Scenes from CCM's Mainstage Series production of 'The Heidi Chronicles.' Photography by Mark Lyons.

CCM Slideshows: The Heidi Chronicles

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CCM’s 2014-15 Mainstage Series continues TONIGHT with Wendy Wasserstein’s groundbreaking comedy The Heidi Chronicles, playing through Sunday, Feb. 15, in Patricia Corbett Theater. See a complete list of performance times below.

Winner of the 1989 Pulitzer Prize for Drama and the Tony Award for Best Play, The Heidi Chronicles is directed by CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance Richard Hess.

Rick Pender takes a closer look at The Heidi Chronicles and the legacy of playwright Wendy Wasserstein for CityBeat. Read the story online here.

David Lyman previews the production for the Cincinnati Enquirer. Read the story online here.

Sexuality, feminism, education, gender equality, marriage, women’s rights – there’s no hot-button issue the play doesn’t touch. Learn more about this poignant comedy here.

Performance Times

  • 8 p.m. Thursday, Feb. 12
  • 8 p.m. Friday, Feb. 13
  • 2 and 8 p.m. Saturday, Feb. 14
  • 2 p.m. Sunday, Feb. 15

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Heidi Chronicles are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Saturday matinee student rush discount tickets are available beginning at 1 p.m. on Saturday, Feb. 14 and are $12-15.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/heidi-chronicles-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

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Sarah Davenport as Heidi Holland in CCM's Mainstage Series production of THE HEIDI CHRONICLES. Photography by Jay Yocis.

CCM’s Mainstage Series Presents the Tony Award and Pulitzer Prize-Winning ‘The Heidi Chronicles’ Next Week

Sarah Davenport as Heidi Holland in CCM's THE HEIDI CHRONICLES. photography by Mark Lyons.

Sarah Davenport as Heidi Holland in CCM’s THE HEIDI CHRONICLES. photography by Mark Lyons.

CCM’s Department of Drama opens its spring Mainstage Series with its debut of Wendy Wasserstein’s The Heidi Chronicles, running Feb. 11 through Feb. 15, in the Patricia Corbett Theater.

An examination of feminism and its evolution from the 1960s through the late 1980s, The Heidi Chronicles follows Heidi Holland, a successful art historian, who tries to find her true self in a rapidly changing world as the roles of women were being redefined.

Students and audience members alike will get the chance to witness a piece of history on stage as director Richard E. Hess, A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance, attempts to make connections between a generation who lived through the ’60s, ’70s and ’80s and students who are now products of this age.

Hess asks a thought-provoking and timely question: “What would Wendy think of life in America in 2015, where we still must deeply question this country’s commitment to racial and gender equality?”

Wasserstein was the first woman playwright to receive a Tony Award for Best Play for The Heidi Chronicles. Her work also earned her prestigious awards including the 1989 Pulitzer Prize, a New York Drama Critics Circle Award and a Drama Desk Award, among others.

Hess says that Wasserstein liked to create characters “who struggled with the shifting demands and definitions of self, unique to a time and place.” This struggle rings true even today.

Second-year Theater Design and Production graduate student Jillian Coratti serves as costume designer for this production. She talked with Hess at the beginning of rehearsals about his vision for the look and feel of the production. “The hardest part about this production was making it look real,” she explains. “This show is dramatic and thoughtful, but very rarely flashy. The characters are real and contemporary, so I didn’t want to make anything come across as overly theatrical.”

Coratti did a great deal of research in magazines and blogs, even pulling out older family photo albums. Her uncles grew up as members of the “baby boomer” generation, so she was able to find looks from the 70s and 80s in their wedding albums. Since each scene in The Heidi Chronicles is set in a new time period, there are a lot of quick costume changes. Heidi alone has 13 changes!

But the easiest and most rewarding part has been the fittings. Coratti says, “The actors are so eager and willing to see their costumes because they can connect with these clothes. They’re very similar to what we wear everyday, yet some come from our parents closets.”

  • Richard E. Hess, director
  • Thomas C. Umfrid, scenic designer
  • Jillian Coratti, costume designer
  • Taylor Malott, wig & make-up designer
  • Joe Beumer, lighting designer
  • Corbin Wescott, sound designer
  • k. Jenny Jones, fight choreographer
  • Susan Stephenson, stage manager

The Heidi Chronicles Cast List:

  • Sarah Davenport as Heidi Holland
  • Clare Combest as Susan Johnston
  • Colin Edgar as Peter Patron
  • Connor Lawrence as Scoop Rosenbaum
  • Ryan Garrett as Chris Boxer/Steve/Waiter
  • Katie McDonald as Jill/Sandra Zucker-Hall
  • AC Horton as Fran
  • Julia Netzer as Becky
  • Rachel Baumgarten as Debbie
  • Owen Alderson as 1968 Hippie/Mark/Dr. Ray
  • Michaela Tropeano as Molly McBride/Clara
  • Alice Skok as Lisa
  • Carli Rhoades as Betsy
  • Sydney Ashe as Denise
  • Katie Langham as April

About The Heidi Chronicles
After its initial opening in November 1988 Off-Broadway, The Heidi Chronicles was praised by the New York Daily News as “witty, hilarious…not just a funny play, but a wise one… I doubt we’ll see a better play this season.” Even Variety raved, “Not many plays manage Heidi’s feat of inducing almost continuous laughter while forcing the audience to examine its preconceptions.” In March of 1989, The Heidi Chronicles was transferred to Broadway and became a long-running success with an impressive 622 performances when it closed in September of 1990.

Comprised of a series of interrelated scenes, the play traces the coming of age of Heidi Holland, a successful art historian, as she tries to find her bearings in a rapidly changing world. Gradually distancing herself from her friends, she watches them move from the idealism and political radicalism of their college years through militant feminism and, eventually, back to the materialism that they had sought to reject in the first place. Eventually Heidi comes to accept the fact that liberation can be achieved only if one is true to oneself, with goals that come out of need rather than circumstance.

Read Rick Pender’s thoughts on the legacy of Wendy Wasserstein and the importance of The Heidi Chronicles, courtesy of CityBeat.

Performance Times

  • 8 p.m. Wednesday, Feb. 11 (preview)
  • 8 p.m. Thursday, Feb. 12
  • 8 p.m. Friday, Feb. 13
  • 2 and 8 p.m. Saturday, Feb. 14
  • 2 p.m. Sunday, Feb. 15

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Heidi Chronicles are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Saturday matinee student rush discount tickets are available beginning at 1 p.m. on Saturday, Feb. 14 and are $12-15. Tickets to the Feb. 11 preview performance are just $12.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/heidi-chronicles-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News
Photography by Mark Lyons.

CCM’s ‘Legally Blonde’ Receives Rave Reviews

Photography by Mark Lyons.The critics are praising CCM’s current production of Legally Blonde – The Musical, which plays through a matinee performance on Sunday, Nov. 2!

In his review for the Sappy Critic, Kirk Sheppard writes, “Legally Blonde – The Musical is an energetic, satisfying show and CCM has brought all of the elements together continuing their reputation as one of the best musical theatre programs in the country.” Sheppard singles out the performance of senior Lawson Young (one of two CCM students playing Elle Woods in this double-cast production), going so far as to say, “Of the five [different] productions I’ve seen, she’s by far the best and that includes the national tour and the [Pittsburgh Civic Light Opera] last summer.”

David Lyman has similar praise for the production and for senior Sarah Bishop in his review for the Cincinnati Enquirer. “What’s really refreshing about this production,” he observes, “is that, as Elle, Sarah Bishop gives a measure of humanity that we rarely get to see. We see Elle develop a conscience and compassion and – heaven forbid – come to love a man to whom she never would have given the time of day at the outset of the show.”

The News Record‘s review praised the entire company, with Aidan Smith writing, “The humor offered by every cast member made this musical stand out, and it showed in the audience’s constant giggling.”

“Featuring strong performances, fun choreography, and a superb set design, this mounting is a true crowd pleaser,” Scott Cain observes in his review for Talkin’ Broadway.

In his review for Behind the Curtain Cincinnati, Rob Bucher calls CCM’s production, “a very fun and entertaining show. Excellent work.”

Rick Pender profiles Legally Blonde director/choreographer and CCM Professor of Musical Theatre Diane Lala in his “Curtain Call” column for Cincinnati CityBeat, observing that “the evidence of her success is currently onstage at CCM’s Patricia Corbett Theater.”

You have five more chances to catch this all-singing, all-dancing production… and tickets are still available!

Performance Times

  • 8 p.m. Thursday, Oct. 30
  • 8 p.m. Friday, Oct. 31
  • 2 and 8 p.m. Saturday, Nov. 1
  • 2 p.m. Sunday, Nov. 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to Legally Blonde are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID, with $12-$15 student rush tickets available for the Saturday matinee beginning at 1 p.m. on Nov. 1.

Customizable subscription packages are also available. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/legally-blonde-mainstage.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mainstage Production Sponsor: Wells Fargo Advisors, LLC

Community Partner: ArtsWave

Legally Blonde: The Musical is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com

CCM News Student Salutes

CCM Review Round-Up: ‘Les Misérables’ and ‘El Niño’

The critics can’t stop talking about CCM’s productions of Les Misérables and El Niño! Catch up with the latest “buzz” in today’s review round-up!

CCM proudly presents a new production of the iconic musical "Les Misérables," playing Feb. 27 - March 9, 2014. Photography by Mark Lyons.

CCM proudly presents a new production of the iconic musical “Les Misérables,” playing Feb. 27 – March 9, 2014. Photography by Mark Lyons.

  • Rick Pender calls CCM’s new production of Les Misérables “magnificent” in his CityBeat review, concluding, “Peeled back to its raw essence, CCM’s staging of Les Misérables is powerful and memorable, one of the best musical theater productions on a Cincinnati stage this season.” Read the full review here.
  • Paige Malott reviews the production for iSPYCiNCY and observes, “Capturing the larger-than-life Les Misérables with perfection, CCM put on a better-than-Broadway performance that is guaranteed 2-4-6-0-fun.” Read the full review here.
  • In his Talkin’ Broadway review, Scott Cain explains, “Musicals presented at… CCM always feature splendidly talented student performers who rarely disappoint. Their current production, Les Misérables, is no exception and does showcase many stunning voices and meticulously detailed acting.” Read the full review here.
  • In his review for The Sappy Critic, Kirk Sheppard suggests, “I’ve seen a lot of shows in Cincinnati over the last couple of years… [and] CCM’s Les Misérables just might be the greatest production I’ve ever seen.” Read the full review here.
  • Rafael de Acha reviews the production for Seen and Heard International and writes, “Keeping the entire undertaking tightly reined in and mercifully devoid of any Broadway clichés, [Aubrey] Berg delivers a fresh and finely-wrought production.” Read the full review here.
  • Emily Begely reviews Les Misérables for UC’s News Record and concludes, “An exemplary cast, a familiar plot and simple props created an unforgettable work of art.” Read the full review here.
Earl Rivers leads the CCM Philharmonia in a rehearsal for John Adams' EL NINO. Photography by Lisa Ventre/University of Cincinnati.

Earl Rivers leads the CCM Philharmonia in a rehearsal for John Adams’ EL NINO. Photography by Lisa Ventre/University of Cincinnati.

  • Janelle Gelfand reviews CCM’s “powerful” performance of John Adams’ El Niño for the Cincinnati Enquirer, and observes, “[Earl] Rivers balanced the work’s intimate emotions against powerful ones, propelled tempos well and drew excellent playing from the orchestra.” Read her full review here.
  • Mary Ellyn Hutton reviews El Niño for ConcertoNet and writes, “John Adams’ oratorio El Niño had its regional premiere in Cincinnati March 2, and it couldn’t have been in better hands. ” Read the full review here.

Performances of Les Misérables resume this evening (Tuesday, March 4) and run through Sunday, March 9. Learn more by visiting ccm.uc.edu/boxoffice/lesmiserables.

CCM News Faculty Fanfare Student Salutes

Cincinnati CityBeat Shows CCM Student, Alum and Upcoming Production Some Love in Latest Issue

CityBeat's "Love List" issue is on newsstands now.

CityBeat’s “Love List” issue is on newsstands now.

The Feb. 5 – 11 issue of CityBeat is on newsstands now and we are delighted to report that the magazine’s “Love List” features CCM alumnus Drew Klein and senior musical theatre major Blaine Krauss!

A graduate of CCM’s Electronic Media program, Klein has been making a name for himself as the Contemporary Arts Center’s first-ever performance curator. You can read his full profile here.

Krauss can next be seen as Jean Valjean in CCM’s upcoming Mainstage Series production of Les Misérables, playing Feb. 27 – March 9 in Patricia Corbett Theater. You can read his full profile here.

As if that wasn’t exciting enough, Rick Pender also previews this week’s production of Metamorphoses at CCM (also in Patricia Corbett Theater) and NKU’s upcoming production of Arabian Nights, both written by Mary Zimmerman.

Visit citybeat.com/cincinnati to view the full issue online.

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CCM Performances and Collaborations Highlighted on Several “Best of 2013″ Lists

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As we ring in a new year, several local arts writers have released their “year in review” lists for 2013. Rafael de Acha, Mary Ellyn Hutton, Kirk Sheppard, Rick Pender and Janelle Gelfand help us take a look back at the year that was:

In his “best of” roundup for Music for All Seasons, Rafael de Acha commented, “(CCM) consistently achieves professional level in its numerous productions of operas, musicals and concerts which approached the four-digit mark this past year.” Last spring’s original production of Into a Lamplit Room: The Songs of Kurt Weill and the recent concert production of Verdi’s Don Carlos, along with CCM’s Mainstage Series productions of Singin’ in the Rain and Owen Wingrave, all received special mention in de Acha’s review.

Mary Ellyn Hutton presented her top 16 performances for Music in Cincinnati, which included three CCM productions: Verdi’s Don Carlos, Bach’s St. John Passion and Britten’s Owen Wingrave. Of Verdi’s Don Carlos, Hutton commented, “This gets my vote as perhaps the single finest concert of 2013 in Cincinnati.”

Compiled for The Snappy Critic, Kirk Sheppard‘s list of favorite theatre productions of 2013 included last spring’s Mainstage production of The Threepenny Opera and the Studio production of Parade produced in collaboration with the Carnegie in Covington. This past fall’s CCM productions of Carrie and Singin’ in the Rain also made Sheppard’s list.

Rick Pender included two CCM productions in his 2013 round up of theatre in Cincinnati for CityBeat. Last spring’s co-production of Parade with the Carnegie and the recent Mainstage production of Singin’ in the Rain received special attention.

Janelle Gelfand also included CCM’s massive concert production of Don Carlos in her list of “Top 13 Classical Music Shows in 2013″ for the Cincinnati Enquirer. In addition to her performance-specific list, she published a summary of “arts highlights” for the year, which included the work of the MYCincinnati after-school program in East Price Hill (learn more about CCM’s connection to the organization here) and the new partnership between Cincinnati’s World Piano Competition, the Cincinnati Symphony Orchestra and CCM.

What were your favorite performances of 2013? What are you looking forward to most in 2014? Get a first look at what’s coming up at CCM in 2014 here!

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Remembering the University of Cincinnati’s Wilson Auditorium

UC's Wilson Auditorium.

UC’s Wilson Auditorium.

This month, the University of Cincinnati says goodbye to the 81-year-old Wilson Auditorium, the debut venue for CCM’s Musical Theatre program (with the 1969 production of Sweet Charity) and the onetime home of CCM’s Department of Drama.

Originally opened in December of 1931, the building was constructed in remembrance of Obed J. Wilson, a local self-made businessman and arts advocate. At the time of its opening, the building featured then cutting-edge amenities including a projection room for “motion-and-sound pictures” with the capability of relaying radio broadcasts.

Vacant for the past decade and a half, Wilson Auditorium’s demolition was approved in 2006 and is scheduled to be completed this fall.

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To mark the end of an era, CCM Drama Chair Richard E. Hess looks back on the impressive legacy of Wilson Auditorium:

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