UC is Highlighted Among the Nation’s Best Colleges

The Princeton Review SealFor the seventh year in a row, the University of Cincinnati is praised as one of the nation’s best institutions for undergraduate education, according to The Princeton Review. The education services company features UC in the new 2014 edition of its annual college guide, “The Best 378 Colleges.”

The Princeton Review’s surveys named CCM, along with UC’s College of Design, Architecture, Art, and Planning (DAAP) and College of Engineering (CEAS), as particular stand outs!

Only about 15 percent of the nation’s 2,500 four-year colleges and only four colleges outside the U.S. are profiled in the book which is The Princeton Review’s flagship college guide. It includes detailed profiles of the colleges with rating scores for all schools in eight categories, plus ranked lists of the top 20 schools in 62 categories based on The Princeton Review’s surveys of 126,000 students attending the colleges.

CCM News

CCM and Carnegie Co-Production of ‘Parade’ Continues April 19-21

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Local audiences have only three more opportunities to experience CCM and the Carnegie Visual and Performing Arts Center‘s critically acclaimed co-production of Parade! Don’t miss your chance to see this transformational story of a country at odds with its declarations of equality, brought to life by the remarkable talent of CCM Musical Theatre!

The 1999 Tony Award winner for “Best Book” and “Best Score,” Parade‘s run concludes this weekend with performances April 19 – 21. Ed Cohen and Dee Anne Bryll direct, with musical direction by Stephen Goers.

CCM News

High Praise for CCM’s Kurt Weill Festival

CCM presents 'The Threepenny Opera.' Photography by Mark Lyons.

CCM presents ‘The Threepenny Opera.’ Photography by Mark Lyons.

This weekend is your last chance to catch CCM’s acclaimed productions of both The Threepenny Opera (March 8 – 10) and the brand-new Kurt Weill revue Into a Lamplit Room (March 10).

The critics have had high praise for both productions, with CityBeat’s Rick Pender calling The Threepenny Opera “authentic,” “compelling” and “visually stunning” and Seen and Heard International‘s Rafael de Acha calling Into a Lamplit Room “heavenly!”

See what the critics have said for yourselves here:

CCM News

CCM Slideshows: The Threepenny Opera

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CCM proudly presents The Threepenny Opera, running tonight, March 1, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

Learn more The Threepenny Opera here.

“[Stage Director Robin] Guarino fearlessly goes back to the musical satire’s socio-political roots in 1920s Berlin,” Jackie Demaline writes in her review for the Cincinnati Enquirer. “Everything about The Threepenny Opera carries out Guarino’s vision, as the cast prowl scenic designer John Arnone’s industrial set of catwalks, with the small orchestra (in costume) perched at the top. Musical director Roger Grodsky as always asks much and gets all from singers and musicians.”

Read Demaline’s full review here.

CCM News CCM Slideshows

‘Music in Cincinnati’ Hails CCM Students Debut Album As ‘Phenomenal’

Mary Ellyn Hutton reviews CCM student Carmine Miranda‘s debut solo album (Bach: 6 Cello Suites) for Music in Cincinnati, calling the recording “phenomenal.”

She writes, “Miranda’s approach is virtuosic and musically persuasive. Tempos tend to be brisk (if not pushed now and then), but he brings to bear interpretive insights — his term is “folkloric” — which make the set as a whole a delight.” You read Hutton’s full review here.

Read our recent profile of Miranda hereBach: 6 Cello Suites is available digitally on iTunes, Amazon and elsewhere.

CCM News Student Salutes

The CCM Blog: 2012 In Review!

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

19,000 people fit into the new Barclays Center to see Jay-Z perform. This blog was viewed about 110,000 times in 2012. If it were a concert at the Barclays Center, it would take about 6 sold-out performances for that many people to see it.

Click here to see the complete report.

CCM News

‘The Wall Street Journal’ Features Opera Fusion in Article on New Operas

Heidi Waleson explores the latest trends in the development and presentation of new operas in a recent Wall Street Journal article, highlighting the CCM and Cincinnati Opera collaboration Opera Fusion: New Works!

Waleson discusses Terence Blanchard and Michael Cristofer‘s Champion and Douglas J. Cuomo and John Patrick Shanley’s Doubt, both of which were workshopped through the innovative Opera Fusion program! You can read the full Wall Street Journal article here.

Opera Fusion: New Works is generously funded by a $300,000 grant from The Andrew W. Mellon Foundation.

CCM News Faculty Fanfare Student Salutes

‘Music in Cincinnati’ Reviews CCM’s Cage Centennial Celebration Conclusion

First year MM in Piano Performance student Kris Rucinski.

First year MM in Piano Performance student Kristofer Rucinski.

Mary Ellyn Hutton reviews the Nov. 29 conclusion to CCM’s month-long Cage Centennial Celebration for Music in Cincinnati.

Hutton writes: “the signal event of the evening was (Lou) Harrison’s (Piano) Concerto,” performed by first year Master of Music student Kristofer Rucinski.

You can read her full review here.

CCM News Student Salutes

‘Music in Cincinnati’ Reviews CCM’s Monteverdi Project

Mary Ellyn Hutton provides a comprehensive review of CCM’s Nov. 28 Monteverdi Project concert for Music in Cincinnati, declaring that “early music is thriving at CCM.” You can read her full review here.

As previously reported, the Nov. 28 Monteverdi concert was recorded for future broadcast as part of an exciting new collaboration between CCM and CET, Cincinnati Public Television. Learn more about this collaboration here or read the News Records‘ coverage here.

CCM News

‘Seen and Heard International’ Reviews CCM’s ‘Street Scene’

Rafael de Acha reviews CCM’s historic production of Street Scene for Seen and Heard International, praising stage director Steven Goldstein‘s “unfaltering hand,” conductor Mark Gibson‘s “fervent leadership” and scenic designer Brian Ruggaber‘s “impressively life-like three-story set,” along with “Abbi Squires spot-on costumes, Amy Whitaker authentic wigs and make up, David LaRose’s summery lighting and Danny Jama’s hyper-realistic sound design. Usually unsung heroes, the diction coaching of Rocco dal Vera and the musical preparation of Sylvia Plyler amply equipped the cast with authentic accents and stylish musicality.”

You can read de Acha’s full review here.

CCM News