CCM Announces Kristy Swift as New Assistant Professor of Musicology

CCM Dean Stanley E. Romanstein has announced the addition of musicologist and organist Kristy Swift, PhD and DMA, to the college’s roster of distinguished faculty members. Swift’s appointment as Assistant Professor of Musicology – Educator begins on Aug. 15, 2020. A two-time alumna of CCM, Swift (DMA Organ, ’98; PhD Musicology, ’13) is currently a Visiting Assistant Professor of Musicology – Educator.

A portrait of new CCM faculty member Kristy Swift.Swift’s research interests include digital humanities, film music, historiography, identity and music, music history pedagogy, music of Cincinnati and opera. Her monograph Thinking About Music History: Textbooks and the Canon is forthcoming from Clemson University Press. She is a member of the CCM Cincinnati Sounds: Exploring a Musical City Through Digital Exhibits project team, which received the UC Strategic Collaborative Award.

Swift has presented her research at annual meetings of the American Musicological Society, Society for American Music, Music and the Moving Image and Music History Pedagogy Conferences. Her work has been published in the Journal of Music History Pedagogy, The Diapason and Music Research Forum. Swift has taught hybrid and traditional face-to-face courses in American opera, madness in opera, opera and disability, politics and opera, protest(ed) music, Copland, Handel, Verdi, Wagner, research and writing, and graduate and undergraduate music history surveys at CCM and at Miami University in Oxford, Ohio.

As soloist and accompanist, she has performed throughout the United States in venues ranging from local Cincinnati and Northern Kentucky sites to Carnegie Hall. She has also served as director of music and organist at churches in Ohio and Florida.

Swift earned a PhD in musicology and DMA in organ studying with Roberta Gary at CCM. She also received an MM in organ studying with William Bodine and BM in education from the University of Florida. She served on the organ committee at Newtown United Methodist Church in Cincinnati for the installation of the M. P. Rathke Opus 8 pipe organ.

“I am grateful to Musicology Search Committee Chair Jonathan Kregor and committee members Amy Beegle, Jenny Doctor, Scott Linford and Stephen Meyer for their collaborative effort on this successful search,” said Romanstein. “We look forward to welcoming Kristy Swift to her new position at CCM this fall.”

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

CCM’s world-class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-of-the-art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. Learn more at ccm.uc.edu

CCM News Faculty Fanfare

CCM Announces Megan Steigerwald Ille as New Assistant Professor of Musicology

CCM Dean Stanley E. Romanstein has announced the addition of musicologist Megan Steigerwald Ille, PhD, to the college’s roster of distinguished faculty members. Steigerwald Ille’s appointment as Assistant Professor of Musicology – Educator begins on Aug. 15, 2020.

A portrait of new CCM faculty member Megan Steigerwald Ille.Steigerwald Ille is a musicologist whose research and teaching considers the intersections of operatic, popular and digital cultures in the 21st century in the United States and Canada. Her book-in-progress, Opera for Everyone: Experimenting with American Opera in the Digital Age, explores changing modes of spectatorship and performer labor in contemporary opera in the US through an in-depth ethnographic study of the LA-based experimental opera company called The Industry.

She has articles forthcoming in the Journal of the Society of American Music and The Opera Quarterly. Since 2018 she has served as a Postdoctoral Fellow of Digital Cultures in the American Culture Studies Program at Washington University in St. Louis.

Steigerwald Ille completed her PhD in Historical Musicology and a certificate in Ethnomusicology at the Eastman School of Music, University of Rochester.

“I am grateful to Musicology Search Committee Chair Jonathan Kregor and committee members Amy Beegle, Jenny Doctor, Scott Linford and Stephen Meyer for their work finding CCM’s next great musicology professor,” said Romanstein. “We look forward to welcoming Megan Steigerwald Ille to the CCM family.”

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

CCM’s world-class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-of-the-art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. Learn more at ccm.uc.edu

CCM News Faculty Fanfare
Scott Linford, incoming Assistant Professor of Ethnomusicology at CCM.

CCM Welcomes Scott Linford as Assistant Professor of Ethnomusicology

Scott Linford, incoming Assistant Professor of Ethnomusicology at CCM.

CCM Interim Dean bruce d. mcclung has announced the appointment of Scott Linford to the position of Assistant Professor of Ethnomusicology at CCM. Linford’s appointment will officially begin on Aug. 15, 2018.

A scholar, filmmaker and performing musician, Linford has conducted fieldwork in West Africa, Central America and the United States around themes of participation and musical experience, ethnicity, gender and politics. Raised in the San Francisco Bay Area, he holds an MA and PhD in Ethnomusicology from UCLA and most recently served as Assistant Professor of Liberal Arts (Music History) at the Berklee College of Music.

In addition to his dissertation, “Interweaving Worlds: Jola Music and Relational Identity in Senegambia and Beyond,” Linford’s work has appeared in Ethnomusicology Review and the Yearbook for Traditional Music. He has presented papers at annual meetings of the Society for Ethnomusicology and the African Studies Association, and has presented invited lectures at UCLA, Jiao Tong University in Shanghai, and Centro Nacional de las Artes in Mexico City.

A guitarist, bassist, fiddler and award-winning banjoist, he directed the UCLA Bluegrass and Old Time String Band, which won numerous awards at regional music festivals. Linford has also directed three documentary films focusing on musical communities.

On the announcement of Linford’s appointment, mcclung commented:

“CCM students will benefit from Linford’s expertise as an ethnographic researcher, documentarian and performer. He makes an excellent addition to our Composition, Musicology and Theory Division. I am grateful to Search Committee Chair Jonathan Kregor and committee members Jenny Doctor, Stefan Fiol, Jeongwon Joe, Stephen Meyer, Matthew Peattie and Stephanie Schlagel for their collaborative effort on this successful search.”

Please join us in welcoming Scott Linford to the CCM family!

CCM News Faculty Fanfare
Old 'Thinking About Music' lecture logo.

CCM’s Thinking About Music Lecture Series Resumes On Friday, Jan. 27

Each semester, CCM welcomes distinguished experts for a series of free Friday afternoon musical discussions. This spring, the Thinking About Music lecture series will present four free public talks, beginning with a presentation on Arnold Schoenberg and the 1913 Scandal Concert by Vanderbilt University Professor of Musicology Joy H. Calico on Friday, Jan. 27.

Schoenberg caricature originally published in 'Die Zeit' on April 6, 1913.

Schoenberg caricature originally published in ‘Die Zeit’ on April 6, 1913.

Sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, these music theory and history discussions feature diverse topics presented by distinguished experts from all over the United States and are designed to engage participants’ imaginations and to consider music in new ways.

This semester’s guest lecturers also include University of Kentucky Professor Donna Kwon (Feb. 10), Case Western Reserve University Professor Francesca Brittan (March 3) and Bowling Green State University Professor Per Broman (April 7). See the listings below for more information on this semester’s presentation topics.

Since its inception in 1997, the Thinking About Music Series has presented over 130 lectures and one symposium by guests from a number of different colleges, universities, schools of music, foundations, institutes, museums and publications.

The subjects of the lectures have covered historical musicology, music theory and ethnomusicology, along with the ancillary fields of organology, dance, music business and law, cognitive psychology, and the philosophy, theology and sociology of music.
____________________

2017 SPRING JOSEPH AND FRANCES JONES POETKER THINKING ABOUT MUSIC LECTURE SERIES

TAM guest lecturer Joy Calico.2:30 p.m. Friday, Jan. 27
ARNOLD SCHOENBERG AND THE 1913 SCANDAL CONCERT
Joy H. Calico, Vanderbilt University

On March 31 of 1913, Arnold Schoenberg conducted a concert in the Great Hall of Vienna’s Musikverein, which became known as the city’s most notorious scandal concert. The event was broken up by a melee, charges were filed and the subsequent court proceedings were reported in the press. This lecture analyzes the ways in which both the scandal and Schoenberg’s response to it sit at the nexus of fin-de-siècle anxieties about Central European concert life, the anti-noise movement and emerging copyright law.
Location: Baur Room
Admission: FREE
____

TAM guest lecturer Donna Kwon.2:30 p.m. Friday, Feb. 10
STEPPING IN THE MADANG: SITE-SPECIFIC PERFORMANCE IN KOREAN DRUMMING AND DANCE
Donna Kwon, University of Kentucky

In Korean folk expressive culture, the outdoor village courtyard or madang is often conceived in opposition to the concert stage or mudae. In this presentation, Donna Kwon will discuss how the madang became central to the promotion of site-specific Korean drumming and dance. She will first discuss how this contributes to the expressive ecology of a place-based tradition in shamanist ritual forms of Korean drumming or p’ungmul. Then she will explore how the madang and site-specific performance concepts are applied by contemporary ch’angjak yeonhui groups. These groups consist of performers who are trained in Korean drumming and other traditional performing arts but who combine them into new works.
Location: Baur Room
Admission: FREE
____

TAM guest lecturer Francesca Brittan.2:30 p.m. Friday, March 3
ELECTRIC BATON: SOUND, SCIENCE AND THE BIRTH OF THE PODIUM CONDUCTOR
Francesca Brittan, Case Western Reserve University

Hector Berlioz, among the first of the modern conductors, was a larger-than-life figure, at once magisterial, quasi-magical and military. Among the formative moments of his conducting career was a concert given at the height of the Exposition universelle (Paris, 1855), which established him as a musical leader of formidable power. Here he relied on a new wedding of music and technology — an “electric baton” — to wield the massive forces under his command. This talk examines the nature of his device and, more broadly, the ways in which telegraphy and electricity (both artificial and nervous) emerged as central to romantic notions of conducting.
Location: Baur Room
Admission: FREE
____

TAM guest lecturer Per Broman.2:30 p.m. Friday, Apr. 7
BERGMAN’S MUSIC(IANS): MIRROR AND MEANING
Per Broman, Bowling Green State University

Ingmar Bergman’s love of classical music, especially that of J.S. Bach, is well known and is exhibited frequently in his films. Many films also feature musicians. In this presentation, Broman will analyze the role of these characters — who they are, what they do, how they behave and what they talk about — and argue that they are essential for understanding Bergman’s aesthetics.
Location: Baur Room
Admission: FREE
___________________

Event Information
Unless otherwise indicated, all Thinking About Music lectures take place on Fridays at 2:30 p.m. in the Baur Room of CCM’s Corbett Center for the Performing Arts, which is located on the campus of the University of Cincinnati.

These events are free and open to the public. All event dates and programs are subject to change. Visit ccm.uc.edu for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
___________________

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

CCM’s Thinking About Music Series is sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel; along with support from Interim Dean mcclung’s Office, the Graduate Student Association and the Division of Composition, Musicology and Theory at CCM.

 

 

CCM News