CCM's Class of 2015 in Drama.

CCM Drama Holds Annual Senior Showcase and Dolly Awards on March 27

CCM’s Department of Drama presents its annual Senior Showcase at 2 and 7 p.m. on Friday, March 27, in UC’s Patricia Corbett Theater. The 13th annual DOLLY Awards Ceremony follows the 7 p.m. showcase performance. These events are free and open to the public. Reservations are not required.

CCM's Class of 2015 in Drama.

CCM’s Class of 2015 in Drama.

The showcase performance will consist of a variety of scenes by graduating seniors in CCM’s Drama program, demonstrating the depth and breadth of the acting skills they have honed during their undergraduate training at CCM. The Senior Showcase will be the first presentation of a performance that the students will be taking on the road to exhibit their talent in New York and Los Angeles in April. You can learn more about the Drama Class of 2015 by visiting ccm.uc.edu/theatre/drama/seniorshowcase.

Hosted by Richard E. Hess, CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance, the Annual CCM Drama DOLLY Awards recognize outstanding achievement and performance by students in the Department of Drama. Awards are given for Excellence in Performance and Excellence in Ensemble Performance from the 2014-15 CCM Drama season, which included the productions TRANSMIGRATION 2014, Living Dead in DenmarkMacbethSpeech and Debate and The Heidi Chronicles.

The evening will also include tributes to CCM faculty members Diane Kvapil and R. Terrell Finney, both of whom will retire at the end of the semester. A faculty member since 1977, Professor Kvapil received the Acclaim Award for Outstanding Theatre Educator in 2011. A faculty member since 1983, Professor Finney currently serves as CCM’s Associate Dean of Academic Affairs and Director of Graduate Studies. He is also currently serving as president of the National Association of Schools of Theatre.

CCM alumnus Keith Pillow.

CCM alumnus Keith Pillow.

The highlight of the ceremony will be the presentation of the 2015 Julia Winter Cohen Career Excellence Award to a graduate of CCM Drama. This year’s honoree is Keith Pillow, CCM Drama class of 1989. An accomplished film and television actor, Pillow has had recurring roles on Judging AmyThe ShieldThe Sarah Connor ChroniclesAwkward and Pretty Little Liars. He has made guest appearances on The MentalistGleeThe GoldbergsLaw & Order L.A.TheCloserNip/TuckHot in Cleveland24CSICold CaseThe Young and the RestlessGeneral Hospital and The Bold and the Beautiful, to name but a few. A classically trained singer and actor, Pillow is also very much at home on the stage. His credits include the Broadway touring company of Show Boat, the role of Pontius Pilate in the European tour of Jesus Christ Superstar, the role of Hud in the European tour of Hair and the role of Jim in the national tour of Big River. He was also featured at the prestigious Theater des Westens in Berlin as Jacob in La Cage aux Folles, and in productions of My Fair LadyAnything Goes and Evita. In addition to his television and stage credits, Pillow has appeared in over 20 national and regional commercials and numerous films.

About Diane Kvapil

CCM Associate Professor of Drama Diane Kvapil.

CCM Associate Professor of Drama Diane Kvapil.

Diane L. Kvapil studied at Catholic University in Washington, D.C., and the Neighborhood Playhouse in New York City with Sanford Meisner. She joined CCM’s faculty in 1977 and currently serves as Associate Professor of Drama. Kvapil has directed several notable productions during her time at CCM, including Trojan Woman (with original music by Richard Oberacker), Our TownThree Sisters (which won the Acclaim Award for Outstanding Ensemble) and Tom Stoppard’s Arcadia. In 2011, she received the Acclaim Award for Outstanding Theatre Educator.

Featured in numerous regional and national touring productions as well as WNET and NBC telecasts, Kvapil has also performed with National Players in Japan, Korea, Canada, North Africa and Bermuda. She is in demand for on-camera commercial work as well as voice overs for radio and television. As a writer, Kvapil has had a teleplay produced for NBC’s Young People’s Specials. She studied with American actor and acting teacher Eric Morris during the summer of 1987.

About R. Terrell Finney

CCM Associate Dean of Academic Affairs, Director of Graduate Studies and Professor of Drama Terrell Finney.

CCM Associate Dean of Academic Affairs, Director of Graduate Studies and Professor of Drama Terrell Finney.

R. Terrell Finney, Jr. is the Associate Dean for Academic Affairs, Director of Graduate Studies and a Professor of Drama at CCM. A faculty member since 1983, his recent directing credits include Charley’s AuntFloyd CollinsDancing at LughnasaThe DivinersMyths and HymnsAs You Like It,Lend Me A TenorChekhov in YaltaBlithe Spirit and the world premiere of Clever Dick for CCM/Ensemble Theatre of Cincinnati, among others. He has also served as a faculty member at Birmingham-Southern College and the Cincinnati School for Creative and Performing Arts.

Finney is a former artistic director of the Showboat Majestic where selected productions included Crimes of the Heart and They’re Playing Our Song. He also directed The Importance of Being Earnest for the Cincinnati Shakespeare Festival. Acting credits include Nurse Nanny Fanny in ETC’s Snow White, Hysterium in the Hot Summer Nights production of A Funny Thing Happened on the Way to the Forum and Argon in CCM’sThe Imaginary Invalid. He has also served as narrator for the Cincinnati Symphony Orchestra.

A graduate of the MFA directing program at Boston University, he spent the summers of 1992 and 1995 in training programs with the Royal National Theatre of Great Britain. A past president of the Ohio Theatre Alliance, Finney previously served as the head of the Division of Opera, Musical Theatere, Drama and Arts Administration at CCM and acted as producer of CCM’s acclaimed Hot Summer Nights from 1998 to 2002. A member of Actors’ Equity Association, he is currently serving as President of the National Association of Schools of Theatre and frequently serves as a consultant to theatre programs across the United States.

Although Finney is retiring this spring, he will make a return to CCM’s Mainstage Series to direct Eugene O’Neill’s Ah, Wilderness! in February of 2016. You can learn more about this production, and the rest of CCM’s upcoming season, by visiting ccm.uc.edu/about/villagenews/notations-ovations/mainstage-series-2015-2016.

Performance Times
2 & 7 p.m., Friday, March 27

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Admission Details
Admission to the CCM Drama Senior Showcase and DOLLY Awards Ceremony is FREE and open to the general public. Reservations are not required.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM Alumni Applause CCM News Faculty Fanfare Student Salutes
CCM's Steel Drum Band takes the stage for its annual spring concert on Jan. 31, 2015.

CCM Spring 2015 Calendar of Major Events – April Updates

Please note the following updates to CCM’s schedule of major events for the spring:

  • The Pangea Chamber Players guest artist concert originally scheduled for April 2 has been cancelled.
  • The venue has changed for CCM’s April 19 performance of Dave Brubeck’s The Gates of Justice. The concert will now take place at Knox Presbyterian Church, 3400 Michigan Ave., Cincinnati, OH 45208
  • The faculty artist concert entitled “The Original Phil DeGreg and Friends” has been rescheduled for 8 p.m. on Wednesday, April 22. This celebration of the career of retiring faculty member Phil DeGreg will take place in Patricia Corbett Theater. The performance is free and open to the general public. You can listen to Professor DeGreg preview his concert, which was originally scheduled for Feb. 17, courtesy of WVXU 91.7 FM.
  • CCM welcomes composer Mark Applebaum for a guest artist performance at 7 p.m. on Saturday, April 25 in Watson Hall. This performance is free and open to the general public.
  • CCM’s Division of Electronic Media will host its Senior Showcase at 7 p.m. on Thursday, April 30 in Watson Hall. Admission to the event is free and open to the general public.

You can always find the most up-to-date information on CCM’s calendar of events at ccm.uc.edu.

CCM News Faculty Fanfare
CCM Dance Student Choreographer's Showcase rehearsal photos by Adam Zeek.

CCM’s Department of Dance Presents Nine Student-Created Original Works March 11-14

Photography by Mark Lyons.

Photography by Mark Lyons.

CCM’s Department of Dance proudly presents its annual Dance Student Choreographers’ Showcase from March 11 – 14 in UC’s intimate Cohen Family Studio Theater. Dance Department faculty members Deirdre Carberry and Andre Megerdichian direct this exciting production. Admission is free, but reservations are required.

This year’s production will feature pieces by eight undergraduate women: Emily Chu, Katie Norton-Bliss, Scarlett Rustemeyer, Christine Settembrino and Katelyn Somers, along with a work by guest choreographer Tian Tian.

Senior Katie Norton-Bliss will debut her 10-minute piece,“Po$t $omething.” Her  piece was inspired by the similarities between trends found in pop culture and in dance. “Trends run the pop culture world, and often they are updates of older styles… Trends come and go in the dance world, but we don’t usually refer to them as trend. Instead, we consider them to be genres of dance. For example, there was modern dance followed by post modern dance. This makes it harder and harder for styles of choreography to be defined,” she explains.

Norton-Bliss describes her choreographic style as an amalgamation of many different influences. Her movements are inspired by “ballet, contemporary ballet, modern, contemporary, hip hop, and even current dance trends like the Schmoney dance or classics like the moon walk.” She also generates a good deal of her choreography through improvisation. Her piece will feature three different songs: “Gooo” by TNGHT, “Dawn in Luxor” by Shabbaz Palaces and a remix of “Wrecking Ball” by Miley Cyrus. Additionally, she will be mixing in audio from a YouTube video called “Making Dances: Seven Post Modern Choreographers.”

Senior Emily Chu discusses her 13-year-old sister as inspiration for her currently untitled piece. Chu says she has always tried to be a role model for her sister and has made sure that her sister is exposed to a variety of strong women. And “it’s worked,” says Chu. “She dressed up as Amelia Erhart for Halloween.” Other women that will be represented in Chu’s choreography include Joan of Arc and Gertrude Etterly, the first woman to swim the English channel.

Chu’s approximately 10-minute long contemporary ballet piece will feature eight talented female dancers, not on pointe. They will perform to a mix of strings and an electronic song called “See the Sea Red” by Vitalic.

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All of the pieces this year represent a huge diversity of styles and are a compliment to the broad range of experiences and teachings available to CCM’s dance students.

Performance Times

  • 8 p.m. Wednesday, March 11
  • 8 p.m. Thursday, March 12
  • 8 p.m. Friday, March 13
  • 2 p.m. Saturday, March 14

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission to the Dance Student Choreographer’s Showcase is free, but reservations are required. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Dance Department gratefully acknowledges the support of the Corbett Foundation at CCM.

CCM News CCM Slideshows Student Salutes
Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM's Mainstage Series production of 'Peter Pan.' Photography by Mark Lyons.

CCM’s Mainstage Series Proudly Presents Broadway’s Timeless Musical ‘Peter Pan’ March 5-8, 2015

CCM continues its 2014-15 Mainstage Series with the classic fairytale musical Peter Pan. Directed and choreographed by guest artist Joe Locarro, with musical direction by CCM Professor of Musical Theatre Roger Grodsky, this production promises to whisk audiences away to a place where dreams are born and no one ever grows up! Peter Pan makes its CCM debut at 8 p.m. on Thursday, March 5, in Corbett Auditorium and plays through March 8, 2015. Tickets are on sale now.

Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM's Mainstage Series production of 'Peter Pan.' Photography by Mark Lyons.

Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM’s Mainstage Series production of ‘Peter Pan.’ Photography by Mark Lyons.

Based on J.M. Barrie’s classic tale and featuring an unforgettable score by Morris “Moose” Charlap and Jule Styne with lyrics by Carolyn Leigh and Betty Comden and Adolph Green, Peter Pan is one of the most beloved family favorites of all time. This high-flying Tony Award-winning musical has been performed around the world and delighted audiences for 60 years.

Peter Pan’s enduring status comes as no surprise to Locarro, who brings years of Broadway experience to CCM’s production. In addition to providing perspective on the end of the Victorian Era, Locarro explains that Barrie’s fairy tale is also “a story of longing and the continuum of life. Although Peter Pan is the catalyst, it is really Wendy’s journey through adolescence and subsequently the journey of her daughter Jane and Jane’s daughter after that. Having a 20-year-old daughter of my own, I too see the importance of this journey for all of our children and understand why Peter Pan is popular to this day.”

While CCM is widely known for its remarkable stage productions, audiences can expect something truly remarkable for this production of Peter Pan. This is thanks to Locarro’s unique vision and also to an exciting collaboration between CCM’s faculty, student and staff talent and the expertise of theatrical flying effects and equipment industry leaders, ZFX, Inc. CCM Professor of Drama and Peter Pan fight choreographer k. Jenny Jones explains, “ZFX Flying Effects and I are creating sword fights with aerial dynamics that have never been tried before. Several years ago, I commissioned ZFX for a study of the variables of fighting while flying, and how flying may enhance the action of staged combat. The duel between Peter and Hook in this production is a perfect representation of this research and it will make CCM’s Peter Pan quite special.”

ZFX is one of the many professional industry leaders in theatre technology that will be in Cincinnati for the 55th annual United States Institute for Theatre Technology (USITT) Conference and Stage Expo, which comes to the Duke Energy Convention Center March 18-21, 2015. Expo attendees will have the opportunity to visit CCM Village to see Peter Pan‘s groundbreaking flying effects set up for themselves even after the production has closed.

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Hannah Zazzaro, a senior from Clearwater, Florida, is one of two CCM students playing the demanding part of Peter Pan. She shares the role with junior musical theatre major Clara Cox. The role of Peter Pan will alternate between Cox (March 6; March 7 matinee) and Zazzaro (March 5; March 7; March 8 matinee).

Download Peter Pan‘s cast list here.

Zazzaro’s preparation began back in November when she read and re-read the script and watched every version of Peter Pan that she could find. Her goal was to understand her part in the storytelling and to know the text forward and backward. “Peter Pan is a demanding role in every way,” says Zazzaro. “I have to run, jump, fly, dance, sing while flying, do cartwheels, and sword fight both in the air and on the ground. I started a 60-day physical training program called ‘Insanity’ that I will continue to do regularly through the end of the show… and maybe even after because I like it so much!”

In addition to her copious musical theatre experience, Zazzaro is a classically trained singer, which makes her a perfect choice for this role. “My favorite part of the show is when Peter Pan turns into a ‘lady’ and sings a short aria with Captain Hook. This show has given me the opportunity to finally show off my low notes, my high belt and my high soprano! It’s so much fun,” she says enthusiastically.

Under Jones’ guidance, Zazzaro has also learned to sword fight. “Three things that I know I have to focus on are: trusting my wrists and allowing my sword to swing rather than forcing it to, having a spacial understanding with whomever I’m swinging at, and communicating with them through body language in order to be successful and safe,” Zazzaro explains. Mastering all of these things at once has been challenging, but Zazzaro states it’s been “completely worth it.”

Senior Dallas Padoven plays the role of Cecco the pirate alongside Zazzaro, but he faces his own unique challenges. Padoven is also Captain Hook’s understudy, meaning he has to be prepared to take on the iconic villain’s role on short notice. “Preparing for two characters is extremely interesting,” says Padoven. “I have to be on my toes while working at all times. While I am learning the pirate role, I also have to keep one eye on Hook to make sure I know what he is doing. I am in the same scenes as two different characters.”

Both Zazzaro and Padoven agree that working with Locarro has been wonderful. “He has a lot of experience in the field,” says Padoven. “While we are working with him we are figuring out our blocking and choreography but he also tells us about various shows he’s been in. He really teaches through personal stories, so we’ve learned a lot, especially things like what to do and not to do in audition and rehearsal situations.”

Zazzaro particularly appreciates Locarro’s attention to detail. “One of the hardest things is the Corbett Auditorium. The stage is huge, but it has seemed almost effortless for Joe to create pictures that fill out the entire stage.”

CCM’s production of Peter Pan also features scenic design by Mark Halpin, costume design by Dean Mogle and Rebecca Senske, lighting design by Chris Carter, sound design by Jeremy Lee and wig and make-up design by Kelly Yurko. With the iconic songs “I’m Flying,” “I Gotta Crow,” “I Won’t Grow Up” and “Never Never Land,” and a rousing book full of magic, warmth and adventure, Peter Pan is the perfect show for the child in all of us who dreamed of soaring high and never growing up.

About Joe Locarro
Joe Locarro is a director, choreographer and producer who has directed for stage, film and television. His film Finding Billy was nominated for two New York Emmy Awards (for best direction and best documentary) and was an official selection of the 2012 Dance on Camera Festival. Finding Billy has also been broadcast nationally on PBS for the past five years.

Locarro’s recent directing credits include two seasons of the PBS National series Intelligence Squared Debates, productions of Les Misérables for the University of Michigan Musical Theatre Department (April 2014) and Music Theatre of Wichita (August 2013), and the PBS series Vine Talk starring Stanley Tucci. Some of his PBS specials include Remember Me with Parsons Dance Co & The East Village Opera Company, A Tale of Two Cities in Concert and three specials with Deepak Chopra.

Locarro specializes in filming and editing dance, theatre and music and is currently guest director for the live web broadcasts from Jazz at Lincoln Center’s Appel Room. He has also directed numerous stage productions including regional productions of Ragtime and Les Misérables.

Locarro began his career as a dancer and choreographer, dancing with the Boston, Joffrey and Hartford Ballet Companies creating and choreographing 30 works for dance companies across the U.S. After a career in ballet, he went on to perform on Broadway and first national tours in six musicals including the role of ‘Enjolras’ in Les Misérables (both on Broadway and in the first national tour), the original Broadway companies of Ragtime, Goodbye Girl and Merlin as well as the role of Munkstrap in Cats and West Side Story.

Locarro brings his many years of performance experience to his work with artists and arts organizations. He continues to film and edit for dance companies around the world, as well as create promotional videos and documentaries for arts organizations and individual artists.

About ZFX, Inc.
Founded in 1994, ZFX, Inc. is the complete service provider for Flying Effects. They don’t just handle the rigging or flying harnesses. They’re not just skilled at automation, choreography and flying design. ZFX covers every aspect of flying possibilities. From high schools to Broadway, churches to special events, ZFX zealously pursues its goal of worldwide domination of the performer flying industry. Their infectious enthusiasm comes at no additional charge. They don’t wake up and put their pants on one leg at a time like the other guys. They wrap themselves in kilts and stride boldly out into the world. ZFX offers performer flying, high speed hoists, flying of props, automated systems, stunt gags, truss equipment mounting, aerial acts, manually operated systems, corporate shows and events, custom harnesses, spectacle flying and safety consultation. Learn more by visiting www.zfxflying.com.

Performance Times

  • 8 p.m. Thursday, March 5
  • 8 p.m. Friday, March 6
  • 2 and 8 p.m. Saturday, March 7
  • 2 p.m. Sunday, March 8

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Peter Pan are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/peter-pan-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mainstage Production Sponsor: Wells Fargo Advisors, LLC

Community Partner: ArtsWave

Peter Pan is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com

CCM News CCM Slideshows
From left to right: CCM graduating seniors Eric Geil, Nate Irvin, Thomas Knapp and Dallas Padoven rehearse “Holiday” from American Idiot. The song is featured in this year’s New York Musical Theatre Showcase. Photo by Dallas Padoven.

CCM Snags the Award-Winning Punk Rock Musical ‘American Idiot’ for An Exciting and Eclectic 2015-16 Mainstage Series

From left to right, CCM graduating seniors Eric Geil, Thomas Knapp, Dallas Padoven and Nate Irvin rehearsing “Holiday” from American Idiot. This song is also featured in CCM's New York Musical Theatre Showcase later on this semester.

From left to right, CCM graduating seniors Eric Geil, Thomas Knapp, Dallas Padoven and Nate Irvin rehearsing “Holiday” from American Idiot. This song is also featured in CCM’s New York Musical Theatre Showcase later on this semester.

CCM has secured the rights to present the Tony Award-winning musical blockbuster American Idiot as part of its 2015-16 Mainstage Series. Running March 3 – 13, 2016, in CCM’s Patricia Corbett Theater, this will be the first local production of the acclaimed rock opera.

A critical smash on Broadway and in London, American Idiot is based on the Grammy Award-winning album of the same name by American punk rock band Green Day. The two-time Tony Award-winning musical tells the story of three disillusioned youths who are forced to choose between freedom and the safety of suburbia.

Inspired in part by such classic concept albums as The Who’s Tommy, The Rocky Horror Picture Show and Jesus Christ Superstar, American Idiot premiered at the Berkeley Repertory Theatre in 2009 and finished its most recent national tour in May 2014. With a raucous and exhilarating punk rock score, American Idiot boldly takes musical theatre where it has never gone before. For both the students and the faculty members at CCM, the boundary-pushing nature of this contemporary musical perfectly complements the college’s educational mission.

“Our production philosophy in the Musical Theatre program is simple,” explains Aubrey Berg, CCM’s Patricia A. Corbett Distinguished Chair of Musical Theatre and the director of this upcoming production. “During the four years a student spends with us, they will be exposed to every kind of musical theatre work. In the last few years, we have undertaken shows as varied as the groundbreaking Oklahoma!, the fancy foot-work of Singin’ in the Rain, the moving spectacle of Les Misérables and the beloved childhood fantasy of Peter Pan. And that does not include our Studio Series, which features such cutting-edge works as Carrie and Blood Brothers. Forgotten musicals are also well represented in our Musicals Redux Series, which digs into the great storehouse of musical theatre history to find some lost gems.” Chairman of CCM’s Department of Musical Theatre since 1987, Berg received the League of Cincinnati Theatres Continuing Achievement Award and was inducted into the CEA Hall of Fame in 2010.

CCM Adjunct Instructor Stephen Goers will join Berg as musical director for this production. The two have frequently collaborated on such musical productions as Into the Woods, Carrie and, most recently, Les Misérables. Over the years, their work together has garnered a large number of local arts awards, including Best Direction, Best Musical Direction and Best Musical.

Taking on a 21st century musical is already proving to be an exciting prospect for students at CCM, many of whom grew up with the original American Idiot concept album, which was released in 2004.

“I think it’s so special to be part of a program that embraces new musicals as well as the classics, in order to provide the most well rounded education possible for its students,” says third-year musical theatre major Tom Meglio. “American Idiot already has everyone in CCM’s Division of Theatre Arts rocking out and ready for some Junior High nostalgia!”

Classmate Taylor Alexander agrees: “The original Green Day album was a groundbreaking staple to our generation with its unique view on youth in America. The whole campus is going to be pumped to hear music we all grew up listening to!”

Described by the New York Times as “invigorating, moving and thrilling… a true rock opera,” American Idiot features a book by Billie Joe Armstrong and Michael Mayer, lyrics by Billie Joe Armstrong and music by the band Green Day. The score features the hits “Boulevard of Broken Dreams,” “21 Guns,” “Wake Me Up When September Ends,” “Holiday” and the iconic title track.

CCM will announce its entire 2015-16 Mainstage Series lineup in March of 2015. Running from October of 2015 through April of 2016, the series will include two operas, two musicals, two dramas and one story ballet.

Details on subscription packages and single ticket sales will be announced this summer. Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

American Idiot is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com
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A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
Scenes from CCM's Mainstage Series production of 'The Heidi Chronicles.' Photography by Mark Lyons.

CCM Slideshows: The Heidi Chronicles

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CCM’s 2014-15 Mainstage Series continues TONIGHT with Wendy Wasserstein’s groundbreaking comedy The Heidi Chronicles, playing through Sunday, Feb. 15, in Patricia Corbett Theater. See a complete list of performance times below.

Winner of the 1989 Pulitzer Prize for Drama and the Tony Award for Best Play, The Heidi Chronicles is directed by CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance Richard Hess.

Rick Pender takes a closer look at The Heidi Chronicles and the legacy of playwright Wendy Wasserstein for CityBeat. Read the story online here.

David Lyman previews the production for the Cincinnati Enquirer. Read the story online here.

Sexuality, feminism, education, gender equality, marriage, women’s rights – there’s no hot-button issue the play doesn’t touch. Learn more about this poignant comedy here.

Performance Times

  • 8 p.m. Thursday, Feb. 12
  • 8 p.m. Friday, Feb. 13
  • 2 and 8 p.m. Saturday, Feb. 14
  • 2 p.m. Sunday, Feb. 15

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Heidi Chronicles are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Saturday matinee student rush discount tickets are available beginning at 1 p.m. on Saturday, Feb. 14 and are $12-15.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/heidi-chronicles-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News CCM Slideshows
Paintings of Monteverdi and Handel.

CCM’s Studio and Undergraduate Opera Series Celebrate the Baroque Era with ‘The Coronation of Poppea’ and ‘Alcina’

Molly Hanes (DMA candidate, Voice Performance) as Poppea in CCM's studio opera production of 'The Coronation of Poppea.' Photography by Adam Zeek.

Molly Hanes (DMA candidate, Voice Performance) as Poppea in CCM’s studio opera production of ‘The Coronation of Poppea.’ Photography by Adam Zeek.

CCM will present the operatic works of Claudio Monteverdi and Frideric Handel this spring with L’incoronazione di Poppea (The Coronation of Poppea) running Feb. 20-22 and Alcina running Feb. 27-March 1 both in the Cohen Family Studio Theater.

As part of CCM’s Studio Opera Series and Opera d’arte-Undergraduate Opera Series, respectively, these productions offer free admission but reservations are required.

Associate Professor of Ensembles and Conducting L. Brett Scott conducts both productions.

Despite both focusing on royalty, these masterworks’ themes couldn’t be more different. Directed by Assistant Professor of Music in Opera and Directing Emma GriffinThe Coronation of Poppea is one of the first operas based on real-life historical figures. Monteverdi focuses on the infamous Roman emperor Nero and his affair with a married woman named Poppea Sabina, who, through betrayal, banishment and murder, becomes the emperor’s new wife.

By comparison, Alcina, with direction by Professor of Voice Kenneth Shaw, weaves a lighter, more magical tale. A warrior king is whisked away to a magical island where the sorceress Alcina seeks to place him under her spell of love, and possibly transform him into an animal or tree when she becomes bored of him. Mistaken identities, star-crossed lovers and light-hearted episodes are plentiful in Handel’s opera, which will take the CCM stage for the first time since 1985!

Monteverdi continues to be recognized (due in part to his 1607 masterpiece L’Orfeo) as the first truly renowned opera composer. His Vespers of 1610 is performed often, including CCM’s own presentation this past November by the Chamber Choir and Philharmonia Chamber Orchestra. Meanwhile, Handel’s monumental oratorio The Messiah remains highly popular in its own right and is a Christmas staple for numerous choirs and orchestras across the world.

Both productions will provide an intimate experience for audiences and performers alike inside CCM’s cozy Cohen Family Studio Theater. Tickets will become available for reservation the Monday before each opening–Feb. 16 for The Coronation of Poppea and Feb. 23 for Alcina. Mark your calendars to see two of the greatest works of the Baroque by two of its greatest composers!

UC Professor Lauren Ginsberg from McMicken College’s Department of Classics will host a free talkback session on the historical origins of The Coronation of Poppea immediately following the Sunday, Feb. 22, performance of the opera. The talkback session will also take place in the Cohen Family Studio Theater and will last approximately 30 minutes.

Rafael de Acha provides an in-depth preview of CCM’s upcoming productions of The Coronation of Poppea and Alcina for Seen and Heard InternationalRead the preview online here.

Ray Cooklis examines the “otherworldly appeal” of early music – including both of CCM’s opera productions –  in the February edition of ExpressCincinnati. Read the story online here.

The Catacoustic Consort provides an overview of all of the Early Music performances happening in Cincinnati this February here.

Event Information
All events listed below take place on the campus of the University of Cincinnati unless otherwise indicated. Tickets can be reserved in person at the CCM Box Office or over the telephone at 513-556-4183. Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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SPRING 2015 STUDIO OPERA AND OPERA D’ARTE SERIES:

8 p.m. Friday, Feb. 20
8 p.m. Saturday, Feb. 21
2 p.m. Sunday, Feb. 22 (a talkback session will immediately follow this performance)
• Studio Opera Series •
L’INCORONAZIONE DI POPPEA (THE CORONATION OF POPPEA)
Music by Claudio Monteverdi
Libretto by Francesco Busenello
Brett Scott, conductor
Emma Griffin, director

Love, power, morality, corruption… Monteverdi’s final masterpiece, The Coronation of Poppea, is often described as his greatest achievement, combining mythic and very human themes and featuring some of his most glorious music. One of the first operas to use historical events and people, it tells the story of Nero’s infatuation with the young and beautiful Poppea as she tries to make him divorce his wife Ottavia and take her as his new queen and empress of Rome. The Coronation of Poppea is a rich, complex and thoroughly modern work; a world populated by ruthless and all-too-human characters where lust and ambition ultimately triumph over virtue.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, Feb. 16. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
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8 p.m. Friday, Feb. 27
2 and 8 p.m. Saturday, Feb. 28 (the previously announced Saturday matinee performance has been canceled)
2 p.m. Sunday, March 1
• CCM Opera d’arte – Undergraduate Opera Series •
ALCINA
Music by George Frideric Handel
Libretto by Riccardo Broschi
Brett Scott, conductor
Kenneth Shaw, director
Amy Johnson, producer

A sorceress, an enchanted island, disguised lovers and mistaken identities are woven together beautifully with some of Handel’s most memorable melodies.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, Feb. 23. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

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