CCM presents 'You're Welcome (A Cycle of Bad Plays),' running April 23 - 25, 2015.

CCM’s Studio Series Comes to a Close With the Debate Society’s ‘You’re Welcome (A Cycle of Bad Plays),’ Running April 23 – 25

CCM’s Studio Series concludes with a production of Hannah Bos, Paul Thureen and Oliver Butler’s You’re Welcome (A Cycle of Bad Plays), running April 23 – 25 in the intimate Cohen Family Studio Theater. Admission is free, but reservations are required. Tickets become available through the CCM Box Office at noon on Monday, April 20.

First produced by Bos, Thureen and Butler’s Brooklyn-based theatre company, the Debate Society, You’re Welcome makes its CCM debut under the direction of Assistant Professor of Drama Brant Russell, who also performs in the play. This marks the first time that Russell has both directed and acted in a production.

Russell explains that You’re Welcome is loosely about why people pursue theatre and why we love it. He says it’s a “raucous comedy and a damning critique of theatre as an art form.”

Comprised of five short plays, including a farce, an anti-drunk driving PSA, a staged reading of a play called “Monsters Trucks,” a 15-minute improvised piece and a “wheels come off” piece, You’re Welcome is theatre at its best, making fun of itself while maintaining its truthfulness.

Amidst the comedy and silliness, there are also moments of emotional honesty. Russell recently directed CCM’s Mainstage Drama Macbeth this past October and wanted to do something different. He chose You’re Welcome because he wanted to find the “smartest, stupidest thing… a play that was self-effacing, intelligent but not heady, goofy but with integrity.”

With a cast of only nine composed mostly of juniors and a few sophomores, the students have been able to work closely together. Recently, the members of the Debate Society came to CCM for a workshop and got the students into teams for writing and acting exercises.

Junior Drama major Alison Sluiter says she plays herself in this production. She explains, “There’s a lot of give and take amongst my fellow cast mates. Creativity is in the air constantly whenever we are in the space, especially during a scene where we have incorporated improvisation. It has been both challenging and joyous during these rehearsals, pushing my scene partners without breaking character. When working with people you’ve known in the past three years, we know each others’ buttons and it’s fun to play and explore possibilities.”

Performance Times

  • 8 p.m. Thursday, April 23
  • 8 p.m. Friday, April 24
  • 2 & 8 p.m. Saturday, April 25

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission to You’re Welcome (A Cycle of Bad Plays) is free, but reservations are required. Tickets become available at noon on Monday, April 20. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation 

Drama Studio Series Sponsor: Neil Artman and Margaret Straub

Community Partner: ArtsWave

CCM News
CCM alumnus Tung-Chieh Chuang.

CCM Alumnus Tung-Chieh Chuang Wins Prestigious Solti Conductor’s Competition

Alumnus Tung-Chieh Chuang conducting at CCM.

Alumnus Tung-Chieh Chuang conducting at CCM.

CCM alumnus Tung-Chieh Chuang (MM Orchestral Conducting, 2009) was one of two second prize winners at the seventh Sir Georg Solti International Conductors’ Competition in Frankfurt this February. Chuang took second prize for his incredible conducting of the concert version of Leonard Bernstein‘s Overture to Candide. German conductor Elias Grandy also took a second prize award. No first prize was awarded.

Chuang was also awarded the competition’s Audience Prize, which was given for the first time in the history of the competition. Audiences were invited to vote on their favorite competitor and Chuang was the clear winner with a vote of more than 59%. Chuang was presented with an original Sir Georg Solti baton from his Frankfurt era and also received 10,000 Euro for his second prize award.

In addition, Chuang will be invited to conduct concerts with Frankfurter Opern- und Museum sorchester and the Frankfurt Radio Symphony. Further orchestras such as Badische Staatskapelle Karlsruhe, Junge Deutsche Philharmonie, Konzerthausorchester Berlin, and Polish Chamber Symphony Sopot, may offer guest engagement or assistance positions.

The Solti Conductor’s Competition was organized as Solti saw an urgent need to create a forum where young talents can present themselves and receive competent assessment of the standards they have reached.

367 young conductors aged between 19 and 35 years from 64 countries applied to this year’s competition. Of those 367, 20 applicants were invited to Frankfurt to participate in the first round and semifinal held from February 17-20, where they conducted the Frankfurt Radio Symphony and Frankfurter Opern-und Museumsorchester.

You can view the announcement of this year’s competition results here.

About Tung-Chieh Chuang
Prize winner at the Gustav Mahler Competition Bamberg and the Jeunesses Musicales Bucharest International Conducting Competition, Taiwan-born conductor Tung-Chieh Chuang displayed musical talent at a young age. Born in a family of musicians, Chuang learned to play piano and horn and had his first concerto appearance at age of 11.

Since winning the Mahler Competition in 2013, Chuang has attracted numerous world-wide engagements. Hailed for his command of musical tones and structures and rich palette of expressions, Chuang has worked with Die 12 Cellisten der Berliner Philharmoniker, Bamberger Symphoniker, Deutsches Nationaltheater und Staatskapelle Weimar, Deutsche Kammerphilharmonie Bermen, National Symphony Orchestra (Taiwan), Taipei Symphony Orchestra, Baltimore Symphony Orchestra, Jenaer Philharmonie, Filarmonica George Enescu, Filarmonica de Stat Sibiu, Severočeské filharmonie Teplice, among others.

In 2010, Chuang was the recipient of the Edwin B. Garrigues fellowship at Curtis Institute of Music. That same year he co-organized the Curtis Japan Benefit Concert in Church of the Holy Trinity, Philadelphia, where all proceeds were donated to Red Cross Japan for the 311 earthquake relief. In 2012, he organized the first-ever orchestra-flashmob performance in Taiwan, in which he led the National Taiwan University Symphony Orchestra as their principal conductor.

Learn more about CCM’s award-winning alumni by visiting ccm.uc.edu/about/villagenews/alumni.

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CCM Voice Student Andrew G. Manea Named Albert Rees Davis Scholar by the Singers’ Club of Cleveland

CCM graduate student Andrew Manea.

CCM graduate student Andrew Manea.

Late last year, CCM master of music in voice candidate Andrew G. Manea was named one of three Albert Rees Davis Scholars in the S. Livingston Mather Scholarship Competition sponsored by the Singers’ Club of Cleveland. A previous Albert Rees Davis Scholar, Manea received a $1,250 cash award.

Manea was one of 16 singers selected from 28 applicants to compete for five scholarships funded by the S. Livingston Mather Charitable Trust, the George L. Hackett Scholarship Endowment and the Albert Rees Davis Endowment Fund, Inc. You can learn more about all of the current scholarship winners by visiting www.singersclub.org/scholarship-winners.

Founded in 1892, the Singers’ Club of Cleveland presents a repertoire of traditional men’s choral music, bold commissioned works and modern compositions. In addition, the Club undertakes challenging pieces typically reserved for professional choruses. A cross section of Greater Cleveland, the members come from varied ages and backgrounds, all sharing a love for performing outstanding vocal music.

A baritone, Manea has performed numerous opera roles at Music Academy of the West, Palacio de la Opera in A Coruña, Spain, Castleton Festival and Cleveland Institute of Music. He sang the role of Father in CCM’s production of Engelbert Humperdinck’s Hansel and Gretel earlier this season.

Learn more about CCM’s remarkable students by visiting ccm.uc.edu/about/villagenews/students.

CCM News Student Salutes
CCM's Concert Orchestra.

Award-Winning Conductor and Educator Aik Khai Pung is Named Assistant Professor of Orchestral Studies at CCM

Aik Khai Pung, Assistant Professor of Music in Orchestral Conducting at CCM.

Aik Khai Pung, Assistant Professor of Music in Orchestral Conducting at CCM.

CCM Dean Peter Landgren has announced the appointment of Aik Khai Pung to the position of Assistant Professor of Music in CCM’s Department of Orchestral StudiesPung first joined CCM’s faculty on a visiting basis in 2014. His new appointment becomes effective on August 15, 2015.

An all-around conductor and educator, Pung is music director of the CCM Concert Orchestra, NANOWorks Opera and Café MoMus, CCM’s contemporary music ensemble.

An alumnus of CCM, Pung (MM Orchestral Conducting, 2009; DMA Orchestral Conducting, 2014) studied under Mark Gibson, Annunziata Tomaro, Xu Xin, Zhang Yi and Ulrich Nicolai. He has also worked with Gustav Meier and JoAnn Falletta. Pung holds a BA from the Central Conservatory of Music in Beijing in addition to his degrees from CCM.

Prior to his engagement at CCM, Pung taught at Earlham College in Indiana, Akademie der Chinesische Bunte Blätter in Munich and Peking University in Beijing. He has served as head instructor of the Orchestral, Choir and Opera Conducting Workshop in Malaysia, and was a clinician for Montclair State University John J. Cali School of Music Orchestra Festival in New Jersey.

On top of his passion for teaching, Pung is actively involved in music festivals around the world such as Lincoln Center Festival (New York), Spoleto Festival USA (Charleston, S.C.), CCM Spoleto (Spoleto, Italy), Opera Theatre and Music Festival of Lucca (Lucca, Italy), Georgetown Festival (Penang, Malaysia) and Luminato Festival (Toronto, Canada) where he conducts and assists opera productions as well as symphonic concerts.

As a multi-instrumentalist, Pung plays the piano, violin, Er-hu (Chinese traditional fiddle), Chinese dulcimer and viola da gamba. On top of instrumental music, he is equally involved with vocal music. He programs and performs new operas as the music director of NANOWorks Opera. Aside from the music from the Classical and Romantic eras, Pung has conducted his research on the music of Guo Wenjing, Toshio Hosokawa, Nico Muhly, John Adams, Philip Glass and young composers such as CCM alumna Jennifer Jolley (MM Composition, 2009; DMA Composition, 2012), Danny Clay, Eric Knechtges, Li ShaoSheng and Marie Incontrera, among others.

Pung won second prize in the Taiwan Chinese Orchestra (TCO) International Conducting Competition (2015) and was the Special Award winner for Conducting Chinese Music at the First Hong Kong International Conducting Competition (2011).

He was the first international conducting student to be accepted to the prestigious Central Conservatory of Music, the top conservatory in China, where he was awarded outstanding student in 2005.

You can learn even more about Aik Khai Pung by clicking herePlease join us in congratulating him on his new appointment.

CCM Alumni Applause CCM News Faculty Fanfare
CCM's proudly presents Arthur Miller's 'The Crucible,' running through Sunday, Oct. 6. Photography by Mark Lyons.

CCM E-Media Students Receive Top Honors at National Broadcasting Society Convention

CCM alumnus Tim Neumann.

CCM alumnus Tim Neumann.

Frequent readers of The Village News are likely already familiar with the work of alumnus Tim Neumann (BFA Electronic Media, 2014), as Neumann produced several memorable promotional videos for CCM’s Mainstage and Studio Dramas with his colleague Dan Marque (BFA Electronic Media, 2014), including a stunning “trailer” for CCM’s 2013 production of Arthur Miller’s The Crucible (which you can view here).

We are delighted to report that Neumann won a grand prize in the “Video Instructional/ Industrial/ Promotional Production” category at last month’s National Broadcasting Society national convention in Atlanta for a promotional video he created about CCM Drama! You can watch his award winning video below.

Current E-Media major Josh Hamester also took home a top award within the category of “Video Sports Segment” at the convention! Congrats, Tim and Josh!

Learn more about CCM’s Department of Drama by visiting ccm.uc.edu/drama.

Learn more about CCM’s Division of Electronic Media by visiting ccm.uc.edu/emedia.

CCM Alumni Applause CCM News CCM Video Student Salutes
Daniel Weeks, Associate Professor of Music in CCM's Department of Voice.

Accomplished Tenor Daniel Weeks Joins CCM’s Voice Faculty

CCM Dean Peter Landgren has announced the appointment of Daniel Weeks, tenor, to the position of Associate Professor of Music in CCM’s Department of Voice. Weeks’ appointment becomes effective on August 15, 2015.

Daniel Weeks, Associate Professor of Music in CCM's Department of Voice.

Daniel Weeks, Associate Professor of Music in CCM’s Department of Voice.

Praised for his Italianate timbre and sensitive musicianship, Daniel Weeks maintains an active performing schedule including opera, oratorio and recitals. As a concert artist, Weeks has sung with the Houston Symphony, the Dallas Symphony, the Cincinnati Symphony Orchestra, the Indianapolis Symphony, the Columbus Symphony, the Memphis Symphony, the Louisville Orchestra, the Huntsville Symphony, the Oratorio Society of New York, the Winter Park Bach Festival, the Bozeman Symphony, the Orchestra of St. Luke’s, the National Symphony of Mexico, the National Symphony of Costa Rica, the Xalapa Symphony (Mexico) and the National Youth Orchestra of Caracas (Venezuela). On the operatic stage, he has performed with the Florentine Opera, Kentucky Opera, Mercury Opera, Nevada Opera and in 2001 toured the US in Mozart’s Così fan tutte with San Francisco Opera’s Western Opera Theater.

Conductors with whom he has performed include Steuart Bedford, Christoph Campestrini, Hal France, Stefan Lano, Jane Glover, Christopher Larken, Hans Graf, Gustav Meier, Junkchi Hirokami, Vladimir Spivakov, Alessandro Siciliani, John Keenan, John Rutter, Jorge Mester, Carlos Miguel Prieto, Eduardo Müller, Gregory Vajda, Stefan Sanderling, Ari Pelto, Lyndon Woodside, Uriel Segal, Robin Stamper, Mark Gibson and Joe Mechavich. Stage directors with whom he has worked include Linda Brovsky, Michael Cavanaugh, Leonard Foglia, David Gately, Casey Stangl, Nicholas Muni, Donald Westwood and John Davies. In 2009, Weeks was honored by his alma mater, Belmont University in Nashville, TN, with their Second Annual “Encore Alumni Award” for excellence in the field of classical music.

A passionate advocate for Art Song recitals, Weeks taught the Vocal Literature seminars at the University of Louisville after joining the voice faculty in 1998. In 1999, he was a National Finalist in the Metropolitan Opera’s National Council Auditions and was also named Young Artist by the National Federation of Music Clubs. In October 1999, he made his New York recital debut with CCM Accompanist-in-Residence Donna Loewy on the Judith Raskin Memorial Concert Series. In February 2000, Weeks was the “On Wings of Song” recitalist with Loewy under the auspices of the Marilyn Horne Foundation. For the next three years, he and Loewy presented recitals and school presentations for the Horne Foundation across the country.

Additionally, Weeks has collaborated with such notable pianists as Timothy Cheek, Valerie Trujillo and Douglas Fisher. Additionally, he and pianist, Naomi Oliphant have given over 150 performances throughout the US, Canada and Europe since 2002. These performances include recitals in Katowice, Poland, Brno, CZ and an appearance in Toronto, Canada, at the 2007 Collaborative Conference hosted jointly by the Canadian Federation of Music Teachers’ Association, the Music Teachers National Association and the Royal Conservatory of Music.

In 2009, Weeks and Naomi Oliphant released their album Women of Firsts: A Recording of Art Songs by Lili Boulanger, Amy Beach, Grażyna Bacewicz, and Vítězslava Kaprálová on the Centaur Records label. Critically acclaimed in the US and Europe, this recording showcases art songs by women who were the first in their respective countries to achieve national and international recognition for composition. He and Dr. Oliphant recorded their second album entitled The Lieder of Franz Liszt, which is scheduled for release with Centaur Records in 2015.

You can learn even more about Daniel Weeks by visiting www.tenorweeks.com. Please join us in welcoming him to the CCM family!

CCM News Faculty Fanfare
CCM presents COSÌ FAN TUTTE from April 9-12, 2015. Photography by Mark Lyons.

CCM Slideshows: Così fan tutte

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CCM’s 2014-15 Mainstage Series comes to a spectacular conclusion TONIGHT through Sunday, April 12, with a groovy new production of Mozart’s Così fan tutte.

Don’t miss your opportunity to experience this masterpiece this week ONLY. Mark Gibson conducts, with direction by Robin Guarino. Photography by Mark Lyons.

Performance Times

  • 8 p.m. Thursday, April 9
  • 8 p.m. Friday, April 10
  • 8 p.m. Saturday, April 11
  • 2 p.m. Sunday, April 12

Location
Patricia Corbett Theater, CCM Village, University of Cincinnati

Purchasing Tickets
Tickets to Così fan tutte are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/cosi-fan-tutte-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News CCM Slideshows