CCM Announces Initial 2019-20 Performance Lineup, New Subscription Offerings

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Area arts lovers have a new destination for world-class performances in 2019-20. The largest single-source of performing and media arts events in the state of Ohio, the University of Cincinnati College-Conservatory of Music has assembled all of its public performances under the new banner of CCMONSTAGE and the new online portal ccmonstage.universitytickets.com, making it easier than ever for audiences to experience the immense talent of the college’s student and faculty artists.

“Before they appear on the world stage, tomorrow’s arts leaders and luminaries get their start on the CCM stage,” says CCM Dean Stanley E. Romanstein, PhD. “CCM is already synonymous with excellence in performing arts education. Beginning this fall, CCMONSTAGE will become synonymous with opportunities for the general public to experience this excellence for themselves.”

This new name and online home for CCM’s wide array of public events is being accompanied by all-new subscription packages, digital sales options and much more. “From our patrons’ first point of contact with the CCM Box Office to the program booklets that they receive when they arrive at each major performance, we are enhancing every aspect of the audience experience with CCMONSTAGE,” says Romanstein.

“Before they appear on the world stage, tomorrow’s arts leaders and luminaries get their start on the CCM stage” – Stanley E. Romanstein

New Subscription Packages

For the first time ever, subscribers get priority access to the spectacular theatre arts productions presented on all of CCM’s stages. In place of CCM’s conventional Mainstage subscriptions, each genre-specific CCMONSTAGE subscription package is designed to let audiences experience more of what they love most.

CCMONSTAGE’s 2019-20 theatre arts subscription series includes three operas (The Bartered BridePartenope and The Magic Flute), four musicals (42nd StreetThe Rocky Horror ShowThe Secret Garden and Bright Star), four plays (Lady Windermere’s Fan, The Curious Incident of the Dog in the Night-Time, Clybourne Park and Punk Rock) and three dance programs (The Art of Motion, Student Choreographers’ Showcase and Serenade + The Rite of Spring).

These offerings take the place of CCM’s previous “Mainstage Series” and “Studio Series” designations. The CCMONSTAGE operas, musicals, plays and dance productions staged in the Cohen Family Studio Theater will require paid admission and are now included in CCMONSTAGE subscription packages, allowing patrons to secure their seats in advance for these intimate and adventurous productions.

CCMONSTAGE’s concert subscription offerings include a five-part orchestra series featuring the CCM Philharmonia collaborating with special guests like Louis Langrée and Leslie Dunner, a five-part big band series with the incomparable CCM Jazz Orchestra and Jazz Lab Band and a four-part chamber music series featuring CCM resident artists the Ariel Quartet performing with visiting artists including Alexander Fiterstein and Anton Nel. Patrons can now reserve their seats for all CCMONSTAGE concert subscription offerings.

CCM’s full 2019-20 concert schedule will be announced later this summer and flex concert packages will again be available for purchase.

Patrons now have the option of subscribing to each genre-specific series of events, guaranteeing the best seats in the house at the season’s lowest prices.

Subscriptions and single tickets go on sale to the general public at noon on Monday, Aug. 19, 2019.

Patrons who purchased CCM Mainstage or Ariel Quartet subscriptions in 2018-19 will receive a Pre-Sale Code, which grants them exclusive access to CCM’s new subscriptions before the general on sale date. Pre-Sale Codes are being mailed and emailed to all 2018-19 subscribers.

Subscription packages can be purchased online at ccmonstage.universitytickets.com, over the phone at 513-556-4183 or in person at the CCM Box Office in the Atrium of UC’s Corbett Center for the Performing Arts.

“Whether it’s exhilarating concerts or breathtaking theatre,” says Romanstein, “the artistry that you love lives at CCM. We hope you will join us for an incredible season of CCMONSTAGE.”

Full performance details are listed below. Performance dates and details subject to change. For the most current information, visit the new CCMONSTAGE portal at ccmonstage.universitytickets.com.

Be the first to know about future ticket on-sale dates and more: sign up for our email list at ccm.uc.edu/boxoffice/subscribe.


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CCMONSTAGE 2019-20 Subscription Series

Opera (Three Productions)

The Bartered Bride

Bartered Bride SQUARE WITH TITLES 2Music by Bedřich Smetana
Libretto by Karel Sabina
German adaptation by Max Kalbeck
New German translation by Walter Felsenstein
UPDATE: Sung in English with a new English singing libretto by CCM Opera faculty member Kathleen Kelly

Levi Hammer, conductor
Audrey Chait, director

Part bubbly operetta and part Bohemian folk pageant, The Bartered Bride is a romantic comedy set in a Czech community in Texas in 1948. Marenka is arranged to marry the son of a rich landowner, but she is in love with someone else. Defiantly, Marenka vows before her parents that she will only accept her love, Jeník, as her husband. As her parents and the matchmaker fight for the arranged marriage, the young lovers fight against tradition in order to be together.

7:30 p.m. Thursday, Nov. 21
7:30 p.m. Friday, Nov. 22
7:30 p.m. Saturday, Nov. 23
2 p.m. Sunday, Nov. 24
Patricia Corbett Theater
 

CCMONSTAGE Production Sponsor: Macy’s
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Partenope

A woman wears a suit and top hat in a promotional image for the opera 'Partenope.' Photo by Mark Lyons.

Music by George Frideric Handel
Libretto by Silvio Stampiglia

Caleb Glickman, conductor
Greg Eldridge, director

Four rival suitors must navigate their way through mistaken identities, cross-dressing and declarations of war as they vie for Queen Partenope’s hand in marriage. Written in 1730, Handel’s witty romantic comedy features gorgeous arias and captivating music.

7:30 p.m. Thursday, Feb. 20
7:30 p.m. Friday, Feb. 21
7:30 p.m. Saturday, Feb. 22
2 p.m. Sunday, Feb. 23
Cohen Family Studio Theater
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The Magic Flute

A woman poses dramatically as birds fly behind her in a promotional image for the opera 'The Magic Flute.' Photo by Mark Lyons.

Composed by Wolfgang Amadeus Mozart
Libretto by Emanuel Schikaneder

Mark Gibson, conductor
Robin Guarino, director

Mozart composed this beloved opera for the person who wants everything: a hero and heroine questing for true love, evil villains, a comical sidekick and – to add to the lunacy – a whole range of beastly creatures. Director Robin Guarino presents a unique, contemporary spin on this all-time classic.

7:30 p.m. Thursday, April 2
7:30 p.m. Friday, April 3
7:30 p.m. Saturday, April 4
2 p.m. Sunday, April 5
Patricia Corbett Theater

CCMONSTAGE Production Sponsor: Macy’s

CCMONSTAGE Opera Three-Show Subscription Package: $89
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.


Orchestra (Five Concerts)

Students perform as part of the CCM Philharmonia, conducted by Professor Mark Gibson. Photo by Joe Fuqua II/UC Creative Services.

Season-Opening Concert

CCM Philharmonia
Mark Gibson, music director and conductor
Featuring faculty artist Giora Schmidt, violin

DVOŘÁK: Slavonic Dance in C Major, Op. 46, No. 1
DVOŘÁK: Violin Concerto in A Minor, Op. 53, feat. Giora Schmidt
BRAHMS: Symphony No. 2 in D Major, Op. 73

7:30 p.m. Friday, Sept. 20
Corbett Auditorium
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Pride of Russia

CCM Philharmonia
Mark Gibson, music director and conductor
Featuring faculty artist Dror Biran, piano

RIMSKY-KORSAKOV: Russian Easter Overture
SHOSTAKOVICH: Piano Concerto No. 2 in B-flat Major, Op. 102
PROKOFIEV: Symphony No. 5 in B-flat Major, Op. 100

7:30 p.m. Thursday, Oct. 3
Corbett Auditorium
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CSI: Halloween: Post-Mortem

CCM Philharmonia and Chamber Orchestra
Mark Gibson, music director
Featuring guest artist Leslie B. Dunner, guest conductor and chief medical examiner

LISZT: Totentanz
SAINT-SAËNS: Carnival of the “Dead” Animals
BRITTEN: “Dead” Person’s Guide to the Orchestra

7:30 p.m. Friday, Nov. 1
Corbett Auditorium
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The Long Goodbye

CCM Philharmonia
Mark Gibson, music director and conductor

BEETHOVEN: Piano Sonata in E-flat Major, Op. 81a, “Les Adieux
MAHLER: Symphony No. 9 in D Major

7:30 p.m. Friday, Jan. 31
Corbett Auditorium
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Welcome to CCM, Maestro Langrée

CCM Philharmonia
Mark Gibson, music director
Louis Langrée, conductor

DEBUSSY: Prélude à L’après-midi d’un faune
RAVEL: Piano Concerto
BERLIOZ: Symphonie Fantastique

7:30 p.m. Saturday, Feb. 15
Corbett Auditorium

CCMONSTAGE Orchestra Five-Concert Subscription Package: $99
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.

Additional concert performances will be offered outside of this new five-part series. CCM will announce its full schedule of 2019-20 choral, jazz, orchestral and winds concerts later this summer.


Musicals (Four Productions)

42nd Street

42nd Street SQUARE WITH TITLES 02

Music by Harry Warren
Lyrics by Al Dubin
Book by Michael Stewart and Mark Bramble
Based on the Novel by Bradford Ropes
Original Direction and Dances by Gower Champion
Originally Produced on Broadway by David Merrick
The use of all songs is by arrangement with Warner Bros., the owner of music publishers’ rights

Diane Lala, director and co-choreographer
Katie Johannigman, co-choreographer
Roger Grodsky, musical director

The ultimate show-biz musical, 42nd Street celebrates Broadway, Times Square and the people who make the magic of musical theatre. Aspiring chorus girl Peggy Sawyer comes to the big city from Allentown, Pennsylvania, and soon lands her first big job in the ensemble of a glitzy new Broadway show. But just before opening night, the leading lady breaks her ankle. Will Peggy be able to step in and become a star? The score is chock-full of Broadway standards, including “You’re Getting To Be A Habit With Me,” “Dames,” “We’re In the Money,” “Lullaby of Broadway,” “Shuffle Off to Buffalo” and “Forty-Second Street.”

7:30 p.m. Thursday, Oct. 24
7:30 p.m. Friday, Oct. 25
2 p.m. Saturday, Oct. 26
7:30 p.m. Saturday, Oct. 26
2 p.m. Sunday, Oct. 27
Corbett Auditorium
 

CCMONSTAGE Production Sponsor: Macy’s
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Richard O’Brien’s

The Rocky Horror Show

Rocky Horror SQUARE WITH TITLES 2

Book, Music and Lyrics by Richard O’Brien

Vincent DeGeorge, director and choreographer
Stephen Goers, musical director

In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter, a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named Rocky. Celebrate Halloween with this deliberately kitschy rock ‘n’ roll sci-fi Gothic musical, which features popular hits such as “Science Fiction – Double Feature,” “Time Warp” and “Hot Patootie (Bless My Soul).” For mature audiences.

7:30 p.m. Thursday, Oct. 31
7:30 p.m. Friday, Nov. 1
2 p.m. Saturday, Nov. 2
7:30 p.m. Saturday, Nov. 2
2 p.m. Sunday, Nov. 3
Second Week Just Added:
7:30 p.m. Thursday, Nov 7
7:30 p.m. Friday, Nov 8
2 p.m. Saturday, Nov. 9
7:30 p.m. Saturday, Nov. 9
2 p.m. Sunday, Nov. 10
Cohen Family Studio Theater

The Rocky Horror Show is presented by special arrangement with SAMUEL FRENCH, INC.
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CCMONSTAGE Presents

The Secret Garden

Secret Garden SQUARE WITH TITLES.jpg 02

Book and lyrics by Marsha Norman
Music by Lucy Simon
Based on the Novel by Frances Hodgson Burnett

Connor Gallagher, director and choreographer
Jeremy Robin Lyons, musical director

This enchanting classic of children’s literature is reimagined in musical style by composer Lucy Simon and Marsha Norman, the Pulitzer Prize-winning playwright of ‘Night Mother. Orphaned in India, 11-year-old Mary Lennox returns to Yorkshire to live with her embittered, reclusive uncle Archibald and his ailing son Colin. The estate’s many wonders include a magic garden which beckons the children with haunting melodies and the “Dreamers,” spirits from Mary’s past who guide her through her new life, dramatizing The Secret Garden‘s compelling tale of forgiveness and renewal.

7:30 p.m. Thursday, March 5
7:30 p.m. Friday, March 6
2 p.m. Saturday, March 7
7:30 p.m. Saturday, March 7
2 p.m. Sunday, March 8
Corbett Auditorium

The Secret Gardenis presented by special arrangement with SAMUEL FRENCH, INC.

CCMONSTAGE Production Sponsor: Macy’s
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Bright Star

Bright Star SQUARE WITH TITLES

Inspired by a True Story
Music, Book and Story by Steve Martin
Music, Lyrics and Story by Edie Brickell
Produced by Joey Parnes, Sue Wagner, John Johnson, Zebulon LLC, Jay Alix & Una Jackman, Len Blavatnik, James L. Nederlander, Carson & Joseph Gleberman, Balboa Park Productions, The Shubert Organization, Jamie deRoy/Catherine Adler/Cricket Jiranek
In Association with Rodger Hess, A.C. Orange International, Broadway Across America, Sally Jacobs & Warren Baker, Diana DiMenna, Exeter Capital, Agnes Gund, True Love Productions and The Old Globe

Katie Johannigman, director and choreographer
Stephen Goers, musical director

Inspired by a real event and featuring the Grammy-nominated score by Steve Martin and Edie Brickell, Broadway’s Bright Star tells a sweeping tale of love and redemption set against the rich backdrop of the American South in the 1920s and ’40s. When literary editor Alice Murphy meets a young soldier just home from World War II, he awakens her longing for the child she once lost. Haunted by their unique connection, Alice sets out on a journey to understand her past – and what she finds has the power to transform both of their lives. Propelled by an ensemble of onstage musicians and dancers, the story unfolds as a rich tapestry of deep emotion, beautiful melodies and powerfully moving performances.

7:30 p.m. Thursday, April 2
7:30 p.m. Friday, April 3
2 p.m. Saturday, April 4
7:30 p.m. Saturday, April 4
2 p.m. Sunday, April 5
Cohen Family Studio Theater

Bright Star is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide, 1180 Avenue of the Americas, Suite 640, New York NY 10036. 866-378-9758 www.theatericalrights.com

CCMONSTAGE Musicals Four-Show Subscription Package: $119
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.


Jazz (Five Concerts)

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Swinging with Woody Herman: The Inaugural John Von Ohlen Memorial Scholarship Concert

CCM Jazz Orchestra
Scott Belck, music director

Hot off their Summer 2019 tour with Wynton Marsalis and the Jazz at Lincoln Center Orchestra, the CCM Jazz Orchestra celebrates the legacy of Cincinnati jazz legend John Von Ohlen, who drummed with Stan Kenton and Woody Herman before joining CCM’s jazz faculty. This memorial concert raises scholarship funds in Von Ohlen’s honor.

7 p.m. Sunday, Sept. 22
Corbett Auditorium
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The Music of Stevie Wonder

CCM Jazz Lab Band
Craig Bailey, music director
Featuring guest artist Tyshawn Colquitt, vocals

The groove is guaranteed to be “Signed, Sealed, Delivered” in this musical tribute to one of Motown’s brightest stars! Hear the hits of Stevie Wonder brought to life by the CCM Jazz Lab Band and Cincinnati native Tyshawn Colquitt, a seven-time winner of Showtime at the Apollo and recent contestant on NBC’s The Voice singing competition.

7 p.m. Sunday, Nov. 3
Corbett Auditorium
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Duke Ellington’s Nutcracker Suite

CCM Jazz Orchestra and Jazz Lab Band
Featuring CCM Musical Theatre students
Scott Belck, music director
Diane Lala, choreographer

Enjoy our original retelling of Ellington’s remarkable adaptation of The Nutcracker Suite, brought to life with stunning choreography from CCM Musical Theatre’s stars of tomorrow.

4 p.m. Sunday, Nov. 24
Corbett Auditorium
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Essentially Ellington Festival: Gala Concert

CCM Jazz Orchestra
Scott Belck, music director

CCM’s Essentially Ellington Festival, sponsored by Wynton Marsalis’ Jazz at Lincoln Center, returns in full swing! The daylong event features the region’s top high school jazz ensembles, and the gala concert will feature the CCM Jazz Orchestra with a special guest artist from the Jazz at Lincoln Center Orchestra.

7:30 p.m. Saturday, Feb. 22
Corbett Auditorium
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The Music of Frank Sinatra

CCM Jazz Orchestra
Scott Belck, music director
Featuring guest artist Steve Lippia, vocals

Critically acclaimed jazz vocalist Steve Lippia joins CCM’s Big Band for a hard-swinging tribute to the legendary Frank Sinatra. Experience the romance of an evening filled with the hits of “Old Blue Eyes.”

7:30 p.m. Saturday, April 11
Corbett Auditorium

CCMONSTAGE Jazz Five-Concert Subscription Package: $99
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.

Additional concert performances will be offered outside of this new five-part series. CCM will announce its full schedule of 2019-20 choral, jazz, orchestral and winds concerts later this summer.


Plays (Four Productions)

Lady Windermere’s Fan

Lady Windermere SQUARE WITH TITLES

By Oscar Wilde

Susan Felder, director

Infidelity, blackmail, a birthday ball and a fan are at the center of this 19th-century satire set in London. Lady Windermere suspects that her husband is having an affair with a mysterious woman. Will she exact her revenge and find comfort in another man? What is the true identity of the mysterious Mrs. Erlynne — and why is Lord Windermere secretly giving her money? A witty evaluation of marriage, sex and gender politics, this classic by Oscar Wilde gave the world the iconic line: “We are all in the gutter, but some of us are looking at the stars.”

7:30 p.m. Thursday, Oct. 3
7:30 p.m. Friday, Oct. 4
2 p.m. Saturday, Oct. 5
7:30 p.m. Saturday, Oct. 5
2 p.m. Sunday, Oct. 6
Patricia Corbett Theater

CCMONSTAGE Production Sponsor: Macy’s
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The Curious Incident of the Dog in the Night-Time

A young man stares into the night sky in a promotional image for the play 'The Curious Incident of the Dog in the Night-Time.' Photo by Mark Lyons.

Based on the novel by Mark Haddon
Adapted by Simon Stephens

Richard E. Hess, director

In this 2015 Tony Award winning Best Play, 15-year-old Christopher uses his extraordinary brain to navigate everyday life. He is exceptional at mathematics but has never ventured alone beyond the end of his road. He detests being touched and he distrusts strangers, overwhelmed by sensory overload. When Christopher finds his neighbor’s dead dog, Wellington, he becomes determined to solve the mystery of who murdered the dog. His detective work takes him on a thrilling journey through London that overturns his entire world.

7:30 p.m. Thursday, Oct. 17
7:30 p.m. Friday, Oct. 18
2 p.m. Saturday, Oct. 19
7:30 p.m. Saturday, Oct. 19
2 p.m. Sunday, Oct. 20
Cohen Family Studio Theater
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Clybourne Park

Two women look directly into the camera in a promotional image for the play 'Clybourne Park.' Photo by Mark Lyons.

By Bruce Norris

Richard E. Hess, director

Clybourne Park was awarded the 2011 Pulitzer Prize for Drama and the 2012 Tony Award for Best Play. Inspired by Lorraine Hansberry’s A Raisin in the Sun (1959), the play explodes in two high powered acts set 50 years apart. It imagines events in a racially charged America and reveals that underneath a house in a typical neighborhood, racial fault lines run deep and wide. This production contains strong language.

7:30 p.m. Thursday, Feb. 13
7:30 p.m. Friday, Feb. 14
2 p.m. Saturday, Feb. 15
7:30 p.m. Saturday, Feb. 15
2 p.m. Sunday, Feb. 16
Patricia Corbett Theater

CCMONSTAGE Production Sponsor: Macy’s
_____

Punk Rock

A black and white photo of a young woman wearing a school uniform and Gothic make-up in a promotional image for the play 'Punk Rock.' Photo by Mark Lyons.

By Simon Stephens

Brant Russell, director

In the library of a British high school, William and his fellow classmates prepare for their final exams while navigating the pressures of teenage life. They are educated and aspirational young people, but the savagery and combustibility of their world infects them. For mature audiences.

7:30 p.m. Thursday, April 23
7:30 p.m. Friday, April 24
2 p.m. Saturday, April 25
7:30 p.m. Saturday, April 25
2 p.m. Sunday, April 26
Cohen Family Studio Theater

CCMONSTAGE Plays Four-Show Subscription Package: $89
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.


Ariel Quartet (Four Concerts)

ariel-quartet-by-marco-borggreve

Darkness and Light

HAYDN: String Quartet in D Minor, Op. 76, No. 2, “Fifths”
DUN: Eight Colors for String Quartet (1986)
SCHUBERT: String Quartet No. 14 in D Minor, D. 810, “Death and the Maiden”

7:30 p.m. Tuesday, Sept. 24
Robert J. Werner Recital Hall
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The Fugue

This concert of fugues features Beethoven’s String Quartet No. 13 with its original final movement, the Grosse Fugue, which is often performed on its own as Beethoven’s Opus 133.

MOZART: Adagio and Fugue in C Minor, K. 546
BARTÓK: String Quartet No. 1 in A Minor, Op. 7
BEETHOVEN: String Quartet No. 13 in B-flat Major, Op. 130 and 133

7:30 p.m. Tuesday, Oct. 22
Robert J. Werner Recital Hall
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A World Premiere

Featuring guest artist Alexander Fiterstein, clarinet

The Ariel Quartet continues its 2019-20 concert series with a world premiere by Christopher Theofanidis, commissioned by the Manchester Music Festival and written for the Ariel Quartet with guest artist Alexander Fiterstein.

BEETHOVEN: String Quartet No. 12 in E-flat Major, Op. 127
THEOFANIDIS: Clarinet Quintet
MOZART: Clarinet Quintet in A Major, K. 581

7:30 p.m. Tuesday, Jan. 21
Robert J. Werner Recital Hall
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Hungary

Featuring guest artist and CCM alumnus Anton Nel, piano

HAYDN: String Quartet No. 62 in C Major, Op. 76, No. 3, “Emperor”
BRAHMS: Piano Quartet No. 1 in G Minor, Op. 25
DOHNÁNYI: Piano Quintet No. 2 in E-flat Minor, Op. 26

7:30 p.m. Tuesday, March 10
Robert J. Werner Recital Hall

The Ariel Quartet’s 2019-20 CCM concert series is made possible by the generous contributions of an anonymous donor, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. Randolph L. Wadsworth, Mr. & Mrs. J. David Rosenberg, Mr. & Mrs. Harry H. Santen, Elizabeth C. B. & Paul G. Sittenfeld, Mr. & Mrs. Thomas E. Stegman, Dr. & Mrs. Theodore W. Striker and Mrs. Harry M. Hoffheimer

CCMONSTAGE Ariel Quartet Four-Concert Subscription Package: $79
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.


Dance (Three Productions)

The Art of Motion

Art of Motion SQUARE WITH TITLES

Deirdre Carberry, director

CCM Dance showcases an array of classic and contemporary works restaged and choreographed by CCM Dance faculty members.

7:30 p.m. Thursday, Dec. 5
7:30 p.m. Friday, Dec. 6
7:30 p.m. Saturday, Dec. 7
3 p.m. Sunday, Dec. 8
Patricia Corbett Theater

CCMONSTAGE Production Sponsor: Macy’s
_____

Student Choreographers’ Showcase

Six women strike a dramatic modern dance pose in a promotional image for the dance production 'Student Choreographers' Showcase.' Photo by Will Brenner.

Michael Tevlin, director

Come experience the next generation of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works.

7:30 p.m. Thursday, March 5
7:30 p.m. Friday, March 6
7:30 p.m. Saturday, March 7
2 p.m. Sunday, March 8
Cohen Family Studio Theater
_____

Serenade + The Rite of Spring

One male and two female ballet dancers strike a dramatic pose in a promotional image for the dance production 'Serenade + The Rite of Spring.' Photo by Will Brenner.

Jiang Qi, director
Mark Gibson, conductor

CCM Dance and the CCM Philharmonia present two ballets set to music by two master composers. The first original ballet created by George Balanchine in America, Serenade is set to romantic music by Pyotr Ilyich Tchaikovsky, who also composed Swan Lake, The Nutcracker and Sleeping Beauty. Set to music by Igor Stravinsky, The Rite of Spring was one of the first examples of modern music and dance when the ballet first premiered in Paris in 1913. Although a riot broke out at the premiere, the legendary work is now regarded as one of the most important ballets of the 20thcentury. CCM’s production of The Rite of Spring features new choreography by Jiang Qi.

7:30 p.m. Thursday, April 23
7:30 p.m. Friday, April 24
7:30 p.m. Saturday, April 25
2 p.m. Sunday, April 26
Corbett Auditorium

The performance of Serenade, a Balanchine® Ballet, is presented by arrangements with The George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique® Service standards established and provided by the Trust.

CCMONSTAGE Production Sponsor: Macy’s

CCMONSTAGE Dance Three-Show Subscription Package: $59
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.


CCMONSTAGE Subscription Benefits

THE BEST SEATS: CCMONSTAGE subscribers can guarantee their favorite seats for all of their favorite performances in CCM’s Corbett Auditorium, Patricia Corbett Theater and Cohen Family Studio Theater.

THE BEST PRICES: CCMONSTAGE subscribers can save as much as 25% off of single ticket prices. All CCMONSTAGE subscription prices are inclusive of all fees.

GUARANTEED PARKING: CCMONSTAGE subscribers can order prepaid parking at $8 each for every performance selected. Parking in the CCM Garage for a performance or special event is usually available for $8-$15.

Purchasing Your CCMONSTAGE Subscriptions

Subscription renewals are on sale now; renewal information will be mailed and emailed to current subscribers. New subscriptions and single tickets go on sale Monday, Aug. 19, 2019.

Subscription packages can be ordered:

  • ONLINE at ccmonstage.universitytickets.com
  • OVER THE PHONE at 513-556-4183
  • IN PERSON at the CCM Box Office in the Atrium of UC’s Corbett Center for the Performing Arts

Our Box Office staff is always ready to answer your questions by phone at 513-556-4183 or by email at boxoff@uc.edu.

Be the first to know about future ticket on-sale dates and more: sign up for our email list at ccm.uc.edu/boxoffice/subscribe.


A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCMONSTAGE
Cover artwork for CCM's 2018-19 Mainstage Series Subscription Brochure.

CCM 2018-19 Mainstage Series Subscriptions On Sale Now!

New subscription packages are now on sale for CCM’s 2018-19 Mainstage Series of Acting, Dance, Musical Theatre and Opera Productions. With CCM’s streamlined subscriptions, it has never been easier to get the best seats at the best prices. Arts lovers can simply mix and match the shows they want to see with customizable eight, six, four or three-show packages. Subscription orders placed before Sept. 10 will get seated before any single ticket buyers!

Cover artwork for CCM's 2018-19 Mainstage Series Subscription Brochure.

About CCM’s 2018-19 Mainstage Series
CCM was recently declared “Best of Cincinnati” in CityBeat‘s annual readers’ choice poll, but the best is yet to come with CCM’s 2018-19 Mainstage SeriesFrom October 2018 through April 2019, CCM presents eight masterworks spanning the spectrum of theatrical arts, including:

  • the best of comedic and dramatic acting with The Government Inspector and Our Country’s Good,
  • classic and contemporary musicals with Guys and Dolls and The Hunchback of Notre Dame,
  • great operas from master composers with Britten’s The Turn of the Screw and Mozart’s La Clemenza di Tito,
  • and innovative dance programs with Birthday Variations and Cinderella!

Last season, single ticket buyers missed out on sold-out performances of Hamlet, Seussical (voted the year’s “Best Play” by CityBeat readers), Candide and Jesus Christ Superstar. Subscribers have a guaranteed seat to see the phenomenal talent and polished professionalism of CCM’s young performers. Download CCM’s 2018-19 Mainstage Subscription Brochure to learn even more about our upcoming productions!

Ordering Your Subscriptions
CCM’s customizable subscription packages range in price from $81-$192. Download our 2018-19 Mainstage Subscription price sheet, seating chart and order form for complete details. Then choose your shows and select whether you want seats in Section A (the best views) or Section B (the lowest prices). To pay by check, simply return your order form by mail or drop it off at the CCM Box Office in the Atrium of CCM’s Corbett Center for the Performing Arts. For credit card transactions, call the Box Office.

The CCM Box Office staff is always ready to answer your questions by phone at 513-556-4183 or by email at boxoff@uc.edu.

Don’t wait to get the best seats at the best prices!
Single tickets go on sale Sept. 10, 2018.

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Mainstage Season Production Sponsor: Macy’s

CCM News
Photography from CCM's Fall 2017 Mainstage Series production of 'Seussical' by Mark Lyons.

CCM Announces 2018-19 Mainstage Series of Acting, Dance, Musical Theatre and Opera

Photography from CCM's Fall 2017 Mainstage Series production of 'Seussical' by Mark Lyons.

Photography from CCM’s Fall 2017 Mainstage Series production of ‘Seussical’ by Mark Lyons.

The best is yet to come with CCM’s eight-part series of theatre arts productions! With new streamlined subscription packages, it’s never been easier to get the best tickets at the season’s best prices.

CCM will present eight masterworks spanning the spectrum of the theatre arts during its 2018-19 Mainstage Series of Acting, Dance, Musical Theatre and Opera. Running from October 2018 through April 2019, these productions will showcase the phenomenal talent and polished professionalism of CCM’s young performing, design and media artists.

This season’s Mainstage Series includes classic and contemporary musicals with Frank Loesser, Abe Burrows and Jo Swerling’s Guys and Dolls and Alan Menken, Stephen Schwartz and Peter Parnell’s The Hunchback of Notre Dame, the best of comedic and dramatic acting with Nikolai Gogol’s The Government Inspector and Timberlake Wertenbaker’s Our Country’s Good, great operas from master composers with Benjamin Britten’s The Turn of the Screw and W.A. Mozart’s La Clemenza di Tito, and innovative dance programs that include a mixed repertoire concert of Birthday Variations and a fully-staged story ballet production of Prokofiev’s Cinderella.

The complete 2018-19 Mainstage Series lineup is listed below. Titles and dates are subject to change – rights pending. For the most current calendar of events, please visit us online at ccm.uc.edu.
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CCM’S 2018-19 MAINSTAGE SERIES
Acting, Musical Theatre, Opera, Dance

"The Government Inspector" promo image by Mark Lyons.THE GOVERNMENT INSPECTOR
Adapted by Jeffrey Hatcher from the original by Nikolai Gogol
Richard E. Hess, director

When the locals in a small Russian hamlet learn that an undercover government inspector is coming for a surprise visit, a case of mistaken identity sends the whole village spiraling into a world of panic and greed. Part farce, part slapstick and wholly entertaining, this timely and spirited adaptation of Nikolai Gogol’s classic play exposes the corruption of a provincial town with biting hilarity.

Performance Dates: Oct. 3 (preview), Oct. 4-7, 2018
Location: Patricia Corbett Theater

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"Guys and Dolls" preview photography by Mark Lyons.GUYS AND DOLLS
Book by Abe Burrows and Jo Swerling
Music and Lyrics by Frank Loesser
Based on The Idyll of Sarah Brown and characters by Damon Runyon
Diane Lala, director and choreographer
Roger Grodsky, musical director

Set in Damon Runyon’s mythical New York City, Guys and Dolls is the perfect musical comedy. Nathan Detroit is a gambler trying to find the cash to set up the biggest craps game in town while the authorities breathe down his neck. Meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they’ve been engaged for 14 years. Nathan turns to fellow gambler Sky Masterson for the dough, and Sky ends up chasing straight-laced missionary Sarah Brown as a result. Guys and Dolls takes us from the heart of Times Square to the cafés of Havana, Cuba and even into the sewers of New York City, but eventually everyone ends up right where they belong.

Performance Dates: Oct. 19 and 21, Oct. 26-27, 2018
Note: A special gala performance of Guys and Dolls will be presented on Saturday, Oct. 20, in honor of CCM Musical Theatre’s 50th anniversary; special pricing applies.
Location: Corbett Auditorium

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"The Turn of the Screw" preview photography by Mark Lyons.THE TURN OF THE SCREW
Music by Benjamin Britten
Libretto by Myfanwy Piper, after a story by Henry James
Aik Khai Pung, conductor
Vince DeGeorge, director

Based on Henry James’ classic ghost-story novella, Britten’s compelling chamber opera presents the story of a governess charged with the care of two orphaned children at their absentee uncle’s country estate, where the ghosts of a former valet and his lover haunt the grounds. With a blend of 12-tone techniques, arresting motifs and stirring lyricism, the action moves with incredible fluidity, creating a chilling tale of sexual repression and the corruption of innocence. For mature audiences.

Performance Dates: Nov. 15-18, 2018
Location: Patricia Corbett Theater

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"Birthday Variations" preview photography by Mark Lyons.BIRTHDAY VARIATIONS
Jiang Qi, director

CCM Dance showcases an array of classic and contemporary works restaged and choreographed by CCM Dance faculty members. The thrilling highlight of the evening is Birthday Variations, originally choreographed by Gerald Arpino, former Artistic Director of the Joffrey Ballet, to music by Giuseppe Verdi. Birthday Variations is presented by arrangement with the Gerald Arpino and Robert Joffrey Foundation.

Performance Dates: Dec. 6-9, 2018
Location: Patricia Corbett Theater

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"Our Country's Good" preview photography by Mark Lyons.OUR COUNTRY’S GOOD
By Timberlake Wertenbaker
Based on the novel The Playmaker by Thomas Keneally
Susan Felder, director

Set in Botany Bay in 1789, Our Country’s Good is a darkly comedic tale based on the true story of Australia’s first theatrical performance. A marine lieutenant decides to put on a play to celebrate the king’s birthday. He casts the play with convicts who populate an Australian prison camp. Few of them can read, let alone act, and the play is produced against a background of food shortages and barbaric prison punishments. Our Country’s Good is as an inspiring tribute to the transforming power of drama. For mature audiences.

Performance Dates: Feb. 13 (preview), Feb. 14-17, 2019
Location: Patricia Corbett Theater

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"Hunchback of Notre Dame" preview image by Mark Lyons.THE HUNCHBACK OF NOTRE DAME
Music by Alan Menken
Lyrics by Stephen Schwartz
Book by Peter Parnell
Based on the Victor Hugo novel and songs from the Disney film
Originally developed by Disney Theatrical Productions
Aubrey Berg, director
Stephen Goers, musical director
Katie Johannigman, choreographer

Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame begins as bells sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer, observes all of Paris reveling in the Feast of Fools, but he is held captive by his devious caretaker, the archdeacon Dom Claude Frollo. He escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though — the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies and it’s up to Quasimodo to save them all. Parental discretion is advised. Victor Hugo’s novel contains mature themes and situations, which may be distressing for young viewers.

Performance Dates: March 7-10, 2019
Location: Corbett Auditorium

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"La Clemenza di Tito" preview photography by Mark Lyons.LA CLEMENZA DI TITO
(THE CLEMENCY OF TITUS)
Music by Wolfgang Amadeus Mozart
Libretto by Caterino Mazzolà
Jiannan Cheng, conductor
Robin Guarino, director

Mozart’s last opera seria displays some of his most memorable and marvelous arias! The story centers on Roman emperor Titus (Tito) who must choose a wife, but is unable to find a suitable match. In his search for an empress, Tito narrowly avoids an assassination plot instigated by his best friend Sesto and the former emperor’s daughter, Vitellia, who wants the throne for herself. Caught between his duty and his heart, the emperor must choose whether to rule with mercy or with an iron fist.

Performance Dates: April 12-14, 2019
Location: Corbett Auditorium

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CCM Dance preview image by Mark Lyons.CINDERELLA
Jiang Qi, director

Celebrate spring’s arrival with a fully staged fairytale ballet. A poor girl wishes to escape the authoritarian rule of her evil stepmother and stepsisters, so her fairy godmother gives her a ticket to the ball! The girl meets Prince Charming and they fall in love, but she vanishes when the clock strikes midnight. Set to music by Sergei Prokofiev, Cinderella is known for its jubilant melodies, lush scenery and graceful retelling of the timeless romance by Charles Perrault.

Performance Dates: April 26-28, 2019
Location: Patricia Corbett Theater

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Mainstage Series Subscriptions
The 2018-19 CCM Mainstage Series of Acting, Musical Theatre, Opera and Dance productions includes subscription packages for combinations of Eight Shows, Six Shows, Four Shows or Three Shows. Newly streamlined subscription packages make this process easier than ever before. Simply choose your shows and select whether you want seats in Section A (the best views) or Section B (the lowest prices)!

Renewal subscriptions are on sale now with packages ranging in price from $78-$176. Subscribers to CCM’s 2017-18 Mainstage Series can receive priority access to seating by renewing their subscriptions by May 1, 2018.

Subscription packages for new subscribers go on sale May 2, 2018, with packages ranging in price from $81-$192.

Single tickets go on sale beginning Sept. 10, 2018, but subscribing is the only way to guarantee your seats and your savings for CCM’s Mainstage Series!

To order subscriptions, contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.

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2018-19 MAINSTAGE SERIES PERFORMANCE TIMES

THE GOVERNEMENT INSPECTOR
Performance Times:

  • 8 p.m. Wednesday, Oct. 3 (preview)
  • 8 p.m. Thursday, Oct. 4
  • 8 p.m. Friday, Oct. 5
  • 2 p.m. Saturday, Oct. 6
  • 8 p.m. Saturday, Oct. 6
  • 2 p.m. Sunday, Oct. 7

Location: Patricia Corbett Theater

GUYS AND DOLLS
Performance Times:

  • 8 p.m. Friday, Oct. 19
  • 7 p.m. Saturday, Oct. 20 (CCM Musical Theatre 50th Anniversary gala performance; special pricing applies)
  • 1 p.m. Sunday, Oct. 21
  • 7 p.m. Sunday, Oct. 21
  • 8 p.m. Friday, Oct. 26
  • 2 p.m. Saturday, Oct. 27
  • 8 p.m. Saturday, Oct. 27

Location: Corbett Auditorium

THE TURN OF THE SCREW
Performance Times:

  • 8 p.m. Thursday, Nov. 15
  • 8 p.m. Friday, Nov. 16
  • 8 p.m. Saturday, Nov. 17
  • 2 p.m. Sunday, Nov. 18

Location: Patricia Corbett Theater

BIRTHDAY VARIATIONS
Performance Times:

  • 8 p.m. Thursday, Dec. 6
  • 8 p.m. Friday, Dec. 7
  • 8 p.m. Saturday, Dec. 8
  • 3 p.m. Sunday, Dec. 9

Location: Patricia Corbett Theater

OUR COUNTRY’S GOOD
Performance Times:

  • 8 p.m. Wednesday, Feb. 13 (preview)
  • 8 p.m. Thursday, Feb. 14
  • 8 p.m. Friday, Feb. 15
  • 2 p.m. Saturday, Feb. 16
  • 8 p.m. Saturday, Feb. 16
  • 2 p.m. Sunday, Feb. 17

Location: Patricia Corbett Theater

THE HUNCHBACK OF NOTRE DAME
Performance Times:

  • 8 p.m. Thursday, March 7
  • 8 p.m. Friday, March 8
  • 2 p.m. Saturday, March 9
  • 8 p.m. Saturday, March 9
  • 2 p.m. Sunday, March 10

Location: Corbett Auditorium

LA CLEMENZA DI TITO
Performance Times:

  • 8 p.m. Friday, April 12
  • 8 p.m. Saturday, April 13
  • 2 p.m. Sunday, April 14

Location: Corbett Auditorium

CINDERELLA
Performance Times:

  • 8 p.m. Friday, April 26
  • 2 p.m. Saturday, April 27
  • 8 p.m. Saturday, April 27
  • 2 p.m. Sunday, April 28

Location: Patricia Corbett Theater

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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

CCM News

CCM Studio Series Presents a Musical Celebration of Stephen Sondheim

CCM’s Musical Theatre department stages Sondheim on Sondheim, a documentary-meets-musical-revue, on Thursday, Oct. 5 through Saturday, Oct. 7. Admission is free but reservations are required; tickets become available at noon on Monday, Oct. 2.

CCM opens its Sesquicentennial Studio Series with Sondheim on Sondheim, a musical revue of Stephen Sondheim’s most beloved works, on Thursday, Oct. 5 through Saturday, Oct. 7 in the Cohen Family Studio Theater. The performance paints an intimate portrait of the songwriter, told through his music and through video clips of Sondheim himself.

Stephen Sondheim

Stephen Sondheim.

“Sondheim’s comments are amazingly candid, giving a unique and personal insight into the stories behind the songs, as well as the personal battles he has faced with his family, producers and fame,” says CCM Musical Theatre Professor and Department Chairman Aubrey Berg, director of the show.

Eight singers from CCM’s Musical Theatre program will perform some of Sondheim’s most popular tunes without amplification and accompanied only by piano. Audiences will recognize featured songs in the revue, such as “Comedy Tonight” from A Funny Thing Happened on the Way to the Forum, “Something’s Comin’” from West Side Story and “Send in the Clowns” from A Little Night Music.

The show also includes excerpts from Passion, Assassins and Bounce, as well as a brand-new song written just for Sondheim on Sondheim.

“The strength of the show comes from the brilliance of the music and lyrics and the accomplishments of the performers in interpreting the songs of the modern master of musical theatre,” Berg says.

CCM Musical Theatre has a long history with Sondheim musicals; the department has staged almost all of Sondheim’s major works over the years.

“His songs can be witty and ironic, but also heartfelt and deeply emotional,” Berg says. “They provide a tremendous challenge to young performers and serve as excellent training for our more advanced students.”

With this show, CCM Musical Theatre also welcomes the return of Katie Johannigman (BFA Musical Theatre, 2012) as a Visiting Adjunct Assistant Professor of Musical Theatre. Johannigman choreographs Sondheim on Sondheim, which features music direction and accompaniment by Stephen Goers.

“I have watched Katie grow up and remember her as a star-struck little girl attending productions at CCM,” Berg says. “The last performance she gave here was as Cinderella in Into the Woods (a favorite Sondheim work). I am delighted that she is visiting us this year as a teacher, choreographer and director. It gives us a wonderful sense of continuity.”

You can see Johannigman’s choreography in Sondheim on Sondheim in CCM’s Cohen Family Studio Theater from Oct.5-7. Admission is free, but reservations are required; tickets become available at noon on Monday, October 2. They often sell out quickly, so visit our guide to Studio Series tickets for tips and tricks to secure your seats.
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SONDHEIM ON SONDHEIM
Music and Lyrics by Stephen Sondheim
Conceived and directed on Broadway by James Lapine

Production Team

  • Aubrey Berg, director
  • Stephen Goers, music director and accompanist
  • Katie Johannigman, choreographer
  • Nicholas Smith, lighting designer
  • Margo Leist, stage manager

Cast list

  • Bryce Baxter
  • Aria Braswell
  • Emily Fink
  • Ciara Harris
  • Phillip Johnson
  • Alex Stone
  • Keaton Whittaker
  • Gabe Wrobel

Performance Times

  • 8 p.m. Thursday, Oct. 5
  • 8 p.m. Friday, Oct. 6
  • 2 and 8 p.m. Saturday, Oct. 7

Location
Cohen Family Studio Theater, CCM Village,
University of Cincinnati

Tickets
Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 2. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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Sondheim on Sondheim is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI www.MTIShows.com.

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Studio Series Sponsors: Dr. & Mrs. Carl G. Fischer, Ms. Margaret L. Straub & Mr. Neil R. Artman
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Story by CCM graduate student Alexandra Doyle

CCM Alumni Applause CCM News Faculty Fanfare Student Salutes
The Cohen Family Studio Theater at CCM.

CCM Announces Sesquicentennial Studio Series of Acting, Dance, Musical Theatre and Opera

CCM presents nine eclectic and electrifying productions as part of its 150th Anniversary Studio Series of Acting, Dance, Musical Theatre and Opera. This annual series of performing and media arts events features CCM’s acclaimed “stars of tomorrow” in a collection of scaled-down stagings set in the Cohen Family Studio Theater and other intimate performance spaces.

Composer, lyricist, playwright and CCM alumnus Todd Almond.

Composer, lyricist, playwright and CCM alumnus Todd Almond.

The 2017-18 series opens in October with the musical revue Sondheim on Sondheim, which showcases the songs of legendary musical theatre composer/lyricist Stephen Sondheim. In November, CCM proudly presents The Earth is Flat, a touching coming-of-age story written by CCM alumnus Todd Almond (BM, 1999) and set in UC’s Calhoun Hall. November also sees the return of the 48-Hour Film Festival, which showcases 10 student-created short films produced over the course of a single weekend.

The series continues in early 2018 with productions of the operas Trouble in Tahiti, The Telephone, Tale for a Deaf Ear and Ariodante. CCM’s popular Dance Student Choreographers’ Showcase and TRANSMIGRATION Festival of Student-Created New Works both return in March. The 150th Anniversary Studio Series concludes in Spring 2018 with the unconventional and moving musical drama The Theory of Relativity (directed and choreographed by CCM alumna Katie Johannigman) and the debut of an original 60-minute play created by CCM Acting for the 71st Edinburgh Fringe Festival.

The Studio Series is just one part of the yearlong CCM Sesquicentennial Celebration, which includes world premieres, guest artist performances, a series of off-campus concerts and a one-of-a-kind alumni showcase event. For an initial overview of CCM’s 150th anniversary programming, please visit ccm.uc.edu/about/villagenews/notations-ovations/sesquicentennial-celebration.

The complete 2017-18 Studio Series lineup is listed below. Titles and dates are subject to change.

Tickets and Parking Information
All Studio Series performances are free and open to the general public, but reservations are required and seating is limited. Reservations can be made the week of each show by visiting the CCM Box Office in UC’s Corbett Center for the Performing Arts or by calling 513-556-4183.

Unless otherwise noted, all Studio Series productions take place in CCM’s intimate and versatile “black box” performance space, the Cohen Family Studio Theater.

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates. For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM’s 150TH ANNIVERSARY STUDIO SERIES
Acting, Dance, Musical Theatre, Opera

8 p.m. Thursday, Oct. 5
8 p.m. Friday, Oct. 6
2 and 8 p.m. Saturday, Oct. 7
• Studio Musical Theatre Series •
SONDHEIM ON SONDHEIM
Music and lyrics by Stephen Sondheim
Conceived and originally directed by James Lapine
Aubrey Berg, director
Stephen Goers, music director
Katie Johannigman, choreographer

A “revelatory revue full of wonderful moments,” Sondheim on Sondheim is an intimate portrait of the famed songwriter in his own words… and music. Ranging from the beloved to the obscure, the songs are interspersed with in-depth video interviews, delving into Sondheim’s personal life and artistic process. Far from the typical song cycle, Sondheim on Sondheim has massive theatrical potency, as well as inarguable staying power. A “funny, affectionate and revealing tribute to musical theater’s greatest living composer and lyricist” and a wonderful showcase for CCM’s Musical Theatre stars of tomorrow.

Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 2. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
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8 p.m. Thursday, Nov. 2
8 p.m. Friday, Nov. 3
2 and 8 p.m. Saturday, Nov. 4
• Studio Acting Series •
THE EARTH IS FLAT
Written by Todd Almond
Richard E. Hess, director

The CCM Sesquicentennial celebrates the work of accomplished alumnus Todd Almond! A love letter to the University of Cincinnati written by Almond, The Earth is Flat explores the universal awkwardness of the American college experience. The search for identity by those least prepared with answers resonates with unexpected comedy in this new play commissioned by CCM Acting as part of the Cincinnati Playwrights Conference in 2016. A coming-of-age story set in Calhoun Hall, The Earth is Flat follows purple-haired Ethan as he takes his first tentative steps toward self-knowledge.

Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 30. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman and Margaret Straub
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7 p.m. Sunday, Nov. 19
• Studio Acting/Digital Media Collaborative/E-Media Series •
FOURTH ANNUAL 48-HOUR FILM FESTIVAL
Richard E. Hess and John Owens, producers

Join us for our annual celebration of original film work by students. After random team placement, student authors, actors, directors, editors, and composers have 48 hours from 7 p.m. on Friday night to 7 p.m. on Sunday night to create finished original short films. All UC students are invited to participate.

Location: MainStreet Cinema, Tangeman University Center
Admission: Admission is free. Reservations are not required, but space may be limited.
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8 p.m. Friday, Feb. 2
8 p.m. Saturday, Feb. 3
2 p.m. Sunday, Feb. 4
• CCM at 150 Celebrates Bernstein at 100/Opera d’arte Series •
TROUBLE IN TAHITI + THE TELEPHONE + TALE FOR A DEAF EAR
Music and libretto by Leonard Bernstein/Music and words by Gian Carlo Menotti/Music and lyrics by Mark Bucci
Brett Scott, conductor
Amy Johnson, director and co-producer
Kenneth Shaw, co-producer
Gabriela Sam, assistant director

The CCM Opera d’arte Series of undergraduate productions proudly presents a triple bill of one-act American operas! Featured works include Leonard Bernstein’s Trouble in Tahiti, a one-act opera that candidly portrays the troubled marriage of a young suburban couple. Written between Bernstein’s biggest Broadway successes, Trouble in Tahiti draws upon popular song styles to deliver an uncompromising critique of Mid-century American marriage. The triple bill also includes Gian Carlo Menotti’s bit of froth, The Telephone, and Mark Bucci’s rarely produced, but haunting Tale for a Deaf Ear. Taken together, Opera d’arte’s triple bill offers three vastly contrasting views into the extremes of human relationships.

Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Jan. 29. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit
two tickets per order.
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8 p.m. Friday, Feb. 16
8 p.m. Saturday, Feb 17
2 p.m. Sunday, Feb. 18
• Studio Opera Series •
ARIODANTE
Music by George Frideric Handel
Libretto based on a work by Antonio Salvi
Aik Khai Pung, conductor
Robin Guarino, director

Hailed as one of Handel’s finest operas, Ariodante presents a tale of royal intrigue and betrayal set in the remote Scottish Highlands. The daughter of the King of Scotland is happily engaged to Prince Ariodante, but the scheming Duke Polinesso plots to take the princess’ hand in marriage and seize the throne for himself. Intrigue ensues in this celebrated opera seria, but true love wins the day!

Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Feb. 12. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Opera Department Sponsor: Mr. and Mrs. Edward S. Rosenthal
Opera Production Sponsor: Genevieve Smith
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8 p.m. Thursday, March 1
8 p.m. Friday, March 2
2 and 8 p.m. Saturday, March 3
• Studio Dance Series •
DANCE STUDENT CHOREOGRAPHERS SHOWCASE
André Megerdichian, director

Come experience the next generation of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works.

Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Feb. 26. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
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7 p.m. Wednesday, March 7
7 p.m. Thursday, March 8
7 p.m. Friday, March 9
• Studio Acting Series •
TRANSMIGRATION 2018
A Festival of Student-Created New Works
Richard E. Hess and Brant Russell, producers

TRANSMIGRATION, so named for “the movement from one place to another” or “the transition from one state of being to another,” is a festival of new works created by the students in CCM Acting. Six teams of actors craft and perform six original 30-minute shows. Performed simultaneously in different locations throughout CCM Village, this 10th Anniversary Edition of TRANSMIGRATION will allow the audience to sample four different new works of their choosing in one spectacular evening. “Thanks to the [Acting] program at UC’s College-Conservatory of Music, theatre fans were offer a jolt of onstage vitality,” observed CityBeat’s Rick Pender.

Location: CCM Village
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 5. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman and Margaret Straub
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8 p.m. Thursday, March 29
8 p.m. Friday, March 30
2 and 8 p.m. Saturday, March 31
• Studio Musical Theatre Series •
THE THEORY OF RELATIVITY
Music and lyrics by Neil Bartram
Book by Brian Hill
Katie Johannigman, director and choreographer
Stephen Goers, musical director

From Drama Desk Award nominees Neil Bartram and Brian Hill (The Story of My Life), The Theory of Relativity is a joyous and moving look at our surprisingly interconnected lives. Whether you’re allergic to cats, in love for the first or tenth time, a child of divorce, a germophobe or simply a unique individual, audience members and actors alike are sure to find themselves in this fresh new musical. Created using the real-life experiences and struggles of Millennials, The Theory of Relativity introduces a compelling array of characters experiencing the joys and heartbreaks, liaisons and losses, the inevitability and the wonder of human connection.

Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 26. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
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8 p.m. Thursday, April 19
8 p.m. Friday, April 20
2 and 8 p.m. Saturday, April 21
• Studio Acting Series •
EDINBURGH FRINGE FESTIVAL PROJECT
Susan Felder and Richard E. Hess, directors

Every year thousands of performers take to hundreds of stages all over Edinburgh, Scotland for the largest arts festival in the world. For the first time, CCM Acting will present an original 60-minute piece in August of 2018 in the 71st Edinburgh Fringe Festival. Join us at CCM in April as we present our original creation for Cincinnati audiences.

Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, April 16. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman and Margaret Straub
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation
____________________

A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

This is our story. This is your season. Join us for a celebration 150 years in the making…

CCM Alumni Applause CCM News
CCM presents THEY WERE YOU. Photo by Adam Zeek.

World Premiere of CCM’s “They Were You” Gets Rave Reviews

CCM presents THEY WERE YOU. Photos by Adam Zeek.

CCM presents THEY WERE YOU. Photo by Adam Zeek.

Critics praised CCM’s world premiere of They Were You, a musical revue of Tom Jones and Harvey Schmidt songs, which ran Oct. 5-9 in the Cohen Family Studio Theater. Devised and directed by Aubrey Berg, the Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM, They Were You featured musical arrangements by CCM faculty member Stephen Goers and choreography by alumna Katie Johannigman (BFA Musical Theatre, 2012).

In his review for The Sappy Critic, Kirk Sheppard called CCM’s They Were You “a magical night of theater.” He praised Berg’s direction, the “excellent” cast, Johannigman’s “fun, logical” choreography and Goers’ “beyond beautiful” musical arrangements. 

“There’s no need to single out any one of the six outrageously gifted young artists in the cast,” said Rafael de Acha in his review of the production on Rafael’s Music Notes. “Let me merely give you their names and entreat you to make mental note of them, with the assurance that, sooner than you think, you will be hearing these names: Gabe Wrobel, Emily Fink, Stavros Koumbaros, Aria Brasswell, Karl Amundsen and Michelle Coben.”

CCM presents THEY WERE YOU. Photo by Adam Zeek.

CCM presents THEY WERE YOU. Photo by Adam Zeek.

Teddy Gumbleton of the League of Cincinnati Theatres wrote that each of the six student performers sang “like a dream, navigating the lush harmonies and infusing each song with the necessary depth and wit. Together they work flawlessly as an ensemble, infusing the rich music with tremendous character.”

In a review for Talkin’ Broadway, Scott Cain said CCM’s Jones and Schmidt revue “revealed a thoughtful, varied and pleasant journey through pair’s exemplary work, and showcased some fine performances and design.” Cain praised the production’s “beautiful, night-sky mural” backdrop designed by CCM faculty member Thomas Umfrid. He also proposed that They Were You “will hopefully be licensed and made available for other theater companies to perform.”

CCM’s 2016-17 season continues with a production of Broadway hit, A Chorus Line, Oct. 20-30 in Patricia Corbett Theater. Tickets are on sale now.
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They Were You photos by Adam Zeek, http://www.zeekcreative.com/

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Musical Theatre Alumna Katie Johannigman Returns to Choreograph World Premiere at CCM

Katie Johannigman

Katie Johannigman

Since graduating from UC’s College Conservatory of Music, Katie Johannigman (BFA Musical Theatre, 2012) has worked in New York and started a non-profit, after-school musical theatre training program in Connecticut. She returns to her alma mater to share some tricks of the trade with current students and choreograph They Were You: The Songs of Tom Jones and Harvey Schmidt, a new musical revue that runs Wednesday, Oct. 5-Sunday, Oct. 9 in CCM’s Cohen Family Studio Theater.

CCM graduate student Alexandra Doyle got in touch with Johannigman to talk about how it feels to return to CCM and her experience working on They Were You.

What’s it like to come back to CCM as a teacher after having spent so much of your educational experience here as a CCM Preparatory student and then as an undergraduate?

It is so wonderful to come home to CCM, where I first started coming when I was 9 months old and my sister was taking ballet classes. It’s fun to reminisce about all of the exceptional training I had from fabulous CCM Prep teachers over my years here, starting when I was three with Jonnie Lynn Jacobs-Percer in the ballet department and continuing on to Dee Anne Bryll and Ed Cohen in the theatre department. I feel so lucky that my parents knew to send me to CCM Prep, and that I then moved on to such an outstanding college program in my own backyard — with so many fantastic professors from whom I learned so much. I also feel lucky to have the chance to pass on to the students what I learned both from going to school at CCM and from having spent a long time working in the business in New York.

When you were in school here, what did you gain from your experiences working with visiting professionals?
I think it was one of the most important parts of my training at CCM, because they kept us up-to-date with the trends in the business. Aubrey Berg and the rest of the faculty supplied us with strong acting, singing and dance training, and guest teachers taught us how that training is relevant and can be applied in New York today. I hope to do the same for these students.

What do you hope to pass along to the students who are currently in the same position that you were in not so long ago?
I hope to teach them that there is not one single definition of success in this business. We get really caught up while in school and are sometimes led to believe that you’re not successful unless you’re working on Broadway, but I have learned in the past four years that that is not true at all. There are so many ways to be successful in the arts, to use your training, to make an impact in the lives of others through the arts and to be a happy, healthy person working in the arts. I have participated in the arts in many ways in the past four years by performing professionally, choreographing shows and, most satisfyingly, helping to start a non-profit, after-school musical theatre training program with my fellow alumnus Connor Deane in Connecticut called Broadway Method Academy, where I am the artistic director. I wouldn’t have been able to do these things without my CCM training and connections.

What’s it been like to choreograph a new work? Have you felt more pressure to create a refined product that will set the show up for success and future productions, or do you feel freer because the audience doesn’t have any preconceived notions about how the show will look?
It has been both challenging and liberating. We are working with material that is mostly unknown, so people have no idea what they are about to see. It’s been very exciting and freeing to work collaboratively with Aubrey Berg, Steve Goers and the cast to decide what we want this show to be, since it can be anything we want it to be. Focusing on the process and not final product is something that I find very exciting. We have an unbelievably talented cast, so I know the audience will love it. We will see what Tom Jones thinks!

Are you borrowing choreography or dance styles from shows by Tom Jones and Harvey Schmidt or other cabaret-style works? What influenced you while you were creating this piece?
I have made sure not to watch any videos from Jones and Schmidt productions so that our staging and choreography can be completely original. We are using some standard conventions of revue-style works, such as the use of props to illustrate different scenes and styles. What really influenced me was Aubrey’s clever, smart and creative way of linking these vastly different songs together to make a show that reflects the human experience. I tried to focus on the lyrics, texts, themes and telling of stories in order to bring all these gorgeous songs to life. It has been so fun to work collaboratively alongside a professor whom I look up to and admire so much. Aubrey is really pushing and challenging me to become a better choreographer, so I am grateful and honored for this opportunity to come home to CCM. There is still so much learning to do inside this building!

Devised and directed by Aubrey Berg, the Patricia A. Corbett Distinguished Chair of Musical Theatre, They Were You runs Oct. 5-9 in CCM’s Cohen Family Studio Theater. It features songs from some of Tom Jones and Harvey Schmidt’s most beloved musicals including The Fantasticks, Celebration and 110 in the Shade, with musical arrangements by CCM faculty member Stephen Goers.

Admission to They Were You is free, but tickets are required. CCM’s Studio Series productions often sell out quickly, so visit our guide to Studio Series tickets for tips on how to secure your seats.

The logo for THEY WERE YOU: The Songs of Tom Jones and Harvey Schmidt.THEY WERE YOU: The Songs of Tom Jones and Harvey Schmidt
Lyrics by Tom Jones
Music by Harvey Schmidt
Aubrey Berg, director
Stephen Goers, musical director
Katie Johannigman, choreographer

Performance Times

  • 8 p.m. Wednesday, Oct. 5
  • 8 p.m. Thursday, Oct. 6
  • 8 p.m. Friday, Oct. 7
  • 2 & 8 p.m. Saturday, Oct. 8
  • 2 p.m. Sunday, Oct. 9

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Admission
Admission is free. Reservations are required. Tickets are now available. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

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Story by Alexandra Doyle

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CCM Showcases the Songs of Tom Jones and Harvey Schmidt with a World Premiere

CCM continues its popular Studio Series with the world premiere of THEY WERE YOU, a musical revue showcasing the songs of Tom Jones and Harvey Schmidt. Devised and directed by Aubrey Berg, the Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM, THEY WERE YOU plays Oct. 5-9 in the Cohen Family Studio Theater. Admission is free, but reservations are required.

The logo for THEY WERE YOU: The Songs of Tom Jones and Harvey Schmidt.Conceived and curated by Berg with musical arrangements by CCM faculty member Stephen Goers and choreography by alumna Katie Johannigman, THEY WERE YOU features songs from some of Jones and Schmidt’s most beloved musicals, including The Fantasticks, Celebration and 110 in the Shade. The production represents the first comprehensive revue of Jones and Schmidt’s work.

Jones, a Texas native, is widely known not only for his lyrics and librettos but also for his directing and acting chops. He directed a New York City revival of The Fantasticks in 2006, and also played the role of Old Actor in that production. He has written a screenplay for that show and a book called Making Musicals: An Informal Introduction to the World of Musical Theater.

Schmidt, also a Texan, attended the University of Texas at Austin to study art, but began to play piano as an accompanist for Jones during his time there. In addition to composing some of the world’s most beloved musicals, Schmidt has also continued to work as an illustrator for Life, Harper’s Bazaar, Sports Illustrated, Fortune and other publications.

The duo’s work together earned them several Tony Award nominations and the 1992 Tony Honors for Excellence in Theatre, as well as induction into the Songwriters Hall of Fame and the American Theatre Hall of Fame.

THEY WERE YOU is organized thematically, moving from “innocence” to “experience” through the course of the performance. Each song along the way showcases some universal emotion and lauds the resilience of humanity in the face of sorrow and disillusionment. The program promises favorites like “Try to Remember” from The Fantasticks and “My Cup Runneth Over” from I Do! I Do! alongside other songs from throughout the celebrated duo’s oeuvre.

Admission to THEY WERE YOU is free, but tickets are required. CCM’s Studio Series productions often sell out quickly, so visit our guide to Studio Series tickets for tips on how to secure your seats.

THEY WERE YOU: The Songs of Tom Jones and Harvey Schmidt
Lyrics by Tom Jones
Music by Harvey Schmidt
Aubrey Berg, director
Stephen Goers, musical director
Katie Johannigman, choreographer

Cast List:

  • Gabe Wrobel
  • Emily Fink
  • Stavros Koumbaros
  • Aria Braswell
  • Karl Amundson
  • Michelle Coben

Performance Times

  • 8 p.m. Wednesday, Oct. 5
  • 8 p.m. Thursday, Oct. 6
  • 8 p.m. Friday, Oct. 7
  • 2 & 8 p.m. Saturday, Oct. 8
  • 2 p.m. Sunday, Oct. 9

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Admission
Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 3. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

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Story by Alexandra Doyle and Curt Whitacre

CCM News
CCM's Cohen Family Studio Theater. Photography by Adam Zeek.

CCM Announces 2016-17 Studio Series of Opera, Musical Theatre, Dance and Acting Productions

All-time favorites and daring new works receive equal billing during CCM’s 2016-17 Studio Series. This year’s 13-part series of performing and media arts events features an eclectic mix of opera, musical theatre, dance and acting productions, all featuring CCM’s acclaimed “stars-of-tomorrow.”

CCM's Studio Series opens with Elizabeth Swados' RUNAWAYS, co-produced with Know Theatre of Cincinnati.

CCM’s Studio Series opens with Elizabeth Swados’ RUNAWAYS, co-produced with Know Theatre of Cincinnati.

Season highlights include Elizabeth Swados’ powerful and rarely-seen musical Runaways co-produced with Know Theatre of Cincinnati and two world-premieres produced by the Opera Fusion: New Works Lab in partnership with Cincinnati Opera.

CCM’s Department of Musical Theatre also presents the world-premiere of a musical revue showcasing the work of legendary Broadway collaborators Tom Jones and Harvey Schmidt. Devised and directed by Aubrey Berg, the Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM, They Were You: The Songs of Tom Jones and Harvey Schmidt features songs from throughout the celebrated duo’s oeuvre.

This year’s lineup also includes the return of two popular festivals, the 48-Hour Film Festival and the TRANSMIGRATION Festival of Student-Created Plays.

CCM’s Studio Series runs from Sept. 21, 2016, through April 22, 2017. Please see below for full production and ticketing details.

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CCM’S 2016-17 STUDIO SERIES

8 p.m. Wednesday, Sept. 21 (preview)
8 p.m. Thursday, Sept. 22
8 p.m. Friday, Sept. 23
3 and 8 p.m. Saturday, Sept. 24
3 and 7:30 p.m. Sunday, Sept. 25
• Studio Musical Theatre Series •
A co-production between CCM and Know Theatre of Cincinnati
RUNAWAYS
Music, lyrics and book by Elizabeth Swados
Vince DeGeorge, director and choreographer
Luke Flood, music director

Runaways is a collage of songs, monologues and dances that captures the energy, courage and honesty of a group of teenagers who are running away “from home… from a boyfriend… from a predator… from themselves.” Created in 1977 by groundbreaking theatre artist Elizabeth Swados, Runaways was born from interviews and workshops that she held with children and young adults who were escaping from their deteriorating family lives. It is a challenging piece of theatre that ultimately celebrates the power of the imagination and the resilience of the human spirit.
Location: Know Theatre of Cincinnati, 1120 Jackson Street, Cincinnati, OH 45202
Admission: Ticket prices range from $15 – $25. Tickets available through the Know Theatre Box Office by calling 513-300-5669 or online at http://knowtheatre.com.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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7:30 p.m. Thursday, Sept. 22
• Opera Fusion: New Works Lab •
A collaboration between CCM Opera and Cincinnati Opera
Co-Artistic Directors Robin Guarino and Marcus Küchle
SOME LIGHT EMERGES
Composed by Laura Kaminsky
Libretto by Mark Campbell and Kimberly Reed
Robin Guarino, director
Bradley Moore, conductor

Funded by a grant from The Andrew W. Mellon Foundation, CCM Opera and Cincinnati Opera present a rare behind-the-scenes look at the creation of an original work! Presented in collaboration with Houston Grand Opera, Some Light Emerges takes its inspiration from the creation of Houston’s iconic Rothko Chapel by philanthropist and art collector Dominique de Menil.
Location: Cincinnati Club Oak Room, 30 Garfield Place, Cincinnati 45202
Admission: Admission is free. Reservations are required. Tickets become available on Monday, Sept. 12. Please contact the Cincinnati Opera box office for tickets at 513-241-2742 or www.cincinnatiopera.org.
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8 p.m. Wednesday, Oct. 5
8 p.m. Thursday, Oct. 6
8 p.m. Friday, Oct. 7
2 & 8 p.m. Saturday, Oct. 8
2 p.m. Sunday, Oct. 9
• Studio Musical Theatre Series •
THEY WERE YOU: The Songs of Tom Jones and Harvey Schmidt
Lyrics by Tom Jones
Music by Harvey Schmidt
Aubrey Berg, director
Stephen Goers, musical arrangements

CCM proudly presents the world premiere of a musical revue showcasing the work of Tom Jones and Harvey Schmidt. Devised and directed by Aubrey Berg with musical arrangements by Steve Goers, They Were You features songs from The Fantasticks, Celebration, 110 in the Shade, The Bone Room, Colette Collage and more. This revue celebrates Jones’ and Schmidt’s ability to reflect the human condition with humor, compassion and wry affection.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 3. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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8 p.m. Thursday, Oct. 20
8 p.m. Friday, Oct. 21
2 & 8 p.m. Saturday, Oct. 22
• Studio Acting Series •
MIDDLETOWN
Written by Will Eno
Richard E. Hess, director

Middletown considers the strange beauty of life and its sometimes unbearable weight. Inspired by Thornton Wilder’s Our Town, the inhabitants of Middletown have a remarkable talent for articulating the hiccups of fear and anxiety in their souls with moving delicacy. The folks are friendly, and the view of star-dappled skies and modest homes is familiar and comforting. Welcome to Middletown.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 17. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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8 p.m. Friday, Nov. 4
8 p.m. Saturday, Nov. 5
2 p.m. Sunday, Nov. 6
• Studio Opera Series •
BRIGHT-EYED JOY! A RICKY IAN GORDON CABARET
Composer Ricky Ian Gordon, one of America’s most respected composers of art song, opera and musical theatre, joins CCM’s Opera and Voice singers and pianists for an evening of his music. Come watch our “stars-of-tomorrow” work with a living legend!
Location:
Cohen Family Studio Theater
Admission:
Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 31. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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7:30 p.m. Monday, Nov. 14
• Opera Fusion: New Works Lab •
A collaboration between CCM Opera and Cincinnati Opera in partnership with the Metropolitan Opera/Lincoln Center Theater’s New Works Program
Co-Artistic Directors Robin Guarino and Marcus Küchle
INTIMATE APPAREL
Composed by Ricky Ian Gordon
Libretto by Lynn Nottage
Robin Guarino, director
Paul Cremo, Dramaturg
Timothy Meyers, conductor

Funded by a grant from the Andrew W. Mellon Foundation, CCM Opera and Cincinnati Opera present a rare behind-the-scenes look at the creation of an original work! Adapted by Lynn Nottage from her prize-winning 2003 play of the same name, Intimate Apparel tells the story of Esther, a 35-year-old seamstress in 1905 New York City. Esther sews lingerie for a living, interacting with a wealthy Fifth Avenue wife, a Tenderloin prostitute and a Jewish fabric merchant on the Lower East Side, with whom she shares a closeness that cannot be pursued further because of his religion. Esther embarks on a letter-writing relationship with a Panama Canal laborer, leading to marriage and ultimately heartbreak, but she maintains her strength of character and determination to make a better life for herself.
Location: Cincinnati Club Oak Room, 30 Garfield Place, Cincinnati 45202
Admission: Admission is free. Reservations are required. Tickets become available on Tuesday, Nov. 1. Please contact the Cincinnati Opera box office for tickets at 513-241-2742 or www.cincinnatiopera.org.
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7 p.m. Sunday, Nov. 20
• E-Media/Acting Film Series •
THIRD ANNUAL CCM 48-HOUR FILM FESTIVAL
Join us for our annual celebration of original film work by students. After random team placement, student authors, actors, directors, editors and composers have 48 hours from 7 p.m. on Friday night to 7 p.m. on Sunday night to create finished original short films. At the close of the 48-hour period, audiences can join us in UC’s MainStreet Cinema to enjoy eight original short films by eight amazing teams.
Location: MainStreet Cinema, UC’s Tangeman University Center
Admission: FREE
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8 p.m. Friday, Feb. 3
8 p.m. Saturday, Feb. 4
2 p.m. Sunday, Feb. 5
• CCM Opera d’arte – Undergraduate Opera Series •
ALBERT HERRING
Composed by Benjamin Britten
Libretto by Eric Crozier, freely adapted from a story of Guy de Maupassant
Jesse Leong, conductor
Kenneth Shaw, director

Britten’s brilliantly witty score comes to life again at CCM, presented with the effervescence and energy unique to the outstanding young artists of Opera d’arte! Set in the small town of Loxford, in East Sussex, Albert Herring explores the themes of losing innocence and coming of age in the face of old fashioned morality and social stratification.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Jan. 30. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

This production of Albert Herring is presented in honor of Rafael and Kimberly de Acha

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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8 p.m. Friday, Feb. 17
8 p.m. Saturday, Feb. 18
2 p.m. Sunday, Feb. 19
• Studio Opera Series •
TRANSFORMATIONS
Music by Conrad Susa
Libretto by Anne Sexton
Avishay Shalom, conductor
Emma Griffin, director

CCM’s Studio Series presents the Brothers Grimm fairy tales like you’ve never seen them before! This 1973 chamber opera, with a libretto by Pulitzer Prize-winning poet Anne Sexton, is darkly humorous with audaciously recounted tales, and filled with mid-20th-century references, both literary and musical. Based on Sexton’s acclaimed 1971 book of poems of the same name, Transformations promises to challenge audiences’ understanding of what “happily-ever-after” truly means. This production contains adult themes and is not recommend for young audiences.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Feb. 13. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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8 p.m. Thursday, March 2
8 p.m. Friday, March 3
2 & 8 p.m. Saturday, March 4
• Studio Dance Series •
DANCE STUDENT CHOREOGRAPHER’S SHOWCASE
André Megerdichian, director
Come experience the next generation of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, Feb. 27. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

The Dance Department gratefully acknowledges the support of the Corbett Endowment at CCM.
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7 p.m. Wednesday, March 8
7 p.m. Thursday, March 9
7 p.m. Friday, March 10
• Studio Acting Series •
TRANSMIGRATION 2017
A Festival of Student-Created New Works
Richard E. Hess and Brant Russell, producers

TRANSMIGRATION, so named for “the movement from one place to another” or “the transition from one state of being to another,” is a festival of new works created by the acting students in CCM Acting. Six teams of actors craft and perform five original 30-minute shows. Performed simultaneously in different locations throughout CCM Village, TRANSMIGRATION will allow the audience to sample four different new works of their choosing in one spectacular evening. “Thanks to the [Acting] program at UC’s College-Conservatory of Music,” observed CityBeat’s Rick Pender, “theater fans were offered a jolt of onstage vitality.”
Location: Various locations throughout CCM Village
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 6. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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8 p.m. Thursday, March 30
8 p.m. Friday, March 31
2 & 8 p.m. Saturday, April 1
• Studio Musical Theatre Series •
CHILDREN OF EDEN
Music and lyrics by Stephen Schwartz
Book by John Caird
Vince DeGeorge, director and choreographer
Steve Goers, musical director

From the composer of smash hits Wicked and Godspell comes a uniquely personal and intimate retelling of the biblical Genesis story. Through the narratives of Adam and Eve, Cain and Abel, and Noah and his family, this beloved 1991 musical explores the uniquely human trait to desire adventure but yearn for the comfort and safety of home, or, “Eden.”
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 27. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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8 p.m. Thursday, April 20
8 p.m. Friday, April 21
2 & 8 p.m. Saturday, April 22
• Studio Acting Series •
VERY DUMB KIDS
By Gracie Gardner
Brant Russell, director

Sarah Nehal was murdered while working as a correspondent in New Delhi while her college friends were at home in the U.S. watching TV on the internet and peddling their esoteric skill sets. One year after her funeral, her friends meet for their annual Fourth of July reunion. Very Dumb Kids explores entitlement and how its effects are visited upon the disenfranchised as well as the privileged. But it’s also about empowerment, exploring how to live responsibly in an irresponsible universe. Join CCM Acting as we embark on our new play commissioning initiative: plays that speak to the unique experience that is being young in America; plays that are written for and about our students; plays that will go on to be produced by educational institutions and professional theater companies all over the country; plays that will involve a new generation of artists and audiences. And you’ll be able to say you were there when it all started.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, April 17. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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Reserving Tickets
All Studio Series performances held in CCM’s Cohen Family Studio Theater are free and open to the general public, but reservations are required. Reservations can be made the Monday before each show by visiting the CCM Box Office in person or calling 513-556-4183. Limit two tickets per order.

For additional information on reserving tickets for CCM’s Studio Series, visit ccm.uc.edu/about/villagenews/did-you-know/how-to-studio-series.

Some off-campus Studio Series productions require paid admission or reservations through a partner organization’s box office. Please refer to individual production listings for more information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
From left to right: CCM graduating seniors Eric Geil, Nate Irvin, Thomas Knapp and Dallas Padoven rehearse “Holiday” from American Idiot. The song is featured in this year’s New York Musical Theatre Showcase. Photo by Dallas Padoven.

CCM Snags the Award-Winning Punk Rock Musical ‘American Idiot’ for An Exciting and Eclectic 2015-16 Mainstage Series

From left to right, CCM graduating seniors Eric Geil, Thomas Knapp, Dallas Padoven and Nate Irvin rehearsing “Holiday” from American Idiot. This song is also featured in CCM's New York Musical Theatre Showcase later on this semester.

From left to right, CCM graduating seniors Eric Geil, Thomas Knapp, Dallas Padoven and Nate Irvin rehearsing “Holiday” from American Idiot. This song is also featured in CCM’s New York Musical Theatre Showcase later on this semester.

CCM has secured the rights to present the Tony Award-winning musical blockbuster American Idiot as part of its 2015-16 Mainstage Series. Running March 3 – 13, 2016, in CCM’s Patricia Corbett Theater, this will be the first local production of the acclaimed rock opera.

A critical smash on Broadway and in London, American Idiot is based on the Grammy Award-winning album of the same name by American punk rock band Green Day. The two-time Tony Award-winning musical tells the story of three disillusioned youths who are forced to choose between freedom and the safety of suburbia.

Inspired in part by such classic concept albums as The Who’s Tommy, The Rocky Horror Picture Show and Jesus Christ Superstar, American Idiot premiered at the Berkeley Repertory Theatre in 2009 and finished its most recent national tour in May 2014. With a raucous and exhilarating punk rock score, American Idiot boldly takes musical theatre where it has never gone before. For both the students and the faculty members at CCM, the boundary-pushing nature of this contemporary musical perfectly complements the college’s educational mission.

“Our production philosophy in the Musical Theatre program is simple,” explains Aubrey Berg, CCM’s Patricia A. Corbett Distinguished Chair of Musical Theatre and the director of this upcoming production. “During the four years a student spends with us, they will be exposed to every kind of musical theatre work. In the last few years, we have undertaken shows as varied as the groundbreaking Oklahoma!, the fancy foot-work of Singin’ in the Rain, the moving spectacle of Les Misérables and the beloved childhood fantasy of Peter Pan. And that does not include our Studio Series, which features such cutting-edge works as Carrie and Blood Brothers. Forgotten musicals are also well represented in our Musicals Redux Series, which digs into the great storehouse of musical theatre history to find some lost gems.” Chairman of CCM’s Department of Musical Theatre since 1987, Berg received the League of Cincinnati Theatres Continuing Achievement Award and was inducted into the CEA Hall of Fame in 2010.

CCM Adjunct Instructor Stephen Goers will join Berg as musical director for this production. The two have frequently collaborated on such musical productions as Into the Woods, Carrie and, most recently, Les Misérables. Over the years, their work together has garnered a large number of local arts awards, including Best Direction, Best Musical Direction and Best Musical.

Taking on a 21st century musical is already proving to be an exciting prospect for students at CCM, many of whom grew up with the original American Idiot concept album, which was released in 2004.

“I think it’s so special to be part of a program that embraces new musicals as well as the classics, in order to provide the most well rounded education possible for its students,” says third-year musical theatre major Tom Meglio. “American Idiot already has everyone in CCM’s Division of Theatre Arts rocking out and ready for some Junior High nostalgia!”

Classmate Taylor Alexander agrees: “The original Green Day album was a groundbreaking staple to our generation with its unique view on youth in America. The whole campus is going to be pumped to hear music we all grew up listening to!”

Described by the New York Times as “invigorating, moving and thrilling… a true rock opera,” American Idiot features a book by Billie Joe Armstrong and Michael Mayer, lyrics by Billie Joe Armstrong and music by the band Green Day. The score features the hits “Boulevard of Broken Dreams,” “21 Guns,” “Wake Me Up When September Ends,” “Holiday” and the iconic title track.

CCM will announce its entire 2015-16 Mainstage Series lineup in March of 2015. Running from October of 2015 through April of 2016, the series will include two operas, two musicals, two dramas and one story ballet.

Details on subscription packages and single ticket sales will be announced this summer. Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

American Idiot is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com
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A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

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