Alumni Showcase Spotlight: Helene Schneiderman, mezzo-soprano

CCM highlights alumni guest artists who will return to campus for the Sesquicentennial Alumni Showcase in a series of alumni spotlight stories.

Award-winning mezzo-soprano Helene Schneiderman (MM Voice, 1979; AD Opera, 1981) sings Rossini’s “Cruda sorte” from L’Italiana in Algeri in CCM’s Sesquicentennial Alumni Showcase this Saturday, April 21. She also closes the concert with fellow CCM alumna Tamara Wilson, soprano, in a performance of Strauss’ “Champagne Song” from Die Fledermaus with the CCM Philharmonia.

Schneiderman was born in Flemington, New Jersey and began her studies at Westminster Choir College.  After graduating from CCM, Schneiderman moved to Germany, where she joined the Heidelberg Opera Ensemble in 1982 and has been a member of the Staatstheater Stuttgart since 1984.

In addition to her work with Stuttgart, she has made guest performances with many major European and American opera companies, including Munich State Opera, Karlsruhe, Düsseldorf, Orlando and New York City Opera. From 1982 to 1987, she appeared regularly at the Heidelberg Schlossfestival and at the Rossini Festival in Pesaro in 1990. In 1998, Schneiderman was given the prestigious title of Kammersängerin from the City of Stuttgart, at the time she was the youngest singer ever to have been so honored. She made her debut at the Salzburg Festival as Zweite Dame in The Magic Flute conducted by Bernard Haitink. She has also worked with Leonard Bernstein, Dennis Russell Davies, Giuseppe Patané, Sir Georg Solti and Alberto Zedda.

As well as her operatic commitments, Schneiderman has developed a varied concert career and has appeared widely in oratorio and lieder recitals. Her most notable performance was at the 1989 Beethoven Festival in Bonn, Germany where she sang Arias and Barcarolles by Leonard Bernstein in the presence of the composer. She has also recorded the Eight Poems of Emily Dickinson by Aaron Copland on compact disc with the Orchestra of St. Luke’s under Dennis Russell Davies.

In 1990, Schneiderman appeared as Smeaton in Anna Bolena at the Concertgebouw, Amsterdam and repeated her interpretation of the role at the Vienna Konzerthaus in 1994 alongside Edita Gruberová. For the 1994-95 season, she returned to the Concertgebouw to sing Queen Henrietta in I Puritani conducted by Jan Latham-Koenig. In Stuttgart she has had much success, most notably as Penelope in Monteverdi’s Il Ritorno D’ulisse in Patria, as Rosina in The Barber of Seville and the title role of Carmen. In the 1995-96 season, she made her debut at the Royal Opera House performing Cherubino in The Marriage of Figaro, with a cast that included Cheryl Studer and Barbara Bonney, conducted by Bernard Haitink. She also sang Suzuki in Madama Butterfly for the New Israeli Opera Tel Aviv and made her role debut as Isabella in L’Italiana in Algieri in Stuttgart.

In the following seasons, Schneiderman returned to the Salzburg Festival, Royal Opera House, Covent Garden for Dorabella in Jonathan Miller’s acclaimed production of Così fan tutte. In Stuttgart she sang Meg Page in Johannes Schaaf’s new production of Falstaff, Bradamante in Jossi Wieler’s new production of George Frideric Handel’s Alcina, Ottavia in The Coronation of Poppea and a highly successful role debut with the title role of Giulio Cesare. She made her debut at the Opéra National de Paris in two runs of The Magic Flute. She also returned to the Royal Opera House for further performances of Dorabella in Così fan tutte conducted by Sir Colin Davis as well as to the Salzburg Festival for a highly acclaimed Marcellina in The Marriage of Figaro. She made successful debuts with Seattle Opera as Olga in Eugene Onegin and with San Francisco Opera, where she sang Bradamante in Alcina and returned for a much acclaimed Rosina in The Barber of Seville.

In 2008, she was honored with the Otto Hirschfeld Medal, and in 2010 she was awarded the Baden-Württemberg Order of Merit. Her repertory includes Annina (Der Rosenkavalier), Teresa (La sonnambula) and Ottavia (The Coronation of Poppea). She is also known for her performances of Jewish song.

Learn more about the Sesquicentennial Alumni Showcase concert and view a complete list of guest artists at ccm.uc.edu/about/villagenews/save-the-date/sesquicentennial-alumni-showcase.
____________________

SESQUICENTENNIAL ALUMNI SHOWCASE CONCERT

REPERTOIRE
STRAUSS: Overture to Die Fledermaus (1874); featuring the CCM Philharmonia led by Christopher Allen
BEETHOVEN: Piano Concerto No. 5 in E-Flat Major, Op. 82 “Emperor” (1811); featuring Anton Nel, piano
WALLER: Ain’t Misbehavin’; featuring Janelle Reichman, saxophone
WARREN: There Will Never Be Another You; featuring Janelle Reichman, saxophone
WAGNER: “Mild und leise,” from Tristan und Isolde (1859); featuring Tamara Wilson, soprano
-Intermission-
ROSSINI: “Cruda sorte,” from L’Italiana in Algeri (1813); featuring Helene Schneiderman, mezzo-soprano
SCHUMANN: Konzertstück for Four Horns, Op. 86 (1849); featuring Allene Hackleman, Julie Beckel Yager, Nathaniel Willson, Jennifer Paul, soloists
BROWN: “A Summer in Ohio,” from The Last Five Years; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
BAREILLES: “She Used to Be Mine,” from Waitress; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
SCHWARTZ: “Meadowlark,” from The Baker’s Wife; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
SAINT-SAENS: Violin Concerto No. 3 in B Minor, Op. 61; featuring Yang Liu, violin
STRAUSS: Champagne Song from Die Fledermaus; featuring Tamara Wilson, soprano, and Helene Schneiderman, mezzo-soprano

PERFORMANCE TIME
8 p.m. Saturday, April 21

Please note: UC’s Nippert Stadium will also host an FC Cincinnati game at 7 p.m. on Saturday, April 21, 2018. The full FC Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2018-schedule.

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are $20 general, $15 non-UC students, and FREE for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News

Alumni Showcase Spotlight: Broadway Star Betsy Wolfe

CCM highlights alumni guest artists who will return to campus for the Sesquicentennial Alumni Showcase in a series of alumni spotlight stories.

Cincinnatians have the opportunity to see and hear renowned classical musicians along with stars from the Metropolitan Opera and Broadway at CCM’s Sesquicentennial Alumni Showcase this Saturday, April 21! Musical Theatre alumna Betsy Wolfe (BFA, 2004) returns to sing a collection popular Broadway and Off-Broadway tunes including “A Summer in Ohio” from The Last Five Years, “She Used to Be Mine” from Waitress and “Meadowlark” from The Baker’s Wife.

Betsy Wolfe in “Waitress.”

Wolfe has established herself as one of the most versatile and keenly intelligent Broadway performers of her generation. She just finished starring in the Tony-nominated musical Waitress, where she gave a multi-faceted performance as Jenna, a woman struggling in an abusive relationship. Prior to that, she played Cordelia, one of the lovable “lesbians from next door,” in the Broadway revival of Falsettos, directed by James Lapine, which recently aired on PBS. She is perhaps best known for her critically acclaimed performance as Cathy in the Off-Broadway revival of The Last Five Years.

Originally from California, Wolfe received her BFA in musical theatre from CCM. At age 20 — prior to graduation and to being able to drink legally or get a British pilot’s license — she made her Carnegie Hall debut with the Cincinnati Pops Orchestra under Maestro Erich Kunzel. After receiving her BFA, Wolfe quickly moved on to star as Rona Lisa Peretti in the San Francisco and Boston companies of The 25th Annual Putnam County Spelling Bee. Soon after, she made her Broadway debut in the revival of 110 in the Shade. Wolfe gained attention for her next role in both the Off-Broadway and Broadway productions of Sherie Rene Scott’s Everyday Rapture, where she played one of the two Menonettes.

Her casting in Everyday Rapture would prove prescient as, only a few years later, Wolfe would be Scott’s successor in one of contemporary musical theatre’s most challenging and well-known roles: Cathy in Second Stage Theater’s revival of Jason Robert Brown’s The Last Five Years. Critics and audiences alike lauded her complex and idiosyncratic performance in the two-person musical.

Wolfe’s other Broadway credits include Ellen in the 2014 production of Bullets Over Broadway, directed by Susan Stroman, and Rosa Bud in the revival of The Mystery of Edwin Drood. A few blocks east of Broadway, she appeared as Beth in the City Center Encores! production of Merrily We Roll Along. On the West Coast, she starred in the La Jolla Playhouse world premiere production of Bobby Lopez and Kristen Anderson-Lopez’s new musical Up Here, and she created the role of Mary Ann Singleton in ACT’s world premiere of Tales of the City, a musical based on the Armistead Maupin novels.

In 2013, Wolfe made her Metropolitan Opera debut in Douglas Carter Beane’s adaptation of Die Fledermaus. She has been a guest artist for over 40 symphony, pops and philharmonic orchestras across the U.S. and internationally, including the New York Philharmonic and Chicago Symphony Orchestra. Recently, she has collaborated with the New York Pops and played to sold-out crowds at Carnegie Hall and the Kennedy Center with their Broadway Today and Women of Notes concerts.

She can be heard on the recordings of Falsettos, Bullets over Broadway, The Last Five Years, The Mystery of Edwin Drood, Everyday Rapture, Stage Door Canteen, 35MM and Merrily We Roll Along. She can also be seen in the film adaptation of The Last Five Years where she plays a stripper with a snake named Wayne.

Wolfe lives in New York with her husband, Adam Krauthamer. She likes cats and, according to the New York Times, has a rock collection.

Learn more about the Sesquicentennial Alumni Showcase concert and view a complete list of guest artists at ccm.uc.edu/about/villagenews/save-the-date/sesquicentennial-alumni-showcase.
____________________

SESQUICENTENNIAL ALUMNI SHOWCASE CONCERT

REPERTOIRE
STRAUSS: Overture to Die Fledermaus (1874); featuring the CCM Philharmonia led by Christopher Allen
BEETHOVEN: Piano Concerto No. 5 in E-Flat Major, Op. 82 “Emperor” (1811); featuring Anton Nel, piano
WALLER: Ain’t Misbehavin’; featuring Janelle Reichman, saxophone
WARREN: There Will Never Be Another You; featuring Janelle Reichman, saxophone
WAGNER: “Mild und leise,” from Tristan und Isolde (1859); featuring Tamara Wilson, soprano
-Intermission-
ROSSINI: “Cruda sorte,” from L’Italiana in Algeri (1813); featuring Helene Schneiderman, mezzo-soprano
SCHUMANN: Konzertstück for Four Horns, Op. 86 (1849); featuring Allene Hackleman, Julie Beckel Yager, Nathaniel Willson, Jennifer Paul, soloists
BROWN: “A Summer in Ohio,” from The Last Five Years; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
BAREILLES: “She Used to Be Mine,” from Waitress; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
SCHWARTZ: “Meadowlark,” from The Baker’s Wife; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
SAINT-SAENS: Violin Concerto No. 3 in B Minor, Op. 61; featuring Yang Liu, violin
STRAUSS: Champagne Song from Die Fledermaus; featuring Tamara Wilson, soprano, and Helene Schneiderman, mezzo-soprano

PERFORMANCE TIME
8 p.m. Saturday, April 21

Please note: UC’s Nippert Stadium will also host an FC Cincinnati game at 7 p.m. on Saturday, April 21, 2018. The full FC Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2018-schedule.

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are $20 general, $15 non-UC students, and FREE for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News

Alumni Showcase Spotlight: #CCMstars in Horn Quartet

CCM highlights alumni guest artists who will return to campus for the Sesquicentennial Alumni Showcase in a series of alumni spotlight stories.

Nearly a dozen CCM alumni return to the college on April 21 to perform with current students in a special concert, including four horn soloists who enjoy successful careers as orchestra musicians and as players in U.S. Military bands. Allene Hackleman (BM, 2002), Julie Beckel Yager (att. 2004), Nathaniel Willson (MM, 2005) and Jennifer Paul (MM, 2003) reunite to play Robert Schumann’s Konzertstück for Four Horns, Op. 86, in CCM’s Sesquicentennial Alumni Showcase.

Learn more about these four CCM alums in their bios below:

Allene HacklemanAllene Hackleman has been principal horn of the Edmonton Symphony Orchestra since 2004. A native of Vancouver, Hackleman began studying the horn under the tutelage of her father, Martin Hackleman. She later attended the Interlochen Arts Academy in Michigan, from which she graduated with honors. Hackleman earned her bachelor of music degree summa cum laude from CCM, as a student of Randy Gardner. Hackleman has performed with the National Symphony Orchestra (Washington, D.C.), the Montréal Symphony, the Winnipeg Symphony Orchestra and the Evansville Philharmonic. She has also performed concerti with the Edmonton Symphony and the Alberta Baroque Ensemble, as well as the Red Deer Symphony and the Victoria Symphony.

In 2004, she completed a long-term career development residency at the Banff Centre for the Arts. Since 2007, Hackleman has been a member of the prestigious Summit Brass ensemble, and as such has recorded, taught and performed as a faculty member at the Rafael Mendez Brass Institute in Denver. She has performed at the Festival of the Sound in Parry Sound, Ontario and at the Ottawa Chamber Music Festival. She was also a featured guest artist at the International Women’s Brass Conference in Toronto in 2010. Hackleman is privileged to be a member of the Canadian National Brass Project, a large brass ensemble made up of some of the finest brass players from across Canada. She pursues an avid interest in chamber music and has performed for the Edmonton Recital Society and the University of Alberta’s Music at Convocation Hall series, as well as in British Columbia for the Pender Harbour Music Festival. Hackleman is instructor of horn at the University of Alberta

Julie Beckel YagerJulie Beckel Yager, horn player with the Indianapolis Symphony, is a native of Indianapolis and the daughter of Indianapolis Symphony principal trombone James Beckel. Before attending CCM under the instruction of Randy Gardner, Beckel Yager studied with ISO members Jerry Montgomery and Richard Graef.

She was a member of the Honolulu Symphony prior to returning to Indianapolis in 2006. She also performed for three summers with the Verbier Festival Orchestra, touring throughout Europe, Asia and South America. At the festival, Beckel Yager performed in a piano quintet with conductor and pianist James Levine. Her horn was made locally by Darin Sorley.

Nathaniel WillsonMusician 1st Class Nathaniel Willson joined the Navy Band as a French hornist in 2014, after serving more than four years with the U.S. Naval Academy Band in Annapolis, Maryland. Willson was born in Bowling Green, Ohio, but was raised overseas in Japan and India, graduating high school in 1998 from the American Embassy School in New Delhi, India. He holds a bachelor of music from the Juilliard School and a master of music from CCM. His primary teachers include Randy Gardner, Duane Dugger, Jerome Ashby, Julie Landsman and Bryan Kennedy.

Prior to joining the Navy, Willson was a member of the Oregon Symphony Orchestra and the Sarasota Orchestra. He has also performed with the Detroit Symphony Orchestra, the Cincinnati Symphony Orchestra, the Seattle Opera and the Washington National Opera. In his free time, he enjoys traveling, studying history and spending time
with his family.

Jennifer PaulFrench horn player Gunnery Sergeant Jennifer Paul joined “The President’s Own” U.S. Marine Band in August 2004. She was appointed assistant section leader in January 2016. Paul began her musical training at age 10. Upon graduating in 1996 from Jacobs High School in Algonquin, Illinois, she attended the University of Illinois at Urbana-Champaign, where in 2000 she earned a bachelor’s degree in music education. In 2003, she earned a master’s degree in music from CCM. Paul also received a professional study certificate in 2004 from Temple University in Philadelphia. Her notable horn instructors include Kazimierz Machala of the University of Illinois, Randy Gardner of CCM and Adam Unsworth of Temple University.

Prior to joining “The President’s Own,” Paul was the CCM graduate teaching assistant for the horn studio from 2001-03 and a freelance musician in Philadelphia.

Learn more about the Sesquicentennial Alumni Showcase concert and view a complete list of guest artists at ccm.uc.edu/about/villagenews/save-the-date/sesquicentennial-alumni-showcase.
____________________

SESQUICENTENNIAL ALUMNI SHOWCASE CONCERT

REPERTOIRE
STRAUSS: Overture to Die Fledermaus (1874); featuring the CCM Philharmonia led by Christopher Allen
BEETHOVEN: Piano Concerto No. 5 in E-Flat Major, Op. 82 “Emperor” (1811); featuring Anton Nel, piano
WALLER: Ain’t Misbehavin’; featuring Janelle Reichman, saxophone
WARREN: There Will Never Be Another You; featuring Janelle Reichman, saxophone
WAGNER: “Mild und leise,” from Tristan und Isolde (1859); featuring Tamara Wilson, soprano
-Intermission-
ROSSINI: “Cruda sorte,” from L’Italiana in Algeri (1813); featuring Helene Schneiderman, mezzo-soprano
SCHUMANN: Konzertstück for Four Horns, Op. 86 (1849); featuring Allene Hackleman, Julie Beckel Yager, Nathaniel Willson, Jennifer Paul, soloists
BROWN: “A Summer in Ohio,” from The Last Five Years; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
BAREILLES: “She Used to Be Mine,” from Waitress; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
SCHWARTZ: “Meadowlark,” from The Baker’s Wife; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
SAINT-SAENS: Violin Concerto No. 3 in B Minor, Op. 61; featuring Yang Liu, violin
STRAUSS: Champagne Song from Die Fledermaus; featuring Tamara Wilson, soprano, and Helene Schneiderman, mezzo-soprano

PERFORMANCE TIME
8 p.m. Saturday, April 21

Please note: UC’s Nippert Stadium will also host an FC Cincinnati game at 7 p.m. on Saturday, April 21, 2018. The full FC Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2018-schedule.

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are $20 general, $15 non-UC students, and FREE for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News

Alumni Showcase Spotlight: Jazz Artist Janelle Reichman

CCM highlights alumni guest artists who will return to campus for the Sesquicentennial Alumni Showcase in a series of alumni spotlight stories.

Clarinetist and saxophonist Janelle Reichman (BM Jazz Saxophone, 2005) returns to CCM to perform Fats Waller’s Ain’t Misbehavin’ and Harry Warren’s There Will Never Be Another You at the Sesquicentennial Alumni Showcase on April 21!

Janelle Reichman.

Janelle Reichman.

Reichman has performed as a featured soloist all over the world with renowned ensembles such as Doc Severinsen and his Tonight Show Band, the Jazz at Lincoln Center Orchestra with Wynton Marsalis, the DIVA Jazz Orchestra and many more. Originally from Ann Arbor, Michigan, Reichman received her BM from CCM where she studied with Rick VanMatre. She later attended the Manhattan School of Music, quickly after which she embarked upon an exciting and diverse musical career in New York City, where she remained for a decade. Her musical work in NYC ran the gamut from the New Orleans sounds of the Red Hook Ramblers, to the soulful grooves of the rhythm and blues band ON THE SUN, to the Broadway jazz musical After Midnight — and everything in between.

Reichman’s debut solo album, Middleground, has received rave reviews. In 2016 she was a featured clarinetist at Jazz at Lincoln Center for Moonglow: The Magic of Benny Goodman. In early 2018 she was welcomed back to Lincoln Center to perform as a guest clarinet soloist with the Jazz at Lincoln Center Orchestra with Wynton Marsalis for the show Benny Goodman: The King of Swing, alongside respected clarinetists Anat Cohen and Ken Peplowski.

Now happily back in her hometown in Michigan since 2016, Reichman can be heard performing with groups such as accomplished pianist James Dapogny’s Easy Street Jazz Band, the high-energy klezmer band Klezmephonic and her own jazz quintet Janelle Reichman +4, for which she regularly composes new music and with which she frequently performs around Ann Arbor to sold-out audiences. When she’s not playing her clarinet or saxophone, Reichman is most likely designing and building websites for other musicians throughout the Midwest and NYC.

Learn more about the Sesquicentennial Alumni Showcase concert and view a complete list of guest artists at ccm.uc.edu/about/villagenews/save-the-date/sesquicentennial-alumni-showcase.
____________________

SESQUICENTENNIAL ALUMNI SHOWCASE CONCERT

REPERTOIRE
STRAUSS: Overture to Die Fledermaus (1874); featuring the CCM Philharmonia led by Christopher Allen
BEETHOVEN: Piano Concerto No. 5 in E-Flat Major, Op. 82 “Emperor” (1811); featuring Anton Nel, piano
SAINT-SAENS: Violin Concerto No. 3 in B Minor, Op. 61; featuring Yang Liu, violin
WAGNER: “Mild und leise,” from Tristan und Isolde (1859); featuring Tamara Wilson, soprano
-Intermission-
WALLER: Ain’t Misbehavin’; featuring Janelle Reichman, saxophone
WARREN: There Will Never Be Another You; featuring Janelle Reichman, saxophone
ROSSINI: “Cruda sorte,” from L’Italiana in Algeri (1813); featuring Helene Schneiderman, mezzo-soprano
SCHUMANN: Konzertstück for Four Horns, Op. 83 (1849); featuring Allene Hackleman, Julie Beckel Yager, Nathaniel Willson, Jennifer Paul, soloists
SCHWARTZ: “Meadowlark,” from The Baker’s Wife; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
BROWN: “A Summer in Ohio,” from The Last Five Years; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
BAREILLES: “She Used to Be Mine,” from Waitress; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
STRAUSS: Champagne Song from Die Fledermaus

PERFORMANCE TIME
8 p.m. Saturday, April 21

Please note: UC’s Nippert Stadium will also host an FC Cincinnati game at 7 p.m. on Saturday, April 21, 2018. The full FC Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2018-schedule.

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are $20 general, $15 non-UC students, and FREE for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News

Alumni Showcase Spotlight: Soprano Tamara Wilson

CCM's Sesquicentennial Alumni Showcase is on April 21 in Corbett Auditorium.

CCM highlights alumni guest artists who will return to campus for the Sesquicentennial Alumni Showcase in a series of alumni spotlight stories.

Award-winning soprano Tamara Wilson (BM Voice, 2004) returns to CCM’s Corbett Auditorium to sing “Mild und leise” from Richard Wagner’s Tristan und Isolde in the Sesquicentennial Alumni Showcase on April 21!

Tamara Wilson.

Hailed by the New York Times as “a young American who sings Verdi with a passion that surpasses stereotype,” Wilson is quickly gaining international recognition for her interpretations of Verdi, Mozart, Strauss and Wagner. She is the 2016 recipient of the prestigious Richard Tucker Award, an annual prize given by the Richard Tucker Music Foundation to a rising American opera singer on the “threshold of a major international career.” Other recent honors include a 2016 Olivier Award nomination and receipt of the Revelation Prize by the Argentine Musical Critics Association. Wilson is also a Grand Prize Winner of the annual Francisco Viñas Competition at the Gran Teatre del Liceu in Barcelona.

Wilson began the 2017-18 season as the title role in Aida at the Washington National Opera in a production by Francesca Zambello. She returns to her home company of Houston Grand Opera for her role debut as Chrysothemis in Elektra and will make her Paris debut as Sieglinde in Die Walküre with the Mariinsky Orchestra conducted by Valery Gergiev at the Philharmonie de Paris. She makes her New York Philharmonic debut in Bernstein’s Symphony No. 3 (“Kaddish”) with Leonard Slatkin to celebrate Bernstein’s Philharmonic: A Centennial Festival and will also debut with the Boston Symphony in the same piece under Giancarlo Guerrero. At the BBC Proms, she will return for Mahler’s Symphony No. 8 with the BBC National Orchestra of Wales. She makes her Italian debut with Riccardo Chailly and the Teatro alla Scala Orchestra in Verdi’s Messa da Requiem with performances in Pavia, Paris and Hamburg.

Wilson made her acclaimed Metropolitan Opera debut in Aida and London debut in Calixto Bieto’s new production of La forza del destino at the English National Opera, for which she received an Olivier Award nomination. She also inaugurated the new opera house in Kyoto, Japan with Seiji Ozawa as Rosalinde in Die Fledermaus. She was heard at Oper Frankfurt for her first performances as the Empress in Die Frau ohne Schatten conducted by Sebastian Weigle, the recording of which was just released by Oehms Classics. She recently debuted at the Bayerische Staatsoper and Opernhaus Zürich conducted by Fabio Luisi, both as Elisabetta di Valois in Don Carlo. She debuted at the Deutsche Oper Berlin as Amelia in Un ballo in maschera, triumphed in Act 3 of Die Walküre as Brünnhilde with Mark Wiggleworth and the BBC National Orchestra of Wales at Royal Albert Hall, and debuted with the Concertgebouw Orchestra conducted by Valery Gergiev in Act 3 of Die Walküre as Sieglinde.

A noted interpreter of Verdi roles, she has been seen as Elisabeth de Valois in the five-act French Don Carlo (Houston Grand Opera), Amelia in Un ballo in maschera (Washington National Opera, Houston Grand Opera, Florida Grand Opera and Teatre Principal de Maó in Menorca), Elvira in Ernani (Théâtre du Capitole in Toulouse), Elisabetta in Don Carlo (Bayerische Staatsoper, Zurich Oper and Oper Frankfurt), Lucrezia Contarini in I due Foscari (Théâtre du Capitole, Teatro Municipal de Santiago and Netherlands Radio Orchestra), Leonora in Il trovatore (Gran Teatre del Liceu, Houston Grand Opera and Théâtre du Capitole under Daniel Oren and Palma de Mallorca), Desdemona in Otello (Cincinnati Symphony and James Conlon), Alice Ford in Falstaff (Washington National Opera debut), Amelia Grimaldi in Simon Boccanegra (Canadian Opera Company), the title role in Aida (Opera Australia, Teatro de la Maestranza and Teatro Municipal de Santiago), Marchesa del Poggio in Un giorno di regno (Wolf Trap Opera) and Gulnara in Il corsaro (Washington Concert Opera). Other notable performances include her debut in Norma at Gran Teatre del Liceu in Barcelona, Rosalinde in Die Fledermaus at the Canadian Opera Company, her German debut at Oper Frankfurt in concert performances of Wagner’s early opera Die Feen as Ada under Sebastian Weigle, Elettra in Idomeneo under Harry Bicket at the Canadian Opera Company and under James Conlon at the Ravinia Festival and Donna Anna in Don Giovanni under James Conlon and the Chicago Symphony Orchestra, as well as with Edo de Waart and the Milwaukee Symphony.

On the concert stage, Wilson debuted with the Cleveland Orchestra in Beethoven’s Symphony No. 9 under Franz Welser-Möst, the National Symphony in Mendelssohn’s Symphony No. 2 (“Lobgesang”) with Matthew Halls and with the Orchestra of the Age of Enlightenment in Verdi’s Messa da Requiem conducted by Marin Alsop at the BBC Proms, which was recorded for commercial release. She has been heard in the Verdi Requiem with the Orchestra de Lyon under Leonard Slatkin, her Atlanta Symphony debut in Ralph Vaughan Williams’ Sea Symphony conducted by Robert Spano, Malaysian Philharmonic debut conducted by Mark Wigglesworth in Verdi and Wagner, and as soprano soloist for performances of Missa solemnis with John Nelson and the Chamber Orchestra of Europe (available on DVD). She made her Carnegie Hall debut with the Baltimore Symphony Orchestra under Marin Alsop in Honegger’s Jeanne d’Arc au bûcher, as well as in Baltimore for Mahler’s Symphony No. 4, Verdi’s Requiem and Britten’s War Requiem. Wilson performed Mahler’s Symphony No. 4 with Marin Alsop and Orquestra Sinfônica do Estado de São Paulo, Beethoven’s Symphony No. 9 with Osmo Vänskä and the Minnesota Orchestra, Beethoven’s Symphony No. 9 with Donald Runnicles at the Grand Teton Music Festival, Mozart’s Requiem with Edo de Waart and the Milwaukee Symphony and Mendelssohn’s Symphony No. 2 (“Lobgesang”) with the Grant Park Symphony Orchestra. A favorite of the Oregon Bach Festival, she debuted in Verdi’s Messa da Requiem under Helmuth Rilling for the opening of its 40th Anniversary season, subsequently returning for the same piece in Rilling’s final season as music director. She has returned to sing Brahms’s Ein deutsches Requiem and Beethoven’s Symphony No. 9 under Rilling, Marguerite in Jeanne d’Arc au bûcher under Marin Alsop, Tippett’s A Child of Our Time, a concert of Verdi, Britten and Wagner with Matthew Halls and Beethoven’s Ah, perfido. She added to her concert repertoire when she performed Wagner’s Wesendonck-Lieder with the Milwaukee Symphony conducted by Asher Fish.

An alumna of the Houston Grand Opera Studio, Wilson’s awards include the George London Award from the George London Foundation, as well as both a career grant in 2011 and study grant in 2008 from the Richard Tucker Music Foundation. Other notable awards include first place in the 2005 Eleanor McCollum Competition for Young Singers in Houston and finalist in the 2004 Metropolitan Opera National Council Auditions. She was a featured soloist at the 2010 NEA Opera Honors, in which she sang “Ernani, involami” from Verdi’s Ernani to honor recipient Martina Arroy.

In addition to her operatic and orchestral performances, Wilson is an avid lecturer on vocal technique. She has been a guest master class lecturer for the National Pastoral Musicians in the Chicago area.

Learn more about the Sesquicentennial Alumni Showcase concert and view a complete list of guest artists at ccm.uc.edu/about/villagenews/save-the-date/sesquicentennial-alumni-showcase.
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SESQUICENTENNIAL ALUMNI SHOWCASE CONCERT

REPERTOIRE
STRAUSS: Overture to Die Fledermaus (1874); featuring the CCM Philharmonia led by Christopher Allen
BEETHOVEN: Piano Concerto No. 5 in E-Flat Major, Op. 82 “Emperor” (1811); featuring Anton Nel, piano
SAINT-SAENS: Violin Concerto No. 3 in B Minor, Op. 61; featuring Yang Liu, violin
WAGNER: “Mild und leise,” from Tristan und Isolde (1859); featuring Tamara Wilson, soprano
-Intermission-
Work for saxophone and jazz combo; featuring Janelle Reichman, saxophone
ROSSINI: “Cruda sorte,” from L’Italiana in Algeri (1813); featuring Helene Schneiderman, mezzo-soprano
SCHUMANN: Konzertstück for Four Horns, Op. 83 (1849); featuring Allene Hackleman, Julie Beckel Yager, Nathaniel Willson, Jennifer Paul, soloists
Musical Theatre numbers; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
STRAUSS: Champagne Song from Die Fledermaus

PERFORMANCE TIME
8 p.m. Saturday, April 21

Please note: UC’s Nippert Stadium will also host an FC Cincinnati game at 7 p.m. on Saturday, April 21, 2018. The full FC Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2018-schedule.

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are $20 general, $15 non-UC students, and FREE for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News
CCM Dance student Emma Webb rehearses for Legends of Dance.

Senior Ballet Student Gives Final CCM Performance in Legends of Dance

Senior ballet student Emma Webb is finishing up her time at CCM with a role that many dancers only dream of performing: the principal role of Nikiya in “The Kingdom of the Shades,” an excerpt from La Bayadère. She will dance the role alongside Cincinnati Ballet guest artist Derek Brockington during CCM’s upcoming Mainstage Dance production, Legends of Dance, which runs from April 12 through April 14 in Corbett Auditorium.

“Dancing and training for this principal role was one of the most difficult and inspiring experiences that shaped me at CCM,” Webb says. “It helped transform my dancing and it allowed me to gain maturity and understanding of what kind of dancer I want to be onstage.”

“This physically and artistically difficult pas de deux feels like a culmination of everything that I have been training for, and I cannot wait to share all that I have become and to share what I love to do in my last performance at CCM.”

The program also includes a restaging of José Limón’s A Choreographic Offering by guest choreographer Pablo Francisco Ruvalcaba. Although this work is set to music by J. S. Bach, the dance itself uses much more modern language. Webb is also in the company for this piece.

“It has many challenging choreographic motifs and is filled with entirely different movements compared to classical ballet,” Webb says. “As a ballet dancer, taking off the pointe shoes to be barefoot and to move with a grounded quality was such an exciting experiment and transformation.”

Emma Webb.

Emma Webb.

Legends of Dance also includes the finale of The Sleeping Beauty, with music by Tchaikovsky and choreography by Marius Petipa. Each of these works holds a place in today’s dance repertoire and has something unique to offer potential audience members.

“The production as a whole includes wonderful mixed repertoire suitable for everyone and demonstrates what we as dancers practice and work hard for every day of our lives as artists,” Webb says.

While she’s very excited about the Legends of Dance production, Webb’s favorite ballet during her time at CCM was Swan Lake during the 2015-16 Mainstage season.

“My roles in Swan Lake included lead Czardas, swan corps, four tall swans and lead waltz girl,” she remembers. “Dancing all of those roles in one of my favorite ballets with live music and custom-made tutus was so rewarding after all of the hard work in the studio.  The entire production created extremely memorable moments dancing alongside so many talented students.”

One of Webb’s favorite parts of the dance program at CCM has been the daily ballet technique class she takes with other dance majors, especially because of the guidance and encouragement she received from CCM dance faculty.

“There was emphasis on attending every single day of class ready to work, and it really pushed me to be better,” Webb adds. “There were so many great and inspiring perspectives and talented teachers that profoundly impacted my professional development.”

After her graduation at the end of this semester, Webb plans to continue to pursue a career in dance performance; she has taken several professional auditions already, although she is unsure which dance company she will be a part of in the fall.  In addition to her BFA in Ballet, Webb has earned a minor in Business Management.

Congratulations to Emma Webb and all of CCM’s graduating class of 2018!

To see Webb onstage, attend one of the four performances of Legends of Dance from April 12 through 14 in CCM’s Corbett Auditorium. Tickets can be purchased online or by calling the CCM Box Office at 513-556-4183.
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LEGENDS OF DANCE

CREATIVE TEAM

  • Jiang Qi, director
  • Aik Khai Pung, music director
  • Evan Carlson*, lighting designer
  • Chelsea Taylor*, stage manager
  • Daniel Mallampalli*, Fernando Gaggini*, conductors for “The Kingdom of Shades”
  • Maria Fuller*, conductor for A Choreographic Offering
  • Alexandria Black*, Joseph McNamara*, conductors for “Aurora’s Wedding”

* CCM student

Sleeping Beauty and La Bayadère Drop Provided by: Cincinnati Ballet

GUEST ARTISTS
Derek E. Brockington, of the Cincinnati Ballet’s Second Company, will play Solor in “The Kingdom of the Shades” evening performances Friday, April 13 and Saturday, April 14.

David Morse, of the Cincinnati Ballet, will play Prince Desire in the performances of “Aurora’s Wedding.”

The full cast list will be available at ccm.uc.edu/boxoffice/mainstage/legends-of-dance.

PERFORMANCE TIMES

  • 8 p.m. Thursday, April 12
  • 8 p.m. Friday April 13
  • 2 p.m. Saturday, April 14
  • 8 p.m. Saturday, April 14

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets to Legends of Dance are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/legends-of-dance.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Dance Department Supporter: The Corbett Endowment at CCM

Dance Performance Sponsor: Teri Jory & Seth Geiger

This performance of A Choreographic Offering is presented by arrangement with the José Limón Dance Foundation, Inc.
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Story by CCM Graduate Student Alexandra Doyle

CCM News Student Salutes

Alumni Showcase Spotlight: Violinist Yang Liu

CCM's Sesquicentennial Alumni Showcase is on April 21 in Corbett Auditorium.

CCM highlights alumni guest artists who will return to campus for the Sesquicentennial Alumni Showcase in a series of alumni spotlight stories.

Violinist Yang Liu (AD Violin, 2014) visits CCM on April 21 to perform in the college’s Sesquicentennial Alumni Showcase! An internationally acclaimed musician, Liu will play Saint-Saëns’ Violin Concerto No. 3 in B Minor at the concert.

Yang Liu.

Yang Liu.

Liu combines outstanding technical command and sublime musicality in performances that have earned him numerous accolades in Asia, the United States and Europe. He is a former prize winner of the Twelfth International Tchaikovsky Competition in Moscow and a first prize winner of China’s National Violin Competition.

Dubbed “the best of the billion” by Beijing Tonight, Liu’s repertoire ranges from baroque to contemporary works. He plays a Guarneri violin made in 1741 on a generous loan from Stradivari Society and Bein and Fushi Rare Violins.

Liu made his North American debut with the Atlanta Symphony orchestra, earning three nights of standing ovations for his performance of Paganini’s First Violin Concerto. This success was followed by performances with the St. Louis Symphony Orchestra conducted by Robert Spano, Cincinnati Symphony Orchestra, Cincinnati Chamber Orchestra, Hagen Symphony Orchestra in Germany and Odense Symphony Orchestra in Denmark.

During a highly successful tour throughout China under Maestro Christoph Eberle, Liu was a soloist in a concerto by Carl Nielsen, which was praised by Chinese media as “an absolutely sensational performance, which touched the deepest spot of our hearts… Such a musician has been rarely heard for the past ten years…”

His recent engagements include concerto performances with the Orquesta Filarmonica de Bogota in Colombia performing Barber’s Violin Concerto under Maestro Amadio. He also completed a five-city tour in China performing the Butterfly Concerto with Qingdao Symphony Orchestra, as part of the China-U.S. cultural exchange initiated by former U.S. Secretary of State John Kerry, and Minister of Culture of China Luo Shugang.

Orchestras repeatedly engage Liu for his appealing musicality and persona. He has performed multiple times with Ospa State Orchestra in Brazil, Qingdao Symphony Orchestra in China, East Oregon Symphony Orchestra and Lake Forest Symphony Orchestra in the US.

A highly sought after guest artist and teacher, he performed and taught for many years in Aspen Music Festival, Oficina Music Festival and Sesc Music Festival in Brazil, and the Great Wall Music Festival in China. Liu’s earlier concert highlights include his solo appearances at the Algave International Music Festival in Portugal, the prestigious Sala Sao Paulo in Brazil, the Aspen Music Festival and the Ravinia Festival.

As one of the most successful international performing artists of Chinese origin, Liu was honored to be chosen to be filmed for a documentary called String of heart–Yang Liu, which features Liu’s artistic life. This production was aired throughout China in February 2011.

His debut recording, Song of Nostalgia, was released to critical acclaim. The CD represents his broad interest in music, including some of the most difficult repertoire written for violin and traditional Chinese music. This recording, along with many of his live performances, is frequently heard on National Public Radio.

Born in Tsingtao, China, Liu made his concert debut at age 10 performing Sarasate’s Zigeunerweisen with the NHK Orchestra in Tokyo. He also performed the Tchaikovsky Violin Concerto in a nationally televised live concert with the Central Philharmonic Orchestra in Beijing, which drew attention of the renowned violin pedagogue, Yao-Ji Lin. He began to study with Lin at the Central Conservatory of Music in Beijing, and soon afterward, began to concertize as a soloist internationally.

In pursuit of further musical development, Liu moved to the U.S. and continued his studies with Kurt Sassmannshaus and Dorothy DeLay at CCM. During his student years, he was a frequent soloist at the Aspen Music Festival and with the Cincinnati-based Starling Chamber Orchestra, with which he toured China twice. He also was a featured performer in Starling’s Emmy Award-winning educational video. Classical Quest concert tours have led him to Hong Kong, Taiwan, Germany, Denmark, France, Switzerland, Austria, Russia, Greece, China, Egypt and America.

Learn more about the Sesquicentennial Alumni Showcase concert and view a complete list of guest artists at ccm.uc.edu/about/villagenews/save-the-date/sesquicentennial-alumni-showcase.
____________________

SESQUICENTENNIAL ALUMNI SHOWCASE CONCERT

REPERTOIRE
STRAUSS: Overture to Die Fledermaus (1874); featuring the CCM Philharmonia led by Christopher Allen
BEETHOVEN: Piano Concerto No. 5 in E-Flat Major, Op. 82 “Emperor” (1811); featuring Anton Nel, piano
SAINT-SAENS: Violin Concerto No. 3 in B Minor, Op. 61; featuring Yang Liu, violin
WAGNER: “Mild und leise,” from Tristan und Isolde (1859); featuring Tamara Wilson, soprano
-Intermission-
Work for saxophone and jazz combo; featuring Janelle Reichman, saxophone
ROSSINI: “Cruda sorte,” from L’Italiana in Algeri (1813); featuring Helene Schneiderman, mezzo-soprano
SCHUMANN: Konzertstück for Four Horns, Op. 83 (1849); featuring Allene Hackleman, Julie Beckel Yager, Nathaniel Willson, Jennifer Paul, soloists
Musical Theatre numbers; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
STRAUSS: Champagne Song from Die Fledermaus

PERFORMANCE TIME
8 p.m. Saturday, April 21

Please note: UC’s Nippert Stadium will also host an FC Cincinnati game at 7 p.m. on Saturday, April 21, 2018. The full FC Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2018-schedule.

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are $20 general, $15 non-UC students, and FREE for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News