CCM Assistant Professor Amy Johnson in Arizona Opera’s production of 'Salome.' Photography by Tim Fuller.

Preview Tonight’s Concert Production of Richard Strauss’ ‘Salome’

Pick up this week’s issue of CityBeat for an in-depth look at CCM’s concert production of Richard Strauss’ Salome, courtesy of Anne Arenstein. The concert begins at 8 p.m. tonight (Jan. 29). Tickets are on sale now.

“[Salome] packs enough obsession, erotic sensuality and dysfunction to fuel an entire reality-show season for E! — in 90 minutes,” Arenstein writes in her preview of the CCM Philharmonia performance. You can read her full preview here.

You can also listen to Arenstein interview CCM’s Director of Orchestral Studies Mark Gibson for WVXU’s Around Cincinnati here.

This production of Salome features the talents of two CCM Voice faculty artists: Amy Johnson in the title role and Kenneth Shaw as John the Baptist. Salome also features guest artists Allan Glassman as Herod and Elizabeth Bishop, who sings the role of Herodias, Herod’s wife. The production is semi-staged by faculty director Emma Griffin.

For even more #StraussinZinzinnati, mark your calendars for Feb. 5 and 6, as the Cincinnati Symphony Orchestra performs Strauss’ lush and melodious Symphonia domestica. This richly rendered autobiographical reflection of Strauss’ family life closes out a program that also features legendary pianist Leon Fleisher.

Performance Time
8 p.m. Friday, Jan. 29

Location
Corbett Auditorium, CCM Village,
University of Cincinnati

Purchasing Tickets
Tickets to Salome are $15, $10 for non-UC students and FREE for UC students with valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

____________________

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

Visiting Artists Sponsor: The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel

Orchestral Sponsor: Mr. & Mrs. Joseph W. Hirschhorn

CCM News
A short film produced by UC's innovative Production Master Class is a finalist in the 2016 New York City Drone Film Festival.

Student Produced Film Nominated Alongside Works By National Geographic, NBC News and ‘Good Morning America’ For NYC Drone Film Festival

A short film created in the University of Cincinnati‘s groundbreaking Production Master Class has been selected as an official nominee by the prestigious New York City Drone Film Festival.

The student and alumni produced film shares elite company in the festival’s News/Documentary category, as it is nominated alongside films by Good Morning America, NBC News and National Geographic!

A still from the UC Production Master Class short film, 'The Making of Expedition Alaska.'

A still from the UC Production Master Class short film, ‘The Making of Expedition Alaska.’

Produced by McMicken College graduate Mackenzie Houston (2015), edited by CCM senior Electronic Media major Nelson Mustain and directed by CCM alumnus Brian J. Leitten (BFA E-Media, 2001), the film details a group of UC students’ experiences filming in the Alaskan wilderness in the summer of 2015. Titled The Making of Expedition Alaska, the five-minute short will premiere in New York City this March.

The second annual New York City Drone Film Festival, presented by GE, will feature an interactive discussion panel, guest speakers, screenings of nominated films and an awards ceremony. This unique festival allows for drone cinematographers and storytellers from across the globe to showcase their work to industry professionals and drone cinema community. The #NYCDFF has been featured by Good Morning America, The New York Times, NBC News, The Wall Street Journal, NPR and more. Festival schedule and ticket information can be found at www.nycdronefilmfestival.com.

A still from the UC Production Master Class short film, 'The Making of Expedition Alaska.'

A still from the UC Production Master Class short film, ‘The Making of Expedition Alaska.’

About the UC Production Master Class
The UC Production Master Class involves an interdisciplinary group of students and faculty from the University of Cincinnati who work with nationally recognized television and film professionals to produce digital media content that reaches a national and global audience.

Since 2012, the UC Production Master Class has involved over 90 UC students hailing from the College-Conservatory of Music (CCM), the College of Design, Architecture, Art and Planning (DAAP) and the McMicken College of Arts and Sciences.

UC Production Master Class.Developed by CCM Professor Kevin Burke and UC Alumnus and Emmy award-winning producer Brian J. Leitten, the UC Production Master Course was first funded by a three-year grant from the UC Forward Collaborative, an initiative that supports experiential learning and is part of the UC Academic Master Plan. Last year, UC President Santa Ono pledged additional funding, which allowed the production to continue beyond its initial three-year grant period.

The goal was to create a transformative, “hands-on” experience for the students by taking them out of the classroom and into the field to produce the documentary series that could be distributed to a national television audience.

The project’s initial three years focused on the Gold Rush Expedition Race, a grueling 275-mile race through the California wilderness. Three 90-minute films were produced to document that race. All three films have aired nationally on NBC’s Universal Sports Network.

UC’s Production Master Class changed venues from California’s Sierra Nevada mountain range to the pristine wilderness of Alaska this summer to document 350 mile long “Expedition Alaska” adventure race from June 28 to July 5, 2015. A crew of seven UC student worked with media professionals to film the extraordinary sporting event.

CCM Alumni Applause Faculty Fanfare Student Salutes
the-birht-of-a-nation-movie-nate-parker

CCM Alumnus Dominic Bogart Featured in Sundance Film Festival Favorite ‘The Birth of a Nation’

Alumnus Dominic Bogart, recipient of the 2012 Julia Winter Cohen Career Excellence Award.

Alumnus Dominic Bogart, recipient of the 2012 Julia Winter Cohen Career Excellence Award.

After receiving accolades at the 2012 Sundance Film Festival for his lead role in the feature film I Am Not A Hipster, alumnus Dominic Bogart (BFA Drama, 2000) returned to the festival this month for the world premiere of The Birth of a Nation.

After the film received a standing ovation at its premiere, Variety reports that The Birth of Nation landed the biggest deal in the history of the Sundance Film Festival: a $17.5 million payday from Fox Searchlight for global rights!

Bogart plays Hank Fowler in this biopic about enslaved preacher-turned-revolt leader Nat Turner, appearing on screen alongside Nate Parker (who also wrote, directed and produced the film) and Armie Hammer.

This is the latest success for Bogart, who appeared in no less than five feature films this year. He also recently appeared in Sympathy, Said the Shark, which won the audience award for best feature at the Portland Film Festival and enjoyed a multi-city theatrical run.

His other recent and upcoming feature film releases include the rodeo western Mahjong and the West, the SyFy Channel’s science fiction thrill 400 Days and the atmospheric thriller The Ghost and the Whale.

A native of Piqua, Ohio, Bogart was the 2012 recipient of CCM’s Julia Winter Cohen Career Excellence Award.

You can learn more about CCM Drama’s actors at work by visiting ccm.uc.edu/theatre/drama/actorsatwork.

CCM Alumni Applause CCM News
Old 'Thinking About Music' lecture logo.

CCM’s ‘Thinking About Music’ Lecture Series Resumes on Jan. 29, 2016

Each semester, CCM welcomes distinguished experts for a series of free Friday afternoon musical discussions. This spring, the Thinking About Music lecture series will present five free public talks, beginning with a presentation by Indiana University Jacobs School of Music Professor Blair Johnston on Friday, Jan. 29.

CCM's Spring 2016 'Thinking About Music' Schedule.

CCM’s Spring 2016 ‘Thinking About Music’ Schedule.

Sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, these music theory and history discussions feature diverse topics presented by distinguished experts from all over the United States and are designed to engage participants’ imaginations and to consider music in new ways.

This semester’s guest lecturers also include University of California at Los Angeles Professor Daniel Neuman (Feb. 26), Yale University Professor Brian Kane (March 11), Cornell University Professor Annette Richards (April 1) and Tufts University Professor Emerita Janet Schmalfeldt (April 15). See the listings below for more information on this semester’s presentation topics.

Since its inception in 1997, the Thinking About Music Series has presented nearly 130 lectures and one symposium by guests from a number of different colleges, universities, schools of music, foundations, institutes, museums and publications.

The subjects of the lectures have covered historical musicology, music theory and ethnomusicology, along with the ancillary fields of organology, dance, music business and law, cognitive psychology, and the philosophy, theology and sociology of music.

Event Information
Unless otherwise indicated, all Thinking About Music lectures take place on Fridays at 2:30 p.m. in the Baur Room of CCM’s Corbett Center for the Performing Arts, which is located on the campus of the University of Cincinnati.

These events are free and open to the public. All event dates and programs are subject to change. Visit ccm.uc.edu for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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2016 SPRING JOSEPH AND FRANCES JONES POETKER THINKING ABOUT MUSIC LECTURE SERIES

'Thinking About Music' guest speaker Blair Johnston.2:30 p.m. Friday, Jan. 29
ORCHESTRATIONAL SCENARIOS IN THE MUSIC OF SIBELIUS
Blair Johnston, Indiana University

Orchestration—and, with it, the roles that timbre plays in musical rhetoric, expressive trajectories, and the choices made by performers—deserves more attention from scholars than it has received. In an ongoing project, Blair Johnston is examining the rich ways that orchestrational choices in post-Romantic symphonic works interact with the “structures” described by more conventional music analysis, an area that features music-theoretic vocabularies that do not always allow for easy discussion of certain dimensions of sound—in broad terms, its shapes, its colors, its densities—that are especially essential in music from this era. This talk will explore this through the use of late symphonic works by Sibelius (excerpts from the Fifth, Sixth, and Seventh Symphonies and Tapiola), music in which complex approaches to musical form and material are fused to a highly individual orchestrational language—indeed, music in which there may be almost no line between form, material and timbre.
Location: 
Baur Room
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'Thinking About Music' guest speaker Daniel Neuman.2:30 p.m. Friday, Feb. 26
MUSIC INHERITANCE AND HEREDITARY MUSICIANS: INDIA TODAY, THE WEST IN THE PAST
Daniel Neuman, University of California at Los Angeles

In this talk, Daniel Neuman considers the role of hereditary musicians in India in the recent past as well as today, as they become increasingly rare in the Hindustani classical music world. Some comparative gestures to Western classical music (and in particular J.S. Bach) highlight the important roles that genealogy, pedigree and biography play as different kinds of authentication markers and historical sources in each classical music practice.
Location: 
Baur Room
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'Thinking About Music' guest speaker Brian Kane.

2:30 p.m. Friday, March 11
HEARING DOUBLE: JAZZ AND ONTOLOGY
Brian Kane, Yale University

Philosophers have often considered the ontology of music, worrying over the relation between works, scores and performances. Yet, surprisingly, jazz has not received the same consideration, even though jazz—where performances of works such as “standards” vary widely in their properties—represents an even more challenging ontological problem than found in classical music. In this talk, Brian Kane will argue for a non-essentialist, network-based ontology of jazz standards. This argument will depend on two basic operations—chains of replication and chains of nomination—that together provide a robust basis for judgments concerning a performance’s identity and individuation. Also, just as jazz is an exemplification of a network-based ontology of music, Kane will try to draw out some wider implications for the ontology of music more generally.
Location: 
Baur Room
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'Thinking About Music' guest speaker Annette Richards.2:30 p.m. Friday, April 1
SENSIBILITY TRIUMPHANT: C. P. E. BACH AND THE ART OF FEELING
Annette Richards, Cornell University

In Goethe’s Triumph der Empfindsamkeit (1777), sensibility, feeling and sympathy are brutally exposed as trivial obsessions with postures and props. Excess, bad taste and poor behavior are the focus of Goethe’s hilarious critique of the craze unleashed by his own Sorrows of Young Werther. Embodied in this strange and funny text is satire aimed not only at the cult of Empfindsamkeit and at the works of the artist himself, but also at the conspicuous blurring of public and private spheres, the untoward exposure of personal proclivities and private feeling. Given the ubiquitous textbook designation of C. P. E. Bach as the architect of the ‘Empfindsamer Stil’ in music, Dr. Annette Richards takes another look at what ‘Empfindsamkeit’ might mean, especially for the composer’s late keyboard works. By examining this music (along with then-contemporary views on humor, satire and other cultural elements), the audience may have to reconsider Bach’s own claims about the competing aesthetics of public and private music.
Location: 
Baur Room
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'Thinking About Music' guest speaker Janet Schmalfeldt.

2:30 p.m. Friday, April 15
DOMENICO SCARLATTI, ESCAPE ARTIST: SIGHTINGS OF HIS “MIXED STYLE” TOWARDS THE END OF THE EIGHTEENTH CENTURY
Janet Schmalfeldt, Tufts University Professor Emerita/Boston University Visiting Professor
Location: Baur Room

____________________

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM’s Thinking About Music Series is sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel; along with support from Dean Landgren’s Office, the Graduate Student Association, and the Division of Composition, Musicology and Theory at CCM.

CCM News
The Ariel Quartet. From left to right: Alexandra Kazovsky, Jan Grüning, Amit Even-Tov and Gershon Gerchikov.

CCM’s Ariel Quartet Welcomes Famed Clarinetist David Krakauer for Jan. 26 Concert

Guest artist David Krakauer joins the Ariel Quartet in concert on Tuesday, Jan. 26, 2016.

Guest artist David Krakauer joins the Ariel Quartet in concert on Tuesday, Jan. 26, 2016.

The internationally acclaimed Ariel Quartet helps CCM kick-off its spring semester concert series with a program of Debussy, Webern and Golijov at 8 p.m. on Tuesday, Jan. 26. For this concert, the Ariel Quartet will be joined by distinguished guest artist David Krakauer.

Widely considered one of the greatest clarinetists on the planet, Krakauer has been praised internationally as a key innovator in modern klezmer as well as a major voice in classical music. For this program, Krakauer will join the Ariel Quartet for a performance of Osbaldo Golijov’s The Dreams and Prayers of Isaac the Blind.

“The movements of this work sound to me as if written in three of the different languages spoken by the Jewish people throughout our history,” Golijov explains. “This somehow reflects the composition’s epic nature. I hear the prelude and the first movement, the most ancient, in Arameic; the second movement is in Yissih, the rich and fragile language of a long exile; the third movement and postlude are in sacred Hebrew.”

The Ariel Quartet’s program for Jan. 26 also includes performances of Claude Debussy’s String Quartet in G Minor, Op. 10, and Anton Webern’s Six Bagatelles, Op. 9.

Learn more about the repertoire and download a copy of the Ariel Quartet’s program notes by visiting ccm.uc.edu/boxoffice/ariel-quartet/arieljan26.

About David Krakauer
Internationally acclaimed clarinetist David Krakauer redefines the notion of a concert artist. Known for his mastery of myriad styles, he occupies the unique position of being one of the world’s leading exponents of Eastern European Jewish klezmer music, and at the same time is a major voice in classical music. He has appeared with the Tokyo, Kronos and Emerson quartets, plus as soloist with the Dresden, Seattle and Detroit symphony orchestras, among many others.

With his band Ancestral Groove, he has redefined the klezmer genre with major appearances at Carnegie Hall and internationally. His discography contains some of the most important klezmer recordings of the past decade, notably The Dreams and Prayers of Isaac the Blind (Golijov/Kronos/Krakauer on Nonesuch).

Consistently defying categorization, Krakauer has enjoyed major ongoing artistic collaborations with a tremendously diverse group of performers and composers including Dawn Upshaw, Itzhak Perlman, John Zorn, Fred Wesley, Music from Marlboro, Abraham Inc, Osvaldo Golijov, the Klezmatics, John Cage, Danny Elfman and Socalled. In his newest project, The Big Picture, he explores the universal search for identity through a re-imagination of familiar themes by renowned film music composers brought together in a cinematic concert accompanied by original visuals.

An avid educator, Krakauer has enjoyed a long relationship with Mannes (New School University), the Manhattan School of Music, NYU, and the Bard Conservatory.

Performance Time
8 p.m. Tuesday, Jan. 26

Location
Corbett Auditorium, CCM Village,
University of Cincinnati

Purchasing Tickets
Tickets are $25 for general admission, $15 for non-UC students and FREE for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Ariel Quartet’s 2015-16 CCM concert series is made possible by the generous contributions of Anonymous, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. & Mrs. Randolph L. Wadsworth, Mr. & Mrs. J. David Rosenberg, Mr. & Mrs. Harry H. Santen, Mr. & Mrs. Paul G. Sittenfeld and Mr. & Mrs. Thomas E. Stegman.

CCM News Faculty Fanfare
CCM Village panoramic photo; Winter of 2015. Photography by Curt Whitacre.

Preview the Artistic Tracks and Silent Auction Items from CCM’s Moveable Feast!

Cincinnati’s favorite fundraiser returns this Friday as CCM proudly presents its annual Moveable Feast! Today, we are happy to provide you with a sneak peek of this year’s Artistic Tracks, along with a first look at the one-of-a-kind experiences you can bid on during Moveable Feast’s Silent Auction.

Artistic Tracks
Back by popular demand, the Friends of CCM have created a series of Artistic Tracks to help guide you to the programs and performances that best match your interests! Newcomers and seasoned veterans alike can enjoy these pre-planned pathways through CCM Village. Preview this year’s Artistic Tracks below!

Artistic Tracks for CCM's 2016 Moveable Feast.

Artistic Tracks for CCM’s 2016 Moveable Feast.

  • Classical: From opera arias to the Ariel Quartet, sample the best in classical music.
  • Newbie: Is this your first Feast? Don’t miss these audience favorites.
  • Theatre: Do you have a flair for the dramatic? Interested in show tunes? Step this way.
  • Party People: Looking for high energy, interactive arts? Don’t miss this party.
  • Best Kept Secret: Go a bit off the beaten path to check out some over-looked gems.
  • Parents Sampler: A behind-the-scenes look at CCM’s prep programs and facilities.
  • Create Your Own: Mix and match from the full list of performances to create a Feast of your own!

Silent Auction
Interested in a private tour of UC’s Corbett Center for the Performing Arts with CCM Dean Peter Landgren? Want CCM students to perform at your house party or compose a piece of music just for you? Browse and bid on a variety of unique experiences with CCM students and faculty members, along with invitations to exclusive events with Dean Landgren, during Moveable Feast’s Silent Auction!

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Moveable Feast’s silent auction will be open from 9 a.m. until 10 p.m. on Friday, Jan. 22. You do not have to be present at Moveable Feast in order to participate.

Bidding from your phone? Download the Handbid app before arriving at Moveable Feast! The app is free and no credit card information is needed. Search “Handbid” in the app store.

Bidding from your computer? Register and start bidding by visiting www.handbid.com/auctions/moveable-feast-2016.

Proceeds will provide support for student scholarship, travel opportunities and special collaborative projects at CCM.

Event Time
6:15 p.m. on Friday, Jan. 22

Location
CCM Village, University of Cincinnati

Purchasing Tickets
Tickets to “Moveable Feast” are moving fast, so don’t delay – get yours before they’re gone and experience an unforgettable evening of artistic and culinary delights! Tickets can be purchased online at ccm.weshareonline.org/ws/opportunities/MoveableFeast2016 or over the telephone at 513-556-2100.

  • Host Tickets: $125 (ticket price includes valet parking)
  • Friends of CCM Member Tickets: $50
  • General Public Tickets: $75 (ticket price includes a Friends of CCM Membership)
  • Young Professional (40 and under) Tickets: $35
  • CCM Alumni Tickets: $35

Seating is limited. Event proceeds raised by the Friends of CCM, a group of 600 volunteers and an active board, support student scholarships for CCM’s “stars of tomorrow.”

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
A snow-capped CCM Village.

CCM Welcomes Rebecca Bromels to Arts Administration Faculty

A familiar face within Cincinnati’s arts community will be joining the University of Cincinnati College-Conservatory of Music’s (CCM) highly regarded Department of Arts Administration this fall.

CCM Dean Peter Landgren has announced the appointment of Rebecca Bromels to the position of Assistant Professor of Arts Administration. Her appointment becomes effective in August of 2016.

Rebecca Bromels, incoming Assistant Professor of Arts Administration at CCM.

Rebecca Bromels, incoming Assistant Professor of Arts Administration at CCM.

Bromels currently serves as director of engagement of ArtsWave, the Greater Cincinnati region’s local arts agency and the nation’s largest community campaign for the arts. With the help of tens of thousands of donors, ArtsWave supports more than 100 arts and community organizations. These beneficiaries include CCM, which has been able to enhance its community engagement efforts through ArtsWave’s Community Partnership grants. In her position at ArtsWave, Bromels oversees volunteer programs and signature events including Macy’s Arts Sampler.

Having moved to Cincinnati in 1999 to pursue a directing career, Bromels discovered her love for arts administration during her 12-year tenure at Cincinnati Shakespeare Company. As managing director for eight seasons, she worked to broaden the company’s base of support and provide resources for its innovative productions of Shakespeare and the classics.

Bromels joined ArtsWave shortly after its evolutionary change to impact-based funding and was instrumental in developing the organization’s new messaging and brand identity as director of communications.

She has also directed plays for Cincinnati Shakespeare Company, the SERIALS project at Know Theatre of Cincinnati, New Edgecliff Theatre and St. Croix Festival Theatre in Wisconsin. In addition, she served as a guest lecturer in arts administration at Miami University and for the United Way BOLD board training program. In 2016, she will co-author a Corporate Arts Challenges Tool-Kit for Americans for the Arts.

Bromels holds a Bachelor of Fine Arts in Theatre Performance from Texas Christian University. She was recognized in the “Forty Under 40” class of 2005 by the Cincinnati Business Courier. She lives with her husband and two children in St. Bernard.

In his announcement of the hire, Landgren commented, “In my initial discussions with Rebecca, it became clear that she was committed to partnering with our faculty to advance CCM’s already remarkable Arts Administration program to even greater prestige. I am confident that her extensive theatre background and strong interpersonal skills will be a boon to CCM students and faculty alike.”

Utilizing the combined resources of CCM and UC’s Carl H. Lindner College of Business, the Department of Arts Administration offers one of the few joint MA/MBA arts administration programs in the United States. The highly selective program boasts a 100% job placement rate for its past seven years of graduates.

Learn more about CCM Arts Administration by visiting ccm.uc.edu/artsadmin.

Learn more about CCM’s world-class faculty members by visiting ccm.uc.edu/about/villagenews/faculty.

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