CCM’s Kurt Weill Festival resumes this month with the Mainstage Series production of Weill and Bertolt Brecht’s The Threepenny Opera (running Feb. 28 – March 10). This spring’s festival events will also include concert performances of Weill’s Kiddush (Prayer of Sanctification) and the a capella madrigal “Ho, Billy, O!” from the Weill musical Love Life. View a full schedule of festival events here. Learn more about The Threepenny Opera after the jump.
CCM is delighted to welcome Richard L. Turner Professor of the Humanities at the University of Rochester and President of the Kurt Weill Foundation for Music Kim Kowalke for a series of talks this week in conjunction with the Mainstage production of Street Scene.
Kowalke will speak to students enrolled in CCM’s “Kurt Weill’s Music Theatre” course on the morning of Thursday, Nov. 15 and then present a free talk before the opening performance of Street Scene. This talk is open to the public and will last from 7:15 – 7:45 p.m. in the Baur Room of UC’s Corbett Center for the Performing Arts.
Kowalke will also present a Thinking About Music lecture on “What Makes Weill Weill” at 2:30 p.m. on Friday, Nov. 16. This talk will be held in the Baur Room and is also free and open to the general public.
A full schedule of related public events is listed below. Click here for more information on CCM’s 2012-13 Kurt Weill Festival.
The festival resumes next month with a Mainstage production of Kurt Weill, Langston Hughes and Elmer Rice’s great American opera Street Scene, conducted by Mark Gibson with stage direction by Steven Goldstein. Street Scene runs Nov. 15 – 18 in UC’s Patricia Corbett Theater.
Visit CCM’s official Facebook page for a behind-the-scenes look at the production!
CCM’s resident Kurt Weill scholar, Associate Professor of Musicology bruce mcclung, was quoted in an Oct. 21 New York Times article on the discovery of a previously unknown recording of Weill’s “Railroads on Parade” composition from the 1939 World Fair.
Record collector Guy Walker discovered the recordings in 2007 and plans to release the music on CD this month, with liner notes by mcclung. Read the full New York Times article here.
Beginning this month, CCM will celebrate the iconic work and enduring legacy of composer Kurt Weill with an unprecedented series of events. Opening on Friday, Oct. 19, and running through Tuesday, March 12, CCM’s Kurt Weill Festival will incorporate the renowned theatre composer into a broad range of both public performances and classroom exercises.
Perhaps best known for The Threepenny Opera and its opening ballad, “Mack the Knife,” Weill’s work has been championed by performers as diverse as Louis Armstrong, Bobby Darin, Nina Simone, The Doors, Judy Collins, Teresa Stratas, Dee Dee Bridgewater, Todd Rundgren, Tom Waits, Lou Reed and Sting.
CCM’s yearlong Kurt Weill Festival will include Mainstage opera and musical theatre productions, cabaret performances, collaborative concerts, master classes and more. Funded in part by the Kurt Weill Foundation for Music, CCM has never before hosted a festival of this magnitude.