Cincinnati Enquirer and WMKV FM Preview World Piano Competition

New leaders of the World Piano Competition, left to right: Awadagin Pratt, Peter Landgren, Trey Devey and Mark Ernster Provided/David Rafie

New leaders of the World Piano Competition, left to right: Awadagin Pratt, Peter Landgren, Trey Devey and Mark Ernster Provided/David Rafie.

Excitement continues to build for the debut of Cincinnati’s re-energized World Piano Competition, which kicks off next Monday, July 8!

If you want to learn more about this unique collaboration between CCM and the Cincinnati Symphony Orchestra, be sure to check out the Cincinnati Enquirer‘s in-depth preview.

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CCM Slideshows: Execution of Justice

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The final installment of CCM’s 2012-13 Studio Series opens this evening with the Michael Burnham directed Execution of Justice. Emily Mann’s riveting docu-drama runs April 18-20 in UC’s Cohen Family Studio Theater. Admission is free, but reservations are required. This production contains mature subject matter.

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CCM E-Media Presents Free Screening of ‘Gold Rush Expedition Race’ Film on April 24

CCM E-Media will host a debut screening of the documentary film Gold Rush Expedition Race at 6 p.m. on Wednesday, April 24 in the MainStreet Cinema of UC’s Tangeman University Center. Admission is free and open to the general public.

The screening of this hour long film will be preceded by a brief introduction and followed by a question and answer session with the student producers, camera operators and film editors.

Educationally grounded, professionally driven and student produced, the Gold Rush Expedition Race documentary is a collaborative film produced by an interdisciplinary group of students at UC working under the guidance of a professional television and film producer/director. Sponsored by the UC Forward Collaborative, the project involved 33 students from four academic programs at three colleges at the University of Cincinnati:

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Preview CCM’s 2013-14 Mainstage Season in Today’s ‘Cincinnati Enquirer’

CCM presents 'The Threepenny Opera.' Photography by Mark Lyons.

Photography by Mark Lyons.

Pick up today’s edition of the Cincinnati Enquirer for an exclusive first-look at our monumental 2013-14 Mainstage Series!

Read the story online here!

Visit ccm.uc.edu tomorrow to learn even more about next year’s must-see lineup of opera, musical theatre, drama and dance productions.

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CCM Slideshows: The Magic Flute

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CCM’s acclaimed 2012-13 Mainstage Series comes to a close this week with a colorful new production of Mozart’s beloved comedic singspiel The Magic Flute. This production runs April 4–7 in UC’s Corbett Auditorium.

The Cincinnati Enquirer‘s Janelle Gelfand recently visited CCM to take a behind-the-scenes look at The Magic Flute‘s costumes, wigs and make-up designs. Watch her exclusive video preview here.

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Discussing ‘The Magic Flute’ Costume Designs with CCM Professor Dean Mogle

From left to right, Tara Deieso (who sings the role of First Lady in CCM's production of 'The Magic Flute'), Assistant Costume Designer Kaitlyn Munro, Professor Dean Mogle and Draper/Dressmaker Christie Peitzmeier.

From left to right, Tara Deieso (who sings the role of First Lady in CCM’s production of ‘The Magic Flute’), Assistant Costume Designer Kaitlyn Munro, Professor Dean Mogle and Draper/Dressmaker Christie Peitzmeier.

CCM Professor of Costume Design Dean Mogle recently gave CCM Public Information Assistant and Arts Administration student Sara Kissinger a behind-the-scenes tour of the costume shop, which is in full swing in these last crucial weeks before the opening of The Magic Flute. All photography by CCM Arts Administration student Shawn Kelly.

Sara Kissinger: Dean, thank you so much for inviting me to visit the shop today. The Magic Flute is an iconic work in opera repertoire – have you designed for this show before?

Dean Mogle: I have not designed a production of Flute before. The last time CCM did Flute was the 1986-87 season, before I joined the faculty.

SK: Did you have a specific concept for your design?

DM: There were two major influences on the design. The first is the 18th century influence, which is a nod back to when Mozart wrote the opera. This is the Queen of the Night’s world. It’s midnight: there are a lot of blues and everything is deep and dark and rich. The second influence is a sort of modified Egyptian style, which is Sarastro’s world. The costumes are warm colors – gold and bronze.

Dean Mogle shares the original costume rendering for the Queen of the Night.

Dean Mogle shares the original costume rendering for the Queen of the Night.

SK: What was the process of making the costumes like?

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CCM Slideshows: The Threepenny Opera

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CCM proudly presents The Threepenny Opera, running tonight, March 1, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

Learn more The Threepenny Opera here.

“[Stage Director Robin] Guarino fearlessly goes back to the musical satire’s socio-political roots in 1920s Berlin,” Jackie Demaline writes in her review for the Cincinnati Enquirer. “Everything about The Threepenny Opera carries out Guarino’s vision, as the cast prowl scenic designer John Arnone’s industrial set of catwalks, with the small orchestra (in costume) perched at the top. Musical director Roger Grodsky as always asks much and gets all from singers and musicians.”

Read Demaline’s full review here.

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A New Sneak Peek at the Scenic Design of ‘The Threepenny Opera’

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of 'The Threepenny Opera.'

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of ‘The Threepenny Opera.’

CCM’s acclaimed Mainstage Series resumes this week with Kurt Weill and Bertolt Brecht’s epic musical The Threepenny Opera. Today, we are happy to provide a preview of the show’s set, courtesy of Alexandra Kuntz, a sophomore in CCM’s Scenic Design program and Assistant to Guest Scenic Designer John Arnone on this production.

Learn more about this dynamic new production, which features set designs by Tony Award-winner John Arnone.

“Set in the mid-19th century, Macheath (otherwise known as ‘Mack the Knife’) runs the town with his rag tag band of ruffians and gets what he wants,” Kuntz explains. “His latest want just happens to be Polly Peachum, daughter of the Beggar’s Lord of London (Johnathan Jeremiah Peachum), who doesn’t take too kindly to Mack the Knife’s interest in his daughter. Doing anything to keep them apart, Peachum uses broads, bribes and blackmails to get Mack out of the picture, while Macheath’s life hangs in the balance.”

This production contains mature subject matter.

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‘Cincinnati Enquirer’ Previews CCM’s March 2 Mahler Marathon

The CCM Philharmonia.

The CCM Philharmonia.

Janelle Gelfand provides an in-depth preview of CCM’s Mahler Marathon for the Cincinnati Enquirer. If you missed the feature in the Enquirer‘s Feb. 24 issue, you can find it online here.

CCM’s Concert Orchestra presents Mahler’s Symphony No. 4 in G Major, along with selections from his Des knaben Wunderhorn, at 4 p.m. on Saturday, March 2.

After a program break for dinner, the CCM Philharmonia will be joined by choirs from throughout the region at 8 p.m. for Mahler’s massive Symphony No. 3 in D Minor.

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LISTEN: CCM’s ‘Kurt Weill Festival’ Featured on WVXU’s Around Cincinnati

Theatre composer Kurt Weill in New City, ca. 1945 (photo: Engel). Image courtesy of the Kurt Weill Foundation for Music.

Theatre composer Kurt Weill in New City, ca. 1945 (photo: Engel). Image courtesy of the Kurt Weill Foundation for Music.

Anne Arenstein discussed CCM’s year-long celebration of Kurt Weill with faculty members Robin Guarino and bruce mcclung on the latest edition of WVXU’s Around Cincinnati.

If you missed the broadcast, you can listen to audio of the entire interview here.

CCM’s Kurt Weill Festival resumes this month with the Mainstage Series production of Weill and Bertolt Brecht’s The Threepenny Opera (running Feb. 28 – March 10). This spring’s festival events will also include concert performances of Weill’s Kiddush (Prayer of Sanctification) and the a capella madrigal “Ho, Billy, O!” from the Weill musical Love Life. View a full schedule of festival events here. Learn more about The Threepenny Opera after the jump.

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