Opera Fusion Fall 2015: Shalimar the Clown.

CCM, Cincinnati Opera and Opera Theatre of Saint Louis Stream Excerpts from ‘Shalimar the Clown’ on Dec. 8

CCM and Cincinnati Opera awarded the fall 2015 Opera Fusion: New Works residency to the new American opera Shalimar the Clown, which will have its world premiere at Opera Theatre of Saint Louis on June 11, 2016. Composed by Jack Perla to a libretto by Rajiv Joseph, and adapted from the Salman Rushdie novel, the opera was workshopped from Oct. 7 -17, with a free public performance of excerpts on Oct. 17 at the Transept in Over-the-Rhine. The workshop was directed by James Robinson, artistic director at Opera Theatre of Saint Louis, who will also direct the mainstage premiere, and conducted by Roberto Kalb, the resident assistant conductor at Opera Theatre of Saint Louis.

On Tuesday, December 8, a recording of that live performance will stream online, one time only, at 3 p.m. Eastern/2 p.m. Central. To watch, visit livestream.com/cincinnatiopera/ShalimartheClown.

Artists featured in the workshop performance include instrumentalists Javad Butah (tabla) and Hans Utter (sitar), and singers Brandon Scott Russell, Andrea Wells, Tyler Alessi, Christian Pursell, Chelsea Melamed, Ann Toomey, Kayleigh Decker, Blake Lampton, Vernon Hartman, Robert Stahley and Ben Lee.

About Shalimar the Clown
Shalimar the Clown tells the story of Shalimar and his beloved Boonyi, who have grown up together in a pastoral Kashmiri village, making people laugh as acrobats and dancers in a traditional folk theater. Though one is Muslim and one is Hindu, they fall in love—and despite all odds, their village embraces their marriage. But when a new American ambassador sees Boonyi dance, dark clouds gather. The promise of a new life tears their love apart and sends Shalimar down a path of revenge.

About Opera Fusion: New Works
Opera Fusion: New Works, a unique collaboration between Cincinnati Opera and CCM’s Department of Opera, was created in 2011 to foster the development of new American operas. The program offers composers or composer/librettist teams the opportunity to workshop an opera during a 10-day residency in Cincinnati, utilizing the talent, personnel, and facilities of both organizations. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a public performance. The program is led by co-artistic directors Marcus Küchle, Director of Artistic Operations of Cincinnati Opera, and Robin Guarino, the J. Ralph Corbett Distinguished Chair of Opera at CCM. Opera Fusion: New Works is generously funded by a grant from The Andrew W. Mellon Foundation.

In 2011, Opera Fusion: New Works awarded its first workshop to composer Douglas J. Cuomo and librettist John Patrick Shanley in support of their new opera Doubt, which premiered at Minnesota Opera in January 2013. In 2012, Opera Fusion: New Works provided workshops for Champion, by composer Terence Blanchard and librettist Michael Cristofer, which premiered at Opera Theatre of Saint Louis in June 2013; and Morning Star, by composer Ricky Ian Gordon and librettist William M. Hoffman, which premiered at Cincinnati Opera in June 2015. In 2013, the residency went to Fellow Travelers, by composer Gregory Spears and librettist Greg Pierce, which will have its world premiere at Cincinnati Opera on June 17, 2016. In 2014, the program invited composer Jake Heggie and librettist Terrence McNally to workshop Great Scott, which premiered at The Dallas Opera on October 30, 2015. For the final workshop of the original six-workshop grant, the residency was awarded to Meet John Doe, with music and libretto by the late Daniel Catán. The first workshop of the second six-opera grant cycle was given in October 2015 to Shalimar the Clown.

About composer Jack Perla
Composer and pianist Jack Perla is active in opera, jazz, chamber, and symphonic music. His operas and instrumental compositions have been widely performed, and he has performed in the U.S., Europe, and Japan, forging a reputation for his unique cross-fertilization of jazz and classical music. Perla has been commissioned by Seattle Opera, Los Angeles Opera, Opera Theatre of Saint Louis, Houston Grand Opera, and the Barlow Endowment for Music Composition. He is also a recipient of the Thelonious Monk Institute Jazz Composers Award, as well as awards, support, and recognition from the Argosy Fund for New Music, the MacDowell Colony, Yaddo, and numerous other organizations. Called “a gripping piece of musical theater,” An American Dream, Perla’s fifth work for a major U.S. company, received its premiere with Seattle Opera in August 2015. Enormous Changes, Perla’s third jazz recording, was recently released on Origin Records, and Pretty Boy, a new disc of chamber and vocal music, is slated for release this winter. Perla grew up in Brooklyn and lived in New York City while attending NYU and the Manhattan School of Music. He earned his D.M.A. in composition from the Yale School of Music, and lives and works in San Francisco.

About librettist Rajiv Joseph
Rajiv Joseph is the author of the Broadway play Bengal Tiger at the Baghdad Zoo, which was a 2010 Pulitzer Prize finalist for Drama and was also awarded a grant for Outstanding New American Play by the National Endowment for the Arts. Joseph’s other plays include Guards at the TajThe North PoolGruesome Playground InjuriesAnimals Out of PaperMr. Wolf, and The Lake Effect. Joseph has written for television, including seasons 3 and 4 of the award-winning Showtime series Nurse Jackie. He also has written for film, and is the co-writer of the 2014 Lionsgate feature Draft Day and the upcoming release, Army of One. He received his B.A. in Creative Writing from Miami University and his M.F.A. in Dramatic Writing from New York University’s Tisch School of the Arts. He served for three years in the Peace Corps in Senegal and now lives in Brooklyn.

About stage director James Robinson
James Robinson is the artistic director at Opera Theatre of Saint Louis, where he has directed the world premieres of Terence Blanchard’s Champion and Ricky Ian Gordon’s 27 in addition to John Adams’s Nixon in China and The Death of Klinghoffer, the American premiere of Unsuk Chin’s Alice in Wonderland and Tobias Picker’s Emmeline. His work has been seen throughout the world at such companies as the Wexford Festival, the Royal Swedish Opera, Opera Australia, Canadian Opera Company, the London Symphony, Welsh National Opera, San Francisco Opera, Houston Grand Opera, Seattle Opera, New York City Opera, Dallas Opera, Washington National Opera, Los Angeles Opera, the Hollywood Bowl, and the Aspen Music Festival. He has directed several productions for the Santa Fe Opera, including the American premiere of Huang Ruo’s Dr. Sun Yat-Sen and will return in 2016 for Vanessa. Other future projects include Nixon in China for Houston Grand Opera, The Elixir of Love for the Canadian Opera Company, and the world premiere of Shalimar the Clown for Opera Theatre of Saint Louis.

Opera Fusion: New Works is sponsored by a generous grant from The Andrew W. Mellon Foundation.

 

CCM News
Opera Fusion Fall 2015: Shalimar the Clown.

Opera Fusion: New Works Grant Renewed by The Andrew W. Mellon Foundation

 

Cincinnati Opera and CCM are pleased to announce that their groundbreaking joint program, Opera Fusion: New Works, has been renewed by The Andrew W. Mellon Foundation with a gift of $300,000, which will fund another six workshops over the next three years.

Thanks to a generous grant from The Andrew W. Mellon Foundation, Opera Fusion: New Works was created in 2011 to foster the development of new American operas. The program offers composers or composer/librettist teams the opportunity to workshop an opera during a 10-day residency in Cincinnati, utilizing the talent, personnel, and facilities of both organizations. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a public performance. The program is led by co-artistic directors Marcus Küchle, Director of Artistic Operations of Cincinnati Opera, and Robin Guarino, the J. Ralph Corbett Distinguished Chair of Opera at CCM.

“We are thrilled that The Andrew W. Mellon Foundation recognized the impact and importance of this collaboration,” said Patricia K. Beggs, The Harry Fath General Director & CEO of Cincinnati Opera. “The mainstage success of the operas that have come through Opera Fusion: New Works is a testament to the invaluable workshop opportunity the program offers to a new piece.”

“Opera Fusion: New Works provides CCM’s students with something truly remarkable: an opportunity to work directly with world-class artists on the development of new creative works,” said Peter Landgren, the Thomas James Kelly Professor of Music and Dean at CCM. “This workshopping process allows our students to exercise a very different set of artistic and pedagogical muscles, when compared to the process of learning standard repertoire. These life-changing opportunities would not be possible without The Andrew W. Mellon Foundation’s generous support of experiential learning at CCM, and we could not have a better partner in this endeavor than Cincinnati Opera.”

“We are incredibly grateful for the trust in and recognition of our work with Opera Fusion: New Works over the past three years that is expressed through this generous grant by The Andrew W. Mellon Foundation,” said Marcus Küchle, co-artistic director of Opera Fusion: New Works. “These are exciting times for the development of new opera and we are thrilled to continue to play a meaningful role.”

In 2011, Opera Fusion: New Works awarded its first workshop to composer Douglas J. Cuomo and librettist John Patrick Shanley in support of their new opera Doubt, which premiered at Minnesota Opera in January 2013. In 2012, Opera Fusion: New Works provided workshops for Champion, by composer Terence Blanchard and librettist Michael Cristofer, which premiered at Opera Theatre of Saint Louis in June 2013; and Morning Star, by composer Ricky Ian Gordon and librettist William M. Hoffman, which premiered at Cincinnati Opera in June 2015. In 2013, the residency went to Fellow Travelers, by composer Gregory Spears and librettist Greg Pierce, which will have its world premiere at Cincinnati Opera on June 17, 2016. In 2014, the program invited composer Jake Heggie and librettist Terrence McNally to workshop Great Scott, which will premiere at The Dallas Opera on October 30, 2015. For the final workshop of the original six-workshop grant, the residency was awarded to Meet John Doe, with music and libretto by the late Daniel Catán.

“Over the past three years, Opera Fusion: New Works has had a seismic effect on the current art of opera, developing six world premieres, all operas with vital themes for today’s audiences,” said co-artistic director Robin Guarino. “We kick off the next three years and the renewal of our grant with an opera by an innovative composer and librettist team.”

'Shalimar the Clown' is adapted from the 2005 novel of the same name by Salman Rushdie.

‘Shalimar the Clown’ is adapted from the 2005 novel of the same name by Salman Rushdie.

The first opera to benefit from the new cycle of workshops will be Shalimar the Clown, which will receive a residency in Cincinnati from October 7 to 17, 2015. The new opera features music by Jack Perla and a libretto by Rajiv Joseph, adapted from the 2005 novel of the same name by Salman Rushdie.

The opera will have its world premiere at Opera Theatre of Saint Louis on June 11, 2016. The workshop will be directed by James Robinson, artistic director at Opera Theatre of Saint Louis, who will also direct the mainstage premiere, and will be conducted by Roberto Kalb, the resident assistant conductor at Opera Theatre of Saint Louis. This is the second time that Opera Fusion: New Works has awarded a workshop to an opera with an upcoming premiere at Opera Theatre of Saint Louis; the first was the aforementioned Champion, by composer Terence Blanchard and librettist Michael Cristofer.

The 10-day workshop will culminate in a free public reading of excerpts at 7:30 p.m. on Saturday, October 17, 2015 at the newly-opened Over-the-Rhine event space The Transept, 1205 Elm Street, Cincinnati, OH 45202. Tickets are available now through the Cincinnati Opera box office; call 513-241-2742 to reserve. The performance will stream on the Cincinnati Opera website at cincinnatiopera.org.

“I’ve been hoping to work with Robin, Marcus, and Opera Fusion: New Works for some time, and I couldn’t ask for better than to do so with Shalimar the Clown,” said composer Jack Perla. “This is a tremendous opportunity to test and fine-tune this opera stem to stern—to assess its pacing, vocal writing, and dramatic development, well in advance of production and the work’s premiere. Director Jim Robinson, librettist Rajiv Joseph, and the Opera Fusion: New Works team all together in one place, focused on that effort? I couldn’t ask for a better situation for developing this ambitious piece.”

“Workshops such as these are essential for the development of new works such as Shalimar,” said librettist Rajiv Joseph. “It’s one thing to sit in one’s room and write out a bunch of sentences and lyrics, hoping they’re perfect. But, for me at least, it’s not until I can hear them read—and sung—aloud in a room that I have any idea whether what I’ve done is working. Usually it’s not, and so the real work begins.”

About Shalimar the Clown
Shalimar the Clown tells the story of Shalimar and his beloved Boonyi, who have grown up together in a pastoral Kashmiri village, making people laugh as acrobats and dancers in a traditional folk theater. Though one is Muslim and one is Hindu, they fall in love—and despite all odds, their village embraces their marriage. But when a new American ambassador sees Boonyi dance, dark clouds gather. The promise of a new life tears their love apart and sends Shalimar down a path of revenge.

About composer Jack Perla
Composer and pianist Jack Perla is active in opera, jazz, chamber, and symphonic music. His operas and instrumental compositions have been widely performed, and he has performed in the U.S., Europe, and Japan, forging a reputation for his unique cross-fertilization of jazz and classical music. Perla has been commissioned by Seattle Opera, Los Angeles Opera, Opera Theatre of Saint Louis, Houston Grand Opera, and the Barlow Endowment for Music Composition. He is also a recipient of the Thelonious Monk Institute Jazz Composers Award, as well as awards, support, and recognition from the Argosy Fund for New Music, the MacDowell Colony, Yaddo, and numerous other organizations. Called “a gripping piece of musical theater,” An American Dream, Perla’s fifth work for a major U.S. company, received its premiere with Seattle Opera in August 2015. Enormous Changes, Perla’s third jazz recording, was recently released on Origin Records, and Pretty Boy, a new disc of chamber and vocal music, is slated for release this winter. Perla grew up in Brooklyn and lived in New York City while attending NYU and the Manhattan School of Music. He earned his D.M.A. in composition from the Yale School of Music, and lives and works in San Francisco.

About librettist Rajiv Joseph
Rajiv Joseph is the author of the Broadway play Bengal Tiger at the Baghdad Zoo, which was a 2010 Pulitzer Prize finalist for Drama and was also awarded a grant for Outstanding New American Play by the National Endowment for the Arts. Joseph’s other plays include Guards at the TajThe North PoolGruesome Playground InjuriesAnimals Out of PaperMr. Wolf, and The Lake Effect. Joseph has written for television, including seasons 3 and 4 of the award-winning Showtime series Nurse Jackie. He also has written for film, and is the co-writer of the 2014 Lionsgate feature Draft Day and the upcoming release, Army of One. He received his B.A. in Creative Writing from Miami University and his M.F.A. in Dramatic Writing from New York University’s Tisch School of the Arts. He served for three years in the Peace Corps in Senegal and now lives in Brooklyn.

About stage director James Robinson
James Robinson is the artistic director at Opera Theatre of Saint Louis, where he has directed the world premieres of Terence Blanchard’s Champion and Ricky Ian Gordon’s 27 in addition to John Adams’s Nixon in China and The Death of Klinghoffer, the American premiere of Unsuk Chin’s Alice in Wonderland and Tobias Picker’s Emmeline. His work has been seen throughout the world at such companies as the Wexford Festival, the Royal Swedish Opera, Opera Australia, Canadian Opera Company, the London Symphony, Welsh National Opera, San Francisco Opera, Houston Grand Opera, Seattle Opera, New York City Opera, Dallas Opera, Washington National Opera, Los Angeles Opera, the Hollywood Bowl, and the Aspen Music Festival. He has directed several productions for the Santa Fe Opera, including the American premiere of Huang Ruo’s Dr. Sun Yat-Sen and will return in 2016 for Vanessa. Other future projects include Nixon in China for Houston Grand Opera, The Elixir of Love for the Canadian Opera Company, and the world premiere of Shalimar the Clown for Opera Theatre of Saint Louis.

Opera Fusion: New Works is sponsored by a generous grant from The Andrew W. Mellon Foundation.

CCM News
CCM's Cohen Family Studio Theater. Photography by Adam Zeek.

CCM Announces 2015-16 Studio Series of Opera, Musical Theatre, Drama & Dance

All-time favorites and daring new works receive equal billing during CCM’s 2015-16 Studio Series. This year’s 12-part series of performing and media arts events features an eclectic mix of opera, musical theatre, drama and dance productions, all featuring CCM’s acclaimed “stars-of-tomorrow.”

Season highlights include an irreverent comedy co-produced with Know Theatre of Cincinnati, a world-premiere produced in partnership with Cincinnati Opera and Opera Theatre of St. Louis, and two film collaborations with CCM’s Division of Electronic Media.

This year’s lineup also includes six free productions held in CCM’s intimate and versatile “black box” space, the Cohen Family Studio Theater, which provides audiences with an unparalleled “up-close-and-personal” performing arts experience.

CCM’s Studio Series runs from Oct. 8, 2015, through April 23, 2016. Please see below for full production and ticketing details.

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CCM 2015-16 STUDIO SERIES
Opera, Musical Theatre, Drama and Dance

BIG RIVER: THE ADVENTURES OF HUCKLEBERRY FINN
Music and lyrics by Roger Miller
Book by William Hauptmann
Vince DeGeorge, director
Steve Goers, musical director
Patti James, choreographer

Meet Mark Twain’s Huck Finn and Tom Sawyer in an irrepressible adaptation of a timeless novel. With a foot-stompin’ country score by Roger Miller, Big River brings to life all the favorite characters from the original – Widow Douglas, the King and Duke, Pap Finn, Mary Jane Wilkes and, of course, the Royal Nonesuch. A dazzling, heartwarming slice of Americana and the crowning achievement of one of country music’s most celebrated careers, Big River is a Tony-Award winning musical for all ages.

Performance Dates: Oct. 8 – 10, 2015
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 5. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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THE HUNCHBACK OF SEVILLE
A co-production between Know Theatre of Cincinnati and CCM’s Division of Theatre Arts, Production and Arts Administration
Written by Charise Castro Smith
Brant Russell, director

An absurdist play amped to the max, The Hunchback of Seville delves into the lives of the monarchy and citizens of 15th-century Spain: the infamous Queen Isabella, the spoiled Infanta Juana (the future Queen of Spain), and the Muslim Talib who is desperately attempting to avoid persecution at the hands of the Spanish Inquisition. All of this revolves around Maxima, a mathematical genius and adopted royal family member who is locked away in a tower and pines for Talib’s love. Smith’s play uses this dark, comedic plot both for laughs and as a serious means to examine sanitized history and human rights injustices both in Spain and the new world that Columbus “discovered.” This exciting collaboration brings CCM drama students to Know Theatre’s stage for a history lesson you won’t get in college!

Performance Dates: Oct. 9 – 24, 2015
Location: Know Theatre of Cincinnati, 1120 Jackson Street, Cincinnati, OH 45202
Admission: Tickets available through the Know Theatre Box Office by calling 513-300-5669 or online at http://knowtheatre.com.

Drama Studio Series Sponsor: Neil Artman & Margaret Straub

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SHALIMAR THE CLOWN
A collaboration between CCM Opera, Cincinnati Opera and Opera Theatre of St. Louis
Co-artistic directors Robin Guarino and Marcus Küchle
Music by Jack Perla
Libretto by Rajiv Joseph
Directed by James Robinson

Funded by a grant from the Andrew W. Mellon Foundation, CCM Opera and Cincinnati Opera present a rare behind-the-scenes look at the creation of an original work. An opera based on the novel of the same name by Salman Rushdie, Shalimar the Clown revolves around a child named India who loses her father—a United States diplomat to India’s namesake country—to assassination at the hands of his former chauffeur Shalimar. The reasons that led the former clown to murder India’s father tell of the fragility of human life and love, detailing how complicated and non-simplistic our stories are, how large the consequences of our actions can loom, and how great joys can turn into unbearable sadness and senseless tragedy.

Performance Date: Saturday, Oct. 17, 2015
Location: TBA
Admission: For ticket details and location for the public reading of Shalimar the Clown, please contact the Cincinnati Opera box office at 513-241-2742.

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WILLIAM BOLCOM: CABARET SONGS
Lydia Brown, music director and piano
Robin Guarino and Marcus Shields, stage directors

William Bolcom’s career is storied: famed pianist, Pulitzer Prize-winning composer, Ragtime revivalist and acclaimed professor at the University of Michigan. Arnold Weinstein, a self-proclaimed “theatre poet,” won acclaim as a lyricist for famed musicals such as Metamorphoses. Brought together by Darius Milhaud, the duo had a prolific partnership from 1964 until Weinstein’s death in 2005. Their collaborations included famed operas such as McTeague, A Wedding and others. Among these works were four sets of cabaret songs written between the 1970s and 1990s. CCM Opera is proud to present the first complete performance of all 24 of these cabaret songs.

Performance Dates: Oct. 23 – 25, 2015
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 19. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

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SECOND ANNUAL CCM 48-HOUR FILM FESTIVAL
Co-produced with CCM’s Division of Electronic Media
Richard E. Hess and John Owens, producers

You are invited to a celebration of original film work by CCM students. After random team placement, student authors, actors, directors, editors and composers have 48 hours to create finished original short films. The general public is invited to a screening of these works at the end of the 48-hour project time! Six teams, six short films, plus six guest artists from Kenyatta University in Nairobi, Kenya will surprise and delight.

Screening Time: 7 p.m. Sunday, Nov. 8, 2015
Location: MainStreet Cinema, UC’s Tangeman University Center
Admission: Admission is free. Reservations are not required.

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IL SIGNOR BRUSCHINO
Music by Giachino Rossini
Libretto by Giuseppe Maria Foppa
Frances Rabalais, director

A brilliant one-act operatic farce based upon the play Le fils par hasard, ou ruse et folie by Alissan de Chazet and E.T.M. Ourry, Il Signor Bruschino features the traditional hallmarks of opera buffa: mistaken identity, star-crossed lovers, betrothed confusion, and an ending that ties up all the loose ends. Relax your mind and enjoy a playful romp in a French castle!

Performance Dates: Feb. 19 – 21, 2016
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Feb. 15. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

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DANCE STUDENT CHOREOGRAPHER’S SHOWCASE
Andre Megerdichian, director

Come experience the next generation of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works.

Performance Dates: March 3 – 5, 2016
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, Feb. 29. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

The Dance Department gratefully acknowledges the support of the Corbett Endowment at CCM.
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TRANSMIGRATION 2016
A Festival of Student-Created New Works
Richard E. Hess, coordinator
Brant Russell, producer

TRANSMIGRATION, so named for “the movement from one place to another” or “the transition from one state of being to another,” is a festival of new works created by the acting students in CCM Drama. Six teams of actors craft and perform five original 30-minute shows. Performed simultaneously in different locations throughout CCM Village, TRANSMIGRATION will allow the audience to sample four different new works of their choosing in one spectacular evening. “Thanks to the drama program at UC’s College-Conservatory of Music,” observed CityBeat’s Rick Pender, “theater fans were offered a jolt of onstage vitality.”

Performance Dates: March 10 – 12, 2016
Location: Various locations throughout CCM Village, including Corbett Center rooms 3705, 4735 and 4755
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 7. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Drama Studio Series Sponsor: Neil Artman & Margaret Straub

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MARIA STUARDA
CCM’s Opera d’Arte Undergraduate Opera Series
Music by Gaetano Donizetti
Libretto by Giuseppe Bardari
Brett Scott, music director and conductor
Amy Johnson, Stage Director
Kenneth Shaw, Co-producer

One of the hallmarks of bel canto opera, Maria Stuarda is a story of intrigue, confrontation and tragedy loosely based upon the lives of Mary, Queen of Scots (Mary Stuart) and her cousin Queen Elizabeth I.

Performance Dates: March 11 – 13, 2016
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 7. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

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BINARY
Co-produced with CCM’s Division of Electronic Media
Screenplay by Owen Alderson
Richard E. Hess and John Owens, producers

Set in a Massachusetts private boarding school, Binary is a coming of age story following one student’s journey to embrace a new identity in the face of peer adversity. Winner of the first-ever CCM screen-writing contest, this original short film with screenplay by CCM Drama major Owen Alderson will be jointly produced by the CCM E-Media and Drama Departments.

Screening Time: 7 p.m. Saturday, April 2, 2016
Location: MainStreet Cinema, UC’s Tangeman University Center
Admission: Admission is free. Reservations are not required.

The April 2 screening of Binary has been canceled. A rescheduled screening date will be announced soon.

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LYSISTRATA JONES
Lyrics and Music by Lewis Flinn
Book by Douglas Carter Beane
Emma Griffin, director
Danny White, musical director
Patti James, choreographer

The Athens University basketball team hasn’t won a game in 30 years. But when spunky transfer student Lysistrata Jones dares the squad’s fed-up girlfriends to stop “giving it up” to their boyfriends until they win a game, their legendary losing streak could finally come to an end. Adapted from Lysistrata, Aristophanes’ classic Greek comedy, Lysistrata Jones takes student activism to a whole new level and celebrates the journey of discovering and embracing your true self.

Performance Dates: April 7 – 9, 2016
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, April 4. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

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VERY DUMB KIDS
(formerly THE GREAT MAJORITY)
Written by Gracie Gardner
Brant Russell, director

Join us for a staged reading of an in-progress play by rising New York star Gracie Gardner. Sarah Nehal was murdered while working as a correspondent in New Delhi while her college friends were at home in the U.S. streaming TV on the internet and peddling their esoteric skill sets. One year after her funeral, Sarah’s friends meet for their annual Fourth of July reunion. The play explores entitlement and how its effects are visited upon the disenfranchised as well as the privileged. It’s also about how we can live responsibly in an irresponsible universe. The Great Majority is the inaugural production of CCM Drama’s new play-commissioning initiative: plays that speak to the unique experience of being young in America; plays that are written for and about our students; plays that will go on to be produced by educational institutions and professional theatre companies all over the country; plays that will involve a new generation of artists and audiences… and you will be able to say you were there when it all started.

Performance Dates: April 21 – 23, 2016
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, April 18. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Drama Studio Series Sponsor: Neil Artman and Margaret Straub

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Reserving Tickets
All Studio Series performances held in CCM’s Cohen Family Studio Theater are free and open to the general public, but reservations are required. Reservations can be made the Monday before each show by visiting the CCM Box Office in person or calling 513-556-4183. Limit two tickets per order.

For additional information on reserving tickets for CCM’s Studio Series, visit ccm.uc.edu/about/villagenews/did-you-know/how-to-studio-series.

Some off-campus Studio Series productions require paid admission or reservations through a partner organization’s box office. Please refer to individual production listings for more information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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University of Cincinnati College-Conservatory of Music
2015-16 Studio Series: Opera, Musical Theatre, Drama and Dance

FALL 2015

BIG RIVER: THE ADVENTURES OF HUCKLEBERRY FINN

Performance Times:

  • 8 p.m. Thursday, Oct. 8
  • 8 p.m. Friday, Oct. 9
  • 2 & 8 p.m. Saturday, Oct. 10

Location: Cohen Family Studio Theater

THE HUNCHBACK OF SEVILLE

Performance Times:

  • 8 p.m. Friday, Oct. 9
  • 8 p.m., Saturday, Oct. 10
  • 3 p.m. Sunday, Oct. 11
  • 8 p.m. Wednesday, Oct. 14
  • 8 p.m. Thursday, Oct. 15
  • 8 p.m. Friday, Oct. 16
  • 8 p.m. Saturday, Oct. 17
  • 3 p.m. Sunday, Oct. 18
  • 8 p.m. Wednesday, Oct. 21
  • 8 p.m. Thursday, Oct. 22
  • 8 p.m. Friday, Oct. 23
  • 8 p.m. Saturday, Oct. 24

Location: Know Theatre of Cincinnati, 1120 Jackson Street, Cincinnati, OH 45202

OPERA FUSION: NEW WORKS – SHALIMAR THE CLOWN

Performance Date:

  • Saturday, Oct. 17

Location: To Be Announced

WILLIAM BOLCOM: CABARET SONGS

Performance Time:

  • 8 p.m. Friday, Oct. 23
  • 8 p.m. Saturday, Oct. 24
  • 2 p.m. Sunday, Oct. 25

Location: Cohen Family Studio Theater

CCM’S 48-HOUR FILM FESTIVAL

Screening Time:

  • 7 p.m. Sunday, Nov. 8

Location: MainStreet Cinema,
Tangeman University Center

SPRING 2016

IL SIGNOR BRUSCHINO

Performance Times:

  • 8 p.m. Friday, February 19
  • 8 p.m. Saturday, February 20
  • 2 p.m. Sunday, February 21

Location: Cohen Family Studio Theater

DANCE STUDENT CHOREOGRAPHER SHOWCASE

Performance Times:

  • 8 p.m. Thursday, March 3
  • 8 p.m. Friday, March 4
  • 2 & 8 p.m. Saturday, March 5

Location: Cohen Family Studio Theater

TRANSMIGRATION 2016

Performance Times:

  • 7 p.m. Thursday, March 10
  • 7 p.m. Friday, March 11
  • 2 & 7 p.m. Saturday, March 12

Location: Corbett Center room 3705, 4735 & 4755

MARIA STUARDA

Performance Times:

  • 8 p.m. Friday, March 11
  • 8 p.m. Saturday, March 12
  • 2 p.m. Sunday, March 13

Location: Cohen Family Studio Theater

 BINARY

Screening Time:

  • 7 p.m. Saturday, April 2

Location: MainStreet Cinema,
Tangeman University Center

LYSISTRATA JONES

Performance Times:

  • 8 p.m. Thursday, April 7
  • 8 p.m. Friday, April 8
  • 2 & 8 p.m. Saturday, April 9

Location: Cohen Family Studio Theater

VERY DUMB KIDS
(formerly THE GREAT MAJORITY)

Performance Times:

  • 8 p.m. Thursday, April 21
  • 8 p.m. Friday, April 22
  • 2 & 8 p.m. Saturday, April 23

Location: Cohen Family Studio Theater

CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Drama Studio Series Sponsor: Neil Artman and Margaret Straub

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

 

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