Lotte Lenya Competition Graphic.

CCM Students Talya Lieberman and Reilly Nelson Win Top Prizes in 2016 Lotte Lenya Competition

We are delighted to report that current CCM students Talya Lieberman and Reilly Nelson took home top prizes during the final round of the 2016 Lotte Lenya Competition. Sponsored by the Kurt Weill Foundation for Music, the prestigious competition was held on April 16 in Kilbourn Hall of the Eastman School of Music in Rochester, New York.

Lieberman won a Third Prize, which includes a cash award of $7,500. Nelson received a Carolyn Weber Award in recognition of outstanding creativity in the design of a diverse program and exceptional sensitivity to text/music relationships, which includes a $3,500 prize.

Nine awards and a total prize purse of $79,000 were given in the competition’s most competitive year yet. Foundation President and founder of the competition Kim Kowalke said of this year’s competition:

“The total amount and number of prizes awarded reflects the high level displayed at this year’s contest. It is a testament to the competition’s growth over nearly two decades.”

You can learn more about all of this year’s winners by visiting www.kwf.org.

Winners of the 2016 Lotte Lenya Competition, including CCM student Talya Lieberman (second from right).

Winners of the 2016 Lotte Lenya Competition, including CCM student Talya Lieberman (second from right).

Both Lieberman and Nelson also made strong showings in last year’s Lotte Lenya Competition. Nelson advanced to the semifinal round of the competition (along with three other CCM-trained singers), while Lieberman won the Lys Symonette Award for Outstanding Performance of an Individual Number during 2015’s final round.

Lieberman and Nelson are the latest in a long line of CCM students and alumni who have reached the final rounds of the Lotte Lenya Competition. CCM alumna Lauren Roesner (BFA Musical Theatre, 2013) took Third Prize in the 2013 installment of this prestigious international theatre singing contest. CCM alumna Caitlin Mathes (MM Voice, 2009; Artist Diploma in Opera, 2010) earned First Prize in 2011 and fellow alumna Alisa Suzanne Jordheim (BM Voice, 2008; MM Voice, 2010; DMA candidate) progressed to the final round of the competition that same year.

For this year’s competition, each finalist presented a 15 minute program of four selections in the daytime round. An evening concert followed, in which contestants sang only a segment of their programs.

All finalists received a minimum cash award of $1,000, with additional discretionary awards of $3,500 each, and top prizes ranging from $7,500 to $15,000.

The panel of judges included international opera star Teresa Stratas, Rodgers & Hammerstein President Theodore S. Chapin and Broadway music director and conductor Andy Einhorn. Finalists were selected from an initial pool of 224 contestants later narrowed to 31 semi-finalists, who were adjudicated and coached in the semi-final round by Tony Award-winners Jeanine Tesori and Victoria Clark. Clark, who last judged the competition in 2012, noted:

“I can feel the leap in overall talent from the last time I judged.”

Now in its 19th year, the Lotte Lenya Competition recognizes exceptionally talented singers/actors, ages 19-32, who are dramatically and musically convincing in a wide range of repertoire, with a focus on the works of Kurt Weill. Since 1998, the Kurt Weill Foundation has awarded more than $750,000 in prize money and continues to support previous winners with professional development grants.

Previous Lenya Competition winners enjoy successful careers performing in major theaters and opera houses around the globe.

About the Kurt Weill Foundation
The Kurt Weill Foundation for Music, Inc. is dedicated to promoting understanding of the life and works of composer Kurt Weill (1900-50) and preserving the legacies of Weill and his wife, actress-singer Lotte Lenya (1898-1981). The Foundation administers the Weill-Lenya Research Center, a Grant Program, the Kurt Weill Book Prize and the Lotte Lenya Competition, and publishes the Kurt Weill Edition and the Kurt Weill Newsletter. Learn more by visiting www.kwf.org.

CCM student Talya Lieberman.

CCM student Talya Lieberman.

About Talya Lieberman
Originally from Forest Hills, New York, soprano Talya Ilana Lieberman is currently pursuing an Artist Diploma at CCM as a student of Professor William McGraw.

Recently described by Opera News as “poetically compelling,” “delectably stylish” and “technically refined,” Lieberman is equally at home with operatic, art song and musical theatre repertoire. Starting in September 2016 she will be seen frequently on stage at Komische Oper Berlin, where she will be assuming the soprano position in the Opernstudio. Her upcoming performances include debuts with Cincinnati Opera and Opera Columbus, as well as the title role in CCM’s Mainstage Series production of Janáček’s The Cunning Little Vixen.

Lieberman returned to Cincinnati this fall after completing a summer as a Filene Young Artist with Wolf Trap Opera, where her ability to “make a point with the merest flick of a finger” (Washington Post) shined in a highly lauded run as Susanna in Mozart’s Le Nozze di Figaro. She also appeared in concert with Steven Blier at Wolf Trap in a program celebrating the Broadway legacy of the Rodgers family (The Rodgers Family – A Century of Musicals).

Lieberman is a convert from the orchestra pit and started singing after receiving her master’s degree in trumpet performance from the University of North Carolina School of the Arts under the tutelage of Judith Saxton. She completed her BA at Duke University with highest distinction in linguistics (Phi Beta Kappa, Magna Cum Laude). She is a two-time winner of full tuition and stipend—winning the Russell-Seybold and Italo Tajo Awards, respectively—at CCM’s Opera Scholarship Competition.

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

About Reilly Nelson
Born in the coastal town of Sault Ste. Marie in Ontario, Canada, Reilly Nelson attended the Eastman School of Music where she received a Bachelor of Music in Vocal Performance and CCM where she completed a Master of Music in Vocal Performance.

Nelson is currently pursuing her Doctor of Musical Arts degree at CCM.

At CCM she performed Hansel in Hansel and Gretel and Mary in Ricky Ian Gordon’s Morning Star. She also performed Hansel, as well as Cherubino in Le nozze di Figaro, at Janiec Opera Company at the Brevard Music Center.

The mezzo-soprano was a vocal fellow at the renowned Tanglewood Music Festival for the summers of 2014 and 2015, performing Les nuits d’été, Op. 7 and Folk Songs by Bernard Rands.

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Story by Curt Whitacre

CCM News Student Salutes
A mask from CCM's 2016 production of THE CUNNING LITTLE VIXEN. Photography by Mark Lyons.

CCM’s Mainstage Series Presents ‘The Cunning Little Vixen’ April 8 – 10, 2016

CCM brings you Leoš Janácek’s anthropomorphic opera, The Cunning Little Vixen, from April 8 – 10 as part of this year’s Mainstage Series. Instead of the typical protagonists of kings, queens and courtly staff, the stars of Janácek’s opera are foxes, dragonflies and badgers, and a host of woodland creatures, as well as the humans who try to tame them. Mark Gibson conducts with stage direction and choreography by Vince DeGeorge. This production will be sung in English, with a new translation by CCM Professor Emeritus David Adams.

The story begins with a Forester who, asleep at the base of a tree after a long night of drinking, awakens to the sight of a playful vixen cub. Delighted with his newfound furry friend, the Forester stumbles home to his farm to show his family. Discontent with her life in captivity, the cunning Vixen plots her escape, ruffles some feathers among the farm animals, and flees into the night. The Forester is then devastated and left alone to pine after his lost treasure.

Meanwhile, the Forester’s drinking buddies have troubles of their own. The Schoolmaster lusts after a young woman engaged to another man, and the Priest struggles to reconcile a misstep in his past with his present life of piety. Each man finds himself tormented by his own obsession, and struggles to accept the natural progression of life and death when it is out of his control.

One of the design inspriations for CCM's new production of THE CUNNING LITTLE VIXEN.

One of the design inspriations for CCM’s new production of THE CUNNING LITTLE VIXEN.

Inspired by a serial comic strip printed in the local paper, Leoš Janácek uses music and dance to breathe life into the characters he saw on the page. DeGeorge said a muse in the form of a little wooden vixen, gifted from his wife 10 years ago, inspired his vision for CCM’s production of the opera.

The geometric nature of the figurine, which is featured on the program cover, is reflected in the masks worn and carried by the characters as they transform throughout the opera.

“One of the things that is most prevalent in this opera is the relationship between humans and animals. The actors come on stage as humans and they transform into animals in front of the audience,” DeGeorge said. “There’s a sort of formalism about this little creature that I love but there’s also a playfulness that embodies the spirit of this production.”

It’s that very spirit, the transformative essence and flow of cycles within the opera, that Janácek masterfully elicits in your ears. Janácek will mesmerize you with his lush harmonies and sweeping melodies, Hollywood strings, flittering elfin-like woodwinds solos, and powerful romantic brass, in this fantastical tale of the intimate relationship between man and nature.

Join us in CCM’s Corbett Auditorium, this April 8-10, to explore the human condition within the enchanted world of music and dance.

Leoš Janácek’s
THE CUNNING LITTLE VIXEN
An Opera in Three Acts
Critical revised version by Jiri Zahrádka
Used by arrangement with European American Music Distributors Company, U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner.

The Creative Team

  • Mark Gibson, conductor
  • Vince DeGeorge, stage director and choreographer
  • Marie-France Lefebvre, musical preparation
  • Mark Halpin, scenic designer
  • Jeremy Dominik, lighting designer*
  • Oran Wongpandid, costume designer*
  • Kelly Yurko, wig & make-up designer
  • Kristen Budke, properties designer*
  • Susan Moser, choreographer
  • Michael Medina, stage manager*
  • John Murton, assistant conductor (Sunday matinee)*
  • Maria Fuller, rehearsal pianist*
  • Levi Hammer, rehearsal pianist*
  • Michael Medina, rehearsal pianist*

* CCM student

Performance Times

  • 8 p.m. Friday, April 8
  • 8 p.m. Saturday, April 9
  • 2 p.m. Sunday, April 10

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Cunning Little Vixen are $31-35 for adults, $20-24 for non-UC students and $18-22 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/cunning-little-vixen.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News
The Lotte Lenya Competition.

CCM Students Advance to the Final Round of the 2016 Lotte Lenya Competition

We are elated to report that CCM students Talya Lieberman and Reilly Nelson have been named as finalists for the 2016 Lotte Lenya Competition. They have been selected alongside 13 other young singer/actors and will take part in the final round of the competition on Saturday, April 16.

Both Lieberman and Nelson also made strong showings in last year’s Lotte Lenya Competition. Nelson advanced to the semifinal round of the competition (along with three other CCM-trained singers), while Lieberman won the Lys Symonette Award for Outstanding Performance of an Individual Number during the final round.

Lieberman and Nelson are the latest in a long line of CCM students and alumni who have reached the final rounds of the Lotte Lenya Competition. CCM alumna Lauren Roesner (BFA Musical Theatre, 2013) took Third Prize in the 2013 installment of this prestigious international theatre singing contest. CCM alumna Caitlin Mathes (MM Voice, 2009; Artist Diploma in Opera, 2010) earned First Prize in 2011 and fellow alumna Alisa Suzanne Jordheim (BM Voice, 2008; MM Voice, 2010; DMA candidate) progressed to the final round of the competition that same year.

Selected from 31 semifinalists, this year’s finalists represent a diverse range of performers, ages 21 to 31, from across the United States, Canada, Europe and Israel. All will sing repertoire from the operatic, golden age and contemporary musical stages, and of course, the music of Kurt Weill, for a chance win the top prize of $15,000.

Semifinalist judges, Tony Award-winners Jeanine Tesori and Victoria Clark, adjudicated and coached the performers. Clark, who first judged the competition in 2008, noted that “I can feel the leap in overall talent from when I last judged the semifinals.”

Kurt Weill Foundation President Kim Kowalke stated that “this year’s finalists are the largest and most diverse group in the Competition’s 19-year history, with contestants currently working on- and off-Broadway, in national touring companies, and in major regional theaters and opera companies. Many are well on their way to distinguished careers.”

The final round takes place April 16 at Kilbourn Hall at the Eastman School of Music in Rochester, NY. Each finalist will present a 15 minute program of four selections in the daytime round, 11:00-4:00. An evening concert, in which contestants sing only a segment of their programs, follows at 8:00. The concert concludes with the announcement of awards and prizes. Both the daytime round and evening concert are free and open to the public.

All finalists receive a minimum cash award of $1,000, with additional discretionary awards of $3,500 each, and top prizes ranging from $7,500 to $15,000. Total prizes will exceed $60,000.

Returning to judge for the tenth time, international opera legend Teresa Stratas leads the judges’ panel. The Lenya Competition remains the only vocal competition she has ever consented to adjudicate. Joining her on the jury are Rodgers & Hammerstein Organization President and former American Theater Wing Chairman Theodore S. Chapin (also returning for his tenth time), and Broadway (and Audra McDonald’s) music director, conductor and accompanist Andy Einhorn.

Past prize winners have gone on to appear on major theater, opera and concert stages around the world. Don’t miss the competition described by Opera News as “target[ing] today’s total-package talents, unearthing up-and-coming singers who are ready for their close-ups.”

About the Kurt Weill Foundation
The Kurt Weill Foundation for Music, Inc. is dedicated to promoting understanding of the life and works of composer Kurt Weill (1900-50) and preserving the legacies of Weill and his wife, actress-singer Lotte Lenya (1898-1981). The Foundation administers the Weill-Lenya Research Center, a Grant Program, the Kurt Weill Book Prize and the Lotte Lenya Competition, and publishes the Kurt Weill Edition and the Kurt Weill Newsletter. Learn more by visiting www.kwf.org.

CCM student Talya Lieberman.

CCM student Talya Lieberman.

About Talya Lieberman
Originally from Forest Hills, New York, soprano Talya Ilana Lieberman is currently pursuing an Artist Diploma at CCM as a student of Professor William McGraw.

Recently described by Opera News as “poetically compelling,” “delectably stylish” and “technically refined,” Lieberman is equally at home with operatic, art song and musical theatre repertoire. Starting in September 2016 she will be seen frequently on stage at Komische Oper Berlin, where she will be assuming the soprano position in the Opernstudio. Her upcoming performances include debuts with Cincinnati Opera and Opera Columbus, as well as the title role in CCM’s Mainstage Series production of Janáček’s The Cunning Little Vixen.

Lieberman returned to Cincinnati this fall after completing a summer as a Filene Young Artist with Wolf Trap Opera, where her ability to “make a point with the merest flick of a finger” (Washington Post) shined in a highly lauded run as Susanna in Mozart’s Le Nozze di Figaro. She also appeared in concert with Steven Blier at Wolf Trap in a program celebrating the Broadway legacy of the Rodgers family (The Rodgers Family – A Century of Musicals).

Lieberman is a convert from the orchestra pit and started singing after receiving her master’s degree in trumpet performance from the University of North Carolina School of the Arts under the tutelage of Judith Saxton. She completed her BA at Duke University with highest distinction in linguistics (Phi Beta Kappa, Magna Cum Laude). She is a two-time winner of full tuition and stipend—winning the Russell-Seybold and Italo Tajo Awards, respectively—at CCM’s Opera Scholarship Competition.

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

About Reilly Nelson
Born in the coastal town of Sault Ste. Marie in Ontario, Canada, Reilly Nelson attended the Eastman School of Music where she received a Bachelor of Music in Vocal Performance and CCM where she completed a Master of Music in Vocal Performance.

Nelson is currently pursuing her Doctor of Musical Arts degree at CCM.

At CCM she performed Hansel in Hansel and Gretel and Mary in Ricky Ian Gordon’s Morning Star. She also performed Hansel, as well as Cherubino in Le nozze di Figaro, at Janiec Opera Company at the Brevard Music Center.

The mezzo-soprano was a vocal fellow at the renowned Tanglewood Music Festival for the summers of 2014 and 2015, performing Les nuits d’été, Op. 7 and Folk Songs by Bernard Rands.

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Story by Curt Whitacre

CCM Alumni Applause CCM News Student Salutes

CCM Artist Diploma Student Talya Lieberman Wins Outstanding Performance Award at 2015 Lotte Lenya Competition

CCM artist diploma student Talya Lieberman.

CCM artist diploma student Talya Lieberman.

We are happy to report that soprano Talya Lieberman, an Artist Diploma candidate in CCM’s Opera program, won the Lys Symonette Award for Outstanding Performance of an Individual Number during the final round of the 2015 Lotte Lenya Competition.

Sponsored by the Kurt Weill Foundation for Music, this year’s competition was held at the University of Rochester’s Eastman School of Music on April 18. Named in honor of Weill’s musical assistant on Broadway, the Lys Symonette Award comes with a cash prize of $3,500.

Now in its 18th year, the Lotte Lenya Competition is an international theatre singing contest that recognizes exceptionally talented young singer/actors, ages 19-32, who are dramatically and musically convincing in a wide range of repertoire, from opera and operetta to contemporary Broadway musicals, with a focus on the works of Kurt Weill. The judges of this year’s competition were Rebecca Luker, James Holmes and Theodore S. Chapin. You can view a full list of this year’s competition winners by visiting www.kwf.org/previous-winners.

Lieberman is the latest in a long line of CCM-trained singers to take home top honors at the Lotte Lenya Competition. CCM alumna Lauren Roesner (BFA Musical Theatre, 2013) took Third Prize in the 2013 installment of this prestigious international theater singing contest. CCM alumna Caitlin Mathes (MM Voice, 2009; Artist Diploma in Opera, 2010) earned First Prize in 2011 and fellow alumna Alisa Suzanne Jordheim (BM Voice, 2008; MM Voice, 2010; DMA candidate) progressed to the final round of the competition that same year.

About Talya Lieberman
Originally from Forest Hills, New York, Talya Ilana Lieberman is currently pursuing an Artist Diploma at CCM as a student of CCM Professor of Voice William McGraw.

A soprano, Lieberman will be singing Susanna in Mozart’s The Marriage of Figaro with Wolf Trap Opera as a Filene Young Artist this coming summer. She has been invited to make her recital debut with the San Francisco Opera Center as part of their Schwabacher Debut Recital series this spring. She was most recently seen performing Gretel in CCM’s Mainstage Series production of Engelbert Humperdinck’s Hansel and Gretel.

This past summer she sang the title role in Handel’s Semele as part of the Schwabacher Concert Series (Merola Opera Program). Highlights from 2013-14 include performing selections from Canteloube’s “Chants d’Auverge” with the CCM Philharmonia, as well as performing David del Tredici’s “Haddock’s Eyes” with CCM’s Café MoMus ensemble. She won the Irma M. Cooper Vocal Competition (Columbus Opera, 2014) and Alida Vane International Voice Competition (2013) in Latvia, where she studied on a Fulbright scholarship for the 2012-13 school year.

Lieberman made her New York City debut prior to departing for Latvia, singing in concert with Schubert & Co. In the summer of 2012 she participated in the voice program at the Chautauqua School of Music, where she was featured in Villa-Lobos’ “Bachianas Brasileiras” with the cello studio.

Lieberman is a convert from the orchestra pit and started singing after receiving her master’s degree in trumpet performance from the University of North Carolina School of the Arts under the tutelage of Judith Saxton. She completed her BA at Duke University with highest distinction in linguistics (Phi Beta Kappa, Magna Cum Laude). She is a two-time winner of full tuition and stipend—winning the Russell-Seybold Award and Italo Tajo Award, respectively—at CCM’s annual Opera Scholarship Competition.

Lieberman has lived a few lives before coming to opera full-time; she worked on sleep apnea research as a research coordinator at the University of Pennsylvania Medical School, served as program coordinator for the El Sistema inspired program Play On, Philly!, and had a short stint as a singer-songwriter. She is an avid student of contact improvisation and various forms of meditation. She loves reading, writing, editing, working with children, teaching and being an aunt.

CCM News Student Salutes

CCM Students and Alumnae Advance to Semifinals of the 2015 Lotte Lenya Competition

We are delighted to report that four current and former CCM students have advanced to the semifinal round of the 2015 Lotte Lenya Competition! Those include Artist Diploma candidate Jasmine Habersham (also MM Voice, 2013), Artist Diploma candidate Talya Lieberman, first-year DMA candidate Reilly Nelson (also MM Voice, 2014) and alumna Christine Cornish Smith (BFA Musical Theatre, 2013).

This impressive showing gives CCM more semi-finalists than any other school in the 2015 competition!

Habersham, Lieberman, Nelson and Smith will join 24 other singer-actors from the United States, Canada, Puerto Rico, Germany, the Netherlands and the United Kingdom to compete in the Lotte Lenya Competition Semifinals on March 13 and 14 in New York City.

A program of the Kurt Weill Foundation for Music now in its 18th year, the Lotte Lenya Competition is an international theatre singing contest that recognizes exceptionally talented young singer/actors, ages 19-32, who are dramatically and musically convincing in a wide range of repertoire, from opera and operetta to contemporary Broadway musicals, with a focus on the works of Kurt Weill.

CCM alumna Lauren Roesner (BFA Musical Theatre, 2013) took Third Prize in the 2013 installment of this prestigious international theater singing contest. CCM alumna Caitlin Mathes (MM Voice, 2009; Artist Diploma in Opera, 2010) earned First Prize in 2011 and fellow alumna Alisa Suzanne Jordheim (BM Voice, 2008; MM Voice, 2010; DMA candidate) progressed to the final round of the competition that same year.

The competition grants over $50,000 in prizes each year, and previous winners have gone on to forge prominent careers in opera houses and on Broadway. More information can be found at www.kwf.org/LLC.

About Jasmine Habersham
Jasmine Habersham returns to the Glimmerglass Festival this summer as Papagena in The Magic Flute. A member of the Glimmerglass Young Artist program in 2014, she also received the Central City Opera Guild Young Artist Award the previous year. The soprano holds a Master of Music degree in Vocal Performance from CCCM where she has appeared as Norina in Don Pasquale, Mrs. Julian in Owen Wingrave and Pearl in Ricky Ian Gordon’s Morning Star. The Georgian is a graduate of Shorter University with a Bachelor of Music degree and is currently working toward her Artist Diploma at CCM.

About Talya Lieberman
An alumna of San Francisco’s 2014 Merola Opera Program, Talya Lieberman returns this spring to the San Francisco Opera Center to make her debut as part of the Schwabacher Debut Recital series. This summer she will perform Susanna in Le nozze di Figaro at Wolf Trap Opera. While pursuing her Artist Diploma at CCM, the Italo Tajo Award recipient performed Gretel in Hansel and Gretel. She anticipates her first professional opera engagement in 2016 when she will perform Musetta in La bohème at Opera Columbus. In addition to her vocal studies, Lieberman completed a Master of Music degree in Trumpet Performance at the University of North Carolina School of the Arts and a Bachelor of Arts degree with Highest Distinction in Linguistics at Duke University. Born in New York, Talya now calls Ohio home.

About Reilly Nelson
Born in the coastal town of Sault Ste. Marie in Ontario, Canada, Reilly Nelson attended the Eastman School of Music where she received a Bachelor of Music in Vocal Performance and CCM where she completed a Master of Music in Vocal Performance. At CCM she performed Hansel in Hansel and Gretel and Mary in Ricky Ian Gordon’s Morning Star. She also performed Hansel, as well as Cherubino in Le nozze di Figaro at Janiec Opera Company at the Brevard Music Center. The mezzo-soprano was a vocal fellow at Tanglewood in summers 2013 and 2014, performing Les nuits d’été, Op. 7 and Folk Songs by Bernard Rands.

About Christine Cornish Smith
A graduate of CCM with a Bachelor of Fine Arts degree in Music Theater, Christine performed Polly Peachum in CCM’s Mainstage Series production of The Threepenny Opera, which was part of a year-long Kurt Weill Festival on campus. She also performed the Stepmother and covered the Witch in Into the Woods, and appeared in Oklahoma! and Anything Goes. Upon graduation, she performed Reuben’s Wife in the National Tour of Joseph and the Amazing Technicolor Dreamcoat. She is currently performing in Guys and Dolls at the Goodspeed Opera House (CT). The soprano made her Lyric Opera of Chicago debut in the Ensemble of Oklahoma! In her native Texas, she made her Lyric Stage debut as Cutie in Fiorello! and performed as a Hot Box Girl in Guys and Dolls at Water Tower Theatre. She has also performed as principal dancer with the Dallas Metropolitan Ballet. She was a recipient of an Emerging Talent Award in the 2014 Lotte Lenya Competition.

CCM Alumni Applause CCM News Student Salutes
CCM's Mainstage Production of HANSEL AND GRETEL. Photography by Mark Lyons.

CCM’s ‘Hansel and Gretel’ Receives Glowing Reviews

CCM's Mainstage Production of HANSEL AND GRETEL. Photography by Mark Lyons.

CCM’s Mainstage Production of HANSEL AND GRETEL. Photography by Mark Lyons.

The critics have weighed in with unanimous praise for CCM’s recent production of Hansel and Gretel!

In her review of the fairy tale opera for the Cincinnati Enquirer, Janelle Gelfand calls the production “magical” and “breathtaking.” She singles out the performance of the CCM Philharmonia, writing that “you could get lost in the glowing orchestral score, so beautifully led by Mark Gibson.”

Mary Ellyn Hutton‘s review for Music in Cincinnati was similarly enthusiastic. “Highlights of the performance were many,” she writes, “One was the prayer scene… where Hansel and Gretel knelt and sang, with snow falling in the background. Another came during the dream pantomime… where the 14 angels, all children, cavorted on an angelic playground, with a swing, a seesaw and bicycles hanging over the stage, as the children looked on.”

Rafael de Acha calls the production a “sweet treat” in his review for Seen and Heard InternationalRobin Guarino sets the story during the Depression in America,” he observes, “but surprisingly, this setting undermines neither the lush Romanticism of the music nor the innocent fairytale story, and the results are nothing but happy.”

Hansel and Gretel concluded its run on Sunday, Nov.  23. CCM’s Opera Season resumes in February with a Studio Series production of Monteverdi’s L’incoronazione di Poppea running Feb. 20-22 and a CCM Opera d’arte Series production of Handel’s Alcina running Feb. 27 – March 1.

The season concludes April 9 – 12 with a Mainstage Series production of Mozart’s Così fan tutte, conducted by Mark Gibson with stage direction by Robin Guarino.

Last fall, Guarino directed the Metropolitan Opera’s production of Così fan tutte, which also served as James Levine’s highly anticipated return to the Met. In his review of the opera for the New York Times, Anthony Tommasini noted that “Guarino worked with this cast of gifted actors to inflect their characters with telling comic bits and hapless human touches.”

CCM News Faculty Fanfare Student Salutes
CCM's Mainstage Production of HANSEL AND GRETEL. Photography by Mark Lyons.

CCM Slideshows: Hansel and Gretel

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CCM’s Mainstage Series resumes this evening with a contemporary production of Engelbert Humperdinck’s timeless opera Hansel and Gretel. Running Nov. 20 – 23, this magical production also features the Cincinnati Children’s Choir, ensemble-in-residence at CCM. Mark Gibson conducts with stage direction by Robin Guarino.

Above, enjoy a preview slideshow of the opera that Richard Strauss regarded as “a masterpiece of the highest quality.”

WCPO calls the opera the number one thing to do in Cincinnati this weekend, and the Cincinnati Enquirer and CityBeat have also highlighted the production! Learn even more about Hansel and Gretel here.

Performance Times

  • 8 p.m. Thursday, Nov. 20
  • 8 p.m. Friday, Nov. 21
  • 8 p.m. Saturday, Nov. 22
  • 2 p.m. Sunday, Nov. 23

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to CCM’s Mainstage production of Hansel and Gretel are $31-35 adults, $20-24 non-UC students and $18-22 UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/hansel-and-gretel-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News

CCM’s Mainstage Series Presents the Fairy Tale Opera ‘Hansel and Gretel’ Nov. 20-23

Talya Lieberman as Gretel and Adria Caffaro as Hansel. Photography by Mark Lyons.

Talya Lieberman as Gretel and Adria Caffaro as Hansel. Photography by Mark Lyons.

CCM’s Mainstage Series proudly presents Engelbert Humperdinck’s timeless opera Hansel and Gretel from Nov. 20 – 23 in UC’s Corbett Auditorium. This magical production also features the Cincinnati Children’s Choir, ensemble-in-residence at CCM.

Based on the German fairy tale popularized by the Brothers Grimm, this contemporary production is conducted by CCM Director of Orchestral Studies Mark Gibson with stage direction by the J. Ralph Corbett Distinguished Chair in Opera Robin Guarino. This opera will be sung in English with supertitles.

Composed by Humperdinck, with a libretto by his sister Adelheid Wette, the perennially popular opera premiered in 1893 to instant success. Showing the influence of German folksong, along with harmonic and textural influences of Richard Wagner, the opera was hailed by fellow German composer Richard Strauss (who conducted the premiere) as “a masterpiece of the highest quality.” The opera has since become a holiday tradition throughout the world.

Guarino’s production transports the classic fairy tale to the 1930s Depression Era. The precocious brother and sister duo are poor, hungry and dreaming of tasty treats. When their overworked mother sends them into the world to find food, they lose their way in the forest and encounter a scary witch with a deliciously sinister plan.

CCM News

CCM Slideshows: Don Pasquale

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Mary Ellyn Hutton calls CCM’s Mainstage Series production of Don Pasquale a “fast-moving delight start to finish, with beautiful singing, lively acting and a lovely-to-look-at, period production” in her review for the Cincinnati Enquirer! Read the full review here.

This week’s issue of CityBeat features an excellent profile of Don Pasquale‘s director, CCM graduate student Omer Ben-Seadia. You can read that Anne Arenstein-penned story online here.

Don Pasquale plays through this Sunday, April 6, and tickets are still available. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/donpasquale.

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CCM’s Mainstage Opera Series Presents Donizetti’s ‘Don Pasquale’ April 3-6

William Tvrdik as the title character in CCM's Mainstage Series production of 'Don Pasquale.' Photography by Mark Lyons.

William Tvrdik as the title character in CCM’s Mainstage Series production of ‘Don Pasquale.’ Photography by Mark Lyons.

CCM’s Mainstage Opera Series proudly presents Gaetano Donizetti’s Don Pasquale from April 3–6 in UC’s Patricia Corbett Theater. This beloved opera buffa is conducted by Mark Gibson with stage direction by accomplished artist’s diploma student Omer Ben-Seadia. The opera will be sung in Italian with English supertitles.

A comedic masterpiece that has captivated audiences since its 1843 premiere, Don Pasquale remains one of the most popular of Donizetti’s nearly 70 operas. On its surface, the opera details the plight of Ernesto, who fights to follow his heart rather than marry the woman his haughty old uncle Don Pasquale thinks he should. Outraged, the lifelong bachelor Pasquale decides to cut Ernesto out of his will and simply father his own heir, instead! A series of uproarious twists and turns ensues as a raucous ensemble of characters begin to take over the Pasquale homestead.

While it is easy to root for Ernesto and true love to prevail, Ben-Seadia suggests that it is Don Pasquale who serves as the true hero of this opera. She explains, “With all that is at stake, Pasquale is the one willing to risk it all… not just for love but for life. Sure we love to see him fail, but after all is said and done we look at Pasquale not with pity, but with the hope that he in fact will try again.”

Don Pasquale's house staff. Photography by Tom Umfrid.

Don Pasquale’s house staff. Photography by Tom Umfrid.

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