From left to right: Alexandra Kazovsky, Jan Grüning, Amit Even-Tov and Gershon Gerchikov are the Ariel Quartet.

The Ariel Quartet’s CCM Concert Series Continues on Jan. 27

The internationally acclaimed Ariel Quartet continues its concert series at CCM on Tuesday, Jan. 27, with a performance featuring works by Schubert, Stravinsky and Schulhoff. Tickets for this performance are on sale now.

The Ariel Quartet is comprised of Alexandra Kazovsky, violin; Amit Even-Tov, cello; Gershon Gerchikov, violin; and Jan Grüning, viola. The Quartet was formed in Israel 16 years ago when its members were young students, and they have been playing together ever since. Recently awarded the prestigious Cleveland Quartet Award, the Quartet serves as the string quartet-in-residence at CCM, where they direct the chamber music program and perform their own annual series of concerts – a remarkable achievement for an ensemble so young.

Last season, the Quartet performed its first complete Beethoven Cycle at CCM, a feat that the Cincinnati Enquirer‘s Janelle Gelfand characterized as “a challenge like climbing Mount Everest, and you could only marvel at their musicianship each step of the way.” You can watch excerpts from last season’s concert series by visiting www.arielquartet.com/video.

“The Cycle” proved so popular that the Ariel Quartet was invited to perform another complete cycle of Beethoven’s string quartets for New York City audiences at the SubCulture music venue on Bleeker Street.

Last month, the Wall Street Journal‘s Barrymore Laurence Scherer praised the Quartet members for their “vigorous aplomb” and their “palpable joie de vivre born of understanding and affection for the works channeled through their own consummate musicianship.”

Repertoire
SCHULHOFF: Divertimento for String Quartet, Op. 14
STRAVINSKY: Three Pieces for String Quartet
SCHUBERT: String Quartet in G Major, D. 887

Performance Time
8 p.m. Tuesday, Jan. 27

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets are $20 for general admission, $15 for non-UC students and FREE for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Ariel Quartet’s 2014-15 CCM concert series is made possible by the generous contributions of The Corbett Foundation, Dr. & Mrs. Randolph L. Wadsworth, Mr. & Mrs. William A. Friedlander, Mr. & Mrs. Harry H. Santen, Mr. & Mrs. Thomas E. Stegman and Mr. & Mrs. J. David Rosenberg.

CCM News Faculty Fanfare

CCM Prep Announces Continuation of its New Horizons Orchestra Program

We are thrilled to announce the continuation of the CCM Preparatory Department‘s (CCM Prep) popular New Horizon Orchestra, an innovative program for beginning musicians over the age of 50 who want to learn to play a musical instrument. No previous musical experience is required, so it is truly “never too late!”

Come to CCM Prep’s “Play Days” this month to learn more about the New Horizons Orchestra and for the opportunity to try out various string instruments under the guidance of CCM educators and other local string professionals. Instrument purchase and rental information will also be available at each of these meetings. Those who would like to know more, but are unable to attend one of the informational meetings, may contact the CCM Prep Office at 513-556-2595.

Information Sessions – “Play Days”

  • 10:30 a.m. on Saturday, August 9 at UC Blue Ash, Muntz Hall Commons
  • 10:30 a.m. on Saturday, August 16 at UC Blue Ash, Muntz Hall Commons
CCM News

CCM Faculty, Alumni and Programs Make Headlines This Summer

CCM continues to make headlines! See what the New York Times, the Wall Street Journal, Variety and more are saying about our faculty members, our alumni and our academic programs:

GABRIELLE-master675CCM Musical Theatre alumna Gabrielle Stravelli (BFA, 2001) received a glowing write-up in this Monday’s issue of the New York Times, with critic Stephen Holden calling her recent performance at the Metropolitan Room “intoxicating” and proclaiming that she, “recalled Ella Fitzgerald in her prime.” Stravelli next performs at the Metropolitan Room on July 29 and 31. Read the review here.

WorldsFairPlayFestivalThe New York Times also featured the World’s Fair Play Festival at the Queens Theater as its “Critics’ Pick” this week. A presentation of 10 original 10-minute long plays inspired by the 1939 and 19647 World’s Fairs, the festival has several notable CCM ties, with CCM Assistant Professor of Drama Brant Russell serving as a producer and director of the festival and Sarah Vargo (BFA, 2014) working as Assistant Director. Todd Almond (BM, 1999) was commissioned to write one of the festival’s new plays. The World’s Fair Play Festival runs through Sunday, July 27, 2014. Read the review here.

COUPLED2AC7867C7-CBDA-0EE2-860E9ACA54983621.jpg.pagespeed.ce.SnXKSdTksPCCM Drama alumna Diane Rogers (MFA, 1992) also received accolades this week for the new musical COUPLED. Rogers wrote the music, lyrics and book to COUPLED, which Broadway World deems a “must-see.” The show plays through Aug. 10 at the Jimmy Ferraro Studio Theatre in New Port Richey, Florida. Read the review here.

mickey-fischer-extantEarlier this month, Variety published an interview with Musical Theatre alumnus Mickey Fisher (BFA, 1995), whose show Extant is one of the summer’s most highly anticipated television events. Fisher wrote the script and will serve as an executive producer for Extant, a futuristic thriller produced by Steven Spielberg’s Amblin TV for CBS with Halle Berry starring. Read the feature here.

AChorusLineThe Times-Picayue recently profiled CCM faculty members Diane Lala and Robert Pavlovich in a feature on Tulane’s Summer Lyric Theatre production of A Chorus Line. Lala directed and choreographed this critically acclaimed production, which starred Pavlovich as formidable stage director Zach. Fellow CCM faculty member Roger Grodsky provided musical direction. Read the feature here.

RoscoeCCM alumnus/composer Evan Mack (MM, 2005; DMA, 2008) and CCM alumnus/librettist Joshua McGuire (MM, 2005) are getting attention for their new opera, Roscoe, which received an Opera Saratoga workshop performance earlier in the summer. Last month, the Times Union profiled the opera, which is an adaptation of the best-selling novel of the same name by Pulitzer Prize-winning author William Kennedy. Read the feature here.

EN-AB104_ORCHES_G_20140618101329Earlier this summer, CCM Prep’s New Horizons Orchestra was featured in the Wall Street Journal. The Journal reported on the growing popularity of ensembles for older players. Read the feature here.

See who else is making headlines by visiting ccm.uc.edu/about/villagenews/in-the-news.

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CCM Review Round-Up: ‘Les Misérables’ and ‘El Niño’

The critics can’t stop talking about CCM’s productions of Les Misérables and El Niño! Catch up with the latest “buzz” in today’s review round-up!

CCM proudly presents a new production of the iconic musical "Les Misérables," playing Feb. 27 - March 9, 2014. Photography by Mark Lyons.

CCM proudly presents a new production of the iconic musical “Les Misérables,” playing Feb. 27 – March 9, 2014. Photography by Mark Lyons.

  • Rick Pender calls CCM’s new production of Les Misérables “magnificent” in his CityBeat review, concluding, “Peeled back to its raw essence, CCM’s staging of Les Misérables is powerful and memorable, one of the best musical theater productions on a Cincinnati stage this season.” Read the full review here.
  • Paige Malott reviews the production for iSPYCiNCY and observes, “Capturing the larger-than-life Les Misérables with perfection, CCM put on a better-than-Broadway performance that is guaranteed 2-4-6-0-fun.” Read the full review here.
  • In his Talkin’ Broadway review, Scott Cain explains, “Musicals presented at… CCM always feature splendidly talented student performers who rarely disappoint. Their current production, Les Misérables, is no exception and does showcase many stunning voices and meticulously detailed acting.” Read the full review here.
  • In his review for The Sappy Critic, Kirk Sheppard suggests, “I’ve seen a lot of shows in Cincinnati over the last couple of years… [and] CCM’s Les Misérables just might be the greatest production I’ve ever seen.” Read the full review here.
  • Rafael de Acha reviews the production for Seen and Heard International and writes, “Keeping the entire undertaking tightly reined in and mercifully devoid of any Broadway clichés, [Aubrey] Berg delivers a fresh and finely-wrought production.” Read the full review here.
  • Emily Begely reviews Les Misérables for UC’s News Record and concludes, “An exemplary cast, a familiar plot and simple props created an unforgettable work of art.” Read the full review here.
Earl Rivers leads the CCM Philharmonia in a rehearsal for John Adams' EL NINO. Photography by Lisa Ventre/University of Cincinnati.

Earl Rivers leads the CCM Philharmonia in a rehearsal for John Adams’ EL NINO. Photography by Lisa Ventre/University of Cincinnati.

  • Janelle Gelfand reviews CCM’s “powerful” performance of John Adams’ El Niño for the Cincinnati Enquirer, and observes, “[Earl] Rivers balanced the work’s intimate emotions against powerful ones, propelled tempos well and drew excellent playing from the orchestra.” Read her full review here.
  • Mary Ellyn Hutton reviews El Niño for ConcertoNet and writes, “John Adams’ oratorio El Niño had its regional premiere in Cincinnati March 2, and it couldn’t have been in better hands. ” Read the full review here.

Performances of Les Misérables resume this evening (Tuesday, March 4) and run through Sunday, March 9. Learn more by visiting ccm.uc.edu/boxoffice/lesmiserables.

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CCM Presents Contemporary American Masterpiece ‘El Niño’ in Concert This Sunday, March 2

CCM_ElNino_EventFluenceAd_ForBlog

This Sunday, March 2, CCM’s American Voices Concert Series proudly presents John Adams’ El Niño in concert.

According to the Wall Street Journal this stunning oratorio, “capture[s] the intimacy, mystery and apocalyptic nature of the Nativity story in a thoroughly contemporary idiom, fusing [Adams’] well-known minimalist style with a rich blend of text in English, Spanish, and Latin for an effect ultimately as timeless as the story itself.”

According to the New York Times, “John Adams’ celebration of the Nativity bears so many gifts that the senses stagger under the load.”

The CCM Philharmonia Orchestra, Chamber Choir, Chorale and Cincinnati Children’s Choir proudly present a stirring rendition of Adams’ El Niño at 3 p.m. on Sunday, March 2, in UC’s Corbett Auditorium. CCM welcomes guest artists Michael Maniaci, Eric Jurenas and Steven Rickards for this performance. Tickets are on sale now.

CCM News

‘The Wall Street Journal’ Features Opera Fusion in Article on New Operas

Heidi Waleson explores the latest trends in the development and presentation of new operas in a recent Wall Street Journal article, highlighting the CCM and Cincinnati Opera collaboration Opera Fusion: New Works!

Waleson discusses Terence Blanchard and Michael Cristofer‘s Champion and Douglas J. Cuomo and John Patrick Shanley’s Doubt, both of which were workshopped through the innovative Opera Fusion program! You can read the full Wall Street Journal article here.

Opera Fusion: New Works is generously funded by a $300,000 grant from The Andrew W. Mellon Foundation.

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