All of the Above

Group of CCM Musicians Named Ensemble-in-Residence at Xavier

A contemporary chamber music ensemble of six CCM students and alumni is now ensemble-in-residence at Xavier University. All of the Above will offer concerts and work with Xavier students in rehearsals and beyond as ensemble-in-residence. The residency also includes outreach performances in schools and throughout Cincinnati.

CCM students and alumni in All of the Above, a chamber music group recently named ensemble-in-residence at Xavier University.

CCM students and alumni in All of the Above, a chamber music group recently named ensemble-in-residence at Xavier University.

All of the Above musicians have made a name for their ensemble locally by performing with Classical Revolution Cincinnati and the MUSE concert series at the Cincinnati Art Museum. One of the goals of the ensemble is to create innovative musical experiences by challenging the aesthetics of the traditional classical concert, and the members believe that this new residency will enable their ensemble to bring their unique vision of art music to a wider audience.

The residency was in part created by the ensemble; All of the Above pianist Matthew Umphreys (MM Collaborative Piano 2014) is an adjunct professor at Xavier, and he approached the head of the music department to discuss the residency. Xavier has had ensembles-in-residence in the past, but not recently. The other members of All of the Above are CCM alumnus Walter Park (BM Violin Performance ’15) and CCM doctoral candidates Mikey Arbulu, clarinet; Caitlyn Chenault, cello; Nave Graham (MM Flute Performance ’14), flutist and David Abraham, percussion.

It can be difficult for students and young professional musicians to initiate a chamber ensemble, let alone a successful one. There are many constraints on their time, as young musicians often have multiple jobs, such as teaching lessons and freelance gigs, which lead to inconsistent availability.

The members of All of the Above have received the support of not only each other but also CCM faculty members, who coached the group on not only musical concerns but also the administrative challenges of running a music ensemble and creating cohesive artistic goals. However, Umphreys thinks that these concerns are secondary to the meat-and-potatoes of an ensemble: musical cohesion.

“I strongly believe that musical greatness is at the heart of any successful ensemble. Yes, we all are overloaded with ideas of business savvy and self-promotion, but this won’t get one very far if at the core there is an absence of intense capabilities and talent on one’s instrument,” Umphreys said.

“CCM has helped me become a better musician, no question. It has also taught me about hard work, dedication, tenacity, preparedness, how to collaborate with others, among many other skills– but this insatiable passion to be an incredible musician is the greatest thing I have taken from my time at CCM.”

All of the Above is a Pierrot-plus-percussion ensemble, which means that it uses the same instrumentation as Arnold Schoenberg’s Pierrot Lunaire: flute, clarinet, violin, cello and piano, plus percussion. In fact, there’s a good reason that All of the Above has the Pierrot ensemble at its core, aside from the broad range of contemporary music written for that instrumentation.

“One of my favorite projects as an ensemble was one of our first: we tackled Schoenberg’s famous Pierrot Lunaire,” Umphreys said. “Working on such a complex and difficult piece forced us to develop rehearsal and performance practices that we still use to this day, and we learned how to communicate effectively with each other.”

All of the Above’s first concert as ensemble-in-residence at Xavier University will take place at 4 p.m. on Oct. 30 in Xavier’s Long Recital Hall. Admission is free.

“This residency has definitely put our ensemble on the map within the (contemporary) music scene in Cincinnati,” Graham said. “Even if people aren’t familiar with contemporary classical music, they have likely heard of Xavier University. So now we have a springboard to reach out to people with our unique mission and music.

“I think the familiarity of an established academic institution will allow people to feel more comfortable coming out to our shows. If our prospective audiences believe in Xavier, and Xavier believes in us, then in some way, the Cincinnati community already believes in us.”
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Story by CCM graduate student Alexandra Doyle

 

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Rehearsals for CCM's April 2016 production of SWAN LAKE.

Building a Ballet: E-Media students give inside look at CCM’s ‘Swan Lake’

CCM Electronic Media and UC journalism students take us behind-the-scenes with a look at the rehearsals for next week’s production of Swan Lake. The video series chronicles all of the work and dedication students, faculty and staff put into the lavish new production of Tchaikovsky’s timeless ballet.

Students within the News Writing and Reporting class, taught by Assistant Professor of E-Media Hagit Limor and Journalism Professor Bob Jonason, created the videos, which star faculty and students within CCM’s Dance Department.

In the video above, Dance Department chair and Swan Lake co-director Jiang Qi discusses the work that goes into presenting such an iconic ballet. He explains:

Swan Lake is one of the top classical ballets in the repertoire. It’s almost textbook. You learn Swan Lake and then you get much stronger. This is an art form that requires a lot of physical and mental endurance to get through.”

The videos and photos, created by students Brevin Couch, Mark D’Andrea, Tyler Dunn, Daniel Honerkamp, Ailish Masterston and Andrew Wilkins, can be viewed on the Building a Ballet website. Visit the website to view interviews with dance students Madison Holschuh (Odette), Sam Jones (Prince Siegfried), and Kiahna Saneshige (Odile). The package was recently featured in Cincinnati Magazine.

Swan Lake is only the second story ballet ever presented as part of CCM’s Mainstage Series. The production runs April 22 – 24 in CCM’s Corbett Auditorium.

Co-directed by Jiang and Professor Deirdre Carberry, the production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.”

The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Professor Aik Khai Pung.

This production marks the first time in CCM’s nearly 150-year history that a dance production has featured brand new costumes designed and built in-house. You can learn more about the work that went into costuming Swan Lake here.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

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Story by Curt Whitacre

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Dean Mogle holds the white and black swan design sketches for CCM's production of Swan Lake.

From Sketch to Stage: The Making of CCM’s ‘Swan Lake’ Costumes

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There is a shortage of tutu makers in the world, said CCM Professor and Head of the Costume Design and Technology Program Dean Mogle, who faced the daunting task of designing costumes for Tchaikovsky’s Swan Lake ballet.

CCM is working to fix that shortage by training the next generation of costume designers and technicians, whose work will debut on stage in the conservatory’s first ballet production to have costumes designed and built in-house.

A timeless tale of love, magic and mystery, Swan Lake will grace the Corbett Auditorium stage from April 22-24, marking the second time in CCM’s nearly 150-year history that a full-length story ballet has been included in the Mainstage Series.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Staff and students within the Costume Design and Technology program have worked on the ‘Swan Lake’ costumes for the past 18 months.

Presented by CCM’s Department of Dance, the ballet uses three different casts and the principal roles are all double cast ­— which is challenging for the costume shop students and staff responsible for ensuring the pieces fit each dancer correctly.

“You have to understand what dancers go through—what they need,” Mogle said. “Balance becomes really important.”

Costume designers and technicians must consider the weight of the fabrics and headpieces so the dancer can retain their natural balance. There is also limited “real estate” on the costume for artistic expression or characterization, Mogle said. If a female dancer needs to be lifted, safety dictates the fabric around her waist can’t be too slick and can’t get caught on anything.

“The ballet world is a totally different beast.”

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Newly designed costumes for the Hungarian Czardas in Act III of ‘Swan Lake,’ made by costume students and staff. To the far right is Prince Siegfried’s jacket, made by Jessica Barksdale.

Mogle, with a team of students and faculty within the Costume Design and Technology program, has worked on the Swan Lake costumes for the past 18 months. They’ve borrowed and modified some costumes from a previous CCM performance of Brigadoon and the Broadway production of Cyrano, The Musical. Costumes for the principal and specialty roles in the ballet are newly designed and made.

Iconic white tutus, bodices, vibrant dresses and rich fabrics have taken over their workshop. The costumes are designed in the traditional style typically associated with the classic ballet. CCM plans to reuse and rent out some of them after the performance.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Jessica Barksdale is building Mogle’s design for Prince Siegfried’s costume, which will be worn in Acts III and IV.

Mogle, who previously designed costumes for the Cincinnati Ballet’s The Nutcracker, watched five or six different productions of Swan Lake to prepare for his costume designs. The pieces are still evolving on a daily basis, he said.

“Since we are making the production to last about 30 or 40 years, we don’t ever want to get too wild and crazy with the concept because it is pretty traditional,” Mogle said. “The things that really change in a traditional ballet like this are going to be the specialty characters.”

Those include the newly designed and made pieces that will be worn at the ball in Act III, where the Queen invites potential wives from Poland, Hungary, Italy, Spain, Naples and Poland to match with her son, Prince Siegfried.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

A sketch and sleeve of Von Rothbart’s Act III costume, made by Erin Winslow.

At the ball, Prince Siegfried will wear a newly designed black and gold jacket made by Jessica Barksdale, first-year costume technology graduate student. Rothbart, the evil sorcerer who cursed the prince’s love Odette, will wear an intricately detailed costume made by senior costume technology student, Erin Winslow, as part of her capstone project.

Barskdale and Winslow are also making the iconic white and black swan costumes for leading female characters Odette and Odile. Associate Professor of Costume Technology Regina Truhart is managing all costume production for the ballet.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

The in-progress white and black swan costumes for characters Odette and Odile are being made by Jessica Barksdale and Erin Winslow, respectively.

After 27 years at CCM, Mogle is familiar with the 30,000 costume pieces the conservatory has in stock. Luckily, the costume department was able to pull pieces from past performances of Brigadoon and Cyrano to modify them for courtier and peasant costumes in Swan Lake.

The costume department dyed some of the costumes in bright jewel tones and added details such as sashes, sleeves, aprons and hats. Net petticoats were used to make the costumes lighter and easier to dance in.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Costumes from the CCM production of ‘Brigadoon’ are being modified for the female peasants in Act I of ‘Swan Lake.’

“Every time we do [Swan Lake], we’ll add more to it and rely less on our costume stock,” Mogle said, adding that when the ballet is performed again in 6 years they will likely build new peasant costumes.

“That’s how some companies do it anyway. They’ll use tutus from many kinds of shows. Pulling together a show like this from all of these different places is a great exercise.”

Acquiring materials is one hurdle but then, of course, the costumes must actually fit.

It helps that musical theatre bodies and dancer bodies are similar in stature, Mogle said. It would cost around $5,000 to reproduce one of the Cyrano costumes today.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Costume technicians included three clasp sizes on the ‘Swan Lake’ bodices so they can be adjusted for different dancers.

With three different casts, and double-cast principals, it was important to make the costumes interchangeable for different dancers. The technicians included three clasp sizes for the bodices to make them more adjustable and, in some cases, built extra costumes.

The process and pieces are evolving daily, with more adjustments expected after fittings and the dress rehearsals. A beautiful design can look perfect on a mannequin but flawed when put on a body that needs to breathe, dance and kick. That is why it’s important for the costuming students to learn each step in the creative process, said Mogle.

 “The whole focus of our program is teaching design and technology so designers know how to make stuff and makers know how to design stuff. So they all have the same sensibility as to how things should look and how they should be handled. If the knowledge base in those two roles isn’t strong then things fall apart.”

After the designs are sketched, the appropriate fabrics need to be found, Mogle said of the costuming process. Then there’s making the patterns and cutting them out of the cloth and stitching them together. There’s also fabric painting and dying and mask and jewelry making.

“Each one of those is a profession in itself,” Mogle said. “The more skills you have as a technician and the more kinds of plays and operas and ballets that you can design as a designer, your job market opens up. It’s a good part of training and real life experience.”

Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, the Mainstage Series production features students from CCM’s BFA Ballet program. The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Assistant Professor of Music Aik Khai Pung.

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Tchaikovsky’s Swan Lake runs April. 22 – 24 in Corbett Auditorium. Tickets are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s
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Story by Rebecca Butts

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The Lotte Lenya Competition.

CCM Students Advance to the Final Round of the 2016 Lotte Lenya Competition

We are elated to report that CCM students Talya Lieberman and Reilly Nelson have been named as finalists for the 2016 Lotte Lenya Competition. They have been selected alongside 13 other young singer/actors and will take part in the final round of the competition on Saturday, April 16.

Both Lieberman and Nelson also made strong showings in last year’s Lotte Lenya Competition. Nelson advanced to the semifinal round of the competition (along with three other CCM-trained singers), while Lieberman won the Lys Symonette Award for Outstanding Performance of an Individual Number during the final round.

Lieberman and Nelson are the latest in a long line of CCM students and alumni who have reached the final rounds of the Lotte Lenya Competition. CCM alumna Lauren Roesner (BFA Musical Theatre, 2013) took Third Prize in the 2013 installment of this prestigious international theatre singing contest. CCM alumna Caitlin Mathes (MM Voice, 2009; Artist Diploma in Opera, 2010) earned First Prize in 2011 and fellow alumna Alisa Suzanne Jordheim (BM Voice, 2008; MM Voice, 2010; DMA candidate) progressed to the final round of the competition that same year.

Selected from 31 semifinalists, this year’s finalists represent a diverse range of performers, ages 21 to 31, from across the United States, Canada, Europe and Israel. All will sing repertoire from the operatic, golden age and contemporary musical stages, and of course, the music of Kurt Weill, for a chance win the top prize of $15,000.

Semifinalist judges, Tony Award-winners Jeanine Tesori and Victoria Clark, adjudicated and coached the performers. Clark, who first judged the competition in 2008, noted that “I can feel the leap in overall talent from when I last judged the semifinals.”

Kurt Weill Foundation President Kim Kowalke stated that “this year’s finalists are the largest and most diverse group in the Competition’s 19-year history, with contestants currently working on- and off-Broadway, in national touring companies, and in major regional theaters and opera companies. Many are well on their way to distinguished careers.”

The final round takes place April 16 at Kilbourn Hall at the Eastman School of Music in Rochester, NY. Each finalist will present a 15 minute program of four selections in the daytime round, 11:00-4:00. An evening concert, in which contestants sing only a segment of their programs, follows at 8:00. The concert concludes with the announcement of awards and prizes. Both the daytime round and evening concert are free and open to the public.

All finalists receive a minimum cash award of $1,000, with additional discretionary awards of $3,500 each, and top prizes ranging from $7,500 to $15,000. Total prizes will exceed $60,000.

Returning to judge for the tenth time, international opera legend Teresa Stratas leads the judges’ panel. The Lenya Competition remains the only vocal competition she has ever consented to adjudicate. Joining her on the jury are Rodgers & Hammerstein Organization President and former American Theater Wing Chairman Theodore S. Chapin (also returning for his tenth time), and Broadway (and Audra McDonald’s) music director, conductor and accompanist Andy Einhorn.

Past prize winners have gone on to appear on major theater, opera and concert stages around the world. Don’t miss the competition described by Opera News as “target[ing] today’s total-package talents, unearthing up-and-coming singers who are ready for their close-ups.”

About the Kurt Weill Foundation
The Kurt Weill Foundation for Music, Inc. is dedicated to promoting understanding of the life and works of composer Kurt Weill (1900-50) and preserving the legacies of Weill and his wife, actress-singer Lotte Lenya (1898-1981). The Foundation administers the Weill-Lenya Research Center, a Grant Program, the Kurt Weill Book Prize and the Lotte Lenya Competition, and publishes the Kurt Weill Edition and the Kurt Weill Newsletter. Learn more by visiting www.kwf.org.

CCM student Talya Lieberman.

CCM student Talya Lieberman.

About Talya Lieberman
Originally from Forest Hills, New York, soprano Talya Ilana Lieberman is currently pursuing an Artist Diploma at CCM as a student of Professor William McGraw.

Recently described by Opera News as “poetically compelling,” “delectably stylish” and “technically refined,” Lieberman is equally at home with operatic, art song and musical theatre repertoire. Starting in September 2016 she will be seen frequently on stage at Komische Oper Berlin, where she will be assuming the soprano position in the Opernstudio. Her upcoming performances include debuts with Cincinnati Opera and Opera Columbus, as well as the title role in CCM’s Mainstage Series production of Janáček’s The Cunning Little Vixen.

Lieberman returned to Cincinnati this fall after completing a summer as a Filene Young Artist with Wolf Trap Opera, where her ability to “make a point with the merest flick of a finger” (Washington Post) shined in a highly lauded run as Susanna in Mozart’s Le Nozze di Figaro. She also appeared in concert with Steven Blier at Wolf Trap in a program celebrating the Broadway legacy of the Rodgers family (The Rodgers Family – A Century of Musicals).

Lieberman is a convert from the orchestra pit and started singing after receiving her master’s degree in trumpet performance from the University of North Carolina School of the Arts under the tutelage of Judith Saxton. She completed her BA at Duke University with highest distinction in linguistics (Phi Beta Kappa, Magna Cum Laude). She is a two-time winner of full tuition and stipend—winning the Russell-Seybold and Italo Tajo Awards, respectively—at CCM’s Opera Scholarship Competition.

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

About Reilly Nelson
Born in the coastal town of Sault Ste. Marie in Ontario, Canada, Reilly Nelson attended the Eastman School of Music where she received a Bachelor of Music in Vocal Performance and CCM where she completed a Master of Music in Vocal Performance.

Nelson is currently pursuing her Doctor of Musical Arts degree at CCM.

At CCM she performed Hansel in Hansel and Gretel and Mary in Ricky Ian Gordon’s Morning Star. She also performed Hansel, as well as Cherubino in Le nozze di Figaro, at Janiec Opera Company at the Brevard Music Center.

The mezzo-soprano was a vocal fellow at the renowned Tanglewood Music Festival for the summers of 2014 and 2015, performing Les nuits d’été, Op. 7 and Folk Songs by Bernard Rands.

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Story by Curt Whitacre

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Logo for the University of Oklahoma's 4x4 Prizes for Composers and Conductors.

CCM Student and Alumnus Find Success at University of Oklahoma Conducting Competition

Both a current doctoral student and a recent CCM alumnus made the finals of the University of Oklahoma’s second-ever 4×4 Competition for Conductors and Composers. The competition took place last month and was open to both conductors and composers currently enrolled in a degree program or studying with a recognized professional composer or conductor.

Current CCM student Jiannan Cheng won second place in the conducting competition. A native of China, Cheng is currently pursuing her DMA in conducting under Director of Orchestral Studies Mark Gibson. For her finish, Cheng received a $1,000 cash prize and was able to collaborate with the second-prize winning composer to perform one of their works during a concert with the OU Symphony in February.

Also making the finals was CCM alumnus Boon Hua Lien (MM Wind Conducting, 2013), who studied at CCM and was a teaching assistant under Director of Wind Studies Glenn D. Price. A native of Singapore, Lien currently lives in Rochester, New York, where he is pursuing his DMA in Orchestral Conducting (and serves as a teaching assistant) at the prestigious Eastman School of Music. He is also a conducting fellow with the Rochester Philharmonic Orchestra.

Learn more about the achievements of CCM’s students and alumni by subscribing to The Village News!

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Cherished by music-lovers since its 1843 premiere, DON PASQUALE will delight audiences of all ages. Mark Gibson conducts this beloved opera buffa, with stage direction by Omer Ben-Seadia. Photography by Mark Lyons.

CCM Announces 2016 Opera Scholarship Competition Results

Five voice students were named winners of CCM’s 2016 Opera Scholarship Competition, which was held on Saturday, March 12, in UC’s Corbett Auditorium.

Since its inauguration in 1976, the annual competition welcomes current and incoming CCM voice students to compete for scholarships and cash prizes, and a panel of judges composed of opera industry professionals selects each year’s class of prizewinners.

The 2016 CCM Opera Scholarship Competition winners are:

Kayleigh Decker (first year Master of Music student)
From Woodstock, Md., studying with William McGraw
Prize: Full-tuition scholarship and the Corbett Award ($15,000)
The Corbett Award is supported by the Corbett Foundation in cooperation with the University of Cincinnati College-Conservatory of Music.

Christian Pursell (first year Master of Music student)
From Aptos, Calif., studying with Thomas Baresel
Prize: Full-tuition scholarship and the Italo Tajo Memorial Award ($15,000)
This award is supported by the Italo Tajo Memorial Scholarship Fund (established by Mr. Tajo’s wife, Mrs. Inelda Tajo) in cooperation with the University of Cincinnati College-Conservatory of Music.

Erica Intilangelo (second year Master of Music student)
From Fairfield, Conn., studying with William McGraw
Prize: Full-tuition scholarship and the Andrew White Memorial Award ($12,500)
This award is supported by the Andrew White Memorial Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

Murrella Parton (first year Master of Music student)
From Seymour, Tenn., studying with William McGraw
Prize: Full-tuition scholarship and the Seybold-Russell Award ($10,000)
The Seybold-Russell Award is supported by the Seybold-Russell Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

Grace Newberry (first year Master of Music student)
From San Rafael, Calif., studying with William McGraw
Prize: Full-tuition scholarship and the John Alexander Memorial Award ($10,000)
This award is sponsored by the John Alexander Memorial Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

The following student also received an award as part of the competition:

Alexandra Schoeny (incoming Doctor of Musical Arts student)
From Cincinnati, Ohio
Prize: Corbett Incentive Award for new graduate students ($2,000)
This award is supported by the Corbett Foundation in cooperation with the University of Cincinnati College-Conservatory of Music.

The judges’ panel for CCM’s 2016 Opera Scholarship Competition included:

  • Michael Heaston, Director of the Domingo-Cafritz Young Artist Program and Advisor to the Artistic Director at Washington National Opera and Associate Artistic Director of Glimmerglass Festival
  • Peter Kazaras, Professor of Music and Director of Opera at UCLA Herb Albert School of Music
    Stage Director
  • Viswa Subbaraman, Artistic and Music Director of the Skylight Music Theatre in Milwaukee

About CCM Opera
The Department of Opera at CCM boasts one of the most comprehensive training programs for opera singers, coaches and directors in the United States. Students at CCM work with some of the most renowned teachers and artists active in opera today.

CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. As recently reported by the Cincinnati Enquirer, four singers with ties to CCM advanced to the semi-final round of this year’s Met Auditions.

In addition, CCM’s Mainstage and Studio Series of Opera have received some of the National Opera Association Production Competition’s highest honors throughout the years, taking home six of the 18 non-professional prizes awarded in 2010 and four prizes in 2011.

CCM Opera graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, Metropolitan Opera (New York), Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy) and more.

CCM’s 2015-16 opera season concludes next month with Janáček’s classic The Cunning Little Vixen (April 8 – 10), conducted by Mark Gibson with stage direction by Vince DeGeorge. Learn more about the production at ccm.uc.edu/boxoffice/mainstage/cunning-little-vixen.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

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CCM Musical Theatre's class of 2016.

CCM Musical Theatre Presents Annual Senior Showcase March 17 and 19

CCM Musical Theatre's class of 2016.

CCM Musical Theatre’s class of 2016.

Cincinnati audiences will get a sneak peek of an original showcase created by the 2016 graduating class from CCM’s Department of Musical Theatre during the annual “Not Famous Yet” Showcase, which runs on March 17 (CCMpower benefit performance) and March 19 in UC’s Patricia Corbett Theater.

The March 17 benefit performance starts at 7 p.m. and features dinner-by-the-bite and a post-performance celebration. Tickets for this benefit event are on sale now. For tickets and additional information, visit ccm.weshareonline.org/ws/opportunities/NotFamousYetShowcase2016.

The March 19 performances take place at 4 and 8 p.m. and are free, but reservations are required. Tickets for these free performances become available at the CCM Box Office at noon on Monday, March 14, 2016.

Each year, seniors from CCM’s musical theatre program travel to New York to present a showcase for the leading agents, casting directors and managers in the business. The show takes the format of a Broadway audition, with the actors showing off their solo and ensemble skills through song and dance numbers. This year’s work is created by the students themselves under the supervision of program chair Aubrey Berg, with musical direction by Julie Spangler and musical staging by Samantha Pollino.

This year’s performance is the 24th edition of the CCM “Not Famous Yet” showcase. The annual showcase began with the establishment of the Patricia A. Corbett Distinguished Chair of Musical Theatre in 1991. At the time of its inception, it was the only academic chair of its kind in the United States. Learn more about the Musical Theatre Class of 2016 here.

CCMpower Benefit Performance
The opening performance of the Musical Theatre Showcase on March 17 is part of a benefit for CCMpower. The event begins at 7 p.m. and includes dinner by the bite.

CCM alumna Lisa Howard.

CCM alumna Lisa Howard.

This event also includes the presentation of the Musical Theatre Young Alumni Award, which recognizes outstanding professional achievement by graduates of CCM’s musical theatre program from the past two decades. This year’s recipient is Lisa Howard (BFA Musical Theatre, 1997).

A native of Akron, Ohio, Howard began her performing career with the ETC All American Youth Show Choir and Firestone High School’s performing arts department before heading to CCM.

She has worked at prominent regional theaters across the country including the St. Louis MUNY, Kansas City Starlight, the Olney Center, Goodspeed Opera House, Pittsburgh Civic Light Opera and Barrington Stage Company. She has performed in the national touring company of Les Misérables.

On Broadway, Howard has been seen as Diva 1 in Priscilla, Queen of the Desert, Missy Hart in 9 to 5, Head Nurse in Lincoln Center’s TONY award winning revival of South Pacific and – most notably – as Rona Lisa Peretti in The 25th Annual Putnam County Spelling Bee, for which she won a Drama Desk Award for Best Ensemble Performance.

In the concert scene, Howard has performed in “Broadway Today” produced by the Spot-On Entertainment Co. and in the Kaufman Center’s Broadway Close-up Series in “Stephen Schwartz: Magic To Do” and William Finn’s “More Infinite Joy” and “Even More Infinite Joy” at Merkin Hall. She has sung with the Cincinnati Symphony Orchestra and with Peter Nero and the Philly Pops. At Town Hall in NYC, Howard has performed in “Broadway Unplugged,” “A Night At The Operetta” and the popular “Broadway By The Year” series.

Howard’s debut solo CD, Songs of Innocence and Experience: the Music of William Finn was released in the Spring of 2011. Her TV and film credits include Ugly Betty and the Twilight Saga: Breaking Dawn Part II.

Tickets for the March 17 benefit are:

  • Patron Tickets: $100 each; includes a pre-show patron reception with Lisa Howard at 6 p.m. in the Baur Room of the Corbett Center for the Performing Arts, general performance seating, dinner-by-the-bite, wine and garage parking.
  • General Public Tickets: $75 each; includes general performance seating, dinner-by-the-bite, wine and garage parking.
  • CCMpower Member Tickets: $50 each; includes general performance seating, dinner-by-the-bite, wine and garage parking.
  • Young Professional (40 and under) and CCM Alumni Tickets: $35 each; includes general performance seating, dinner-by-the-bite and garage parking.

Dinner-by-the-bite will follow the performance at 8 p.m. in the CCM Atrium. Proceeds benefit student career development grants and scholarships. Seating is limited. To reserve a ticket, call CCM External Relations at 513-556-2100 or visit ccm.weshareonline.org/ws/opportunities/NotFamousYetShowcase2016.

CCM Hosts FREE Performances of the Showcase on March 19
Admission to the Musical Theatre Showcase at 4 and 8 p.m. on Saturday, March 19, is FREE. Seating is limited and reservations are required. Tickets become available at noon on Monday, March 14; please visit the CCM Box Office or call 513-556-4183 to make a reservation. Limit two tickets per order.

Performance Times

  • 7 p.m. Thursday, March 17 — CCMpower Benefit
  • 4 & 8 p.m. Saturday March 19

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

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