Sensory Percussion: Q&A with Alumnus Ben Sloan on His Work with The National

Ben Sloan is a musician, producer and teacher who is passionate about making music accessible to all. Last year People’s Liberty awarded the CCM alumnus with a $10,000 grant to build Percussion Park in East Price Hill. This year he’s experimenting with sensory percussion, which led to a performance as Artist-in-Residence at The National’s Homecoming Music Festival in April and a short tour with the rock band.

Ben Sloan. Photo by Ryan Back.

Ben Sloan. Photo by Ryan Back.

Sloan (BM Jazz Studies, 2011) is grateful for the opportunity to tour with The National and thinks they will work together again in the future. He’s now on a two-week tour with local ensemble A Delicate Motor, which releases a new album Fellover My Own on June 29. Later this summer, Sloan will travel to Berlin to participate in an experimental music festival called PEOPLE.

When he isn’t performing, Sloan works as a teaching artist at MYCincinnati, an after school youth orchestra program directed by CCM alumnus Eddy Kwon (BM Jazz Studies, 2011). He teaches the pre-orchestra students, ages 5-10, in a class that combines singing, movement and percussion.

We caught up with the busy alumnus to talk about his work with sensory percussion and his experience with The National.

What is sensory percussion? When did you start working it?
Sensory Percussion is amazing, and that’s about 90% of what you need to know. It was developed by Sunhouse, and though it’s making the rounds with musicians all over, it is still a relatively new technology. Sensory Percussion is essentially a collection of sensors (you can use up to four), which attach to a drum. Using a corresponding software, the sensors analyze the vibrations of the drum to determine where the player is hitting, i.e. the center, the rim, the shell, the edge, etc.

It’s up to the player to “teach” the sensors how and where one prefers to hit the drum — it is a very individualized system. This “mapping” of the drum allows the player to specifically pinpoint quadrants of the drum and assign samples, midi data, effects and a host of other functions. The result is a totally dynamic and fluid interplay between electronic, sample-based sound and acoustic drumming. I’ve had the sensors for about a year now, and over the past few months I’ve been really digging into them. They are so powerful, it’s incredible. I think the open ended nature of the software, makes the sensors so compelling. No one really sounds the same, because it’s up to the player to set the musical palette and craft the sounds.

How do you incorporate sensory percussion in your work with music groups and local projects?
Since they are still a bit new, I haven’t fully utilized them with any projects other than my own. For the longest time I sort of felt that the music I created through recording and manipulating samples wouldn’t or couldn’t be realized in a live context, but with the sensors, I can take a lot of that material and produce it live, or even embellish the sound. They are just really dynamic instruments.

I’ve brought them to MYCincinnati for our students to use, but because this technology is so new and exciting to play it makes normal drums less enticing. I have to win them back over by playing something really fast or loud — it only kind of works.

You also brought this percussion style to the National’s Homecoming Festival. How did you get involved in the festival?
I ended up using sensory percussion pretty heavily at Homecoming. I was working with A Delicate Motor ensemble to write a set of new music, but I knew I wanted to do something entirely on my own, which was impetus for writing some music with the sensors. The process was an endless tweaking of a sound palette until I could improvise an entire piece. From those improvisations, I would distill whatever I thought was good, and cut out the rest.

I got involved with the festival through Bryan Devendorf, drummer of The National. He’s always been inviting, and over the years we’ve gotten to know each other a bit. He reached out to meet while I was touring with the band WHY? and since then we’ve stayed in touch. He asked if I would be interested in being this year’s artist-in-residence at the Homecoming Music Festival, something they hadn’t done in the past, and I said ‘yes, like duh, of course!’

What was performing with The National at the festival like? Any plans to reconnect with The National in the future?
It was affirming. I spend a lot of time being critical of my work and my abilities, but when artists on that level invite me to play, it’s feels like a major validation of the hours put in. It’s also time to step up and not look like a doofus on stage! I mean, I totally ‘look’ like a doofus, cause that’s how drummers look when they play, but I think it sounded good.

Ben Sloan at The National's Homecoming Festival in April 2018.

Ben Sloan at The National’s Homecoming Festival in April 2018.

After the Sunday night show, The National invited me out for a short tour, so I ended up hopping on the bus for a few days with them. It was a treat to spend some time with the band, and see everything behind the scenes — touring on that scale is crazy! They had such a big crew, all of whom were kind and patient. I’m still reflecting on it all. I’m just grateful. I’m not sure how or when, but I think we will work together again!

What else are you working on right now?
A Delicate Motor started a two-week tour on June 18. We have a lot of momentum from the festival, and the record Fellover My Own is due to be released on Sofaburn later this month. Our album release is June 29 at Northside Tavern. I’m trying to invest as much time in my solo project as possible. It’s still so fresh, but I hope to put out an EP in the coming months.

Later this summer, Price Hill Will/MYCincinnati, in collaboration with The Contemporary Arts Center is hosting the third annual Price Hill Creative Community Festival, which is an ever-evolving and beautiful festival. Each year we host artists-in-residence to work collaboratively with MYC students for two very intense weeks. Along with the artists in residence, the festival curates a huge array of great performers to come do their thing. This year we are hosting cellist and composer Tomeka Reid, who has cultivated some powerful momentum in the Chicago improvisation and jazz scene. I strongly encourage you to go check her work immediately! We also have Josiah Wolf (CCM alum), multi-disciplinary arts collective Collaborative, Jarrod Cann and Paradox Teatro. The full list of artists, and their work is listed online at creativecommunityfestival.org/artists.

That Price Hill Creative Community Festival usually consumes me in the best possible way. It’s happening on August 3-4, the performances are unique and sometimes challenging, it’s all ages, we have great local food and admission completely free!

 

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Cover artwork for CCM's 2018-19 Mainstage Series Subscription Brochure.

CCM 2018-19 Mainstage Series Subscriptions On Sale Now!

New subscription packages are now on sale for CCM’s 2018-19 Mainstage Series of Acting, Dance, Musical Theatre and Opera Productions. With CCM’s streamlined subscriptions, it has never been easier to get the best seats at the best prices. Arts lovers can simply mix and match the shows they want to see with customizable eight, six, four or three-show packages. Subscription orders placed before Sept. 10 will get seated before any single ticket buyers!

Cover artwork for CCM's 2018-19 Mainstage Series Subscription Brochure.

About CCM’s 2018-19 Mainstage Series
CCM was recently declared “Best of Cincinnati” in CityBeat‘s annual readers’ choice poll, but the best is yet to come with CCM’s 2018-19 Mainstage SeriesFrom October 2018 through April 2019, CCM presents eight masterworks spanning the spectrum of theatrical arts, including:

  • the best of comedic and dramatic acting with The Government Inspector and Our Country’s Good,
  • classic and contemporary musicals with Guys and Dolls and The Hunchback of Notre Dame,
  • great operas from master composers with Britten’s The Turn of the Screw and Mozart’s La Clemenza di Tito,
  • and innovative dance programs with Birthday Variations and Cinderella!

Last season, single ticket buyers missed out on sold-out performances of Hamlet, Seussical (voted the year’s “Best Play” by CityBeat readers), Candide and Jesus Christ Superstar. Subscribers have a guaranteed seat to see the phenomenal talent and polished professionalism of CCM’s young performers. Download CCM’s 2018-19 Mainstage Subscription Brochure to learn even more about our upcoming productions!

Ordering Your Subscriptions
CCM’s customizable subscription packages range in price from $81-$192. Download our 2018-19 Mainstage Subscription price sheet, seating chart and order form for complete details. Then choose your shows and select whether you want seats in Section A (the best views) or Section B (the lowest prices). To pay by check, simply return your order form by mail or drop it off at the CCM Box Office in the Atrium of CCM’s Corbett Center for the Performing Arts. For credit card transactions, call the Box Office.

The CCM Box Office staff is always ready to answer your questions by phone at 513-556-4183 or by email at boxoff@uc.edu.

Don’t wait to get the best seats at the best prices!
Single tickets go on sale Sept. 10, 2018.

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Mainstage Season Production Sponsor: Macy’s

CCM News

CCM Offers New Summer Master’s in Music Education Degree for Active Teachers

CCM is now accepting applications for a new master’s degree in Music Education that will be offered beginning in June 2018. Designed for those who want to remain active in the classroom while continuing their education, the practical degree program can be completed in three summers and provides a high-quality, individualized curriculum for all music teachers.

CCM Associate Professor of Music Education Eva Floyd.

CCM Associate Professor of Music Education Eva Floyd.

Core music education course work focuses on the development of music mastery and advanced pedagogy, and students can choose from a wide range of electives to expand their areas of expertise. Each summer course load consists of a 5-week term with schedules that provide free time in the afternoon to study, practice and maintain personal or professional commitments.

CCM Master’s in Music Education students have the opportunity to refresh their piano skills, study conducting, or advance their performance techniques through applied study. All courses are led by CCM’s world-renowned faculty, with experts from multiple divisions of the college.

The master’s in Music Education program also features enrichment opportunities unique to the summer curriculum, including Orff-Schulwerk or Kodály certifications for music teachers and study-abroad experiences.

PROGRAM SNAPSHOT
All courses occur in person and require residency in Cincinnati for five weeks each summer.

Core Music Education:

  • Curriculum and Assessment
  • Sociology and Psychology
  • History and Philosophy
  • Intro to Scholarship (Research)

Core Music Studies:

  • Theory Fundamentals (Piano-based)
  • Graduate Musicianship
  • Intro to Ethnomusicology
  • School Music Literature
  • Ensembles or Applied Lessons

Specialized Electives:

  • Choral Music
  • Conducting
  • Classroom Music (K-12)
  • Instrumental (Band, Orchestra, Jazz)
  • Musical Theatre
  • Pedagogy
  • Strings
  • Technology for Music Teaching
  • Urban Music Education

Capstone Project or Exam

  • Curriculum Design Project
  • Oral and Comprehensive Exam

APPLICATION INFORMATION
Apply by June 1, 2018 in order to enroll in the inaugural semester of CCM’s new master’s in Music Education program; courses begin in June 2018.

Applicants must have completed an undergraduate degree in music education (or equivalent) and have a minimum of two years full-time teaching experience.

Application materials include a copy of current teaching license as certified music teacher, a current curriculum vitae or resume, a written philosophy of teaching, submission of “best piece” writing sample, a teaching video or a live/recorded audition and two letters of recommendation. Learn more at grad.catalyst.uc.edu/apply/

For application information, please contact CCM Admissions at 513-556-9478 or email ccmadmis@uc.edu.

For more information about the new graduate program, contact CCM Music Education Division Head Ann Porter at 513-556-9527 or email ann.porter@uc.edu.
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Nationally ranked and internationally renowned, CCM is a preeminent institution for the performing and media arts. Learn more at ccm.uc.edu

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Jiaen Zhang.

Piano Student’s Perseverance Takes Her from Hit and Run to Graduation

Jiaen Zhang.

Jiaen Zhang.

After being seriously injured by a hit-and-run in fall 2016, Jiaen Zhang was afraid she wouldn’t be able to fully recover to become a professional pianist. Thanks to her dedication, and the support of faculty and friends, the CCM piano student overcame her injuries and walked proudly with the Class of 2018 at this year’s Graduation Convocation on April 28.

Around 10 p.m. on Sept. 8, 2016, Zhang finished practicing piano in CCM’s Memorial Hall and began her walk home. As she crossed Calhoun Street, she was struck by an SUV, which threw her 20 feet and knocked her unconscious.

She woke up with fractures in her right hand and thigh, brain trauma and bruises on her lung and liver. After multiple surgeries on her thigh and hand, Zhang remained at the UC Medical Center for 20 days in recovery. Her thigh healed rapidly, but her hand remained in a plaster cast for three months.

“The flexibility of the joints in my third finger was completely lost,” Zhang remembers. “I had to start at zero, trying to at least move my injured finger. It took me two weeks before I could move it a single inch.”

While she recovered, her classmates and teachers at CCM sent her “heart-warming” messages, including a card with more than 60 signatures. Interim Dean bruce mcclung and Piano Department Chair Michael Chertock kept Zhang’s family in China updated throughout the ordeal. CCM Associate Dean for Academic Affairs and Director of Graduate Studies Scott Lipscomb and the CCM College Office staff helped her make up missed classes so she would graduate on time. Zhang says her appreciation to them all “is beyond words.”

Chertock worked with Zhang to create a “back to piano” plan for her recovery. They began with simple pieces to rebuild the muscles in her injured hand. Chertock told her that the technical problems in her playing could be fixed with the right mindset.

“When you have the imagination and passion for music, your hands will find their own way to achieve whatever you want to do,” she says.

On Feb, 7, 2018 — year and a half after the hit and run — Zhang held her senior recital in CCM’s Robert J. Werner Recital Hall. She played a Mozart sonata, Alexander Scriabin’s Prelude and Nocturne for the Left Hand and Brahms’ challenging Op. 118. Chertock calls the recital a “heroic conclusion to a year and half of struggle.”

“She endured surgical screws in her right hand, multiple surgeries on her leg and a great deal of pain and scarring without the slightest trace of bitterness or anger,” Chertock says. “She rebuilt her piano playing and developed a style that is more broad, deeper into the keyboard and sustained.”

Zhang came to Cincinnati from her hometown of Guangzhou, China, to study at CCM. She says she was drawn to the college by its distinguished faculty and the artistry of its students.

“Since my first year here, I’ve learned a lot from the faculty and students,” she says. “In this environment, my studying and growth are not limited to only classrooms and lessons. It’s exciting to feel myself improve every minute. The friendly atmosphere encourages and reminds me to help my peers and people who haven’t had the advantage of studying music.”

Zhang was particularly fond of the piano repertoire class she took with instructor Andy Villemez, who recently won UC’s Outstanding Adjunct Instructor Award. The class gave her a broader understanding and knowledge of piano music, which helped her become more comfortable and confident when she gives lessons and presentations, she says.

“It taught me historical facts of piano music and how to better share this knowledge with audiences,” she says. “Rather than simply teaching my students how to play a nice sound, I can lead them to think about music in a more critical way by giving them the historical context of the pieces.”

She will continue studying with Chertock over the summer to prepare for her solo recital in China in September — it will be her debut in her home country after graduating from CCM with a bachelor of music in piano. After the recital, she plans to give piano lessons at a private music school in China.

“Jiaen’s calmness, courage and perseverance were ultimately able to overcome the reckless act that injured her,” Chertock says. “I will always remember her sincere desire to heal and refusal to live in despair.”

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Photography from CCM's Fall 2017 Mainstage Series production of 'Seussical' by Mark Lyons.

Become a Mainstage Subscriber and See Why CCM Was Voted “Best of Cincinnati”

Photography from CCM's Fall 2017 Mainstage Series production of 'Seussical' by Mark Lyons.

Photography from CCM’s Fall 2017 Mainstage Series production of ‘Seussical’ by Mark Lyons.

Audiences recently declared CCM “Best of Cincinnati,” but the best is yet to come with CCM’s 2018-19 Mainstage Series! New subscriptions are on sale now for CCM’s eight-part series of Acting, Dance, Musical Theatre and Opera productions.

Running from October 2018 through April 2019, CCM presents eight masterworks spanning the spectrum of theatre arts, including the best of comedic and dramatic acting, classic and contemporary musicals, great operas from master composers and innovative dance programs … all featuring CCM’s stars-of-tomorrow!

With new streamlined subscription packages, it’s never been easier to get the best tickets at the season’s best prices. Subscriptions are on sale now! Place your priority subscription order by Friday, Aug. 31, 2018, to take advantage of Subscriber-Only Week (Sept. 4-7, 2018).

To order subscriptions, download the new subscription order form or contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.

The complete 2018-19 Mainstage Series lineup is listed below. Titles and dates are subject to change – rights pending.
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CCM’S 2018-19 MAINSTAGE SERIES
Acting, Musical Theatre, Opera, Dance

"The Government Inspector" promo image by Mark Lyons.THE GOVERNMENT INSPECTOR
Adapted by Jeffrey Hatcher
From the original by Nikolai Gogol
Richard E. Hess, director

When the locals in a small Russian hamlet learn that an undercover government inspector is coming for a surprise visit, a case of mistaken identity sends the whole village spiraling into a world of panic and greed. Part farce, part slapstick and wholly entertaining, this timely and spirited adaptation of Nikolai Gogol’s classic play exposes the corruption of a provincial town with biting hilarity.

Performance Dates: Oct. 3 (preview), Oct. 4-7, 2018
Location: Patricia Corbett Theater

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"Guys and Dolls" preview photography by Mark Lyons.GUYS AND DOLLS
A Musical Fable of Broadway
Based on a Story and Characters of Damon Runyon
Music and Lyrics by Frank Loesser
Book by Jo Swerling and Abe Burrows
Diane Lala, director and choreographer
Roger Grodsky, musical director

Set in Damon Runyon’s mythical New York City, Guys and Dolls is the perfect musical comedy and a “golden oldie” from the Broadway season of 1950. Nathan Detroit is a gambler trying to find the cash to set up the biggest craps game in town while the authorities breathe down his neck. Meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they’ve been engaged for 14 years. Nathan turns to fellow gambler Sky Masterson for the dough, and Sky ends up chasing straight-laced missionary Sarah Brown as a result. Guys and Dolls takes us from the heart of Times Square to the cafés of Havana, Cuba and even into the sewers of New York City, but eventually everyone ends up right where they belong.

Performance Dates: Oct. 19 and 21, Oct. 26-27, 2018
Note: A special gala performance of Guys and Dolls will be presented on Saturday, Oct. 20, in honor of CCM Musical Theatre’s 50th anniversary; special pricing applies.
Location: Corbett Auditorium

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"The Turn of the Screw" preview photography by Mark Lyons.THE TURN OF THE SCREW
Music by Benjamin Britten
Libretto by Myfanwy Piper, after a story by Henry James
Aik Khai Pung, conductor
Vince DeGeorge, director

Based on Henry James’ classic ghost-story novella, Britten’s compelling chamber opera presents the story of a governess charged with the care of two orphaned children at their absentee uncle’s country estate, where the ghosts of a former valet and his lover haunt the grounds. With a blend of 12-tone techniques, arresting motifs and stirring lyricism, the action moves with incredible fluidity, creating a chilling tale of sexual repression and the corruption of innocence. For mature audiences.

Performance Dates: Nov. 15-18, 2018
Location: Patricia Corbett Theater

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"Birthday Variations" preview photography by Mark Lyons.BIRTHDAY VARIATIONS
Jiang Qi, director

CCM Dance showcases an array of classic and contemporary works restaged and choreographed by CCM Dance faculty members. The thrilling highlight of the evening is Birthday Variations, set to music by Giuseppe Verdi and staged by guest artist Nicole Duffy Robertson, a répétiteur for the Gerald Arpino Foundation. The performance of Birthday Variations, an Arpino ballet, is presented with the permission of the Gerald Arpino Foundation and has been produced in accordance with the Foundation service standards established and provided by the Foundation.

Performance Dates: Dec. 6-9, 2018
Location: Patricia Corbett Theater

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"Our Country's Good" preview photography by Mark Lyons.OUR COUNTRY’S GOOD
By Timberlake Wertenbaker
Based on the novel The Playmaker by Thomas Keneally
Susan Felder, director

Set in Botany Bay in 1789, Our Country’s Good is a darkly comedic tale based on the true story of Australia’s first theatrical performance. A marine lieutenant decides to put on a play to celebrate the king’s birthday. He casts the play with convicts who populate an Australian prison camp. Few of them can read, let alone act, and the play is produced against a background of food shortages and barbaric prison punishments. Our Country’s Good is as an inspiring tribute to the transforming power of drama. For mature audiences.

Performance Dates: Feb. 13 (preview), Feb. 14-17, 2019
Location: Patricia Corbett Theater

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"Hunchback of Notre Dame" preview image by Mark Lyons.THE HUNCHBACK OF NOTRE DAME
Music by Alan Menken
Lyrics by Stephen Schwartz
Book by Peter Parnell
Based on the Victor Hugo novel and songs from the Disney film
Originally developed by Disney Theatrical Productions
Aubrey Berg, director
Stephen Goers, musical director
Katie Johannigman, choreographer

Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame begins as bells sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer, observes all of Paris reveling in the Feast of Fools, but he is held captive by his devious caretaker, the archdeacon Dom Claude Frollo. He escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though — the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies and it’s up to Quasimodo to save them all. The musical premiered as Der Glöckner von Notre Dame in 1999 in Berlin.

Performance Dates: March 7-10, 2019
Location: Corbett Auditorium

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"La Clemenza di Tito" preview photography by Mark Lyons.LA CLEMENZA DI TITO
(THE CLEMENCY OF TITUS)
Music by Wolfgang Amadeus Mozart
Libretto by Caterino Mazzolà
Jiannan Cheng, conductor
Robin Guarino, director

Mozart’s last opera seria displays some of his most memorable and marvelous arias! The story centers on Roman emperor Titus (Tito) who must choose a wife, but is unable to find a suitable match. In his search for an empress, Tito narrowly avoids an assassination plot instigated by his protégé Sesto and the former emperor’s daughter, Vitellia, who wants the throne for herself. Caught between his duty and his heart, the emperor must choose whether to rule with mercy or with an iron fist.

Performance Dates: April 12-14, 2019
Location: Corbett Auditorium

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CCM Dance preview image by Mark Lyons.CINDERELLA
Deirdre Carberry and Michael Tevlin, co-directors
Karen Russo Burke, choreographer

Celebrate spring’s arrival with a fully staged fairytale ballet choreographed by guest artist Karen Russo Burke, Artistic Director of the Dayton Ballet. A poor girl wishes to escape the authoritarian rule of her evil stepmother and stepsisters, so her fairy godmother gives her a ticket to the ball! The girl meets Prince Charming and they fall in love, but she vanishes when the clock strikes midnight. Set to music by Sergei Prokofiev, Cinderella is known for its jubilant melodies, lush scenery and graceful retelling of the timeless romance by Charles Perrault.

Performance Dates: April 26-28, 2019
Location: Patricia Corbett Theater

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Mainstage Series Subscriptions
The 2018-19 CCM Mainstage Series of Acting, Musical Theatre, Opera and Dance productions includes subscription packages for combinations of Eight Shows, Six Shows, Four Shows or Three Shows. Newly streamlined subscription packages make this process easier than ever before. Simply choose your shows and select whether you want seats in Section A (the best views) or Section B (the lowest prices)!

Subscription packages are on sale now, with packages ranging in price from $81-$192.

Place your priority subscription order by Friday, Aug. 31, to take advantage of Subscriber-Only Week (Sept. 4-7, 2018).

Single tickets go on sale beginning Sept. 10, 2018, but subscribing is the only way to guarantee your seats and your savings for CCM’s Mainstage Series!

To order subscriptions, download the new subscription order form or contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.

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2018-19 MAINSTAGE SERIES PERFORMANCE TIMES

THE GOVERNMENT INSPECTOR
Performance Times:

  • 8 p.m. Wednesday, Oct. 3 (preview)
  • 8 p.m. Thursday, Oct. 4
  • 8 p.m. Friday, Oct. 5
  • 2 p.m. Saturday, Oct. 6
  • 8 p.m. Saturday, Oct. 6
  • 2 p.m. Sunday, Oct. 7

Location: Patricia Corbett Theater

GUYS AND DOLLS
Performance Times:

  • 8 p.m. Friday, Oct. 19
  • 8 p.m. Saturday, Oct. 20 (CCM Musical Theatre 50th Anniversary gala performance; special pricing applies)
  • 1 p.m. Sunday, Oct. 21
  • 7 p.m. Sunday, Oct. 21
  • 8 p.m. Friday, Oct. 26
  • 2 p.m. Saturday, Oct. 27
  • 8 p.m. Saturday, Oct. 27

Location: Corbett Auditorium

THE TURN OF THE SCREW
Performance Times:

  • 8 p.m. Thursday, Nov. 15
  • 8 p.m. Friday, Nov. 16
  • 8 p.m. Saturday, Nov. 17
  • 2 p.m. Sunday, Nov. 18

Location: Patricia Corbett Theater

BIRTHDAY VARIATIONS
Performance Times:

  • 8 p.m. Thursday, Dec. 6
  • 8 p.m. Friday, Dec. 7
  • 8 p.m. Saturday, Dec. 8
  • 3 p.m. Sunday, Dec. 9

Location: Patricia Corbett Theater

OUR COUNTRY’S GOOD
Performance Times:

  • 8 p.m. Wednesday, Feb. 13 (preview)
  • 8 p.m. Thursday, Feb. 14
  • 8 p.m. Friday, Feb. 15
  • 2 p.m. Saturday, Feb. 16
  • 8 p.m. Saturday, Feb. 16
  • 2 p.m. Sunday, Feb. 17

Location: Patricia Corbett Theater

THE HUNCHBACK OF NOTRE DAME
Performance Times:

  • 8 p.m. Thursday, March 7
  • 8 p.m. Friday, March 8
  • 2 p.m. Saturday, March 9
  • 8 p.m. Saturday, March 9
  • 2 p.m. Sunday, March 10

Location: Corbett Auditorium

LA CLEMENZA DI TITO
Performance Times:

  • 8 p.m. Friday, April 12
  • 8 p.m. Saturday, April 13
  • 2 p.m. Sunday, April 14

Location: Corbett Auditorium

CINDERELLA
Performance Times:

  • 8 p.m. Friday, April 26
  • 2 p.m. Saturday, April 27
  • 8 p.m. Saturday, April 27
  • 2 p.m. Sunday, April 28

Location: Patricia Corbett Theater

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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

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CCM Prep Presents “Into the Woods Jr.” on May 3-5

CCM Preparatory and Community Engagement presents a miniature production of Stephen Sondheim and James Lapine’s cult-classic musical, Into the Woods. Co-directed by CCM Prep instructors Becca Kloha Strand and Becky Childs, the 60-minute junior version of the musical is presented on Thursday, May 3 through Saturday, May 5, 2018, in CCM’s Cohen Family Studio Theater.

The production features the students of CCM’s Junior Musical Theatre Intensive program, who range from 9 to 14 years old. Into the Woods Jr. features beloved fairytale characters — Cinderella, Little Red Riding Hood, Jack (and his beanstalk) and the Witch — in a whimsical retelling of classic Brothers Grimm fables.

Audience members familiar with the original Into the Woods will recognize most of the junior version from act one of the original. Into the Woods premiered on Broadway in 1987, where it won Tony Awards for Best Score and Best Book. It has been revived many times at major playhouses, and it was adapted for film in 2014, which received three Academy Award nominations and three Golden Globe nominations.

You can see the CCM Prep’s Into the Woods Jr. this weekend in Cohen Family Studio Theater. Single tickets are $15 general admission, $10 for non-UC students and FREE for UC students with valid ID. Visit the CCM Box Office or call 513-556-4183 for more information.
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PERFORMANCE TIMES

  • 7 p.m. Thursday, May 3
  • 7 p.m. Friday, May 4
  • 3 p.m. Saturday, May 5

LOCATION
Cohen Family Studio Theater, CCM Village
University of Cincinnati

ADMISSION
Tickets to CCM Prep’s Into the Woods Jr. are $15 general, $10 non-UC students and FREE for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

 

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation
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Story by CCM Graduate Student Alexandra Doyle

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Spring Merch Collage

Spring “CCM Swag” Available for Online Purchase

The CCM Tribunal is sponsoring the college’s spring merchandise campaign to help raise funds for students. Red-and-white jerseys, grey T-shirts, cozy black hoodies and water bottles — all emblazoned with the UC College-Conservatory of Music emblem — are on sale now through May 18, 2018.

Fans of CCM and students can order their “CCM Swag” now to have in time for summer orientation! A portion of the funds raised by the sales of all merchandise benefit CCM students. CCM Tribunal has provided funding for social gatherings, the undergraduate opera, master classes, music stands and more.

The fundraiser is going on now through May 18, 2018, so be sure to order your new CCM swag and support CCM Tribunal’s programs and initiatives while you still can!

CCM spring merchandise is available for purchase online at uc.ignitecx.com/2018SpringCCM.

About CCM Tribunal
CCM Tribunal is the undergraduate Student Government at the University of Cincinnati College-Conservatory of Music. The Tribunal is comprised of students from every department within CCM.  The organization’s mission is to provide support for CCM students by sponsoring projects that would otherwise not come to fruition. In addition, CCM Tribunal hosts school-wide social events throughout the year, provides concessions for CCM’s Mainstage Series productions, holds fundraisers for community engagement programs like WhizKids and participates in UC’s Relay for Life.

You can learn more about the CCM Tribunal by visiting ccm.uc.edu/tribunal.

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