Mark Gibson conducts the CCM Philharmonia at Moveable Feast.

CCM Showcases Three Centuries of Polish Music in Month-Long Festival

The University of Cincinnati College-Conservatory of Music showcases Polish music from the Romantic era to the Modern age in a month-long festival running Sept. 9 – Oct. 2, 2016. Organized by CCM Director of Orchestral Studies Mark Gibson, the festival unites students, faculty and alumni with award-winning guest artists and world-renowned scholars in a celebration of the culture of Poland.

The general public can experience the creative expressions of one of the world’s great cultures through a series of classical music and jazz concerts, art installations, lectures and more occurring throughout CCM Village this fall.

Throughout the month, audiences will have the opportunity to hear works both well-known and unjustly neglected from Polish voices old and new. Performance highlights include two of Fryderyk Chopin’s virtuosic piano concerti; Witold Lutosławski’s thrilling Concerto for Orchestra; a world premiere from composer, violinist and CCM alumnus Piotr Szewczyk (BM Violin, 2000; MM Violin and Composition, 2003); and an evening of jazz with Grammy Award-winner Włodek Pawlik.

The CCM Philharmonia opens the Polish Festival in stunning fashion at 8 p.m. on Friday, Sept. 9 in Corbett Auditorium. The concert program includes the world premiere of Piotr Szewczyk’s American Dreams and a performance of the signature work of one of the greatest Polish composers of the modern era, Lutosławski’s Concerto for Orchestra. Naumburg Gold Medalist and CCM faculty artist Soyeon Kate Lee also joins the Philharmonia for a performance of Chopin’s Piano Concerto No. 2. Mark Gibson conducts this can’t-miss concert event.

Aik Khai Pung leads CCM’s Café MoMus Contemporary Music Ensemble as they play works of Polish composers from three different generations — Krzysztof Penderecki, Bettina Skrzypczak and Artur Słotwiński — at 8 p.m. on Tuesday, Sept. 13. Audience members can sample Polish desserts and delicacies at a reception after the free concert in CCM’s beautiful Cohen Family Studio Theater and meet Słotwiński and the musicians.

Pung also conducts the CCM Concert Orchestra in a performance of Chopin’s Piano Concerto No. 1 and Górecki’s Symphony No. 3 (“Symphony of Sad Songs”) at 8 p.m. on Saturday, Sept. 17 in Corbett Auditorium. The concert features the winners of CCM’s piano and voice competitions.

Grammy award-winning jazz pianist Włodek Pawlik joins the CCM Jazz Orchestra and the Faculty Jazztet on stage at 7 p.m. on Sunday, Sept. 18 in Corbett Auditorium. Under the direction of conductor Scott Belck, the concert will feature Pawlik’s original compositions and arrangements.

A rare performance of Szymanowski’s masterwork Symphony No. 3, Op. 27 (“Song of the Night”) will close the festival at 4 p.m. Sunday, Oct. 2. The CCM Philharmonia, Chamber Choir and faculty soloist Dan Weeks, tenor, will be joined by the Xavier University Concert Choir in presenting this evocative symphony.

Festival highlights also include a free presentation from visiting lecturer Halina Goldberg. Acknowledged as one of the world’s foremost experts on Polish Music, Goldberg will give audiences a look into Polish art and culture at 2:30 p.m. Friday, Sept. 9 in the Baur Room of CCM’s Corbett Center of the Performing Arts.

An integral part of many of the festival concerts will be a large-scale work by Polish painter and visual artist, Anna Socha VanMatre. The music of Penderecki inspired her work, “Metamorphoses-Fire,” which will serve as an inspiring backdrop for the festival’s major orchestra concerts in Corbett Auditorium.

CCM’s Polish Festival will leave listeners with a deeper appreciation of the music and art of a country vast in history and tradition. See below for a complete list of festival events. We hope you join us in this unique series as we celebrate Poland!

Event Information

All events listed below take place on the campus of the University of Cincinnati. Some events require paid admission. Please see individual event information for single ticket prices and ordering information.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Purchasing Tickets

Concert flex ticket packages are on sale now! Single tickets go on sale Monday, Aug. 22, 2016.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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POLISH FESTIVAL SCHEDULE

2:30 p.m. Friday, Sept. 9
• The Joseph and Frances Jones Poetker Thinking About Music Lecture Series •
A LOOK INTO POLISH ART AND CULTURE
Halina Goldberg, Jacobs School of Music
Dr. Halina Goldberg, acknowledged as one of the world’s foremost experts on Polish music, will present a lecture on aspects of Polish art and culture.
Location: Baur Room
Admission: FREE
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8 p.m. Friday, Sept. 9
• Orchestra Series •
OPENING CONCERT
CCM Philharmonia
Featuring faculty artist Soyeon Kate Lee, piano
Mark Gibson, music director and conductor
Join us as the acclaimed CCM Philharmonia commences a month-long Polish Festival featuring performances by student and faculty artists from throughout the college. The festival opening performances include the world premiere of a new work American Dreams, composed by accomplished CCM alumnus Piotr Szewczyk!
CHOPIN: Piano Concerto No. 2 in F Minor, Op. 21
Featuring Soyeon Kate Lee, piano
LUTOSŁAWSKI: Concerto for Orchestra
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE
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8 p.m. Tuesday, Sept. 13
• Orchestra Series •
PENDERECKI, SKRZYPCZAK AND SŁOTWIŃSKI
Café MoMus
Aik Khai Pung, music director
As part of the Polish Festival, Café MoMus will present works of Polish composers from three different generations: Krzysztof Penderecki, Bettina Skrzypczak and Artur Słotwiński. Join us for coffee and conversation with Artur Słotwiński and the musicians after the performance.
Location: Cohen Family Studio Theater
Admission: FREE
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8 p.m. Saturday, Sept. 17
• Orchestra Series •
CHOPIN AND GÓRECKI
CCM Concert Orchestra
Aik Khai Pung, music director and conductor
CHOPIN: Piano Concerto No. 1
Featuring the winner of the CCM Piano Competition
GÓRECKI: Symphony No. 3 (“Symphony of Sad Songs”)
Featuring the winner of the CCM Voice Competition
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.
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7 p.m. Sunday, Sept. 18
• Jazz Series •
THE MUSIC OF VIRTUOSO JAZZ PIANIST AND COMPOSER WŁODEK PAWLIK
CCM Jazz Orchestra and Faculty Jazztet
Featuring guest artist Włodek Pawlik, piano
Scott Belck, conductor
Join us as we celebrate the stunning music and musicians of Poland and feature Grammy Award-winning pianist and composer Włodek Pawlik as he performs his original compositions and arrangements.
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.
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4 p.m. Sunday, Oct. 2
• Orchestra & Choral Series •
POLISH FESTIVAL CLOSING CONCERT
CCM Philharmonia, CCM Chamber Choir and Xavier University Concert Choir
Featuring faculty artist Daniel Weeks, tenor
Mark Gibson, music director and conductor
MONIUSZKO: Overture to Halka
PENDERECKI: Threnody to the Victims of Hiroshima
SKROWACZEWSKI: English Horn Concerto
SZYMANOWSKI: Symphony No. 3 in B-flat Major, Op. 27 (“Song of the Night”)
Featuring Daniel Weeks, soloist
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.
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CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Polish Festival Sponsor: Judith Heiny and Piotr Chomczynski

Orchestral Sponsor: Mr. & Mrs. Joseph W.  Hirschhorn
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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at http://ccm.uc.edu.

CCM News
Cincinnati World Piano Competition 60th Anniversary Concert

Cincinnati World Piano Competition to hold 60th Anniversary Concert at CCM

In lieu of a summer competition series, the Cincinnati World Piano Competition (CWPC) will hold a 60th Anniversary Concert at 7:30 p.m. on Saturday, July 30, at CWPCCorbett Auditorium, located at the University of Cincinnati College-Conservatory of Music (CCM).

This special one-night-only performance honors CWPC founder and former Executive Director Gloria Ackerman, who retired in 2013. It features pianists Angela Cheng, Daria Rabotkina and CWPC Artistic Director Awadagin Pratt performing repertoire for piano and orchestra with the Cincinnati Symphony Orchestra (CSO) led by Associate Conductor Keitaro Harada.

“This recognition for Gloria’s remarkable contributions is overdue and it’s particularly fitting that we honor her with a concert featuring two past CWPC medalists along with Awadagin, who is, of course, a world-renowned pianist in his own right,” said CWPC Board Chair Jack Rouse.

The program will open with Ravel’s Piano Concerto, performed by 1983 CWPC Gold Medalist Angela Cheng. Cheng, who went on to win the Gold Medal at the Arthur Rubinstein International Piano Masters Competition, was also the first Canadian to win the prestigious Montreal International Piano Competition. She is consistently praised for her brilliant technique, tonal beauty and superb musicianship. In addition to guest appearances with the major orchestras in her home country of Canada, Cheng regularly performs with orchestras and in recital across the US and Europe.

Strauss’ Burleske will be performed by 2002 CWPC Silver Medalist Daria Rabotkina who, according to the Washington Post, has impressed audiences and critics alike with her “clearly prodigious musical gifts.” She went on to win the 2007 Concert Artists Guild International Competition, has received top prizes at many international competitions, and has worked with conductors Michael Tilson Thomas, Valery Gergiev and Giancarlo Guerrero, among others.

The concert closes with Pratt performing Brahms’ Piano Concerto No. 1. In addition to serving as CWPC Artistic Director and Professor of Piano at CCM, Pratt is internationally acclaimed for his musical insight and intensely involved performances in recital and with symphony orchestras. He last performed with the CSO in 2011 for Paavo Järvi’s triumphant final concerts as the Orchestra’s Music Director.

“It is always an honor and pleasure to make music with the world-class musicians of the Cincinnati Symphony Orchestra,” Pratt said.

As previously announced, this special CWPC performance on July 30 at CCM’s Corbett Auditorium is being presented in lieu of this summer’s competition while the organization examines and explores ways to further build on recent successes.

“Most international competitions do not occur annually and that’s one of the many issues we’re exploring,” Pratt said. “The CWPC remains committed to fostering the talent of young pianists.”

Tickets for the CWPC’s 60th Anniversary Concert are on sale at the Music Hall Box Office, online at cincinnatiwpc.org, or by phone, 513-381-3300.

About the Cincinnati World Piano Competition

Founded in 1956, the CWPC has undergone many changes, artistic, strategic, and otherwise in its 60-year history. One of the most pivotal of these changes occurred in 2013 when the CWPC joined forces with two of Cincinnati’s most revered cultural institutions: the Cincinnati Symphony Orchestra and the University of Cincinnati College-Conservatory of Music, where Artistic Director Awadagin Pratt also serves on the faculty. The Competition occurs on CCM’s campus and three finalists are afforded the opportunity to perform with the CSO during the final round. Both CCM and the CSO also assist the CWPC with administrative resources.

Awadagin Pratt
Among his generation of concert artists, pianist Pratt is acclaimed for his musical insight and intensely involving performances in recital and with symphony orchestras. At the age of 16, he entered the University of Illinois where he studied piano, violin, and conducting. He subsequently enrolled at the Peabody Conservatory of Music where he became the first student in the school’s history to receive diplomas in three performance areas – piano, violin and conducting. In recognition of this achievement and for his work in the field of classical music, Pratt recently received the Distinguished Alumni Award from Johns Hopkins. Has also been awarded an Honorary Doctorate from Illinois Wesleyan University.

In 1992 Pratt won the Naumburg International Piano Competition and two years later was awarded an Avery Fisher Career Grant. Since then, he has played numerous recitals throughout the US including performances at Lincoln Center, Kennedy Center, Dorothy Chandler Pavilion in Los Angeles and Chicago’s Orchestra Hall. His many orchestral performances include appearances with the New York Philharmonic, Minnesota Orchestra and the Pittsburgh, Atlanta, Baltimore, St. Louis, National, Detroit and New Jersey symphonies among many others. Internationally, Pratt has toured Japan four times and performed in Germany, Italy, Switzerland, Poland, Israel, Colombia and South Africa.

In November 2009, Pratt was one of four artists selected to perform at a White House classical music event that included student workshops hosted by the First Lady, Michelle Obama and performing in concert for guests including President Barack Obama. He has performed two other times at the White House, both at the invitation of former President Bill Clinton and former First Lady Hillary Clinton.

Pratt is currently Professor of Piano and Artist in Residence at the University of Cincinnati College-Conservatory of Music. He is also the Artistic Director of the Cincinnati World Piano Competition in Cincinnati as well as the Artistic Director of the Art of the Piano Festival at CCM. He is a Yamaha artist.

Cheng 4(1)Angela Cheng
In addition to regular guest appearances with virtually every orchestra in Canada, Cheng has also performed with the Alabama Symphony, Buffalo Philharmonic, Colorado Symphony, Houston Symphony, Indianapolis Symphony, Jacksonville Symphony, Louisiana Philharmonic, Saint Louis Symphony, San Diego Symphony, Syracuse Symphony, Utah Symphony and the Israel Philharmonic. In the spring of 2012, Ms. Cheng made her highly acclaimed Carnegie Hall debut with the Edmonton Symphony. She also made her debut at the prestigious Salzburg Festival in a recital with Pinchas Zukerman during the summer of 2012. Highlights this coming season include the National Arts Centre Orchestra in Ottawa, Sinfonia Toronto, Vancouver Symphony and the Winnipeg Symphony.

In 2009, at the invitation of Pinchas Zukerman, Cheng toured both Europe and China as a member of the Zukerman Chamber Players. She joined them again in the spring of 2010 for a U.S. tour, which included concerts at Kennedy Center in Washington, D.C. and the 92nd Street Y in New York. Subsequent seasons have seen multiple tours of Europe, Asia and South America, including performances at the Musikverein in Vienna, the Concertgebouw in Amsterdam, and at the Schleswig-Holstein, Salzburg and Ravinia festivals.

An avid recitalist, Cheng appears regularly on recital series throughout the United States and Canada and has collaborated with numerous chamber ensembles including the Takács, Colorado and Vogler quartets. Her festival appearances include Chautauqua, Banff, Colorado, Houston, Vancouver, the Festival International de Lanaudière in Quebec and the Cartegena International Music Festival in Colombia.

Cheng has been Gold Medalist of the Arthur Rubinstein International Piano Masters Competition, as well as the first Canadian to win the prestigious Montreal International Piano Competition. Other awards include the Canada Council’s coveted Career Development Grant and the Medal of Excellence for outstanding interpretations of Mozart from the Mozarteum in Salzburg.

Daria Rabotkina
Rabotkina’s concerto highlights include San Francisco and New World Symphonies, Kirov (Mariinsky) Orchestra, Moscow State Symphony, Winnipeg Symphony, Hudson Philharmonic, Charleston Symphony, Harrisburg Symphony, Orquesta Sinfonica de Concepción and Turku Philharmonic Orchestra. Her orchestral collaborations include conductors Michael Tilson Thomas, Valery Gergiev, Vladimir Feltsman, Julian Kuerti, JoAnn Falletta, Benjamin Shwartz, and Giancarlo Guerrero. Rabotkina has given recitals at the Kennedy Center, Weill Recital Hall at Carnegie Hall and Merkin Concert Hall in New York, Ravinia’s Rising Stars, Dame Myra Hess and PianoForte Salon Series in the Chicago area, the Moscow Tchaikovsky Conservatory and in Denmark, Switzerland and Japan.

Winner of the 2007 Concert Artists Guild International Competition, Rabotkina has received top prizes at many international competitions and participated in Russia’s White Nights Festival, Finland’s Kuhmo Festival, Copenhagen’s Summer Festival and Germany’s MusikFest in Kreuth. In the US, Rabotkina has appeared at the Rockport Chamber Music Festival, International Keyboard Institute and Festival, Music Academy of the West and PianoSummer at New Paltz.

Rabotkina was born in Kazan, Russia, into a family of musicians and gave her first solo recital at the age of ten. Her earliest musical steps were guided by her parents, Guzel Abdoullina and Sergei Rabotkin, both outstanding pianists, and Nora Kazachkova at the Special Music School in Kazan. She received her education at the Kazan State Conservatory and Mannes College of Music in New York City under the tutelage of Vladimir Feltsman. Rabotkina also holds a Doctorate degree and the Artist Certificate from the Eastman School of Music where she studied with Natalya Antonova. Rabotkina will be joining the faculty of Texas State University in San Marcos, Texas in the fall of 2016.

KHKeitaro Harada
Harada’s passion for musical excellence has led him to be a recipient of multiple awards including the Solti Foundation U.S. Career Assistance Award, Bruno Walter National Conductor Preview and the Seiji Ozawa Conducting Fellowship at Tanglewood Music Festival. Completing his first season as Associate Conductor of the CSO, Harada regularly assists Music Director Louis Langrée and conducts the CSO, Cincinnati Pops, and Cincinnati World Piano Competition, as well as assists James Conlon for the May Festival. Harada also holds the positions of Associate Conductor of the Arizona Opera and Associate Conductor of the Richmond Symphony.

With a growing schedule as a guest conductor, the coming season holds several high profile engagements for Harada. He starts the summer at the 2016 Pacific Music Festival by invitation of Valery Gergiev, makes his conducting debut with Tokyo Symphony Orchestra and Tokyo Philharmonic Orchestra in the fall, and leads the world premiere performances of Riders of the Purple Sage for Arizona Opera in 2017. He also makes his conducting debut with Boise Philharmonic, West Virginia Symphony and South Bend Symphony Orchestra.

Most recently, Harada made his conducting debut in Japan with the New Japan Philharmonic in a sold out performance as well as his debut with Indianapolis Symphony Orchestra. He led performances of Carmen for Arizona Opera and conducted concerts with Tucson Symphony, Phoenix Symphony, Virginia Symphony, Sierra Vista Symphony, and Orquesta Filarmónica de Sonora.

A native of Tokyo, Japan, Harada is a graduate of Interlochen Arts Academy and Mercer University. He completed his formal conducting training at the University of Arizona with Thomas Cockrell and Charles Bontrager. He has also studied under Christoph von Dohnányi, Robert Spano and Michael Tilson Thomas among others. Harada champions creative programming, development of the orchestra as a part of a community’s cultural fabric, advancement of each musician he encounters, and responsibility as an artistic and civic leader.

 

CCM News
'Romeo and Juliet' photo by Mark Lyons.

CCM Announces 2016-17 Mainstage Series of Acting, Dance, Musical Theatre and Opera

CCM is pleased to announce details for its 2016-17 Mainstage Series of acting, dance, musical theatre and opera productions. Between Sept. 29, 2016 and April 15, 2017, CCM’s stars-of-tomorrow and world-class faculty and staff members will present eight diverse masterworks, which span the spectrum of the theatre arts.

Mainstage Hero Image

Click the graphic for more information.

Dubbed “a season of passion, courage and romance,” CCM’s 2016-17 Mainstage Series will bring new interpretations of popular classics in the fall with a retelling William Shakespeare’s Romeo and Juliet, a revival of the nine-time Tony Award-winning musical A Chorus Line, a flirty and fun-filled production of the fairytale opera Cendrillon and a mixed repertoire dance concert featuring Classics with a Twist.

In the spring, CCM will also present the Mainstage Series debuts of stirring drama Her Naked Skin, powerful musical Mack and Mabel and epic opera Idomeneo, along with the Dance Department’s celebration of Masterworks and Beyond.

Production and ticketing details are listed below. Single tickets go on sale beginning Aug. 29, 2016, but subscribing is the best way to guarantee your seats for these must-see shows! Fully customizable renewal subscriptions are on sale now with priority seating before July 15, 2016. Subscription packages for new subscribers will go on sale July 18, 2016.

Additional Information
Titles and dates are subject to change – rights pending. To order subscriptions, contact the CCM Box Office at 513-556-4183.

For a complete calendar of events, please visit us online at ccm.uc.edu.
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CCM 2016-17 MAINSTAGE SERIES
Acting, Dance, Musical Theatre, Opera

ROMEO AND JULIET
Written by William Shakespeare
Brant Russell, director

“For never was a story of more woe than this of Juliet and her Romeo.” William Shakespeare’s legendary tale of young love and bitter hatred returns to the CCM stage like you’ve never seen it before. Witness the deadly feud between the Montagues and Capulets in this subversive retelling of the Bard’s iconic story. It’s a comedy ­— until it’s not.

Performance Dates: Sept. 28 (preview), Sept. 29–Oct. 2, 2016
Location: Patricia Corbett Theater
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A CHORUS LINE
Conceived and originally directed and choreographed by Michael Bennett
Book by James Kirkwood Jr. and Nicholas Dante
Music by Marvin Hamlisch
Lyrics by Edward Kleban
Diane Lala, director and choreographer
Roger Grodsky, musical director

A nine-time Tony Award-winner, and one of the longest-running productions in Broadway history, A Chorus Line tells a strikingly honest tale about the backstage world of musical theatre as 17 dancers vie to make the final cut for the latest smash hit. As the auditions proceed, the diverse backgrounds and motivations of the hopefuls come to the fore, revealing stories that run the gamut of human experience and emotion as they all compete with and learn about one another. It is a process that will change them all forever… for better or worse. A Pulitzer Prize-winning fusion of dance, song and drama, A Chorus Line is a powerful metaphor for all human aspiration.

Performance Dates: Oct. 20–30, 2016
Location: Patricia Corbett Theater
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CENDRILLON (CINDERELLA)
Composed by Jules Massenet
Libretto by Henri Caïn
Mark Gibson, conductor
Robin Guarino, director

One of the world’s most beloved fairy tales comes to the CCM stage in a new modernist production! Despite being under the thumb of her evil stepmother, a poor girl wishes for her dream to come true. Enter her fairy godmother, who provides a ticket to the ball! The poor girl meets Prince Charming and they fall in love. When the clock strikes 12, though, she vanishes… leaving only a single shoe behind. Jules Massenet’s elegant score brings wit and charm to this timeless romance based on Charles Perrault’s telling of the Cinderella fairy tale. This production is sung in French with English supertitles.

Performance Dates: Nov. 17 – 20, 2016
Location: Corbett Auditorium
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CLASSICS WITH A TWIST
CCM Ballet Ensemble
Jiang Qi and Andre Megerdichian, co-directors

CCM’s Department of Dance opens its performance season with a concert of mixed repertoire featuring alumnus James Cunningham of the Cincinnati Ballet, who will choreograph a new work La Nymph with music by Youngwon French. Highlights also include a performance of Schubert’s Winterreise with choreography by Dance Department Chair Jiang Qi and accompaniment by CCM students Yijia Fang, cello and Xinyuan Li, piano. In addition, the graceful performers from CCM Dance will mount a staging of Glazunov’s Scénes de Ballet with choreography by Associate Professor Michael Tevlin, and Assistant Professor Andre Megerdichian will choreograph a collage of dance scenes spanning diverse genres.

Performance Dates: Dec. 1–4, 2016
Location: Patricia Corbett Theater
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HER NAKED SKIN
Written by Rebecca Lenkiewicz
Richard Hess, director

London 1913. Women are demanding the right to vote. Thousands of suffragettes of all classes serve time in Holloway Prison in their determination to gain equality through the vote. Their willingness to suffer for social injustice serves as the backdrop for an unlikely love story set in a period of turmoil. Described by the Independent as “a great drama about women, by a woman,” Her Naked Skin premiered to great acclaim at London’s National Theatre in 2008. By exploring the hunger for political and personal emancipation, this play plants a defiant feminist flag center stage. This production contains adult themes and is not recommend for young audiences.

Performance Dates: Feb. 8 (preview), Feb. 9–12, 2017
Location: Patricia Corbett Theater
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MACK AND MABEL
Based on an idea by Leonard Spigelglass
Book by Michael Stewart
Music and lyrics by Jerry Herman
Aubrey Berg, director
William Evan Roider, musical director
Patti James, choreographer

Set against the madcap world of Keystone Kops, Bathing Beauties and pies-in-the-face, the tumultuous relationship between workaholic film director Mack Sennett and his silent-screen star Mabel Normand was the stuff of Hollywood legend. With a memorable score by Broadway master Jerry Herman (Hello, Dolly!, Mame, La Cage aux Folles) Mack and Mabel is a star-crossed, bittersweet love story that explores both the lighter and the darker side of the Golden Age of Comedy. Nominated for eight Tony Awards, Mack and Mabel was praised by the New York Times as “a musical in the old and true tradition.”

Performance Dates: March 2–5, 2017
Location: Corbett Auditorium
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IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco (after Antoine Danchet)
Aik Khai Pung, conductor
Marcus Shields, director

Set in the aftermath of the Trojan War, Mozart’s opera seria weaves a tale of gods and monsters, unrequited love and selfless heroism. During his perilous journey back to Greece after years at war, King Idomeneo pledges to sacrifice the first mortal he finds to Neptune in exchange for a safe journey home. When that mortal turns out to be his son Idamante, Idomeneo struggles to find another way to appease the gods, which creates dire repercussions for the people of Crete. Completed in 1780 when the composer was only 24 years old, Idomeneo is widely considered the first of Mozart’s great operas and remains a favorite of opera houses around the world. This production is sung in Italian with English supertitles.

Performance Dates: March 30–April 2, 2017
Location: Patricia Corbett Theater
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MASTERWORKS AND BEYOND
Jiang Qi and Deirdre Carberry, co-directors

Celebrate spring’s arrival with the CCM Ballet Ensemble as they present an exciting mixed bill. Highlights of the program include George Balanchine’s masterwork Valse-Fantaisie with a restaging by guest artist Viki Psihoyos. This concert also includes a world premiere created by Alabama Ballet associate artistic director Roger Van Fleteren, along with new works by CCM faculty members Michael Tevlin and Andre Megerdichian. Valse-Fantaisie is performed by permission of George Balanchine Trust.

Performance Dates: April 13–15, 2017
Location: Patricia Corbett Theater
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Mainstage Series Subscriptions
The 2016-17 CCM Mainstage Series of acting, dance, musical theatre and opera productions includes subscription packages for six-or-more show, four-show and three-show combinations.

Renewal subscription packages are on sale now. CCM’s fully customizable subscription packages range in price from $69 – $188. Subscribers to CCM’s 2015-16 Mainstage Series can receive priority access to seating by renewing their subscriptions by Friday, July 15, 2016.

New subscriptions go on sale July 18, 2016. Single tickets will be available for purchase beginning Monday, Aug. 29, 2016.

To order subscriptions, contact the CCM Box Office at 513-556-4183.

Concert Series Options
As the largest single source of performing arts events in Ohio, CCM also offers world-class chamber music, choral, jazz, orchestra, percussion, piano and wind ensemble concerts each season. CCM’s Mainstage subscribers receive priority access to Ariel Quartet subscription packages, CCM Concert Series flex ticket packages, prepaid parking and other exclusive perks.

Full programming and package details for CCM’s 2016-17 Ariel Quartet Series and Concert Series will be announced in July. Visit ccm.uc.edu for more information.
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A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change. For a complete calendar of events, please visit us online at http://ccm.uc.edu.

CCM News
CCM Drama major Bartley Booz in the E-Media short film 'Solitude.'

What’s in a name? CCM ‘Drama’ is now ‘Acting’ department

The University of Cincinnati College-Conservatory of Music’s Drama Department will now be known as the Acting Department to better reflect the scope of training and experiences designed to take students beyond the stage to work in various mediums of performance. In addition, the new CCM Acting Department will offer the BFA in Acting instead of the BFA in Dramatic Performance.

Once housed in the McMicken College of Arts and Sciences, the Drama Department had a long history of teaching theatre in a liberal arts setting and once offered the BA in Theatre Arts. The department moved to CCM in 1983 with a new focus and degree, the BFA in Dramatic Performance. The focus at the time was exclusively on the stage and the study of theatre and drama.

Student filmmaker Eric Mwangi working in Nairobi, Kenya.

Student filmmaker Eric Mwangi working in Nairobi, Kenya.

Fast-forward 33 years — graduates of the program are finding work from coast to coast and internationally in film, television, commercials, voice-overs and on stage. CCM Acting trains actors for all media and offers students acting experience in a variety of mediums.

“Our degree name sounded like an antique, with a limited focus on the stage,” said CCM Professor of Acting Richard Hess. “But that’s no longer true. We train actors. The ‘triple threats’ we create in CCM Acting are students who can succeed on stage, film, and in the creation of new works.”

In recent years, the new Acting Department has embraced various multimedia efforts to give students a well-rounded education in acting. The department worked with CCM’s E-Media program to create a 48-Hour Film Festival and to shoot an original film with the new Digital Media Collaborative.

CCM Drama’s name change to Acting will go into effect immediately. “We have often said, ‘we make actors.’ Now we match,” Hess said. “Our new identity will position our strength more clearly to the world.”

CCM News