Watch CCM Wind Symphony’s Performance of Omar Thomas’ “A Mother of a Revolution”

In November 2019, the UC College-Conservatory of Music Wind Symphony presented a special concert to commemorate the 50th anniversary year of the Stonewall Uprising. Exclusively featuring works by LGBTQ+ composers, the performance showcased Omar Thomas’ A Mother of a Revolutionwhich is available to watch online.

A Mother of a Revolution celebrates the bravery of trans women, particularly Marsha “Pay it No Mind” Johnson, a pioneering leader of the LGBTQ+ rights movement and Stonewall Uprising. The Stonewall Uprising began in the early hours of June 28, 1969, when New York City police raided the Stonewall Inn, an LGBTQ+ bar and, today, a National Historic Landmark. This raid sparked a series of riots and protests that served as a significant catalyst for the country’s modern LGBTQ+ rights movement. Pride Month, celebrated each year in the month of June, honors the Stonewall Uprising as well as the impact that LGBTQ+ individuals have had on history locally, nationally and internationally.

CCM Wind Symphony music director and conductor Kevin Michael Holzman looks to find relevant anniversaries of important events to share with students and the community, which inspired him to program the concert of all LGBTQ+ works. Other works featured in the concert included Copland’s Fanfare for the Common Man, Higdon’s Mysterium, Clay Mettens’ Un-Masqued and Corigliano’s Mr. Tambourine Man.

“The contributions to music (and all of the fine arts) from LGBTQ+ artists are truly incredible; despite this fact, they are so rarely recognized explicitly,” says Holzman, CCM Interim Division Head of Ensembles and Conducting. “Many of these artists suffered tremendously and were treated as outcasts socially and professionally, particularly in the years prior to the turn of the millennium. An equal or greater number never felt safe coming out due to discrimination.”

The LGBTQ+ rights movement has seen significant success in recent years. Major milestones include when the U.S. Supreme Court ruled that same-sex marriage is legal in 2015 and ruled that existing federal law forbids job discrimination on the basis of sexual orientation or transgender status in a landmark case on June 15, 2020. Despite these victories, hate and prejudice towards the LGBTQ+ community remain prevalent in many parts of the U.S. and world.

CCM Wind Symphony’s performance was sponsored by the CCM Harmony Fund, which supports artistic works that fight hate and prejudice through the performing arts. This Fund was created based on the belief that the arts inspire imaginative thinking, encourage conversations, present contrasting attitudes and help us examine our own viewpoints. For the month of June, Eat Well Celebrations and Feasts in Newport, Kentucky, is selling pride cupcakes and a portion of the proceeds will benefit the CCM Harmony Fund.

Kevin Michael Holzman and Omar Thomas in front of CCM's booth at the Midwest Clinic International Band and Orchestra Conference in Chicago in December 2019.

Kevin Michael Holzman and Omar Thomas in front of CCM’s booth at the Midwest Clinic International Band and Orchestra Conference in Chicago in December 2019.

“I think it’s our job as music directors to recognize the powerful voice we have to amplify composers and musicians, particularly those who have been historically underrepresented,” Holzman says. “Our students at CCM represent so many diverse backgrounds and cultures, and it’s my responsibility to make sure they feel seen and heard. The first step, in my opinion, is to program works by composers with whom they identify. I also think it’s important that our audiences also feel seen and heard, and can relate to not only the music we perform but to the artists they see on stage and the composers on the program.”

Holzman has pledged that he will continue to program more works by female composers, Black composers and composers coming from other underrepresented populations in the future. Concert programming is just the start, though, and Holzman has formed a working group of graduate students to identify other ways to partner with the Black community and Cincinnati Public Schools.

Holzman first met A Mother of a Revolution composer Omar Thomas two years ago, when he programed Thomas’ Of Our New Day Begun on his first concert as Director of Wind Studies at CCM. Of Our New Day Begun honors the nine people who were murdered in a tragic mass shooting at the historic Emanuel African Methodist Episcopal Church (commonly referred to as “Mother Emanuel”) in Charleston, South Carolina on June 17, 2015.

“I knew I had to get to know the composer who wrote the work to be able to do it justice, and it turned into a great friendship,” Holzman says. “I’ll be a champion of Omar’s music and voice forever.”

Read about UC and CCM’s commitment to diversity, inclusion and a just community.

About Omar Thomas

Described as “elegant, beautiful, sophisticated, intense and crystal clear in emotional intent,” the music of Omar Thomas continues to move listeners everywhere it is performed. Born to Guyanese parents in Brooklyn, New York in 1984, Thomas moved to Boston in 2006 to pursue a Master of Music in Jazz Composition at the New England Conservatory of Music after studying Music Education at James Madison University in Harrisonburg, Virginia. He is the protégé of lauded composers and educators Ken Schaphorst and Frank Carlberg, and has studied under multiple Grammy-winning composer and bandleader Maria Schneider.

Hailed by Herbie Hancock as showing “great promise as a new voice in the further development of jazz in the future,” educator, arranger and award-winning composer Thomas has created music extensively in the contemporary jazz ensemble idiom. It was while completing his Master of Music degree that he was appointed the position of Assistant Professor of Harmony at Berklee College of Music at the surprisingly young age of 23. He was awarded the ASCAP Young Jazz Composers Award in 2008, and invited by the ASCAP Association to perform his music in their highly exclusive JaZzCap Showcase, held in New York City. In 2012, Thomas was named the Boston Music Award’s “Jazz Artist of the Year.” Following his Berklee tenure, he served on faculty of the Music Theory department at the Peabody Institute of the Johns Hopkins University in Baltimore. He is currently an Assistant Professor of Composition at the University of Texas at Austin.

Thomas’ music has been performed in concert halls the world over. He has been commissioned to create works in both jazz and classical styles. His work has been performed by such diverse groups as the Eastman New Jazz Ensemble, the San Francisco and Boston Gay Mens’ Choruses, and the Colorado Symphony Orchestra, in addition to a number of the country’s top collegiate music ensembles. Thomas has had a number of celebrated singers perform over his arrangements, including Stephanie Mills, Yolanda Adams, Nona Hendryx, BeBe Winans, Kenny Lattimore, Marsha Ambrosius, Sheila E., Raul Midon, Leela James, Dionne Warwick and Chaka Khan. His work is featured on Dianne Reeves’s Grammy Award-winning album, “Beautiful Life.”

Thomas’ first album, “I AM,” debuted at No. 1 on iTunes Jazz Charts and peaked at No. 13 on the Billboard Traditional Jazz Albums Chart. His second release, ” We Will Know: An LGBT Civil Rights Piece in Four Movements,” has been hailed by Grammy Award-wining drummer, composer and producer Terri Lyne Carrington as being a “thought provoking, multi-layered masterpiece” which has “put him in the esteemed category of great artists.” “We Will Know” was awarded two OUTMusic Awards, including “Album of the Year.” For this work, Thomas was named the 2014 Lavender Rhino Award recipient by the History Project, acknowledging his work as an up-and-coming activist in the Boston LGBTQ community. Says Terri Lyne: “Omar Thomas will prove to be one of the more important composer/arrangers of his time.”

Learn more about Omar Thomas on his professional website.


Feature image at top: CCM Wind Symphony in rehearsal. Design/Mikki Graff. Photo/Andrew Higley/UC Creative Services.

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Hope After Hate: E-Media Professor Shares Father’s Holocaust Experience

CCM E-Media Professor and Emmy Award-winning journalist Hagit Limor shares her father’s Holocaust survival story with lessons to inspire action against hatred and bigotry today

The spring 2020 edition of UC Magazine features a cover story about the ground-breaking “Hope After Hate” project launched by CCM E-Media Professor Hagit Limor. The story is available to read online.

Inspired by her father’s story of struggle and survival during the Holocaust, Limor set out to create “Hope After Hate: Moniek’s Legacy” to share his experience through immersive theatre and virtual reality. In October 2019, Limor’s Media Topics class of 15 students traveled to Poland and Germany to retrace her father’s journey. They will use the photos, videos and research collected during the trip to create an immersive play and virtual reality experience for the “Hope After Hate” project.

“Hope After Hate” will be an innovative, new kind of theatre — part play, part video and part virtual reality. Projections of historical settings will surround the audience during the immersive play, creating a virtual set in which they sit and interact with the actor portraying Moniek Limor. The “Hope After Hate” team is also creating a separate 15-minute virtual reality experience that will immerse users in Moniek’s story with goggles and hand sensors.

Viewers will be transported into the attic where he hid with his family as a child, into the Hasag-Pelcery labor camp where he was enslaved for more than a year as an adolescent, into the cattle-car train that transported him to the Buchenwald concentration camp when he was 14 and into the camp itself, where he was an inmate for four months. The project explores how people struggle to hold on to their humanity when surrounded by hate and fear. It also shares historical lessons in an effort to turn bystanders into upstanders who will speak out against hatred and bigotry today.

“Hope After Hate” unites students, faculty and staff from across UC, including undergraduate and graduate students majoring in E-Media, Acting, International Affairs, Political Science, Geography and History. CCM Acting Professor Susan Felder is adapting Limor’s memoir of her father’s experience into a script for the immersive play. Additionally, the “Hope After Hate” team is collaborating with CCM Lighting Design and Technology Professor Sharon Huizinga on how to create projections for the play. UC’s Center for Simulations and Virtual Environments Research (UCSIM) is building the VR experience with the 360-degree photos and videos that students captured while on the trip.

Read UC Magazine’s cover story on “Hope After Hate” to learn more about the project. Readers can also view photo galleries of images taken during the study abroad trip and watch a student-created documentary on the project.


“Hope After Hate” is sponsored by Cincinnati’s Holocaust and Humanity Center, and has already received support from private donors as well as Cincinnati’s Jewish Innovation Funds and the CCM Harmony Fund. This support offset travel expenses during the study abroad trip and funded some production expenses. However, the class is still actively collecting donations for projectors needed for the play and virtual reality equipment. Visit hopeafterhate.com for updates on the project and to learn how to get involved. 

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CSO musicians on stage during the CSO's "Live from Music Hall" concert stream.

CCM faculty featured in CSO’s grand return to Music Hall

CSO musicians on stage during the CSO's "Live from Music Hall" concert stream.

The Cincinnati Symphony Orchestra’s “Live from Music Hall” performance is available to stream online

The Cincinnati Symphony Orchestra mounted its first live performance in Music Hall since the outbreak of COVID-19 forced the cancellation of the remainder of its season. The Live from Music Hall performance, initially streamed on Saturday, May 16, is available to watch online.

The performance featured the launch of the CSO’s Fanfare Project, which commissions new music from more than a dozen composers to “inspire and uplift and to help us make sense of this moment in our shared history through the universal language of music.” CCM Professor and CSO Principal Oboe Dwight Parry gave the world premiere of the Fanfare Project’s first composition vitres (fragment…) by CSO Creative Partner Matthias Pintscher in the opening of the live-streamed concert.

CSO pianist and CCM Professor Michael Chertock with CSO principal cello and CCM Professor Ilya Finkelshteyn.

CSO pianist and CCM Professor Michael Chertock with CSO principal cello and CCM Professor Ilya Finkelshteyn.

Following the world premiere, four CSO musicians took the stage to perform Mahler’s Piano Quartet in A Minor — while maintaining social distances and wearing face masks. The performance featured CCM professors Michael Chertock, piano, and Ilya Finkelshteyn, cello; as well as CSO concertmaster Stefani Matsuo and principal viola Christian Colberg.

“The event was one step forward to the time when theaters will reopen, and we won’t be afraid to share a live communal experience,” wrote arts reporter Janelle Gelfand in her review for the Cincinnati Business Courier. “It was a message of hope that eventually our arts and culture will re-emerge.”

Watch the full performance online.


Images captured from the Cincinnati Symphony Orchestra’s concert video.

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Leo De La Cruz

CCM student oboist wins NFMC’s prestigious Carolyn Nelson Double Reed Award

Leo De La Cruz

CCM graduate student Leo De La Cruz turned heads in a variety of competitions during the 2019-20 season. Most recently, he won the National Federation of Music Clubs’ Carolyn Nelson Double Reed Award, which includes a $1,250 cash prize.

Leo De La Cruz rehearsing with CCM Chamber Winds. Photo/Provided.

Leo De La Cruz rehearsing with CCM Chamber Winds. Photo/Provided.

De La Cruz also won the CCM Wind Studies concerto competition, which culminated in a performance of Weber’s Concertino for Oboe and Wind Band with the CCM Chamber Winds on February 9, and he achieved an honorable mention at the 2020 Yamaha Young Performing Artists Competition.

To apply for the Carolyn Nelson Double Reed Award, De La Cruz submitted a 15-minute performance video, including the Weber Concertino he performed in February. His other selections were Dutilleux’s Oboe Sonata and Robert Schumann’s Three Romances, which he performed in chamber music recitals at CCM.

“I think the part that I’m most proud of about those recordings isn’t necessarily my own playing, but rather the back and forth between my partners and me,” De La Cruz says. “Both of them were fantastic collaborators and musicians, and I’m positive that my own playing improved drastically just through the work we did together.”

Before coming to CCM, De La Cruz attended high school in Spring, Texas (a suburb of Houston) and earned bachelor’s degrees in oboe performance and music theory from Furman University.

“I gravitated toward the oboe because it was unique; I was the only one in my middle school band who played it,” he remembers. “I never really planned on making music for a living, so I didn’t really take it very seriously until the end of high school, when I took a music theory class and really fell in love with the orchestral repertoire.”

De La Cruz is also working on two degrees at CCM — master’s degrees in oboe performance and music theory. In his oboe studies, he receives guidance from both of CCM’s oboe faculty, Professor of Oboe Mark Ostoich and Adjunct Assistant Professor of Oboe Dwight Parry, principal oboe at the Cincinnati Symphony Orchestra.

“I’m not quite sure what I want to do in the future quite honestly, because both of my interests bring me so much satisfaction,” De La Cruz says. “I can’t get enough of making music with other people, so if I could find a way to incorporate both chamber music and music theory into a career, I’d be happy.”


Story by CCM Graduate Student Alexandra Doyle

Featured Image at top: Leo De La Cruz. Photo/Provided.

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CCM Students, Alumni Unite in Virtual Performance of ‘You’ll Never Walk Alone’

Alumnus Harrison Sheckler organized 300 musicians from around the world for the special concert

CCM alumnus Harrison Sheckler (BM Piano, ’19) united 300 musicians from 15 countries for a virtual performance of Rodgers and Hammerstein’s “You’ll Never Walk Alone” from CarouselThe performance is available to watch online.

Now a student at the Conservatory of Music of Brooklyn College, Sheckler spent over 200 hours promoting, organizing submissions and video editing the project. He collected tracks from countries all over the world, including the United Kingdom, Mexico, Canada, Germany, Spain, France, Vietnam, Israel, Australia, South Africa and more.

The video features 30 CCM students and alumni representing multiple areas of the college including musical theatre, composition, music education, violin, violoncello, double bass, oboe, flute, piano, tuba, horn and more. It was produced by CCM Commercial Music Production alumni Josh Meyer and Grant Bayer, who are audio engineers at Cincinnati’s Zated Records. CCM students and alumni involved in the performance include:

  • Jenny Mollet (BFA Musical Theatre, ’19)
  • Giselle Haas (BM Music Education, ’19)
  • Kanako Shimasaki – current DMA Violin student
  • Maciej Latawiec (Matthew) – current DMA Violin student
  • Li-Han Eliza Tseng (DMA Violoncello, ’19)
  • Maksym Mahlay – current BM Composition and Piano student
  • Carolyn Regula – former DMA Violoncello student
  • Isabel Dimoff (BM Violoncello, ’18)
  • Jonathan Lin (BM Violoncello, ’18)
  • Micah Donar (BM Violoncello, ’17; MM Violoncello, ‘19)
  • Peter Ryan (MM Violoncello, ’19) – current DMA Violoncello current
  • Kimber Elayne Sprawl (BFA Musical Theatre, ’14)
  • Natalie Orth (BM Violin, ’20)
  • Taiga Benito – current BM Double Bass student
  • Dan Qiao (MM Violin, ’17) – current DMA Violin student
  • Taylor Overholt (BM Clarinet, ’19)
  • Collin Goff – current BM Music Education and Clarinet
  • Katie Riley – current BM Flute student
  • Ray Haim (BM Music Education, ’18)
  • Sarah Minneman – current DMA Oboe student
  • Bryan Lyons (BM Oboe, ’97) – current DMA Oboe student
  • Patrick Grimone (BM Oboe, ’19)
  • Eliza Edge (BM Horn, ’19)
  • Griffin Botts (BM Horn, ’17) – current MM Horn student
  • Ryan Penshorn – former BM Horn student
  • Phillip Palmore (BM Horn, ’20)
  • Evan Sacks-Wilner – current BM Tuba student
  • Harrison Sheckler (BM Piano, ’19)
  • Josh Meyer (BM Commercial Music Production, ’18)
  • Grant Bayer (BM Commercial Music Production, ’18)

The performance has garnered media attention from Broadway World and Musical America Worldwide.

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Donor Spotlight: Dr. Alvin and Jean Crawford

The Crawfords have a deep, lifelong love of music and the arts that led them to connect with CCM

Dr. Alvin Crawford, retired Chief of Orthopedics and founding director of the Spine Center at Cincinnati Children’s Hospital, has had a distinguished, internationally renowned career as an orthopedic surgeon. In his honor, the Spine Center was renamed the Crawford Spine Center.

But his first love was music.

He started playing trumpet in seventh grade, eventually switching to clarinet. He started college as a music major and wanted a career as a studio musician. In his sophomore year of college, he made a decision that changed the lives of thousands of children across the world: he decided to become a physician.

Dr. Alvin and Jean Crawford stand in the corridor of CCM's Mary Emery Hall. Photo/Joseph Rubino

Dr. Alvin and Jean Crawford stand in the corridor of CCM’s Mary Emery Hall. Photo/Joseph Rubino

Dr. Crawford attended Meharry Medical College in 1960, a time when most if not all southern schools were segregated. He applied for admission to the University of Tennessee and became the first African-American to enroll in this southern medical school. He could not transfer because the University of Tennessee did not consider Meharry Medical College an accredited medical school.

“I became an academic orthopedist, but continued to play,” he says. “I was hired by UC to head the Pediatric Orthopaedic service. Once my wife and I found out what CCM was all about, we decided to get involved. After I retired at Cincinnati Children’s, I was able to attend the jazz improvisation course for freshmen and we started coming to performances. Last year I took jazz history.”

Continuing to live out his love of music, Dr. Crawford helped form a group called “The Wannabes,” which plays for nonprofits and has played an opera gala. From there he joined the Queen City Concert band, a community band in Cincinnati.

Jean Crawford’s interest in music stretches back to the piano lessons she took as a child. She was a teacher and high school counselor and sang in choruses through college.

“I always encouraged my students to get involved and take any type of arts as electives,” she says. “When I served on the Cincinnati Opera board, I saw that most of our singers in the chorus were from CCM. When we attended CCM’s Moveable Feast, we realized the caliber of musicianship here and were hooked on CCM.”

Mrs. Crawford talks about the opportunity she did not have, but that she wants all children to have. “I lived in the segregated south and the opportunities to attend and participate in the arts were limited,” she says. “So my goal is to make sure that the performing arts are available to all communities. In this area, school districts have limited support for funding the arts. Through the prep schools, CCM provides arts exposure to them. Also, students from CCM go to public schools to give the children more exposure. I think that’s important. And to do that you need money.“

“I think they’re doing something [at CCM] that’s really important,” Dr. Crawford adds. “I became involved in the CCM Dean’s Advisory Council and I can see that the people here care. They care, and they want to put out a good product. And once I became involved with CCMpower, I was able to meet the kids and see what they’re doing.”


Who will you empower NEXT?

In order to recruit and retain top talent, CCM must be able to offer competitive scholarship and grant opportunities to our students. CCMpower raises funds through membership and special events in order to provide the resources that attract the best and brightest students. Learn more about how you can empower the next generation of CCM stars.


Story by Joseph Rubino

Featured image at top Cincinnati Mayor John Cranley, Dena Cranley, Barbara Gould, Jean Crawford and Dr. Alvin Crawford at CCM’s 2020 Moveable Feast. Photo/Andrew Higley

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What to stream in quarantine: CCM connections in shows and movies

As you scroll through streaming options, look out for these shows and movies that have local ties

You’ve finished working remotely for the day, just returned home from a walk and now you’re looking for some screen-time entertainment. Instead of watching that show for the 100th time, try turning to something that features the work of UC College-Conservatory of Music alumni.

The list of streaming suggestions below feature the work of CCM alumni from across the college including Acting, Musical Theatre, Electronic Media, Theatre Design and Production, Composition and Wig and Make-Up graduates.

Have another suggestion to add to our list? Submit your tip to us online. Please include the name of the alum and degree program, the name of the TV show or film and the available streaming options.

Shows

Blue Bloods

Musical Theatre alumna Leigh Ann Larkin, née Wielgus (BFA, ’02) has a recurring role as medical examiner Megan Carson on the CBS television series Blue Bloods. The police procedural drama stars Tom Selleck and Donnie Wahlberg. Learn more about Larkin’s role on the show.

Available to watch on the CBS website and Hulu.


Dead to Me

Distinguished CCM Acting alumna Diana Maria Riva (BFA, ’91; MFA, ’95) plays Detective Ana Perez on Netflix’s Dead to Me, starring Christina Applegate and Linda Cardellini. The dark comedy returns with a second season on May 8. Learn more about Diana Maria Riva.

Available to watch on Netflix.


Fuller House

CCM Acting alumna Eydie Faye (BFA, ’99) is a writer and editor on Netflix’s Fuller House, which follows the Tanner family as DJ Tanner-Fuller shares a home with her sister Stephanie and friend Kimmy, who help raise her three boys. The final episodes of the series will drop on June 2. Learn more about Faye’s workLearn more about Fuller House.

Available to watch on Netflix.


McMillion$

E-Media alumnus Brian Lazarte (BFA, ’14) co-directed McMillion$ with James Lee Hernandez, and the documentary series was picked up by Mark Walhberg’s production company Unrealistic Ideas and TV network HBO. McMillion$ centers on the McDonald’s monopoly fraud case, revealing the largely untold story that involves the FBI and the mafia, elaborate undercover stings and a slew of fascinating characters. Learn more about Lazarte’s workLearn more about the docuseries.

Available to watch on Hulu and HBO streaming platforms.


The Waltons

In the mood for some classic TV? Try these popular creations from alumnus Earl Hamner Jr. (CCM, ’48; UC HonDoc, ’08). Hamner was a member of UC’s first class of broadcasting graduates and worked at local radio station WLW before he began writing for TV and film. He created The Waltons and also wrote episodes of the original The Twilight Zone and the original animated film adaptation of Charlotte’s WebLearn more about Hamner’s work.

The Waltons and Charlotte’s Web are available to watch on Amazon Prime Video.

The Twilight Zone is available to watch on Hulu.


Waco

E-Media alumnus Elliot Greenberg (BFA, ’01) edited this six-part TV miniseries based on the 1992 Waco, Texas, siege. Learn more about the miniseries. Greenburg has also worked on films including Fantastic FourClerks IIQuarantine and more. Learn more about Greenberg’s work.

Waco is available to watch on Netflix and the Paramount Network.


Movies

A Wrinkle in Time

E-Media alum Dan Schroer (BFA, ’99) worked as the second assistant “a” camera in the family-friendly coming-of-age tale A Wrinkle in Time, starring Oprah Winfrey, Reese Witherspoon and Mindy Kaling. Schroer has worked on multiple blockbuster films including InceptionInterstellarThe Dark Knight Rises and DunkirkLearn more about Schroer’s work.

A Wrinkle in Time is available to watch on Disney+.


Gone Girl

CCM Theatre Design and Production alumna Dawn Swiderski (BFA, ’89) was the art director and CCM Acting alumnus Cooper Thornton (MFA, ’92) played Dr. Benson in the suspenseful drama, Gone Girl. Starring Ben Affleck and Rosamund Pike, the thriller is based on Gillian Flynn’s bestseller about a man suspected of wrongdoing when his wife goes missing. Learn more about the CCM connections in Gone Girl.

Available to rent or buy on Amazon Prime Video and available to watch on Hulu with a Live TV subscription.


The Hunger Games

Emmy Award-winning CCM Wig and Make-Up alumnus Bradley Look (MFA, ’88) is one of the most sought-after make-up artists in the industry. His work can be seen in The Hunger Games film series, Captain Marvel, Captain America: The Winter Soldier and Thor, to name a few. He won an Emmy for his work as a make-up artist on Star Trek: Voyager in 1996 and recieved Emmy nominations for his work on How I Met Your MotherPushing DaisiesEnterprise and Star Trek: Deep Space NineLearn more about Bradley’s work.

The Hunger Games series is available to watch on Hulu with a Live TV subscription.

Captain MarvelCaptain America: The Winter Soldier and Thor are available to watch on Disney+.


The Jungle Book

Before moving to the Star Wars universe, E-Media alumnus Nicholas Lipari was assistant editor on the live-action remake of The Jungle Book. The Disney favorite is reimagined with help from Hollywood voices including Bill Murray (Baloo), Ben Kinglsey (Bagheera), Idris Elba (Shere Khan), Christopher Walken (King Louie) and more. Learn more about Lipari’s work.

Available to watch on Disney+.


Novitiate

CCM Composition alumnus Tyler Bradley Walker (DMA, ’10) was the music supervisor of Novitiate and enlisted the help of fellow CCM Composition alumnus Christopher Stark (MM, ’07) to score the music-heavy feature film. Novitiate is about a 17-year-old girl who trains to become a nun as the Roman Catholic Church undergoes radical changes in the early 1960s. Maggie Betts directs the film, which stars Melissa Leo, Dennis O’Hare, Dianna Agron and Margaret Qualley. Learn more about Walker and Stark’s work.

Novitiate is available to rent on Amazon Prime Video.


Rogue One: A Star Wars Story

The force is strong with CCM E-Media alumnus Nicholas Lipari (BFA, ’12) who served as assistant editor on Rogue One: A Star Wars Story. The movie follows the daughter of an Imperial scientist who joins the Rebel Alliance in a risky move to steal the Death Star plans. Learn more about Lipari’s work on Rogue One.

Available to watch on Disney+.


Randy Edelman’s Epic Film Scores

Interested in something with a noteworthy score? Film composer and distinguished UC alumnus Randy Edelman (CCM ’69; UC HonDoc, ’04) has more than 100 compositions to his name. His scores for such movies as The Last of the MohicansGhostbusters IIThe Mummy: Tomb of the Dragon Emperor and While You Were Sleeping all earned him BMI Film Music Awards. His other film score credits include DragonheartThe Indian in the Cupboard and The Mask, to name a few. Learn more about Edelman’s work.

The Last of the MohicansGhostbusters IIThe Mummy: Tomb of the Dragon Emperor and While You Were Sleeping are available to rent on Amazon Prime Video. While You Were Sleeping is also available to watch on Hulu with a Showtime subscription.

Dragonheart is available to watch on Netflix.

The Indian in the Cupboard is available to rent on Amazon Prime Video and is available to watch on Hulu.

The Mask is available to watching on Hulu with a Cinemax subscription.


Have another suggestion to add to our list? Submit your tip to us online. Please include the name of the alum and degree program, the name of the TV show or film and the available streaming options.

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Playbill Streams Broadway’s ‘Bandstand’ Musical Film on April 10

Playbill will stream the 2017 Broadway musical Bandstand, written by CCM Acting alumnus Richard Oberacker (BFA, ’93) and Robert Taylor, beginning tonight, April 10, 2020. The Tony Award-winning musical tells the story of World War II veteran Donny Novitski, who forms a band with fellow veterans and enters a national contest to become America’s newest musical sensation.

Richard Oberacker with CCM Acting Professor Richard Hess at a preview performance of “Bandstand” on Broadway.

The first Playbill Playback, a new series in which old and recent favorite musicals can be streamed on Playbill.com, Bandstand will be streamed for the first time on April 10 and will be available through April 17. A portion of the proceeds raised with the stream will go to The Actors Fund.

The Bandstand stream will also feature an interview with co-stars Laura Osnes, Corey Cott and Beth Leavel as well as director-choreographer Andy Blankenbuehler and co-creators Oberacker and Taylor.

In addition to Oberacker, alumni from across CCM are involved in this award-winning musical. Geoff Packard (BFA Musical Theatre, ’04) plays Wayne Wright, a trombonist in the veteran band; Max Clayton (BFA Musical Theatre, ’14) is in the ensemble; Greg Anthony Rassen (MM Orchestral Conducting, ’03) is the co-orchestrator, music supervisor and music arranger; and David Kreppel (BFA Musical Theatre, ’92) is the vocal music arranger.

Bandstand was the first theatrical production in history to be certified authentic by Got Your 6, an organization that advocates for authentic portrayal of the military across entertainment.

Learn more about the Bandstand stream on Playbill.

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Enjoy a Classic Jazz Performance from CCM’s Video Archives

Although the theaters and concert halls at the University of Cincinnati’s nationally ranked and internationally renowned College-Conservatory of Music are temporarily silent, audiences can still experience world-class performances through CCM’s new CCMONSTAGE Online video series. This week’s release features a classic jazz performance from CCM’s video archives.

On May 22, 2011, the CCM Jazz Ensemble was joined by Grammy Award-nominee, National Endowment for the Arts Jazz Master and Kennedy Center “Living Legend of Jazz” Gerald Wilson (1918-2014) for an unforgettable evening of big band music. The concert also featured the talents of Mary Ellen Tanner (1946-2014), a renowned jazz vocalist who taught at CCM for many years.

An acclaimed composer, arranger and band leader of modern jazz who was in his 92nd year at the time of this recording, Wilson’s talent was legendary among jazz insiders. His classic compositions include “Blues for Count Basie” written for Basie while Wilson was in his band and “Blues for Yna Yna,” which was the second jazz waltz ever written.

“Gerald Wilson is a living legend and a part of the golden age of the big band as a writer, arranger and trumpet player,” CCM Professor and Jazz department head Scott Belck commented in 2011, adding that Wilson was also “one of the most interesting cats you will ever meet.” Wilson passed away in Los Angeles in September 2014.

Wilson’s groundbreaking compositions, intricate arrangements and immediately recognizable sound put him in a league of his own. In his prolific seven-decade career as composer and arranger, Wilson was behind some of the greatest names in jazz, including Duke Ellington, Count Basie, Ray Charles, Ella Fitzgerald, Benny Carter, Nancy Wilson and Bobby Darin. Beyond his jazz accomplishments, Wilson’s symphonic compositions were performed by the Los Angeles Philharmonic under the direction of Zubin Mehta. He even scored a top 40 pop hit with El Chicano’s 1970 version of his “Viva Tirado,” a song that has been recorded in at least 18 different versions, including a hip-hop rendition by Latino rapper Kid Frost.

This concert was originally streamed online with support provided by the Corbett Endowment for CCM and the Franklin L. Folger Trust. The performance was later broadcast on CET Cincinnati Public Television.

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Featured image at top: The CCM Jazz Ensemble in a March 2012 rehearsal. Photo/Dottie Stover/UC Creative Services.

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CCM Acting Class of 2020 Presents Virtual Senior Showcase

Watch a collection of five scenes showcasing the talents of CCM Acting’s Class of 2020

The Acting Department at the University of Cincinnati College-Conservatory of Music (CCM Acting) proudly presents its first Virtual Senior Showcase. Although the COVID-19 novel coronavirus prevented CCM Acting from holding its customary Senior Showcases for agents and casting directors in New York and Los Angeles this spring, the program’s new Virtual Senior Showcase allows industry insiders and the general public to see this year’s seniors in action.

The video showcase includes five scenes showcasing the talents of CCM Acting’s Class of 2020. Directed by Professor D’Arcy Smith, the A.B., Dolly, Ralph and Julia Cohen Chair in Acting at CCM, the showcase features students performing excerpts from TV programs, films and plays including “227,” “Pretty Little Liars,” “Pysch” and “Embers” along with an excerpt of “My So-Called Gay Life” written by CCM Acting student Abby Palen. A collaboration with CCM’s Electronic Media program, the CCM Acting Virtual Senior Showcase features the work of E-Media majors Caleb Smiley and Carlos Herriott II. Viewer discretion is advised; this video features strong language and mature content.

“Although we’ve transitioned to remote operations, we remain committed to our ongoing academic and artistic missions,” says Smith. “Our senior Acting students have put in countless hours preparing for their industry debuts in this year’s Senior Showcase and they deserve to have their time in the spotlight. They should be very proud of everything that they have accomplished, and we are happy to present this video snapshot of their talent for the entire world to enjoy.”

Get to know the graduating seniors by reading their professional summaries!

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