A portrait of CCM's incoming TAPAA Division Head, Denton Yockey.

Accomplished Producer and Administrator Denton Yockey is Named Head of CCM’s Division of Theatre Arts, Production and Arts Administration

A portrait of CCM's incoming TAPAA Division Head, Denton Yockey.

CCM Interim Dean bruce d. mcclung has announced the appointment of Denton Yockey to the position of Professor of Arts Administration and Head of the Division of Theatre Arts, Production and Arts Administration (TAPAA) at CCM. Yockey will arrive on campus this July to work with TAPAA’s Interim Division Head, Alan Yaffe, and his appointment will officially begin on Aug. 15, 2018.

In his new position, Yockey will oversee CCM’s Departments of Acting, Arts Administration, Dance, Musical Theatre, Opera, and Theatre Design and Production. He will also serve as producer of CCM’s Mainstage and Studio Series productions.

Yockey is one of the nation’s premier regional theatre producers and presenters of touring Broadway. During a career that has spanned more than 30 years, Yockey has produced or presented shows starring such luminaries as Jensen Ackles, Margaret Colin, Richard Kind, Jack Klugman, Lorenzo Lamas, Donna McKechnie, Lou Diamond Phillips, Tony Randall, Cathy Rigby, Sally Struthers, new Tony winner Rachel Bay Jones and Academy Award-winning June Squibb.

Yockey is currently the Executive Director of the Thrasher-Horne Center at St. Johns River State College in Orange Park, Florida. He is also a principal with A Rising Tide Theatrical Group, LLC, which independently produces theatrical entertainment and national tours while providing counsel for other projects.

Over the course of his career, Yockey has helmed four not-for-profit theatres including Lone Star Performing Arts Association in Galveston, Texas (Executive Director); Casa Mañana Theater in Fort Worth, TX (President and Executive Producer); and Starlight Theatre in Kansas City (President and Executive Producer). Under his leadership, Starlight Theatre received the 2013 Venue Excellence Award from the International Alliance of Venue Managers in the Performing Arts Centers category. Also in 2013, his mini-tour of Miss Saigon was cited in Playbill’s list of “Most Unforgettable Experiences.” During his tenure at Casa Mañana, the landmark theatre underwent its historic renovation and the theatre was the producer and presenter of all the Broadway shows at the newly opened Bass Performance Hall. Upon his departure from Casa Mañana, Yockey received the Silver Dome Award, the theatre’s highest award for meritorious individual accomplishment.  He is one of only three recipients in the 13-year history of the award.

Yockey received a Master of Fine Arts degree from the University of Georgia and a Bachelor of Arts degree from Indiana University South Bend. He is a member of the Broadway League and a past Tony Awards voter for over 15 years. While in Texas he was a theatre panelist for the Cultural Arts Council of Houston and the Texas Commission on the Arts, and board member of the Live Theatre League of Tarrant County, Texas Nonprofit Theatres, Inc., and the National Alliance for Musical Theatre.

A native of Plymouth, Indiana, Yockey met his wife of 26 years, Gina, on stage in a production of The Mystery of Edwin Drood. They are the proud parents of Gwyneth and Grayson Yockey, both whom are pursuing acting careers.

On the announcement of Yockey’s appointment, mcclung commented:

“Yockey’s impressive background in producing, presenting and administration, coupled with his dedication to artistic success, positions him as the ideal head of CCM’s Division of Theatre Arts, Production and Arts Administration. I am grateful to Search Committee Chair Alan Yaffe and committee members Rebecca Bromels, Lydia Brown, Vince DeGeorge, Susan Felder, Qi Jiang and Stirling Shelton for their work and dedication to find CCM’s next great division head.”

Please join us in welcoming Denton Yockey to the CCM family!

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Cincinnati Public Radio, Cincinnati Enquirer and Gramophone Magazine Preview CCM’s February Performances

The latest installment of WVXU’s Around Cincinnati features a number of upcoming CCM performances! First up, guest artist D. Lynn Meyers gives Jim Stump a preview of this week’s Mainstage Production of Metamorphoses (Feb. 5 – 9). You can listen to their full conversation here.

Later on in the program, Brian O’Donnell speaks with CCM faculty members Awadagin Pratt and Michael Chertock about the Bearcat Piano Festival and Pianopalooza (Feb. 6 – 16). You can listen to the interview here.

The Cincinnati Enquirer‘s list of Top Arts Picks for February is also filled with CCM happenings, including the Bearcat Piano Festival, Metamorphoses, and Les Misérables (Feb. 27 – March 9). Read the full preview here.

Even Gramophone Magazine’s latest podcast features an upcoming CCM performance, as James Jolly speaks with guest artist Gerald Finley about his current tour with pianist Julius Drake, which comes to CCM’s Corbett Auditorium on Feb. 5! You can download the podcast here.

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CCM Video: A Sneak Peek at CCM’s Scenic Design for ‘Metamorphoses’

CCM’s Patricia Corbett Theater recently underwent a dramatic metamorphosis of its own in anticipation of our upcoming production of Mary Zimmerman’s Metamorphoses. Today, CCM student Alexi Ortiz provides us with a time-lapse video of last weekend’s load-in, which includes an early look at Metamorphoses‘ much-talked-about on-stage pool.

Scenic Designer Dana Hall and Technical Director Christian Mikkelsen (both of whom are students at CCM) provide additional insight on this process to the News Record‘s Jake Grieco here.

Based on the classic myths of Ovid, Metamorphoses runs Feb. 5 (preview) – 9. Guest artist D. Lynn Meyers directs. The production is intended for mature audiences.

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CCM MFA Student Alan Hanson Wins iSquint and Stage Directions’ 2013 Lighting Design Competition

"Chess" runs Oct. 25 - 28 in UC's Corbett Auditorium. Photography by Mark Lyons.

“Chess” runs Oct. 25 – 28 in UC’s Corbett Auditorium. Photography by Mark Lyons.
Tickets on sale now! Visit ccm.uc.edu for more information. Photography by Mark Lyons.

We are thrilled to announce that CCM class of 2013 MFA Lighting Design student Alan Hanson has won the 2013 Student Lighting Design Competition organized by online entertainment lighting industry publication iSquint and theatre art and technology journal Stage Directions!

Hanson’s lighting design for CCM’s Fall 2012 Mainstage Series production of Chess took the title in this third annual competition, which offers a valuable prize package of lighting software and literature.

View a slideshow of Hanson’s award winning work on Chess here.

The Student Lighting Design Competition is sponsored by lighting technology companies City Theatrical, Nemetschek Vectorworks and Field Template Soft Symbols, and is judged by leading experts in the lighting design field and developers of the software entrants must use to create their design entries. Visit iSquint.net to learn more about this competition.

Congratulations to Alan on this exciting award!

CCM News Student Salutes

CCM Slideshows: The Threepenny Opera

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CCM proudly presents The Threepenny Opera, running tonight, March 1, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

Learn more The Threepenny Opera here.

“[Stage Director Robin] Guarino fearlessly goes back to the musical satire’s socio-political roots in 1920s Berlin,” Jackie Demaline writes in her review for the Cincinnati Enquirer. “Everything about The Threepenny Opera carries out Guarino’s vision, as the cast prowl scenic designer John Arnone’s industrial set of catwalks, with the small orchestra (in costume) perched at the top. Musical director Roger Grodsky as always asks much and gets all from singers and musicians.”

Read Demaline’s full review here.

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A New Sneak Peek at the Scenic Design of ‘The Threepenny Opera’

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of 'The Threepenny Opera.'

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of ‘The Threepenny Opera.’

CCM’s acclaimed Mainstage Series resumes this week with Kurt Weill and Bertolt Brecht’s epic musical The Threepenny Opera. Today, we are happy to provide a preview of the show’s set, courtesy of Alexandra Kuntz, a sophomore in CCM’s Scenic Design program and Assistant to Guest Scenic Designer John Arnone on this production.

Learn more about this dynamic new production, which features set designs by Tony Award-winner John Arnone.

“Set in the mid-19th century, Macheath (otherwise known as ‘Mack the Knife’) runs the town with his rag tag band of ruffians and gets what he wants,” Kuntz explains. “His latest want just happens to be Polly Peachum, daughter of the Beggar’s Lord of London (Johnathan Jeremiah Peachum), who doesn’t take too kindly to Mack the Knife’s interest in his daughter. Doing anything to keep them apart, Peachum uses broads, bribes and blackmails to get Mack out of the picture, while Macheath’s life hangs in the balance.”

This production contains mature subject matter.

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The Epic Theatre of CCM’s ‘The Threepenny Opera’

Sophomore Hannah Zazzaro as Sukey Tawdry and junior Max Clayton as Macheath. Photography by Mark Lyons.

Sophomore Hannah Zazzaro as Sukey Tawdry and junior Max Clayton as Macheath. Photography by Mark Lyons.

CCM’s year-long Kurt Weill Festival resumes this month with a dynamic new production of the iconic musical The Threepenny Opera. Composed by Kurt Weill with book and lyrics by dramatist Bertolt Brecht (adapted into English by Marc Blitzstein), The Threepenny Opera weaves the riveting tale of notorious bandit and womanizer Macheath (“Mack the Knife”) and his seedy companions in London’s underworld. Weill’s innovative score invented a new form of musical theatre, leading the way for such shows as Chicago and Cabaret.

CCM’s Mainstage Series production of this jazz-infused musical is directed by Robin Guarino, with musical direction by Roger Grodsky, choreography by Patti James and scenic designs by Tony Award-winning guest artist John Arnone. The Threepenny Opera runs Thursday, Feb. 28, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

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Enquirer Previews CCM’s ‘Mad Men’ Inspired Take on ‘A Midsummer Night’s Dream’

Photography by Mark Lyons.

Photography by Mark Lyons.

Jackie Demaline takes a closer look at CCM’s unique spin on William Shakespeare’s A Midsummer Night’s Dream in today’s edition of the Cincinnati Enquirer. A Midsummer Night’s Dream runs through this Sunday, Oct. 7, in Patricia Corbett Theater.

Learn more about director Michael Burnham‘s unique approach to the play and scenic designer Ryan Howell‘s collaboration with Toronto-based artist Amy Shackleton and CCM’s Division of Electronic Media here.

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CCM Slideshows: A Midsummer Night’s Dream

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CCM proudly presents a colorful new twist on William Shakespeare’s A Midsummer Night’s Dream, running through Oct. 7 in UC’s Patricia Corbett Theater.

Are you coming to campus for UC Homecoming this weekend? Come to CCM Village after the Homecoming Kickoff Party at the Myers Alumni Center on Friday for an 8 p.m. performance or come early on Saturday and catch a matinee of A Midsummer Night’s Dream at 2 p.m. (kick-off is scheduled for 7 p.m.).

This is a perfect weekend to experience EVERYTHING going on at the University of Cincinnati! Don’t miss the opening of CCM’s must-see 2012-13 Mainstage Series.

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CCM Theatre Design & Production and E-Media Students Team with Artist Amy Shackleton to Give ‘A Midsummer Night’s Dream’ a Colorful Twist

Scenic designer and third-year graduate student Ryan Howell (left) and Canadian artist Amy Shackleton give a design presentation to CCM Theatre Design and Production students.

Scenic designer and third-year graduate student Ryan Howell (left) and Canadian artist Amy Shackleton give a design presentation to CCM Theatre Design and Production students.

William Shakespeare’s A Midsummer Night’s Dream receives a colorful and refreshing update in the upcoming production at UC’s College-Conservatory of Music. Beginning with a preview performance on Oct. 3, audiences will be transported to the 1960s and will follow four lovers and some unfortunate “mechanicals” as their lives become the playthings of a band of fairies.

Director Michael Burnham wanted to take a new approach to a traditional piece and encouraged set designer and third year graduate student Ryan Howell to contact Canadian artist Amy Shackleton to collaborate on an original art piece for the show. With the help of CCM’s Division of Electronic Media, Amy Shackleton was filmed while painting the piece and the resulting footage will be used to create a backdrop that will paint itself as the story develops.

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