CCM's Concert Orchestra.

Award-Winning Conductor and Educator Aik Khai Pung is Named Assistant Professor of Orchestral Studies at CCM

Aik Khai Pung, Assistant Professor of Music in Orchestral Conducting at CCM.

Aik Khai Pung, Assistant Professor of Music in Orchestral Conducting at CCM.

CCM Dean Peter Landgren has announced the appointment of Aik Khai Pung to the position of Assistant Professor of Music in CCM’s Department of Orchestral StudiesPung first joined CCM’s faculty on a visiting basis in 2014. His new appointment becomes effective on August 15, 2015.

An all-around conductor and educator, Pung is music director of the CCM Concert Orchestra, NANOWorks Opera and Café MoMus, CCM’s contemporary music ensemble.

An alumnus of CCM, Pung (MM Orchestral Conducting, 2009; DMA Orchestral Conducting, 2014) studied under Mark Gibson, Annunziata Tomaro, Xu Xin, Zhang Yi and Ulrich Nicolai. He has also worked with Gustav Meier and JoAnn Falletta. Pung holds a BA from the Central Conservatory of Music in Beijing in addition to his degrees from CCM.

Prior to his engagement at CCM, Pung taught at Earlham College in Indiana, Akademie der Chinesische Bunte Blätter in Munich and Peking University in Beijing. He has served as head instructor of the Orchestral, Choir and Opera Conducting Workshop in Malaysia, and was a clinician for Montclair State University John J. Cali School of Music Orchestra Festival in New Jersey.

On top of his passion for teaching, Pung is actively involved in music festivals around the world such as Lincoln Center Festival (New York), Spoleto Festival USA (Charleston, S.C.), CCM Spoleto (Spoleto, Italy), Opera Theatre and Music Festival of Lucca (Lucca, Italy), Georgetown Festival (Penang, Malaysia) and Luminato Festival (Toronto, Canada) where he conducts and assists opera productions as well as symphonic concerts.

As a multi-instrumentalist, Pung plays the piano, violin, Er-hu (Chinese traditional fiddle), Chinese dulcimer and viola da gamba. On top of instrumental music, he is equally involved with vocal music. He programs and performs new operas as the music director of NANOWorks Opera. Aside from the music from the Classical and Romantic eras, Pung has conducted his research on the music of Guo Wenjing, Toshio Hosokawa, Nico Muhly, John Adams, Philip Glass and young composers such as CCM alumna Jennifer Jolley (MM Composition, 2009; DMA Composition, 2012), Danny Clay, Eric Knechtges, Li ShaoSheng and Marie Incontrera, among others.

Pung won second prize in the Taiwan Chinese Orchestra (TCO) International Conducting Competition (2015) and was the Special Award winner for Conducting Chinese Music at the First Hong Kong International Conducting Competition (2011).

He was the first international conducting student to be accepted to the prestigious Central Conservatory of Music, the top conservatory in China, where he was awarded outstanding student in 2005.

You can learn even more about Aik Khai Pung by clicking herePlease join us in congratulating him on his new appointment.

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Daniel Weeks, Associate Professor of Music in CCM's Department of Voice.

Accomplished Tenor Daniel Weeks Joins CCM’s Voice Faculty

CCM Dean Peter Landgren has announced the appointment of Daniel Weeks, tenor, to the position of Associate Professor of Music in CCM’s Department of Voice. Weeks’ appointment becomes effective on August 15, 2015.

Daniel Weeks, Associate Professor of Music in CCM's Department of Voice.

Daniel Weeks, Associate Professor of Music in CCM’s Department of Voice.

Praised for his Italianate timbre and sensitive musicianship, Daniel Weeks maintains an active performing schedule including opera, oratorio and recitals. As a concert artist, Weeks has sung with the Houston Symphony, the Dallas Symphony, the Cincinnati Symphony Orchestra, the Indianapolis Symphony, the Columbus Symphony, the Memphis Symphony, the Louisville Orchestra, the Huntsville Symphony, the Oratorio Society of New York, the Winter Park Bach Festival, the Bozeman Symphony, the Orchestra of St. Luke’s, the National Symphony of Mexico, the National Symphony of Costa Rica, the Xalapa Symphony (Mexico) and the National Youth Orchestra of Caracas (Venezuela). On the operatic stage, he has performed with the Florentine Opera, Kentucky Opera, Mercury Opera, Nevada Opera and in 2001 toured the US in Mozart’s Così fan tutte with San Francisco Opera’s Western Opera Theater.

Conductors with whom he has performed include Steuart Bedford, Christoph Campestrini, Hal France, Stefan Lano, Jane Glover, Christopher Larken, Hans Graf, Gustav Meier, Junkchi Hirokami, Vladimir Spivakov, Alessandro Siciliani, John Keenan, John Rutter, Jorge Mester, Carlos Miguel Prieto, Eduardo Müller, Gregory Vajda, Stefan Sanderling, Ari Pelto, Lyndon Woodside, Uriel Segal, Robin Stamper, Mark Gibson and Joe Mechavich. Stage directors with whom he has worked include Linda Brovsky, Michael Cavanaugh, Leonard Foglia, David Gately, Casey Stangl, Nicholas Muni, Donald Westwood and John Davies. In 2009, Weeks was honored by his alma mater, Belmont University in Nashville, TN, with their Second Annual “Encore Alumni Award” for excellence in the field of classical music.

A passionate advocate for Art Song recitals, Weeks taught the Vocal Literature seminars at the University of Louisville after joining the voice faculty in 1998. In 1999, he was a National Finalist in the Metropolitan Opera’s National Council Auditions and was also named Young Artist by the National Federation of Music Clubs. In October 1999, he made his New York recital debut with CCM Accompanist-in-Residence Donna Loewy on the Judith Raskin Memorial Concert Series. In February 2000, Weeks was the “On Wings of Song” recitalist with Loewy under the auspices of the Marilyn Horne Foundation. For the next three years, he and Loewy presented recitals and school presentations for the Horne Foundation across the country.

Additionally, Weeks has collaborated with such notable pianists as Timothy Cheek, Valerie Trujillo and Douglas Fisher. Additionally, he and pianist, Naomi Oliphant have given over 150 performances throughout the US, Canada and Europe since 2002. These performances include recitals in Katowice, Poland, Brno, CZ and an appearance in Toronto, Canada, at the 2007 Collaborative Conference hosted jointly by the Canadian Federation of Music Teachers’ Association, the Music Teachers National Association and the Royal Conservatory of Music.

In 2009, Weeks and Naomi Oliphant released their album Women of Firsts: A Recording of Art Songs by Lili Boulanger, Amy Beach, Grażyna Bacewicz, and Vítězslava Kaprálová on the Centaur Records label. Critically acclaimed in the US and Europe, this recording showcases art songs by women who were the first in their respective countries to achieve national and international recognition for composition. He and Dr. Oliphant recorded their second album entitled The Lieder of Franz Liszt, which is scheduled for release with Centaur Records in 2015.

You can learn even more about Daniel Weeks by visiting www.tenorweeks.com. Please join us in welcoming him to the CCM family!

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CCM Jazz Professor Steve Allee.

Famed Pianist, Composer, Educator and ‘Bob and Tom Show’ Music Director Steve Allee Joins CCM’s Jazz Faculty

CCM Dean Peter Landgren has announced the appointment of Steve Allee to the position of Assistant Professor of Music in CCM’s Department of Jazz Studies. Allee’s appointment becomes effective on August 15, 2015.

Steve Allee,  Assistant Professor of Music in CCM's Department of Jazz Studies.

Steve Allee, Assistant Professor of Music in CCM’s Department of Jazz Studies.

A pianist, composer and arranger, Allee is a veteran of more than 35 years on the music scene, working principally in jazz as a music educator, as well as writing and performing for syndicated radio programs, network television and motion pictures. All of his career facets have blended into a distinct musical that has a very strong visual, almost cinematic flavor because of his skill in capturing or reinforcing important moods or visual elements inspire his projects.

As a pianist, Allee maintains a successful recording career. His big band album, Downtown Blues, with bassist John Clayton and drummer John Von Ohlen, was nominated for a Grammy award. Allee’s first national solo album, The Magic Hour, released on Noteworthy Records, landed at number 14 on the Gavin national radio poll. Allee is currently pianist with the Rufus Reid Trio, their album Out Front, on the Montema label, hit the number one spot on the Jazz Week radio polls. Their second album, Hues Of A Different Blue, is currently number nine on the national chart.

Allee has also collaborated with bassist Bill Moring and drummer Tim Horner as the Steve Allee Trio, releasing two albums: Colors and Dragonfly; saxophonists Rich Perry and Rob Dixon also appear on select tracks from these albums. In his liner notes for Dragonfly, jazz journalist Ken Franckling noted that “From start to finish, Dragonfly makes it clear that this is a band in which each of the players finds their interaction to be exhilarating… this trio is all about making the most of the journey – as the best jazz should.”

A native son and longtime resident of Indianapolis, Indiana, Allee was fortunate to grow up in the hometown of many jazz greats, including brothers Wes, Buddy and Monk Montgomery, Slide Hampton, J.J. Johnson, David Baker, Freddie Hubbard and Melvin Rhyne, among others. His own playing style has a touch, sparkling clarity and improvisational variations reminiscent of the late Bill Evans, as well as a very strong blues influence that Allee credits to his exposure to Buddy Montgomery and Horace Silver.

Allee began his professional career at age 19 with the Buddy Rich Orchestra before he was drafted into military service during the Vietnam War. Through the years, he has worked with a veritable “Who’s Who” of major jazz artists across the United States and abroad. Recent performances include the Rufus Reid Trio, the Randy Brecker Quartet, David “Fathead” Newman, John Clayton and the Rich Perry Quartet. He also leads a big band that performs regularly in Indianapolis.

Allee’s writing credits include soundtracks for New York In The Fifties, a film inspired by the Dan Wakefield book of the same title; the score for the film was performed live at Switzerland’s acclaimed Montreux Jazz Festival. He also scored Something To Cheer About, a documentary starring NBA and Cincinnati Bearcat legend Oscar Robertson that focused on the 1954-55 Crispus Attucks Tigers basketball team, an Indianapolis team (on which Robertson played) that was the first all-black high school team to ever win a state championship – and the team that changed the face of basketball forever.

His composition endeavors also extend to the classical concert stage. He was commissioned to write and conduct a four-movement work for the Indianapolis Symphony Orchestra to celebrate the 100th anniversary of the Indianapolis Museum of Art. He was also commissioned by renowned drummer, percussionist and educator Steve Houghton to write a percussion Concerto for Wind Ensemble; the piece, Passages, was premiered February 25, 2011 in Washington DC by the US Army ‘Pershing’s Own’ Wind Ensemble.

Steve Allee’s performance and network television writing credits with Los Angeles Post Music include music for Chicago Hope, Mad About You, Martha Stewart, Friends, Nash Bridges, NYPD Blue, Dharma and Greg and Touched by an Angel.

Currently, Allee serves music director for the nationally syndicated, Indianapolis-based comedy-variety radio show The Bob and Tom Show, with which he has co-produced more than 50 albums over the past 25 years. Furthermore, in 2001, he was co-director and arranger for a J.J. Johnson Tribute Concert featuring trombonist Slide Hampton at the Indy Jazz Fest.

As an educator, Allee has given workshops and master classes at many college and university music programs over the years, including the CCM, University of Louisville, University of Illinois, University of Missouri, Morehead State University, Purdue University, Butler University, University of Indianapolis, Indiana State University, Drury College and Florida International University. He has also been a frequent collaborator with famed jazz pedagogue Jamey Aebersold, teaching at Abersold’s Summer Jazz Workshops for 14 years and recording 20 albums for the Jamey Aebersold Play-A-Long educational series including Miles Davis, Joe Henderson, Lee Morgan, J.J. Johnson and Eddie Harris volumes.

You can learn even more about Steve Allee by visiting www.steveallee.com. Please join us in welcoming him to the CCM family!

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From left to right: Alexandra Kazovsky, Jan Grüning, Amit Even-Tov and Gershon Gerchikov are the Ariel Quartet.

The Ariel Quartet’s 2014-15 CCM Concert Series Comes to a Stunning Conclusion on March 31

CCM’s internationally-acclaimed string quartet-in-residence the Ariel Quartet concludes its 2014–15 concert series at 8 p.m. on Tuesday, March 31, in Corbett Auditorium.

The program will include Joseph Haydn’s String Quartet in B-flat Major, Op. 76, No. 4, Béla Bartók’s String Quartet No. 5, Sz. 102 and Johannes Brahms’ String Quartet No. 3 in B-flat Major. Tickets for this performance are on sale now.

From left to right: Amit Even-Tov, Jan Grüning, Alexandra Kazovsky and Gershon Gerchikov are the Ariel Quartet. Photography by Saverio Truglia.

From left to right: Amit Even-Tov, Jan Grüning, Alexandra Kazovsky and Gershon Gerchikov are the Ariel Quartet. Photography by Saverio Truglia.

Last season, the Quartet performed its first complete Beethoven Cycle in Corbett Auditorium, a feat that the Cincinnati Enquirer‘s Janelle Gelfand characterized as “a challenge like climbing Mount Everest, and you could only marvel at their musicianship each step of the way.” You can watch excerpts from last season’s concert series by visiting www.arielquartet.com/video.

“The Cycle” proved so popular that the Ariel Quartet was invited to perform another complete cycle of Beethoven’s string quartets for New York City audiences at the SubCulture music venue on Bleeker Street.

The Ariel Quartet is comprised of Alexandra Kazovsky, violin; Amit Even-Tov, cello; Gershon Gerchikov, violin; and Jan Grüning, viola. The Quartet was formed in Israel 16 years ago when its members were young students, and they have been playing together ever since. Recently awarded the prestigious Cleveland Quartet Award, the Quartet serves as the string quartet-in-residence at CCM where they direct the chamber music program and perform their own annual series of concerts.

This concert will be dedicated to the loving memory of businessman and philanthropist William A. Friedlander. The Friedlanders’ generosity has helped to make the Ariel Quartet’s residency at CCM possible.

Below, watch the Ariel Quartet perform Haydn’s Quartet in E-flat Major, Op. 33, No. 2, “Joke,” at the 2012 Vermont Summer Music Festival:

Performance Time
8 p.m. Tuesday, March 31

Location

Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets are $20 for general admission, $15 for non-UC students and FREE for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office!

Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Ariel Quartet’s 2014–15 CCM concert series is made possible by the generous contributions of The Corbett Foundation, Dr. & Mrs. Randolph L. Wadsworth, Mr. & Mrs. William A. Friedlander, Mr. & Mrs. Harry H. Santen, Mr. & Mrs. Thomas E. Stegman and Dianne & J. David Rosenberg.

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A photo from CCM's Mainstage Series production of 'Peter Pan' from March of 2015. Photography by Mark Lyons.

CCM Announces 2015-16 Mainstage Series of Opera, Musical Theatre, Drama and Dance

CCM is pleased to announce details for its 2015-16 Mainstage Series of opera, musical theatre, drama and dance productions. Between Sept. 30, 2015, and April 24, 2016, CCM’s stars-of-tomorrow will present seven masterworks for the stage under the guidance of its internationally acclaimed faculty artists.

These works include David Edgar’s epic drama Pentecost, Rodgers and Hammerstein’s classic musical Carousel, Franz Lehár’s comedic operetta The Merry Widow, Eugene O’Neill’s acclaimed coming-of-age story Ah, Wilderness!, Green Day’s iconic punk rock musical American Idiot, Janácek’s farcical opera The Cunning Little Vixen and Tchaikovsky’s beloved romantic ballet Swan Lake.

Production details are listed below. Details on subscription packages and single ticket sales will be announced this summer.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

Additional Information
Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.
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CCM 2015-16 MAINSTAGE SERIES
Opera, Musical Theatre, Drama, Dance

Pentecost
Written by David Edgar
Richard E. Hess, director

A play of politics and ideas, Pentecost details the discovery of a painting stunningly similar to Giotto di Bondone’s The Lamentation in an abandoned church in Eastern Europe. If proven to pre-date the master’s work, the fresco will revolutionize Western Art. A dramatic power struggle ensues, as representatives from the worlds of art history, religion and politics stake their claims for the ultimate prize. The unexpected arrival of 12 refugees sets events spiraling toward an explosive climax. Described by the Daily Telegraph as “funny, frightening and deeply moving,” this powerful play by the Tony Award-winning adapter of Nicholas Nickleby and author of numerous plays won the Evening Standard Award for Best Play of 1995.

Performance Dates: Sept. 30 (preview), Oct. 1–4, 2015
Location: Patricia Corbett Theater
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Carousel
Music by Richard Rodgers
Book and lyrics by Oscar Hammerstein II
Based on the play Liliom by Ferenc Molnar
As Adapted by Benjamin F. Glazer
Original Dances by Agnes de Mille
Diane Lala, director

Set in a Maine coastal village toward the end of the 19th century, Carousel is the story of carefree carnival barker Billy Bigelow and his reckless adventures with women, gambling and the wrong side of the law. Billy loses his job just as he learns that his wife is pregnant and, desperate to provide a decent life for his family, is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent “up there.” 15 years later, Billy is allowed to return to earth for one day and encounters the daughter he never knew. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love. Declared “Best Musical of the Century” by Time Magazine in 1999, it’s easy to understand why Carousel became Rodgers and Hammerstein’s personal favorite.

Performance Dates: Oct. 29–Nov. 1, 2015
Location: Corbett Auditorium
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The Merry Widow (Die lustige Witwe)
Music by Franz Lehár
Libretto by Viktor Léon and Leo Stein
Emma Griffin, director

A 20th century opera molded in the tradition of the great opera seria of the 1700s, The Merry Widow tells a dizzying tale of star-crossed lovers and political intrigue in Paris. Baron Zeta of Pontevedro must prevent the wealthy widow Hanna Glawari from marrying a foreigner; if she does, all of her wealth will leave Pontevedro, thus bankrupting the country. Zeta urges Hanna’s former fiancée Count Danilovich (who pretends to not care for her anymore) to marry her, but Zeta’s wife pushes the flirtatious Camille de Rosillon to go after Hanna instead. Farcical confusion, romance and jealousy abound in this light-hearted romp. Sung in English.

Performance Dates: Nov. 19–22, 2015
Location: Patricia Corbett Theater
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Ah, Wilderness!
Written by Eugene O’Neill
R. Terrell Finney, director

Set in an idyllic Connecticut town during the Fourth of July weekend of 1906, Eugene O’Neill’s Ah, Wilderness! offers a tender portrait of small town family values, teenage growing pains and young love. Described as “a breath of fresh air” and “vividly alive” by the New York Post and nominated for a Tony Award for Best Revival in both 1989 and 1998, this charming comedy is directed by CCM Professor Emeritus R. Terrell Finney.

Performance Dates: Feb. 10 (preview), Feb. 11–14, 2016
Location:
 Patricia Corbett Theater
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American Idiot
Book and lyrics by Billie Joe Armstrong
Book by Michael Mayer
Music and lyrics by Green Day
Aubrey Berg, director

The two-time Tony Award-winning hit musical American Idiot, based on Green Day’s Grammy Award-winning multi-platinum album of the same name, boldly takes the American musical where it’s never gone before. Johnny, Tunny and Will struggle to find meaning in a post-9/11 world. When the three disgruntled men flee the constraints of their hometown for the thrills of city life, their paths diverge when Tunny enters the armed forces, Michael is called back home to attend familial responsibilities, and Johnny’s attention becomes divided by a seductive love interest and a hazardous new friendship. An energy-fueled rock opera, American Idiot features minimal dialogue and instead relies on the lyrics from Green Day’s groundbreaking album to execute the story line.

Performance Dates: March 3–13, 2016
Location: Patricia Corbett Theater
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The Cunning Little Vixen (Príhody lišky Bystroušky)
Composed by Leoš Janácek
Libretto by Leoš Janácek (after Rudolf Tesnohlídek)
Vince DeGeorge, director

Based on a famous 1920s Czech comic strip, Janácek’s opera The Cunning Little Vixen humorously explores the universal longing for youth. The three main characters – all older men – attempt to connect to their younger days through various means: one longs for a village girl, one obsesses over a childhood indiscretion and one chases a young vixen through the countryside. Will they continue to cling to their delusions? Or will their experiences help them come to terms with the inevitability of time? Sung in English.

Performance Dates: April 8–10, 2016
Location: Patricia Corbett Theater
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Swan Lake
Composed by Pyotr Tchaikovsky
Jiang Qi, director

Tchaikovsky’s timeless ballet about love and magic returns to CCM in a fully-staged spectacle! The young Prince Siegfried, disinterested in the potential wives that his mother has picked for him, heads into the woods to hunt one night and comes across a beautiful swan…who then turns into the maiden Odette! She tells him of the curse she and others have been placed under by the evil knight Rothbart, forcing them to become swans by day and human by night. Siegfried instantly falls in love, but will he and Odette be able to overcome the curse, or will Rothbart succeed in keeping his enchantment intact?

Performance Dates: April 21–24, 2016
Location: Corbett Auditorium
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Mainstage Series Subscriptions
The 2015-16 CCM Mainstage Series of opera, musical theatre and drama productions includes subscription packages for six-show, four-show and three-show combinations. Subscribers also have the ability to add the Mainstage Series production of Swan Lake to any subscription package “a la carte.”

Full details on subscription packages and single ticket sales will be announced this summer. CCM’s customizable subscription packages range in price from $84 – $180. Current subscribers will get priority access to next season’s subscription packages.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave
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A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News

CCM’s Lonely Instruments for Needs Kids Program Announces 2015 Instrument Collection Dates: March 14 and 15

LINKSCCM holds its annual LINKS (Lonely Instruments for Needy Kids) Collection Days on Saturday, March 14, and Sunday, March 15, at Joseph-Beth Booksellers (2692 Madison Rd., Rookwood Pavilion, Cincinnati). The hours for the collection drive are 10 a.m. – 5 p.m. Saturday and noon – 5 p.m. Sunday.

LINKS, a project of the Friends of CCM with support from Buddy Roger’s Music, Joseph-Beth Booksellers and WGUC 90.9 FM, began in 1993 as the brainchild of CCM alumnus Bill Harvey (BM Music Education, 1971), Vice President of Buddy Roger’s Music.

Harvey, well-respected by music teachers in the Greater Cincinnati area, wanted to fill the need of getting instruments into the hands of students whose parents were not able to buy, rent or borrow an instrument. The solution was somewhat simple — a “recycling program” for musical instruments.

Since 1993, LINKS has placed more than 2,000 instruments into the hands of children unable to purchase or rent instruments of their own. LINKS accepts donations of new and used instruments from the Greater Cincinnati community, then places them with students in local elementary, middle and high school bands and orchestras, as well as with students in the CCM Preparatory Department. Students are qualified by the recommendation of their music teacher, and a LINKS scholarship application is submitted in the student’s name.

Even if the instrument is not in perfect condition, donations are gladly accepted. Buddy Roger’s Music generously contributes the time to carefully restore, tune and clean each instrument. All of the donations are tax deductible, and Joseph-Beth Booksellers will donate 20% of store purchases back to LINKS during the collection days (learn more here). Entertainment during the collection will be provided by local music students of all ages.

If you do not have an instrument, you can still assist young musicians who need a helping hand by making a contribution to the LINKS fund at https://ccm.weshareonline.org/ws/opportunities/LINKS.

In addition to the March 14 and 15 collection days, instruments are accepted year-round at any Buddy Roger’s Music Store. Call 513-729-1950 for store locations.

For more information on LINKS or to make a monetary donation, call the CCM External Relations Office at 513-556-2100.

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MoveableFeast2013

Thanks to YOU For Making This Year’s MOVEABLE FEAST So Successful!

CCM's Moveable Feast benefit event returns on Friday, Jan. 23, 2015.

CCM’s Moveable Feast benefit event returns on Friday, Jan. 23, 2015.

To the sponsors, partners, Friends of CCM Members, volunteers, faculty members, student artists, staff, event attendees and everyone else responsible for making this year’s Moveable Feast such an overwhelming success: THANK YOU!

  • Check out Cincinnati Refined‘s coverage of the evening here.
  • Check out the Cincinnati Enquirer‘s coverage of the evening here.
  • Check out the News Record‘s coverage of the evening here.

It was a night to remember – thank you for sharing it with us!

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