CCM's Class of 2015 in Drama.

CCM Drama Holds Annual Senior Showcase and Dolly Awards on March 27

CCM’s Department of Drama presents its annual Senior Showcase at 2 and 7 p.m. on Friday, March 27, in UC’s Patricia Corbett Theater. The 13th annual DOLLY Awards Ceremony follows the 7 p.m. showcase performance. These events are free and open to the public. Reservations are not required.

CCM's Class of 2015 in Drama.

CCM’s Class of 2015 in Drama.

The showcase performance will consist of a variety of scenes by graduating seniors in CCM’s Drama program, demonstrating the depth and breadth of the acting skills they have honed during their undergraduate training at CCM. The Senior Showcase will be the first presentation of a performance that the students will be taking on the road to exhibit their talent in New York and Los Angeles in April. You can learn more about the Drama Class of 2015 by visiting ccm.uc.edu/theatre/drama/seniorshowcase.

Hosted by Richard E. Hess, CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance, the Annual CCM Drama DOLLY Awards recognize outstanding achievement and performance by students in the Department of Drama. Awards are given for Excellence in Performance and Excellence in Ensemble Performance from the 2014-15 CCM Drama season, which included the productions TRANSMIGRATION 2014, Living Dead in DenmarkMacbethSpeech and Debate and The Heidi Chronicles.

The evening will also include tributes to CCM faculty members Diane Kvapil and R. Terrell Finney, both of whom will retire at the end of the semester. A faculty member since 1977, Professor Kvapil received the Acclaim Award for Outstanding Theatre Educator in 2011. A faculty member since 1983, Professor Finney currently serves as CCM’s Associate Dean of Academic Affairs and Director of Graduate Studies. He is also currently serving as president of the National Association of Schools of Theatre.

CCM alumnus Keith Pillow.

CCM alumnus Keith Pillow.

The highlight of the ceremony will be the presentation of the 2015 Julia Winter Cohen Career Excellence Award to a graduate of CCM Drama. This year’s honoree is Keith Pillow, CCM Drama class of 1989. An accomplished film and television actor, Pillow has had recurring roles on Judging AmyThe ShieldThe Sarah Connor ChroniclesAwkward and Pretty Little Liars. He has made guest appearances on The MentalistGleeThe GoldbergsLaw & Order L.A.TheCloserNip/TuckHot in Cleveland24CSICold CaseThe Young and the RestlessGeneral Hospital and The Bold and the Beautiful, to name but a few. A classically trained singer and actor, Pillow is also very much at home on the stage. His credits include the Broadway touring company of Show Boat, the role of Pontius Pilate in the European tour of Jesus Christ Superstar, the role of Hud in the European tour of Hair and the role of Jim in the national tour of Big River. He was also featured at the prestigious Theater des Westens in Berlin as Jacob in La Cage aux Folles, and in productions of My Fair LadyAnything Goes and Evita. In addition to his television and stage credits, Pillow has appeared in over 20 national and regional commercials and numerous films.

About Diane Kvapil

CCM Associate Professor of Drama Diane Kvapil.

CCM Associate Professor of Drama Diane Kvapil.

Diane L. Kvapil studied at Catholic University in Washington, D.C., and the Neighborhood Playhouse in New York City with Sanford Meisner. She joined CCM’s faculty in 1977 and currently serves as Associate Professor of Drama. Kvapil has directed several notable productions during her time at CCM, including Trojan Woman (with original music by Richard Oberacker), Our TownThree Sisters (which won the Acclaim Award for Outstanding Ensemble) and Tom Stoppard’s Arcadia. In 2011, she received the Acclaim Award for Outstanding Theatre Educator.

Featured in numerous regional and national touring productions as well as WNET and NBC telecasts, Kvapil has also performed with National Players in Japan, Korea, Canada, North Africa and Bermuda. She is in demand for on-camera commercial work as well as voice overs for radio and television. As a writer, Kvapil has had a teleplay produced for NBC’s Young People’s Specials. She studied with American actor and acting teacher Eric Morris during the summer of 1987.

About R. Terrell Finney

CCM Associate Dean of Academic Affairs, Director of Graduate Studies and Professor of Drama Terrell Finney.

CCM Associate Dean of Academic Affairs, Director of Graduate Studies and Professor of Drama Terrell Finney.

R. Terrell Finney, Jr. is the Associate Dean for Academic Affairs, Director of Graduate Studies and a Professor of Drama at CCM. A faculty member since 1983, his recent directing credits include Charley’s AuntFloyd CollinsDancing at LughnasaThe DivinersMyths and HymnsAs You Like It,Lend Me A TenorChekhov in YaltaBlithe Spirit and the world premiere of Clever Dick for CCM/Ensemble Theatre of Cincinnati, among others. He has also served as a faculty member at Birmingham-Southern College and the Cincinnati School for Creative and Performing Arts.

Finney is a former artistic director of the Showboat Majestic where selected productions included Crimes of the Heart and They’re Playing Our Song. He also directed The Importance of Being Earnest for the Cincinnati Shakespeare Festival. Acting credits include Nurse Nanny Fanny in ETC’s Snow White, Hysterium in the Hot Summer Nights production of A Funny Thing Happened on the Way to the Forum and Argon in CCM’sThe Imaginary Invalid. He has also served as narrator for the Cincinnati Symphony Orchestra.

A graduate of the MFA directing program at Boston University, he spent the summers of 1992 and 1995 in training programs with the Royal National Theatre of Great Britain. A past president of the Ohio Theatre Alliance, Finney previously served as the head of the Division of Opera, Musical Theatere, Drama and Arts Administration at CCM and acted as producer of CCM’s acclaimed Hot Summer Nights from 1998 to 2002. A member of Actors’ Equity Association, he is currently serving as President of the National Association of Schools of Theatre and frequently serves as a consultant to theatre programs across the United States.

Although Finney is retiring this spring, he will make a return to CCM’s Mainstage Series to direct Eugene O’Neill’s Ah, Wilderness! in February of 2016. You can learn more about this production, and the rest of CCM’s upcoming season, by visiting ccm.uc.edu/about/villagenews/notations-ovations/mainstage-series-2015-2016.

Performance Times
2 & 7 p.m., Friday, March 27

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Admission Details
Admission to the CCM Drama Senior Showcase and DOLLY Awards Ceremony is FREE and open to the general public. Reservations are not required.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
_____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM Alumni Applause CCM News Faculty Fanfare Student Salutes

CCM Announces 2015 Opera Scholarship Competition Results

Five voice students were named winners of CCM’s 2015 Opera Scholarship Competition, which was held Saturday, March 14, in UC’s Corbett Auditorium.

The annual competition welcomes current and incoming CCM voice students to compete for scholarships and cash prizes, and a panel of judges composed of opera industry professionals selects each year’s class of prizewinners.

The 2015 CCM Opera Scholarship Competition winners are:

Jessica Faselt (Candidate – Master of Music)
From Iowa City, Iowa, studying with Amy Johnson
Prize: Full-tuition scholarship and the Corbett Award ($15,000)
The Corbett Award is supported by the Corbett Foundation in cooperation with the University of Cincinnati College-Conservatory of Music.

Jacob Kincaide (Candidate – Artist Diploma)
From Houston, Texas, studying with Thomas Baresel
Prize: Full-tuition scholarship and the Italo Tajo Memorial Award ($15,000)
This award is supported by the Italo Tajo Memorial Scholarship Fund (established by Mr. Tajo’s wife, Mrs. Inelda Tajo) in cooperation with the University of Cincinnati College-Conservatory of Music.

Murrella Parton (Incoming – Master of Music)
From Seymour, Tenn.
Prize: Full-tuition scholarship and the Andrew White Memorial Award ($12,500)
This award is supported by the Andrew White Memorial Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

Cody Quattlebaum (Incoming – Master of Music)
From Ellicott City, MD, studying with Kenneth Shaw
Prize: Full-tuition scholarship and the Seybold-Russell Award ($10,000)
The Seybold-Russell Award is supported by the Seybold-Russell Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

Benjamin Lee (Candidate – Master of Music)
From La Crescente, Calif., studying with Thomas Baresel
Prize: Full-tuition scholarship and the John Alexander Memorial Award ($10,000)
This award is sponsored by the John Alexander Memorial Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

The following student also received an award as part of the competition:

Christian Pursell (Incoming – Master of Music)
From Aptos, Calif.
Prize: Corbett Incentive Award for new Master of Music students ($2,000)
This award is supported by the Corbett Foundation in cooperation with the University of Cincinnati College-Conservatory of Music.

The judges’ panel for CCM’s 2015 Opera Scholarship Competition included:

  • Sheri Greenawald, Director of the San Francisco Opera Center and Artistic Director for the Merola Opera Program
  • Speight Jenkins, General Director of Seattle Opera from 1983 to 2014
  • Evans Mirageas, Harry T. Wilks Artistic Director of Cincinnati Opera and Vice-President for Artistic Planning for the Atlanta Symphony

About CCM Opera
The Department of Opera at CCM boasts one of the most comprehensive training programs for opera singers, coaches and directors in the United States. Students at CCM work with some of the most renowned teachers and artists active in opera today.

CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. Furthermore, CCM’s Mainstage and Studio Series of Opera have received some of the National Opera Association Production Competition’s highest honors throughout the years, taking home six of the 18 non-professional prizes awarded in 2010 and four prizes in 2011.

CCM Opera graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, Metropolitan Opera (New York), Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy) and more.

CCM’s 2014-15 opera season concludes next month with Mozart’s beloved Così fan tutte (April 9 – 12), conducted by Mark Gibson with stage direction by Robin Guarino. Learn more about the production at ccm.uc.edu/boxoffice/cosi-fan-tutte-mainstage.
____________________ 

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM Alumni Applause CCM News Student Salutes
CCM's Class of 2015 in Musical Theatre: Alison Bagli, Sarah Bishop, Eric Geil, Tyler Huckstep, Nathaniel Irvin, Thomas Knapp, John McGill, Charlie Meredith, Christopher Morrissey, Kaela O'Connor, Dallas Padoven, DJ Plunkett, Madeleine Spacapan, Emily Trumble, Lawson Young and Hannah Zazzaro.

CCM Musical Theatre Presents Annual Senior Showcase March 26 and 28

Cincinnati audiences will get a sneak peek of an original showcase created by the 2015 graduating class from CCM’s Department of Musical Theatre during the annual “Not Famous Yet” Showcase, which runs on March 26 (Friends of CCM benefit performance) and March 28 in UC’s Patricia Corbett Theater.

The March 26 benefit performance starts at 7 p.m. and features dinner by the bite and a post-performance celebration. Tickets for this benefit event are on sale now. For tickets and additional information, visit ccm.weshareonline.org/ws/opportunities/NotFamousYetShowcase2015.

The March 28 performances take place at 4 and 8 p.m. and are free, but reservations are required. Tickets for these free performances become available at noon on Monday, March 23.

Each year, seniors from CCM’s musical theatre program travel to New York to present a showcase for the leading agents, casting directors and managers in the business. The show takes the format of a Broadway audition, with the actors showing off their solo and ensemble skills through song and dance numbers. The work is created by the students themselves under the supervision of program chair Aubrey Berg and with the assistance of musical director Julie Spangler.

This year’s performance is the 23rd edition of the CCM “Not Famous Yet” showcase. The annual showcase began with the establishment of the Patricia A. Corbett Distinguished Chair of Musical Theatre in 1991. At the time of its inception, it was the only academic chair of its kind in the United States. Learn more about the Musical Theatre Class of 2015 here.

Friends of CCM Benefit Performance
The opening performance of the Musical Theatre Showcase on March 26 is part of a benefit for the Friends of CCM. The event begins at 7 p.m. and includes dinner by the bite.

CCM alumnus Mickey Fisher.

CCM alumnus Mickey Fisher.

This event also includes the presentation of the Musical Theatre Young Alumni Award, which recognizes outstanding professional achievement by graduates of CCM’s musical theatre program from the past two decades. This year’s recipient is Mickey Fisher, who graduated from UC in 1995.

A writer, director and actor, Fisher created and serves as executive producer for Extant, a science fiction television program developed by Steven Spielberg’s Amblin Television and CBS Television studios. The thriller stars Academy Award-winner Halle Berry and is currently shooting its second season. Fisher’s credits also include the films King of Iron Town and Summer Nuts, as well as the musical Something in the Water.

Tickets for the March 26 benefit are:

  • Patron Tickets: $100 each; includes a patron reception before the performance honoring Mickey Fisher, general performance seating, dinner by the bite and garage parking.
  • General Public Tickets: $75 each; includes general performance seating, dinner by the bite and garage parking.
  • Friends of CCM Member Tickets: $50 each; includes general performance seating, dinner by the bite and garage parking.
  • Young Professional (40 and under) and CCM Alumni Tickets: $35 each; includes general performance seating, dinner by the bite and garage parking.

Proceeds benefit student career development grants and scholarships. Seating is limited. To reserve a ticket, call CCM External Relations at 513-556-2100 or visit ccm.weshareonline.org/ws/opportunities/NotFamousYetShowcase2015.

CCM Hosts FREE Performances of the Showcase on March 28
Admission to the Musical Theatre Showcase at 4 and 8 p.m. on Saturday, March 28, is FREE. Seating is limited and reservations are required. Tickets become available at noon on Monday, March 23; please visit the CCM Box Office or call 513-556-4183 to make a reservation. Limit two tickets per order.

Performance Times

  • 7 p.m. Thursday, March 26 — Friends of CCM Benefit
  • 4 & 8 p.m. Saturday March 28

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing and Reserving Tickets
Tickets to the Friends of CCM benefit performance are on sale now. Ticket options include $100 patron level tickets (includes pre-show patron reception), $75 general public tickets, $50 Friends of CCM member tickets and $35 young professional (age 40 and under) and CCM Alumni tickets. Seating is limited.

To purchase, call CCM’s Office of External Relations at 513-556-2100. Learn more at ccm.weshareonline.org/ws/opportunities/NotFamousYetShowcase2015.

Admission to the 4 and 8 p.m. Saturday, March 28, performances is FREE, but reservations are required. Tickets become available at noon on Monday, March 23. Please visit the CCM Box Office or call 513-556-4183 to make a reservation. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
_____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM Alumni Applause CCM News
CCMJaneGreenwoodCollection5

CCM Costume Design and Technology Celebrates the Work of Legendary Designer Jane Greenwood with Exhibit During USITT Conference Next Week

Next week, Cincinnati will welcome the United States Institute for Theatre Technology (USITT) to the Duke Energy Convention Center for its 55th annual Conference and Stage Expo. Running from March 18 – 21, this multidisciplinary showcase will draw performing arts industry leaders from throughout the world, as well as scores of current and former CCM students and faculty members.

Legendary costume designer Jane Greenwood will be honored with the USITT Costume Commission’s Distinguished Achievement Award during this year’s conference and CCM’s Costume Design and Technology Program will curate a costume exhibition during the event in honor of her achievements. Last year, Greenwood was awarded the Tony Award for Lifetime Achievement in the Theatre.

Organized by CCM Costume Design and Technology Professor and Program Head Dean Mogle, the exhibit will feature the magnificent costumes from Greenwood’s Broadway production of The Scarlet Pimpernel. CCM had the opportunity to purchase this extraordinary collection several years ago, as the national tour of The Scarlet Pimpernel came to an end.

Mogle explains, “I was particularly interested in acquiring this collection due to its exceptional attention to period design and detail, as well as the wide range of fabrics and costume crafts represented, from hats to shoes to hand-painted textiles.”

CCMJaneGreenwoodCollectionCollage

According to Mogle, this single production demonstrated the full range of Greenwood’s creative imagination, character work and mastery of her craft: from the lavish “Cupid” costumes and headpieces, to the elegant ball clothes, to the animal-inspired “Creation of Man” ensembles, to the beautifully hand-painted examples of lower class citizenry.

CCMJaneGreenwoodCollection6Not only did this collection add to CCM’s 25,000 piece costume stock inventory, it has also been used as a preeminent example of professional skill for the training of Mogle’s students in tailoring, dressmaking, millinery, crafts, and design.

Dubbed simply “Magnificent!”, this exhibit will also call attention to the expertise of the makers and crafts artisans from the studios of Eric Winterling, Parsons-Meares, John David Ridge and Lynne Mackey, among others, who were responsible for bringing Ms. Greenwood’s designs to life.

Mogle and his team are making final preparations this week and 30 costumes from Greenwood’s Broadway production of The Scarlet Pimpernel will then be transported to and installed in the Duke Energy Convention Center. Exhibition visitors will be able to appreciate up-close the beautiful fabrics, cut, construction, finish and craft details for which Greenwood and her collaborators are well known.

About Jane Greenwood
hs_janegreenwood
Jane Greenwood is the legendary costumer designer of more than 125 Broadway shows,  including last season’s Act One, along with numerous productions for regional theaters, opera and ballet companies, television and film. She was honored with the Tony Awrd for Lifetime Achievement in Theatre in 2014.

Ms. Greenwood’s professional career began with training at Liverpool Art Academy and London’s Central School of Arts and Crafts. She learned from such influential historians, designers and crafts artisans as Norah Waugh, Janet Arnold, Tanya Moiseiwitsch and Desmond Heeley. This early training is reflected in her true understanding of period silhouettes, fabrics, trims and construction techniques.

Beyond these technical considerations, Jane Greenwood is ultimately respected for her impeccably detailed character work from principles to supernumeraries. All characters, no matter what their role or whether they speak or sing a word, have a story to tell. Ms. Greenwood’s designs always tell their story.

About the USITT
The United States Institute for Theatre Technology (USITT) is a place to network, exchange ideas and grow. Professionals and pre-professionals in design, production and technology for the performing arts have been keeping USITT vital and strong since 1960.

USITT provides learning opportunities and networking for over 3,800 members worldwide. From the architects who design the spaces to those who create and manage productions, USITT is the place where the performing arts community gathers. Learn more by visiting www.usitt.org.

CCM News Faculty Fanfare
TRANSMIGRATION, CCM Drama's festival of student-created new works.

CCM Drama Students Present New Works in TRANSMIGRATION Festival This Week

CCM’s Drama students flex their writing, editing, designing and directing muscles to produce the 2015 TRANSMIGRATION Festival of Student-Created New Works taking place March 11-13 in non-traditional performances spaces throughout CCM Village. Admission is free, but reservations are required.

Brant Russell, Assistant Professor of Drama and producer of this year’s TRANSMIGRATION Festival describes how the students begin their projects. “The groups are chosen at random at the beginning of each school year. The only thing we do is make sure that there is representation from each grade level in every group.”

The students are given freedom to explore what they want to do for their productions, and the instructors typically don’t see the pieces until about a week before opening night.

This slideshow requires JavaScript.

Because of the intense schedule of productions in the fall, the student groups meet after UC’s winter break and come up with concepts. Senior AC Horton says that this year her group “sat down and created a list of things we want to have in the play or the process: a fantastical element, poetic language, to begin the production by moving and not sitting down. On the don’t-wants list we had things like domestic violence and drugs. We like to establish values at the top of the process.” The final idea “shows up one day at rehearsal,” she says, describing the process as very organic.

“Each group has a different way they like to work. Figuring out the needs of each group is the most difficult part, but it’s also the best part. We rehearse every day by doing a song with choreography. We pull open the mirrors and sing and do cartwheels. It’s our own process,” laughs Horton.

These unique methods have helped all of the students grow as artists. Junior Colleen Ladrick says, “you learn where you’re needed. I saw a need and was able to bring that to a collaborative situation… and it lifted a pressure off of the other people in my group.” This year Ladrick took on a lot of the scripting; something she had never considered doing previously. “You discover your tack as a result of filling a necessity,” adds Russell.

Horton recalls filling the role of TRANSMIGRATION electrician. “You have 85 extension cords, two power strips and a half an hour to set up, perform and tear down. It’s my goal to short out a TRANSMIGRATION classroom,” she jokes.

Ladrick agrees that “the process never stops. The challenges keep happening and you have to keep improvising. There’s never enough time to get comfortable. That’s what makes it so fun. You never know what’s going to happen.”

Russell feels that TRANSMIGRATION is an important activity for CCM drama students. “It would be very irresponsible [for this program] to turn out students who did not know how to produce their own work. We want to create actors who are technically proficient and also have something to say. Transmigration empowers them.”

After all of the insanity and fun surrounding TRANSMIGRATION has come to a close, each of the participants will be required to turn in a paper. This is still school, after all.

TRANSMIGRATION 2015 will feature the original works Coulter Cliffs Inn, Neutral and Non-Partisan, [cult]ured, A Fool’s Paradise, Seven Feet Under and Mandatory Fun. Audience members will have the opportunity to customize their evening of theater experiences by choosing to watch as many as four different productions, which are performed simultaneously in non-traditional spaces throughout CCM’s Corbett Center for the Performing Arts.

Performance Times

  • 7 p.m. Wednesday, March 11
  • 7 p.m. Thursday, March 12
  • 7 p.m. Friday, March 13

Locations
Various locations throughout CCM Village, including:

  • Room 3705, Corbett Center for the Performing Arts
  • Room 4735, Corbett Center for the Performing Arts
  • Room 4755, Corbett Center for the Performing Arts

Festival Schedule

7 p.m.

  • Coulter Cliffs Inn, Room 4755
  • Seven Feet Under, Room 4735
  • Neutral and Nonpartisan, Room 3705

7:45 p.m.

  • Coulter Cliffs Inn, Room 4755
  • cult[ured], Room 4735
  • Mandatory Fun, Room 3705

  8:30 p.m.

  • A Fool’s Paradise, Room 4755
  • cult[ured], Room 4735
  • Neutral and Nonpartisan, Room 3705

 9:15 p.m.

  • A Fool’s Paradise, Room 4755
  • Seven Feet Under, Room 4735
  • Mandatory Fun, Room 3705

Reserving Tickets
Admission to TRANSMIGRATION is free, but reservations are required. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

TRANSMIGRATION 2015 PRODUCTION SYNOPSES AND CAST LISTS


Coulter Cliffs Inn

There are no secrets that time does not reveal.

Established in 1852 by the Jospeh L. Coulter family, the Coulter Cliffs In has been revered for its antique charm and timeless atmosphere. Nestled in the misty cliffs of Northern Maine, the Coulter Cliffs Inn has attracted a diverse array of curious travelers for generations. Let us take you back to a simpler time with our cozy rooms, full bar and nighttime entertainment. But be advised, once you step foot into your new serene home, you may never want to leave.

Cast: 
Trey Wright, Alison Sluiter, Colin Edgar, Clare Combest, Annie Grove, Kenzie Clark and Rupert Spraul
____

Neutral and Non-Partisan
Capture their minds, and hearts and souls will follow.

Operation [BLANK] has been compromised. Indoctrination tactics, regarding GREY PSYCHOLOGICAL OPERATIONS (PSYOP), implemented to “Leave it to Beaver” have been breached. Target [BLANK] detected an abnormality resulting in an imminent threat of exposure. Joint staffer, [BLANK], has declined to give a statement in order to maintain plausible deniability for the US government. Sector [BLANK] running operation [BLANK] sanctioned “the six” to fabricate authenticity in order to enhance productivity to the effect of [BLANK], which would dissolve variables concerning gross domestic product and quality of life. It is advised, and therefore essential, to dispose all records of incrimination and proceed by code [BLANK].

Cast: Connor Lawrence, Rachel Baumgarten, Laura McCarthy, Ryan Garrett, Katie McDonald, Lauren Carter and Meg Olson
____

[cult]ured

Fresh yogurt. Fresh ideas.

An unsuspecting reporter serendipitously stumbles upon a mystical frozen yogurt stand in rural Oregon. The charming characters that populate the stand catalyze a spritiual journey and raise more questions than expected. What does it mean to be part of a community? The reporter is forced to confrontsocial norms and societal constraints, and is left forever wondering: Are we all homogenized, or are we… cultured?

Cast: Anna Stapleton, Carli Rhoades, Keisha Kemper, Alice Skok, Sydney Ashe, Christian Thomason, Landon Hawkins, Mafer Del Real and Andrew Ramsey
____

A Fool’s Paradise

Death was never more full of life.

When the Boca Raton Community Theatre Players notice their subscriptions taking a drastic drop, Peaches Montgomery and her cast of actors ban together to mount one of Shakespeare’s classic tales, directed at her least subscribed audience – urban youth.

Cast: Spencer House, Fabiola Rodriguez, Devan Pruitt, Spencer Lackey, Katie Langham, Isaac Hickox-Young and Olivia Passfiume
____

Seven Feet Under

How low would you go before you’re buried alive?

This twisted depression-era fairy tale follows an eccentric family of seven miners as they pursue a legendary treasure for their mistress. In a story of adventure, obsession and greed, they must figure out how low they are willing to go to attain a better life.

Cast: Arielle De Versterre, Bartley Booz, Emily Walton, Owen Alderson, Nicholas Heffelfinger, Eliza Lore and Joshua Reiter
____

Mandatory Fun
A good time is required.

In a futuristic dystopia where robots hold all the cards, six humans are forced to participate in “Mandatory Fun.” This gameshow pits contestants against each other to provide entertainment for humans and robots alike. Integrity, Alliances and Plot Structure will be tested – but who will take home The Grand Prize?

Cast:
 AC Horton, Colleen Ladrick, Andrew Iannacci, Julia Netzer, Michaela, Tropeano, James Egbert and Carissa Cardy

____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Drama Studio Series Sponsor: Neil Artman and Margaret Straub

Community Partner: ArtsWave

CCM News CCM Slideshows Student Salutes
Scenes from CCM’s Mainstage Series production of ‘Peter Pan.’ Photos by Mark Lyons.

CCM Slideshows: Peter Pan – The Musical

This slideshow requires JavaScript.

CCM’s 2014-15 Mainstage Series continues TONIGHT with the timeless fairytale musical Peter Pan, playing through Sunday, March 8, in Corbett Auditorium. See a complete list of performance times below.

Directed and choreographed by guest artist Joe Locarro, with musical direction by CCM Professor of Musical Theatre Roger Grodsky, this production promises to whisk audiences away to a place where dreams are born and no one ever grows up! Peter Pan features spectacular flying effects provided by ZFX, Inc.

Listen to cast member Tom Meglio give Cincinnati Public Radio’s Mark Perzel a preview of the high-flying musical by visiting wvxu.org/post/ccms-peter-pan.

Performance Times

  • 8 p.m. Friday, March 6
  • 2 and 8 p.m. Saturday, March 7
  • 2 p.m. Sunday, March 8

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Peter Pan are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/peter-pan-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mainstage Production Sponsor: Wells Fargo Advisors, LLC

Community Partner: ArtsWave

Peter Pan is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 |http://www.MTIShows.com.

CCM News CCM Slideshows Student Salutes
A photo from CCM's Mainstage Series production of 'Peter Pan' from March of 2015. Photography by Mark Lyons.

CCM Announces 2015-16 Mainstage Series of Opera, Musical Theatre, Drama and Dance

CCM is pleased to announce details for its 2015-16 Mainstage Series of opera, musical theatre, drama and dance productions. Between Sept. 30, 2015, and April 24, 2016, CCM’s stars-of-tomorrow will present seven masterworks for the stage under the guidance of its internationally acclaimed faculty artists.

These works include David Edgar’s epic drama Pentecost, Rodgers and Hammerstein’s classic musical Carousel, Franz Lehár’s comedic operetta The Merry Widow, Eugene O’Neill’s acclaimed coming-of-age story Ah, Wilderness!, Green Day’s iconic punk rock musical American Idiot, Janácek’s farcical opera The Cunning Little Vixen and Tchaikovsky’s beloved romantic ballet Swan Lake.

Production details are listed below. Details on subscription packages and single ticket sales will be announced this summer.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

Additional Information
Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.
____________________

CCM 2015-16 MAINSTAGE SERIES
Opera, Musical Theatre, Drama, Dance

Pentecost
Written by David Edgar
Richard E. Hess, director

A play of politics and ideas, Pentecost details the discovery of a painting stunningly similar to Giotto di Bondone’s The Lamentation in an abandoned church in Eastern Europe. If proven to pre-date the master’s work, the fresco will revolutionize Western Art. A dramatic power struggle ensues, as representatives from the worlds of art history, religion and politics stake their claims for the ultimate prize. The unexpected arrival of 12 refugees sets events spiraling toward an explosive climax. Described by the Daily Telegraph as “funny, frightening and deeply moving,” this powerful play by the Tony Award-winning adapter of Nicholas Nickleby and author of numerous plays won the Evening Standard Award for Best Play of 1995.

Performance Dates: Sept. 30 (preview), Oct. 1–4, 2015
Location: Patricia Corbett Theater
_____

Carousel
Music by Richard Rodgers
Book and lyrics by Oscar Hammerstein II
Based on the play Liliom by Ferenc Molnar
As Adapted by Benjamin F. Glazer
Original Dances by Agnes de Mille
Diane Lala, director

Set in a Maine coastal village toward the end of the 19th century, Carousel is the story of carefree carnival barker Billy Bigelow and his reckless adventures with women, gambling and the wrong side of the law. Billy loses his job just as he learns that his wife is pregnant and, desperate to provide a decent life for his family, is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent “up there.” 15 years later, Billy is allowed to return to earth for one day and encounters the daughter he never knew. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love. Declared “Best Musical of the Century” by Time Magazine in 1999, it’s easy to understand why Carousel became Rodgers and Hammerstein’s personal favorite.

Performance Dates: Oct. 29–Nov. 1, 2015
Location: Corbett Auditorium
_____

The Merry Widow (Die lustige Witwe)
Music by Franz Lehár
Libretto by Viktor Léon and Leo Stein
Emma Griffin, director

A 20th century opera molded in the tradition of the great opera seria of the 1700s, The Merry Widow tells a dizzying tale of star-crossed lovers and political intrigue in Paris. Baron Zeta of Pontevedro must prevent the wealthy widow Hanna Glawari from marrying a foreigner; if she does, all of her wealth will leave Pontevedro, thus bankrupting the country. Zeta urges Hanna’s former fiancée Count Danilovich (who pretends to not care for her anymore) to marry her, but Zeta’s wife pushes the flirtatious Camille de Rosillon to go after Hanna instead. Farcical confusion, romance and jealousy abound in this light-hearted romp. Sung in English.

Performance Dates: Nov. 19–22, 2015
Location: Patricia Corbett Theater
_____

Ah, Wilderness!
Written by Eugene O’Neill
R. Terrell Finney, director

Set in an idyllic Connecticut town during the Fourth of July weekend of 1906, Eugene O’Neill’s Ah, Wilderness! offers a tender portrait of small town family values, teenage growing pains and young love. Described as “a breath of fresh air” and “vividly alive” by the New York Post and nominated for a Tony Award for Best Revival in both 1989 and 1998, this charming comedy is directed by CCM Professor Emeritus R. Terrell Finney.

Performance Dates: Feb. 10 (preview), Feb. 11–14, 2016
Location:
 Patricia Corbett Theater
_____

American Idiot
Book and lyrics by Billie Joe Armstrong
Book by Michael Mayer
Music and lyrics by Green Day
Aubrey Berg, director

The two-time Tony Award-winning hit musical American Idiot, based on Green Day’s Grammy Award-winning multi-platinum album of the same name, boldly takes the American musical where it’s never gone before. Johnny, Tunny and Will struggle to find meaning in a post-9/11 world. When the three disgruntled men flee the constraints of their hometown for the thrills of city life, their paths diverge when Tunny enters the armed forces, Michael is called back home to attend familial responsibilities, and Johnny’s attention becomes divided by a seductive love interest and a hazardous new friendship. An energy-fueled rock opera, American Idiot features minimal dialogue and instead relies on the lyrics from Green Day’s groundbreaking album to execute the story line.

Performance Dates: March 3–13, 2016
Location: Patricia Corbett Theater
_____

The Cunning Little Vixen (Príhody lišky Bystroušky)
Composed by Leoš Janácek
Libretto by Leoš Janácek (after Rudolf Tesnohlídek)
Vince DeGeorge, director

Based on a famous 1920s Czech comic strip, Janácek’s opera The Cunning Little Vixen humorously explores the universal longing for youth. The three main characters – all older men – attempt to connect to their younger days through various means: one longs for a village girl, one obsesses over a childhood indiscretion and one chases a young vixen through the countryside. Will they continue to cling to their delusions? Or will their experiences help them come to terms with the inevitability of time? Sung in English.

Performance Dates: April 8–10, 2016
Location: Patricia Corbett Theater
_____

Swan Lake
Composed by Pyotr Tchaikovsky
Jiang Qi, director

Tchaikovsky’s timeless ballet about love and magic returns to CCM in a fully-staged spectacle! The young Prince Siegfried, disinterested in the potential wives that his mother has picked for him, heads into the woods to hunt one night and comes across a beautiful swan…who then turns into the maiden Odette! She tells him of the curse she and others have been placed under by the evil knight Rothbart, forcing them to become swans by day and human by night. Siegfried instantly falls in love, but will he and Odette be able to overcome the curse, or will Rothbart succeed in keeping his enchantment intact?

Performance Dates: April 21–24, 2016
Location: Corbett Auditorium
____________________

Mainstage Series Subscriptions
The 2015-16 CCM Mainstage Series of opera, musical theatre and drama productions includes subscription packages for six-show, four-show and three-show combinations. Subscribers also have the ability to add the Mainstage Series production of Swan Lake to any subscription package “a la carte.”

Full details on subscription packages and single ticket sales will be announced this summer. CCM’s customizable subscription packages range in price from $84 – $180. Current subscribers will get priority access to next season’s subscription packages.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.
____________________

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave
____________________

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News