'Il signor Bruschino' preview image by Adam Zeek.

CCM Presents Rossini’s One-Act Operatic Farce ‘Il signor Bruschino,’ Feb. 19 – 21

CCM’s acclaimed Studio Series resumes Feb. 19 – 21 with Il signor Bruschino, the last – and arguably best – in a series of one-act operatic farces composed by Gioachino Rossini between 1810 and 1813. CCM graduate student Avishai Shalom conducts, with stage direction by fellow graduate student Frances Rabalais.

Admission to Il signor Bruschino is free, but reservations are required. Tickets become available at the CCM Box Office at noon on Monday, Feb. 15.

Il signor Bruschino features all of the traditional hallmarks of opera buffa: mistaken identities, star-crossed lovers, betrothed confusion and an ending that somehow ties up all of the loose ends!

Student stage director Frances Rabalais works with the cast of 'Il signor Bruschino' during rehearsals. Photography by Adam Zeek.

Student stage director Frances Rabalais works with the cast of ‘Il signor Bruschino’ during rehearsals. Photography by Adam Zeek.

Artist Diploma candidate Rabalais explains, “The comedy of Il signor Bruschino will be familiar to today’s audience. There are the young lovers who can’t get together, the older grumpy gentlemen who are more interested in being right than being nice and a few local eccentrics thrown in for good measure. The plot tosses them all together, we add some physical comedy and you end up with an evening full of laughter.”

According to Shalom, the playfulness of the plot is reinforced by Il signor Bruschino‘s music, which is remarkably cheery. “The score is almost entirely in the major mode and there is wonderful comedy in Rossini’s frequent use of vocal patter,” he explains.

Rabalais adds, “Rossini’s music for Bruschino is beautiful, but not always easy to sing. The performers have been working diligently for months on the music.”

Student conductor Avishai Shalom. Photography by Adam Zeek.

Student conductor Avishai Shalom. Photography by Adam Zeek.

Shalom was already familiar with the overture from Il signor Bruschino, in which Rossini famously asks the violins to tap their bows on their instruments. Now, after five full months of preparing for this production, Shalom has become intimately familiar with every other detail of this early masterpiece, as well!

Not only will Shalom be conducting the orchestra for this production, but he has also taken on the ambitious task of performing all of the continuo parts on a fortepiano, a close relative of the harpsichord and a precursor to the modern pianoforte. Although Shalom admits there was a learning curve involved, he is thrilled with the results.

Rabalais is similarly enthused about her involvement in Il signor Bruschino. “I have always enjoyed working on Rossini comedies, but have never had the opportunity to direct one,” she says. “I am excited to put my ideas on stage with this fantastic cast. The intimate size of the Cohen Family Studio Theater allows the performers to share this opera in a very immediate way.”

When asked what else audiences can expect from the production, Rabalais adds, “The entire design is beautiful, but I think the costumes are particularly excellent! We’ve set the opera in the 1780s, which is a fascinating time in history for clothing. We get a taste of a few different styles in this opera, which is quite a feast for the eyes.”

Next weekend, relax your mind and enjoy a playful romp in a French Castle!

Performance Times

  • 8 p.m. Friday, Feb. 19
  • 8 p.m. Saturday, Feb. 20
  • 2 p.m. Sunday, Feb. 21

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission is free, but reservations are required. Tickets become available at noon on Monday, Feb. 15. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News Student Salutes
Old 'Thinking About Music' lecture logo.

CCM’s ‘Thinking About Music’ Lecture Series Resumes on Jan. 29, 2016

Each semester, CCM welcomes distinguished experts for a series of free Friday afternoon musical discussions. This spring, the Thinking About Music lecture series will present five free public talks, beginning with a presentation by Indiana University Jacobs School of Music Professor Blair Johnston on Friday, Jan. 29.

CCM's Spring 2016 'Thinking About Music' Schedule.

CCM’s Spring 2016 ‘Thinking About Music’ Schedule.

Sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, these music theory and history discussions feature diverse topics presented by distinguished experts from all over the United States and are designed to engage participants’ imaginations and to consider music in new ways.

This semester’s guest lecturers also include University of California at Los Angeles Professor Daniel Neuman (Feb. 26), Yale University Professor Brian Kane (March 11), Cornell University Professor Annette Richards (April 1) and Tufts University Professor Emerita Janet Schmalfeldt (April 15). See the listings below for more information on this semester’s presentation topics.

Since its inception in 1997, the Thinking About Music Series has presented nearly 130 lectures and one symposium by guests from a number of different colleges, universities, schools of music, foundations, institutes, museums and publications.

The subjects of the lectures have covered historical musicology, music theory and ethnomusicology, along with the ancillary fields of organology, dance, music business and law, cognitive psychology, and the philosophy, theology and sociology of music.

Event Information
Unless otherwise indicated, all Thinking About Music lectures take place on Fridays at 2:30 p.m. in the Baur Room of CCM’s Corbett Center for the Performing Arts, which is located on the campus of the University of Cincinnati.

These events are free and open to the public. All event dates and programs are subject to change. Visit ccm.uc.edu for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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2016 SPRING JOSEPH AND FRANCES JONES POETKER THINKING ABOUT MUSIC LECTURE SERIES

'Thinking About Music' guest speaker Blair Johnston.2:30 p.m. Friday, Jan. 29
ORCHESTRATIONAL SCENARIOS IN THE MUSIC OF SIBELIUS
Blair Johnston, Indiana University

Orchestration—and, with it, the roles that timbre plays in musical rhetoric, expressive trajectories, and the choices made by performers—deserves more attention from scholars than it has received. In an ongoing project, Blair Johnston is examining the rich ways that orchestrational choices in post-Romantic symphonic works interact with the “structures” described by more conventional music analysis, an area that features music-theoretic vocabularies that do not always allow for easy discussion of certain dimensions of sound—in broad terms, its shapes, its colors, its densities—that are especially essential in music from this era. This talk will explore this through the use of late symphonic works by Sibelius (excerpts from the Fifth, Sixth, and Seventh Symphonies and Tapiola), music in which complex approaches to musical form and material are fused to a highly individual orchestrational language—indeed, music in which there may be almost no line between form, material and timbre.
Location: 
Baur Room
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'Thinking About Music' guest speaker Daniel Neuman.2:30 p.m. Friday, Feb. 26
MUSIC INHERITANCE AND HEREDITARY MUSICIANS: INDIA TODAY, THE WEST IN THE PAST
Daniel Neuman, University of California at Los Angeles

In this talk, Daniel Neuman considers the role of hereditary musicians in India in the recent past as well as today, as they become increasingly rare in the Hindustani classical music world. Some comparative gestures to Western classical music (and in particular J.S. Bach) highlight the important roles that genealogy, pedigree and biography play as different kinds of authentication markers and historical sources in each classical music practice.
Location: 
Baur Room
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'Thinking About Music' guest speaker Brian Kane.

Brian Kane’s March 11 lecture has been canceled. Stay tuned for information on his rescheduled presentation.
2:30 p.m. Friday, March 11
HEARING DOUBLE: JAZZ AND ONTOLOGY
Brian Kane, Yale University

Philosophers have often considered the ontology of music, worrying over the relation between works, scores and performances. Yet, surprisingly, jazz has not received the same consideration, even though jazz—where performances of works such as “standards” vary widely in their properties—represents an even more challenging ontological problem than found in classical music. In this talk, Brian Kane will argue for a non-essentialist, network-based ontology of jazz standards. This argument will depend on two basic operations—chains of replication and chains of nomination—that together provide a robust basis for judgments concerning a performance’s identity and individuation. Also, just as jazz is an exemplification of a network-based ontology of music, Kane will try to draw out some wider implications for the ontology of music more generally.
Location: 
Baur Room

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'Thinking About Music' guest speaker Annette Richards.2:30 p.m. Friday, April 1
SENSIBILITY TRIUMPHANT: C. P. E. BACH AND THE ART OF FEELING
Annette Richards, Cornell University

In Goethe’s Triumph der Empfindsamkeit (1777), sensibility, feeling and sympathy are brutally exposed as trivial obsessions with postures and props. Excess, bad taste and poor behavior are the focus of Goethe’s hilarious critique of the craze unleashed by his own Sorrows of Young Werther. Embodied in this strange and funny text is satire aimed not only at the cult of Empfindsamkeit and at the works of the artist himself, but also at the conspicuous blurring of public and private spheres, the untoward exposure of personal proclivities and private feeling. Given the ubiquitous textbook designation of C. P. E. Bach as the architect of the ‘Empfindsamer Stil’ in music, Dr. Annette Richards takes another look at what ‘Empfindsamkeit’ might mean, especially for the composer’s late keyboard works. By examining this music (along with then-contemporary views on humor, satire and other cultural elements), the audience may have to reconsider Bach’s own claims about the competing aesthetics of public and private music.
Location: 
Baur Room
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'Thinking About Music' guest speaker Janet Schmalfeldt.

2:30 p.m. Friday, April 15
DOMENICO SCARLATTI, ESCAPE ARTIST: SIGHTINGS OF HIS “MIXED STYLE” TOWARDS THE END OF THE EIGHTEENTH CENTURY
Janet Schmalfeldt, Tufts University Professor Emerita/Boston University Visiting Professor
Location: Baur Room

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM’s Thinking About Music Series is sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel; along with support from Dean Landgren’s Office, the Graduate Student Association, and the Division of Composition, Musicology and Theory at CCM.

CCM News
Samantha Pollino and Ben Biggers in 'Carousel.' Special thanks to Carol Ann's Carousel, A Gift of The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation. Photography by Mark Lyons.

CCM Presents Rodgers and Hammerstein’s Timeless ‘CAROUSEL’ Oct. 29 – Nov. 1

CCM’s acclaimed Mainstage Series continues this fall with a moving production of the classic Rodgers and Hammerstein musical Carousel. Directed and choreographed by Diane Lala with musical direction by Roger GrodskyCarousel runs Oct. 29 through Nov. 1 in CCM’s Corbett Auditorium. Tickets for all performances are on sale now.

Samantha Pollino and Ben Biggers in 'Carousel.' Special thanks to Carol Ann's Carousel, A Gift of The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation. Photography by Mark Lyons.Based on the 1909 play LiliomCarousel tells a story of tragedy, forgiveness and timeless love through the turbulent relationship of Julie Jordan, a quiet, naïve millworker, and Billy Bigelow, a swaggering, carefree carnival barker.

CCM Professor of Musical Theatre Diane Lala directs and choreographs the show, which was hailed as the “best musical of the 20th century” by Time Magazine. Fittingly, Lala’s approach to the show is to let the material speak for itself. “Carousel is such a classic piece of musical theatre,” she explains. “My goal is to present the show the way the writers intended it.”

Lala is no stranger to the works of Rodgers and Hammerstein, having previously helmed CCM’s 2011 production of Oklahoma!. Lala notes that although the two musicals were written back to back, they are quite different. “A lot of the uplifting spirit in Oklahoma! comes from the feeling of community around making Oklahoma a state. In Carousel we deal with the much darker issue of a marriage between two people who are completely different but who have this captivating and enduring love for each other.”

Richard Rodgers portrays the love story gloriously in his sweeping score, which he maintained was his personal favorite of all the shows he wrote.

CCM Professor of Musical Theatre Roger Grodsky and second-year graduate student Danny White will co-conduct the 39-piece orchestra for this production. The duo will honor Rodgers by utilizing a restored version of the original 1945 orchestrations. “The restoration process began in 2003 and there are literally hundreds of parts that have been reinstated or corrected,” says Grodsky. “People may be surprised to hear that that the correct lyric for ‘You’ll Never Walk Alone’ is: ‘When you walk through a storm, KEEP YOUR CHIN up high’ not ‘hold your head’!”

Carousel‘s timeless score also includes such standards as “If I Loved You” and Billy’s powerful seven-minute solo “Soliloquy.”

In addition to the full orchestra, the technical elements of the show will be quite grand. However, Lala notes that the juxtaposition of these elements with the intimacy of the story is what makes this production special. “In the beginning of the show, we transform from a bare stage to a full amusement park including a big carousel, so the set and musical numbers are really big and elaborate but then the scenes are so dramatic and simple. There’s a wonderful contrast all within the same show.”

With its timeless story, glorious score, and stunning visuals, CCM’s production of Carousel is sure to delight audiences and create a memorable evening of theater.

Special thanks to Carol Ann’s Carousel, A Gift of The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation.

Performance Times

  • 8 p.m. Thursday, Oct. 29
  • 8 p.m. Friday, Oct. 30
  • 2 and 8 p.m. Saturday, Oct. 31
  • 2 p.m. Sunday, Nov. 1

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Rodgers and Hammerstein’s Carousel are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/carousel.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Carousel Production Sponsor: The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation.

Community Partner: ArtsWave

CCM News
CCM welcomes guest artist Ghiglia, Oscar on Sunday, April 1.

CCM Welcomes Classical Guitarist Oscar Ghiglia for 40th Anniversary Residency This Weekend

Guitar virtuoso Oscar Ghiglia.

Guitar virtuoso Oscar Ghiglia.

CCM’s Guest Artist Series welcomes legendary classical guitarist Oscar Ghiglia for a very special performance at 4 p.m. this Sunday, Oct. 12. This concert celebrates Ghiglia’s 40th residency at CCM! The performance is free and open to the general public.

CCM guitarists have been the enthusiastic beneficiaries of Ghiglia’s concerts and master classes since 1974. He is the major and, perhaps, most persuasive exponent of Andrés Segovia-inspired European guitar playing.

About Oscar Ghiglia
Oscar Ghiglia was born in Livorno, Italy, to a pianist mother and a painter father. While attending Rome’s Santa Cecilia Conservatory, he participated in Segovia’s summer master classes in Siena and Santiago de Compostela. His graduation from the Conservatory in 1962 was followed by several important awards: first prize in the Orense Guitar Competition, first prize in the Santiago de Compostela Guitar Competition and first prize in the Radio France International Guitar Competition.

In 1964, Andres Segovia invited Ghiglia to be his assistant in master classes in California. Since then, Ghiglia has given concerts and master classes throughout the world. In addition to appearing extensively in all parts of North and South America and Europe, he is a frequent performer in the Far East, Israel, Argentina, New Zealand and the South Pacific, and has recorded for Angel, Nonesuch and Stradivarius Records. While being active as a concert artist, Ghiglia has always favored teaching as a sister-profession. Very few well-known guitarists today have not at one time or another been in his classes and profited from his lessons.

Ghiglia is currently professor emeritus of guitar at the Basel Music-Akademie, and gives summer courses in Europe, America and the Middle East. He established the classical guitar summer program at Aspen, Colorado, and taught there for twenty years. He now regularly gives summer classes at the Festival d’Arc in southern France, at the Chigi Academy in Siena, Italy and at the Festival Gargnano, Italy. The Hartt School of Music awarded him an honorary doctorate in 2004 for his outstanding contributions to classical guitar teaching and performance. In 2009, the Guitar Foundation of America presented him with their prestigious Lifetime Achievement Award.

Repertoire

  • J.S. BACH: Prelude, Fugue and Allegro, BWV 998
  • FERNANDO SOR: Caprice “La Calme,” Op. 50
  • MANUEL DE FALLA: Homenaje “Le Tombeau de Debussy” (1920)
  • FRANK MARTIN: Quatre Pièces Brèves (1933)
  • MANUEL PONCE: Sonata Romantica (1928)

CCM News
CCM's Cohen Family Studio Theater.

CCM Announces 2014-15 Studio Series of Opera, Musical Theatre, Drama and Dance

With free admission and limited seating, CCM’s innovative and award-winning Studio Series remains one of the hottest tickets in Cincinnati.

This season’s Studio Series includes eight exciting productions showcasing CCM’s “rising stars.” The series opens in October with the energetic musical Blood Brothers and concludes in April with the profoundly funny drama You’re Welcome (A Cycle of Bad Plays).

Other highlights include Monteverdi’s masterful opera The Coronation of Poppea in February and the Dance Department’s annual Student Choreographer’s Showcase in March.

CCM News
201415CCMSeasonBrochureCoverFINAL(crop)

CCM’s 2014-15 Season Brochure Now Available Online

201415CCMSeasonBrochureCoverFINALGet swept away by CCM’s 2014-15 Performance Season.

For nearly 150 years, our performing and media arts events have served as the first steps of a journey that eventually takes our students far beyond the CCM Village. You can be a part of that journey this year as our talented young artists and accomplished faculty members present nearly 60 major concert and theatre productions designed to move your senses, your sensibilities and your soul.

Join us for a season that will set our “rising stars” on a path to some of the most renowned stages in the world. The season is yours. Get swept away.

Download a digital copy of CCM’s 2014-15 brochure, and plan your journey today. Physical copies are also available at the CCM Box Office.

Subscription and flex ticket packages are on sale now. Single tickets go on sale Tuesday, Sept. 2, 2014.

For more details about CCM’s 2014-15 performance schedule, contact the CCM Box Office at 513-556-4183 or visit ccm.uc.edu.

CCM News

CCM Dance Showcase Spotlights Student Choreographers March 6-8

Photography by Will Brenner.

Photography by Will Brenner.

CCM’s Studio Series proudly presents the 2014 Dance Student Choreographers’ Showcase from March 6–8 in UC’s Cohen Family Studio Theater. Celebrate the 50th anniversary of CCM’s Dance Department with this all-new program, directed by Assistant Professor of Dance Deirdre Carberry. Admission is free, but reservations are required.

Subtitled “Six Dances at a Gathering,” this year’s Dance Student Choreographers’ Showcase will set the stage for the new work of six talented undergraduates. In order to be selected for the highly competitive showcase, CCM’s aspiring choreographers submit written proposals and perform excerpts of the proposed choreography for Carberry. The result this year is a phenomenal collection of budding talent presenting works in complementary styles.

CCM News Student Salutes