CCM presents COSÌ FAN TUTTE from April 9-12, 2015. Photography by Mark Lyons.

CCM Slideshows: Così fan tutte

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CCM’s 2014-15 Mainstage Series comes to a spectacular conclusion TONIGHT through Sunday, April 12, with a groovy new production of Mozart’s Così fan tutte.

Don’t miss your opportunity to experience this masterpiece this week ONLY. Mark Gibson conducts, with direction by Robin Guarino. Photography by Mark Lyons.

Performance Times

  • 8 p.m. Thursday, April 9
  • 8 p.m. Friday, April 10
  • 8 p.m. Saturday, April 11
  • 2 p.m. Sunday, April 12

Location
Patricia Corbett Theater, CCM Village, University of Cincinnati

Purchasing Tickets
Tickets to Così fan tutte are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/cosi-fan-tutte-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News CCM Slideshows
CCM presents Mozart's COSI FAN TUTTE, April 9 - 12, 2015. Photo by Mark Lyons.

CCM’s 2014-15 Mainstage Series Comes to a Close with Mozart’s Famed Opera ‘Cosi Fan Tutte,’ April 9-12

CCM concludes its 2014–15 Mainstage Series with a true powerhouse: Wolfgang Amadeus Mozart’s Così fan tutte. The celebrated opera buffa returns to the Patricia Corbett Theater stage at 8 p.m. on Thursday, April 9, and plays through Sunday, April 12.

Director of Orchestral Studies Mark Gibson conducts and J. Ralph Corbett Distinguished Chair in Opera Robin Guarino directs. Assistant Conductor Yael Front conducts the matinee performance on Sunday, April 12. This production will be sung in Italian with English supertitles.

Guarino is certainly no stranger to Così, as she has successfully directed the opera multiple times for the world-renowned Metropolitan Opera (the Met) in New York City. Notably, her September 2013 engagement with Così also marked the return of beloved conductor James Levine to the Met’s podium for the first time since May 2011. A Cincinnati native, Levine is a former pupil of LaSalle Quartet violinist and CCM Professor Emeritus Walter Levin.

In his review for the New York Times, Anthony Tommasini hailed the Met’s production of Così as the most “vibrant, masterly and natural performance” of the work he had ever heard. Tommasini especially lauded Guarino’s direction, calling it “effortlessly in sync” with Levine’s conducting.

Mozart’s opera, with a libretto by Lorenzo Da Ponte, follows the well-worn tread of light Classical Era opera. Officers Ferrando and Guglielmo are certain that their fiancées Dorabella and Fiordiligi (respectively) will always be true to them… a belief not shared by Don Alfonso, who, in his certainty that women can never be faithful and trustworthy, makes a wager with the two that he can prove within one day that their fiancées are fickle. To this end, he concocts a scheme with the soldiers: they will pretend to be called off to war, return disguised as “Albanians” and they will each attempt to woo the other’s fiancée.

Confusion, cross-dressing and romantic banter abound as the scheme unfolds, testing Dorabella and Fiordiligi’s resolve as well as Ferrando and Guglielmo’s skills in deception.

With enjoyable music and a lighthearted plot transported to mid-20th century America, Così fan tutte is the perfect way to welcome spring and say a fond farewell to CCM’s Mainstage Season!

The Company

  • Ann Toomey as Fiordiligi*
  • Jessica Faselt as Fiordiligi^
  • Adria Caffaro as Dorabella*
  • Eleni Antonia Franck as Dorabella^
  • Joseph Lattanzi as Guglielmo*
  • Simon Barrad as Guglielmo^
  • Alec Carlson as Ferrando*
  • Chris Bozeka as Ferrando^
  • Grace Kahl as Despina*
  • Jasmine Habersham as Despina^
  • Derrell Acon as Don Alfonso*
  • Tyler Alessi as Don Alfonso^

* – Performs Thursday, April 9 and Saturday, April 11
^ – Performs Friday, April 10 and Sunday, April 12

The Creative Team

  • Mark Gibson, conductor
  • Robin Guarino, stage director
  • Lydia Brown, musical preparation
  • Ryan Howell, scenic designer
  • Caroline Spitzer, costume designer
  • Wes Calkin, lighting designer
  • Una Lin, wig & make-up designer
  • Kevin Semancik, sound designer
  • Sarah Stewart, stage manager
  • Maria Fuller, Levi Hammer and Kihwa Kim, rehearsal pianists

Performance Times

  • 8 p.m. Thursday, April 9
  • 8 p.m. Friday, April 10
  • 8 p.m. Saturday, April 11
  • 2 p.m. Sunday, April 12

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to CCM’s Mainstage production of Così fan tutte are $31-35 adults, $20-24 non-UC students and $18-22 UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/cosi-fan-tutte-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News Faculty Fanfare
CCM Dance Student Choreographer's Showcase rehearsal photos by Adam Zeek.

CCM’s Department of Dance Presents Nine Student-Created Original Works March 11-14

Photography by Mark Lyons.

Photography by Mark Lyons.

CCM’s Department of Dance proudly presents its annual Dance Student Choreographers’ Showcase from March 11 – 14 in UC’s intimate Cohen Family Studio Theater. Dance Department faculty members Deirdre Carberry and Andre Megerdichian direct this exciting production. Admission is free, but reservations are required.

This year’s production will feature pieces by eight undergraduate women: Emily Chu, Katie Norton-Bliss, Scarlett Rustemeyer, Christine Settembrino and Katelyn Somers, along with a work by guest choreographer Tian Tian.

Senior Katie Norton-Bliss will debut her 10-minute piece,“Po$t $omething.” Her  piece was inspired by the similarities between trends found in pop culture and in dance. “Trends run the pop culture world, and often they are updates of older styles… Trends come and go in the dance world, but we don’t usually refer to them as trend. Instead, we consider them to be genres of dance. For example, there was modern dance followed by post modern dance. This makes it harder and harder for styles of choreography to be defined,” she explains.

Norton-Bliss describes her choreographic style as an amalgamation of many different influences. Her movements are inspired by “ballet, contemporary ballet, modern, contemporary, hip hop, and even current dance trends like the Schmoney dance or classics like the moon walk.” She also generates a good deal of her choreography through improvisation. Her piece will feature three different songs: “Gooo” by TNGHT, “Dawn in Luxor” by Shabbaz Palaces and a remix of “Wrecking Ball” by Miley Cyrus. Additionally, she will be mixing in audio from a YouTube video called “Making Dances: Seven Post Modern Choreographers.”

Senior Emily Chu discusses her 13-year-old sister as inspiration for her currently untitled piece. Chu says she has always tried to be a role model for her sister and has made sure that her sister is exposed to a variety of strong women. And “it’s worked,” says Chu. “She dressed up as Amelia Erhart for Halloween.” Other women that will be represented in Chu’s choreography include Joan of Arc and Gertrude Etterly, the first woman to swim the English channel.

Chu’s approximately 10-minute long contemporary ballet piece will feature eight talented female dancers, not on pointe. They will perform to a mix of strings and an electronic song called “See the Sea Red” by Vitalic.

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All of the pieces this year represent a huge diversity of styles and are a compliment to the broad range of experiences and teachings available to CCM’s dance students.

Performance Times

  • 8 p.m. Wednesday, March 11
  • 8 p.m. Thursday, March 12
  • 8 p.m. Friday, March 13
  • 2 p.m. Saturday, March 14

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission to the Dance Student Choreographer’s Showcase is free, but reservations are required. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Dance Department gratefully acknowledges the support of the Corbett Foundation at CCM.

CCM News CCM Slideshows Student Salutes
Scenes from CCM’s Mainstage Series production of ‘Peter Pan.’ Photos by Mark Lyons.

CCM Slideshows: Peter Pan – The Musical

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CCM’s 2014-15 Mainstage Series continues TONIGHT with the timeless fairytale musical Peter Pan, playing through Sunday, March 8, in Corbett Auditorium. See a complete list of performance times below.

Directed and choreographed by guest artist Joe Locarro, with musical direction by CCM Professor of Musical Theatre Roger Grodsky, this production promises to whisk audiences away to a place where dreams are born and no one ever grows up! Peter Pan features spectacular flying effects provided by ZFX, Inc.

Listen to cast member Tom Meglio give Cincinnati Public Radio’s Mark Perzel a preview of the high-flying musical by visiting wvxu.org/post/ccms-peter-pan.

Performance Times

  • 8 p.m. Friday, March 6
  • 2 and 8 p.m. Saturday, March 7
  • 2 p.m. Sunday, March 8

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Peter Pan are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/peter-pan-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mainstage Production Sponsor: Wells Fargo Advisors, LLC

Community Partner: ArtsWave

Peter Pan is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 |http://www.MTIShows.com.

CCM News CCM Slideshows Student Salutes
A photo from CCM's Mainstage Series production of 'Peter Pan' from March of 2015. Photography by Mark Lyons.

CCM Announces 2015-16 Mainstage Series of Opera, Musical Theatre, Drama and Dance

CCM is pleased to announce details for its 2015-16 Mainstage Series of opera, musical theatre, drama and dance productions. Between Sept. 30, 2015, and April 24, 2016, CCM’s stars-of-tomorrow will present seven masterworks for the stage under the guidance of its internationally acclaimed faculty artists.

These works include David Edgar’s epic drama Pentecost, Rodgers and Hammerstein’s classic musical Carousel, Franz Lehár’s comedic operetta The Merry Widow, Eugene O’Neill’s acclaimed coming-of-age story Ah, Wilderness!, Green Day’s iconic punk rock musical American Idiot, Janácek’s farcical opera The Cunning Little Vixen and Tchaikovsky’s beloved romantic ballet Swan Lake.

Production details are listed below. Details on subscription packages and single ticket sales will be announced this summer.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

Additional Information
Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.
____________________

CCM 2015-16 MAINSTAGE SERIES
Opera, Musical Theatre, Drama, Dance

Pentecost
Written by David Edgar
Richard E. Hess, director

A play of politics and ideas, Pentecost details the discovery of a painting stunningly similar to Giotto di Bondone’s The Lamentation in an abandoned church in Eastern Europe. If proven to pre-date the master’s work, the fresco will revolutionize Western Art. A dramatic power struggle ensues, as representatives from the worlds of art history, religion and politics stake their claims for the ultimate prize. The unexpected arrival of 12 refugees sets events spiraling toward an explosive climax. Described by the Daily Telegraph as “funny, frightening and deeply moving,” this powerful play by the Tony Award-winning adapter of Nicholas Nickleby and author of numerous plays won the Evening Standard Award for Best Play of 1995.

Performance Dates: Sept. 30 (preview), Oct. 1–4, 2015
Location: Patricia Corbett Theater
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Carousel
Music by Richard Rodgers
Book and lyrics by Oscar Hammerstein II
Based on the play Liliom by Ferenc Molnar
As Adapted by Benjamin F. Glazer
Original Dances by Agnes de Mille
Diane Lala, director

Set in a Maine coastal village toward the end of the 19th century, Carousel is the story of carefree carnival barker Billy Bigelow and his reckless adventures with women, gambling and the wrong side of the law. Billy loses his job just as he learns that his wife is pregnant and, desperate to provide a decent life for his family, is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent “up there.” 15 years later, Billy is allowed to return to earth for one day and encounters the daughter he never knew. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love. Declared “Best Musical of the Century” by Time Magazine in 1999, it’s easy to understand why Carousel became Rodgers and Hammerstein’s personal favorite.

Performance Dates: Oct. 29–Nov. 1, 2015
Location: Corbett Auditorium
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The Merry Widow (Die lustige Witwe)
Music by Franz Lehár
Libretto by Viktor Léon and Leo Stein
Emma Griffin, director

A 20th century opera molded in the tradition of the great opera seria of the 1700s, The Merry Widow tells a dizzying tale of star-crossed lovers and political intrigue in Paris. Baron Zeta of Pontevedro must prevent the wealthy widow Hanna Glawari from marrying a foreigner; if she does, all of her wealth will leave Pontevedro, thus bankrupting the country. Zeta urges Hanna’s former fiancée Count Danilovich (who pretends to not care for her anymore) to marry her, but Zeta’s wife pushes the flirtatious Camille de Rosillon to go after Hanna instead. Farcical confusion, romance and jealousy abound in this light-hearted romp. Sung in English.

Performance Dates: Nov. 19–22, 2015
Location: Patricia Corbett Theater
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Ah, Wilderness!
Written by Eugene O’Neill
R. Terrell Finney, director

Set in an idyllic Connecticut town during the Fourth of July weekend of 1906, Eugene O’Neill’s Ah, Wilderness! offers a tender portrait of small town family values, teenage growing pains and young love. Described as “a breath of fresh air” and “vividly alive” by the New York Post and nominated for a Tony Award for Best Revival in both 1989 and 1998, this charming comedy is directed by CCM Professor Emeritus R. Terrell Finney.

Performance Dates: Feb. 10 (preview), Feb. 11–14, 2016
Location:
 Patricia Corbett Theater
_____

American Idiot
Book and lyrics by Billie Joe Armstrong
Book by Michael Mayer
Music and lyrics by Green Day
Aubrey Berg, director

The two-time Tony Award-winning hit musical American Idiot, based on Green Day’s Grammy Award-winning multi-platinum album of the same name, boldly takes the American musical where it’s never gone before. Johnny, Tunny and Will struggle to find meaning in a post-9/11 world. When the three disgruntled men flee the constraints of their hometown for the thrills of city life, their paths diverge when Tunny enters the armed forces, Michael is called back home to attend familial responsibilities, and Johnny’s attention becomes divided by a seductive love interest and a hazardous new friendship. An energy-fueled rock opera, American Idiot features minimal dialogue and instead relies on the lyrics from Green Day’s groundbreaking album to execute the story line.

Performance Dates: March 3–13, 2016
Location: Patricia Corbett Theater
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The Cunning Little Vixen (Príhody lišky Bystroušky)
Composed by Leoš Janácek
Libretto by Leoš Janácek (after Rudolf Tesnohlídek)
Vince DeGeorge, director

Based on a famous 1920s Czech comic strip, Janácek’s opera The Cunning Little Vixen humorously explores the universal longing for youth. The three main characters – all older men – attempt to connect to their younger days through various means: one longs for a village girl, one obsesses over a childhood indiscretion and one chases a young vixen through the countryside. Will they continue to cling to their delusions? Or will their experiences help them come to terms with the inevitability of time? Sung in English.

Performance Dates: April 8–10, 2016
Location: Patricia Corbett Theater
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Swan Lake
Composed by Pyotr Tchaikovsky
Jiang Qi, director

Tchaikovsky’s timeless ballet about love and magic returns to CCM in a fully-staged spectacle! The young Prince Siegfried, disinterested in the potential wives that his mother has picked for him, heads into the woods to hunt one night and comes across a beautiful swan…who then turns into the maiden Odette! She tells him of the curse she and others have been placed under by the evil knight Rothbart, forcing them to become swans by day and human by night. Siegfried instantly falls in love, but will he and Odette be able to overcome the curse, or will Rothbart succeed in keeping his enchantment intact?

Performance Dates: April 22–24, 2016
Location: Corbett Auditorium
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Mainstage Series Subscriptions
The 2015-16 CCM Mainstage Series of opera, musical theatre and drama productions includes subscription packages for six-show, four-show and three-show combinations. Subscribers also have the ability to add the Mainstage Series production of Swan Lake to any subscription package “a la carte.”

Full details on subscription packages and single ticket sales will be announced this summer. CCM’s customizable subscription packages range in price from $84 – $180. Current subscribers will get priority access to next season’s subscription packages.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.
____________________

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave
____________________

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM's Mainstage Series production of 'Peter Pan.' Photography by Mark Lyons.

CCM’s Mainstage Series Proudly Presents Broadway’s Timeless Musical ‘Peter Pan’ March 5-8, 2015

CCM continues its 2014-15 Mainstage Series with the classic fairytale musical Peter Pan. Directed and choreographed by guest artist Joe Locarro, with musical direction by CCM Professor of Musical Theatre Roger Grodsky, this production promises to whisk audiences away to a place where dreams are born and no one ever grows up! Peter Pan makes its CCM debut at 8 p.m. on Thursday, March 5, in Corbett Auditorium and plays through March 8, 2015. Tickets are on sale now.

Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM's Mainstage Series production of 'Peter Pan.' Photography by Mark Lyons.

Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM’s Mainstage Series production of ‘Peter Pan.’ Photography by Mark Lyons.

Based on J.M. Barrie’s classic tale and featuring an unforgettable score by Morris “Moose” Charlap and Jule Styne with lyrics by Carolyn Leigh and Betty Comden and Adolph Green, Peter Pan is one of the most beloved family favorites of all time. This high-flying Tony Award-winning musical has been performed around the world and delighted audiences for 60 years.

Peter Pan’s enduring status comes as no surprise to Locarro, who brings years of Broadway experience to CCM’s production. In addition to providing perspective on the end of the Victorian Era, Locarro explains that Barrie’s fairy tale is also “a story of longing and the continuum of life. Although Peter Pan is the catalyst, it is really Wendy’s journey through adolescence and subsequently the journey of her daughter Jane and Jane’s daughter after that. Having a 20-year-old daughter of my own, I too see the importance of this journey for all of our children and understand why Peter Pan is popular to this day.”

While CCM is widely known for its remarkable stage productions, audiences can expect something truly remarkable for this production of Peter Pan. This is thanks to Locarro’s unique vision and also to an exciting collaboration between CCM’s faculty, student and staff talent and the expertise of theatrical flying effects and equipment industry leaders, ZFX, Inc. CCM Professor of Drama and Peter Pan fight choreographer k. Jenny Jones explains, “ZFX Flying Effects and I are creating sword fights with aerial dynamics that have never been tried before. Several years ago, I commissioned ZFX for a study of the variables of fighting while flying, and how flying may enhance the action of staged combat. The duel between Peter and Hook in this production is a perfect representation of this research and it will make CCM’s Peter Pan quite special.”

ZFX is one of the many professional industry leaders in theatre technology that will be in Cincinnati for the 55th annual United States Institute for Theatre Technology (USITT) Conference and Stage Expo, which comes to the Duke Energy Convention Center March 18-21, 2015. Expo attendees will have the opportunity to visit CCM Village to see Peter Pan‘s groundbreaking flying effects set up for themselves even after the production has closed.

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Hannah Zazzaro, a senior from Clearwater, Florida, is one of two CCM students playing the demanding part of Peter Pan. She shares the role with junior musical theatre major Clara Cox. The role of Peter Pan will alternate between Cox (March 6; March 7 matinee) and Zazzaro (March 5; March 7; March 8 matinee).

Download Peter Pan‘s cast list here.

Zazzaro’s preparation began back in November when she read and re-read the script and watched every version of Peter Pan that she could find. Her goal was to understand her part in the storytelling and to know the text forward and backward. “Peter Pan is a demanding role in every way,” says Zazzaro. “I have to run, jump, fly, dance, sing while flying, do cartwheels, and sword fight both in the air and on the ground. I started a 60-day physical training program called ‘Insanity’ that I will continue to do regularly through the end of the show… and maybe even after because I like it so much!”

In addition to her copious musical theatre experience, Zazzaro is a classically trained singer, which makes her a perfect choice for this role. “My favorite part of the show is when Peter Pan turns into a ‘lady’ and sings a short aria with Captain Hook. This show has given me the opportunity to finally show off my low notes, my high belt and my high soprano! It’s so much fun,” she says enthusiastically.

Under Jones’ guidance, Zazzaro has also learned to sword fight. “Three things that I know I have to focus on are: trusting my wrists and allowing my sword to swing rather than forcing it to, having a spacial understanding with whomever I’m swinging at, and communicating with them through body language in order to be successful and safe,” Zazzaro explains. Mastering all of these things at once has been challenging, but Zazzaro states it’s been “completely worth it.”

Senior Dallas Padoven plays the role of Cecco the pirate alongside Zazzaro, but he faces his own unique challenges. Padoven is also Captain Hook’s understudy, meaning he has to be prepared to take on the iconic villain’s role on short notice. “Preparing for two characters is extremely interesting,” says Padoven. “I have to be on my toes while working at all times. While I am learning the pirate role, I also have to keep one eye on Hook to make sure I know what he is doing. I am in the same scenes as two different characters.”

Both Zazzaro and Padoven agree that working with Locarro has been wonderful. “He has a lot of experience in the field,” says Padoven. “While we are working with him we are figuring out our blocking and choreography but he also tells us about various shows he’s been in. He really teaches through personal stories, so we’ve learned a lot, especially things like what to do and not to do in audition and rehearsal situations.”

Zazzaro particularly appreciates Locarro’s attention to detail. “One of the hardest things is the Corbett Auditorium. The stage is huge, but it has seemed almost effortless for Joe to create pictures that fill out the entire stage.”

CCM’s production of Peter Pan also features scenic design by Mark Halpin, costume design by Dean Mogle and Rebecca Senske, lighting design by Chris Carter, sound design by Jeremy Lee and wig and make-up design by Kelly Yurko. With the iconic songs “I’m Flying,” “I Gotta Crow,” “I Won’t Grow Up” and “Never Never Land,” and a rousing book full of magic, warmth and adventure, Peter Pan is the perfect show for the child in all of us who dreamed of soaring high and never growing up.

About Joe Locarro
Joe Locarro is a director, choreographer and producer who has directed for stage, film and television. His film Finding Billy was nominated for two New York Emmy Awards (for best direction and best documentary) and was an official selection of the 2012 Dance on Camera Festival. Finding Billy has also been broadcast nationally on PBS for the past five years.

Locarro’s recent directing credits include two seasons of the PBS National series Intelligence Squared Debates, productions of Les Misérables for the University of Michigan Musical Theatre Department (April 2014) and Music Theatre of Wichita (August 2013), and the PBS series Vine Talk starring Stanley Tucci. Some of his PBS specials include Remember Me with Parsons Dance Co & The East Village Opera Company, A Tale of Two Cities in Concert and three specials with Deepak Chopra.

Locarro specializes in filming and editing dance, theatre and music and is currently guest director for the live web broadcasts from Jazz at Lincoln Center’s Appel Room. He has also directed numerous stage productions including regional productions of Ragtime and Les Misérables.

Locarro began his career as a dancer and choreographer, dancing with the Boston, Joffrey and Hartford Ballet Companies creating and choreographing 30 works for dance companies across the U.S. After a career in ballet, he went on to perform on Broadway and first national tours in six musicals including the role of ‘Enjolras’ in Les Misérables (both on Broadway and in the first national tour), the original Broadway companies of Ragtime, Goodbye Girl and Merlin as well as the role of Munkstrap in Cats and West Side Story.

Locarro brings his many years of performance experience to his work with artists and arts organizations. He continues to film and edit for dance companies around the world, as well as create promotional videos and documentaries for arts organizations and individual artists.

About ZFX, Inc.
Founded in 1994, ZFX, Inc. is the complete service provider for Flying Effects. They don’t just handle the rigging or flying harnesses. They’re not just skilled at automation, choreography and flying design. ZFX covers every aspect of flying possibilities. From high schools to Broadway, churches to special events, ZFX zealously pursues its goal of worldwide domination of the performer flying industry. Their infectious enthusiasm comes at no additional charge. They don’t wake up and put their pants on one leg at a time like the other guys. They wrap themselves in kilts and stride boldly out into the world. ZFX offers performer flying, high speed hoists, flying of props, automated systems, stunt gags, truss equipment mounting, aerial acts, manually operated systems, corporate shows and events, custom harnesses, spectacle flying and safety consultation. Learn more by visiting www.zfxflying.com.

Performance Times

  • 8 p.m. Thursday, March 5
  • 8 p.m. Friday, March 6
  • 2 and 8 p.m. Saturday, March 7
  • 2 p.m. Sunday, March 8

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Peter Pan are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/peter-pan-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mainstage Production Sponsor: Wells Fargo Advisors, LLC

Community Partner: ArtsWave

Peter Pan is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com

CCM News CCM Slideshows
Scenes from CCM's Mainstage Series production of 'The Heidi Chronicles.' Photography by Mark Lyons.

CCM Slideshows: The Heidi Chronicles

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CCM’s 2014-15 Mainstage Series continues TONIGHT with Wendy Wasserstein’s groundbreaking comedy The Heidi Chronicles, playing through Sunday, Feb. 15, in Patricia Corbett Theater. See a complete list of performance times below.

Winner of the 1989 Pulitzer Prize for Drama and the Tony Award for Best Play, The Heidi Chronicles is directed by CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance Richard Hess.

Rick Pender takes a closer look at The Heidi Chronicles and the legacy of playwright Wendy Wasserstein for CityBeat. Read the story online here.

David Lyman previews the production for the Cincinnati Enquirer. Read the story online here.

Sexuality, feminism, education, gender equality, marriage, women’s rights – there’s no hot-button issue the play doesn’t touch. Learn more about this poignant comedy here.

Performance Times

  • 8 p.m. Thursday, Feb. 12
  • 8 p.m. Friday, Feb. 13
  • 2 and 8 p.m. Saturday, Feb. 14
  • 2 p.m. Sunday, Feb. 15

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Heidi Chronicles are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Saturday matinee student rush discount tickets are available beginning at 1 p.m. on Saturday, Feb. 14 and are $12-15.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/heidi-chronicles-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News CCM Slideshows