A photo from CCM's Mainstage Series production of 'Peter Pan' from March of 2015. Photography by Mark Lyons.

CCM Announces 2015-16 Mainstage Series of Opera, Musical Theatre, Drama and Dance

CCM is pleased to announce details for its 2015-16 Mainstage Series of opera, musical theatre, drama and dance productions. Between Sept. 30, 2015, and April 24, 2016, CCM’s stars-of-tomorrow will present seven masterworks for the stage under the guidance of its internationally acclaimed faculty artists.

These works include David Edgar’s epic drama Pentecost, Rodgers and Hammerstein’s classic musical Carousel, Franz Lehár’s comedic operetta The Merry Widow, Eugene O’Neill’s acclaimed coming-of-age story Ah, Wilderness!, Green Day’s iconic punk rock musical American Idiot, Janácek’s farcical opera The Cunning Little Vixen and Tchaikovsky’s beloved romantic ballet Swan Lake.

Production details are listed below. Details on subscription packages and single ticket sales will be announced this summer.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

Additional Information
Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.
____________________

CCM 2015-16 MAINSTAGE SERIES
Opera, Musical Theatre, Drama, Dance

Pentecost
Written by David Edgar
Richard E. Hess, director

A play of politics and ideas, Pentecost details the discovery of a painting stunningly similar to Giotto di Bondone’s The Lamentation in an abandoned church in Eastern Europe. If proven to pre-date the master’s work, the fresco will revolutionize Western Art. A dramatic power struggle ensues, as representatives from the worlds of art history, religion and politics stake their claims for the ultimate prize. The unexpected arrival of 12 refugees sets events spiraling toward an explosive climax. Described by the Daily Telegraph as “funny, frightening and deeply moving,” this powerful play by the Tony Award-winning adapter of Nicholas Nickleby and author of numerous plays won the Evening Standard Award for Best Play of 1995.

Performance Dates: Sept. 30 (preview), Oct. 1–4, 2015
Location: Patricia Corbett Theater
_____

Carousel
Music by Richard Rodgers
Book and lyrics by Oscar Hammerstein II
Based on the play Liliom by Ferenc Molnar
As Adapted by Benjamin F. Glazer
Original Dances by Agnes de Mille
Diane Lala, director

Set in a Maine coastal village toward the end of the 19th century, Carousel is the story of carefree carnival barker Billy Bigelow and his reckless adventures with women, gambling and the wrong side of the law. Billy loses his job just as he learns that his wife is pregnant and, desperate to provide a decent life for his family, is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent “up there.” 15 years later, Billy is allowed to return to earth for one day and encounters the daughter he never knew. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love. Declared “Best Musical of the Century” by Time Magazine in 1999, it’s easy to understand why Carousel became Rodgers and Hammerstein’s personal favorite.

Performance Dates: Oct. 29–Nov. 1, 2015
Location: Corbett Auditorium
_____

The Merry Widow (Die lustige Witwe)
Music by Franz Lehár
Libretto by Viktor Léon and Leo Stein
Emma Griffin, director

A 20th century opera molded in the tradition of the great opera seria of the 1700s, The Merry Widow tells a dizzying tale of star-crossed lovers and political intrigue in Paris. Baron Zeta of Pontevedro must prevent the wealthy widow Hanna Glawari from marrying a foreigner; if she does, all of her wealth will leave Pontevedro, thus bankrupting the country. Zeta urges Hanna’s former fiancée Count Danilovich (who pretends to not care for her anymore) to marry her, but Zeta’s wife pushes the flirtatious Camille de Rosillon to go after Hanna instead. Farcical confusion, romance and jealousy abound in this light-hearted romp. Sung in English.

Performance Dates: Nov. 19–22, 2015
Location: Patricia Corbett Theater
_____

Ah, Wilderness!
Written by Eugene O’Neill
R. Terrell Finney, director

Set in an idyllic Connecticut town during the Fourth of July weekend of 1906, Eugene O’Neill’s Ah, Wilderness! offers a tender portrait of small town family values, teenage growing pains and young love. Described as “a breath of fresh air” and “vividly alive” by the New York Post and nominated for a Tony Award for Best Revival in both 1989 and 1998, this charming comedy is directed by CCM Professor Emeritus R. Terrell Finney.

Performance Dates: Feb. 10 (preview), Feb. 11–14, 2016
Location:
 Patricia Corbett Theater
_____

American Idiot
Book and lyrics by Billie Joe Armstrong
Book by Michael Mayer
Music and lyrics by Green Day
Aubrey Berg, director

The two-time Tony Award-winning hit musical American Idiot, based on Green Day’s Grammy Award-winning multi-platinum album of the same name, boldly takes the American musical where it’s never gone before. Johnny, Tunny and Will struggle to find meaning in a post-9/11 world. When the three disgruntled men flee the constraints of their hometown for the thrills of city life, their paths diverge when Tunny enters the armed forces, Michael is called back home to attend familial responsibilities, and Johnny’s attention becomes divided by a seductive love interest and a hazardous new friendship. An energy-fueled rock opera, American Idiot features minimal dialogue and instead relies on the lyrics from Green Day’s groundbreaking album to execute the story line.

Performance Dates: March 3–13, 2016
Location: Patricia Corbett Theater
_____

The Cunning Little Vixen (Príhody lišky Bystroušky)
Composed by Leoš Janácek
Libretto by Leoš Janácek (after Rudolf Tesnohlídek)
Vince DeGeorge, director

Based on a famous 1920s Czech comic strip, Janácek’s opera The Cunning Little Vixen humorously explores the universal longing for youth. The three main characters – all older men – attempt to connect to their younger days through various means: one longs for a village girl, one obsesses over a childhood indiscretion and one chases a young vixen through the countryside. Will they continue to cling to their delusions? Or will their experiences help them come to terms with the inevitability of time? Sung in English.

Performance Dates: April 8–10, 2016
Location: Patricia Corbett Theater
_____

Swan Lake
Composed by Pyotr Tchaikovsky
Jiang Qi, director

Tchaikovsky’s timeless ballet about love and magic returns to CCM in a fully-staged spectacle! The young Prince Siegfried, disinterested in the potential wives that his mother has picked for him, heads into the woods to hunt one night and comes across a beautiful swan…who then turns into the maiden Odette! She tells him of the curse she and others have been placed under by the evil knight Rothbart, forcing them to become swans by day and human by night. Siegfried instantly falls in love, but will he and Odette be able to overcome the curse, or will Rothbart succeed in keeping his enchantment intact?

Performance Dates: April 22–24, 2016
Location: Corbett Auditorium
____________________

Mainstage Series Subscriptions
The 2015-16 CCM Mainstage Series of opera, musical theatre and drama productions includes subscription packages for six-show, four-show and three-show combinations. Subscribers also have the ability to add the Mainstage Series production of Swan Lake to any subscription package “a la carte.”

Full details on subscription packages and single ticket sales will be announced this summer. CCM’s customizable subscription packages range in price from $84 – $180. Current subscribers will get priority access to next season’s subscription packages.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.
____________________

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave
____________________

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
'Metamorphoses,' from CCM's acclaimed 2013-14 Mainstage Series.

Announcing CCM’s 2014-15 Mainstage Series of Opera, Musical Theatre and Drama

The University of Cincinnati College-Conservatory of Music (CCM) is pleased to announce initial details for its 2014-15 Mainstage Series of opera, musical theatre and drama productions.

The 2014-15 Mainstage Series features a dazzling collection of both classic and contemporary masterworks, including a gender-bending new production of Shakespeare’s gripping tragedy Macbeth, an extended run of the high-energy romantic-comedy Legally Blonde – The Musical and a magical production of the opera Hänsel and Gretel.

In early 2015, CCM’s student and faculty artists will also present Wendy Wasserstein’s Pulitzer Prize-winning and zeitgeist-dominating The Heidi Chronicles and a soaring musical production of Peter Pan. Mozart’s Così fan tutte will close out the series, with a new production directed by Robin Guarino, who recently staged this masterpiece at the Metropolitan Opera.

This year’s must-see Mainstage Series features six fully staged works guaranteed to fill audiences with delight, with performances scheduled from Oct. 1, 2014, through April 12, 2015. All performances take place in the Corbett Center for the Performing Arts on the University of Cincinnati campus.

Production and ticketing details are below. Priority subscription packages go on sale May 2014. Single tickets become available in August, but subscribing is the only way to guarantee your seats for these must-see shows!

Visit ccm.uc.edu/boxoffice/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

Additional Information
Titles and dates are subject to change—rights pending. To order subscriptions, contact the CCM Box Office at 513-556-4183. For additional information, visit ccm.uc.edu, email boxoff@uc.edu or call the Box Office.
CCM News

CCM Slideshows: Don Pasquale

This slideshow requires JavaScript.

Mary Ellyn Hutton calls CCM’s Mainstage Series production of Don Pasquale a “fast-moving delight start to finish, with beautiful singing, lively acting and a lovely-to-look-at, period production” in her review for the Cincinnati Enquirer! Read the full review here.

This week’s issue of CityBeat features an excellent profile of Don Pasquale‘s director, CCM graduate student Omer Ben-Seadia. You can read that Anne Arenstein-penned story online here.

Don Pasquale plays through this Sunday, April 6, and tickets are still available. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/donpasquale.

CCM News CCM Slideshows Student Salutes

CCM’s Mainstage Opera Series Presents Donizetti’s ‘Don Pasquale’ April 3-6

William Tvrdik as the title character in CCM's Mainstage Series production of 'Don Pasquale.' Photography by Mark Lyons.

William Tvrdik as the title character in CCM’s Mainstage Series production of ‘Don Pasquale.’ Photography by Mark Lyons.

CCM’s Mainstage Opera Series proudly presents Gaetano Donizetti’s Don Pasquale from April 3–6 in UC’s Patricia Corbett Theater. This beloved opera buffa is conducted by Mark Gibson with stage direction by accomplished artist’s diploma student Omer Ben-Seadia. The opera will be sung in Italian with English supertitles.

A comedic masterpiece that has captivated audiences since its 1843 premiere, Don Pasquale remains one of the most popular of Donizetti’s nearly 70 operas. On its surface, the opera details the plight of Ernesto, who fights to follow his heart rather than marry the woman his haughty old uncle Don Pasquale thinks he should. Outraged, the lifelong bachelor Pasquale decides to cut Ernesto out of his will and simply father his own heir, instead! A series of uproarious twists and turns ensues as a raucous ensemble of characters begin to take over the Pasquale homestead.

While it is easy to root for Ernesto and true love to prevail, Ben-Seadia suggests that it is Don Pasquale who serves as the true hero of this opera. She explains, “With all that is at stake, Pasquale is the one willing to risk it all… not just for love but for life. Sure we love to see him fail, but after all is said and done we look at Pasquale not with pity, but with the hope that he in fact will try again.”

Don Pasquale's house staff. Photography by Tom Umfrid.

Don Pasquale’s house staff. Photography by Tom Umfrid.

CCM News

Preview: The Scenic Design of Evita

This slideshow requires JavaScript.

Next month, CCM’s Corbett Auditorium will transform into mid-century Latin America for the Mainstage Production of Andrew Lloyd Webber’s Evita. Here’s a sneak peek at what that transformation will look like, courtesy of Senior Resident Scenic Designer Thomas Umfrid. You can view more of Umfrid’s work here.

With lighting by Samantha Spiro, sound design by Richard J. Koharik and Chuck Hatcher, costumes by Reba Senske, wig and make-up design by Kelly Yurko, choreography by Patti James, musical direction by Jesse Kissel and direction by Aubrey Berg, Evita will be the must-see musical this fall. See full production details after the jump.

CCM News CCM Slideshows