CCM Village at night. Photo by Jay Yocis.

CCM Celebrates 150th Anniversary With Must-See Mainstage Series

The University of Cincinnati College-Conservatory of Music (CCM) marks the 150th anniversary of its founding with a year-long Sesquicentennial Celebration beginning in the fall of 2017. Commemorating a tradition of innovation and excellence dating back to the founding of the Cincinnati Conservatory of Music in 1867, CCM’s Sesquicentennial programming includes eight must-see masterworks presented as part of the 2017-18 Mainstage Series.

Click the graphic for more information.

Click the graphic for more information.

Between Sept. 27, 2017, and April 14, 2018, CCM’s stars of tomorrow and world-class faculty and staff members will stage eight diverse productions. This year’s Mainstage Series includes cherished classics like William Shakespeare’s Hamlet, Leonard Bernstein’s Candide and Andrew Lloyd Weber and Tim Rice’s Jesus Christ Superstar.

CCM’s Sesquicentennial lineup also includes an opera double-bill featuring Giacomo Puccini’s Gianni Schicchi and Suor Angelica, two mixed-repertoire ballet productions and the Mainstage Series debuts of Stephen Flaherty and Lynn Ahrens’ Seussical and Caryl Churchill’s Love and Information.

The Mainstage Series is just one part of the yearlong CCM Sesquicentennial Celebration, which will also include world premieres, guest artist performances, a series of off-campus concerts and a one-of-a-kind alumni showcase event. For an initial overview of CCM’s 150th anniversary programming, please visit ccm.uc.edu/about/villagenews/notations-ovations/sesquicentennial-celebration.

The complete 2017-18 Mainstage Series lineup is listed below. Titles and dates are subject to change – rights pending. For the most current calendar of events, please visit us online at ccm.uc.edu.

Additional Information
Single tickets go on sale beginning Sept. 5, 2017, but subscribing is the best way to guarantee your seats for CCM’s Mainstage Series! Fully customizable renewal subscriptions are on sale now with priority seating before July 7, 2017. Subscription packages for new subscribers go on sale July 10, 2017.

To order subscriptions, contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.
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CCM’S 150TH ANNIVERSARY MAINSTAGE SERIES
Acting, Musical Theatre, Opera, Dance

HAMLET
Written by William Shakespeare
Susan Felder, director

CCM’s anniversary season opens with one of Shakespeare’s most classic tragedies. Hamlet returns from college to find something rotten in his hometown. A deadly game of cat and mouse ensues between Hamlet and his uncle, the King. Shakespeare’s thriller plunges audiences into the madness of family disillusionment, lost romance, betrayal, murder, suicide and the existential question of what it means to be human. “What a piece of work is a man!”

Performance Dates: Sept. 27 (preview), Sept. 28-Oct. 1, 2017
Location: Patricia Corbett Theater
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SEUSSICAL
Book by Lynn Ahrens and Stephen Flaherty
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Co-conceived by Eric Idle
Based on the works of Dr. Seuss
Vince DeGeorge, director and co-choreographer
Luke Flood, musical director
Christopher Kelley, co-choreographer

The CCM Sesquicentennial celebrates the work of distinguished alumnus Stephen Flaherty (BM Composition, 1982)! Now one of the most performed shows in America, Seussical is a fantastical, magical, musical extravaganza. The Tony Award-winning team of Flaherty and Lynn Ahrens (Anastasia, Once on This Island, Ragtime) have lovingly brought to life all of our favorite Dr. Seuss characters, including Horton the Elephant, The Cat in the Hat, Gertrude McFuzz, Lazy Mayzie and a little boy with a big imagination – Jojo. This colorful cast of characters transports us from the Jungle of Nool to the Circus McGurkus to the invisible world of the Whos.

Performance Dates: Oct. 19-22 and Oct. 25-29, 2017
Location: Patricia Corbett Theater
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CANDIDE
Music by Leonard Bernstein
Book by Hugh Wheeler, after Voltaire
Lyrics by Richard Wilbur, Stephen Sondheim, John La Touche, Lillian Hellman, Dorothy Parker and Leonard Bernstein
Mark Gibson, conductor
Emma Griffin, director

CCM at 150 celebrates Leonard Bernstein at 100! Now lauded as one of Bernstein’s most characteristic theatrical creations, CCM’s stars of tomorrow proudly present Candide as part of a world-wide celebration leading up to Leonard Bernstein’s 100th birthday. Crossing the boundaries between opera, operetta and stage musical, Bernstein’s Candide journeys through Voltaire’s “best of all possible worlds” with verve and satirical humor. Highlights include the energetic overture and the aria “Glitter and Be Gay.” Presented in conjunction with the official Leonard Bernstein at 100 centennial celebration.

Performance Dates: Nov. 16-19, 2017
Location: Patricia Corbett Theater
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THE ART OF MOTION
Jiang Qi and Deirdre Carberry, co-directors
Alexandria Black, conductor

CCM’s Department of Dance opens this anniversary season with a concert of mixed repertoire featuring the enchanting The Little Mermaid choreographed by guest artist and Missouri Ballet Theatre director Adam Sage with music by Léo Delibes and Antonín Dvoràk. The concert also showcases Paquita (Act II) with music by Ludwig Minkus, restaged by Deirdre Carberry. Additional highlights include the world premiere of Shaker Loops, choreographed by André Megerdichian and featuring music by John Adams performed by CCM’s Café MoMus ensemble. This premiere will also include an illuminated collaboration with DAAP faculty member Henry Hildebrandt.

Performance Dates: Nov. 30-Dec. 3, 2017
Location: Patricia Corbett Theater
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LOVE AND INFORMATION
Written by Caryl Churchill
Brant Russell, directo
r

Described by the New York Times as “thought-churning” and “deeply poignant,” Love and Information premiered in London’s Royal Court Theatre in 2012. In this fast-moving kaleidoscope, more than 100 characters try to make sense of what they know. The play explores the prevalence of technology in today’s culture, the thirst for knowledge and the importance of human connection.

Performance Dates: Feb. 7 (preview), Feb. 8-11, 2018
Location: Patricia Corbett Theater
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JESUS CHRIST SUPERSTAR
Music by Andrew Lloyd Webber
Lyrics by Tim Rice
Diane Lala, director and choreographer
Roger Grodsky, musical director

What’s the buzz? The first musical by Andrew Lloyd Webber and Tim Rice to be produced for the professional stage, Jesus Christ Superstar has wowed audiences for over 40 years. A timeless work, the rock opera is based on the last week of Jesus’ life. Set against the backdrop of an extraordinary and universally-known series of events, the story is told through the eyes of Judas Iscariot. A true global phenomenon, the iconic 1970s rock score contains such well-known numbers as “Superstar,” “I Don’t Know How to Love Him” and “Gethsemane.”

Performance Dates: Feb. 22-25 and Feb. 28-March 4, 2018
Location: Patricia Corbett Theater
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OPERA DOUBLE BILL: GIANNI SCHICCHI & SUOR ANGELICA
Music by Giacomo Puccini
Libretto by Giovacchino Forzano
Mark Gibson, conductor
Andreas Hagar, director (Gianni Schicchi)
Meredith Kitz, director (Suor Angelica)

The CCM Sesquicentennial pairs two of Puccini’s most popular operas for one can’t-miss Mainstage Series production! CCM’s stars of tomorrow present the farcical Gianni Schicchi and the moving Suor Angelica as a double-bill highlighting Puccini’s mastery of emotional storytelling.

Performance Dates: March 22-25, 2018
Location: Patricia Corbett Theater
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LEGENDS OF DANCE
Jiang Qi, director
Aik Khai Pung, music director and conductor

Celebrate spring’s arrival with the CCM Ballet Ensemble as they present an exciting mixed bill accompanied by the CCM Concert Orchestra. The program includes one of the most celebrated excerpts in all classical ballets, “The Kingdom of the Shades” from La Bayadére, staged by CCM faculty member Deirdre Carberry with music by Ludwig Minkus. In addition, guest artist Pablo Francisco Ruvalcaba will restage José Limón’s masterful A Choreographic Offering set to music by J. S. Bach. The program’s rousing finale features The Sleeping Beauty (Act III), after Marius Petipa’s classical ballet with music by Tchaikovsky.

Performance Dates: April 12-14, 2018
Location: Corbett Auditorium
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Mainstage Series Subscriptions
The 2017-18 CCM Mainstage Series of acting, musical theatre, opera and dance productions includes subscription packages for combinations of six-or-more shows, four-shows or three-shows.

Renewal subscription packages are on sale now. CCM’s fully customizable subscription packages range in price from $69 – $188. Subscribers to CCM’s 2016-17 Mainstage Series can receive priority access to seating by renewing their subscriptions by July 7, 2017.

Subscription packages for new subscribers go on sale July 10, 2017. Single tickets go on sale beginning Sept. 5, 2017.

To order subscriptions, contact the CCM Box Office at 513-556-4183.

CCM Sesquicentennial Performances and Concert Series Options

CCM will present additional special events and public performances celebrating its Sesquicentennial throughout the 2017-18 concert season. As the largest single source of performing arts events in Ohio, CCM will also present its typical lineup of chamber music, choral, jazz, orchestra, percussion, piano and wind ensemble concerts each season.

Beginning in January of 2018, the CCM Sesquicentennial will celebrate Leonard Bernstein’s centennial with a collection of performances by students and faculty artists from throughout the college. Subscribers get first access to the Leonard Bernstein Experience, which includes concerts and special events held in the spring and fall of 2018 as part of a world-wide celebration of Bernstein’s 100th birthday.

CCM’s Mainstage subscribers receive priority access to the Bernstein Experience, Ariel Quartet subscription packages, CCM Concert Series flex ticket packages, prepaid parking and other exclusive perks.

Full programming and package details for CCM’s Sesquicentennial Special Event Series, 2017-18 Ariel Quartet Series and Concert Series will be announced in July. Visit ccm.uc.edu for more information.
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Mainstage Season Production Sponsor: Macy’s

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News Faculty Fanfare Student Salutes

CCM Slideshows: Mozart’s ‘Idomeneo’

Here is your first look at CCM Opera’s Mainstage production of Mozart’s Idomeneo. Directed by artist diploma student Marcus Shields, this heroic Greek tale runs Thursday, March 30-Sunday, April 2 in CCM’s Patricia Corbett Theater.

Hailed as Mozart’s first great opera seria, Idomeneo is a classic story of unrequited love, sacrifice and revenge. The plot focuses on a king who is lost at sea during his journey home from war. To survive, he strikes a deal with vengeful god Neptune, but the king is then faced with an impossible decision — to sacrifice his entire nation or his son.

This slideshow requires JavaScript.

View the slideshow above for your sneak peek of the production.

For more information on Idomeneo, read our press release and behind-the-scenes interview with lighting designer Oliver Littleton.

IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco
Aik Khai Pung, conductor
Marcus Shields, director

Performance Times
8 p.m. Thursday, March 30
8 p.m. Friday, March 31
8 p.m. Saturday, April 1
2 p.m. Sunday, April 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Idomeneo are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/idomeneo.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

CCM News CCM Slideshows Student Salutes
A model of the scenic design for CCM's production of 'Idomeneo.'

CCM Behind-the-Scenes: Lighting Design for Mozart’s ‘Idomeneo’

First-year graduate student Oliver Littleton’s first lighting design work was in churches, small theaters and tiny clubs. Now his designs will be seen in the Mainstage production of Idomeneo at UC’s College-Conservatory of Music.

The opera opens on Thursday, Mach 30 and continues through Sunday, April 2 in CCM’s Patricia Corbett Theater. Tickets are available through the CCM Box Office.

Littleton began his theatre training in Alabama at the age of 12. He wanted to be an actor, but always had an interest in lighting design. After earning a BFA in technical theatre from Adelphi University in New York, Littleton chose to pursue his graduate studies at CCM. He enrolled in CCM’s Theatre Design and Production program, where he studies lighting design and technology.

Light plays a key role in creating the “gods and monsters” in CCM’s production of Idomeneo. In an interview with CCM graduate assistant Charlotte Kies, Littleton shared some of his thoughts on the expressive power of lighting and its effect in Mozart’s first great opera seria.

What drew you to the lighting design program at CCM?
I loved the opportunity to be the lighting designer for a huge variety of genres including dance, opera, theatre and musicals. I value our large production scale and commitment to modern technology in all areas of the technical and design departments. Most important is probably my comfort within the culture of the CCM community.

It’s a hardworking environment that demands excellence, and does its best to surpass being just an educational institution in order to produce great art in a variety of fields.

How does your lighting design for Idomeneo compare to your work in other CCM productions?
This is my first Mainstage production at CCM so obviously scale is the big one! I designed Middletown in the fall and Transformations just a month ago, both in the Cohen Family Studio Theatre. Though they presented unique challenges, the sheer size of those productions was much smaller than this.

We’ve heard that lighting plays a significant role in establishing the abstract setting and in creating the “gods and monsters” of Idomeneo. Can you describe how you use light to create these “special effects?”
The metaphors of gods and monsters in this production of Idomeneo, in my mind, are far more important than their physical presence in the opera. To this end the “gods and monsters” are expressed in lighting with the contrast between restraint and excess.  Using color, intensity and texture to contrast between safe comfort, otherworldly mystery and grimy disappointment helps tell the story of monsters and heroes.  Our sea monster is of the mind.  It is doubt, hate, selfishness and it gets expressed with rich vivid color and powerful waves of light.  I want the lighting to drive this change and make the audience question who really are the monsters and gods of the piece.

A god-like face can be seen in Littleton's lighting design concept for 'Idomeneo.'

A god-like face can be seen in Oliver Littleton’s lighting design concept for ‘Idomeneo.’ Photo provided by Oliver Littleton.

What other roles does the lighting play in this opera?
When you start looking at abstract or ethereal lighting design, the first pitfall you see lighting designers take is forgetting that the point of the production is for audience members to sit in seats and watch people do things. All the fancy design in the world doesn’t amount to anything if the patrons can’t see the performers and understand what is going on in the story. The first job of every lighting designer is the help interpret the story and we do that in a number of ways. Lighting some areas of the stage while leaving others dark tells the audience where to look and focus. Using toplight and backlight that makes it difficult to see facial features gives a sense of drama and tension, while front light imbues a naturalistic nature to the stage. Every choice is informed by the question, “How does this serve the story,” and any choice that is not enslaved to it must be mercilessly eliminated.

Do you have anything else to add about your experience working on Idomeneo?
Idomeneo is a criminally underrated opera that is one of Mozart’s greatest offerings musically. I hope that everyone who watches the show leaves the theater saying things like “what a wonderful and interesting production” or “that was a beautiful way to share that music and story with us.” If they are talking about my lights or the set more than the characters’ choices or vocal prowess, then we as a design team have failed.

The greatest joy I take in my work is contributing to performers sharing stories and feeling with the audience. I hope this show does that for everyone who comes to see it.

CCM’s production of Idomeneo is directed by CCM artist diploma candidate Marcus Shields and conducted by Assistant Professor of Music Aik Khai Pung. It is sung in Italian with English supertitles. Find more information on the production in our press release.

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IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco
Aik Khai Pung, conductor
Marcus Shields, director

Performance Times
8 p.m. Thursday, Mar. 30
8 p.m. Friday, Mar. 31
8 p.m. Saturday, April 1
2 p.m. Sunday, April 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

 Purchasing Tickets
Tickets to Idomeneo are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/idomeneo.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s
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Story by CCM Graduate Student Charlotte Kies

CCM News Student Salutes

CCM Opera Presents Mozart’s Heroic Greek Tragedy, ‘Idomeneo’

A model of the scenic design for CCM's production of 'Idomeneo.'

A model of the scenic design for CCM’s production of ‘Idomeneo.’ Photo by Marcus Shields. Set Design by Matthew Hamel.

The Opera Department at UC’s College-Conservatory of Music presents an epic tale of love, war and sacrifice on March 30-April 2 in Patricia Corbett Theater. Hailed as Mozart’s first great opera seria, Idomeneo takes place in the aftermath of the fabled Trojan War.

Artist Diploma student Marcus Shields directs the CCM’s production of Idomeneo. Teetering on the edge between student and professional, Shields finds that he and the cast have a lot in common with Mozart, who composed this opera at the ripe young age of 25.

“This is essentially Mozart’s graduate thesis on the world,” says Shields. “It’s an amazing thing that he wrote this when he was 25, and we should be humbled by that fact. We’re all in the exact same place. In writing this challenging opera, Mozart was trying to prove himself — just like we are now.”

Idomeneo is a classic story of unrequited love, sacrifice and revenge. The plot revolves around King Idomeneo who is lost at sea during his journey home from war. To survive, he strikes a deal with vengeful god Neptune, but the king is then faced with an impossible decision — to sacrifice his entire nation or his son, Idamante. The King banishes his son from the kingdom, which separates the young prince from the two women who are in love with him.

While Idomeneo might not be as familiar as Mozart’s Cosí fan tutte, The Magic Flute or The Marriage of Figaro, the opera is just as exciting and inspired, Shields says. The work mostly adheres to the opera seria structure, which is known for its formulaic librettos and serious tone. However, Mozart “shatters the genre” in Idomeneo.

“The music is so amazing and virtuosic,” says Shields, “Mozart’s tap-dancing as hard as he can as he fights against the typical opera seria structure. It seems a bit stuffier on the outside because of the genre but it’s actually way more urgent and young.”

Mozart’s quest to infuse his own style in opera seria is similar to Shields’ unique vision for CCM’s production of Idomeneo. The opera is not set in a specific time period and has an abstract set, with lighting effects and costumes by CCM’s Theatre Design and Production Department. Shields uses costumes to represent the great division the characters feel from each other. Some cast members don stiff button-up coats reminiscent of the late eighteenth century and others wear full Greco-Roman attire.

“We are using the lighting, costumes and set to show people how to actually listen to the music,” Shields says. “It’s a beautiful harmonization of everything that this school can do.”

CCM’s production of Idomeneo is conducted by Assistant Professor of Music Aik Khai Pung, it is sung in Italian with English supertitles.
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IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco
Aik Khai Pung, conductor
Marcus Shields, director

Cast

Idomeneo………………………………………………………………………Robert Stahley*,
Brandon Scott Russell^
Ilia………………………………………………………………………………..Grace Kahl*,
Erica Intilangelo^
Idamante…………………………………………………………Chelsea Duval-Major*,
Kayleigh Decker^
Elettra……………………………………………………………………..Nicolette Book*,
Murrella Parton^
Arbace/High Priest…………………………………………………………Dongwhi Baek*,
Benjamin Lee^
Voice of the Oracle…………………………………………………………Jacob Kincaide
Cretan Woman 1………………………………………………………………Maria Miller
Cretan Woman 2………………………………………………………..Briana Moynihan
Trojan 1………………………………………………………………………Logan Wagner
Trojan 2………………………………………………………………………Michael Hyatt
Chorus Men……………………………………Clayton Edwards, Michael Hyatt, Hayden Smith, John Tibbets, Logan Wagner
Chorus Women………………………………Brianna Bragg, Shannon Cochran, Page Michels, Maria Miller, Briana Moynihan, Claudia Neef

 * Thursday, March 30 and Saturday, April 1
^ Friday, March 31 and Sunday, April 2

Performance Times
8 p.m. Thursday, Mar. 30
8 p.m. Friday, Mar. 31
8 p.m. Saturday, April 1
2 p.m. Sunday, April 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Idomeneo are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/idomeneo.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s
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Story by CCM Graduate Student Charlotte Kies
CCM News Student Salutes

CCM Slideshows: ‘Mack and Mabel’

Jerry Herman’s Mack and Mabel makes its CCM Mainstage debut at 8 p.m. Thursday, March 2, in UC’s Corbett Auditorium. Directed by Aubrey Berg with choreography by Patti James and musical direction by CCM graduate student Evan Roider, the musical runs through Sunday, March 5. Tickets are available through the CCM Box Office.

Mack and Mabel is a star-crossed, bittersweet love story that explores both the lighter and the darker side of the Golden Age of Comedy. It focuses on the tumultuous relationship between legendary silent film director Mack Sennett and his greatest star, Mabel Normand.

“The CCM production of Mack and Mabel is a rare opportunity to see an all-but-forgotten work by one of the masters of Musical Theatre, Jerry Herman,” Berg says. “It is notable for its interesting concept and its melodic, memorable score, one that Herman cherishes as his personal favorite.”

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You can get a sneak peek of the production by viewing the photos in our slideshow. Read more about the Mack and Mabel in The News Record‘s interview with CCM Musical Theatre student Emily Fink, who plays Mabel in the show.

“People can expect, as always, a dazzling production quality,” Fink told The News Record. “The Technical Design and Production Department will amaze the audience with the magnitude and beauty of its set, costumes and lighting,” said Fink. ”People can also expect a whip-smart story with a lot of heart set in America’s booming film industry.”

To learn more about CCM’s production of Mack and Mabel, read our press release.
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MACK AND MABEL
Based on an idea by Leonard Spigelglass
Book by Michael Stewart
Music and Lyrics by Jerry Herman

Performance Times
8 p.m. Thursday, March 2
8 p.m. Friday, March 3
8 p.m. Saturday, March 4
2 p.m. Sunday, March 5

Location
Corbett Auditorium, College-Conservatory of Music
University of Cincinnati

Purchasing Tickets
Tickets to Mack and Mabel are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/mack-and-mabel.html.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mack and Mabel is presented by a special arrangement with SAMUEL FRENCH, INC.

CCM News CCM Slideshows Faculty Fanfare Student Salutes

Jerry Herman’s ‘Mack and Mabel’ Makes CCM Mainstage Debut

CCM proudly presents Mack and Mabel on Thursday, March 2 through Sunday, March 5 in Corbett Auditorium. Aubrey Berg directs with choreography by Patti James and musical direction by CCM graduate student Evan Roider.

ccm-mack-mabel-eblastThe performance is rare treat for Cincinnati audiences; a major production of Mack and Mabel has not been staged in the Queen City for over a decade, and it has never been presented as a CCM Mainstage production. With a memorable score by Broadway master Jerry Herman (Hello, Dolly!; Mame; La Cage aux Folles), Mack and Mabel received eight Tony Award nominations after its original premiere in 1975.

“The CCM production of Mack and Mabel is a rare opportunity to see an all-but-forgotten work by one of the masters of Musical Theatre, Jerry Herman,” Berg says. “It is notable for its interesting concept and its melodic, memorable score, one that Herman cherishes as his personal favorite.”

Mack and Mabel is a star-crossed, bittersweet love story that explores both the lighter and the darker side of the Golden Age of Comedy. It focuses on the tumultuous relationship between legendary director Mack Sennett and his greatest star, Mabel Normand.

Mack, an aging director whose silent films become obsolete in the age of “talkies,” tells the story in a series of flashbacks. He recalls his first encounter with Mabel, a feisty barista who Mack turns into a silent film star. However, following a torrid affair with Mack, Mabel leaves to act in dramas for a rival director.

Mack and Mabel struggle to find their places in the changing film industry, and both experience their own triumphs and failures along the way.

Praised by the New York Times as “a musical in the old and true tradition,” Mack and Mabel’s musical style is reminiscent of the silent film era in which it is set. CCM’s production includes silent movie clips, hundreds of costumes and props, a Keystone Kops ballet and a large cast of 38 performers. The show is a perfect vehicle and challenge for CCM’s student performers and technicians, says Berg.

“This is a great opportunity to see and hear a rarely-performed Jerry Herman musical with all the stops pulled out,” adds Evan Roider, music director of the show and a CCM graduate student in orchestral conducting.

“The score highlights Herman’s tremendous talent for melody — brassy two-steps, voluptuous ballads and a tap number that rivals those of the early 20th century,” Roider says. “Audiences can expect an old fashioned score that will have them humming as they leave the theater.”
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MACK AND MABEL
Based on an idea by Leonard Spigelglass
Book by Michael Stewart
Music and Lyrics by Jerry Herman

Performance Times
8 p.m. Thursday, March 2
8 p.m. Friday, March 3
8 p.m. Saturday, March 4
2 p.m. Sunday, March 5

Location
Corbett Auditorium, College-Conservatory of Music
University of Cincinnati

Purchasing Tickets
Tickets to Mack and Mabel are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/mack-and-mabel.html.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mack and Mabel is presented by a special arrangement with SAMUEL FRENCH, INC.

CCM News

CCM Slideshows: ‘Her Naked Skin’

Let CCM’s Mainstage production of political drama Her Naked Skin take you back in time to London in 1913, when women fought the establishment for the right to vote. Directed by CCM Acting Chair Richard E. Hess, Her Naked Skin plays Feb. 9-12 at Patricia Corbett Theater. Tickets are available through the CCM Box Office.

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Rebecca Lenkiewicz’s Her Naked Skin explores a crucial moment in the Suffragette Movement when thousands of women were sent to Holloway Prison after demanding equal rights. Political battles collide with personal struggles when Celia Cain, trapped by the policies of the day and a frustrating marriage, begins an affair with seamstress Eve Douglass while they are imprisoned.

This production contains adult themes and situations, including brief nudity, and is intended for mature audiences.

Performance Times

  • 8 p.m. Thursday, Feb. 9
  • 8 p.m. Friday, Feb. 10
  • 2 & 8 p.m. Saturday, Feb. 11
  • 2 p.m. Sunday, Feb. 12

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to Her Naked Skin are $27-31 adults, $17-20 non-UC students and $15-18 UC students with a valid ID. Tickets to the Feb. 8 preview performance are just $15.

Student rush tickets will be sold one hour before each performance to non-UC students for $12-15, based on availability. UC students can receive one free student rush ticket with a valid ID, also based on availability.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/her-naked-skin.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

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