre, 2007) and Joseph Medeiros (BFA Musical Theatre, 2006) are in Groundhog Day, nominated for seven Tony Awards, one Chita Rivera Award, two Drama League Awards, one Drama Desk Award and five Outer Critics Circle Awards.

Nicholas Belton (BFA Musical Theatre, 2002) plays Bolkonsky/Andrey in Natasha, Pierre & the Great Comet of 1812. Blaine Krauss (BFA Musical Theatre, 2014) performs in the show’s ensemble. Hair and wig design for the show is by Leah Loukas (BFA Make-Up & Wig Design, 2004). The musical has been nominated for 12 Tony Awards, one Chita Rivera Award, three Drama League Awards, four Drama Desk Awards and three Outer Critics Circle Awards.

Eric Santagata (BFA Musical Theatre, 2004) is the associate director of Falsettos, which features Betsy Wolfe (BFA Musical Theatre, 2004) as Cordelia. The musical has been nominated for five Tony Awards, two Drama League Awards, three Drama Desk Awards and three Outer Critics Circle Awards.

Stephanie Jae Park (BFA Musical Theatre, 2014) and Angel Reda (BFA Musical Theatre, 2003) perform in War Paint. The musical has been nominated for four Tony Awards, three Drama League Awards, seven Drama Desk Awards and four Outer Critics Circle Awards.

The Tony Awards, hosted by Kevin Spacey, will be broadcast live on CBS at 8/7 central on Sunday, June 11. Find out more by visiting www.tonyawards.com/en_US/nominees/.

Are you a CCM Alumnus with news? Stay in touch by sharing your story with us!

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CCM Acting Alumnus Takes New Musical ‘Bandstand’ to Broadway

Five alumni from UC’s College-Conservatory of Music are involved in a swing-filled, all-American musical that opens on Broadway on April 26. Bandstand: The New American Musical features alumni from CCM’s Acting, Musical Theatre and Orchestral Conducting programs.

Bandstand, set in 1945, tells the story of Donny Novitski, a World War II veteran who decides to enter a national contest seeking America’s newest musical sensation. He quickly assembles a ragtag jazz band of fellow veterans, along with a beautiful young war widow to be the band’s lead singer, and enters the contest. It’s a post-war Cinderella story told in an era when young Americans were fighting for their identity in the face of a dramatically changed world.

Richard Oberacker (BFA Acting, 1993) wrote the music, book and lyrics for Bandstand. While Oberacker received his undergraduate degree in acting, he has become a successful conductor, composer and lyricist. He is currently the conductor of Cirque du Soleil’s in Las Vegas, and he composed the score for a new musical version of The Great Gatsby, which will premiere in Tokyo later this year.

Oberacker returned to CCM in 2015 to teach a "Singing Actor" master class.

Oberacker returned to CCM in 2015 to teach a “Singing Actor” master class.

“Richard Oberacker was born to make music. He is a storyteller by nature, and now America will get to enjoy just how good he is when Bandstand opens on Broadway,” said Richard Hess, Professor of Acting and the A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance.

“He has such a big heart, and he inspires excellence in everyone around him. Cincinnati taught Richard how to fly; now he’s ready to soar.”

Greg Anthony Rassen (MM Orchestral Conducting 2003) is co-orchestrator, music supervisor and music arranger for Bandstand.  During his time on Broadway, he has conducted An American in Paris, The Little Mermaid, The Book of Mormon and Rogers and Hammerstein’s Cinderella. He is also an accomplished pianist and was featured on the Grammy-nominated cast recording of An American in Paris. He currently holds a position with the New York Pops.

The vocal music arranger for the show is David Kreppel (BFA Musical Theatre, 1992), who is currently the Associate Music Supervisor for The Lion King worldwide and has conducted Aladdin, Sister Act, Rock of Ages and A Chorus Line on Broadway.

Two CCM alumni have roles on stage in this production. Geoff Packard (BFA Musical Theatre, 2004) plays Wayne Wright, the trombonist in the band. His Broadway credits include Matilda, Rock of Ages and Phantom of the Opera, and he has participated in national tours of Wicked and Phantom of the Opera.

Max Clayton (BFA Musical Theatre, 2014) is in the ensemble and is also an understudy for Donny Novitski, the male lead. On Broadway, he has been seen in Something Rotten!, On the Town and Gigi.

Bandstand opens on April 26 at Broadway’s Bernard B. Jacobs Theatre, 242 West 45th Street in New York City.  You can learn more about the show at bandstandbroadway.com.

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Story by CCM graduate student Alexandra Doyle

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Production photo of 'Something Rotten!' by Joan Marcus. Provided by Gabriel Firestone.

Making A Scene: Q&A with Alumnus Gabriel Firestone, Scenic Designer

Cincinnati audiences may remember Gabriel Firestone (BFA Stage Design, 2014) for his scenic designs in CCM Opera’s Mainstage production of Owen Wingrave in 2013. After graduating from CCM’s acclaimed Theatre Design and Technology program, Firestone went on to design scenery for Broadway, Off-Broadway, regional and international theatre productions. Working alongside award-winning scenic designer Scott Pask, Firestone most recently served as the associate scenic designer for the first National Tour of Tony-nominated musical Something Rotten!.

Gabriel Firestone. Photo by Emilio Madrid-Kuser

Gabriel Firestone. Photo by Emilio Madrid-Kuser.

Firestone isn’t the only CCM alumnus involved in the national tour. Something Rotten! is produced by Kevin McCollum (BFA Musical Theatre, 1984), and onstage performers include alumni Joel Newsome (BFA Musical Theatre, 1989) and Pierce Cassedy (BFA Musical Theatre, 2012). A fun fact from Firestone’s time at CCM: the house he lived in on Wheeler Street in Clifton was actually passed down to him from Cassedy, along with his sofa set. “CCM really is an extended family,” Firestone says.

We caught up with Firestone to talk about his experience working on Something Rotten! and what life has been like for him since he graduated from CCM.

What is it like working in scenic design for the first National Tour of Something Rotten? What does a typical day look like for you at work?
As Associate Scenic Designer for the Something Rotten! first National Tour, my job was to work along-side Scott Pask, who designed the highly successful Broadway production, and effectively translate the original design of the scenery and props into one that could be taken out on tour. There are many different physical and logistical constraints when a production is playing a wide variety of venues, and making sure the set will look just as good on the road as it did on the stage at the St. James Theatre in New York was critical.

I don’t believe there is such thing as a “typical day at work” — my responsibilities with the tour changed as the design progressed. The beginning stages involved lots of modeling and sketching. Later, I was drafting and documenting how all of the scenic pieces moved onstage. I spent a few weeks running back and forth between the scenic shops who built and painted the scenery and drops, giving notes and making sure everything was looking and functioning as it should. Finally, I spent a month out on the road with the show, overseeing as the various elements finally came together in the theater, and reacting to any last-minute changes. Each day was a different and exciting challenge.

What has been your most challenging scenic design project and why?
While every design presents its own set of challenges, one of the more interesting ones I’ve encountered involved transferring a design I did for Red Light Winter in New York City to the National Theatre in Warsaw, Poland. The set in New York was a small, drab room with three crumbling plaster walls and the suggestion of a ceiling — all grounded in realism. Due to limitations for the re-mounted production, we couldn’t use our scenery overseas. Although it might not seem like a huge challenge, the creative team had to reconcile the telling of this story, where the constricted environment itself becomes a major player, with the comparatively spacious bounds we were given in which to work. We reconfigured the staging and design in a pretty remarkable way that didn’t detract from the story, but rather added to the audience’s understanding of what happens to the characters in the brief moments after they leave the room we no longer represented so literally. The sometimes one-dimensional characters suddenly became multi-faceted, and what was lost in the way of aesthetic realism was replaced by much more emotionally driven performances. It was a fascinating production to have been a part of.

Do you have a specific CCM memory or experience that you would like to share?
A favorite memory of mine was going through the design process for CCM Opera’s Owen Wingrave as part of the year-long centenary celebration of Benjamin Britten’s career. Due to a directorial change, all the work had to be scrapped and we started over from the beginning. It was exciting to re-envision the piece under the lens of a different director, and to figure out what changed and evolved from the previous iteration. Although we as a creative team were working within a truncated amount of time, I think the design ended up being every bit as bold and grand as we had imagined. The first time you see the scenery, which takes months to realize, assembled on-stage is always a magical experience; it never grows old.

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Do you have any advice for current or soon-to-be graduating CCM students?
My advice to somebody who’s soon-to-be graduating is to be patient and not to believe he or she is above getting people coffee for a while, so-to-speak. As a young theatre arts professional, there are an endless number of opportunities to get one’s foot in the door, but the people who get those jobs, keep those jobs and grow in those jobs are the ones who have a great attitude every day, show up with a smile and don’t mind supporting the team in ways sometimes deemed menial. In an industry where we spend so much time working in large groups, you can quickly earn a lasting reputation as somebody who is passionate and dependable, and when it comes time to take on more advanced work, your name will be the first one considered. Don’t be disheartened if it takes a while to make the right connections.

And also, try to find some balance in life between success in a career and a personal life. Both are more fun and fulfilling when there is a sense of balance between them.

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Something Rotten! photo by Joan Marcus; provided by Gabriel Firestone.

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Jerry Herman’s ‘Mack and Mabel’ Makes CCM Mainstage Debut

CCM proudly presents Mack and Mabel on Thursday, March 2 through Sunday, March 5 in Corbett Auditorium. Aubrey Berg directs with choreography by Patti James and musical direction by CCM graduate student Evan Roider.

ccm-mack-mabel-eblastThe performance is rare treat for Cincinnati audiences; a major production of Mack and Mabel has not been staged in the Queen City for over a decade, and it has never been presented as a CCM Mainstage production. With a memorable score by Broadway master Jerry Herman (Hello, Dolly!; Mame; La Cage aux Folles), Mack and Mabel received eight Tony Award nominations after its original premiere in 1975.

“The CCM production of Mack and Mabel is a rare opportunity to see an all-but-forgotten work by one of the masters of Musical Theatre, Jerry Herman,” Berg says. “It is notable for its interesting concept and its melodic, memorable score, one that Herman cherishes as his personal favorite.”

Mack and Mabel is a star-crossed, bittersweet love story that explores both the lighter and the darker side of the Golden Age of Comedy. It focuses on the tumultuous relationship between legendary director Mack Sennett and his greatest star, Mabel Normand.

Mack, an aging director whose silent films become obsolete in the age of “talkies,” tells the story in a series of flashbacks. He recalls his first encounter with Mabel, a feisty barista who Mack turns into a silent film star. However, following a torrid affair with Mack, Mabel leaves to act in dramas for a rival director.

Mack and Mabel struggle to find their places in the changing film industry, and both experience their own triumphs and failures along the way.

Praised by the New York Times as “a musical in the old and true tradition,” Mack and Mabel’s musical style is reminiscent of the silent film era in which it is set. CCM’s production includes silent movie clips, hundreds of costumes and props, a Keystone Kops ballet and a large cast of 38 performers. The show is a perfect vehicle and challenge for CCM’s student performers and technicians, says Berg.

“This is a great opportunity to see and hear a rarely-performed Jerry Herman musical with all the stops pulled out,” adds Evan Roider, music director of the show and a CCM graduate student in orchestral conducting.

“The score highlights Herman’s tremendous talent for melody — brassy two-steps, voluptuous ballads and a tap number that rivals those of the early 20th century,” Roider says. “Audiences can expect an old fashioned score that will have them humming as they leave the theater.”
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MACK AND MABEL
Based on an idea by Leonard Spigelglass
Book by Michael Stewart
Music and Lyrics by Jerry Herman

Performance Times
8 p.m. Thursday, March 2
8 p.m. Friday, March 3
8 p.m. Saturday, March 4
2 p.m. Sunday, March 5

Location
Corbett Auditorium, College-Conservatory of Music
University of Cincinnati

Purchasing Tickets
Tickets to Mack and Mabel are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/mack-and-mabel.html.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mack and Mabel is presented by a special arrangement with SAMUEL FRENCH, INC.

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