Monteverdi's Vespers.

CCM Performs Claudio Monteverdi’s Large-Scale Masterwork ‘Vespers of 1610’ on Nov. 16

Guest artists and student soloists for CCM's performance of Monteverdi's 'Vespers of 1610.' Photography by Jay Yocis.

Guest artists and student soloists for CCM’s performance of Monteverdi’s ‘Vespers of 1610.’ Photography by Jay Yocis.

Next Sunday, CCM will present Claudio Monteverdi’s masterwork Vespers of 1610, featuring regional and national Early Music guest artists, the CCM Chamber Choir, Philharmonia Chamber Orchestra and student soloists with CCM’s Director of Choral Studies Earl Rivers conducting. The performance will be staged at Christ Church Cathedral in downtown Cincinnati.

“Monteverdi’s Vespers of 1610 is the Beethoven 5th of Early Music,” Rivers explains. “Monteverdi retained many of the Renaissance traditions in the work but fused the older style with the advent of the new, florid Early Baroque style of music. Vespers of 1610 is a significant international repertory work that students will be performing throughout their careers.”

Anchoring the advent of music in the Baroque era as a large-scale masterwork, Monteverdi’s Vespers of 1610 displays a range of lavish colors for vocal and instrumental soloists; six, seven, eight and 10-voice choral textures; and virtuosic embellishments and improvisations. The first major choral/orchestral repertory work of the early Baroque period, Vespers of 1610 features solo, chamber and ensemble music displaying the historic past of Renaissance polyphony and Gregorian chant, as well as music of the future in the form of Baroque chamber duets, concerted choruses and large-scale instrumental movements.

This lavish presentation will involve many participants such as Early Music guest and local artists including:

  • Alexander Bonus and Stephen Escher, cornetto
  • Christopher Canapa, Alex Krawczyk and Linda Pearse, sackbut

Continuo Group comprised of:

  • Adriana Contino, cello
  • Dieter Hennings, theorbo
  • Annalisa Pappano, lirone and viola da gamba
  • Elizabeth Motter, Baroque harp
  • Rodney Stucky, archlute and Baroque guitar
  • Michael Unger, continuo organ and harpsichord

And featuring CCM student soloists:

  • Grace Kahl and Jacqueline Stevens, soprano
  • Paulina Villarreal, mezzo-soprano
  • Allan Palacios Chan and Marcus Shields, tenor
  • T. J. Capobianco, tenor (Duo Seraphim)
  • Jacob Kincaide, bass
  • Brandon Bell, bass-baritone (Laudate Pueri and Magnificat)

About Alexander Bonus, cornetto
Alexander Bonus maintains a varied career performing historic brass and keyboard instruments, in addition to his conducting, researching, and teaching activities. He has performed with ensembles including Tafelmusik Baroque Orchestra; the Philharmonia Baroque Orchestra; Folger Consort; Tragicomedia; Indianapolis Baroque Orchestra; the Washington Cornett and Sackbut Ensemble; the Newberry Consort; and Chicago Opera Theater. Dr. Bonus also appeared onstage in the Boston Early Music Festival production of Lully’s Psyché, and is heard on BEMF’s recording of this work, released on the CPO label. He holds a PhD in Musicology from Case Western Reserve University as well as MM and BM degrees from the Eastman School of Music. His scholarship appears in the latest edition of the Grove Dictionary of Musical Instruments and Oxford Handbooks online among other sources. Dr. Bonus is the Assistant Professor of Music at Bard College, where he directs the Bard Baroque Ensemble and teaches courses in music history, theory, and historical performance practices.

About Annalisa Pappano, viola da gamba and lirone
Artistic director of Catacoustic Consort, Annalisa Pappano performs throughout the United States and Europe. She is recognized for bringing together the best international talent to present groundbreaking programs and landmark performances. Pappano studied at Indiana University’s Early Music Institute (Wendy Gillespie) and at Oberlin Conservatory of Music (Catharina Meints).

She has performed throughout Belgium, England, Ireland, Colombia, Canada, and the U.S., has appeared on nationally syndicated radio and has played at the Berkeley and Vancouver Early Music Festivals and the Ojai Music Festival. Pappano is a member of Atalante (England) and has performed with numerous other ensembles including the Houston Grand Opera, the Cleveland Opera, the Portland Opera, the Portland Baroque Orchestra, Les Voix Baroques, Opera Atelier, the Toronto Consort, the Concord Ensemble, Cappella Artemisia (Bologna), the Dublin Drag Orchestra, Wildcat Viols, and Consortium Carissimi.

Pappano has taught at Viola da Gamba Society of America national conclaves, the Viola da Gamba Society Pacific Northwest and Northeast chapters, the San Diego Early Music Workshop, Viols West, the Madison Early Music Workshop and has been a guest lecturer at numerous universities.

She led the Catacoustic Consort to win the grand prize in the Naxos / Early Music America Live Recording Competition and recorded a program of Italian laments on the Naxos label. Pappano completed a performance practice orchestra workshop at Miami University in Ohio. She is currently teaching viola da gamba at the University of Cincinnati College-Conservatory of Music.

About Linda Pearse, sackbut
Canadian-born Linda Pearse is recognized as a specialist in the exquisite musical repertoire of early seventeenth-century Italy. Dr. Pearse is Assistant Professor of Brass at Mount Allison University (New Brunswick) and Lecturer for Baroque trombone at Indiana University Bloomington. Following studies at McGill University, a career in Europe included regular performances with the Stuttgart Philharmoniker, Stuttgart Opera House, the Basel Symphony, La Cetra, piano possible and the Stuttgart Musical Theater. Pearse is the Artistic Director of the San Francisco Early Music Summer Baroque Workshop and directs the award-winning ensemble ¡Sacabuche!

Recent performances include a twelve-concert tour to Beijing with the interdisciplinary program “Matteo Ricci: His Map and Music” (Dec 2010), a tour to Hong Kong and Macau China (June 2013), and tours to Victoria, Nanaimo, and Salt Spring Island, Vancouver, Minneapolis, Indianapolis, New York, San Francisco, Bloomington (IN), Madison (WI), Kansas City and Houston. Her most recent project “Venetia 1500” is inspired by the Barbari Aerial Woodcut of Venice from 1500 and creates a conversation between new music, early music, texts and images, that finds resonances with Maritime cultures in decline. Her critical edition of Seventeenth-Century Italian Motets with Trombone is published with A-R Editions (April 2014).

Performance Time
5 p.m. Sunday, Nov. 16

Location
Christ Church Cathedral
Fourth & Sycamore Streets
Cincinnati, OH 45202

Purchasing Tickets

Tickets to Monteverdi’s Vespers of 1610 are $20 for general admission, $15 for non-UC students and free for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/monteverdi-vespers. Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Tickets will also be available beginning at 4 p.m. on the day of the performance at Christ Church Cathedral; cash and checks only at the door.

Parking and Directions
For more information on Cathedral hours and parking, please visit www.christchurchcincinnati.org.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM’s production of Monteverdi’s Vespers of 1610 is made possible by funding from the Cambridge Charitable Foundation and CCM’s Tangeman Sacred Music Center.

CCM News

CCM and Constella Festival Present Bach’s ‘St. John Passion’ This Sunday

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The Cincinnati Enquirer has named CCM’s Sunday, Nov. 3, staging of J. S. Bach’s St. John Passion as its “top pick for the weekend!”

According to the preview, “it should be one of the most moving events of the entire fall season.” Tickets are still available for this unique staged performance at Cincinnati’s Christ Church Cathedral.

Learn more about CCM’s production of this cherished Baroque masterwork here.

CCM News

CCM Presents a Grand Recreation of a Beloved Bach Masterpiece on Nov. 3

Graduate student Conor McDonald performs the role of Jesus in CCM's production of J.S. Bach's 'St. John Passion,' presented at Christ Church Cathedral on Nov. 3. Photography by Dottie Stover.

Graduate student Conor McDonald performs the role of Jesus in CCM’s production of J.S. Bach’s ‘St. John Passion,’ presented at Christ Church Cathedral on Nov. 3. Photography by Dottie Stover.

CCM’s Chamber Choir and Philharmonia Chamber Orchestra join forces to perform a unique staged production of Johann Sebastian Bach’s visceral rendering of the St. John Passion as the next installment in CCM’s 2013-14 Prestige Concert Series. The monumental work will be presented at 5 p.m. on Sunday, Nov. 3, at Christ Church Cathedral under the direction of Earl Rivers, staged by Omer Ben-Seadia, and in conjunction with the Constella Festival of Music and Fine Arts.

Bach composed his St. John Passion for the congregations of Leipzig, Germany for Good Friday services in April 1724. The story is narrated by the character of the Evangelist and emphasizes the conflict of Pontius Pilate. “Bach’s interpretation provides us with a dramatic and physiological account,” explains stage director and Artist Diploma directing student Omer Ben-Seadia. “The staging will portray the drama through symbolic elements and light. The text and historical reflection are just as pungent today as ever – and the staging confronts these truths head on.” Ben-Seadia will also direct CCM’s Mainstage Series production of Don Pasquale in April 2014.

“Performances of Bach’s Passions, particularly in light of the attention that Mel Gibson’s film The Passion of the Christ received, present an opportunity for Christians and Jews to confront issues of religious intolerance, and the role of the arts and how the arts might, advertently or inadvertently, promote intolerance,” explains conductor and Director of Choral Studies Earl Rivers. “By exploring these issues, we will know the music better and we will know each other better.”

The concert will be performed at the magnificent setting of Christ Church Cathedral, which enjoys a long tradition of great choral music and is hosting the collaboration between CCM’s Chamber Choir and Philharmonia Chamber Orchestra and the Constella Festival for a second year. In 2010, the CCM Chamber Choir and Philharmonia Orchestra presented the 400th Anniversary of Monteverdi’s Vespers of 1610 at the downtown location, and the Cathedral presents a wide variety of performances throughout the year.

CCM alumnus and Joseph and Frances Jones Poetker Visiting Artist Jeffrey Thompson, tenor, will sing the role of the Evangelist. CCM graduate voice majors Conor McDonald and Jeffrey Byrnes, baritones, perform the roles of Jesus and Pilate, respectively. The roles of aria soloists will be sung by CCM graduate voice majors Danielle Adams, soprano; Laurin McAlister, mezzo-soprano; Alec Carlson, tenor; Jonathan Cooper, baritone; and Stefan Egerstrom, bass. Guest Artist Adriana Contino, cellist, plays continuo cello and Michael Unger, Assistant Professor of Harpsichord and Organ, is featured as harpsichordist. Student obbligato soloists include Haoli Lin and Yang Liu, violin; Xue Su and Carol Joe, flute; and Katelyn Kyser and Martha Peck, oboe.

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CCM Presents Grand and Beloved Baroque Choral Work on Oct. 28

Cincinnati's Christ Church Cathedral.

Cincinnati’s Christ Church Cathedral.

CCM’s Chamber Choir and Philharmonia Chamber Orchestra combine for an unforgettable performance of Bach’s supreme choral-orchestral achievement, Mass in B Minor. The monumental work will be presented at 5 p.m. on Sunday, Oct. 28, at Christ Church Cathedral under the direction of Earl Rivers and in conjunction with the Constella Festival of Music and Fine Arts.

CCM News

CCM Announces Fall 2012 Calendar of Major Events

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CCM is delighted to announce its fall schedule of performances. The largest single source of performing arts events in the state of Ohio, CCM presents more than 100 public performances this fall, ranging from faculty and guest artist concerts to fully supported opera, drama and musical theatre productions.

This fall’s schedule includes a Beethoven Festival (Sept. 14 – Oct. 12), a Kurt Weill Festival (Oct. 19 – March 10) and a Cage Centennial Celebration (Nov. 5 – Nov. 29). CCM also collaborates with Cincinnati Opera on public workshop performances of two new American operas (Oct. 27 – 28 and Dec. 4 – 5) and presents a pair of concerts in conjunction with the Constella Festival of Music and Fine Arts (Oct. 10 and Oct. 28).

Download a digital copy of CCM’s Fall 2012 Calendar of Major Events today. Physical copies are also available at the CCM Box Office in the Corbett Center for the Performing Arts.

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CityBeat and Express Cincinnati Spotlight CCM Fall Performances

CityBeat and Express Cincinnati both published their Fall Arts Previews this week and several upcoming CCM performances made their lists of “must see” events!

CityBeat paid special attention to this fall’s Opera Fusion workshops, produced in collaboration with Cincinnati Opera, along with our Mainstage production of the rock musical Chess. Read the previews here.

Express Cincinnati singled out the Ariel Quartet’s debut performance as CCM quartet-in-residence (Sept. 11), along with our Beethoven Festival (Sept. 14 – Oct. 12) and our presentation of J.S. Bach’s Mass in B Minor collaboration with the Constella Festival (Oct. 28). Read the full issue online here.

CCM proudly presents over 100 performing arts events this fall. Stay tuned for a full list of events next week!

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM News

CCM Provides Splendid 400th for Monteverdi’s Landmark Vespers of 1610

On Sunday, Nov. 21, CCM held its first Subscriber Thank You Event of the year at Christ Church Cathedral in Cincinnati. The CCM Chamber Choir and Philharmonia Chamber Orchestra performed Montevderi’s Vespers of 1610 at this very special concert. Music in Cincinnati‘s Mary Ellyn Hutton provides an excellent review of the concert here.

CCM’s next Subscriber Thank You Event will be held on Sunday, May 22. Mainstage subscription packages are still available for the remainder of our 2010-11 season. Contact the CCM Box Office at 513-556-4183 for more information.

CCM News

Monteverdi’s “Vespers” Previewed by Enquirer

Today, Janelle Gelfand provides us with a preview of this Sunday’s concert commemorating the 400th anniversary of Monteverdi’s Vespers of 1610. You can read Janelle’s story here.

Sponsored by CCM’s Tangeman Sacred Music Center, the concert will be held at Christ Church Cathedral on Fourth and Sycamore in downtown Cincinnati at 5 p.m on Nov. 21. Admission to the concert is free. CCM will host a special reception for our Mainstage Subscribers post-concert. You can learn more about the concert here.

CCM News

View Rehearsals for 400th Anniversary Celebration of Monteverdi’s Vespers of 1610

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Today, CCM Electronic Media student Matthew Ray provides us with a video preview of this weekend’s Chamber Choir and Philharmonia Chamber Orchestra concert celebrating the 400th Anniversary of Monteverdi’s Vespers of 1610. You can learn more about this very special performance here.

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CCM Commemorates the 400th Anniversary of Monteverdi’s Vespers of 1610

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On Sunday, Nov. 21, CCM’s Choral and Orchestral Departments present a concert commemorating the 400th Anniversary of Monteverdi’s Vespers of 1610. The core large-scale masterwork in the international repertory of the Early Music movement, Monteverdi’s masterpiece will be performed by the CCM Chamber Choir and Philharmonia Chamber Orchestra. This lavish presentation will be embellished with guest period instrument artists playing cornettos, theorbo, gamba and Baroque harp. Earl Rivers conducts. Sponsored by CCM’s Tangeman Sacred Music Center, the concert will be held at Christ Church Cathedral on Fourth and Sycamore in downtown Cincinnati at 5 p.m on Nov. 21. Admission to the concert is free. CCM will host a special reception for our Mainstage Subscribers post-concert. More details after the jump.

CCM News