CCM Alumnus Edward Nelson Makes Professional Debut in San Francisco Opera’s ‘Two Women’

CCM Public Information:

Janelle Gelfand reviews Marco Tutino’s new opera Two Women, which serves as a San Francisco Opera debut for CCM alumnus Edward Nelson (BM Voice, 2011; MM Voice, 2013)!

You can read her full recap online at here.

Originally posted on janellesnotes:

Italian diva Anna Caterina Antonacci took her cue from Sophia Loren as the character Cesira in "Two Women" Italian diva Anna Caterina Antonacci took her cue from Sophia Loren as the character Cesira in “Two Women”

Marco Tutino’s new opera “Two Women,” which takes place in war-torn Italy during World War II, has one stirring moment. Near the end of Act I, Rosetta (sung by Sarah Shafer), the 16-year-old daughter of Cesira, lifts her pure-toned soprano in a poignant prayer for peace. It becomes a touching anthem for the whole village, as they join her a lush chorus, singing “Father, do not abandon us,” as battles are growing closer to their village.

To a full War Memorial Opera House, San Francisco Opera presented the world premiere on Saturday of the hotly-anticipated opera, “Two Women” (“La Ciociara”) by Tutino, to his libretto with Fabio Ceresa. As the creators told us in a panel discussion on Friday, the opera is based on Alberto Moravia’s novel, but not so…

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Cincinnati World Piano Competition gold medal.

Cincinnati World Piano Competition Announces 2015 Finalists

After an incredible Semifinal Round on June 11, the 2015 Cincinnati World Piano Competition has its three finalists!

Congratulations to Artem Yasynskyy, Mei Rui and Nino Bakradze! You can learn more about each of these competitors below.

The final round will take place in Corbett Auditorium at 7 p.m. on Saturday, June 13, with the Cincinnati Symphony Orchestra. The order of performance is as follows:

  • Mei Rui, United States
  • Artem Yasynskyy, Ukraine
  • Intermission
  • Nino Bakradze, Georgia

 The awards ceremony will follow immediately after the performances. Dessert and coffee with the medalists in CCM’s Baur Room will follow the awards ceremony.

Congratulations to all of our semi finalists and best of luck to our three final competitors! Order your tickets online at here.

Cincinnati World Piano Competition 2015 finalist Nino Bakradze.

CWPC 2015 finalist Nino Bakradze.

About Nino Bakradze
Nino Bakradze was born in Tbilisi, Georgia, into a family of musicians. From a very early age, she has presented piano recitals worldwide including Finland, Poland, Armenia, Georgia, China, Spain, Brazil and the USA. In 2014, she was a Prizewinner in Spain’s Maria Canals International Piano Competition, and in 2012, she was awarded Third Place at the BNDS International Piano Competition of Rio de Janeiro. She won both New England Conservatory’s Concerto Competition and the Piano Honors Competition. Ms. Bakradze was a prizewinner at the International A. Khachaturian Competition in Armenia, and at the J. Flier International Piano Competition. Awards from within her home country include First Place at the N. Gabunia National Competition and the R. Rozhok and E. Gurevich Young Georgian Piano Competitions.

During tomorrow’s performance, Bakradze will perform Rachmaninoff’s Concerto No. 3 in D Minor, Op. 30.

Cincinnati World Piano Competition 2015 finalist Mei Rui.

CWPC 2015 finalist Mei Rui.

About Mei Rui
Pianist Mei Rui’s playing has been praised as “riveting,” full of “dramatic tension and lucidity” by the Boston Globe. Dr. Rui graduated from Yale, and holds degrees in molecular biophysics and biochemistry and music. While pursuing her D.M.A., she taught as Visiting Professor of Organic and General Chemistry at the City University of New York.

In September 2013, Dr. Rui played to a sold-out audience with violinist Xiang Yu at the Louvre Museum in Paris, France. She has appeared at Yellowbarn, Taos, and Norfolk, and has collaborated with Itzhak Perlman, George Manahan, Shinik Hahm, Paul Katz and Roger Tapping.

At age 11, she made her orchestral debut soloing with the Beijing Radio Symphony and has since played with the Beijing Radio Symphony, Shanghai Philharmonic Orchestra and the Yale Philharmonic. Recently she recorded Eric Nathan’s solo works to be released by Albany Records in 2015.

During tomorrow’s performance, Rui will perform Rachmaninoff’s Concerto No. 3 in D Minor, Op. 30.

Cincinnati World Piano Competition 2015 finalist Artem Yasynskyy.

CWPC 2015 finalist Artem Yasynskyy.

About Artem Yasynskyy
Ukrainian pianist Artem Yasynskyy has appeared on many international stages. He has won prizes at major international piano competitions such as the Gina Bachauer Piano Artist Competition, the Sendai and Gian Battista Viotti Music competitions, as well as the Horowitz and First German competitions.

Mr. Yasynskyy has appeared at festivals such as the Bremer Musikfest, the Maggio Piano Festival Vercelli, the Summer Night Music Festival of Kiev, the Festival “Days of Slavic Culture” in Rome and the Polish Music Festival in Hamburg.

During tomorrow’s performance, Yasynskyy will perform Tchaikovsky’s Concerto No. 1 in B-flat Minor, Op. 23.

Performance Time
7 p.m., Saturday, June 13

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to the Cincinnati World Piano Competition Finals Concert start at $35. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM's Robert J. Werner Recital Hall.

CCM Summer Concert Tickets Now Available for Purchase Online

You can now secure your seats for this summer’s hottest performances online using CCM’s new eBox Office!

Tickets for the following Art of the Piano Guest Artist Concerts can be purchased online, over the telephone or in-person at the CCM Box Office today!

7 p.m. Sunday, June 14 Jura Margulis
$15 general, $10 students Buy Tickets
7 p.m. Tuesday, June 16 Ursula Oppens
$15 general, $10 students Buy Tickets
7 p.m. Saturday, June 27 Yong Hi Moon $15 general, $10 students Buy Tickets

Tickets to our semi-staged production of Georges Bizet’s Carmen can also be purchased in advance.

8 p.m. Saturday, August 8 Carmen
$15 general, $10 students Buy Tickets

You can learn more about our Summer Performance Series by visiting ccm.uc.edu/about/villagenews/save-the-date/summer-2015-performance-series.

 

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‘The Hollywood Reporter’ Names CCM One of the Top Undergraduate Drama Programs in the World

Earlier this month, the Hollywood Reporter released its list of the “Top 25 Undergraduate Drama Schools,” and CCM was ranked at number 12! You can view the entire list here.

Backstage also recently named CCM one of the top six college programs in the nation for actors on a budget.

Few schools offer more comprehensive training programs for actors, designers, technicians, musical theatre performers, opera singers, coaches, directors and arts managers than CCM.

Utilizing a superb faculty of professional artist-teachers, CCM’s programs in drama, musical theatre, opera, dance, arts administration and theatre design and production attract remarkably talented students from around the world.

You can learn more about CCM’s Division of Theatre Arts, Production and Arts Administration by visiting ccm.uc.edu/theatre.

Watch a brief introduction to CCM’s Department of Dramatic Performance below.

The University of Cincinnati is a member of the National Association of Schools of Theatre (NAST), the National Association of Schools of Music (NASM), the National Association of Schools of Dance (NASD) and the University/Resident Theatre Association (U/RTA).

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Cincinnati World Piano Competition 2014 Finals Concert with the CSO.

24 International Competitors Take the Stage This Week for the Cincinnati World Piano Competition

CCM’s Summer Performance Series is heating up this week with the return of the Cincinnati World Piano Competition!

If you missed the coverage in yesterday’s Cincinnati Enquirer, you can find Janelle Gelfand‘s extensive report on the Competition online here. See how our new bracket format works in the video below!

The First Round of the 2015 Cincinnati World Piano Competition continues through June 10, with the Semifinal Round scheduled for June 11. On Saturday, June 13, our finalists take the stage with the Cincinnati Symphony Orchestra for the summer’s can’t-miss concert!

Tickets are still available for all rounds of the Competition and are on sale now through the Cincinnati Symphony Orchestra Box Office!

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'The Birth Song Cycle' rehearsals featuring Audrey Luna, Libby Larsen, Lydia Brown and Gwen Detwiler. Photography by Joseph Fuqua II.

CCM Faculty and Alumni Artists Premiere New Work by Grammy Award-Winning Composer Libby Larsen at SongFest 2015

This summer, a trio of faculty and alumni artists from CCM will premiere a new work by Grammy award-winning composer Libby Larsen.

The Birth Song Cycle will be performed at the Colburn School’s Thayer Hall at 7:30 p.m. on Friday, June 12, as part of this year’s SongFest Signature Series of concerts. The concert is free and open to the public.

The Birth Song Cycle was written for CCM Associate Professor of Voice Gwen Coleman Detwiler and CCM alumna Audrey Luna (MM Voice, 1988). The two sopranos will collaborate with internationally renowned pianist and CCM Associate Professor of Opera Lydia Brown in performing this cutting edge composition, giving fresh and current perspective to the powerful subject of childbirth.

While the canon of vocal literature touches on many deeply felt human experiences, the profound transformation of childbirth is scarcely addressed. Larsen’s The Birth Song Cycle breaks that taboo, exploring those human sensations of exuberance and loss, of pain and triumph that are the emotional fabric of childbirth.

Through humor and lyricism, Larsen illuminates our humanity with a genius blending of music and the words of modern authors including Pheobe Damrosch, M. K. Dean, Jennifer Gilmore, Lauren Groff, Langston Hughes, Heidi Pitlor, A. E. Stallings, Cheryl Strayed, Akiko Yosano and Gina Zucker.

You can learn more about this and other SongFest 2015 events by visiting www.songfest.us/2015-festival.

Following the work’s world premiere at SongFest, The Birth Song Cycle will be performed as part of CCM’s 2015-16 Faculty Artist Series on Saturday, Sept. 26.

About Libby Larsen

Grammy award-winning composer Libby Larsen.

Grammy award-winning composer Libby Larsen.

Libby Larsen is one of America’s most prolific and most performed living composers. She has created a catalogue of over 400 works spanning virtually every genre from intimate vocal and chamber music to massive orchestral works and over 12 operas. Her music has been praised for its dynamic, deeply inspired and vigorous contemporary American spirit. Constantly sought after for commissions and premieres by major artists, ensembles and orchestras around the world, Larsen has established a permanent place for her works in the concert repertory.

Larsen has been hailed as “the only English-speaking composer since Benjamin Britten who matches great verse with fine music so intelligently and expressively” by USA Today; as “a composer who has made the art of symphonic writing very much her own” by Gramophone; as “a mistress of orchestration” by Times Union; and for “assembling one of the most impressive bodies of music of our time” by Hartford Courant. Her music has been praised for its “clear textures, easily absorbed rhythms and appealing melodic contours that make singing seem the most natural expression imaginable” by the Philadelphia Inquirer. According to the Wall Street Journal, “Libby Larsen has come up with a way to make contemporary opera both musically current and accessible to the average audience.”

Larsen has received numerous awards and accolades, including a 1994 Grammy as producer of the CD The Art of Arlene Augér, an acclaimed recording that features Larsen’s Sonnets from the Portuguese. Her opera Frankenstein, The Modern Prometheus was selected as one of the eight best classical music events of 1990 by USA Today. The first woman to serve as a resident composer with a major orchestra, she has held residencies with the California Institute of the Arts, the Arnold Schoenberg Institute, the Philadelphia School of the Arts, the University of Cincinnati College-Conservatory of Music, the Minnesota Orchestra, the Charlotte Symphony and the Colorado Symphony. Larsen’s many commissions and recordings are a testament to her fruitful collaborations with a long list of world-renowned artists, including the King’s Singers, Benita Valente and Frederica von Stade, among others. Her works are widely recorded on such labels as Angel/EMI, Nonesuch, Decca, and Koch International.

As a past holder of the 2003-04 Harissios Papamarkou Chair in Education at the Library of Congress and recipient of the Eugene McDermott Award in the Arts from the Massachusetts Institute of Technology as well as a Lifetime Achievement Award from the American Academy of Arts and Letters, Larsen is a vigorous, articulate champion of the music and musicians of our time. In 1973, she co-founded (with Stephen Paulus) the Minnesota Composers Forum, now the American Composers Forum, which has been an invaluable advocate for composers in a difficult, transitional time for American arts. Consistently sought-after as a leader in the generation of millennium thinkers, Larsen’s music and ideas have refreshed the concert music tradition and the composer’s role in it.

About Gwen Coleman Detwiler

CCM Associate Professor Gwen Coleman Detwiler.

CCM Associate Professor Gwen Coleman Detwiler.

Soprano Gwen Coleman Detwiler has been praised by music critics for possessing a voice of “divine beauty” with “sparkling coloratura” and “impressive high-flying top notes.” Her solo concert work includes appearances with the San Francisco Opera Orchestra, Cincinnati Symphony Orchestra, Buffalo Philharmonic Orchestra, San Antonio Symphony Orchestra, Louisville Orchestra, Colorado Symphony Orchestra, Bangor Symphony Orchestra and the Western New York Chamber Orchestra. Dr. Detwiler made her European debut as the soprano soloist for the Klassiche Musikfest’s performances of Haydn’s Die Jahreszeiten and Beethoven’s Mass in C at the Esterhazy Palace in Eisenstadt, Austria. Her opera role repertoire includes Gilda in Rigoletto, Adele in Die Fledermaus, Blonde in Die Entfuhrung aus dem Serail, the Governess in Turn of the Screw, Monica in The Medium and the title role in Cendrillon, among others. Dr. Detwiler can be heard on the Newport Classic’s CD recording of Moore’s The Ballad of Baby Doe and as the leading soprano, Suleika, on Centaur Record’s world-premier recording of Schubert’s Der Graf von Gleichen.

In recital, Dr. Detwiler’s repertoire includes literature spanning Baroque chamber music, German lieder, and the modern American art song. Audiences have enjoyed her performances at the Chautauqua Institute in New York, Summerfest Chamber Music Festival in Missouri, the Grandin Chamber Music Festival in Ohio, the Fitton Center for Creative Arts in Ohio, the Fredonia Opera House in New York, the Château de Vianden in Luxembourg and in Central City, Colorado, among many others.

A 1999 Metropolitan Opera National Council regional winner, Dr. Detwiler has won numerous national awards for her artistry, including a MacAllister Award, the Italo Opera Award, a Presser Award and the Naftzger Young Artists Auditions first prize. She received her vocal and opera training at Northwestern University, the University of Cincinnati College-Conservatory of Music and the San Francisco Opera Center Merola Young Artist Program.

Dr. Detwiler is currently an associate professor of voice at CCM. In the summer of 2012, she joined the faculty of SongFest at the Colburn School in Los Angeles. In addition, she has taught at the Spoleto Festival in Italy (2011), the Vianden International Music Festival in Luxembourg (2010) and the State University of New York at Fredonia (1999-2010). Her vocal students have sung on the some of world’s most illustrious stages from the New York Metropolitan Opera to the stages of Broadway, others have attended prestigious graduate schools in the United States and in Europe. Dr. Detwiler was the recipient of the 2006 Revolutionary Woman on Campus Award and the 2001 Outstanding Professor Award. Dr. Detwiler performs and provides vocal master classes throughout the United States. She currently lives in the greater Cincinnati area with her husband, Jim, and two children, Jacob and Katelyn.

About Audrey Luna

CCM alumna Audrey Luna.

CCM alumna Audrey Luna.

Audrey Luna has been heard in international festivals and concert halls across the US, Europe, Asia, South America, and the Middle East. She launched her career abroad on tour with the famous Hagen Quartet and in Germany as a fest soloist in Bremen, where she was lauded as “musically and theatrically first class… with technical sovereignty, she laid before us so much warmth, expression, and sensitivity that it was pure joy.”

Luna has enjoyed a widely varied career opera, oratorio, chamber music, art song recitals and contemporary music. Among her credits are the Salzburger Festspiel, Schleswig-Holstein Festival, the Ludwigsburg Schlossfestspiel, Mettlach Chamber Music Festival, Jerusalem Festival, Shanghai Spring Festival, Lexington Bach Festival, Konzerthaus Wien, Berlin Philharmonie, Wigmore Hall, Queens Hall, the Louvre, St. John the Divine and the Kennedy Center to name a few.

Luna’s love of chamber music has led to collaborations with not only the Hagen Quartet, but also the Artis Quartet, Baseler Quartet, Ciompi Quartet, Amernet Quartet, Carpe Diem Quartet and the Bennewitz Quartet. She works regularly with renowned percussionist and CCM faculty member Allen Otte in recital and experimental theatre and recently performed at the Lucerne Festival with Walter Levin (of CCM’s legendary string quartet-in-residence the LaSalle Quartet) in his lecture recitals. A frequent collaborator with pianists Brad Caldwell and CCM Eminent Scholar in Chamber Music James Tocco, she has appeared in numerous recitals across the Midwestern United States and at the Great Lakes Chamber Festival. Recent performances with Laura Hynes and their soprano duo Detour de Force, have received wide acclaim.

Luna’s extensive work in contemporary music is marked by her invitation to sing with the Hagen Quartet at the historic opening of the Schoenberg Institute in Vienna and to premier music of Chinese composer Qu Xiao-Song at the Shanghai Spring International Music Festival. Dramatic work with Dagmar Birke led to the commission of the monodrama CLOTHO, based on original writings of Camille Claudel, for soprano, percussion and computer. Her most recent contemporary music projects include work in Paris with Hungarian composer György Kurtag, which resulted in her recording of his Kafka Fragmente, as well as work with Chinese composer Chen Yi, German composer and guitarist Wolfgang Netzer and American composers Moiya Callahan, CCM Professor Mara Helmuth, Allen Otte and John Corigliano. Luna also appeared in New York City Opera’s Showcase of American Composers series.

Luna currently teaches at Miami University of Ohio and during the summer teaches voice and the Alexander Technique at SongFest at the Colburn School. Her students are singing in opera houses internationally, have toured worldwide with William Christie and Chanticleer and are winners in competitions in the US including the Metropolitan Opera Regional and District Council Auditions, Columbus Opera and NATSAA. Luna’s students sing with young artist programs and in opera houses across the US and attend some of the most prestigious graduate schools in the US and Europe: CCM, Eastman, Mannes School of Music, Manhattan School of Music, Indiana University, Rice University, the Royal College of Music in London and Paris Conservatory. Luna has mentored students to win Fullbright, Marshall and Frank Huntington Beebe scholarships.

Luna has sung with such noted conductors as Niklaus Harnoncourt, Marcello Viotti, Anthony Pappano, Jesús López-Cobos, Helmut Rilling, José-Luis Novo, Stephen Cleobury and Stephanie Gonley. Luna is recording the music for soprano and percussion in Mode Records’ integrated edition of the complete music of John Cage with Percussion Group Cincinnati, as well as the voice and percussion music of Qu Xiao-Song for Peer Publishers. She can be heard on the Bonneville Classics, Oehms Classics, and arsmoderna labels.

About Lydia Brown

CCM Associate Professor Lydia Brown.

CCM Associate Professor Lydia Brown.

Lydia Brown has performed extensively as a soloist and collaborative pianist throughout the world. A graduate of the Metropolitan Opera Lindemann Young Artist Development Program, she currently serves as assistant conductor at the Metropolitan Opera.

Brown won the Second Prize of the 1996 New Orleans International Piano Competition and was honored as an NFAA Presidential Scholar in the Arts. Her recital appearances include notable venues such as the Salle Cortot, the Theatre des Champs-Elysees, the Dusseldorf InselFestival, Alice Tully Hall, 92nd St. Y, Caramoor, the Goethe Institute of New York, the Phillips Gallery and Steinway Hall among others.

Brown holds a Doctor of Musical Arts degree in Collaborative Piano from the Juilliard School as well as degrees from the Eastman School of Music and Yale University. She studied art song with Elly Ameling and pianist Rudolf Jansen and has served on the musical coaching staffs of the Spoleto Festival USA, Opera Cleveland, Chautauqua Institute Voice Program, the Marlboro Music Festival and the Ravinia Steans Institute.

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Cincinnati World Piano Competition to Draw 24 International Competitors, June 7-13

The Cincinnati World Piano Competition, an annual classical piano competition featuring top performers from across the globe since 1956, welcomes 24 competitors from nine different countries from June 7-13. At stake is over $45,000 in prize money and a debut recital in New York.

Logo for the Cincinnati World Piano Competition.For the first time in the competition’s history, the round-by-round competition, all rounds of which take place at CCM’s Corbett Auditorium, will be head-to-head as determined by a randomly selected bracket. The bracket draw will be announced to the competitors at an Opening Party on Saturday, June 6. The first and second rounds (Sunday and Monday, June 7-8 and Tuesday, June 9, respectively) consist of 15-minute solo recitals. The third round on Wednesday, June 10 consists of 30-minute solo recitals, while the semifinal round on Thursday, June 11 involves 40-minute solo recitals. Competitors will be expected to perform a variety of repertoire for all rounds.

Three finalists will be selected at 9:30 p.m. on Thursday, June 11, who will then go on to perform a full concerto with the Cincinnati Symphony Orchestra (CSO), under the direction of rising star conductor Robert Treviño, during the final round of the competition beginning at 7 p.m. Saturday, June 13. The winner will be announced at an awards ceremony immediately following the performances.

Tickets are still available for all preliminary rounds as well as the final round with the CSO. The final performances for the 2013 and 2014 competition sold out.

The jury consists of pianists Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock. Famed pianist and professor of piano/Artist-in-Residence at CCM, Awadagin Pratt, serves as the competition’s artistic director.

In 2013 the competition underwent an expansion with two exciting new collaborations and instituting a variety of changes aimed at enhancing the quality of the event and making Cincinnati a truly world-class destination for classical piano performance. Primary among the changes at the re-imagined Competition, already a highly respected event, are partnerships with two of the city’s cultural cornerstones – the CSO and CCM, an all-Steinway school.

This year marks the Cincinnati World Piano Competition’s 59th season. Tickets, starting at $15 for the first rounds, are available at the CSO Box Office at Music Hall, or by calling 513-381-3300. Competitor headshots and bios are available upon request.

Cincinnati World Piano Competition 2015 Schedule of Events 

Location
Corbett Auditorium, CCM Village
University of Cincinnati

  • First Round (Day One): Sunday, June 7, 2-5:45 p.m.
  • First Round (Day Two): Monday, June 8, 12-1:45 p.m. and 7-8:45 p.m.
  • Second Round: Tuesday, June 9, 10 a.m.-1:45 p.m., 4-5:45 p.m. and 7-8:45 p.m.
  • Third Round: Wednesday, June 10, 10 a.m.-1:15 p.m. and 5-8:15 p.m.
  • Semifinal Round: Thursday, June 11, 12-3 p.m., 6-9 p.m.
  • Final Round with the Cincinnati Symphony Orchestra: Saturday, June 13, 7:00 p.m.

Purchasing Tickets
One Day Passes for Preliminary Rounds start at $15 One Day Pass, $11.25 Group One Day Pass, $10 Student. Tickets for the final rounds are reserved seating starting at $35. Purchase tickets to all Cincinnati World Piano Competition Events through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

About Robert Treviño, final round conductor

Since his professional debut in 2003 at the age of 20, Robert Treviño has become an emerging force on the international music scene. The 2013/2014 season marks the third season as Associate Conductor of the Cincinnati Symphony Orchestra.  Further engagements this season include debuts with the China Philharmonic, Guangzhou Symphony Orchestra, Orquestra de Cámara de Bellas Artes, National Orchestra of Guatemala, California Symphony Orchestra, Tallahassee Symphony, St. Petersburg Philharmonic, Santa Fe Symphony, Alabama Symphony, Cincinnati Opera, and re-engagements with the Bolshoi Theatre, Slee Sinfonietta, and Cincinnati Symphony. Maestro Treviño steps into his role this season as the Principal Conductor of the Shippensburg Music Festival following his acclaimed debut last summer.

Treviño’s past symphonic and instrumental work includes numerous engagements with orchestras, festivals, and ensembles across North America, Europe, and Asia including the Symphonies of Cincinnati, Boston, St. Louis, Tallahassee, Napa Valley, New World, California, the Philharmonics of Los Angeles, Chicago, Louisiana, Tanglewood Music Center Orchestra, Aspen Music Festival Orchestra, Suwon Philharmonic of South Korea, Wuppertal Symphony of Germany, Montpellier National Orchestra of France, Universidad Nacional Autonoma De Mexico Philharmonic of Mexico, the Millennium Chamber Players, and the Jusqu’aux Oreilles Festival of Canada. Of particular note was Treviño’s month-long residency with the Helsinki Philharmonic where he has assisted Music Director Leif Segerstam on the complete symphonies of Sibelius.

In addition to his great volume of work in the instrumental realm, an important component of Treviño’s career has been his work in opera. Treviño made an acclaimed debut with the Bolshoi Theatre in Moscow, Russia conducting Puccini’s Tosca in the 2011/2012 season. His success with this production led to the orchestra bestowing upon him the title of ‘Honorary Maestro of the Bolshoi”. He was also immediately reengaged for two more seasons by the Bolshoi to conduct performances of Puccini’s Tosca as well as a new production and residency in the 2013/14 season for a new production of Verdi’s Don Carlos. Treviño served as Associate Conductor and Guest Conductor for the New York City Opera at Lincoln Center from 2009 – 2011, where he led the company in world premieres of five operas as part of the annual VOX: American Opera Series, in addition to his work on productions: Bernstein’s A Quiet Place and Mozart’s Don Giovanni. Additionally, in 2011 Robert conducted the Tanglewood Music Festival Opera Center’s production of Milhaud’s Trios Operas Minutes, directed by Mark Morris.

An avid advocate and performer of contemporary music, Maestro Treviño has commissioned, premiered, and worked closely with many leading composers of today such as: Augusta Read Thomas, Jennifer Higdon, Charles Wuorinen, Bernard Rands, Shulamit Ran, George Walker, David Felder, and John Zorn among others. He has been the recipient of numerous grants and awards from the Foundation for Contemporary Art, Gene Gutche Foundation, Soli Deo Gloria, the Renaissance Society, the Canadian Consular General to the USA and the University of Chicago.

Treviño has conducted the Ensemble Modern Academy Orchestra at the Klangspuren Festival (Schwaz, Austria), the Jusqu’aux Oreilles Festival, as well as the Slee Sinfonietta at the Robert and Carol Morris Center for 21st Century Music.

Robert Treviño is a laureate of the 2010 Evgeny Svetlanov International Conducting Competition and was awarded the 2009 James Conlon Prize for Excellence in Conducting at the Aspen Music Festival and School by David Zinman.

He also won a 2010 Career Assistance Award and the 2012 Career Development Award from the Sir George Solti Foundation, and was a featured conductor at the 2011 Bruno Walter National Conductor Preview.  In summer 2011, Mr. Treviño was selected by James Levine to be one of three conducting fellows at the Tanglewood Music Festival as the Seiji Ozawa Conducting Fellow where he worked with artists such as Mark Morris, Kurt Masur, and Emanuel Ax.

Mr. Treviño has studied with Maestros David Zinman, Leif Segerstam, Michael Tilson Thomas, and Kurt Masur. For further information can be found at his website: roberttrevino.org.

About the Cincinnati Symphony Orchestra
The Cincinnati Symphony Orchestra is a dynamic ensemble of some of the world’s finest musicians. The fifth oldest symphony orchestra in the U.S. and the oldest orchestra in Ohio, the CSO has played a leading role in the cultural life of Greater Cincinnati and the Midwest since its founding in 1895.

Louis Langrée began his tenure as the CSO’s 13th Music Director in the 2013-2014 season with a celebrated program The New York Times said “deftly combined nods to the orchestra’s history, the city’s musical life and new music.” Over the Orchestra’s 120-year history, it has also been led by Leopold Stokowski, Eugéne Ysaÿe, Fritz Reiner, Eugene Goossens, Max Rudolf, Thomas Schippers, Jesús López-Cobos, and Paavo Järvi, among others. The CSO has built a reputation as one of the world’s foremost orchestras, determined for greatness and heralded as a place of experimentation.

A champion of new music, the Orchestra has given American premieres of works by such composers as Debussy, Ravel, Mahler and Bartók and has commissioned works that have since become mainstays of the classical repertoire, including Copland’s Fanfare for the Common Man. The CSO was the first orchestra to be broadcast to a national radio audience (1921) and the third to record (1917). The Orchestra continues to commission new works and to program an impressive array of music. Most recently, the CSO performed the world premieres of Nico Muhly’s Pleasure Ground, David Lang’s mountain, Caroline Shaw’s Lo and Daniel Bjarnason’s Collider as part of the groundbreaking collaboration with the MusicNOW Festival, Cincinnati’s premier new music festival, as well as the world premiere of André Previn’s Double Concerto in November 2014.

The Cincinnati Symphony and Pops Orchestra is Cincinnati’s ambassador with over 10 million units sold, many of which have received Grammy awards and nominations. In January of 2010, the CSO launched its own record label, Fanfare Cincinnati, which currently boasts six releases.

The CSO was the first American orchestra to make a world tour sponsored by the U.S. Department of State and continues to tour domestically and internationally, most recently to Europe in 2008 and to Japan in 2009, including two concerts at Tokyo’s Suntory Hall and the CSO’s first-ever nationally televised concert in Japan.

The CSO has performed at New York’s Carnegie Hall 48 times since its debut there in 1917, most recently to rave reviews in May of 2014. The Orchestra will perform again in New York as part of Lincoln Center’s prestigious Great Performers series in January of 2016.

The Orchestra also performs, records and tours as the Cincinnati Pops under the direction of John Morris Russell, and the CSO is the official orchestra for the Cincinnati May Festival, Cincinnati Opera, Cincinnati Ballet and the Cincinnati World Piano Competition.

The CSO is Cincinnati’s own and committed to enhancing and expanding music education for the children of Greater Cincinnati and works to bring music education, in its many different forms, to as broad a public as possible. Education and outreach programs currently serve more than 80,000 individuals annually.

For more information about the CSO, visit www.cincinnatisymphony.org.

About the University of Cincinnati College-Conservatory of Music

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. Declared “one of the nation’s leading conservatories” by the New York Times, CCM provides life-changing experiences within a highly creative and multidisciplinary artistic environment.

CCM’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world’s stage.

CCM’s faculty and staff and its state-of-the-art facilities make possible the professional training and exceptional education on which CCM believes the future of the arts relies. The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts.

More than 150 internationally recognized faculty members work with students from around the world, specializing in the areas of Composition, Musicology and Theory; Electronic Media; Ensembles and Conducting; Keyboard Studies; Music Education; Performance Studies and Theatre Arts, Production and Arts Administration. In the most recent rankings by U.S. News and World Report, CCM was honored as the sixth top program in the country for pursuing a graduate degree in music. CCM ensembles have performed internationally, recorded for major labels and won ASCAP awards for excellence and programming.

The largest single source of performing arts events in the state of Ohio, CCM presents nearly 1000 major public performances each year, ranging from faculty and guest artist concerts to fully supported opera, musical theatre, drama and dance productions.

In 1999 CCM celebrated the completion of the CCM Village, the renovated and expanded home of the college. Its stunning, comprehensive performance and educational facilities are unrivaled in the nation. Designed by architect Henry N. Cobb, the CCM Village received a National Honor Award from the American Institute of Architects in 2001.

In 2009 CCM received the designation of “All-Steinway School,” a distinction shared by the top conservatories in the world. CCM has also become one of the largest repositories of Steinway pianos outside of the company’s Long Island City, N.Y.-based factory.

In 2011 CCM was officially recognized by the Ohio Board of Regents as the state’s first Center of Excellence in Music and Theatre Arts.

For more information about the University of Cincinnati College-Conservatory of Music, please visit us online at ccm.uc.edu.

About the Cincinnati World Piano Competition

Held annually in Cincinnati, the Cincinnati World Piano Competition attracts applicants from every corner of the world. The talented artists and young artists proceed through a series of auditions to the Cincinnati World Piano Competition to compete for over $45,000 in prize money. The Gold Medal winner in the Artist Division is awarded a debut recital in New York and numerous performance opportunities worldwide.

The Competition is sponsored by ArtsWave, the Louise Dieterle Nippert Musical Arts Fund, Western and Southern Financial Group, and the Sarah Marvin Foundation for the Performing Arts.

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