Hutton writes: “the signal event of the evening was (Lou) Harrison’s (Piano) Concerto,” performed by first year Master of Music student Kristofer Rucinski.
You can read her full review here.
Panelists for the League of Cincinnati Theatres (LCT) have recognized CCM’s Revue Review with two LCT nominations for Direction of a Musical (Roger Grodsky with assistance from students Connor Deane, Julian Decker and Greg Kamp) and Ensemble in a Musical, as well as distinguishing it as a recommended production.
Jackie Demaline reviews CCM’s first-ever production of Street Scene for the Cincinnati Enquirer, proclaiming: “It’s a glorious synthesis by composer Kurt Weill and the artistic team and their company of singers and musicians deliver a production that will stand as a high point of the Cincinnati stage season.” Running tonight through Nov. 18 in UC’s Patricia Corbett Theater, Street Scene is part of CCM’s year-long Kurt Weill Festival.
You can read the full review here.
Learn more courtesy of Janelle Gelfand and the Cincinnati Enquirer‘s “Arts in Focus” blog here.
William Shakespeare’s A Midsummer Night’s Dream receives a colorful and refreshing update in the upcoming production at UC’s College-Conservatory of Music. Beginning with a preview performance on Oct. 3, audiences will be transported to the 1960s and will follow four lovers and some unfortunate “mechanicals” as their lives become the playthings of a band of fairies.
Director Michael Burnham wanted to take a new approach to a traditional piece and encouraged set designer and third year graduate student Ryan Howell to contact Canadian artist Amy Shackleton to collaborate on an original art piece for the show. With the help of CCM’s Division of Electronic Media, Amy Shackleton was filmed while painting the piece and the resulting footage will be used to create a backdrop that will paint itself as the story develops.
To ignite its 2012-13 Mainstage Season, CCM will be presenting one of Shakespeare’s best-loved plays, A Midsummer Night’s Dream, from Oct. 3 (preview) – 7 in UC’s Patricia Corbett Theater.
The play takes us on a wistful journey with four lovers and a weaver as they interact with some Puck-ish pranks in the wood. Director Michael Burnham and fellow designers add a spin to this version of the show as we find ourselves in the summer of 1963, right before the assassination of John F. Kennedy. Learn more about how this spin influenced the show’s costume design here.
As previously reported, international artist Amy Shackleton joins the design team of CCM’s A Midsummer Night’s Dream to engage in a unique collaboration, creating an original piece of art. Amy’s process was documented and will set the backdrop for this production.
Brittany McManus is a third-year master’s degree student in costume design. Along with the production’s scenic designer, lighting designer, sound designer and wig & make-up designer (all of whom are third-year graduate students at CCM), McManus’ work on A Midsummer Night’s Dream is serving as her thesis project.
McManus’ unique costume design concepts for this production draw inspiration from the 1960s. “We are doing three different groups of people,” she explains. “The 60s are when the countercultures really emerge, so you start to see these different facets of society in a way that you may have seen before… but not to this extent.”