CCM's Mainstage Series production of 'Macbeth.' Photo by Mark Lyons.

Apply Now for CCM’s Summer Playwrights Conference

UC’s College-Conservatory of Music presents the Playwrights Conference from June 12-17, 2017. Now in its second year, this program is organized by CCM Assistant Professor of Acting Brant Russell and is open to aspiring and experienced playwrights alike.

“This year’s conference will host writers from all backgrounds and levels of experience,” Russell said. “Whether you’re a seasoned writer or a theater-lover who wants a boot-camp experience in the fundamentals of playwriting, we’d love to hear from you.  The community we create over the week-long conference is supportive, diverse and artistically adventurous.”

Participants in CCM’s 2016 Playwrights Conference work on their plays during a group session.

During the Playwrights Conference participants will write, take master classes with industry professionals and attend readings of their works. The week-long program offers a Development Track for participants who already have a play that they want to work on during the conference, along with a Fundamentals Track for participants who want to learn the nuts and bolts of playwriting.

Participants will also get to hear their work read a loud by CCM actors during nightly “Play Barn” sessions, lead by CCM Acting Chair Richard Hess. The ensemble of actors will bring the plays to life at the program’s 10-Minute-Play Festival, a public performance of the new works scheduled for the final night of the conference.

Conference participants will have an opportunity to work with a host of renowned theatre professionals, including award-winning playwright MJ Kaufman and Huntington Theatre Company director of new work Lisa Timmel.

Timmel will serve as the conference’s lead instructor and resident dramaturg, while Kaufman will serve as playwright-in-residence. Kaufman has been commissioned to write a new play for this year’s conference, which will allow participants to witness this new work develop over the course of the program.

CCM’s 2017 Playwrights Conference is now accepting applications. The application deadline is April 15, 2017.

To learn more about how you can bring your ideas from page to stage, please visit ccm.uc.edu/summer/playwrights.

CCM News Faculty Fanfare
Cohen Studio

CCM’s Studio Musical Theatre Series Presents ‘Children of Eden’ March 30-April 2

UC’s College-Conservatory of Music presents Children of Eden, a two-act musical with music and lyrics by Stephen Schwartz and a book by John Caird, on Thursday, March 30 through Saturday, April 1 in CCM’s Cohen Family Studio Theater. The production is directed and choreographed by Vince DeGeorge, with musical direction by Steve Goers.

Like all Studio Series productions, admission to Children of Eden is free, but tickets are required. Tickets become available at noon on Monday, March 27, and can be reserved by visiting the CCM Box Office or calling 513-556-4183.

Schwartz, known for his smash-hit musicals that include Wicked and Godspell, created Children of Eden in 1986 for Youth Sing Praise, a religious high school theatre camp in Illinois. It was originally shorter and titled Family Tree, but Schwartz later expanded and renamed it. The musical as it exists today was premiered in 1991 at the Prince Edward Theatre in London’s West End.

The musical’s two acts relate the story of Adam and Eve and their children, followed by the tale of Noah and his family. In the first act, Adam and Eve interact with the Father (God) in Eden and are ultimately banished from the garden after they consume the forbidden fruit. We follow the couple through their trials with their children, Cain and Abel, the former of whom ultimately kills the latter.

In the second half of the show, Noah and his family are preparing for the great flood, including Noah’s son Japheth, who is determined to marry his family’s servant Yonah, a descendant of Cain. During the act, Noah laments the difficulty of being a good father, as does the omnipotent Father, who ultimately decides to grant his children the power of self-determination.

With free admission and limited seating, CCM’s Studio Series productions remain one of the hottest tickets in town. Learn more about how secure your tickets by visiting ccm.uc.edu/about/villagenews/did-you-know/how-to-studio-series.

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Cast List

Phillip Johnson as Father
Bryce Baxter as Adam
Ciara Harris as Eve
Zachary Triska as Cain
Edward Dohring as Abel
.Jordan Miller as Seth
Gabe Wrobel as Noah
Emily Meredith as Mama
Donelvan Thigpen as Shem
Dylan Dougal as Ham
Stavros Koumbaros as Japheth
Madelaine Vandenberg as Aysha
Kendall McCarthy as Aphra
Emily Royer as Yonah
Madison Deadman, Kylie Goldstein, Delaney Guyer, Jennifer Mollet, Andrew Alstat, Matthew Copley, Madison Hagler, William Jackson, Erich Schleck as Storytellers

Performance Times
8 p.m. Thursday, March 30
8 p.m. Friday, March 31,
2 and 8 p.m. Saturday, April 1

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Admission
Admission is free. Reservations are required. Tickets become available at noon on Monday, March 27. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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Musical Theatre Program Sponsor and Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM News Student Salutes

CCM Piano Series Presents Annual Bearcat Piano Festival and Piano-POW-Looza

CCM spotlights world-class pianists this spring with the return of the annual Bearcat Piano Festival! The festivities begin on Friday, March 31 and conclude on Sunday, April 2 with the Piano-POW-Looza concert, featuring CCM’s own talented student performers. All events will take place in the Robert J. Werner Recital Hall.

Launched in 2010 by CCM Professor of Piano and Artist-in-Residence Awadagin Pratt, this year’s Bearcat Piano festival invites several internationally acclaimed artists to the stage. Pianist John Perry opens the festival with a master class at 2 p.m. on Friday, March 31. Perry has won numerous awards including the highest prizes in both the Busoni and Viotti international piano competitions in Italy and special honors at the Marguerite Long International Competition in Paris.

Traveling all the way from China, students of Shandong University perform a special program of Chinese classical music at 8 p.m. on Friday, March 31. Also joining the festival this year are University of Michigan students, who visit CCM to perform at 7 p.m. on Saturday, April 1.

Winner of the prestigious Avery Fisher Career Grant, pianist Paul Schenly will teach a master class at 2 p.m. on Saturday, April 1. Schenly has toured twice in the United States with the Rotterdam Philharmonic and toured with the same orchestra in Europe. He has been a soloist with the Atlanta Symphony, Cleveland Orchestra, Chicago Symphony, Los Angeles Philharmonic, San Francisco Symphony and New York Philharmonic.

Finally, the 2017 Bearcat Piano Festival comes to a close with Piano-POW-looza at 7 p.m. on Sunday, April 2. Organized by Piano Department Chair Michael Chertock, the event spotlights the talents of a select few from CCM’s nearly 100 dazzling piano majors. This year’s concert features a special tribute to the beloved musicians who have passed away in recent months.

Schedule of Events

 2 p.m. Friday, March 31
• Bearcat Piano Festival •
Master Class with John Perry, piano
Location:
Robert J. Werner Recital Hall
Admission: FREE
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8 p.m. Friday, March 31
• Bearcat Piano Festival •
Shandong University Student Recital
The Bearcat Piano Festival welcomes student pianists from Shandong University for a special recital of Chinese classical music.
Location: Robert J. Werner Recital Hall
Admission: FREE
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 2 p.m. Saturday, April 1
• Bearcat Piano Festival •
Master Class with Paul Schenly, piano
Location:
Robert J. Werner Recital Hall
Admission: FREE
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7 p.m. Saturday, April 1
• Bearcat Piano Festival •
PROGRAM CHANGE: John Perry’s guest artist performance has been cancelled. In his place CCM welcomes University of Michigan Student Pianists.
Guest artists from the University of Michigan perform as part of this year’s annual Bearcat Piano Festival!
Location: Robert J. Werner Recital Hall
Admission: FREE
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7 p.m. Sunday, April 2
• Piano Series •
PIANO-POW-LOOZA: FINGERS OF FIRE
Some of CCM’s award-winning piano students and alumni demonstrate their amazing talents at one, two and three pianos. This concert also features a surprise tribute!
Location: Robert J. Werner Recital Hall
Tickets: $15 general, $10 non-UC students, UC students FREE
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Event Information
All events listed take place on the campus of the University of Cincinnati unless otherwise indicated. The Piano-POW-looza Student Showcase concert requires paid admission. All other Bearcat Piano Festival events are free and open to the general public.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

All-Steinway School Sponsor: The Corbett Endowment at CCM

CCM is proud to be an All-Steinway School
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Story by CCM Graduate Student Charlotte Kies

CCM News Faculty Fanfare Student Salutes

CCM Piano Students Perform in Hastings International Piano Concerto Competition

Four piano students who study with Awadagin Pratt at UC’s College-Conservatory of Music advanced in the Hastings International Piano Concerto Competition, which concluded on March 4 in England. Narae Lee, Jiwon Han, Julan Wang and Youkyoung Kim made it through the preliminary rounds of the competition to perform in multiple stages.

The preliminary rounds were held in the United Kingdom, Germany, U.S. and Japan. CCM was one of few U.S. schools to have multiple students advance in the various rounds of the competition.

Youkyoung Kim was one of six contestants to compete in the final stage of the competition. As a finalist, Kim performed in a public concert with the Royal Philharmonic Orchestra. Her performance earned her third place and £2,500 ($3,053.50). Narae Lee advanced to compete in the second stage of the competition. Jiwon Han and Julan Wang advanced to compete in the competition’s semi-final stage.

About the Artists

Youkyoung Kim, born in Busan, South Korea, earned a Bachelor of Music degree from Seoul National University, where she studied with Junghye Ra and Nayoung Kim. Since 2012, she has studied with Professor Awadagin Pratt at CCM, where she received her Master of Music degree in 2014. Kim is currently pursuing her Doctor of Musical Arts degree at CCM.

Previously this month, Kim was among 12 musicians selected to participate in the Iowa Piano Competition. She was awarded third prize after she performed with the Sioux City Symphony Orchestra in the final round of the competition. Kim has numerous top prizes and participated in international competitions including the Kankakee Valley Symphony Orchestra Young Artists Piano Concerto Competition, U.S. International Duo Piano Competition, World Piano Competition, Dallas International Piano Competition, Debut International Piano Competition and Delia Steinberg International Piano Competition, among others.

Julan Wang, born in Chongqing, China, earned his Bachelor of Music degree from the Shanghai Conservatory of Music in 2010. He received the George Sarlo Scholarship at the San Francisco Conservatory and earned his Master of Music degree there in 2012. In 2014, he received his Artist Diploma at CCM, where he studied with Professor Awadagin Pratt. He is now pursuing a Doctoral degree at CCM.

Julan has received many prizes in competitions, such as the China Youth Competition, Wiesbaden International Piano Competition, Asian Chopin Competition and the CCM Concerto Competition. He gave his debut recital at Carnegie Hall in June of 2014, and has also performed in California, Ohio, Michigan and Louisiana. He has also given solo/lecture recitals in Shanghai, Zhejiang, Fujian, Sichuan, Chongqing and many other places in China. Since 2012, he has been a recipient of the Enlight Foundation’s Outstanding Scientists and Artists Scholarship.

Korean-born pianist Narae Lee studied at Yonsei University with Misha Kim in South Korea. She is a recipient of the William D. Black Memorial Prize in Piano and holds an Honors Scholarship at CCM, where she studies with Awadagin Pratt.

Lee has won numerous top prizes and has participated in national and international competitions, including Delta Symphony Orchestra Young Artist Concerto Competition, Coeur d’Alene Symphony Young Artists Competition, World Piano Competition, Art of the Piano, New Paltz Piano Summer, Eastern Music Festival as an assistant of Piano and Collaborative Piano faculties, Jacob Flier Piano Competition, the Samick-Seiler Piano Competition, the Seoul Philharmonic Competition, the Mayor of Seoul City Prize at the University of Seoul Music Competition and the Grand Prix Round Prize, 21Century Artist Special Prize at the Osaka International Piano Competition in Japan.

A native of Incheon, South Korea, pianist Jiwon Han earned Bachelor and Master of Music degrees from Korea National University of Arts, where he studied with Choong-Mo Kang. He earned his Artist Diploma from Korea National University, where he studied with Professor Daejin Kim. Han earned a full-tuition scholarship to pursue an Artist Diploma at CCM, where he studies with Awadagin Pratt. He is also the recipient of the Art of the Piano Foundation Award.

Han has appeared in top concert venues in Korea including the Seoul Art Center, Sejong Art Center, Hoam Art Hall and Kumho Art Hall. He is sponsored by YAGI Studio, one of the largest studios in Korea. Han has served for three years as a director for the classic concert program on KBS, one of Korea’s prominent public broadcasting stations. In 2013, he won second prize in ISANG YUN International Competition. In 2014, he released his debut album, featuring the works of Chopin and Isang Yun. In 2015, he released his second album, Romanticism, featuring music of Brahms, Schumann and Liszt.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

All-Steinway School Sponsor: The Corbett Endowment at CCM

CCM is proud to be an All-Steinway School

CCM News Faculty Fanfare Student Salutes

CCM Opera Presents Mozart’s Heroic Greek Tragedy, ‘Idomeneo’

A model of the scenic design for CCM's production of 'Idomeneo.'

A model of the scenic design for CCM’s production of ‘Idomeneo.’ Photo by Marcus Shields. Set Design by Matthew Hamel.

The Opera Department at UC’s College-Conservatory of Music presents an epic tale of love, war and sacrifice on March 30-April 2 in Patricia Corbett Theater. Hailed as Mozart’s first great opera seria, Idomeneo takes place in the aftermath of the fabled Trojan War.

Artist Diploma student Marcus Shields directs the CCM’s production of Idomeneo. Teetering on the edge between student and professional, Shields finds that he and the cast have a lot in common with Mozart, who composed this opera at the ripe young age of 25.

“This is essentially Mozart’s graduate thesis on the world,” says Shields. “It’s an amazing thing that he wrote this when he was 25, and we should be humbled by that fact. We’re all in the exact same place. In writing this challenging opera, Mozart was trying to prove himself — just like we are now.”

Idomeneo is a classic story of unrequited love, sacrifice and revenge. The plot revolves around King Idomeneo who is lost at sea during his journey home from war. To survive, he strikes a deal with vengeful god Neptune, but the king is then faced with an impossible decision — to sacrifice his entire nation or his son, Idamante. The King banishes his son from the kingdom, which separates the young prince from the two women who are in love with him.

While Idomeneo might not be as familiar as Mozart’s Cosí fan tutte, The Magic Flute or The Marriage of Figaro, the opera is just as exciting and inspired, Shields says. The work mostly adheres to the opera seria structure, which is known for its formulaic librettos and serious tone. However, Mozart “shatters the genre” in Idomeneo.

“The music is so amazing and virtuosic,” says Shields, “Mozart’s tap-dancing as hard as he can as he fights against the typical opera seria structure. It seems a bit stuffier on the outside because of the genre but it’s actually way more urgent and young.”

Mozart’s quest to infuse his own style in opera seria is similar to Shields’ unique vision for CCM’s production of Idomeneo. The opera is not set in a specific time period and has an abstract set, with lighting effects and costumes by CCM’s Theatre Design and Production Department. Shields uses costumes to represent the great division the characters feel from each other. Some cast members don stiff button-up coats reminiscent of the late eighteenth century and others wear full Greco-Roman attire.

“We are using the lighting, costumes and set to show people how to actually listen to the music,” Shields says. “It’s a beautiful harmonization of everything that this school can do.”

CCM’s production of Idomeneo is conducted by Assistant Professor of Music Aik Khai Pung, it is sung in Italian with English supertitles.
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IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco
Aik Khai Pung, conductor
Marcus Shields, director

Cast

Idomeneo………………………………………………………………………Robert Stahley*,
Brandon Scott Russell^
Ilia………………………………………………………………………………..Grace Kahl*,
Erica Intilangelo^
Idamante…………………………………………………………Chelsea Duval-Major*,
Kayleigh Decker^
Elettra……………………………………………………………………..Nicolette Book*,
Murrella Parton^
Arbace/High Priest…………………………………………………………Dongwhi Baek*,
Benjamin Lee^
Voice of the Oracle…………………………………………………………Jacob Kincaide
Cretan Woman 1………………………………………………………………Maria Miller
Cretan Woman 2………………………………………………………..Briana Moynihan
Trojan 1………………………………………………………………………Logan Wagner
Trojan 2………………………………………………………………………Michael Hyatt
Chorus Men……………………………………Clayton Edwards, Michael Hyatt, Hayden Smith, John Tibbets, Logan Wagner
Chorus Women………………………………Brianna Bragg, Shannon Cochran, Page Michels, Maria Miller, Briana Moynihan, Claudia Neef

 * Thursday, March 30 and Saturday, April 1
^ Friday, March 31 and Sunday, April 2

Performance Times
8 p.m. Thursday, Mar. 30
8 p.m. Friday, Mar. 31
8 p.m. Saturday, April 1
2 p.m. Sunday, April 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Idomeneo are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/idomeneo.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s
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Story by CCM Graduate Student Charlotte Kies
CCM News Student Salutes

CCM Holds Inaugural Andrew Howell Memorial Scholarship Competition

UC’s College-Conservatory of Music will hold the inaugural Andrew Howell Memorial Scholarship Competition 2 p.m., Sunday, March 26, 2017
 in the Robert J. Werner Recital Hall. The performance is a free event and open to the public.

CCM honors the memory of student Andrew Howell with a Memorial Concert on Sunday, Oct. 23, 2011.

CCM honors the memory of student Andrew Howell with a Memorial Scholarship Competition on Sunday, March 26, 2017.

This competition is held in loving memory of Andrew Howell, an extraordinary musician and an exceptional person who passed away during his undergraduate studies at CCM. A junior from Charlotte, N.C., Howell was a member of the CCM horn studio and a student of Randy Gardner.

Open to current undergraduate horn majors as well as applicants who have committed to attend CCM in 2017-18, the winner of the Andrew Howell Memorial Horn Scholarship Competition will receive a one-year $3,000 scholarship and a solo performance opportunity.

The scholarship will be offered annually to support the studies of an exceptional undergraduate horn student and perpetuate Andrew’s memory.

Application Details
The application deadline is March 10, 2017.

For further details and an application, contact Professor Randy Gardner at randy.gardner@uc.edu.

About Andrew Austin Howell
Andrew Howell (1990-2010) was beginning his third year as a horn performance major at CCM when he died in an outdoor accident on October 23, 2010 while admiring the bright night sky above the lights of the city below.

Andrew was a student of Randy Gardner, and a well loved member of the CCM community. He is remembered by his family, friends and classmates for his genuine encouragement of others, his love of animals, his charming and unassuming manner, and for his rare sense of humor. He had a musical soul, possessing a broad appreciation for the world and the people around him.

Born into a family of professional church musicians, Andrew was immersed in music from his earliest days, demonstrating a keen observation and attention to musical performances and shows. In addition to his skilled horn playing, he loved to sing and improvise on the piano. Whether he was painting, photographing, singing or playing, Andrew pursued an artful expression of what he saw as a beautiful world.

A participant in the Pensacola Children’s Chorus, the Charlotte Children’s Choir, the Charlotte Symphony Youth Orchestra and the music programs of his churches and schools, Andrew was happiest making music. He studied horn with Bob Blalock of the Charlotte Symphony and spent summers studying at the Brevard Music Center Summer Institute and Festival, the Tanglewood Horn Workshop, and the Chautauqua Music Festival with Richard Deane, Kristy Morrell, Jean Martin-Williams, Eric Ruske and Roger Kaza.

Event Information

Performance Time
2 p.m., Sunday, March 26

Location
Robert J. Werner Recital Hall, CCM Village,
University of Cincinnati

Admission
Admission is free and open to the public.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

CCM News Student Salutes

Voice Alumni Compete in 2017 Met Opera National Council Auditions Semi-Final

Four UC College-Conservatory of Music alumni will compete in the Semi-Final round of the 2017 Metropolitan Opera National Council Auditions, which will take place in New York on Sunday, March 12.

The prestigious competition for young singers has four rounds: District, Regional, Semi-Final and Final. Ten of the semi-finalists will move on to the final round, where five of them will be pronounced winners. Each winner receives $15,000, and the other finalists receive $5,000 each. This year’s final round will take place on Sunday, March 19 on the stage of the Met Opera.

The four CCM alumni who will participate in the Met Council Semi-Finals are Jessica Faselt, soprano (MM Voice, 2016); Summer Hassan, soprano (MM Voice, 2014); Andrew Manea, baritone (MM Voice, 2016); and Cody Quattlebaum, bass-baritone (BM Voice, 2015). Read their bios below to learn more about these outstanding young musicians.

Known for her “keen expression and impressive delivery” (Music in Cincinnati), soprano Jessica Faselt hails from Iowa. Faselt completed her master’s degree at CCM, where she was the recipient of the Corbett Award, and she earned her Bachelor of Music from the University of Iowa. Faselt has sung with the Institute for Young Dramatic Voices, studying with mezzo-soprano Dolora Zajick, and will return there in 2017. She was a Gerdine Young Artist with Opera Theatre of Saint Louis in 2015 and was engaged there in 2016 to cover the role of Ariadne in Ariadne auf Naxos. Other roles include: Fiordiligi in Così fan tutte, Hanna in The Merry Widow, Rosalinda in Die Fledermaus, Vitellia in La Clemenza di Tito and Mrs. Grose in The Turn of the Screw.

Soprano Summer Hassan is a member of LA Opera’s Domingo-Colburn-Stein Young Artist Program. She made her company debut in 2014 as the Second Lady in Dido and Aeneas and returned as the Ghost Quartet Soprano in The Ghosts of Versailles in 2015. Her LA Opera appearances in the 2015/16 season include the Second Lady in The Magic Flute.  Recent performances include Rossini’s Petite Messe Solennelle under the baton of Placido Domingo, as well as Barber’s Knoxville: Summer of 1915 and Strauss’s Four Last Songs with the Colburn Orchestra. She was featured as Musetta in Wolf Trap Opera’s 2016 production of La Bohème and in recital with Steven Blier at The Barns at Wolf Trap. Ms. Hassan made her Carnegie Hall debut as Second Niece in Britten’s Peter Grimes with the St. Louis Symphony, and in 2014 she made her debut as the Second Lady in The Magic Flute with Opera Theatre of Saint Louis where she was a Gerdine Young Artist. Other roles have included Mimì in La Bohème, Betty in The Threepenny Opera and Vitellia in La Clemenza di Tito. She received her Master of Music from CCM and her Bachelor of Music from the Oberlin Conservatory.

Lauded for his, “charming…robust baritone…,” Romanian-American baritone Andrew G. Manea has been continually rising to the top of the opera world at an impressively young age. Andrew’s recent roles include Marcello in La Bohème, No. 7 in Transformations, Forester in The Cunning Little Vixen, Escamillo in Carmen, Danilo in The Merry Widow and the Father in Hansel and Gretel. In a very successful 2016 season, Andrew was awarded first place and audience favorite in the Mary Jacobs Smith Singer of the Year Competition with Shreveport Opera, second place and audience favorite in the Opera Columbus Cooper-Bing International Vocal Competition, Finalist in the Jensen Foundation Vocal Competition and he was a Career Grant recipient in the Giulio Gari Foundation Competition. Continuing to rise to success, Andrew has been awarded a position as a new member of the San Francisco Opera’s Adler Fellowship program. This coming season at San Francisco Opera, he will be performing Marullo in Rigoletto, covering Marcello in La Bohème, performing Marchese d’Obigny in La Traviata, performing in a world premiere of John Adams’ Girls of the Golden West and performing a Schwabacher Debut Recital with esteemed pianist Warren Jones. Andrew holds a bachelor’s degree from the Cleveland Institute of Music and a master’s degree from the CCM, where he studied with Bill McGraw.

Bass-baritone Cody Quattlebaum from Ellicott City, Maryland, is currently earning a Master of Music in Voice Performance at the Juilliard School. He received his bachelor’s degree from CCM. He has performed Figaro in Le Nozze di Figaro, Lautsprecher in Der Kaiser von Atlantis, Der Fischer in Matsukaze, Melisso in Alcina and Colonel in a premier workshop of Daniel Catán’s Meet John Doe. He recently performed Guglielmo in Così fan Tutte with Merola Opera. He won the Seybold-Russell Award in the 2015 Corbett Opera competition, first place and “Audience Favorite” award at the 2016 James Toland competition and second place in the 2016 Gerda Lissner Liederkranz competition. He recently performed Claudio in Handel’s Agrippina in Alice Tully Hall and Wilson Theater in New York City. He will also perform under the baton of Maestro Michael Morgan with the Oakland Symphony next season.

About the Metropolitan Opera’s National Council Auditions
The Metropolitan Opera National Council Auditions is a program designed to discover promising young opera singers and assist in the development of their careers. Known as the venue for the world’s greatest voices, the Metropolitan Opera holds National Council Auditions throughout the United States and Canada each year. The goal of the National Council Auditions is to discover promising young singers, give singers from around the country a chance to be heard by the major opera companies of the U.S. and Canada, and find potential participants for the Lindemann Young Artist Development program, an opera training program sponsored by the Met.

For more than six decades, this competition for exceptionally talented singers from across the country has helped launch the careers of some of opera’s greatest stars, including Stephanie Blythe, Renée Fleming, Susan Graham, Thomas Hampson, Ben Heppner, Patricia Racette and Deborah Voigt — as well as, more recently, Lawrence Brownlee and Angela Meade.

View a full list of this year’s National Council Auditions Grand Finals Winners at www.metopera.org/about/auditions/nationalcouncil.

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