CCM Director of Development Sarah Mizelle

UC Alumna Sarah Mizelle Joins CCM’s Office of Development and External Relations

University of Cincinnati alumna Sarah Mizelle has been named CCM’s new Director of Development and External Relations. A graduate of UC’s Carl H. Lindner College of Business (MBA, 2011) and College-Conservatory of Music (MA Arts Administration, 2013), Mizelle begins her new position on Monday, May 22.

“We are thrilled to welcome Sarah back to the UC Foundation and CCM,” says Karen Tully, CCM’s Senior Director of Development and External Relations. “I had the pleasure of getting to know Sarah while she served as a graduate assistant in CCM’s Development and External Relations Office from 2009 to 2011. She quickly became a valuable member of our team, coordinating many of the outreach and special events sponsored by CCMpower, our volunteer fundraising organization. We are delighted to have her rejoin the CCM family.”

Mizelle returns to CCM with a decade’s worth of leadership experience in building strong school communities through student, alumni and donor engagement. She most recently served as Executive Director of the Madeira Schools Foundation, where she successfully oversaw a $600,000 capital campaign to build a new fitness center at Madeira High School. During her tenure, the Madeira Schools Foundation’s annual auction also achieved the highest gross profit since its inception in 1985.

Prior to her position at the Madeira Schools Foundation, Mizelle was Executive Director of the Friends of the School for Creative and Performing Arts (SCPA), an organization dedicated to securing resources that enhance SCPA’s creative environment and enable the development of each student’s artistic potential.

Mizelle worked in CCM’s Development Office during her time as a student in CCM’s Arts Administration graduate program. She also served as manger of social media marketing and public relations for a CCM summer festival in Spoleto, Italy, in 2011.

Mizelle received her BM in Music Education from Miami University, Oxford, in 2004. She has continued her involvement in music and the performing arts throughout her career, volunteering for such organizations as People Working Cooperatively (PWC) Ohio and Cincinnati Music Theatre. At Cincinnati Music Theatre, Mizelle served as vocal director for productions of The Music Man and Sunset Boulevard and artistic director for Crazy For You, each of which won an Orchid Award for Excellence from the Cincinnati Association of Community Theatres.

“The arts have been an enormous part of my life and have shaped who I am today,” says Mizelle. “I am beyond thrilled to return to CCM, an institution where the arts thrive everyday. I am proud to have the opportunity to further the mission of such a truly special place.”

Please join us in welcoming Sarah Mizelle back to the CCM family!

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CCM Horn Student Named 2017 Yamaha Young Performing Artist

CCM student Michelle Hembree is one of 10 winners of the 2017 Yamaha Young Performing Artists (YYPA) Competition. Hembree is a third-year undergraduate horn student who studies with CCM Winds and Percussion Department Chair Randy Gardner.

“Michelle Hembree is one of the most musically gifted and intellectually brilliant students I’ve had the privilege to teach during my long career,” says Gardner. “She is also an upbeat, friendly and enthusiastic person who is respected by and popular with her fellow students and faculty alike.”

As a winner of the competition, Hembree will receive an all-expense-paid trip to the YYPA Celebration Weekend June 24-27, 2017, which will take place during the Music for All Summer Symposium, to be held at Ball State University in Muncie, Indiana, from June 24-July 1, 2017. Winners will receive a once-in-a-lifetime performance opportunity in front of thousands, national press coverage and will participate in workshops designed to launch a professional music career.

Hembree will perform Eugene Bozza’s En Foret at Ball State this summer. As a Yamaha Young Performing Artist, Hembree will receive a professional recording of the performance, a professional photography session and services and support from Yamaha Artist Relations.

“I am excited to perform this summer,” says Hembree. “En Foret is a fun piece with a little bit of everything in it. This is a great opportunity to network and meet other musicians, as well as learn more about the performance and education industry.”

Hembree joins a distinguished company of more than 250 talented musicians who have been recognized since the program’s inception. CCM alumnus Austin Larson (BM Horn, 2012) became a Yamaha Young Performing Artist in 2011; he is now a member of the Colorado Symphony Orchestra. Many winners have established successful music careers, both as performers and educators, including Ricardo Morales, principal clarinetist of the Philadelphia Orchestra; Alex Han, saxophonist with Marcus Miller; Otis Murphy, professor, Indiana University; Conrad Jones, principal trumpeter with the Indianapolis Symphony; and Aaron Parks, acclaimed jazz pianist.

“The YYPA Program is a significant opportunity for young musicians who are embarking on careers as professionals, and one of the most visible and distinctive ways that Yamaha offers valuable support for music education,” said John Wittmann, director of education and artist relations, Yamaha Artist Services Indianapolis. “We are pleased to honor Michelle at this pivotal stage in her career.”

For more information about the Yamaha Young Performing Artists Program, visit http://4wrd.it/YYPA.

About Michelle Hembree
Hembree has received numerous awards and accolades during the course of her young career. She is the CCM Kemp Horn scholar of her class and has won numerous awards including second place in the Three Arts Scholarship Competition, the CCM Undergraduate Instrumentalist Solo Contest, YoungArts Merit award, Meridian Symphony Solo Competition and Boise Philharmonic Youth Orchestra Solo Competition. She has participated in several ensembles including the Sarasota Music Festival, National Youth Orchestra of the U.S.A., Voksenasen Norwegian Summer Academy and Boise Philharmonic Youth Orchestra. In the spring of 2016, Hembree performed first horn on Schumann’s “Konzertstück for Four Horns” with Seven Hills Sinfonietta. Hembree has played with renowned artists including Valery Gergiev, Larry Rachleff, Joshua Bell and Nicholas McGean. Her previous teachers include Dr. David Saunders and Lawrence Johnson.

About Yamaha
Yamaha Corporation of America (YCA) is one of the largest subsidiaries of Yamaha Corporation, Japan and offers a full line of award-winning musical instruments, sound reinforcement, commercial installation and home entertainment products to the U.S. market. Products include: Yamaha acoustic, digital and hybrid pianos, portable keyboards, guitars, acoustic and electronic drums, band and orchestral instruments, marching percussion products, synthesizers, professional digital and analog audio equipment, Steinberg recording products and NEXO commercial audio products, as well as AV receivers, amplifiers, MusicCast wireless multiroom audio systems, Blu-ray/CD players, earphones, headphones, home-theater-in-a-box systems, sound bars and its exclusive line of Digital Sound Projectors. YCA markets innovative, finely crafted technology and entertainment products and musical instruments targeted to the hobbyist, education, worship, music, professional audio installation and consumer markets.

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Story by CCM graduate assistant Charlotte Kies

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CCM Spring 2017 composer-in-residence Tom Cipullo.

CCM Showcases the Music of Composer-in-Residence Tom Cipullo on April 12

CCM’s Guest Artist Series showcases the music of award-winning composer Tom Cipullo with a free concert performance on Wednesday, April 12, in the Robert J. Werner Recital Hall.

Described by Opera News as “a shrewd dramaturge as well as a compelling composer,” Cipullo will spend three days in residence at CCM, coaching singers, pianists and instrumentalists from April 10-12, 2017.

Cipullo’s residency will culminate in a public performance featuring 26 of CCM’s stars-of-tomorrow. The concert’s program includes Cipullo’s Insomnia for vocal quartet and piano; The Husbands for soprano, baritone and piano; Late Summer for soprano and piano and the Entr’acte from Glory Denied for cello and piano, as well as other works. View full concert repertoire online here

Tom Cipullo at the Liguria Study Center in Bogliasco, Italy. Photo by Hedwig Brouckaert.

Tom Cipullo at the Liguria Study Center in Bogliasco, Italy. Photo by Hedwig Brouckaert.

About Tom Cipullo
Hailed by the American Academy of Art and Letters for music of “inexhaustible imagination, wit, expressive range and originality,” composer Tom Cipullo is the winner of the 2016 Pellicciotti Opera Composition Prize from SUNY/Potsdam. He is also the recipient of a 2012 Guggenheim Fellowship, the 2013 Sylvia Goldstein Award from Copland House and the 2013 Arts & Letters Award from the American Academy.

Cipullo has received commissions from dozens of performing ensembles and singers, and he has received fellowships and awards from Yaddo, the MacDowell Colony, the Liguria Study Center (Italy), the Fundacion Valparaiso (Spain) and the Oberpfaelzer Kuenstlerhaus (Bavaria).

The New York Times has called his music “intriguing and unconventional,” and the Pittsburgh Post-Gazette has called him “an expert in writing for the voice.” Cipullo’s music is published by Oxford University Press and Classical Vocal Reprints and recorded on the Naxos, Albany, CRI, PGM, MSR, GPR, Centaur and Capstone labels.

Cipullo has composed orchestral works, solo piano pieces and a vast quantity of vocal music, including over 200 songs and several vocal chamber works. His song cycle Of a Certain Age won the National Association of Teachers of Singing (NATS) Art Song Award in 2008. Cipullo’s first opera, Glory Denied, has enjoyed numerous productions, and the Fort Worth Opera recording on Albany Records was cited by Opera News as among the best of 2014. Reviewers have hailed the work as “terrifically powerful… superbly written” (Fanfare), praising its “luminous score (Washington Post),” and noting “the dramatic tension was relentless (Opera News).” Cipullo’s second opera, After Life (libretto by David Mason), has been called “a finely wrought exploration of the role of art in times of grave crisis (Washington Post)” and “unfailingly inventive (Opera News).” Recorded on the Naxos label, After Life is the winner of the 2017 the Domenick Argento Chamber Opera Composition prize from the National Opera Association.

Cipullo received his Master’s degree in composition from Boston University and his B.S. from Hofstra University, Phi Beta Kappa with highest honors in music.

Performance Time
8 p.m. Wednesday, April 12

Location
Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Admission
Admission to this performance is FREE. Reservations are not required.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

CCM gratefully acknowledges the Philippe Fund for their generous support of Mr. Cipullo’s residency.

CCM News
CCM Dance presents Masterworks and Beyond on April 13-15 in Patricia Corbett Theater. Photo by Will Brenner.

CCM’s 2016-17 Mainstage Series Concludes with Dance Masterworks and Beyond

UC’s College-Conservatory of Music concludes its 2016-17 Mainstage Series with Masterworks and Beyond, performed by the Department of Dance on Thursday, April 13-Saturday, April 15 in Patricia Corbett Theater. Co-directed by Dance Department Chair Jiang Qi and Associate Professor Deirdre Carberry, the performance features a mixed bill of contemporary and classical ballet.

Alongside a selection of traditional and new works, Masterworks and Beyond includes the world premiere of day of wakening over the sea of night, with choreography by CCM Assistant Professor André Megerdichian and music by CCM composition alumnus and accompanist Bradley Harris.

The program begins with George Balanchine’s masterwork Valse-Fantaisie, a classic ballet set to music by Mikhail Glinka. CCM’s performance is restaged by guest artist Viki Psihoyos, who works with the George Balanchine Trust to offer Balanchine Technique Workshops. Up next in Masterworks and Beyond is Flower Festival, with music composed by Edvard Helsted and choreography by August Bournonville. This one-act ballet is restaged by Qi and Carberry.

The program continues with two works that feature brand new choreography. CCM Associate Professor Michael Tevlin choreographs Revelries, a new traditional ballet performed with music by Gaetano Donizetti. Guest artist Roger Van Fleteren, who is the Associate Artistic Director and Resident Choreographer of the Alabama Ballet Company, choreographs “unRAVELed” a new contemporary ballet with music by Maurice Ravel.

The grand finale of the program is the world premiere of day of wakening over the sea of night. Inspired by Joseph Campbell’s mythological writings, this new work is a viscerally engaging, athletically mesmerizing landscape of contemporary dance. The piece features a reimagined stage space, which creates a shifted perspective, heightened by live musicians with a mystic world groove.

Masterworks and Beyond is a collection of diverse works, which showcase the versatility of the students and faculty in CCM’s Department of Dance. Tickets are available for purchase through the CCM Box Office.

Valse-Fantaisie is performed by permission of the George Balanchine Trust.

Performance Times
8 p.m. Thursday, April 13
8 p.m. Friday, April 14
2 & 8 p.m. Saturday, April 15

Please note: UC’s Nippert Stadium will also host an FC|Cincinnati game at 7 p.m. on Saturday, April 15, 2017. The full FC|Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2017-schedule.

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Masterworks and Beyond are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/masterworks-and-beyond.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Dance Sponsor: Rosemary & Mark Schlachter

The Dance Department gratefully acknowledges the support of the Corbett Endowment at CCM
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Story by CCM graduate assistant Charlotte Kies

Photo by Will Brenner.

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Mezzo-soprano Quinn Patrick Ankrum joins CCM as Assistant Professor of Voice in August of 2017.

Acclaimed Mezzo-Soprano Quinn Patrick Ankrum Joins CCM Voice Faculty

Mezzo-soprano Quinn Patrick Ankrum joins CCM as Assistant Professor of Voice in August of 2017.

CCM Interim Dean bruce d. mcclung has announced the addition of acclaimed mezzo-soprano Quinn Patrick Ankrum, DMA, to the college’s roster of distinguished voice faculty members. Ankrum’s appointment as Assistant Professor of Voice becomes effective on August 15, 2017.

Celebrated for her strong lyric voice, sizzling coloratura facility and engagingly sincere personality, Ankrum has performed a wide variety of repertoire spanning the centuries from Claudio Monteverdi to John Harbison. She has sung with opera companies and orchestras throughout the United States, as well as with the National Orchestra of Mexico in Mexico City.

In the 2014-15 and 2015-16 seasons she demonstrated her versatility as she collaborated on the operatic, recital and concert stages with musicians in Missouri, Texas, New York, Florida and Kansas, along with international engagements in Toulouse, Paris, Mondavio (Italy) and Oban (Scotland). She will return to the U.K. this May where she will appear in a recital featuring the music of American composers at East of England Organ Day at the Royal Hospital School, Holbrook, as well as in a concert featuring the music of Rameau with the East Anglian Academy.

Ankrum is an advocate of contemporary composers. She recently premiered Romanian composer Vlad Burlea’s chamber piece “Oglinda” (Texas and Kansas 2016) and created the role of the Mother in the world premiere of J. Todd Frazier’s opera Breath of Life (Lubbock, Texas, 2015).  In addition, she co-premiered John Harbison’s chamber work Crossroads with colleagues at Texas Tech University (2013). She is the co-creator of Living Song Project with pianist and University of Oklahoma faculty member Elizabeth Avery, DMA. This unique database project promotes the art song and vocal chamber music of living American composers.

In addition to being an active performer and teacher, Ankrum takes an interest in musicians’ health and wellness. She is an Andover Educator trainee, and will be licensed to teach the course What Every Musician Needs to Know About the Body when she finishes her training.

Ankrum received degrees from Trinity University in San Antonio (BM, MAT), the University of Colorado at Boulder (MM) and the University of Rochester, Eastman School of Music (DMA), where she studied with Robert McIver. She was a Young Artist in the Glimmerglass Opera Young American Artists Program and the Baltimore Opera Studio, and participated in the National Association of Teachers of Singing Intern Program.

She has been a finalist and winner in numerous regional and national competitions, including the Metropolitan Opera National Council auditions (Rocky Mountain Region) and the National Association of Teachers of Singing Artist Awards competition (2nd place winner, 2006). She has served on the faculties of the State University of New York at Fredonia, Nazareth College (Rochester, New York) and Texas Tech University (Lubbock).

Please join us in welcoming Ankrum to the CCM family this fall!

Learn more about CCM’s illustrious faculty by visiting ccm.uc.edu/about/villagenews/faculty.

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A model of the scenic design for CCM's production of 'Idomeneo.'

CCM Behind-the-Scenes: Lighting Design for Mozart’s ‘Idomeneo’

First-year graduate student Oliver Littleton’s first lighting design work was in churches, small theaters and tiny clubs. Now his designs will be seen in the Mainstage production of Idomeneo at UC’s College-Conservatory of Music.

The opera opens on Thursday, Mach 30 and continues through Sunday, April 2 in CCM’s Patricia Corbett Theater. Tickets are available through the CCM Box Office.

Littleton began his theatre training in Alabama at the age of 12. He wanted to be an actor, but always had an interest in lighting design. After earning a BFA in technical theatre from Adelphi University in New York, Littleton chose to pursue his graduate studies at CCM. He enrolled in CCM’s Theatre Design and Production program, where he studies lighting design and technology.

Light plays a key role in creating the “gods and monsters” in CCM’s production of Idomeneo. In an interview with CCM graduate assistant Charlotte Kies, Littleton shared some of his thoughts on the expressive power of lighting and its effect in Mozart’s first great opera seria.

What drew you to the lighting design program at CCM?
I loved the opportunity to be the lighting designer for a huge variety of genres including dance, opera, theatre and musicals. I value our large production scale and commitment to modern technology in all areas of the technical and design departments. Most important is probably my comfort within the culture of the CCM community.

It’s a hardworking environment that demands excellence, and does its best to surpass being just an educational institution in order to produce great art in a variety of fields.

How does your lighting design for Idomeneo compare to your work in other CCM productions?
This is my first Mainstage production at CCM so obviously scale is the big one! I designed Middletown in the fall and Transformations just a month ago, both in the Cohen Family Studio Theatre. Though they presented unique challenges, the sheer size of those productions was much smaller than this.

We’ve heard that lighting plays a significant role in establishing the abstract setting and in creating the “gods and monsters” of Idomeneo. Can you describe how you use light to create these “special effects?”
The metaphors of gods and monsters in this production of Idomeneo, in my mind, are far more important than their physical presence in the opera. To this end the “gods and monsters” are expressed in lighting with the contrast between restraint and excess.  Using color, intensity and texture to contrast between safe comfort, otherworldly mystery and grimy disappointment helps tell the story of monsters and heroes.  Our sea monster is of the mind.  It is doubt, hate, selfishness and it gets expressed with rich vivid color and powerful waves of light.  I want the lighting to drive this change and make the audience question who really are the monsters and gods of the piece.

A god-like face can be seen in Littleton's lighting design concept for 'Idomeneo.'

A god-like face can be seen in Oliver Littleton’s lighting design concept for ‘Idomeneo.’ Photo provided by Oliver Littleton.

What other roles does the lighting play in this opera?
When you start looking at abstract or ethereal lighting design, the first pitfall you see lighting designers take is forgetting that the point of the production is for audience members to sit in seats and watch people do things. All the fancy design in the world doesn’t amount to anything if the patrons can’t see the performers and understand what is going on in the story. The first job of every lighting designer is the help interpret the story and we do that in a number of ways. Lighting some areas of the stage while leaving others dark tells the audience where to look and focus. Using toplight and backlight that makes it difficult to see facial features gives a sense of drama and tension, while front light imbues a naturalistic nature to the stage. Every choice is informed by the question, “How does this serve the story,” and any choice that is not enslaved to it must be mercilessly eliminated.

Do you have anything else to add about your experience working on Idomeneo?
Idomeneo is a criminally underrated opera that is one of Mozart’s greatest offerings musically. I hope that everyone who watches the show leaves the theater saying things like “what a wonderful and interesting production” or “that was a beautiful way to share that music and story with us.” If they are talking about my lights or the set more than the characters’ choices or vocal prowess, then we as a design team have failed.

The greatest joy I take in my work is contributing to performers sharing stories and feeling with the audience. I hope this show does that for everyone who comes to see it.

CCM’s production of Idomeneo is directed by CCM artist diploma candidate Marcus Shields and conducted by Assistant Professor of Music Aik Khai Pung. It is sung in Italian with English supertitles. Find more information on the production in our press release.

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IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco
Aik Khai Pung, conductor
Marcus Shields, director

Performance Times
8 p.m. Thursday, Mar. 30
8 p.m. Friday, Mar. 31
8 p.m. Saturday, April 1
2 p.m. Sunday, April 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

 Purchasing Tickets
Tickets to Idomeneo are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/idomeneo.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s
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Story by CCM Graduate Student Charlotte Kies

CCM News Student Salutes
Cohen Studio

CCM’s Studio Musical Theatre Series Presents ‘Children of Eden’ March 30-April 2

UC’s College-Conservatory of Music presents Children of Eden, a two-act musical with music and lyrics by Stephen Schwartz and a book by John Caird, on Thursday, March 30 through Saturday, April 1 in CCM’s Cohen Family Studio Theater. The production is directed and choreographed by Vince DeGeorge, with musical direction by Steve Goers.

Like all Studio Series productions, admission to Children of Eden is free, but tickets are required. Tickets become available at noon on Monday, March 27, and can be reserved by visiting the CCM Box Office or calling 513-556-4183.

Schwartz, known for his smash-hit musicals that include Wicked and Godspell, created Children of Eden in 1986 for Youth Sing Praise, a religious high school theatre camp in Illinois. It was originally shorter and titled Family Tree, but Schwartz later expanded and renamed it. The musical as it exists today was premiered in 1991 at the Prince Edward Theatre in London’s West End.

The musical’s two acts relate the story of Adam and Eve and their children, followed by the tale of Noah and his family. In the first act, Adam and Eve interact with the Father (God) in Eden and are ultimately banished from the garden after they consume the forbidden fruit. We follow the couple through their trials with their children, Cain and Abel, the former of whom ultimately kills the latter.

In the second half of the show, Noah and his family are preparing for the great flood, including Noah’s son Japheth, who is determined to marry his family’s servant Yonah, a descendant of Cain. During the act, Noah laments the difficulty of being a good father, as does the omnipotent Father, who ultimately decides to grant his children the power of self-determination.

With free admission and limited seating, CCM’s Studio Series productions remain one of the hottest tickets in town. Learn more about how secure your tickets by visiting ccm.uc.edu/about/villagenews/did-you-know/how-to-studio-series.

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Cast List

Phillip Johnson as Father
Bryce Baxter as Adam
Ciara Harris as Eve
Zachary Triska as Cain
Edward Dohring as Abel
.Jordan Miller as Seth
Gabe Wrobel as Noah
Emily Meredith as Mama
Donelvan Thigpen as Shem
Dylan Dougal as Ham
Stavros Koumbaros as Japheth
Madelaine Vandenberg as Aysha
Kendall McCarthy as Aphra
Emily Royer as Yonah
Madison Deadman, Kylie Goldstein, Delaney Guyer, Jennifer Mollet, Andrew Alstat, Matthew Copley, Madison Hagler, William Jackson, Erich Schleck as Storytellers

Performance Times
8 p.m. Thursday, March 30
8 p.m. Friday, March 31,
2 and 8 p.m. Saturday, April 1

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Admission
Admission is free. Reservations are required. Tickets become available at noon on Monday, March 27. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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Musical Theatre Program Sponsor and Season Presenting Sponsor: The Otto M. Budig Family Foundation

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