CCM’s acclaimed 2012-13 Mainstage Series comes to a close this week with a colorful new production of Mozart’s beloved comedic singspiel The Magic Flute. This production runs April 4–7 in UC’s Corbett Auditorium.
The Cincinnati Enquirer‘s Janelle Gelfand recently visited CCM to take a behind-the-scenes look at The Magic Flute‘s costumes, wigs and make-up designs. Watch her exclusive video preview here.
Jacqueline Echols as Pamina and Yi Li as Tamino in CCM’s ‘The Magic Flute.’ Photography by Mark Lyons.
CCM proudly presents Mozart’s beloved comedic singspiel The Magic Flute (Die Zauberflöte, 1791) from April 4–7 in UC’s Corbett Auditorium. The fourth most frequently performed opera worldwide, this production will be sung in German with English dialogue (with supertitles displayed). Mark Gibson conducts with stage direction by Steven Goldstein.
Composed by Wolfgang Amadeus Mozart with a libretto by Emanuel Schikaneder, this beloved opera offers something for everyone: a hero and heroine questing for true love, evil villains, a comical sidekick and a whole range of beastly creatures. According to Goldstein, The Magic Flute is a sort of vaudeville variety show of the 18th century. However, this iteration isn’t all about the slapstick comedy. “My charge to the performers,” Goldstein explains, “is for the comedy to come from somewhere genuine. There is a real play back and forth between light-heartedness and deep morality in Flute and our goal is to find the truth inside of it.”
‘Street Scene’ photography by Mark Lyons.
Jackie Demaline reviews CCM’s first-ever production of Street Scene for the Cincinnati Enquirer, proclaiming: “It’s a glorious synthesis by composer Kurt Weill and the artistic team and their company of singers and musicians deliver a production that will stand as a high point of the Cincinnati stage season.” Running tonight through Nov. 18 in UC’s Patricia Corbett Theater, Street Scene is part of CCM’s year-long Kurt Weill Festival.
You can read the full review here.
CCM proudly presents Kurt Weill, Langston Hughes and Elmer Rice’s Tony-Award winning opera Street Scene tonight through Nov. 18 in UC’s Patricia Corbett Theater. Mark Gibson conducts with stage direction by Steven Goldstein.
Jackie Demaline previewed the American opera in last Sunday’s Cincinnati Enquirer. You can read the full story here.
Anne Arenstein also previewed Street Scene, along with the rest of CCM’s groundbreaking Kurt Weill Festival, in this week’s issue of CityBeat. You can read the feature here.
CCM’s history-making production of Kurt Weill, Langston Hughes and Elmer Rice’s Tony-Award winning opera Street Scene opens tomorrow evening (Nov. 15) and runs through Sunday, Nov. 18 in UC’s Patricia Corbett Theater.
With its mammoth cast, this highly theatrical opera has something for everyone: rising melodic lines, lively American jazz phrases and even a few Broadway style dance numbers. It is a story of love, passion, greed and death – all set in front of a tenement building in 1946 Manhattan.
Today, we provide a behind-the-scenes look at how this tenement building came to life, courtesy of Scenic Designer Brian Ruggaber and the rest of Street Scene‘s production staff.
Street Scene is the latest installment in CCM’s 2012-13 Kurt Weill Festival, which is funded in part by the Kurt Weill Foundation for Music, Inc. Mark Gibson conducts with stage direction by Steven Goldstein. Street Scene will be sung in English without supertitles.
Second-year Artist’s Diploma student Meghan Tarkington as Rose Maurrant in CCM’s first-ever production of ‘Street Scene.’
CCM makes history this month as it proudly presents Kurt Weill, Langston Hughes and Elmer Rice’s Tony-Award winning opera Street Scene Nov. 15-18 in UC’s Patricia Corbett Theater. The American opera in two acts presents a simple, yet dramatic story of a mid-century Manhattan neighborhood, and CCM’s performance combines the forces of hundreds of students across several departments. Due to Street Scene‘s incredible scale, CCM has never before presented this great American opera. This historic production is funded in part by the Kurt Weill Foundation for Music, Inc. Mark Gibson conducts with stage direction by Steven Goldstein. Street Scene will be sung in English without supertitles.
Last month, CCM mounted a unique multimedia production of Berlioz’s La Damnation de Faust (The Damnation of Faust). If you missed this E-Media, Choral and Orchestral collaboration, here is a glimpse of the production that critics have hailed as “extraordinary.”
CCM Assistant Professor of Electonic Media Raul Barcelona.
This Saturday, CCM presents a unique multimedia production of Berlioz’s The Damnation of Faust. CCM E-Media faculty member Raul Barcelona recently discussed his work on the project with CCM Public Information Assistant and Arts Administration student Lillian Matchett.
Lillian Matchett: Could you give me a little background about your work at CCM?
Raul Barcelona: I’ve been here now for almost two years. My role here is Assistant Professor of Electronic Media, and I specifically teach new media and video production classes. My main focus is film making, but in the past I have also worked as a web designer and graphics designer, so I am also teaching some of those new media courses as well.
LM: Could you tell me a little about how you originally got involved with the production of The Damnation of Faust?
RB: Earl Rivers [CCM’s Director of Choral Studies and conductor] approached me to see if I would be interested in developing some visuals for the performance. He had this idea that it’s a work that is very cinematic in nature, even just by itself, and he thought that it would be a good opportunity to collaborate so that the music is accompanied with visuals.
LM: What was your original inspiration for the visuals we’ll see on Saturday?
Robyn Carey-Allgeyer discussed the upcoming multimedia production of Berlioz’s The Damnation of Faust with CCM’s Earl Rivers on the latest edition of WVXU’s Around Cincinnati.
You can listen to the full interview here. Performance information for The Damnation of Faust is available after the jump!
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