Please join us at 7:30 p.m. EST tonight for the next episode of CCMONSTAGE Online, our new ongoing series of digital concerts and performances.
Our latest installment features CCM string quartet-in-residence the Ariel Quartet collaborating with master’s degree students Cristian Diaz and Denielle Wilson, who are also both second-year participants in CCM’s Diversity Fellowship initiative with the Cincinnati Symphony Orchestra.
If the video does not start autoplaying on your viewing device, please refresh the web page and then click the play button on the video player. Tonight’s performance will be available for on-demand viewing shortly after the premiere stream concludes.
Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGEOnline Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGEOnline Production Sponsors Dr. & Mrs. Carl G. Fischer.
CSO/CCM Diversity Fellowship supported by The Andrew W. Mellon Foundation and Patricia Kisker Foundation.
Watch the Ariel Quartet collaborate with CSO/CCM Diversity Fellows Cristian Diaz and Denielle Wilson during this upcoming virtual performance.
Arts lovers from around the world are invited to tune in to the next episode of CCMONSTAGEOnline at 7:30 p.m. EST on Friday, Feb. 12, 2021. The premiere will stream simultaneously on CCM’s website, YouTube channel and Facebook page.
Titled Joining Hands, this 30-minute-long virtual concert features CCM string quartet-in-residence the Ariel Quartet collaborating with master’s degree students Cristian Diaz and Denielle Wilson, who are also both second-year participants in CCM’s innovative Diversity Fellowship initiative with the Cincinnati Symphony Orchestra.
To open the concert, Wilson and Diaz – a cellist and a violist respectively – join the Ariel Quartet on the stage of CCM’s Robert J. Werner Recital Hall for a performance of the first movement of Johannes Brahms’ String Sextet in B-flat Major.
The Ariel Quartet – which is comprised of CCM faculty members Alexandra “Sasha” Kazovsky, violin; Amit Even-Tov, cello; Gershon Gerchikov, violin; and Jan Grüning, viola – then perform the third movement of Felix Mendelssohn’s String Quartet in D Major.
For the finale of this digital program, the Ariel Quartet are rejoined by Diaz for a performance of the fourth movement of Wolfgang Amadeus Mozart’s String Quintet in G Minor.
Like other episodes in CCM’s new virtual performance series, Joining Hands also features commentary from CCM students and faculty. All episodes of CCMONSTAGEOnline will be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s website, YouTube channel and Facebook page.
Video production by MasseyGreenAVP, LLC. Additional footage provided by the Cincinnati Symphony Orchestra. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.
The CSO/CCM Diversity Fellowship
Funded by The Andrew W. Mellon Foundation, the CSO/CCM Diversity Fellowship provides an unparalleled learning experience for graduate-level violin, viola, violoncello and double bass players coming from populations that are historically underrepresented in classical music.
Participants get paid to perform with the acclaimed Cincinnati Symphony Orchestra while completing your two-year graduate degree at CCM with full scholarship support plus stipend. Learn more
Streaming Premiere
7:30 p.m. EST Friday, Feb. 12, 2021
Performance Details
Repertoire
Johannes Brahms: String Sextet in B-flat Major No. 1, Op. 18 (1860)
I. Allegro ma non troppo
Felix Mendelssohn: String Quartet in D Major No. 3, Op. 44, No. 1 (1838)
III. Andante espressivo ma con moto
Wolfgang Amadeus Mozart: String Quintet in G Minor No. 4, K. 516 (1787)
IV. Adagio – Allegro
Performers
The Ariel Quartet
Distinguished by its virtuosity, probing musical insight, and impassioned, fiery performances, the Ariel Quartet has garnered critical praise worldwide over the span of nearly two decades. Formed in Israel as teenagers at the Jerusalem Academy Middle School of Music and Dance and celebrating their 20th anniversary in 2020-21, the Ariel was named recipient of the prestigious Cleveland Quartet Award, granted by Chamber Music America in recognition of artistic achievement and career support. Since 2012 the members of the ensemble have served as the faculty quartet-in-residence at CCM since, where they direct the chamber-music program and present a concert series in addition to maintaining a busy touring schedule in the United States and abroad.
The ensemble has dedicated much of its artistic energy and musical prowess to the groundbreaking Beethoven quartets, and has performed the complete Beethoven cycle on five occasions throughout the United States and Europe. The Quartet has written a powerful and comprehensive series of program notes on the sixteen quartets, open to the public on their website. The Ariel Quartet regularly collaborates with today’s eminent and rising young musicians and ensembles, including pianist Orion Weiss, violist Roger Tapping, cellist Paul Katz, and the American, Pacifica and Jerusalem String Quartets. The Quartet has toured with cellist Alisa Weilerstein and performed frequently with pianists Jeremy Denk and Menahem Pressler. In addition, the Ariel served as quartet-in-residence for the Steans Music Institute at the Ravinia Festival, the Yellow Barn Music Festival and the Perlman Music Program, as well as the Ernst Stiefel String Quartet-in-Residence at the Caramoor Festival.
Formerly the resident ensemble of the Professional String Quartet Training Program at the New England Conservatory, from which the players obtained their undergraduate and graduate degrees, the Ariel was mentored extensively by acclaimed string quartet giants Walter Levin and Paul Katz. It has won numerous international prizes in addition to the Cleveland Quartet Award: Grand Prize at the 2006 Fischoff National Chamber Music Competition and the Székely Prize for the performance of Bartók’s String Quartet No. 4, and Third Prize at the Banff International String Quartet Competition. About its performances at the Banff competition, the American Record Guide described the group as “a consummate ensemble gifted with utter musicality and remarkable interpretive power” and noted, in particular, their playing of Beethoven’s monumental Quartet in A minor, Op. 132, as “the pinnacle of the competition.”
The Ariel Quartet has received significant support for its studies in the United States from the American-Israel Cultural Foundation, Dov and Rachel Gottesman, the Legacy Heritage Fund and the A.N. and Pearl G. Barnett Family Foundation. The members of the Ariel Quartet are graduates of the Young Musician’s unit of the Jerusalem Music Centre. Visit the Ariel Quartet’s website to learn more.
Cristian Diaz
Cristian Diaz is a violist from Colombia who holds a bachelor’s degree in violin performance from Colombia’s National University-Conservatory of Music, and a master’s degree in chamber music from Kent State University. His former professors include members of the acclaimed Miami String Quartet, Keith Robinson and Cathy Meng Robinson, and his viola professor Joanna Patterson Zakany, member of the prestigious Cleveland Orchestra.
Diaz has been part of many orchestras across the globe, and was runner up in the Kent State University concerto competition (2017), he was selected to become part of the Mahler Chamber Orchestra Academy 2018 in Dortmund, Germany, winner of the inaugural Diversity Fellowship of the CityMusic Cleveland Chamber Orchestra and is also a member of the Efferus String Quartet.
He has attended the XI Cartagena Music Festival (Colombia, 2017), the first and second International Festival of String Quartets (Colombia, 2015 and 2016), III Bogota’s Viola Festival (Colombia, 2015), Santa Catarina Music Festival FEMUSC (Brazil, 2012) and also the Kent Blossom Music Festival (2019). Diaz began his master’s degree at CCM in the fall of 2019 where he studies with Professor Catharine Lees.
Denielle Wilson
Denielle Wilson is a cellist from Lithonia, Georgia. A former resident of Evanston, Illinois, she has played in the Civic Orchestra of Chicago and maintains a studio of private cello students. She completed an undergraduate degree at Northwestern University in 2017, having majored in cello performance and music education.
Wilson’s musical mentors have included Hans Jørgen Jensen, Joel Dallow and Nan Kimberling. She has spent summers at the Meadowmount School of Music, Bowdoin Music Festival, Aspen Music Festival and School, and the Grant Park Music Festival.
Wilson plays in a piano trio with her siblings, and they enjoy sharing classical and religious music with their local community.
About the Series
CCMONSTAGEOnline is a series of free digital concerts and performing arts presentations showcasing the unparalleled artistry and expertise of CCM’s students, faculty and staff. Enjoy a sneak peek at a few of our upcoming episodes:
CCM’s Moveable Feast is making its online debut, and you have the best seats in (your) house! Join the arts fundraiser at 8 p.m. tonight, Jan. 22 to enjoy student and alumni performances that span the spectrum of the performing arts. Tickets are available online.
Get your first taste of Moveable Feast: From Coast to Coast by watching the teaser trailer, featuring clips of performances that will be featured in the event.
Moveable Feast: From Coast to Coast features performances by student and alumni stars from across the country, including offerings from New York, Los Angeles, San Francisco, Cincinnati and more! Program highlights include:
CCM Opera alum and 2020 Glyndebourne Opera cup winner Edward Nelson singing “Someone to Watch Over Me”
Current students of CCM Musical Theatre Class of 2022 performing with Broadway alumni Leslie Kritzer (Beetlejuice, Something Rotten!), Noah J. Ricketts (Frozen, Beautiful The Carol King Musical), Stephanie Jae Park (Hamilton, War Paint), John Riddle (Frozen, The Visit) and Nikki Renée Daniels (Hamilton, The Book of Mormon)
An original piece called “We Dare to Dream” featuring CCM acting alumni Diana Maria Riva (Dead to Me), Dominic Bogart (Fear the Walking Dead), Blake Kubena (Vikings), Torie Wiggins (Ensemble Theatre Cincinnati), Brandon Jones (Wildflowers) and more!
Student performances by the CCM Wind Symphony, CCM Philharmonia and CCM Jazz Orchestra
Student performances also showcase CCM Dance and CCM Piano as well as video pieces by CCM E-Media and Theatre Design and Production students
In addition to the performances, Moveable Feast’s virtual debut features a silent auction, private VIP chat rooms and dinner at home from Jeff Thomas Catering for Cincinnati audiences.
Hosted by CCMpower — a dedicated volunteer group comprised of friends, advocates and alumni — Moveable Feast generates essential support to fund student scholarships, projects and travel opportunities. These unique educational offerings are essential to the CCM experience and provide creative opportunities for students that are vital to their growth as creators and collaborators. This year, COVID-19 cancelled paid work that students rely on and drastically changed students’ family financial circumstances. Our students need scholarship and emergency funds now more than ever. Your support will set the stage for our students to be and to create what is next in the arts.
Virtual Moveable Feast: From Coast to Coast
8 p.m. Jan. 22, 2021
Schedule of events:
Sponsor pre-show chat: 6:30-7:45 p.m.
Performances: 8-9 p.m.
Program details:
CCM Jazz Orchestra Scott Belck, director
KAI ECKHARDT: The Shadow, arranged by Joe Duran (BM, ’13; MM, ’15)
CCM Wind Symphony Kevin Michael Holzman, conductor
OMAR THOMAS: A Mother of a Revolution!
Edward Nelson, baritone (BM, ’11; MM, ’13) Accompanied by San Francisco Opera guest artist Ronny Michael Greenberg, piano
GEORGE GERSHWIN: Someone to Watch Over Me
CCM Ballet Ensemble Excerpts from Napoli (1842)
Originally choreographed by August Bournonville
Restaged by Tricia Sundbeck
Set to “Pas De Six” by Niels W. Gade, Edvard Helsted and Holger Simon Paulli
Featuring student dancers Maia Blake, Amanda Kenner, Ying-Chi Lu, Anne McGovern, Gabby Savka, David Lopena and Garrett Steagall
CCM Chamber Choir Joe Miller, conductor
THOMAS MORLEY: Nolo mortem peccatoris
The Ariel Quartet with CSO/CCM Diversity Fellow Cristian J. Diaz, viola W. A. MOZART: String Quintet in G. Minor No. 4, K. 516 (1787), IV. Adagio-Allegro
Electronic Media
Documentary: The Making of “Hope After Hate”
Hagit Limor, executive producer
Featuring students and alumni Carlee Coulehan, Nicole Fishburn, Kela Parker, Skylar Heizer, Jonathan Kilberg, Ed Kohls, Jason Obergefell, Ethan Qureshi, Dillon Trafzer, Gianna Vitali, Madison White, Thomas Zins and Michael Stanwick
Special thanks to Michael Benedic and Eric Dietrich
CCM Acting
“We Dare to Dream”
Richard Hess, producer
Original music composed and performed by Colin Edgar
Text: Nobody Knows My Name (James Baldwin) and He Wishes for the Cloths of Heaven (W.B. Yeats)
Featuring alumni Torie Wiggins (BFA, ’03), Aaron Serotsky (BFA, ’97), Sarah Ellen Stephens (BFA, ’08), Jabari Carter (BFA, ’20), Jaclyn Chantél (BFA, ’14), Blake Kubena (BFA, ’07), Ellyn Jameson (BFA, ’13), Brandon Jones (BFA, ’03), Diana Maria Riva (BFA, ’91; MFA, ’95) and Dominic Bogart (BFA, ’00)
CCM Piano
Featuring student Jiajun (David) Lai, piano
J.S. BACH: Italian Concerto in F Major, BWV 971 – I
CCM Philharmonia Mark Gibson, conductor
Featuring student artist Brittany Logan, soprano
GUSTAVE CHARPENTIER: “Depuis le jour” from Louise (1900)
CCM Jazz Orchestra Featuring student artists Maya Threat, vocals; Ricky Roshell, tenor saxophone; Myles Twitty, trumpet; Anthony Bryson, trombone; Chris Caporale, piano; Mason Daugherty, bass; Derek Johnson, drums
ABEL MEEROPOL: “Strange Fruit” arranged by Myles Twitty
CCM Musical Theatre Eric Santagata, editor and producer Featuring the Musical Theatre Class of 2022 and alumni guest artists John Riddle (BFA, ’12), Stephanie Jae Park (BFA, ’14), Leslie Kritzer (BFA. ’99), Noah J. Ricketts (BFA, ’14) and Nikki Renée Daniels (BFA, ’01)
STEPHEN SONDHEIM: “No One is Alone” from Into the Woods, arranged by Julie Spangler
Silent Auction
Guests will pre-register for access to the silent auction through the Moveable Feast event website. The auction officially opened on January 15 and closes at 11:59 p.m. EST on January 25.
There are over 50 items to peruse and bid on, ranging from “buy it now” experiences including:
A special serenade from CCM students and accompanying gift certificate to Graeter’s Ice Cream to make a birthday or anniversary memorable
An evening with CCM alumnus Aaron Lazar (star of Fox’s Filthy Rich)
A visit to a Warner Bros. Sound Stage to witness a recording for a popular primetime television show episode
A private coaching by Aubrey Berg and Patricia Linhart for an aspiring CCM Musical Theatre student.
And more!
There are also many items for those who also love the visual and sculptural arts including pieces from local artist Bill Feinberg, a football signed by Bengals head coach Zac Taylor and a special Zoom experience with Reds Legend Johnny Bench.
Purchasing Tickets
Tickets to Moveable Feast are on sale now and can be purchased online at foundation.uc.edu/MoveableFeast2021or over the telephone at 513-556-2100.
General Admission and Young Professional tickets cost $25 each; CCM Alumni tickets cost $15.
After purchasing tickets, audience members will receive registration information on how to access the event website. If you don’t live in the Eastern Standard Time zone or simply want to watch Moveable Feast at a different time, the performances will be accessible at your convenience on the event website with your login information.
Sponsorship and host levels range from $150-$10,000. To discuss benefit details or sponsorship opportunities, please contact Libby Coletta, Assistant Director of Development, at 513-556-2100 or olivia.coletta@uc.edu.
Enjoy the artistry of CCM students and prominent alumni — all from the comfort of your own home during the college’s virtual fundraising event. Tickets are on sale now.
Cincinnati’s premier arts fundraiser gets a virtual makeover when CCM presents Moveable Feast online on Jan. 22, 2021. Join us as we travel around the country to see firsthand how CCM sets the bar in the arts world.
Enjoy an evening with the CCM family, despite the miles or the social distance that may separate us. Audiences from coast to coast can experience CCM’s student and alumni stars in a variety of online performances that showcase the full spectrum of the performing and media arts.
Alumni guest artists include stars from popular titles of the stage and screen like Hamilton, Frozen, Amazon’s The Marvelous Mrs. Maisel, Netflix’s Dead to Me and more! Featuring CCM Musical Theatre alumni Nikki Renée Daniels (BFA, ‘01), Noah J. Ricketts (BFA, ’14) and Stephanie Jae Park (BFA, ’14); Opera alumnus Edward Nelson (BM, ’11; MM, ‘13); and Acting alumni Diana Maria Riva (BFA, ’91; MFA, ’95), Aaron Serotsky (BFA, ’97), Torie Wiggins (BFA, ’03), Blake Kubena (BFA, ’07) and more. Moveable Feast offerings feature performances by the college’s Wind Symphony, Philharmonia and Jazz Ensemble, and by students in CCM’s Musical Theatre, Dance and Piano programs. The program also showcases video pieces by CCM Media Production and Theatre Design and Production students. The full lineup of alumni guest artists and program details will be announced in the coming weeks!
In addition to the performances, Moveable Feast’s virtual debut features a silent auction, private VIP chat rooms and dinner at home from Jeff Thomas Catering for Cincinnati audiences.
Hosted by CCMpower — a dedicated volunteer group comprised of friends, advocates and alumni — Moveable Feast generates essential support to fund student scholarships, projects and travel opportunities. These unique educational offerings are essential to the CCM experience and provide creative opportunities for students that are vital to their growth as creators and collaborators. This year, COVID-19 cancelled paid work that students rely on and drastically changed students’ family financial circumstances. Our students need scholarship and emergency funds now more than ever. Your support will set the stage for our students to be and to create what is next in the arts. Learn how to become a sponsor of Moveable Feast.
Virtual Moveable Feast: From Coast to Coast
8 p.m. Jan. 22, 2021
Schedule of events:
Sponsor pre-show chat: 6:30-7:45 p.m.
Performances: 8-9 p.m.
Purchasing Tickets
Tickets to Moveable Feast are on sale now and can be purchased online at foundation.uc.edu/MoveableFeast2021 or over the telephone at 513-556-2100.
General Admission and Young Professional tickets cost $25; CCM Alumni tickets cost $15.
After purchasing tickets, audience members will receive registration information on how to access the event website. If you don’t live in the Eastern Standard Time zone or simply want to watch Moveable Feast at a different time, the performances will be accessible at your convenience on the event website with your login information.
Sponsorship and host levels range from $150-$10,000. To discuss benefit details or sponsorship opportunities, please contact Libby Coletta, Assistant Director of Development, at 513-556-2100 or olivia.coletta@uc.edu.
We invite you to join us at 7:30 p.m. EST tonight (Dec. 11) for the premiere of CCMONSTAGE Online, our new ongoing series of digital concerts and performances.
Our first installment features the CCM Philharmonia student orchestra. Future episodes will feature performances by CCM’s many other ensembles and departments as our series continues.
Tonight’s premiere streams on CCM’s website from 7:30-8:30 p.m. EST. The performance will be available for on-demand viewing shortly after the premiere stream concludes tonight.
The premiere will begin autoplaying on our website at 7:30 p.m. with a brief countdown clock sequence. If the video does not start autoplaying on your device, please refresh the web page and then click the play button on the video player.
If you have any trouble viewing the stream on our website, you can instead access the stream on CCM’s YouTube channel.
Under the direction of CCM Professor Mark Gibson, the CCM Philharmonia performs a program of “Classical Virtuosity” with works by Claude Debussy/Maurice Ravel, Ottorino Respighi, Julia Perry and Wolfgang Amadeus Mozart.
Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.
CCMONSTAGE Online is a dynamic new series of digital concerts and performing arts presentations showcasing the unparalleled artistry and expertise of CCM’s students, faculty and staff. Each episode can be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s website and YouTube channel.
Save the date for our series premiere at 7:30 p.m. EST on Friday, Dec. 11, 2020. Additional episodes will be released throughout 2021!
Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.
About The Premiere Episode
Watch the CCM Philharmonia perform a program of “Classical Virtuosity” with works by Claude Debussy/Maurice Ravel, Ottorino Respighi, Julia Perry and Wolfgang Amadeus Mozart during the premiere episode of CCMONSTAGEOnline.
Under the direction of Professor Mark Gibson, the CCM Philharmonia is CCM’s premier orchestral ensemble and is recognized as one of the world’s elite conservatory orchestras. The CCM Philharmonia has risen to world prominence through the quality of its performances, recordings, and its national and international tours.
A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music offers nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs.
The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.
For more information, please visit us online at ccm.uc.edu.
Featured image at top: students in the CCM Philharmonia perform in a still image from the first installment of CCMONSTAGE Online. Photo/MasseyGreenAVP
CCM’s “stars of tomorrow” are back on stage, and you get the best seats in the house!
The University of Cincinnati’s nationally ranked and internationally renowned College-Conservatory of Music invites arts lovers from around the world to join in the viewing party for the debut episode of CCMONSTAGEOnline at 7:30 p.m. EST on Friday, Dec. 11, 2020. The premiere will stream simultaneously on CCM’s homepage and YouTube channel.
This dynamic new series of digital concerts and performing arts presentations will allow audiences near and far to experience the unparalleled artistry and expertise of CCM’s students, faculty and staff.
“The performing arts help to build and sustain a sense of community,” says CCM Dean Stanley E. Romanstein, PhD. “Now more than ever, we crave the sense of fellowship that comes through shared cultural experiences. While we may not yet be able to welcome audiences back to the CCM Village for live performances, we are excited to help you stay connected to the arts and to each other through our new CCMONSTAGEOnline performance series.”
A behind-the-scenes look at the CCM Philharmonia’s video shoot.
Recorded live at CCM while adhering to strict health and safety precautions, each installment of this new performance video series spotlights a different CCM program or ensemble.
The debut installment features the CCM Philharmonia student orchestra performing a program of Classical Virtuosity that includes works by Claude Debussy/Maurice Ravel, Ottorino Respighi, Julia Perry and Wolfgang Amadeus Mozart. Each episode also features insight into the repertoire and commentary on the process of rehearsing and performing during the era of COVID-19.
A behind-the-scenes look at the CCM Chamber Choir’s video shoot.
Future episodes will showcase performances by the CCM Ballet Ensemble, the CCM Chamber Choir, and a collaborative concert with CCM string quartet-in-residence the Ariel Quartet and members of the CSO/CCM Diversity Fellowship program. The performances by the CCM Ballet Ensemble and CCM Chamber Choir are further augmented by the cutting-edge artistry of students and faculty from CCM’s Theatre Design and Production programs. CCM will announce the premiere dates for these subsequent episodes later this fall.
CCM turned to the considerable expertise of its E-Media faculty and alumni to help produce this new series. Video production services for CCMONSTAGEOnline are provided by MasseyGreenAVP, LLC. “Our goal was to capture the world-renowned talent that CCM has to offer through multiple cameras, providing CCM with professionally-produced videos to share with their fans virtually,” says CCM alumnus John Massey (BFA E-Media, ‘03), who directs each installment in this new series.
CCM alum John Tapogna preps his camera for the CCM Philharmonia’s video shoot.
Massey explains, “Our team is made up of videographers with decades of experience from the news, sports and entertainment industries. We were excited to be able to shoot in CCM’s beautiful facilities. We recruited E-Media grad John Tapogna (BFA Broadcasting, 1988), who has over 25 years’ experience as a sports videographer, to tackle providing tight shots. We sought to capture the energy and emotion of the performance up close while showing off the performers’ technical skill.”
All episodes of CCMONSTAGEOnline will be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s website and YouTube channel.
“Whether you’re a longtime CCM performance patron or a first-timer, we hope you’ll join us for one of our upcoming viewing parties to get a front row seat to see tomorrow’s stars today,” says Romanstein.
CCM student David Lopena participates in an interview during the CCM Dance video shoot.
This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.
Wolfgang Amadeus Mozart: Symphony No. 29 in A major, K. 201 (1774)
Orchestra Roster
The CCM Philharmonia Mark Gibson, music director and conductor Strings after principal stands are listed alphabetically
Violin I
Magdiell Antequera, concertmaster Grace Brown, assistant concertmaster Daniel Fields Andrew Horak Jade McClellan Angkun Uabamrungit Alayne Wegner
Violin II
Grace Wride, principal Lauren Greene, assistant principal Yasmine Bougacha Sydney Ebersohl Brittany Hausmann Rachel Mancini
Viola (1st Half)
Julius Adams, principal Murphy Combs Javier Otalora Aadhivan Ramkumar Caleb Robinson
Viola (2nd Half)
Maya Fields, principal Chloe Drake Celeste Meisel Nathaniel Sendi Lucas Wardell
Cello
Maximiliano Oppeltz, principal Marcel Bobe
Double Bass (1st Half)
Taiga Benito, principal Zoe Heuser Zachary Reich
Double Bass (2nd Half)
Caleb Edwards, principal Esther Kwon Peter McCutcheon
Flute
Vincenzo Volpe, principal Caitlyn Lyerly
Oboe (1st Half)
Dylan Reynallt, principal Daniel Outlaw
Oboe (2nd Half)
Yayi Senior, principal Elena Suarez
Clarinet
Alyssa Berry, principal Rachel Beil
Bassoon
John Robken, principal Elizabeth Beeche
Horn (1st Half)
Sarah Yarbrough, principal Jacob Speakman
Horn (2nd Half)
Will Morgan, principal Sarah Palmer
Trumpet
Emery Hicks, principal Kole Pantuso
Trombone
James Smith, principal Jordan Rowan
Percussion
Jacob Ottmer Ryan Thomas
Harp
Claire Greene Madeline Arney (Debussy) Janna Young (Respighi)
Celeste
Kara Piatt
Piano
Thomas Ryskamp
Graduate Assistants
Xiao Geng Kara Piatt Shimon Ohi Sophie Mok Kin Szeto Caleb Glickman
Librarians
Rebecca Flank Kristin Welke
Sponsors
Louise Dieterle Nippert Trust Scholarship and Resident Artist Sponsor
The Andrew W. Mellon Foundation CSO/CCM Diversity Fellowship Sponsor
The Corbett Endowment at CCM Dance Department Sponsor All-Steinway School Sponsor
H. Wayne Ferguson Family Foundation Louise H. & David S. Ingalls Foundation, Inc. Community Partners
The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel Visiting Artists & Thinking About Music Sponsor
CCMpower: Friends and Alumni Fueling the Future of the Arts ArtsWave: Funding Arts, Fueling Community CCMONSTAGE ONLINE Broadcast Sponsors
Dr. & Mrs. Carl G. Fischer CCMONSTAGE ONLINE Production Sponsors
Elizabeth C.B. & Paul G. Sittenfeld Musical Theatre Showcase Sponsor
Genevieve Smith Opera Production Sponsor
An Anonymous Donor Estate of Mr. William A. Friedlander Mrs. William A. Friedlander Dr. Randolph L. Wadsworth Judith Schonbach Landgren and Peter Landgren Mr. & Mrs. Harry H. Santen Elizabeth C.B. & Paul G. Sittenfeld Mr. & Mrs. Thomas E. Stegman Dr. & Mrs. Theodore W. Striker Mrs. Harry M. Hoffheimer Ariel Quartet Sponsors
Jan Rogers Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation Choral Studies Sponsors
Robert & Debra Chavez Three Arts Scholarship Fund CCMpower Partners
Mr. & Mrs. Joseph W. Hirschhorn Orchestral Sponsor
Mr. & Mrs. James L. Miller Musical Theatre Production Sponsor
Trish & Rick Bryan CCMpower: Friends and Alumni Fueling the Future of the Arts The Harmony Endowment Fund: Challenging Hate and Prejudice Through the Performing Arts The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation KMK Law Paula Boggs Muething & Brian Muething PNC Jeff Thomas Catering Event Sponsors
A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music offers nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs.
The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.
For more information, please visit us online at ccm.uc.edu.
All behind-the-scenes and performance photos by MasseyGreenAVP.
Study is strongly performance-based and the cornerstone of the program is private lessons with faculty, who serve as mentors for students and direct their individual musical, performing and teaching growth.
Classical Guitar curriculum emphasizes the development of the well-rounded, holistic musician by providing a solid background in music history and theory as well as areas specific to each musical medium. Undergraduate students enjoy a close collaboration with the University of Cincinnati through a general education core that supplements their education with academic course work while graduate students specialize more precisely in their chosen field.
“In the CCM guitar program we never neglect the past, but we can’t afford to pretend we don’t live in the present,” says Chris Wilke, director of CCM Classical Guitar. “Our ultimate goal is to prepare true musicians for a professional career in the 21st century.”
All incoming students in 2021-22 will receive an iPad, which will be equipped for audio-visual work to help students gain digital career skills crucial for 21st-century musicians.
Program highlights include:
Free iPad to all incoming 2021-22 classical guitar students
Generous scholarships available for promising students
Chamber music and networking opportunities
Opportunities to explore historical plucked instruments and broaden skill sets
21st-century digital career integration
Applications and Additional Information
CCM is now accepting applications for fall 2021. The application deadline is December 1. Learn more at ccm.uc.edu/admissions.
Although we are still unable to perform for you live, you can continue to experience the artistry and expertise of our students, alumni, faculty and staff through our CCMONSTAGE Online e-newsletter. Our latest edition features performance videos, stories and other resources designed to help us stay connected even when we have to temporarily stay apart.
Last week, CCM Associate Dean for Academic Affairs Stephanie P. Schlagel provided information on spring course registration and CCM’s online accommodation resources. Read more.
UC Center for Integrative Health and Wellness Director Sian Cotton, expert in mindfulness and its benefits, offers advice to the UC community. Read more.
Please continue to refer to CCM’s coronavirus resource website to help answer your frequently asked questions. This website is updated as new information develops, so please check back often.
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The conference is designed to engage UC and non-UC students in the broad field of music scholarship
The Music Theory and Musicology Society (MTMS) at the University of Cincinnati College-Conservatory of Music (CCM) hosts its eighth biennial student conference on Sept. 11 and 12, 2020 (rescheduled from April 3-4). Entitled “Conversations in Music,” the conference is designed to engage both UC students and students from other institutions in the broad field of music scholarship.
The conference features keynote speakers Daniel Goldmark (Case Western Reserve University) and Jennifer Beavers (University of Texas at San Antonio). It will be held in conjunction with the long-running Joseph and Frances Jones Poetker Thinking About Music Lecture Series at CCM.
The conference will include pre-recorded video presentations and live interactive sessions held virtually via Zoom. Please fill out the registration form below to receive emails with further information and links to access the presentation videos and Zoom platform.
Please note that the times listed in the schedule are in Eastern time zone.
Schedule
Friday, Sept. 11
2 p.m.
PIXAR’S MEMORIES: CONTEMPORARY CARTOON MUSIC SPEAKS TO THE PAST
Daniel Goldmark, Case Western Reserve University
The ever-increasing popularity of Hollywood animation, driven in part by the dominance of Pixar, has come about not just through technological advances or the breaking down of decades-old biases about cartoons being just for kids, but also through the emotionally nuanced storytelling deployed recently by studios. While practically all of Pixar’s features are overrun with issues of nostalgia, their more recent films—Inside Out, Finding Dory, Cars 3, Incredibles 2, Toy Story 4—do more than simply revel in the remembrance of times past (real or imagined): they also explore the creation of memory and the reasons why memories fade or endure. Sound and music have played key roles in the recollections and impressions of all these films. In this presentation, I look at trends in scoring and sound design in animation to show how the melodies of childhood—and adulthood—are being used to drive the stories of recent Hollywood animated features—and how these stories revolve around how our notions of the past speak to the present and guide our future.
4:30 p.m.
MEET-AND-GREET “RECEPTION”
5:30 p.m.
PRESENTER Q&A SESSION
Saturday, Sept. 12
8-9:30 a.m.
CONFERENCE WORKSHOP This year’s conference will include a workshop led by ethnomusicologist and CCM faculty member Scott Linford, PhD, inviting conference participants to engage in an interactive discussion focused on the application of sound studies in the areas of musicology, music theory and ethnomusicology.
10 a.m.-2 p.m.
PRESENTER Q&A SESSIONS
2 p.m.
The Music Theory and Musicology Society Conference Keynote RAVEL’S SONIC ILLUSIONS Jennifer Beavers, University of Texas at San Antonio Ravel’s interwar compositions and transcriptions reveal a sophisticated engagement with timbre and orchestration. Of interest, is the way he uses timbre to connect and conceal passages in his music. In this talk, I look at the way he manipulates instrumental timbre to create sonic illusions that transform expectations, mark the form, and create meaning. I examine how he uses instrumental groupings to create distinct or blended auditory events. Using a sound-based analytical approach, I develop these descriptions of timbre and auditory scenes to interpret ways in which different timbre-spaces function. Through techniques such as timbral transformations, magical effects, and timbre and contour fusion, I examine the ways in which Ravel conjures sound objects in his music that are imaginary, transformative or illusory.
CCM’s Music Theory and Musicology Society engages all interested members of the UC community to discuss issues relating to music theory and musicology. The MTMS regularly maintains forums for the purpose of discussing theoretical, historical and cultural topics in music. Past MTMS Conference programs are available online.
Please email all inquiries to MTMS Executive Board Members RebeccaSchreiber, JacyPedersen, HannahBlanchette and Kabelo Chirwa at ccm.mtms@gmail.com.
