CCM Village at night. Photo by Jay Yocis.

CCM Celebrates 150th Anniversary With Must-See Mainstage Series

The University of Cincinnati College-Conservatory of Music (CCM) marks the 150th anniversary of its founding with a year-long Sesquicentennial Celebration beginning in the fall of 2017. Commemorating a tradition of innovation and excellence dating back to the founding of the Cincinnati Conservatory of Music in 1867, CCM’s Sesquicentennial programming includes eight must-see masterworks presented as part of the 2017-18 Mainstage Series.

Click the graphic for more information.

Click the graphic for more information.

Between Sept. 27, 2017, and April 14, 2018, CCM’s stars of tomorrow and world-class faculty and staff members will stage eight diverse productions. This year’s Mainstage Series includes cherished classics like William Shakespeare’s Hamlet, Leonard Bernstein’s Candide and Andrew Lloyd Weber and Tim Rice’s Jesus Christ Superstar.

CCM’s Sesquicentennial lineup also includes an opera double-bill featuring Giacomo Puccini’s Gianni Schicchi and Suor Angelica, two mixed-repertoire ballet productions and the Mainstage Series debuts of Stephen Flaherty and Lynn Ahrens’ Seussical and Caryl Churchill’s Love and Information.

The Mainstage Series is just one part of the yearlong CCM Sesquicentennial Celebration, which will also include world premieres, guest artist performances, a series of off-campus concerts and a one-of-a-kind alumni showcase event. For an initial overview of CCM’s 150th anniversary programming, please visit ccm.uc.edu/about/villagenews/notations-ovations/sesquicentennial-celebration.

The complete 2017-18 Mainstage Series lineup is listed below. Titles and dates are subject to change – rights pending. For the most current calendar of events, please visit us online at ccm.uc.edu.

Additional Information
Single tickets go on sale beginning Sept. 5, 2017, but subscribing is the best way to guarantee your seats for CCM’s Mainstage Series! Fully customizable renewal subscriptions are on sale now with priority seating before July 7, 2017. Subscription packages for new subscribers go on sale July 10, 2017.

To order subscriptions, contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.
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CCM’S 150TH ANNIVERSARY MAINSTAGE SERIES
Acting, Musical Theatre, Opera, Dance

HAMLET
Written by William Shakespeare
Susan Felder, director

CCM’s anniversary season opens with one of Shakespeare’s most classic tragedies. Hamlet returns from college to find something rotten in his hometown. A deadly game of cat and mouse ensues between Hamlet and his uncle, the King. Shakespeare’s thriller plunges audiences into the madness of family disillusionment, lost romance, betrayal, murder, suicide and the existential question of what it means to be human. “What a piece of work is a man!”

Performance Dates: Sept. 27 (preview), Sept. 28-Oct. 1, 2017
Location: Patricia Corbett Theater
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SEUSSICAL
Book by Lynn Ahrens and Stephen Flaherty
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Co-conceived by Eric Idle
Based on the works of Dr. Seuss
Vince DeGeorge, director and co-choreographer
Luke Flood, musical director
Christopher Kelley, co-choreographer

The CCM Sesquicentennial celebrates the work of distinguished alumnus Stephen Flaherty (BM Composition, 1982)! Now one of the most performed shows in America, Seussical is a fantastical, magical, musical extravaganza. The Tony Award-winning team of Flaherty and Lynn Ahrens (Anastasia, Once on This Island, Ragtime) have lovingly brought to life all of our favorite Dr. Seuss characters, including Horton the Elephant, The Cat in the Hat, Gertrude McFuzz, Lazy Mayzie and a little boy with a big imagination – Jojo. This colorful cast of characters transports us from the Jungle of Nool to the Circus McGurkus to the invisible world of the Whos.

Performance Dates: Oct. 19-22 and Oct. 25-29, 2017
Location: Patricia Corbett Theater
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CANDIDE
Music by Leonard Bernstein
Book by Hugh Wheeler, after Voltaire
Lyrics by Richard Wilbur, Stephen Sondheim, John La Touche, Lillian Hellman, Dorothy Parker and Leonard Bernstein
Mark Gibson, conductor
Emma Griffin, director

CCM at 150 celebrates Leonard Bernstein at 100! Now lauded as one of Bernstein’s most characteristic theatrical creations, CCM’s stars of tomorrow proudly present Candide as part of a world-wide celebration leading up to Leonard Bernstein’s 100th birthday. Crossing the boundaries between opera, operetta and stage musical, Bernstein’s Candide journeys through Voltaire’s “best of all possible worlds” with verve and satirical humor. Highlights include the energetic overture and the aria “Glitter and Be Gay.” Presented in conjunction with the official Leonard Bernstein at 100 centennial celebration.

Performance Dates: Nov. 16-19, 2017
Location: Patricia Corbett Theater
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THE ART OF MOTION
Jiang Qi and Deirdre Carberry, co-directors
Alexandria Black, conductor

CCM’s Department of Dance opens this anniversary season with a concert of mixed repertoire featuring the enchanting The Little Mermaid choreographed by guest artist and Missouri Ballet Theatre director Adam Sage with music by Léo Delibes and Antonín Dvoràk. The concert also showcases Paquita (Act II) with music by Ludwig Minkus, restaged by Deirdre Carberry. Additional highlights include the world premiere of Shaker Loops, choreographed by André Megerdichian and featuring music by John Adams performed by CCM’s Café MoMus ensemble. This premiere will also include an illuminated collaboration with DAAP faculty member Henry Hildebrandt.

Performance Dates: Nov. 30-Dec. 3, 2017
Location: Patricia Corbett Theater
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LOVE AND INFORMATION
Written by Caryl Churchill
Brant Russell, directo
r

Described by the New York Times as “thought-churning” and “deeply poignant,” Love and Information premiered in London’s Royal Court Theatre in 2012. In this fast-moving kaleidoscope, more than 100 characters try to make sense of what they know. The play explores the prevalence of technology in today’s culture, the thirst for knowledge and the importance of human connection.

Performance Dates: Feb. 7 (preview), Feb. 8-11, 2018
Location: Patricia Corbett Theater
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JESUS CHRIST SUPERSTAR
Music by Andrew Lloyd Webber
Lyrics by Tim Rice
Diane Lala, director and choreographer
Roger Grodsky, musical director

What’s the buzz? The first musical by Andrew Lloyd Webber and Tim Rice to be produced for the professional stage, Jesus Christ Superstar has wowed audiences for over 40 years. A timeless work, the rock opera is based on the last week of Jesus’ life. Set against the backdrop of an extraordinary and universally-known series of events, the story is told through the eyes of Judas Iscariot. A true global phenomenon, the iconic 1970s rock score contains such well-known numbers as “Superstar,” “I Don’t Know How to Love Him” and “Gethsemane.”

Performance Dates: Feb. 22-25 and Feb. 28-March 4, 2018
Location: Patricia Corbett Theater
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OPERA DOUBLE BILL: GIANNI SCHICCHI & SUOR ANGELICA
Music by Giacomo Puccini
Libretto by Giovacchino Forzano
Mark Gibson, conductor
Andreas Hagar, director (Gianni Schicchi)
Meredith Kitz, director (Suor Angelica)

The CCM Sesquicentennial pairs two of Puccini’s most popular operas for one can’t-miss Mainstage Series production! CCM’s stars of tomorrow present the farcical Gianni Schicchi and the moving Suor Angelica as a double-bill highlighting Puccini’s mastery of emotional storytelling.

Performance Dates: March 22-25, 2018
Location: Patricia Corbett Theater
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LEGENDS OF DANCE
Jiang Qi, director
Aik Khai Pung, music director and conductor

Celebrate spring’s arrival with the CCM Ballet Ensemble as they present an exciting mixed bill accompanied by the CCM Concert Orchestra. The program includes one of the most celebrated excerpts in all classical ballets, “The Kingdom of the Shades” from La Bayadére, staged by CCM faculty member Deirdre Carberry with music by Ludwig Minkus. In addition, guest artist Pablo Francisco Ruvalcaba will restage José Limón’s masterful A Choreographic Offering set to music by J. S. Bach. The program’s rousing finale features The Sleeping Beauty (Act III), after Marius Petipa’s classical ballet with music by Tchaikovsky.

Performance Dates: April 12-14, 2018
Location: Corbett Auditorium
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Mainstage Series Subscriptions
The 2017-18 CCM Mainstage Series of acting, musical theatre, opera and dance productions includes subscription packages for combinations of six-or-more shows, four-shows or three-shows.

Renewal subscription packages are on sale now. CCM’s fully customizable subscription packages range in price from $69 – $188. Subscribers to CCM’s 2016-17 Mainstage Series can receive priority access to seating by renewing their subscriptions by July 7, 2017.

Subscription packages for new subscribers go on sale July 10, 2017. Single tickets go on sale beginning Sept. 5, 2017.

To order subscriptions, contact the CCM Box Office at 513-556-4183.

CCM Sesquicentennial Performances and Concert Series Options

CCM will present additional special events and public performances celebrating its Sesquicentennial throughout the 2017-18 concert season. As the largest single source of performing arts events in Ohio, CCM will also present its typical lineup of chamber music, choral, jazz, orchestra, percussion, piano and wind ensemble concerts each season.

Beginning in January of 2018, the CCM Sesquicentennial will celebrate Leonard Bernstein’s centennial with a collection of performances by students and faculty artists from throughout the college. Subscribers get first access to the Leonard Bernstein Experience, which includes concerts and special events held in the spring and fall of 2018 as part of a world-wide celebration of Bernstein’s 100th birthday.

CCM’s Mainstage subscribers receive priority access to the Bernstein Experience, Ariel Quartet subscription packages, CCM Concert Series flex ticket packages, prepaid parking and other exclusive perks.

Full programming and package details for CCM’s Sesquicentennial Special Event Series, 2017-18 Ariel Quartet Series and Concert Series will be announced in July. Visit ccm.uc.edu for more information.
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Mainstage Season Production Sponsor: Macy’s

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

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CCM Alumni in Seven Tony-Nominated Productions

Tony Awards LogoCCM alumni are involved with at least seven productions that have been nominated in the 71st Tony Awards, which air live on CBS at 8/7 central on Sunday, June 11. This year’s nominees include two Broadway musicals that were not only written by CCM alums, but also feature the work of alumni on stage.

Nominated for two Tony Awards, Anastasia features music and lyrics by alumnus Stephen Flaherty (BM Composition, 1982) and his long-time writing partner Lynn Ahrens. Alumna Christy Altomare (BFA Musical Theatre, 2008) performs the title role in the production. Musical Theatre alumni Kathryn Boswell (BFA, 2013) and Kyle Brown (BFA, 2008) perform in the show’s ensemble. In addition to the Tony Award nominations, Anastasia has been nominated for one Chita Rivera Award, two Drama League Awards, 9 Drama Desk Awards and 13 Outer Critics Circle Awards.

Also nominated for two Tony Awards is Bandstand: The New American Musical, with music, book and lyrics by Richard Oberacker (BFA Acting, 1993). Greg Anthony Rassen (MM Orchestra Conducting, 2003) is the co-orchestrator, music supervisor and music arranger of the show. He and co-orchestrator Bill Elliott were nominated for Tony Awards and won a Drama Desk Award for Outstanding Orchestrations in Bandstand. David Kreppel (BFA Musical Theatre, 1992) is the vocal music arranger of the production. Two musical theatre alumni have roles in BandstandGeoff Packard (BFA, 2004) as Wayne Wright and Max Clayton (BFA, 2014) as an ensemble member. Clayton, who is also the understudy for Bandstand’s lead role Donny Novitski, received a Chita Rivera Award nomination for Outstanding Male Dancer in a Broadway Show. Bandstand has been nominated for six Chita Rivera Awards, two Drama League Awards, seven Drama Desk Awards and three Outer Critics Circle Awards.

Sharon Wheatley (BFA Musical Theatre, 1990) and Josh Breckenridge (BFA Musical Theatre, 2007) perform in Come From Away, which was nominated for seven Tony Awards, two Chita Rivera Awards, one Drama League Award, nine Drama Desk Awards and seven Outer Critics Circle Awards.

Sean Montgomery (BFA Musical Theatre, 2007) and Joseph Medeiros (BFA Musical Theatre, 2006) are in Groundhog Day, nominated for seven Tony Awards, one Chita Rivera Award, two Drama League Awards, one Drama Desk Award and five Outer Critics Circle Awards.

Nicholas Belton (BFA Musical Theatre, 2002) plays Bolkonsky/Andrey in Natasha, Pierre & the Great Comet of 1812. Blaine Krauss (BFA Musical Theatre, 2014) performs in the show’s ensemble. Hair and wig design for the show is by Leah Loukas (BFA Make-Up & Wig Design, 2004). The musical has been nominated for 12 Tony Awards, one Chita Rivera Award, three Drama League Awards, four Drama Desk Awards and three Outer Critics Circle Awards.

Eric Santagata (BFA Musical Theatre, 2004) is the associate director of Falsettos, which features Betsy Wolfe (BFA Musical Theatre, 2004) as Cordelia. The musical has been nominated for five Tony Awards, two Drama League Awards, three Drama Desk Awards and three Outer Critics Circle Awards.

Stephanie Jae Park (BFA Musical Theatre, 2014) and Angel Reda (BFA Musical Theatre, 2003) perform in War Paint. The musical has been nominated for four Tony Awards, three Drama League Awards, seven Drama Desk Awards and four Outer Critics Circle Awards.

The Tony Awards, hosted by Kevin Spacey, will be broadcast live on CBS at 8/7 central on Sunday, June 11. Find out more by visiting www.tonyawards.com/en_US/nominees/.

Are you a CCM Alumnus with news? Stay in touch by sharing your story with us!

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Photo of SCPA.

SCPA and CCM: Partners in Arts Education

At first glance, recent CCM graduates Ryan Donohue (BM Violincello, 2017) and Jack Bogard (BM Jazz Studies, 2017) may not appear to have much in common. However, they have traversed a unique pipeline of talent that runs from Over-the-Rhine to Clifton. Before their time at CCM, both men graduated from Cincinnati’s School of Creative and Performing Arts (SCPA). They attended the magnet arts school to prepare for their collegiate education, following a long line of SCPA students who chose to continue their training at CCM.

“For the almost half-century since SCPA was founded, the school’s graduates have matriculated to CCM,” says SCPA Executive Director Nick Nissley. “From there they have found their way to Broadway and LA, and places in between, creating and performing as professional artists. They have also become lawyers, teachers and productive citizens in their communities. Many call Cincinnati home.”

“We’re proud to be a wellspring for this talent pipeline that links Cincinnati’s young, diverse talent with CCM — and ultimately — the rest of the world,” he adds. “This year is no exception, with eight SCPA graduates of our Class of 2017 continuing their education at CCM in the fall.”

The two schools have an established connection in furthering arts education and preparing young artists for professional careers. CCM’s Preparatory and Community Engagement Division (CCM Prep) is partnered with the Cincinnati Public Schools to provide private and group music lessons to students at the SCPA. CCM Prep also works with the City Gospel Mission to present after-school arts activities for elementary students in other Cincinnati Public Schools.

CCM is already seeing the benefits of such partnerships, as it counted 16 SCPA graduates amongst its collegiate student population in 2016-17, a number which has increased for 2017-18.

Bogard says the SCPA gave him a “high school flavored analogue” of his experience at CCM. “In addition to the academic coursework I was involved in, the kinds of ensembles and other musical experiences I was fortunate enough to have at SCPA gave me a breadth of experience and knowledge that prepared me well for the challenges and opportunities I was going to have at CCM.”

CCM Professor and Cincinnati Symphony Orchestra cellist Alan Rafferty with Ryan Donohue.

Donohue agrees. “At CCM, you are always around music,” he says. “With the amount of practice and rehearsal time necessary to truly capitalize on what CCM offers, you are required to immerse yourself in music. SCPA provided me with a preview of this. Attending a high school that puts heavy emphasis on the arts, I spent much more time with my cello than I would have at a more traditional high school. When I got to CCM, I was already used to having orchestra rehearsals on most days.”

The graduating seniors plan to continue their arts education in graduate school and will use the upcoming year to prepare for auditions. Over the summer, Donohue will spend one month in Japan participating in the Pacific Music Festival. He also performs in the Blue Ash Montgomery Symphony Orchestra and teaches private lessons to young cellists.

“It is vital for people who are interested in playing music to have good teachers — especially young people, so that their interest is nurtured early on,” says Donohue.

“I teach in hopes that what I say resonates with the students and encourages them to build upon their interest,” adds Donohue.

Bogard shares Donohue’s passion for teaching and will give music lessons to young musicians through Cincinnati Strings beginning in August. He is thankful to the CCM faculty for providing training for his “rather odd set of musical interests.” Bogard plays the violin, mandolin, tenor banjo, guitar and piano. This summer he will play mandolin in Ottorino Respighi’s Roman Festivals with the National Repertory Orchestra.

“My jazz violin teacher Paul Patterson has really been the pillar of my experience at CCM,” says Bogard. “While officially he teaches me jazz violin, we have covered everything from plectrum choice for orchestral mandolin solos, orchestral violin excerpts, string quartet arranging, how to play under a microphone as a violinist, chord voicings for fingerstyle guitar and so many other things. I can’t put into words how thankful I am that I was able to study with him.”

Bogard regularly freelances with performance ensembles throughout the Tristate including the Richmond Symphony Orchestra, Ohio Valley Symphony Orchestra and the Cincinnati Chamber Orchestra. As he prepares for graduate school, Bogard plans to apply to play in pre-professional orchestras such as the New World Symphony Orchestra in Miami and the Chicago Civic Orchestra.

“Looking back at the past four years, perhaps what I am most thankful for is how supportive the faculty at CCM has been,” Donohue recalls. “As a musician and as a person, I have grown more than I had thought possible four years ago, and that is largely due to the faculty, especially my teacher Alan Rafferty, constantly pushing and inspiring me.”

Both students began their path to careers as professional artists at the SCPA and CCM. They were not the first to do so and they most certainly will not be the last.

“SCPA and CCM are natural partners in arts education,” comments CCM Interim Dean bruce mcclung. “From CCM providing Suzuki string training to SCPA Grades 1-3 to the eight SCPA graduates who will be continuing their education at CCM in the fall, I hope that we can continue to grow and to deepen our partnership.”

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Alumnus Christopher Allen Receives $30K Sir Georg Solti Conducting Award

The Solti Foundation U.S. recently announced that CCM Alumnus Christopher Allen (MM Orchestral Conducting, 2011) is the recipient of the $30,000 Sir Georg Solti Conducting Award — the largest grant awarded to young American conductors in the U.S.

“We are most pleased to announce Christopher Allen will receive this year’s Solti Conducting Award,” stated Penny Van Horn, Board Chair of the Solti Foundation U.S. “Christopher, previously recognized with a Career Assistance Award in 2016, exemplifies our objective of supporting talented young American Conductors as they continue to develop their orchestral and operatic conducting skills. His exceptional young career promises to fulfill our goal and extend Sir Georg’s legacy.”

This year, the Solti Foundation U.S. increased the monetary value of the Sir Georg Solti Conducting Award from $25,000 to $30,000 to help “ensure that our young conductors have the opportunity to demonstrate their musicianship, leadership and full potential to the broadest possible audience,” Van Horn said.

Recipients may use the financial grant in various ways to further his or her career, whether it be further studies, purchases of scores, travel, etc. The Award also brings door-opening introductions within the industry and valuable access to mentors. The Foundation’s Board of Directors comprises experts from all areas of the classical music industry.

Christopher Allen.

Recently named the John L. Magro Resident Conductor for Cincinnati Opera, Allen is rapidly gaining attention as a rising conductor on the operatic and symphonic stages. His 2016-17 season highlights include debuts with the Washington National Opera conducting Donizetti’s La fille du regiment, with Florida Grand Opera conducting Cuban-American composer Jorge Martin’s Before Night Falls, and with Opera Theatre of Saint Louis leading the new revised version of Ricky Ian Gordon’s Grapes of Wrath. He also made his Atlanta Symphony Orchestra debut conducting a program of Wagner, Tchaikovsky and Beethoven, and guested at the A.J. Fletcher Opera Institute of the University of North Carolina School of the Arts, where he led Catan’s Florencia en el Amazonas. Recently, he made his UK debut conducting The Barber of Seville at the English National Opera.

Upcoming 2017 summer engagements include leading the Cincinnati Opera’s Washington Park concert for the second year in a row and conducting Barrie Kosky’s production of Die Zauberflote. Next season, Allen returns to Opera Theatre of Saint Louis to conduct a new production of La traviata directed by acclaimed soprano Patricia Racette. He will also conduct the North Carolina premiere of Jennifer Higdon’s Cold Mountain and make his Atlanta Opera debut conducting La fille du regiment.

Allen’s previous honors include a Bruno Walter Conducting Award and Memorial Career Grant, which launched his career. He was then fostered by Placido Domingo and James Conlon, who brought him to Los Angeles Opera as an Associate Conductor. He is also a recipient of a 2016 Solti Foundation U.S. Career Assistance Award. As a CCM student, his production of Benjamin Britten’s Turn of the Screw was awarded a National Opera Association prize.

“It is with special joy that the Artistic Committee has chosen Christopher Allen for this year’s larger Solti Conducting Fellowship award,” said Elizabeth Buccheri, Artistic and Awards Committee Chair of the Solti Foundation U.S. “Christopher has already successfully begun his journey into both the operatic and symphonic worlds. Sir Georg Solti would indeed be pleased.”

About The Solti Foundation U.S.
Now in its thirteenth year of assisting outstanding young U.S. conductors to further develop their talent and careers, The Solti Foundation U.S. is the foremost organization in the United States dedicated exclusively to helping young conductors.

Established in 2000 to honor the memory of Sir Georg Solti by lending significant support to career-ready young American musicians, in 2004, the Foundation concentrated the focus of its award program to exclusively assist talented young American conductors early in their professional careers (its original mission was of a more general arts nature). Since then, it has awarded over $412,500 in grants to American conductors.

The Foundation endeavors to seek out those musicians who have chosen to follow a path similar to that followed by Sir Georg himself. In keeping with the spirit of Sir Georg’s active approach to his career, young conductors must apply to be considered for the awards.

While dedicated to identifying and assisting young conductors early on, the Foundation is also concerned with the long-term development of its award recipients, continuing to offer support and maintaining a constant interest in their growth and achievements.

The Foundation currently awards the following grants annually:

The Sir Georg Solti Conducting Award – The largest grant currently given to American conductors in the formative years of their careers, the prestigious $30,000 grant is given annually to a single promising American conductor 38 years of age or younger. The Award, also known as The Solti Fellow, includes door-opening introductions, ongoing professional mentoring, and introductions to two of Chicago’s most prestigious performing organizations: Lyric Opera of Chicago and Chicago Symphony Orchestra. Past recipients include Karina Canellakis, Vladimir Kulenovic, Cristian Macelaru, James Feddeck, Case Scaglione, Eric Nielsen and Anthony Barrese.

The Solti Foundation U.S. Career Assistance Award – The amount of the Career Assistance Awards varies.

Opera Residency Program – Introduced in the 2014-15 season, the program places former award recipients with a distinguished opera house for one-on-one mentoring and coaching of an opera during the company’s professional season. Conductors cannot apply, but are instead selected by the Artistic and Awards Committee.

The Foundation is currently the only American Foundation to grant these kinds of awards each year to young American conductors. Citizens or permanent residents of the United States who are career-ready artists in the field of conducting are eligible to apply.

For more information on the Solti Foundation U.S., visit soltifoundation.us.

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CCM Alumna Betsy Wolfe to Replace Sara Bareilles in Broadway’s ‘Waitress’

CCM Musical Theatre alumna Betsy Wolfe (BFA 2004) has made a name for herself by winning major roles, including Cordelia in the current Broadway revival of Falsettos, which was recently nominated for five Tony Awards. She will take on her next Broadway role as Jenna Hunterson in Waitress on June 13.

Waitress features music and lyrics by six-time Grammy Award nominee Sara Bareilles, who is currently playing Jenna on Broadway. Bareilles is leaving the show on June 11, and Wolfe will take her place.

The musical is about a waitress and excellent pie-maker (Jenna) who feels trapped in her loveless marriage and small town. A baking contest and the arrival of an attractive young doctor help her realize her dreams, giving her a chance at a fresh start. With a book by acclaimed screenwriter Jessie Nelson and direction by Tony Award-winner Diane Paulus, the musical is based on the 2007 film of the same name.

Wolfe was recently awarded CCM’s 2017 Musical Theatre Young Alumni Award, which recognizes the outstanding professional achievements of young graduates of the college’s Musical Theatre program. She returned to CCM in March for the annual Musical Theatre Senior Showcase and spoke to students about her career.

Local audiences may remember Wolfe from the enormously successful semi-staged version of The Music Man, which she starred in with the Cincinnati Pops Orchestra in May 2015.

Since graduating from CCM, Wolfe has starred in 110 in the Shade, Everyday Rapture, The Mystery of Edwin Drood, Bullets Over Broadway and Falsettos. She also starred in the off-Broadway revival of The Last Five Years and in Merrily We Roll Along at City Center Encores. She’s been a hot commodity on the concert circuit as well, having soloed with the Cincinnati Pops, New York Pops, New York City Ballet and more.

For more information about Wolfe visit broadwayworld.com/people/Betsy-Wolfe/.

For more information on Waitress visit waitressthemusical.com.

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Story by CCM graduate student Alexandra Doyle

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CCM Acting Alumnus Takes New Musical ‘Bandstand’ to Broadway

Five alumni from UC’s College-Conservatory of Music are involved in a swing-filled, all-American musical that opens on Broadway on April 26. Bandstand: The New American Musical features alumni from CCM’s Acting, Musical Theatre and Orchestral Conducting programs.

Bandstand, set in 1945, tells the story of Donny Novitski, a World War II veteran who decides to enter a national contest seeking America’s newest musical sensation. He quickly assembles a ragtag jazz band of fellow veterans, along with a beautiful young war widow to be the band’s lead singer, and enters the contest. It’s a post-war Cinderella story told in an era when young Americans were fighting for their identity in the face of a dramatically changed world.

Richard Oberacker (BFA Acting, 1993) wrote the music, book and lyrics for Bandstand. While Oberacker received his undergraduate degree in acting, he has become a successful conductor, composer and lyricist. He is currently the conductor of Cirque du Soleil’s in Las Vegas, and he composed the score for a new musical version of The Great Gatsby, which will premiere in Tokyo later this year.

Oberacker returned to CCM in 2015 to teach a "Singing Actor" master class.

Oberacker returned to CCM in 2015 to teach a “Singing Actor” master class.

“Richard Oberacker was born to make music. He is a storyteller by nature, and now America will get to enjoy just how good he is when Bandstand opens on Broadway,” said Richard Hess, Professor of Acting and the A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance.

“He has such a big heart, and he inspires excellence in everyone around him. Cincinnati taught Richard how to fly; now he’s ready to soar.”

Greg Anthony Rassen (MM Orchestral Conducting 2003) is co-orchestrator, music supervisor and music arranger for Bandstand.  During his time on Broadway, he has conducted An American in Paris, The Little Mermaid, The Book of Mormon and Rogers and Hammerstein’s Cinderella. He is also an accomplished pianist and was featured on the Grammy-nominated cast recording of An American in Paris. He currently holds a position with the New York Pops.

The vocal music arranger for the show is David Kreppel (BFA Musical Theatre, 1992), who is currently the Associate Music Supervisor for The Lion King worldwide and has conducted Aladdin, Sister Act, Rock of Ages and A Chorus Line on Broadway.

Two CCM alumni have roles on stage in this production. Geoff Packard (BFA Musical Theatre, 2004) plays Wayne Wright, the trombonist in the band. His Broadway credits include Matilda, Rock of Ages and Phantom of the Opera, and he has participated in national tours of Wicked and Phantom of the Opera.

Max Clayton (BFA Musical Theatre, 2014) is in the ensemble and is also an understudy for Donny Novitski, the male lead. On Broadway, he has been seen in Something Rotten!, On the Town and Gigi.

Bandstand opens on April 26 at Broadway’s Bernard B. Jacobs Theatre, 242 West 45th Street in New York City.  You can learn more about the show at bandstandbroadway.com.

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Story by CCM graduate student Alexandra Doyle

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Preparatory Ballet Concert. Photography by Kyuran Ann Choe.

CCM Preparatory Presents the Spring Youth Ballet Concert

CCM Preparatory students perform traditional and contemporary works at the annual Spring Youth Ballet Concert. Directed by Jonnie Lynn Jacobs-Percer, the ballet concert is at 7:30 p.m. on Friday, April 28, and Saturday, April 29, in CCM’s Patricia Corbett Theater.

The program features a partially restaged performance of Act III of Tchaikovsky’s The Sleeping Beauty, with choreography by Marius Petipa and restaging by CCM Prep Ballet faculty.

Other highlights include three works performed and choreographed by graduating high school seniors in the CCM Prep Ballet program.

The CCM Prep Youth Ballet program is open to any dancer ages 9-18. “Our goal is to expose our young dancers to many of the classic ballets, which helps develop their performance skills and ballet technique,” said Jacobs-Percer, who teaches in CCM’s collegiate Dance Department and serves as the ballet director in CCM Prep.

For more information about CCM Prep Dance, visit ccm.uc.edu/prep/dance.

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Performance Times
7:30 p.m. Friday, April 28
7:30 p.m. Saturday, April 29

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to CCM Prep’s Spring Youth Ballet Concert are $15 general, $10 non-UC students and FREE for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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Story by CCM graduate student Alexandra Doyle

Photography by Kyuran Ann Choe

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