Program Spotlight: CCM Classical Guitar

Declared “one of this country’s leading conservatories” by the New York Times, CCM provides first-rate Bachelor of Music and Master of Music programs in Classical Guitar. Applications are open to join CCM’s fall 2021 class; apply by December 1.

Study is strongly performance-based and the cornerstone of the program is private lessons with faculty, who serve as mentors for students and direct their individual musical, performing and teaching growth.

Classical Guitar curriculum emphasizes the development of the well-rounded, holistic musician by providing a solid background in music history and theory as well as areas specific to each musical medium. Undergraduate students enjoy a close collaboration with the University of Cincinnati through a general education core that supplements their education with academic course work while graduate students specialize more precisely in their chosen field.

“In the CCM guitar program we never neglect the past, but we can’t afford to pretend we don’t live in the present,” says Chris Wilke, director of CCM Classical Guitar. “Our ultimate goal is to prepare true musicians for a professional career in the 21st century.”

All incoming students in 2021-22 will receive an iPad, which will be equipped for audio-visual work to help students gain digital career skills crucial for 21st-century musicians.

Program highlights include:

  • Free iPad to all incoming 2021-22 classical guitar students
  • Generous scholarships available for promising students
  • Chamber music and networking opportunities
  • Opportunities to explore historical plucked instruments and broaden skill sets
  • 21st-century digital career integration

Applications and Additional Information

CCM is now accepting applications for fall 2021. The application deadline is December 1. Learn more at ccm.uc.edu/admissions.

Learn more about the CCM Classical Guitar program.

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CCM Village at night

CCMONSTAGE Online: Stay connected with the latest news from the college

Although we are still unable to perform for you live, you can continue to experience the artistry and expertise of our students, alumni, faculty and staff through our CCMONSTAGE Online e-newsletter. Our latest edition features performance videos, stories and other resources designed to help us stay connected even when we have to temporarily stay apart.

Sign up to receive CCM’s e-newsletter at ccm.uc.edu/subscribe.

Get the latest news from CCM:

CCMONSTAGE: Watch the CCM Philharmonia’s Sept. 12 performance

The virtual concert also features mezzo-soprano and CCM Professor Quinn Patrick Ankrum. Read more


CCM alumni in Tony Award-nominated productions

Watch Aaron Tveit and CCM alumna Karen Olivo sing “Come What May” from Moulin Rouge! musical. Read more.


CCM shares Spring 2021 registration details

Last week, CCM Associate Dean for Academic Affairs Stephanie P. Schlagel provided information on spring course registration and CCM’s online accommodation resources. Read more.


CCM piano professor featured in upcoming streamed performances

Awadagin Pratt will perform as a soloist with three symphony orchestras in the next two months. Read more.


Dada Rafiki honors CCM staff member for community engagement work

Anne Cushing-Reid has supported arts education in Greater Cincinnati for more than 25 years. Read more.


Students take spotlight in UC commercial

Meet the Bearcats behind the university’s latest TV spot, “Push Forward.” Read more.

 


Arts Engines: CSO/CCM Diversity Fellow graduate speaks to the power of music

Aaron Dworkin interviews alumnus Ian Saunders about his experience in the program and his career. Read more.


Classical Singer Magazine: CCM alumna harnesses girl power on the operatic stage

CCM Stage director Jennifer Williams discusses how to create empowered portrayals of women in opera. Read more.


Additional Resources

Bridging the divide

Meet the women tackling tough conversations about race at UC. Read more.

 


UC Answers: How can mindfulness help us cope?

UC Center for Integrative Health and Wellness Director Sian Cotton, expert in mindfulness and its benefits, offers advice to the UC community. Read more.


UC’s Center for Integrative Health and Wellness

The University of Cincinnati’s Center for Integrative Health and Wellness is providing information and resources to promote wellness. Learn more about the center’s wellness tips during times of stress and consider signing up for their email newsletter.


FAQs and Online Resources

Please continue to refer to CCM’s coronavirus resource website to help answer your frequently asked questions. This website is updated as new information develops, so please check back often.
For more information about the University of Cincinnati’s response to COVID-19, please visit uc.edu/publichealth.

Sign up to receive CCM’s bi-weekly e-newsletter at ccm.uc.edu/subscribe.
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Stay Connected: CCMONSTAGE Online’s Latest Newsletter

Experience the artistry and expertise of our students, alumni, faculty and staff through our CCMONSTAGE Online e-newsletter. Our latest edition features performance videos, stories and other resources designed to help us stay connected.

UC plans to welcome back students to campus on Aug. 24 for the start of the fall semester. A thoughtful blend of in-person and virtual offerings, in addition to enhanced health and safety measures, will provide students with the best collegiate experience possible in this new era of living and learning. Learn more about UC’s Return to Campus.

Sign up to receive CCM’s e-newsletter at ccm.uc.edu/subscribe.

Get the latest news from CCM:

CCM Dance co-ops create pipeline from student to professional artist

The college’s co-op program connects students to professional ballet companies while they complete their BFA degrees, creating a pipeline that leads young artists to their future careers. Student Grace Mccutcheon and alumna Hannah Holtsclaw share how CCM Dance co-ops have impacted their careers so far. Read more.


WVXU and CCM Acting’s “O’Toole From Moscow” is available to stream on demand

Listen online to enjoy Rod Serling’s comedy about confusion between Russians and the Cincinnati Reds. Directed by CCM Professor Richard Hess, the radio play features a cast of CCM Acting students with narration by Serling’s daughter, Anne. Read more.


Internationally acclaimed stage director Greg Eldridge joins CCM’s opera faculty

Eldridge has worked across eight countries at some of the world’s most famous opera houses. His work has been praised by critics for its “thoughtful and effective” staging, with “detailed characterizations and considered through-lines” a hallmark of his directing style. Read more.


Eight UC faculty recognized for excellence in mentoring undergraduate researchers

CCM Assistant Professor-Educator of Piano Andy Villemez was named one of this year’s outstanding research mentors. UC offers numerous opportunities for undergraduate students to participate in research and explore it as a possible career. Read more.


Arts for all: CCM offers mix of online, in-person electives in fall 2020

CCM offers dozens of different general studies and arts elective courses in fall 2020. These credit-granting courses are open to all UC students and cover a wide range of topics including dance, movies and media, music and theatre arts. Read more.


CCM Organ Professor spotlights C.B. Fisk Opus 148 Organ on “Around Cincinnati”

Cincinnati’s Christ Church Cathedral dedicated a new C.B. Fisk Organ Opus 148 in 2018. To learn more about this special instrument, WVXU’s Alexander Watson recently spoke with CCM Professor of Organ and Harpsichord Michael Unger and David Pike, head tonalist from C. B. Fisk Organ Builders. Read more.


CCM Sounds Design student wins Pat MacKay Diversity in Design Scholarship

BFA Sound Design student Alena Milos is a recipient of the 2020 Pat MacKay Diversity in Design Scholarship, presented by Questex’s Live Design International (LDI) in partnership with TSDCA and USITT. Live Design, a creative and technical resource for live design professionals, recently featured Milos in a Q&A published online. Read more.


FAQs and Online Resources

Please refer to our coronavirus resource website to help answer your frequently asked questions. This website is updated as new information develops, so please check back often. See more UC answers to your important questions.

For more information about the University of Cincinnati’s response to COVID-19, please visit uc.edu/publichealth.


Sign up to receive CCM’s bi-weekly e-newsletter at ccm.uc.edu/subscribe.

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Watch CCM’s 2020 Musical Theatre Senior Showcase

A group shot of CCM Musical Theatre's Class of 2020

Although the theaters and concert halls at UC’s nationally ranked and internationally renowned College-Conservatory of Music are temporarily silent, audiences can still experience world-class performances through the CCMONSTAGE Online video series. This week’s release features the CCM Musical Theatre Class of 2020’s Senior Showcase, which was performed on March 12, 2020, in Patricia Corbett Theater.

Featuring hit songs from Broadway, Off-Broadway and pop music, the Senior Showcase was created by CCM’s Musical Theatre Class of 2020 under the supervision of faculty. This year’s showcase was directed by CCM Musical Theatre alumnus Justin Bohon and advised by Rachel Hoffman. The showcase was associate directed by Katie Johannigman and produced by Diane Lala and Denton Yockey. Musical direction by Julie Spangler. The showcase also features an original song by CCM Acting alumnus Todd Almond.

Receive updates on future CCMONSTAGE Online performances by subscribing to our mailing list.

Get to know the graduating seniors by reading their professional summaries! 


Get to know CCM Musical Theatre’s Class of 2020

Andrew Alstat: Originally from Pomona, Illinois. Regional credits: Chuck Cranston in Footloose (The Muny), Albert in Newsies (Wagon Wheel Center for the Arts), Emmett in Legally Blonde, Billy Crocker in AnythingGoes (McLeod Summer Playhouse). CCM credits: Rocky in The Rocky Horror Show, Frederick in TheHunchback of Notre Dame, Angie the Ox in Guys and Dolls, Jesus Christ Superstar. Proud member of AEA. For more, visit andrewalstat.com and follow @a12tat on Instagram.


Nick Berninger:Originally from Wayne, New Jersey. Regional credits: A Gentleman’s Guide To Love And Murder (The D’Ysquith Family), Cabaret (Emcee), The Little Mermaid (Scuttle/Chef Louis) at Clinton Area Showboat Theatre, New Jersey Regional premier of School of Rock (Dewey Finn) at Union County PAC, South Pacific (Billis), Cats (Bustopher/Gus) at Interlakes Summer Theatre. CCM credits: 42nd Street (Julian Marsh), Guys and Dolls (Nicely Nicely Johnson), Mack and Mabel (Fatty Arbuckle) Seussical (Horton u/s) and The Secret Garden (Ben). Workshops/Readings: Home Street Home (Big John), Nasha America (Uncle Vadim) and Rocket Science (Doyle) with the CCM Musical Theatre Incubator Project. Proud member of the AEA. For more, visit nickberninger.com and follow @nick_berninger on Instagram. 

Kurtis Bradley Brown: Originally from Louisville, Kentucky. Regional credits: 42nd Street at Bucks County Playhouse, Sondheim on SondheimNewsies and Legally Blonde at the Lexington Theatre Company in the Euan Morton track, as the Crutchie understudy and as “Kiki, the colorist” (fierce!), respectively. CCM Credits: Dickon in The Secret Garden and many more. Currently training at the Upright Citizens Brigade Theatre. For more, visit kurtisbradleybrown.com and follow @kurtisbradleybrown on Instagram.

Michael Canu: Originally from Rochester, Michigan. Regional credits: A Chorus Line (Mark) at the Cape Playhouse, Mamma Mia! (Sky) and West Side Story (Snowboy) at Shenandoah Summer Music Theatre, Footloose (Ren McCormack) and Newsies (Albert, Jack u/s) at the Clinton Showboat Theatre and The Nutcracker (Russian Soloist) with Michigan Ballet Theatre. He was also apart of the first symphonic version of Children of Eden (Adam) with Rochester Summer Music Theatre. CCM credits: 42nd Street (Andy Lee), Jesus Christ Superstar and Guys and Dolls (Harry The Horse). Michael won the Battaglia Scholarship Award for performance excellence in a musical. For more visit, michaelcanu.com and follow @michael_canu on Instagram.

Matt Copley: Originally from Detroit, Michigan. Regional credits: Grease and Oklahoma! at Pittsburgh CLO. Footloose (Ren) and Newsies at Wagon Wheel Center for the Arts. Hockey: The Musical! (World Premiere) at City Theatre Detroit. Thoroughly Modern Millie (Jimmy) at Riverbank Theatre. CCM credits: Guys and Dolls (Nathan Detroit), The Hunchback of Notre DameJesus Christ Superstar. Additional credits: Writer, Composer and Creator of blueprint the musical, Niko in Home Street Home workshop. Proud member of AEA. For more, visit matt-copley.com and follow @matt_copley on Instagram.

Madison Deadman: Originally from Ann Arbor, MI. Regional credits: Rock of Ages (Young Groupie) at PCLO, Cabaret (Sally Bowles) at Clinton Area Showboat Theatre, Les Miserables (Eponine), Joseph… Dreamcoat (Narrator) and Little Women (Amy) at Encore Musical Theatre Company, The Addams Family (Wednesday) at Thunder Bay Theatre. CCM credits: Godspell (Jesus), Theory of Relativity (Caroline). Workshops: Home Street Home (Mom) with Kevin McCollum, Jeff Marx and NOFX; Rocket Science (Jenny Ryerson) with Richard Israel. Television: PBS special: SciEngiMathePloration. Film: A Girl Like Her (Emily Sailler). Print: model for Kotex UBY. For more, visit madisondeadman.com and follow @mjdeadman on Instagram.

Bailee Endebrock: Originally from Herrin, Illinois. Regional credits: Mamma Mia (Sophie), Singin’ in the Rain (Kathy Selden), Oklahoma! (Dance Captain) at Wagon Wheel Center for the Arts. A Chorus Line (Maggie) and Sondheim on Sondheim (Leslie Kritzer Track) at The Lexington Theatre Company. The Sound of Music (Liesl) and Bring it On (Campbell) at McLeod Summer Playhouse. CCM credits: 42nd Street (Peggy Sawyer), The Secret Garden (Dance Captain/Alice), Yeast Nation (Jan-the-Sweet), Guys and Dolls (Hot Box Girl). For more, visit baileeendebrock.com and follow @bailee_endebrock on Instagram.

Zoë Grolnick: Originally fromBoulder, Colorado. Regional credits: Rock of Ages at Lake Dillon Theatre Company, Godspell at Center Stage Theatre Company. CCM credits: 42nd Street (Anytime Annie), Guys and Dolls (Hot Box Chick), Theory of Relativity (Jenny), A Chorus Line (Vicki/Swing), Hunchback of Notre Dame and Seussical. For more, visit zoegrolnick.com and follow @zoegrolnick on Instagram.

Delaney Guyer: Originally from Seattle, Washington. Delaney studied Meisner at the Maggie Flanigan Studio in New York for two months following her sophomore year. She has performed in regional theatres across the country including the 5th Avenue Theatre of Seattle, Village Theatre of Issaquah, Washington, the Lexington Theatre Company in Kentucky, the KNOW Theatre of Cincinnati and Sound Theatre Company of Seattle. CCM credits: The Rocky Horror Show (Magenta)and Yeast Nation (Jan The Sly) Secret Garden (Lily), Gruesome Playground Injuries (Kayleen). For more, visit delaneyguyer.com and follow @delaneyguyer on Instagram.

Madison Hagler: Originally from Rainsville, Alabama. Regional credits: Gabe in Next to Normal (Porthouse Theatre), Pastor Olgethorpe in Smoke on the Mountain and Ensemble/Brother in Joseph…Dreamcoat (Totem Pole Playhouse). CCM credits: Archibald Craven in The Secret Garden, Judas/John the Baptist in Godspell, Annas in Jesus Christ Superstar, Tap Ensemble in 42nd Street, Gargoyle/ King Louis XI in The Hunchback of Notre Dame, Seussical the Musical, Children of Eden and Lewinsky in Rocket Science, a new musical workshop. As an expert magician, Madison has toured the southeast with his grand illusion show, and has appeared as Magic Consultant for shows such as Pippin, Godspell, Big Fish and The Bartered Bride. For more, visit madisonhagler.com or follow @MadisonAdamsHagler on Instagram. 

Elijah Lee King:Originally from Arlington, Virginia. Regional credits: Man of La Mancha (Pedro) and Music Man at Porthouse Theatre, Mamma Mia! at Totem Pole Playhouse and Joseph…Dreamcoat (Joseph) at City of Fairfax Theatre Co. CCM credtis: The Secret Garden (Ian Shaw), 42nd Street (Assistant Director), Yeast Nation (The Youngest), Guys and Dolls (Big Jule), Jesus Christ Superstar (Solider), The Little Mermaid Ballet (King Triton), Mack and Mabel (Ensemble). TV/Film: Power (STARZ), I Was Possessed (Lifetime), Copycat Killers (REELZ) and Evil Kin (Discovery ID). For more, visit elijahleeking.com and follow @Elijah_Lee_King on Instagram.

Kylie Liya Page:Originally adopted from China, from New York. Broadway credits: 2006 revival Les Miserables (Young Cosette/ Eponine) at the Broadhurst Theater. National Tours credits: How The Grinch Stole Christmas (Annie Who/ u.s. Cindy Lou), Les Miserables (Young Cosette/ Eponine) at Theater of the Stars. Readings/Workshops: The Nightingale by Duncan Shiek/Steven Sadar (Nightingale) NYSAF with James Lapine and at Vassar College with Moises Kaufman. Nasha America (Jackie) at CCM. Film/TV: Friends From College (Teenager) Netflix, Gossip Girl (Constance Girl) CW Network/ Netflix, Ninja Assassin (Young Kariko) Warner Bros., Step Up 3D (Ice Cream Truck Girl) Disney. Off Broadway: Carousel (Louise) NAAP at the Peter J. Sharp Theater. CCM credits: (Dance Ensemble) in Jesus Christ SuperstarThe Hunchback of Notre Dame42nd Street at CCM. She is a proud member of AEA and SAG-AFTRA. For more, visit kylieliya.com and follow @kylieliya on Instagram. 

Sam Pickart: Originally from Wisconsin. Regional credits: Anything Goes (Billy Crocker) and Saturday Night Fever (Gus) at Mac-Haydn Theatre, Mamma Mia (Sam Carmichael) and Bonnie & Clyde (Bob Alcorn) at Summer Repertory Theatre, Parade (Frankie Epps) at Greendale Theatre. CCM credits: The Secret Garden (Dr. Neville Craven), Guys and Dolls (Benny Southstreet), Theory of Relativity (Paul), 42nd Street (Pat Denning), The Hunchback of Notre Dame (Tribunal/Gargoyle). For more, visit sampickart.com and follow @sampickart on Instagram.

Erich W. Schleck: Originally from Seattle, Washington. Regional credits: Jesus Christ Superstar (Peter) and Newsies (Finch) at NCC Summer Theatre, Spring Awakening (Melchior) and Cabaret (Emcee) at Ballyhoo Theatre and the Original Cast Recording of A Christmas Story: The Musical with the 5th Avenue Theatre. CCM credits: The Rocky Horror Show (Riff Raff), Yeast Nation (Jan-the-Wise), Guys and DollsJesus Christ SuperstarSondheim on SondheimChildren of Eden and the CCM Musical Theatre Incubator of Rocket Science (Heston). He originated the role of Rodrich in Nasha America in Cincinnati and NYC with Alchemation. Erich is also a choreographer with work that includes Big Fish (Village Theatre), Spring AwakeningWizard of OzRENT and Once on this Island (5th Avenue Award Recipient). His original dance show This Moment premiered at CCM during a workshop in Spring 2019. For more, visit erichschleck.com and follow @erichschleck on Instagram.

Hank von Kolnitz: Originally from Alexandria, Virginia. Regional credit: West Side Story (Big Deal) at The Lex; Little Mermaid (Prince Eric), Jesus Christ Superstar (Pontius Pilate) at the Clinton Area Showboat. West Side Story (Riff), Chicago and The Drowsy Chaperone at Santa Rosa Summer Rep; Mamma MiaBest Little Whorehouse in Texas at Totem Pole Playhouse. CCM credits: Rocky Horror Picture Show (Eddie/Dr. Scott), Hunchback of Notre Dame (Ensemble), Seussical (Ensemble U/S Wickershams), Guys and Dolls (Rusty Charlie) and more. For more, visit hankvonkolnitz.com and follow @hankvonko on Instagram.


About CCM Musical Theatre

The Musical Theatre program at the University of Cincinnati College-Conservatory of Music (CCM) is the oldest in the country and was the first of its kind. A four-year bachelor of fine arts (BFA) program, it was used by the National Association of Schools of Theatre in formulating the guidelines for the accreditation of Musical Theatre programs nationwide.

The program provides professional conservatory training designed to help singers, dancers and actors become accomplished musical theatre performers. Students participate in a number of productions while in residence and create a freshman and a senior showcase, the latter functioning as their New York debut for agents and casting directors. In addition, students undertake courses in English, history, psychology, dramatic literature, social and ethical issues and the humanities.

CCM Musical Theatre is widely recognized for its “triple-threat” approach to training and many of its graduates are following careers as performers and creative artists in every facet of the entertainment industry. CCM Musical Theatre graduates are working on Broadway and throughout the nation in such productions as AnastasiaHamiltonWaitressMoulin RougeThe Phantom of the OperaThe Book of Mormon, Pippin, WickedJersey BoysLes Misérables, Kinky Boots, Big Fish, Newsies and The Lion King. Students represent CCM in national and international touring productions, in dinner theatres and theme parks, on cruise ships, on television, in talent agencies, as producers and in many of the related entertainment fields.

The Musical Theatre program is part of a larger academic division known as TAPAA: Theatre Arts, Production and Arts Administration. At the time of its establishment in 1991, the Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM was the only academic chair of its kind in the United States, the American equivalent of the Chair in Musical Theatre endowed by Cameron Macintosh in honor of Stephen Sondheim at Oxford one year later.

Learn more about CCM’s BFA Musical Theatre program.

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CSO Diversity fellows performing at Music Hall

CSO and CCM announce 2020-22 class of Diversity Fellows

UC’s College-Conservatory of Music (CCM) and the Cincinnati Symphony Orchestra (CSO) have selected four outstanding musicians for their next class of CSO/CCM Diversity Fellows. Born out of a mutual desire to help American orchestras be more inclusive and to better represent the communities they serve, the performance fellowship program was launched in 2015 with a generous grant from The Andrew W. Mellon Foundation.

Through the collaborative program, CCM and the CSO provide graduate level academic study and professional development and performance opportunities for the Diversity Fellows while simultaneously catalyzing a more inclusive environment for underrepresented musicians in the orchestra field. The program’s tagline — “Bravos Without Barriers” — gets to the heart of its mission: eliminating obstacles that can prevent extraordinary musicians from achieving their full potential.

“The Cincinnati Symphony Orchestra exists to serve our community. Our entire community.” said CSO President Jonathan Martin. “But how can we authentically serve our entire community if a significant part of that community doesn’t see themselves reflected in our organization? The CSO/CCM Diversity Fellowship is one of many steps we are taking to address this disparity. By providing professional opportunities to a more diverse group of outstanding musicians, we hope to cultivate—and begin changing —the next generation of American orchestral musicians.”

“The University of Cincinnati’s ‘Next Lives Here initiative is built on the interdisciplinary pillars of innovation, inclusion and impact, and the CSO/CCM Diversity Fellowship program is a perfect example of how those three principles can lead us into a new era,” said CCM Dean Stanley Romanstein. “Our Fellowship is designed to remove the barriers that can prevent talented musicians from pursuing professional carriers in music, but the work to change the face of American orchestras is ongoing. If we’re serious about enhancing racial and ethnic diversity in the arts, orchestras and conservatories have to work together to become more accessible to a diverse population of artists, and we have to do everything possible to help prepare them for long-term success.”

Four exceptional string players will officially join the two-year fellowship program in August 2020, bringing the total number of CSO/CCM Diversity Fellows to nine for the 2020-21 academic year and performance season. The new Fellows are:

  • Maalik Glover, violin
  • Amy Nickler, double bass
  • Max Oppeltz-Carroz, cello
  • Javier Otalora, viola

The CSO/CCM Diversity Fellowship Program is open to exceptional violin, viola, cello and double bass players coming from historically underrepresented populations in classical music. The program is highly competitive, and each class of Fellows is selected through a rigorous series of auditions. Every year, hundreds of candidates audition for CCM faculty members for admission to the Conservatory. From that pool a select group is then invited back to Cincinnati for Diversity Fellowship auditions with CSO musicians. The program saw its largest finalist group ever during the 2019-20 audition cycle, with 21 applicants invited to the final round of physically distanced auditions on March 14, 2020.

The Diversity Fellows perform the equivalent of five weeks per season with the CSO while enrolled in a two-year Master of Music (MM) or Artist Diploma (AD) graduate degree program at CCM. The program also includes private lessons, mock auditions, professional development and audition travel assistance, career development workshops and mentorship from CSO musicians.

Each Fellow receives full tuition scholarship support from CCM, in addition to a $10,000 per year graduate stipend and a one-time Graduate School Dean’s Excellence Award of $3,000. Each Fellow also receives compensation of $8,000 per season while performing with the CSO.

The program also partners with the Chautauqua Institution which offers Fellows a summer residency with the Chautauqua Symphony Orchestra and professional development opportunities during its nine-week summer season.

Twelve musicians have graduated from the CSO/CCM Diversity Fellowship to date. The third class of Diversity Fellows, which is comprised of Camellia Aftahi (double bass), Yan Izquierdo (violin), Arman Nasrinpay (violin) and Alexis Shambley (violin), recently completed the program at the conclusion of the 2019-20 season. Alumni have gone on to work with orchestras such as the Dallas, National, and Nashville Symphony Orchestras, as well as continuing as freelance artists and educators across the country.

Meet The Fellows

Maalik Glover

Maalik Glover

Maalik Glover

Master of Music (MM) student, Violin

A native of Atlanta, Georgia, Maalik Glover has studied the violin since the age of 11. Glover’s first significant accomplishment was his acceptance into the Talent Development Program, an initiative launched by the Atlanta Symphony Orchestra that targets gifted African-American and Latino music students to further develop their future careers as accomplished classical musicians. This program allowed him to meet and study with his first teacher, Justin Bruns (associate concertmaster of Atlanta Symphony Orchestra), during his adolescence. In 2015, Glover graduated with a Fine Arts Diploma Seal from Martha Ellen Stilwell School of the Arts.

Glover has performed in Italy, Canada and throughout the U.S. He made his first professional orchestra debut in October 2017 when he subbed with the Columbus Symphony Orchestra under the baton of George Del Gobbo. Glover has also spent two summers performing with the Pacific Region International Summer Music Academy in Powell River, British Columbia. While there, he received intense orchestral training from Dennis Kim and Richard Roberts, concertmasters of Pacific Symphony and Montreal Symphony Orchestra, respectively.

In May 2019, Glover graduated summa cum laude from Columbus State University’s Schwob School of Music. During his time here, he studied with Boris Abramov, principal second violinist of the Columbus Symphony Orchestra. While attending the Schwob School of Music, Glover received recognition at competitions such as being awarded an honorable mention in the Schwob School of Music Concerto Competition and was a finalist in Lagrange Symphony Orchestra’s Young Artist Competition.


Amy Nickler

Amy Nickler

Amy Nickler

Artist Diploma (AD) student, Double Bass

Born and raised in Palm Beach Gardens, Florida, Amy Nickler began playing the violin at age six. Six years later she switched to the double bass and has loved it ever since.

In recent years, Nickler has participated as a fellow in several festivals and orchestras such as the Cincinnati Symphony Orchestra, The Orchestra NOW, Oslo Kammerakademi, Norfolk Chamber Music Festival and Miami Music Festival. In July 2016, Nickler was a winner of the Concerto Competition honoring Ida Haendel with the opportunity to perform as a soloist in the New World Center with the Miami Music Festival Orchestra. Aside from performing, Nickler enjoys her time as a teaching artist for the Nat King Cole Generation Hope, Inc. and the Volta Music Foundation in Havana, Cuba.

Nickler received her Bachelor of Music at Lynn Conservatory in 2017 with Professor Timothy Cobb and she received her Master of Music at Yale School of Music with Professor Donald Palma in 2019.


Maximiliano Oppeltz-Carroz

Maximiliano Oppeltz-Carroz

Maximiliano Oppeltz-Carroz

Artist Diploma (AD) student, Cello

Max Oppeltz-Carroz started playing the cello at the age of four as a student of El Sistema in Caracas, Venezuela. As a part of the world-renowned music program, Oppeltz-Carroz played in the Simón Bolívar Youth Orchestra, the Chacao Youth Symphony Orchestra and the Caracas Municipal Orchestra. He studied with Cesar Noguera, Marek Gajzler and German Marcano. He also participated in numerous master classes with cellists such as Natalia Gutman and Phillip Muller.

In 2014, Oppeltz-Carroz moved to the U.S. to study at the Juilliard School with Professor Richard Aaron. As an undergraduate student, Oppeltz-Carroz participated in several lessons and master classes with cellist Franz Helmerson and studied chamber music with musicians such as Roger Tapping, Sam Rhoades, Sylvia Rosenberg and Jerome Lowenthal. In 2016, Oppeltz-Carroz was fortunate to attend the Music Academy of the West, the highlights of which were taking lessons with Lynn Harrel and performing alongside faculty Warren Jones and Kathleen Winkler.

In 2018, Oppeltz-Carroz moved to Denver to study at the Lamont School of Music as a Newman Graduate Fellow under Matthew Zalkind. While in Denver, he was fortunate to perform alongside faculty both at the University of Denver Lamont School of Music and at the Denver Chamber Music Festival.

Oppeltz-Carroz is extremely grateful to be playing on a 1880 French cello from the Caussin School, generously loaned by the Virtu Foundation.


Javier Otalora

Javier Otalora

Javier Otalora

Artist Diploma (AD) student, Viola

Javier Otalora was born and raised in West Palm Beach, Florida, and began playing violin at age six. In 2018, he graduated from Oberlin Conservatory of Music where he studied violin with Gregory Fulkerson and Sibbi Bernhardsson and viola with Kirsten Docter and Peter Slowik. Otalora is also a recent graduate of the University of Michigan where he received his Master of Music in viola performance with Caroline Coade on a full scholarship.

Otalora was an Orchestral Fellow at the Aspen Music Festival in 2019 and has attended summer festivals such as the Meadowmount School, the Red Rocks Chamber Festival, the Dali Chamber Festival and Spoleto Festival USA. Otalora is a passionate orchestra, chamber and contemporary music player. He has performed with musicians and groups such as the Lansing Symphony, the Aspen Conducting Orchestra, the Spoleto Festival Orchestra, members of the International Contemporary Ensemble, the University of Michigan’s Contemporary Directions Ensemble and Sibbi Bernhardsson from the Pacifica Quartet.

Otalora is also involved in music education, having taught violin and viola in Panama for two consecutive years through Oberlin’s “Panama Project.” In addition, he has taught violin, viola and chamber music at the Oberlin Community Music School and was also a strings teacher at Mitchell Elementary School in Ann Arbor, Michigan.

In 2017, Otalora received the Martin L. King Career Grant which allowed him to return to Panama that summer and run his own chamber camp at the University of Panama. In his free time, Otalora  enjoys eating pizza with friends, reading about airplanes, and fixing computers and printers.


About the Cincinnati Symphony Orchestra

With a rich tradition that dates back 125 years, the Cincinnati Symphony Orchestra is considered one of America’s finest and most versatile ensembles. Led by Louis Langrée, the Orchestra’s distinguished roster of past music directors includes Frank van der Stucken, Leopold Stokowski, Eugene Ysaÿe, Fritz Reiner, Eugene Goossens, Max Rudolf, Thomas Schippers, Michael Gielen, Jesús López Cobos, and Paavo Järvi. Matthias Pintscher will be the Orchestra’s Creative Partner beginning with the 2020-21 season, and past Creative Directors include Rafael Frühbeck de Burgos, Lang Lanag, Philip Glass, Branford Marsalis and Jennifer Higdon. The Orchestra also performs as the Cincinnati Pops, founded by Erich Kunzel in 1977. John Morris Russell has led the Pops since 2010 and Damon Gupton is Principal Guest Conductor.

Since its beginnings, the CSO been a proponent of the music of its time, performing the American premieres of works by important composers including Claude Debussy, Gustav Mahler, Richard Strauss, Maurice Ravel and Béla Bartók, and commissioning many works that have since become mainstays of the classical repertoire, including two iconic works by Aaron Copland: Fanfare for the Common Man and Lincoln Portrait. The Orchestra continues to commission works, amplifying new voices from a diverse array of backgrounds.

With groundbreaking initiatives including CSO Proof, CSO Look Around, LUMENOCITY and the MusicNOW Festival collaboration, the Orchestra champions innovation. As an ambassador for Cincinnati, the region, and for the U.S., the CSO has toured extensively, most recently to Asia and Europe in 2017. The CSO was the first American orchestra to be featured on a national radio broadcast and continues to reach millions of listeners across the country and around the world through the airwaves, digital streaming and commercial recordings on the CSO’s own Fanfare Cincinnati label.

The Orchestra also performs, records and tours as the Cincinnati Pops and elevates Cincinnati’s vibrant arts scene by serving as the official orchestra for the Cincinnati May Festival, Cincinnati Opera and Cincinnati Ballet.

Committed to inclusion and relevance and to enhancing and expanding music education for the children of Greater Cincinnati, the Orchestra works to bring music education, in its many different forms, to as broad a public as possible. Education and outreach programs currently serve more than 80,000 individuals annually. The groundbreaking CSO/CCM Diversity Fellowship, a nationally recognized program in partnership with the University of Cincinnati College-Conservatory of Music, provides  Masters degree-level education and professional development and performance opportunities for extraordinary young musicians from  historically underrepresented populations in classical music.

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

CCM works to bring out the best in its students, faculty and staff by valuing their unique backgrounds, experiences and perspectives. CCM’s student population hails from 43 different US states and 32 different countries. The school’s roster of eminent faculty members regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success.

For more information about CCM, please visit us online at ccm.uc.edu.


Featured image at top: CCM graduate students Jordan Curry and Magdiell Antequera perform with the Cincinnati Symphony Orchestra as CSO/CCM Diversity Fellows. Photo/Mark Lyons.

CCM News

Watch CCM Wind Symphony’s Performance of Omar Thomas’ “A Mother of a Revolution”

In November 2019, the UC College-Conservatory of Music Wind Symphony presented a special concert to commemorate the 50th anniversary year of the Stonewall Uprising. Exclusively featuring works by LGBTQ+ composers, the performance showcased Omar Thomas’ A Mother of a Revolutionwhich is available to watch online.

A Mother of a Revolution celebrates the bravery of trans women, particularly Marsha “Pay it No Mind” Johnson, a pioneering leader of the LGBTQ+ rights movement and Stonewall Uprising. The Stonewall Uprising began in the early hours of June 28, 1969, when New York City police raided the Stonewall Inn, an LGBTQ+ bar and, today, a National Historic Landmark. This raid sparked a series of riots and protests that served as a significant catalyst for the country’s modern LGBTQ+ rights movement. Pride Month, celebrated each year in the month of June, honors the Stonewall Uprising as well as the impact that LGBTQ+ individuals have had on history locally, nationally and internationally.

CCM Wind Symphony music director and conductor Kevin Michael Holzman looks to find relevant anniversaries of important events to share with students and the community, which inspired him to program the concert of all LGBTQ+ works. Other works featured in the concert included Copland’s Fanfare for the Common Man, Higdon’s Mysterium, Clay Mettens’ Un-Masqued and Corigliano’s Mr. Tambourine Man.

“The contributions to music (and all of the fine arts) from LGBTQ+ artists are truly incredible; despite this fact, they are so rarely recognized explicitly,” says Holzman, CCM Interim Division Head of Ensembles and Conducting. “Many of these artists suffered tremendously and were treated as outcasts socially and professionally, particularly in the years prior to the turn of the millennium. An equal or greater number never felt safe coming out due to discrimination.”

The LGBTQ+ rights movement has seen significant success in recent years. Major milestones include when the U.S. Supreme Court ruled that same-sex marriage is legal in 2015 and ruled that existing federal law forbids job discrimination on the basis of sexual orientation or transgender status in a landmark case on June 15, 2020. Despite these victories, hate and prejudice towards the LGBTQ+ community remain prevalent in many parts of the U.S. and world.

CCM Wind Symphony’s performance was sponsored by the CCM Harmony Fund, which supports artistic works that fight hate and prejudice through the performing arts. This Fund was created based on the belief that the arts inspire imaginative thinking, encourage conversations, present contrasting attitudes and help us examine our own viewpoints. For the month of June, Eat Well Celebrations and Feasts in Newport, Kentucky, is selling pride cupcakes and a portion of the proceeds will benefit the CCM Harmony Fund.

Kevin Michael Holzman and Omar Thomas in front of CCM's booth at the Midwest Clinic International Band and Orchestra Conference in Chicago in December 2019.

Kevin Michael Holzman and Omar Thomas in front of CCM’s booth at the Midwest Clinic International Band and Orchestra Conference in Chicago in December 2019.

“I think it’s our job as music directors to recognize the powerful voice we have to amplify composers and musicians, particularly those who have been historically underrepresented,” Holzman says. “Our students at CCM represent so many diverse backgrounds and cultures, and it’s my responsibility to make sure they feel seen and heard. The first step, in my opinion, is to program works by composers with whom they identify. I also think it’s important that our audiences also feel seen and heard, and can relate to not only the music we perform but to the artists they see on stage and the composers on the program.”

Holzman has pledged that he will continue to program more works by female composers, Black composers and composers coming from other underrepresented populations in the future. Concert programming is just the start, though, and Holzman has formed a working group of graduate students to identify other ways to partner with the Black community and Cincinnati Public Schools.

Holzman first met A Mother of a Revolution composer Omar Thomas two years ago, when he programed Thomas’ Of Our New Day Begun on his first concert as Director of Wind Studies at CCM. Of Our New Day Begun honors the nine people who were murdered in a tragic mass shooting at the historic Emanuel African Methodist Episcopal Church (commonly referred to as “Mother Emanuel”) in Charleston, South Carolina on June 17, 2015.

“I knew I had to get to know the composer who wrote the work to be able to do it justice, and it turned into a great friendship,” Holzman says. “I’ll be a champion of Omar’s music and voice forever.”

Read about UC and CCM’s commitment to diversity, inclusion and a just community.

About Omar Thomas

Described as “elegant, beautiful, sophisticated, intense and crystal clear in emotional intent,” the music of Omar Thomas continues to move listeners everywhere it is performed. Born to Guyanese parents in Brooklyn, New York in 1984, Thomas moved to Boston in 2006 to pursue a Master of Music in Jazz Composition at the New England Conservatory of Music after studying Music Education at James Madison University in Harrisonburg, Virginia. He is the protégé of lauded composers and educators Ken Schaphorst and Frank Carlberg, and has studied under multiple Grammy-winning composer and bandleader Maria Schneider.

Hailed by Herbie Hancock as showing “great promise as a new voice in the further development of jazz in the future,” educator, arranger and award-winning composer Thomas has created music extensively in the contemporary jazz ensemble idiom. It was while completing his Master of Music degree that he was appointed the position of Assistant Professor of Harmony at Berklee College of Music at the surprisingly young age of 23. He was awarded the ASCAP Young Jazz Composers Award in 2008, and invited by the ASCAP Association to perform his music in their highly exclusive JaZzCap Showcase, held in New York City. In 2012, Thomas was named the Boston Music Award’s “Jazz Artist of the Year.” Following his Berklee tenure, he served on faculty of the Music Theory department at the Peabody Institute of the Johns Hopkins University in Baltimore. He is currently an Assistant Professor of Composition at the University of Texas at Austin.

Thomas’ music has been performed in concert halls the world over. He has been commissioned to create works in both jazz and classical styles. His work has been performed by such diverse groups as the Eastman New Jazz Ensemble, the San Francisco and Boston Gay Mens’ Choruses, and the Colorado Symphony Orchestra, in addition to a number of the country’s top collegiate music ensembles. Thomas has had a number of celebrated singers perform over his arrangements, including Stephanie Mills, Yolanda Adams, Nona Hendryx, BeBe Winans, Kenny Lattimore, Marsha Ambrosius, Sheila E., Raul Midon, Leela James, Dionne Warwick and Chaka Khan. His work is featured on Dianne Reeves’s Grammy Award-winning album, “Beautiful Life.”

Thomas’ first album, “I AM,” debuted at No. 1 on iTunes Jazz Charts and peaked at No. 13 on the Billboard Traditional Jazz Albums Chart. His second release, ” We Will Know: An LGBT Civil Rights Piece in Four Movements,” has been hailed by Grammy Award-wining drummer, composer and producer Terri Lyne Carrington as being a “thought provoking, multi-layered masterpiece” which has “put him in the esteemed category of great artists.” “We Will Know” was awarded two OUTMusic Awards, including “Album of the Year.” For this work, Thomas was named the 2014 Lavender Rhino Award recipient by the History Project, acknowledging his work as an up-and-coming activist in the Boston LGBTQ community. Says Terri Lyne: “Omar Thomas will prove to be one of the more important composer/arrangers of his time.”

Learn more about Omar Thomas on his professional website.


Feature image at top: CCM Wind Symphony in rehearsal. Design/Mikki Graff. Photo/Andrew Higley/UC Creative Services.

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Hope After Hate: E-Media Professor Shares Father’s Holocaust Experience

CCM E-Media Professor and Emmy Award-winning journalist Hagit Limor shares her father’s Holocaust survival story with lessons to inspire action against hatred and bigotry today

The spring 2020 edition of UC Magazine features a cover story about the ground-breaking “Hope After Hate” project launched by CCM E-Media Professor Hagit Limor. The story is available to read online.

Inspired by her father’s story of struggle and survival during the Holocaust, Limor set out to create “Hope After Hate: Moniek’s Legacy” to share his experience through immersive theatre and virtual reality. In October 2019, Limor’s Media Topics class of 15 students traveled to Poland and Germany to retrace her father’s journey. They will use the photos, videos and research collected during the trip to create an immersive play and virtual reality experience for the “Hope After Hate” project.

“Hope After Hate” will be an innovative, new kind of theatre — part play, part video and part virtual reality. Projections of historical settings will surround the audience during the immersive play, creating a virtual set in which they sit and interact with the actor portraying Moniek Limor. The “Hope After Hate” team is also creating a separate 15-minute virtual reality experience that will immerse users in Moniek’s story with goggles and hand sensors.

Viewers will be transported into the attic where he hid with his family as a child, into the Hasag-Pelcery labor camp where he was enslaved for more than a year as an adolescent, into the cattle-car train that transported him to the Buchenwald concentration camp when he was 14 and into the camp itself, where he was an inmate for four months. The project explores how people struggle to hold on to their humanity when surrounded by hate and fear. It also shares historical lessons in an effort to turn bystanders into upstanders who will speak out against hatred and bigotry today.

“Hope After Hate” unites students, faculty and staff from across UC, including undergraduate and graduate students majoring in E-Media, Acting, International Affairs, Political Science, Geography and History. CCM Acting Professor Susan Felder is adapting Limor’s memoir of her father’s experience into a script for the immersive play. Additionally, the “Hope After Hate” team is collaborating with CCM Lighting Design and Technology Professor Sharon Huizinga on how to create projections for the play. UC’s Center for Simulations and Virtual Environments Research (UCSIM) is building the VR experience with the 360-degree photos and videos that students captured while on the trip.

Read UC Magazine’s cover story on “Hope After Hate” to learn more about the project. Readers can also view photo galleries of images taken during the study abroad trip and watch a student-created documentary on the project.


“Hope After Hate” is sponsored by Cincinnati’s Holocaust and Humanity Center, and has already received support from private donors as well as Cincinnati’s Jewish Innovation Funds and the CCM Harmony Fund. This support offset travel expenses during the study abroad trip and funded some production expenses. However, the class is still actively collecting donations for projectors needed for the play and virtual reality equipment. Visit hopeafterhate.com for updates on the project and to learn how to get involved. 

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A photo of the entrance to the CCM Atrium on UC's campus. Photo/UC Creative + Brand.

CCM Acting Faculty, Alumni and Students Embrace Local and National Digital Theatre

A photo of the entrance to the CCM Atrium on UC's campus. Photo/UC Creative + Brand.

Cincinnati Playhouse and the One-Minute Play Festival share creative monologues and short-plays featuring CCM Acting faculty, alumni and students

The pandemic isn’t stopping theatre artists from connecting and sharing their work. Although they can’t gather on stage or perform in front of an in-person audience right now, actors and directors are creating digital spaces to share theatre online.

CCM Acting Professor Brant Russell recently participated in two digital theatre efforts through Cincinnati Playhouse in the Park’s Monologues of Hope series and the national One-Minute Play Festival (1MPF).

“A bunch of us have refused to allow the lack of sanctioned or safe traditional theatre methods to hamper our practice. We can’t gather, we can’t even be near each other, but the need to make work still exists, and the audiences for it are there,” Russell says. “Zoom/digital theatre is a burgeoning practice, and I’m proud CCM is in the mix.”

The Playhouse’s series commissioned 10 local playwrights to write monologues on the theme of hope during the pandemic. Each monologue is performed by a local actor and shared on the Playhouse’s website and social media accounts. So far, the Monologues of Hope Series has shared nine new works, including Russell’s Play for Our Time and Hope Deconstructed by CCM Acting alumna Torie Wiggins (BFA, ’02).

In Play for Our Time, Russell travels back in time to the Yellow Fever outbreak of 1878 to get some advice from Cincinnati Chief Health Administrator Dr. Thomas C. Minor, portrayed by actor Barry Mulholland. The 19th-century doctor is a bit uncomfortable with Russell’s “rectangle device” (smart phone), but he manages to share some timely words of wisdom.

Wiggins’ Hope Deconstructed features actor Ernaisja Curry in a comedic monologue that examines how “we’ve been getting hope all wrong” by associating it with negativity. “Hope should be hopeful. It should sound hopeful; it should look hopeful. It should start in the eyes like smizing, then the rest of the face follows suit, then the tone of voice, then the positive words with a burst of energy,” the actor exclaims in the monologue.

Hope and creativity fuel these digital theatre projects and various online performances across the country. It is evident in the commitment of these teachers, students, actors, directors and theatre companies who are determined to stay connected and share their work in new ways.

“Theatre develops and strengthens community,” says CCM Acting student Anastasia Jacques. “Digital theatre and live performances over Zoom have made me feel so connected to people very far away.”

Jacques participated in the One Minute Play Festival’s (1MPF) Coronavirus Plays Project, which presented 625 plays via Zoom over 11 days. Russell directed 62 of the one-minute plays, which ranged in topic from “old married couples dealing with quarantine to pigeons deciding on whom they should poop,” he says.

Dominic D’Andrea is the Founder and Producing Artistic Director of the 1MPF, which is the country’s largest and longest consistently running community-engaged theatre project. Russell directed 1MPF plays when it came to Chicago in 2011 and wrote/directed for the IMPF when it came to Cincinnati in 2015. He cast CCM students for the project and passed his directing duties to a CCM Acting student the next year. A CCM Acting student has been directing for the Cincinnati 1MPF each year ever since, and Russell continues to write plays for it.

“We produce about 1,000 plays a year in 15-20 cities and communities, in real life. We just moved what we do online, so it wasn’t that hard for us,” D’Andrea says of the 1MPF Coronavirus Plays Project. “In this case we did a partnership with The Dramatists Guild of America and, for the first time ever, did an open call. We had about 1,300 emails and 625 useable plays from that. We offered the work up to our partnering orgs and alumni directors to stage some of it. So we built a little online coalition.”

Brant Russell directs CCM Acting students, alumni and other actors through Zoom in the 1MPF's Coronavirus Plays Project. Photo/1MPF

Brant Russell directs CCM Acting students, alumni and other actors through Zoom in the 1MPF’s Coronavirus Plays Project. Photo/1MPF

Russell and D’Andrea have known each other for around 15 years, dating back to when they met at the Lincoln Center Director’s Lab. When D’Andrea launched 1MPF’s Coronavirus Plays Project, he enlisted Russell to direct 62 of them.

D’Andrea estimates that a couple thousand audience members watched the plays through Zoom, and the project involved about 14 directors, 120 actors and 625 writers from 14 different countries.

Russell’s casts included Jacques as well as CCM Acting alumni Ella Eggold (BFA, ’19), Gabriella DiVincenzo (BFA, ’19) and Paige Jordan (BFA, ’20).

Jacques played various roles during the 1MPF project including a loving spouse, a poetic farmer and — her favorite — a doting New Jersey mother. This was the first digital theatre project she has worked on, but it won’t be the last. Jacques is planning to be a guest speaker on “Reliving Childhood,” a YouTube channel launched by CCM Acting students Carlee Coulehan, Sierra Coachman and Noah Buyak. “Reliving Childhood” centers around re-watching TV shows from the students’ youth, and the idea was brought to life when students were separated during quarantine.

“We are taught that live theatre is magical because the audience and the actors are in the same room breathing the same air, but I think it is important to recognize that storytelling is the best medicine — period,” Jacques says. “If we can’t breathe the same air at least we can see each other’s faces and see each other’s hearts.”


Featured image at top: The entrance to the CCM Atrium on UC’s campus. Photo/UC Creative + Brand.

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Leo De La Cruz

CCM student oboist wins NFMC’s prestigious Carolyn Nelson Double Reed Award

Leo De La Cruz

CCM graduate student Leo De La Cruz turned heads in a variety of competitions during the 2019-20 season. Most recently, he won the National Federation of Music Clubs’ Carolyn Nelson Double Reed Award, which includes a $1,250 cash prize.

Leo De La Cruz rehearsing with CCM Chamber Winds. Photo/Provided.

Leo De La Cruz rehearsing with CCM Chamber Winds. Photo/Provided.

De La Cruz also won the CCM Wind Studies concerto competition, which culminated in a performance of Weber’s Concertino for Oboe and Wind Band with the CCM Chamber Winds on February 9, and he achieved an honorable mention at the 2020 Yamaha Young Performing Artists Competition.

To apply for the Carolyn Nelson Double Reed Award, De La Cruz submitted a 15-minute performance video, including the Weber Concertino he performed in February. His other selections were Dutilleux’s Oboe Sonata and Robert Schumann’s Three Romances, which he performed in chamber music recitals at CCM.

“I think the part that I’m most proud of about those recordings isn’t necessarily my own playing, but rather the back and forth between my partners and me,” De La Cruz says. “Both of them were fantastic collaborators and musicians, and I’m positive that my own playing improved drastically just through the work we did together.”

Before coming to CCM, De La Cruz attended high school in Spring, Texas (a suburb of Houston) and earned bachelor’s degrees in oboe performance and music theory from Furman University.

“I gravitated toward the oboe because it was unique; I was the only one in my middle school band who played it,” he remembers. “I never really planned on making music for a living, so I didn’t really take it very seriously until the end of high school, when I took a music theory class and really fell in love with the orchestral repertoire.”

De La Cruz is also working on two degrees at CCM — master’s degrees in oboe performance and music theory. In his oboe studies, he receives guidance from both of CCM’s oboe faculty, Professor of Oboe Mark Ostoich and Adjunct Assistant Professor of Oboe Dwight Parry, principal oboe at the Cincinnati Symphony Orchestra.

“I’m not quite sure what I want to do in the future quite honestly, because both of my interests bring me so much satisfaction,” De La Cruz says. “I can’t get enough of making music with other people, so if I could find a way to incorporate both chamber music and music theory into a career, I’d be happy.”


Story by CCM Graduate Student Alexandra Doyle

Featured Image at top: Leo De La Cruz. Photo/Provided.

CCM News Student Salutes

CCM Students, Alumni Unite in Virtual Performance of ‘You’ll Never Walk Alone’

Alumnus Harrison Sheckler organized 300 musicians from around the world for the special concert

CCM alumnus Harrison Sheckler (BM Piano, ’19) united 300 musicians from 15 countries for a virtual performance of Rodgers and Hammerstein’s “You’ll Never Walk Alone” from CarouselThe performance is available to watch online.

Now a student at the Conservatory of Music of Brooklyn College, Sheckler spent over 200 hours promoting, organizing submissions and video editing the project. He collected tracks from countries all over the world, including the United Kingdom, Mexico, Canada, Germany, Spain, France, Vietnam, Israel, Australia, South Africa and more.

The video features 30 CCM students and alumni representing multiple areas of the college including musical theatre, composition, music education, violin, violoncello, double bass, oboe, flute, piano, tuba, horn and more. It was produced by CCM Commercial Music Production alumni Josh Meyer and Grant Bayer, who are audio engineers at Cincinnati’s Zated Records. CCM students and alumni involved in the performance include:

  • Jenny Mollet (BFA Musical Theatre, ’19)
  • Giselle Haas (BM Music Education, ’19)
  • Kanako Shimasaki – current DMA Violin student
  • Maciej Latawiec (Matthew) – current DMA Violin student
  • Li-Han Eliza Tseng (DMA Violoncello, ’19)
  • Maksym Mahlay – current BM Composition and Piano student
  • Carolyn Regula – former DMA Violoncello student
  • Isabel Dimoff (BM Violoncello, ’18)
  • Jonathan Lin (BM Violoncello, ’18)
  • Micah Donar (BM Violoncello, ’17; MM Violoncello, ‘19)
  • Peter Ryan (MM Violoncello, ’19) – current DMA Violoncello current
  • Kimber Elayne Sprawl (BFA Musical Theatre, ’14)
  • Natalie Orth (BM Violin, ’20)
  • Taiga Benito – current BM Double Bass student
  • Dan Qiao (MM Violin, ’17) – current DMA Violin student
  • Taylor Overholt (BM Clarinet, ’19)
  • Collin Goff – current BM Music Education and Clarinet
  • Katie Riley – current BM Flute student
  • Ray Haim (BM Music Education, ’18)
  • Sarah Minneman – current DMA Oboe student
  • Bryan Lyons (BM Oboe, ’97) – current DMA Oboe student
  • Patrick Grimone (BM Oboe, ’19)
  • Eliza Edge (BM Horn, ’19)
  • Griffin Botts (BM Horn, ’17) – current MM Horn student
  • Ryan Penshorn – former BM Horn student
  • Phillip Palmore (BM Horn, ’20)
  • Evan Sacks-Wilner – current BM Tuba student
  • Harrison Sheckler (BM Piano, ’19)
  • Josh Meyer (BM Commercial Music Production, ’18)
  • Grant Bayer (BM Commercial Music Production, ’18)

The performance has garnered media attention from Broadway World and Musical America Worldwide.

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