Peter Landgren, Dean of the College-Conservatory of Music (CCM)

A Message From Peter Landgren

Dear CCM Community,

The power of CCM, which is fueled by you – the college’s faculty, staff, students, alumni, volunteers, donors and advisors – is as strong as ever at the University of Cincinnati. As such, I have accepted an offer from Interim President Beverly Davenport to fill the role of Interim Senior Vice President for Academic Affairs and Provost, paralleling her interim presidency. You can learn more about this appointment here.

This is an interim role for me, I’m not going far – just a few buildings away from the CCM Village – and CCM will have an excellent individual at the helm as Interim Dean.

brucce mcclung will be Interim Dean at CCMWe are fortunate to have a leader amongst leaders who has agreed to serve as CCM’s Interim Dean, Dr. bruce mcclung. A member of CCM’s faculty since 1992, Dr. mcclung has most recently served as head of the Division of Composition, Musicology and Theory. Dr. mcclung is a highly respected musicologist, a consummate researcher, pedagogue, advisor and mentor. He is detail-oriented, focused on excellence and possesses a watchful eye on fiscal health. He is a strong communicator and a leader who naturally turns listening and collaboration into action.

Dr. mcclung received his bachelor’s degree from the New England Conservatory, two master’s degrees from the Eastman School of Music and his Ph.D. from the University of Rochester. He has been awarded several campus-wide accolades from the University of Cincinnati, including the A. B. “Dolly” Cohen Award for Distinguished Excellence in Teaching in 2013, the UC Graduate School Excellence in Doctoral Mentoring Award in 2009 and was elected to the University’s Academy for Fellows of Teaching and Learning. You can read the official announcement of bruce’s interim appointment here.

When I asked if he would fill the role as CCM’s Interim Dean, bruce’s first question to me revealed his insight and dedication as a leader and creative individual: How could he continue to propel the ONECCM initiative forward during this interim period? Yes, there were other questions to follow, yet this lead enquiry told me a great deal about bruce’s desire to maintain the positive trajectory that the college has enjoyed. I am confident that bruce will assist each of you who hold an individual role in propelling the college beyond all imagination.

As a university community, we are equally fortunate to have a compassionate and compelling leader in Dr. Davenport. I cannot thank Dr. Davenport enough for her confidence in my leadership abilities. As Interim Senior Vice President of Academic Affairs and Provost, I will support her as Interim President in a unified vision for UC, and will assist all of the university’s deans and colleges in attaining or superseding their goals. My term will begin today and parallel Interim President Davenport’s.

Please join me in thanking bruce as he steps into this new role of intellectual and artistic guidance at CCM. I also want to thank you – the CCM community – for supporting Interim Dean mcclung, Interim President Davenport and me as each of us enter new positions to guide our university forward.

CCM is the college that has given me my career. I will always be a proud alum of this great college, and my pride and respect extends to each of you. Both CCM and UC have made great strides in recent years. Working together, we will continue to build upon those accomplishments and achieve even greater successes.

Sincerely yours,

DeanSignature
Peter Landgren, Dean
Thomas James Kelly Professor of Music
College-Conservatory of Music
University of Cincinnati

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CCM Graduation Convocation and luncheon 2016. Photos by Lisa Britton.

CCM Slideshows: Graduation Convocation 2016

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CCM celebrated the Class of 2016 with a luncheon and Graduation Convocation Ceremony on April 30. The ceremony featured students receiving baccalaureate, masters, doctoral, and artist diploma degrees and recognized this year’s distinguished alumni and service award recipients.

Dean Peter Landgren began the ceremony with a welcome address and recognition awards. Steve Shin (MM Trombone 2013, MA/MBA Arts Administration 2016) received the Distinguished Young Alumnus Award. The Distinguished Alumnus Award went to David Daniels (BM Voice, 1990) and Trish Bryan was recognized with the Distinguished Service Award.

Congratulations to all of the 2016 graduates of the UC College-Conservatory of Music! We can’t wait to see what you accomplish in the years ahead.

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CCM/CSO Fellowship award winners, a cooperative program between CCM and Cincinnati Symphony Orchestra. Photo by Andrew Higley.

CCM and Cincinnati Symphony Orchestra Announce the Inaugural Class of Diversity Fellows

Following a rigorous application and audition process, the University of Cincinnati College-Conservatory of Music (CCM) and the Cincinnati Symphony Orchestra (CSO) have selected five outstanding string musicians for the inaugural class of CSO/CCM Diversity Fellows. Born out of a mutual desire to make American orchestras more inclusive, this groundbreaking fellowship program is made possible by a generous $900,000 grant from The Andrew W. Mellon Foundation.

The inaugural CSO/CCM Diversity Fellows are: Emilio Carlo, 21 (viola); Diana Flores, 26 (cello); Blake-Anthony Johnson, 25 (cello); Vijeta Sathyaraj, 27 (violin); and Maurice Todd, 37 (double bass). The Fellows were selected through a rigorous series of auditions, which saw more than 100 talented musicians audition for CCM faculty members. Twelve string players were invited back to Cincinnati for a final round of auditions for CSO musicians on March 14, 2016.

“For this inaugural class, we have selected a cohort of astonishingly talented musicians, who come to us from a wide variety of backgrounds,” said CCM Dean Peter Landgren. “Our Fellows hail from New York, Georgia, Kentucky, Costa Rica and Hong Kong, and represent the future of American orchestras. Working in close collaboration with our partners at the Cincinnati Symphony Orchestra, we will prepare these Fellows for long and fruitful artistic careers, while challenging the status quo of our industry.”

With this innovative Fellowship program, CCM and the CSO are providing new opportunities for underrepresented musicians, while simultaneously fostering a more inclusive environment in the world of professional orchestras. According to the League of American Orchestras, just over four percent of orchestra musicians are African-American or Latino. With that statistic in mind, the CSO and CCM want to foster an environment that promotes greater diversity on the stages of American orchestras. The program’s tagline – Bravos Without Barriers – gets to the heart of this mission.

This new two-year program, that is already garnering attention among leaders throughout the music world, consists of frequent performances with the CSO, focused mentorship by professional CSO musicians, and simultaneous instruction by CCM’s illustrious faculty.

“The level of musicianship on display during our final round of auditions is a testament to the merit of this program,” said CSO President Trey Devey. “Through our partnership with CCM and with the extraordinary support of The Andrew W. Mellon Foundation, we can provide a truly transformative experience for these exceptional performers at a crucial time in their careers. We look forward to welcoming our inaugural Fellows to Cincinnati this fall and we can’t wait to share their talents with the Greater Cincinnati community.”

How the Fellowship works

The inaugural class of Diversity Fellows will officially arrive in Cincinnati this August. CCM and the CSO will welcome a second class of five Diversity Fellows in the fall of 2017, bringing the number of Fellows in the program to ten during the 2017-18 academic year and orchestra season.

Each Fellow receives full tuition scholarship support from CCM, in addition to a $10,000 per year graduate stipend and a one-time Graduate School Dean’s Excellence Award of $3,000. Each Fellow also receives compensation of $8,000 per season while performing with the CSO. They will perform the equivalent of five weeks per season with the CSO in a progressive sequence of concert weeks based on program difficulty, with one week focused on community engagement and educational activities.

This unique educational opportunity is the first of its kind to pair a major conservatory with a major orchestra, bridging the pre-professional gap while also fostering a more inclusive environment within professional orchestras. The Sphinx Organization, a Detroit-based national organization dedicated to transforming lives through the power of diversity in the arts, will serve as an external evaluator and advisor.

Along with the professional performance experience, Fellows will receive focused mentorship from CSO musicians on top of regular instruction and guidance from CCM’s illustrious faculty. Their mentorship includes coaching sessions before each rehearsal cycle, ongoing stand partner coaching and post-performance feedback. There will also be non- performance related career counseling to prepare the Fellows for their future.

When asked about what made this new program so distinctive, incoming Fellow Emilio Carlo commented:

“Being raised in the Bronx, I would’ve never thought my future would involve classical music. When I attend orchestra concerts, there aren’t many musicians of color seen on stage. In fact, it’s always an ‘aha’ moment when I see a Latino or African American musician playing in a symphony. I knew the Fellowship was my top choice as soon as I read their mission statement: ‘We want to change the face of the American symphony.’”

Meet the Fellows

Emilio Carlo

Emilio Carlo. Photo by Andrew Higley.

Emilio Carlo, Artist Diploma Viola
Emilio Carlo is a native of the Bronx, New York, and currently resides in Washington D.C. He is a first-year Artist Diploma student at CCM and recently graduated from the conservatory with a Bachelor of Music degree in Viola Performance. He previously studied with Catharine Carroll-Lees and Masao Kawasaki and is currently under the tutelage of Jan Grüning of the Ariel Quartet.

In previous years, he has attended the Aspen Music Festival and Japan’s Pacific Music Festival. He was also appointed as Principal Viola for a concert tour under the direction of Maestro Yutaka Sado. Outside of music, his hobbies include attending jazz concerts, cooking and exercising.

Carlo is a 2012 recipient of the Brewster Award for young artists from the John. F Kennedy Center for the performing arts. He is honored to be a member of the inaugural class of the Diversity Fellowship, which he feels will prepare him to win a professional orchestra audition in the near future.

Diana Flores

Diana Flores. Photo by Andrew Higley.

Diana Flores, Artist Diploma Cello
Cellist Diana Flores has performed extensively throughout the United States, Canada, Brazil, China and her home country of Costa Rica. At age nine, she started playing cello at the Instituto Nacional de Musica in San José. Ten years later, Flores moved to Boston to complete her undergraduate studies at the Longy School of Music, where she studied under Mihail Jojatu.

During her years in Boston she performed with the Boston Pops and Boston Philharmonic Orchestras. She was a Fellow at the Tanglewood Music Center in the summers of 2012 and 2013 and is a former member of Youth Orchestra of the Americas. She also traveled to Japan to participate in the Pacific Music Festival.

After moving to Chicago in 2013, she became a member of the Civic Orchestra, a two-year training program with the Chicago Symphony Orchestra. While there, she joined the MusiCorps String Quartet, a music education and advocacy program in which she performed in many Chicago Public Schools and Chicago Park Districts. Flores is finishing her Masters Degree at the Chicago College of Performing Arts, studying under Richard Hirschl.

Blake-Anthony Johnson

Blake-Anthony Johnson. Photo by Andrew Higley.

Blake-Anthony Johnson, Artist Diploma Cello
A native of Atlanta, Georgia, Blake-Anthony Johnson began playing cello at age 12 and was self-taught until the age of 18. He has performed and recorded works by Richard Danielpour, Claudio Gabriele, Adam Schoenberg and Poul Ruders. As a soloist and guest Principal cellist, he has worked with conductors across the United States including JoAnn Falletta, David S. Wiley and Carl Topilow. Passionate about chamber music, Johnson is a founding member and former cellist in the Läc Quartet. As the recipient of the Vanderbilt Music Académie grant, the quartet received commissions and residency in Festival d’Aix held in Aix-en-Provence, France.

Additional performances include both orchestral and chamber music at the Spoleto Music Festival, Lev Aronson Legacy Music Festival, National Repertory Orchestra, National Music Festival and Brevard Music Festival. He is the former chair and founding member of the Music Education and Youth Initiative, which served underprivileged children in the greater Metropolitan area of Nashville, Tennessee. Johnson was a prizewinner in the MTNA Young Artist Competition, the World Competition; the Daniel Rains, and Brevard Music Festival Concerto competitions.

Johnson received his Bachelor of Music degree under Felix Wang and Kathryn Plummer at the Blair School of Music at Vanderbilt University and later studied under Bryan Dumm and Alan Harrell of the Cleveland Orchestra for his Master of Music diploma. His most recent education was in the prestigious Orchestral Program at the Manhattan School of Music studying with Alan Stepansky with additional studies under David Geber and Wolfram Koessel.

Vijeta Sathyaraj

Vijeta Sathyaraj. Photo by Andrew Higley.

Vijeta Sathyaraj, Artist Diploma Violin
Born in Macau, China, Vijeta Sathyaraj began violin studies in the Philippines at the age of 3.  By age 6, she was featured on the Philippine National Broadcast and was studying with Basilio Manalo.  She went on to study with Fan Ting at the Hong Kong Academy of Performing Arts, and later took lessons from Dennis Kim. Sathyaraj graduated from Idyllwild Arts Academy, where she studied with Vesna Gruppman. She later earned her Bachelor of Music degree from Oberlin Conservatory and her Master of Music degree from Lynn Conservatory.

Sathyaraj has performed solo recitals in Denmark, India, Hong Kong and the United States. In 2001, she was featured in a CNN broadcast, and in 2004, she organized and performed in a piano trio to raise $3,000 for development work in Hanoi, Vietnam. She has performed in the Idyllwild Arts Festival Orchestra and she joined the Oberlin Symphony for a performance in Carnegie Hall under Robert Spano in 2007. She has attended the Meadowmount School of Music, the Bowdoin International Music Festival, and the Green Mountain Chamber Music Festival.

Sathyaraj recently completed her Professional Performance Certificate at Lynn University where she studies under Carol Cole. Former mentors include Milan Vitek, Andrew Jennings, Sally Thomas, Ann Setzer, and Midori. Sathyaraj’s commitment to outreach and diversifying audiences to Western classical music led her to apply to CCM.

Maurice Todd

Maurice Todd. Photo by Andrew Higley.

Maurice Todd, Artist Diploma Double Bass
Originally from Louisville, Kentucky, Maurice Todd received his Bachelor of Music in Double Bass Performance from CCM. He is a current section bassist in the Lexington Philharmonic. In addition to being a seven-time Aspen Fellowship recipient, Todd previously won the Dayton Philharmonic Minority Fellowship, was the low string winner of the CCM concerto competition, earned the National Symphony Orchestra League Scholarship and was a fellowship recipient in the Spoleto Italy Opera Festival. Most recently, he received the distinguished Excellence in Teaching Award from the UC Graduate School.

Todd has performed with the Cincinnati Symphony Orchestra, Dayton Philharmonic, Grand Rapids Symphony, Richmond Symphony and Kentucky Symphony. He has been a soloist with the Louisville Orchestra, Seven Hills Sinfonietta, Wired and the CCM Concert Orchestra.

This year, Todd will graduate from CCM with a Master’s Degree in Double Bass Performance, where he serves as the graduate assistant for the double bass studio under the tutelage of Professor Albert Laszlo. His former mentors include Owen Lee, Edgar Meyer, Chris Hanulik, Bruce Bransby, Rob Oppelt, Eugene Levinson and Hal Robinson.

CCM News Student Salutes
The logo for the Music for Food initiative.

CCM’s Music for Food Concert Series Continues Sunday, April 3, 2016

CCM’s Music for Food concert series continues at 4 p.m. this Sunday, April 3. Student and faculty performers will use their artistry to fight hunger through this new chamber music series, which benefits Cincinnati’s Freestore Foodbank.

Organized by CCM’s string quartet-in-residence, the Ariel Quartet, along with faculty artists Lydia Brown and and Gwen Coleman Detwiler, the performance takes place in Room 300 of CCM’s Dieterle Vocal Arts Center. This intimate space provides the perfect setting for an afternoon of chamber music!

In lieu of paid admission, concert attendees are asked to provide non-perishable food items or a cash donation. All proceeds benefit the Freestore Foodbank.

About Cincinnati’s Freestore Foodbank
The Freestore Foodbank is the largest emergency food and services provider to children and families in Greater Cincinnati, Northern Kentucky and Southeast Indiana. The organization distributes 20 million meals annually to low-income individuals and families. The Freestore Foodbank supports more than 250 community partners in 20 counties throughout Kentucky, Ohio and Indiana, including food kitchens, homeless shelters, emergency food pantries and social service centers.

By providing emergency food distribution, the Freestore Foodbank responds to the issue of poverty and food insecurity in our community and provides an array of services (emergency clothing, housing services, SNAP assistance, Medicaid outreach and others) aimed at creating self-reliance. The Freestore Foodbank is a member of Feeding America and United Way.

The Freestore Foodbank is an independent nonprofit 501(c)(3) organization. Learn more by visiting www.freestorefoodbank.org.

About Music for Food
Music for Food is a musician-led initiative for local hunger relief. The organization’s concerts raise resources and awareness in the fight against hunger, empowering all musicians who wish to use their artistry to further social justice.

Now in its sixth season, Music for Food has created over 250,000 meals through donations made at concerts on behalf of more than a dozen hunger-relief organizations. Started in Boston, Music for Food now has chapters in nine US cities. More than 100 artists and ensembles have performed for Music for Food worldwide.

Music for Food is a federally recognized 501(c)(3) nonprofit organization registered in the Commonwealth of Massachusetts. Learn more by visiting www.musicforfoodboston.org.

Performance Time
4 p.m. Sunday, April 3

Location
Room 300, Dieterle Vocal Arts Center
CCM Village, University of Cincinnati

Admission
Non-perishable food items or a donation to the Freestore Foodbank. Suggested donation: $20 general, $15 students.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

CCM News
Scott Lipscomb, incoming Associate Dean for Aacademic Affairs and Director of Graduate Studies at CCM.

CCM Welcomes Scott Lipscomb as Associate Dean for Academic Affairs and Director of Graduate Studies

Scott Lipscomb, incoming Associate Dean for Aacademic Affairs and Director of Graduate Studies at CCM.

Scott Lipscomb, incoming Associate Dean for Aacademic Affairs and Director of Graduate Studies at CCM.

CCM Dean Peter Landgren has announced the appointment of Scott D. Lipscomb to the position of Associate Dean for Academic Affairs and Director of Graduate Studies. Lipscomb’s tenure at CCM will begin on May 31, 2016.

“I look forward to welcoming Dr. Lipscomb to Cincinnati this spring,” said Landgren. “He will be a strong advocate for student learning, an innovator when working with our curricula, a collaborative partner for our faculty members and a key member of our administrative team. Dr. Lipscomb’s interdisciplinary background lends itself perfectly to CCM’s approach to academics. His expertise will also allow CCM to maximize its research potential in collaboration with UC’s other colleges.”

Lipscomb comes to CCM from the University of Minnesota, where he most recently served as Associate Director of the School of Music, Director of Undergraduate Studies and Professor of Music. In these roles, he collaborated on the School of Music’s strategic planning process and served as primary author and facilitator for that institution’s 10-year NASM self-study, while also serving as a member of the school’s senior leadership team.

During his tenure at the University of Minnesota, Lipscomb also served as Interim Director of the School of Music from 2014-15. He headed the school’s Division of Music Education and Music Therapy from 2006-10 and 2011-13.

Prior to his appointment at the University of Minnesota, Lipscomb held faculty and administrative positions at Northwestern University, the University of Texas at San Antonio, Southern Methodist University and Webster University in Vienna, Austria.

Lipscomb’s primary areas of research include the integration of technology in the music classroom, the facilitation of music learning through technology and the incorporation of music across the K-12 curriculum, along with interactive instructional media development, sound for multimedia, website design and multimedia cognition.

A frequent presenter at regional, national and international conferences, Lipscomb has also had his research published in numerous peer-reviewed journals and edited volumes. He is editor of the Journal of Technology in Music Learning.

Lipscomb is immediate past-President for the Association for Technology in Music Instruction, while serving on the boards of the Society for Music Perception & Cognition and the Technology Institute for Music Educators. He also chairs the Technology Institute for Music Educators’ research committee.

Lipscomb holds a PhD and an MA in Systematic Musicology from UCLA. He received his BM in Jazz Performance with an emphasis on electric and acoustic bass from the University of Tennessee, Knoxville.

Lipscomb will spend the month of June working side-by-side with CCM’s retiring Associate Dean of Academic Affairs and Director of Graduate Studies Terrell Finney.

“June will be a time to welcome Dr. Lipscomb to campus, as well as a time to thank Terrell Finney for his years of dedicated service to CCM,” Landgren added.

Lipscomb’s academic home at CCM will be the Division of Electronic Media and he will continue his research activities while fulfilling the duties of Associate Dean.

Please join us in welcoming Scott Lipscomb to the CCM family!

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CCM's inaugural artists-in-residence at Twin Towers: Alyssa Griffith and Annie Barr.

McKnight’s Senior Living Magazine Spotlights CCM Artist-in-Residence Program With Twin Towers

The McKnight’s Senior Living magazine and media brand has turned the spotlight on CCM’s new artist-in-residence program with the Twin Towers Senior Living Community.

As previously reported, this partnership offers free housing to two CCM graduate students on one of Twin Towers’ campuses for the duration of their degree programs. In return, these students will perform one recital per month and allow the community’s citizens unprecedented interaction through discussions and open rehearsals.

The inaugural artists-in-residence are soprano Annie Barr and collaborative pianist Alyssa Griffith, both of whom are first-year Master of Music students at CCM.

In the recently published McKnight’s article, Twin Towers Executive Director Jim Lay explores the surprises brought about through this intergenerational program:

“The simple vision that these students would provide pleasing musical entertainment for Twin Towers’ residents has blossomed into a depth of kinship and connection between unlikely acquaintances,” Lay observes. “When semester break led to the students heading home to be with their families for the holidays, their Twin Towers family anxiously anticipated their January return.”

Barr and Griffith have expressed similar enthusiasm for the innovative new program.

“I loved the idea of living in the Twin Towers community, having more opportunities to perform and practice for the residents’ enjoyment,” Griffith says.

“I feel honored and thankful to have this opportunity,” Barr adds. “I love interacting with all of my neighbors, they’re all so sweet and kind. The neighborhood is a happy place to live.”

CCM Dean Peter Landgren views this new partnership as a natural extension of the college’s ongoing community engagement activities throughout Greater Cincinnati. “An important part of CCM’s responsibility as a training ground for the performing and media arts is to provide aspiring artists with opportunities to interact with and give back to their communities,” he says.

Read the complete McKnight‘s article online at www.mcknightsseniorliving.com/guest-columns/intergenerational-program-brings-nice-surprises/article/471691/.

Learn more about CCM’s partnership with Twin Towers at ccm.uc.edu/about/villagenews/notations-ovations/ccm-twin-towers-partnership.

CCM News Student Salutes
The Ariel Quartet. From left to right: Alexandra Kazovsky, Jan Grüning, Amit Even-Tov and Gershon Gerchikov.

CCM’s Ariel Quartet Welcomes Famed Clarinetist David Krakauer for Jan. 26 Concert

Guest artist David Krakauer joins the Ariel Quartet in concert on Tuesday, Jan. 26, 2016.

Guest artist David Krakauer joins the Ariel Quartet in concert on Tuesday, Jan. 26, 2016.

The internationally acclaimed Ariel Quartet helps CCM kick-off its spring semester concert series with a program of Debussy, Webern and Golijov at 8 p.m. on Tuesday, Jan. 26. For this concert, the Ariel Quartet will be joined by distinguished guest artist David Krakauer.

Widely considered one of the greatest clarinetists on the planet, Krakauer has been praised internationally as a key innovator in modern klezmer as well as a major voice in classical music. For this program, Krakauer will join the Ariel Quartet for a performance of Osbaldo Golijov’s The Dreams and Prayers of Isaac the Blind.

“The movements of this work sound to me as if written in three of the different languages spoken by the Jewish people throughout our history,” Golijov explains. “This somehow reflects the composition’s epic nature. I hear the prelude and the first movement, the most ancient, in Arameic; the second movement is in Yissih, the rich and fragile language of a long exile; the third movement and postlude are in sacred Hebrew.”

The Ariel Quartet’s program for Jan. 26 also includes performances of Claude Debussy’s String Quartet in G Minor, Op. 10, and Anton Webern’s Six Bagatelles, Op. 9.

Learn more about the repertoire and download a copy of the Ariel Quartet’s program notes by visiting ccm.uc.edu/boxoffice/ariel-quartet/arieljan26.

About David Krakauer
Internationally acclaimed clarinetist David Krakauer redefines the notion of a concert artist. Known for his mastery of myriad styles, he occupies the unique position of being one of the world’s leading exponents of Eastern European Jewish klezmer music, and at the same time is a major voice in classical music. He has appeared with the Tokyo, Kronos and Emerson quartets, plus as soloist with the Dresden, Seattle and Detroit symphony orchestras, among many others.

With his band Ancestral Groove, he has redefined the klezmer genre with major appearances at Carnegie Hall and internationally. His discography contains some of the most important klezmer recordings of the past decade, notably The Dreams and Prayers of Isaac the Blind (Golijov/Kronos/Krakauer on Nonesuch).

Consistently defying categorization, Krakauer has enjoyed major ongoing artistic collaborations with a tremendously diverse group of performers and composers including Dawn Upshaw, Itzhak Perlman, John Zorn, Fred Wesley, Music from Marlboro, Abraham Inc, Osvaldo Golijov, the Klezmatics, John Cage, Danny Elfman and Socalled. In his newest project, The Big Picture, he explores the universal search for identity through a re-imagination of familiar themes by renowned film music composers brought together in a cinematic concert accompanied by original visuals.

An avid educator, Krakauer has enjoyed a long relationship with Mannes (New School University), the Manhattan School of Music, NYU, and the Bard Conservatory.

Performance Time
8 p.m. Tuesday, Jan. 26

Location
Corbett Auditorium, CCM Village,
University of Cincinnati

Purchasing Tickets
Tickets are $25 for general admission, $15 for non-UC students and FREE for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Ariel Quartet’s 2015-16 CCM concert series is made possible by the generous contributions of Anonymous, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. & Mrs. Randolph L. Wadsworth, Mr. & Mrs. J. David Rosenberg, Mr. & Mrs. Harry H. Santen, Mr. & Mrs. Paul G. Sittenfeld and Mr. & Mrs. Thomas E. Stegman.

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