Alumni Showcase Spotlight: Jazz Artist Janelle Reichman

CCM highlights alumni guest artists who will return to campus for the Sesquicentennial Alumni Showcase in a series of alumni spotlight stories.

Clarinetist and saxophonist Janelle Reichman (BM Jazz Saxophone, 2005) returns to CCM to perform Fats Waller’s Ain’t Misbehavin’ and Harry Warren’s There Will Never Be Another You at the Sesquicentennial Alumni Showcase on April 21!

Janelle Reichman.

Janelle Reichman.

Reichman has performed as a featured soloist all over the world with renowned ensembles such as Doc Severinsen and his Tonight Show Band, the Jazz at Lincoln Center Orchestra with Wynton Marsalis, the DIVA Jazz Orchestra and many more. Originally from Ann Arbor, Michigan, Reichman received her BM from CCM where she studied with Rick VanMatre. She later attended the Manhattan School of Music, quickly after which she embarked upon an exciting and diverse musical career in New York City, where she remained for a decade. Her musical work in NYC ran the gamut from the New Orleans sounds of the Red Hook Ramblers, to the soulful grooves of the rhythm and blues band ON THE SUN, to the Broadway jazz musical After Midnight — and everything in between.

Reichman’s debut solo album, Middleground, has received rave reviews. In 2016 she was a featured clarinetist at Jazz at Lincoln Center for Moonglow: The Magic of Benny Goodman. In early 2018 she was welcomed back to Lincoln Center to perform as a guest clarinet soloist with the Jazz at Lincoln Center Orchestra with Wynton Marsalis for the show Benny Goodman: The King of Swing, alongside respected clarinetists Anat Cohen and Ken Peplowski.

Now happily back in her hometown in Michigan since 2016, Reichman can be heard performing with groups such as accomplished pianist James Dapogny’s Easy Street Jazz Band, the high-energy klezmer band Klezmephonic and her own jazz quintet Janelle Reichman +4, for which she regularly composes new music and with which she frequently performs around Ann Arbor to sold-out audiences. When she’s not playing her clarinet or saxophone, Reichman is most likely designing and building websites for other musicians throughout the Midwest and NYC.

Learn more about the Sesquicentennial Alumni Showcase concert and view a complete list of guest artists at ccm.uc.edu/about/villagenews/save-the-date/sesquicentennial-alumni-showcase.
____________________

SESQUICENTENNIAL ALUMNI SHOWCASE CONCERT

REPERTOIRE
STRAUSS: Overture to Die Fledermaus (1874); featuring the CCM Philharmonia led by Christopher Allen
BEETHOVEN: Piano Concerto No. 5 in E-Flat Major, Op. 82 “Emperor” (1811); featuring Anton Nel, piano
SAINT-SAENS: Violin Concerto No. 3 in B Minor, Op. 61; featuring Yang Liu, violin
WAGNER: “Mild und leise,” from Tristan und Isolde (1859); featuring Tamara Wilson, soprano
-Intermission-
WALLER: Ain’t Misbehavin’; featuring Janelle Reichman, saxophone
WARREN: There Will Never Be Another You; featuring Janelle Reichman, saxophone
ROSSINI: “Cruda sorte,” from L’Italiana in Algeri (1813); featuring Helene Schneiderman, mezzo-soprano
SCHUMANN: Konzertstück for Four Horns, Op. 83 (1849); featuring Allene Hackleman, Julie Beckel Yager, Nathaniel Willson, Jennifer Paul, soloists
SCHWARTZ: “Meadowlark,” from The Baker’s Wife; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
BROWN: “A Summer in Ohio,” from The Last Five Years; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
BAREILLES: “She Used to Be Mine,” from Waitress; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
STRAUSS: Champagne Song from Die Fledermaus

PERFORMANCE TIME
8 p.m. Saturday, April 21

Please note: UC’s Nippert Stadium will also host an FC Cincinnati game at 7 p.m. on Saturday, April 21, 2018. The full FC Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2018-schedule.

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are $20 general, $15 non-UC students, and FREE for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News
Ariel Quartet members Gershon Gerchikov, Amit Even-Tov, Jan Grüning and Alexandra "Sasha" Kazovsky. Photography by Robert A. Flischel.

Ariel Quartet Performs Schumann, Bartók, Cage and Brahms on April 26

The Ariel Quartet gives its final performance in its 2017-18 CCM Concert Series at 8 p.m. on Thursday, April 26, 2018 in Corbett Auditorium. The performance includes string quartets by Robert Schumann, Béla Bartók and Johannes Brahms, along with John Cage’s Five, which features CCM emeritus faculty member Allen Otte, percussion.

Composer John Cage (far left) with Percussion Group Cincinnati.

Composer John Cage (far left) with Percussion Group Cincinnati.

Celebrating CCM’s 150th Anniversary season, the Ariel Quartet programed Five as a nod to John Cage’s time as CCM composer-in-residence from 1966-1967. The Quartet will be joined by Otte, who worked with and performed pieces by Cage with Percussion Group Cincinnati.

Composed in 1988, Five is one of Cage’s early so-called “number” pieces — fittingly scored for five instruments. The avant-garde composer “profoundly influenced 20th-centruy music,” says the Cincinnati Enquirer in a story about Cage’s time at CCM.

You can see the Ariel Quartet give its final performance of its 2017-18 CCM Concert Series on April 26! Tickets can be purchased in person or online at the CCM Box Office and over the telephone at 513-556-4183.

Please note: the repertoire for this concert has changed from what was previously announced at the request of the Quartet. See updated program information below.

REPERTOIRE
HAYDN: String Quartet in D Major, Op. 71, No. 2
BARTÓK: String Quartet No. 3, Sz. 85
SCHUMANN: String Quartet No. 2 in F Major, Op. 41, No. 2
BARTÓK: String Quartet No. 1 in A Minor, Sz. 40
CAGE: Five (1988)
BRAHMS: String Quartet No. 1 in C Minor, Op. 51, No. 1

PERFORMANCE TIME
8 p.m. Thursday, April 26

LOCATION
Corbett Auditorium, CCM Village,
University of Cincinnati

PURCHASING TICKETS
Tickets are $25 for general admission, $15 for non-UC students and FREE for UC students with valid ID. Single tickets are on sale now.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Ariel Quartet Sponsors: Anonymous, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. & Mrs. Randolph L. Wadsworth, Mr. & Mrs. Frank Bloom, Mrs. Harry M. Hoffheimer, Mr. & Mrs. J. David Rosenberg, Mr. & Mrs. Harry H. Santen, Mr. & Mrs. Paul G. Sittenfeld, Mr. & Mrs. Thomas E. Stegman, and Dr. & Mrs. Theodore W. Striker

CCM News Faculty Fanfare

Alumni Showcase Spotlight: Soprano Tamara Wilson

CCM's Sesquicentennial Alumni Showcase is on April 21 in Corbett Auditorium.

CCM highlights alumni guest artists who will return to campus for the Sesquicentennial Alumni Showcase in a series of alumni spotlight stories.

Award-winning soprano Tamara Wilson (BM Voice, 2004) returns to CCM’s Corbett Auditorium to sing “Mild und leise” from Richard Wagner’s Tristan und Isolde in the Sesquicentennial Alumni Showcase on April 21!

Tamara Wilson.

Hailed by the New York Times as “a young American who sings Verdi with a passion that surpasses stereotype,” Wilson is quickly gaining international recognition for her interpretations of Verdi, Mozart, Strauss and Wagner. She is the 2016 recipient of the prestigious Richard Tucker Award, an annual prize given by the Richard Tucker Music Foundation to a rising American opera singer on the “threshold of a major international career.” Other recent honors include a 2016 Olivier Award nomination and receipt of the Revelation Prize by the Argentine Musical Critics Association. Wilson is also a Grand Prize Winner of the annual Francisco Viñas Competition at the Gran Teatre del Liceu in Barcelona.

Wilson began the 2017-18 season as the title role in Aida at the Washington National Opera in a production by Francesca Zambello. She returns to her home company of Houston Grand Opera for her role debut as Chrysothemis in Elektra and will make her Paris debut as Sieglinde in Die Walküre with the Mariinsky Orchestra conducted by Valery Gergiev at the Philharmonie de Paris. She makes her New York Philharmonic debut in Bernstein’s Symphony No. 3 (“Kaddish”) with Leonard Slatkin to celebrate Bernstein’s Philharmonic: A Centennial Festival and will also debut with the Boston Symphony in the same piece under Giancarlo Guerrero. At the BBC Proms, she will return for Mahler’s Symphony No. 8 with the BBC National Orchestra of Wales. She makes her Italian debut with Riccardo Chailly and the Teatro alla Scala Orchestra in Verdi’s Messa da Requiem with performances in Pavia, Paris and Hamburg.

Wilson made her acclaimed Metropolitan Opera debut in Aida and London debut in Calixto Bieto’s new production of La forza del destino at the English National Opera, for which she received an Olivier Award nomination. She also inaugurated the new opera house in Kyoto, Japan with Seiji Ozawa as Rosalinde in Die Fledermaus. She was heard at Oper Frankfurt for her first performances as the Empress in Die Frau ohne Schatten conducted by Sebastian Weigle, the recording of which was just released by Oehms Classics. She recently debuted at the Bayerische Staatsoper and Opernhaus Zürich conducted by Fabio Luisi, both as Elisabetta di Valois in Don Carlo. She debuted at the Deutsche Oper Berlin as Amelia in Un ballo in maschera, triumphed in Act 3 of Die Walküre as Brünnhilde with Mark Wiggleworth and the BBC National Orchestra of Wales at Royal Albert Hall, and debuted with the Concertgebouw Orchestra conducted by Valery Gergiev in Act 3 of Die Walküre as Sieglinde.

A noted interpreter of Verdi roles, she has been seen as Elisabeth de Valois in the five-act French Don Carlo (Houston Grand Opera), Amelia in Un ballo in maschera (Washington National Opera, Houston Grand Opera, Florida Grand Opera and Teatre Principal de Maó in Menorca), Elvira in Ernani (Théâtre du Capitole in Toulouse), Elisabetta in Don Carlo (Bayerische Staatsoper, Zurich Oper and Oper Frankfurt), Lucrezia Contarini in I due Foscari (Théâtre du Capitole, Teatro Municipal de Santiago and Netherlands Radio Orchestra), Leonora in Il trovatore (Gran Teatre del Liceu, Houston Grand Opera and Théâtre du Capitole under Daniel Oren and Palma de Mallorca), Desdemona in Otello (Cincinnati Symphony and James Conlon), Alice Ford in Falstaff (Washington National Opera debut), Amelia Grimaldi in Simon Boccanegra (Canadian Opera Company), the title role in Aida (Opera Australia, Teatro de la Maestranza and Teatro Municipal de Santiago), Marchesa del Poggio in Un giorno di regno (Wolf Trap Opera) and Gulnara in Il corsaro (Washington Concert Opera). Other notable performances include her debut in Norma at Gran Teatre del Liceu in Barcelona, Rosalinde in Die Fledermaus at the Canadian Opera Company, her German debut at Oper Frankfurt in concert performances of Wagner’s early opera Die Feen as Ada under Sebastian Weigle, Elettra in Idomeneo under Harry Bicket at the Canadian Opera Company and under James Conlon at the Ravinia Festival and Donna Anna in Don Giovanni under James Conlon and the Chicago Symphony Orchestra, as well as with Edo de Waart and the Milwaukee Symphony.

On the concert stage, Wilson debuted with the Cleveland Orchestra in Beethoven’s Symphony No. 9 under Franz Welser-Möst, the National Symphony in Mendelssohn’s Symphony No. 2 (“Lobgesang”) with Matthew Halls and with the Orchestra of the Age of Enlightenment in Verdi’s Messa da Requiem conducted by Marin Alsop at the BBC Proms, which was recorded for commercial release. She has been heard in the Verdi Requiem with the Orchestra de Lyon under Leonard Slatkin, her Atlanta Symphony debut in Ralph Vaughan Williams’ Sea Symphony conducted by Robert Spano, Malaysian Philharmonic debut conducted by Mark Wigglesworth in Verdi and Wagner, and as soprano soloist for performances of Missa solemnis with John Nelson and the Chamber Orchestra of Europe (available on DVD). She made her Carnegie Hall debut with the Baltimore Symphony Orchestra under Marin Alsop in Honegger’s Jeanne d’Arc au bûcher, as well as in Baltimore for Mahler’s Symphony No. 4, Verdi’s Requiem and Britten’s War Requiem. Wilson performed Mahler’s Symphony No. 4 with Marin Alsop and Orquestra Sinfônica do Estado de São Paulo, Beethoven’s Symphony No. 9 with Osmo Vänskä and the Minnesota Orchestra, Beethoven’s Symphony No. 9 with Donald Runnicles at the Grand Teton Music Festival, Mozart’s Requiem with Edo de Waart and the Milwaukee Symphony and Mendelssohn’s Symphony No. 2 (“Lobgesang”) with the Grant Park Symphony Orchestra. A favorite of the Oregon Bach Festival, she debuted in Verdi’s Messa da Requiem under Helmuth Rilling for the opening of its 40th Anniversary season, subsequently returning for the same piece in Rilling’s final season as music director. She has returned to sing Brahms’s Ein deutsches Requiem and Beethoven’s Symphony No. 9 under Rilling, Marguerite in Jeanne d’Arc au bûcher under Marin Alsop, Tippett’s A Child of Our Time, a concert of Verdi, Britten and Wagner with Matthew Halls and Beethoven’s Ah, perfido. She added to her concert repertoire when she performed Wagner’s Wesendonck-Lieder with the Milwaukee Symphony conducted by Asher Fish.

An alumna of the Houston Grand Opera Studio, Wilson’s awards include the George London Award from the George London Foundation, as well as both a career grant in 2011 and study grant in 2008 from the Richard Tucker Music Foundation. Other notable awards include first place in the 2005 Eleanor McCollum Competition for Young Singers in Houston and finalist in the 2004 Metropolitan Opera National Council Auditions. She was a featured soloist at the 2010 NEA Opera Honors, in which she sang “Ernani, involami” from Verdi’s Ernani to honor recipient Martina Arroy.

In addition to her operatic and orchestral performances, Wilson is an avid lecturer on vocal technique. She has been a guest master class lecturer for the National Pastoral Musicians in the Chicago area.

Learn more about the Sesquicentennial Alumni Showcase concert and view a complete list of guest artists at ccm.uc.edu/about/villagenews/save-the-date/sesquicentennial-alumni-showcase.
____________________

SESQUICENTENNIAL ALUMNI SHOWCASE CONCERT

REPERTOIRE
STRAUSS: Overture to Die Fledermaus (1874); featuring the CCM Philharmonia led by Christopher Allen
BEETHOVEN: Piano Concerto No. 5 in E-Flat Major, Op. 82 “Emperor” (1811); featuring Anton Nel, piano
SAINT-SAENS: Violin Concerto No. 3 in B Minor, Op. 61; featuring Yang Liu, violin
WAGNER: “Mild und leise,” from Tristan und Isolde (1859); featuring Tamara Wilson, soprano
-Intermission-
Work for saxophone and jazz combo; featuring Janelle Reichman, saxophone
ROSSINI: “Cruda sorte,” from L’Italiana in Algeri (1813); featuring Helene Schneiderman, mezzo-soprano
SCHUMANN: Konzertstück for Four Horns, Op. 83 (1849); featuring Allene Hackleman, Julie Beckel Yager, Nathaniel Willson, Jennifer Paul, soloists
Musical Theatre numbers; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
STRAUSS: Champagne Song from Die Fledermaus

PERFORMANCE TIME
8 p.m. Saturday, April 21

Please note: UC’s Nippert Stadium will also host an FC Cincinnati game at 7 p.m. on Saturday, April 21, 2018. The full FC Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2018-schedule.

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are $20 general, $15 non-UC students, and FREE for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News

Alumni Showcase Spotlight: Pianist Anton Nel

CCM's Sesquicentennial Alumni Showcase is on April 21 in Corbett Auditorium.

CCM highlights alumni guest artists who will return to campus for the Sesquicentennial Alumni Showcase in a series of alumni spotlight stories.

Anton Nel (MM Piano, 1984) is one of nearly a dozen CCM alumni who are featured guest artists in CCM’s Sesquicentennial Alumni Showcase. An acclaimed Beethoven interpreter, Nel performs Beethoven’s Piano Concerto No. 5 in E-Flat Major at the concert, which takes place on April 21 in CCM’s Corbett Auditorium.

Anton Nel.

Anton Nel.

Winner of the first prize in the 1987 Naumburg International Piano Competition at Carnegie Hall, Nel enjoys a remarkable and multifaceted career that has taken him to North and South America, Europe, Asia and South Africa.

Following an auspicious debut at the age of 12 with Beethoven’s C Major Concerto after only two years of study, the Johannesburg native captured first prizes in all the major South African competitions while still in his teens, toured his native country extensively and became a well-known radio and television personality.

A student of Adolph Hallis, he made his European debut in France in 1982, and in the same year graduated with highest distinction from the University of the Witwatersrand in Johannesburg. He came to the United States in 1983, attending CCM, where he pursued his Masters and Doctor of Musical Arts degrees under Bela Siki and Frank Weinstock. In addition to garnering many awards from his alma mater during this three-year period, he was a prizewinner at the 1984 Leeds International Piano Competition in England and won several first prizes at the Joanna Hodges International Piano Competition in Palm Desert in 1986.

Highlights of Nel’s nearly four decades of concertizing include performances with the Cleveland Orchestra, the symphonies of Chicago, San Francisco, Seattle, Detroit and London, among many others. He has an active repertoire of more than 100 works for piano and orchestra.

An acclaimed Beethoven interpreter, Nel has performed the concerto cycle several times, most notably on two consecutive evenings with the Cape Philharmonic in 2005. Additionally, he has performed all-Beethoven solo recitals, complete cycles of the violin and cello works, and most recently a highly successful run of the Diabelli Variations as part of Moises Kaufman’s play 33 Variations. He was also chosen to give the North American premiere of the newly discovered Piano Concerto No. 3 in E Minor by Felix Mendelssohn in 1992.

Two noteworthy world premieres of works by living composers include Virtuoso Alice by David Del Tredici (dedicated to, and performed by Nel at his Lincoln Center debut in 1988) as well as Stephen Paulus’ Piano Concerto also written for Nel; the acclaimed world premiere took place in New York in 2003.

As a recitalist, he has appeared at Carnegie Hall, Lincoln Center, the Metropolitan Museum and the Frick Collection in New York, at the Ambassador Auditorium in Pasadena, Davies Hall in San Francisco and the Library of Congress in Washington, DC. Internationally he has performed recitals in major concert halls in Canada, England, France, Holland, Japan, Korea and South Africa.

Nel has performed at Lincoln Center’s Mostly Mozart Festival, as well as at the music festivals of Aspen and Ravinia (where he is on the artist-faculties), Vancouver, Cartagena and Stellenbosch, among many others. Possessing an encyclopedic chamber music and vocal repertoire he has, over the years, regularly collaborated with many of the world’s foremost string quartets, instrumental soloists and singers. With acclaimed violinist Sarah Chang he completed a highly successful tour of Japan as well as appearing at a special benefit concert for Live Music Now in London, hosted by HRH the Prince of Wales.

Eager to pursue dual careers in teaching and performing, he was appointed to the faculty of the University of Texas at Austin in his early 20s, followed by professorships at the Eastman School of Music and the University of Michigan, where he was chairman of the piano department.

In September 2000, Nel was appointed as the Priscilla Pond Flawn Regents Professor of Piano and Chamber music at the University of Texas at Austin, where he teaches an international class of students and now heads the Division of Keyboard Studies. Since his return he has also been the recipient of two Austin-American Statesman Critics Circle Awards, as well as the University Cooperative Society/College of Fine Arts award for extra-curricular achievement.

In 2001 he was appointed Visiting “Extraordinary” Professor at the University of Stellenbosch in South Africa, and continues to teach master classes worldwide. In January 2010 he became the first holder of the new Joe R. and Teresa Lozano Long Endowed Chair in Piano at the University of Texas at Austin. For the past two years he has been presenting a series of master classes in piano and chamber music at the Manhattan School of Music in New York as Visiting Professor, and also teaches regularly at the Glenn Gould School in Toronto.

His recordings include four solo CDs, several chamber music recordings (including the complete Beethoven Piano and Cello Sonatas and Variations, and the Brahms Sonatas with Bion Tsang) , and works for piano and orchestra by Franck, Faure and Saint-Saëns. His latest release features premiere recordings of all the works for piano and orchestra of Edward Burlingame Hill with the Austin Symphony conducted by Peter Bay.

Anton Nel became a citizen of the United States of America on September 11, 2003. He is a Steinway artist.

Learn more about the Sesquicentennial Alumni Showcase concert and view a complete list of guest artists at ccm.uc.edu/about/villagenews/save-the-date/sesquicentennial-alumni-showcase.

____________________

SESQUICENTENNIAL ALUMNI SHOWCASE CONCERT

REPERTOIRE
STRAUSS: Overture to Die Fledermaus (1874); featuring the CCM Philharmonia led by Christopher Allen
BEETHOVEN: Piano Concerto No. 5 in E-Flat Major, Op. 82 “Emperor” (1811); featuring Anton Nel, piano
SAINT-SAENS: Violin Concerto No. 3 in B Minor, Op. 61; featuring Yang Liu, violin
WAGNER: “Mild und leise,” from Tristan und Isolde (1859); featuring Tamara Wilson, soprano
-Intermission-
Work for saxophone and jazz combo; featuring Janelle Reichman, saxophone
ROSSINI: “Cruda sorte,” from L’Italiana in Algeri (1813); featuring Helene Schneiderman, mezzo-soprano
SCHUMANN: Konzertstück for Four Horns, Op. 83 (1849); featuring Allene Hackleman, Julie Beckel Yager, Nathaniel Willson, Jennifer Paul, soloists
Musical Theatre numbers; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
STRAUSS: Champagne Song from Die Fledermaus

PERFORMANCE TIME
8 p.m. Saturday, April 21

Please note: UC’s Nippert Stadium will also host an FC Cincinnati game at 7 p.m. on Saturday, April 21, 2018. The full FC Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2018-schedule.

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are $20 general, $15 non-UC students, and FREE for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News

Alumni Showcase Spotlight: Conductor Christopher Allen

CCM's Sesquicentennial Alumni Showcase is on April 21 in Corbett Auditorium.

CCM highlights alumni guest artists who will return to campus for the Sesquicentennial Alumni Showcase in a series of alumni spotlight stories.

CCM Orchestral Conducting alumnus Christopher Allen (MM, 2011) leads the CCM Philharmonia in playing Strauss’s overture to Die Fledermaus, which opens an evening of special performances presented during the Sesquicentennial Alumni Showcase on Saturday, April 21, 2018, in Corbett Auditorium.

Christopher Allen.

The recipient of the 2017 Sir Georg Solti Conducting Award, Allen has been featured in Opera News magazine as “one of the fastest-rising podium stars in North America.” His conducting career was launched by the Bruno Walter Conducting Award and Memorial Career Grant and has been fostered by Plácido Domingo and James Conlon, who brought him to Los Angeles Opera as an Associate Conductor.

In the 2017-18 season, Allen returns to Opera Theatre of Saint Louis to conduct a new production of La traviata directed by acclaimed soprano Patricia Racette, and leads the North Carolina premiere of Jennifer Higdon’s Cold Mountain at North Carolina Opera. He debuts at the Atlanta Opera leading La fille du régiment, featuring Stephanie Blythe, and returns to the University of North Carolina School of the Arts to helm Impressions de Pelléas, before conducting The Barber of Seville at the Aspen Music Festival.

Allen serves as music director of the Bel Canto Trio’s 70th anniversary tour, featuring today’s internationally acclaimed rising opera stars in the program originally toured by Mario Lanza, George London and Frances Yeend. Future engagements include a debut with Opera Philadelphia’s critically acclaimed Festival O leading a reimagined La voix humaine, and an all-Bernstein program with Atlanta Symphony Orchestra.

Named the John L. Magro Resident Conductor for Cincinnati Opera, Allen returned in the summer of 2017 to conduct Barrie Kosky’s production of The Magic Flute. He has previously been seen conducting the new production of Tosca, the world premiere of Ricky Ian Gordon’s Morning Star and, for three seasons, the Cincinnati Opera’s Washington Park Concert leading the Cincinnati Symphony.

In the 2016-17 season, Allen made his Washington National Opera debut in Donizetti’s La fille du régiment and Florida Grand Opera debut in Cuban-American composer Jorge Martín’s Before Night Falls. He led the A.J. Fletcher Opera Institute of the University of North Carolina School of the Arts in a National Opera Association Award-winning production of Catán’s Florencia en el Amazonas, and debuted at the Opera Theatre of Saint Louis in the new revised version of Ricky Ian Gordon’s Grapes of Wrath, named Opera of the Year by the St. Louis Post-Dispatch. Allen’s well-received Atlanta Symphony Orchestra debut, conducting a program of Wagner, Tchaikovsky and Beethoven, led to an immediate re-engagement.

Recently, Allen made his UK debut conducting The Barber of Seville at the English National Opera and debuted at the Lyric Opera of Kansas City in a production of The Elixir of Love directed by James Robinson. He was nominated as a finalist for 2015 International Opera Awards in London in the “Newcomer” category, and was named Musical America Artist of the Month in July 2015.

Allen made his Los Angeles Opera conducting debut in Patrick Morganelli’s Hercules vs. Vampires. He also returned to the company as Associate Conductor in La traviata with Plácido Domingo as Germont, and was in charge of musical preparation for The Ghosts of Versailles, which won a Grammy Award for Best Opera Recording. He made his debut with Opera Santa Barbara in Rigoletto and returned to Intermountain Opera Bozeman in Montana, to conduct a double-bill of Gianni Schicchi and Suor Angelica, as well as Don Giovanni.

Allen made his Asian debut conducting The Barber of Seville at the Daegu Opera House. He prepared I due Foscari for Theater an der Wien assisting James Conlon with Plácido Domingo as Francesco Foscari, and was the associate conductor to James Conlon on Lucia di LammermoorFalstaff, and the Britten Centennial Concerts at LA Opera. He returned to the Atlanta Symphony to assist Robert Spano on Britten’s War Requiem, as well as preparing a world premiere with Spano at the Ojai Music Festival. Other past assignments at LA Opera include productions of Don GiovanniToscaCarmenThe Rape of Lucretia, Holdridge’s Dolce Rosa and Madama Butterfly.

The recipient of a 2016 Solti Foundation U.S. Career Assistance Award, Christopher Allen has also been a recipient of numerous piano awards which have led to debuts in venues such as Carnegie’s Weill Recital Hall, the Kennedy Center, the Juilliard School and the Tenri Cultural Institute.

While a student at CCM, his production of Benjamin Britten’s The Turn of the Screw was awarded a National Opera Association prize. He returns to his alma mater to conduct in the CCM Sesquicentennial Alumni Showcase on April 21, 2018.

Learn more about the Sesquicentennial Alumni Showcase concert and view a complete list of guest artists at ccm.uc.edu/about/villagenews/save-the-date/sesquicentennial-alumni-showcase.

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SESQUICENTENNIAL ALUMNI SHOWCASE CONCERT

REPERTOIRE
STRAUSS: Overture to Die Fledermaus (1874); featuring the CCM Philharmonia led by Christopher Allen
BEETHOVEN: Piano Concerto No. 5 in E-Flat Major, Op. 82 “Emperor” (1811); featuring Anton Nel, piano
SAINT-SAENS: Violin Concerto No. 3 in B Minor, Op. 61; featuring Yang Liu, violin
WAGNER: “Mild und leise,” from Tristan und Isolde (1859); featuring Tamara Wilson, soprano
-Intermission-
Work for saxophone and jazz combo; featuring Janelle Reichman, saxophone
ROSSINI: “Cruda sorte,” from L’Italiana in Algeri (1813); featuring Helene Schneiderman, mezzo-soprano
SCHUMANN: Konzertstück for Four Horns, Op. 83 (1849); featuring Allene Hackleman, Julie Beckel Yager, Nathaniel Willson, Jennifer Paul, soloists
Musical Theatre numbers; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
STRAUSS: Champagne Song from Die Fledermaus

PERFORMANCE TIME
8 p.m. Saturday, April 21

Please note: UC’s Nippert Stadium will also host an FC Cincinnati game at 7 p.m. on Saturday, April 21, 2018. The full FC Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2018-schedule.

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are $20 general, $15 non-UC students, and FREE for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News

CCM Choral Studies Presents Monteverdi Festival on April 8

CCM showcases the works of Claudio Monteverdi with a 90-minute performance at 3 p.m. on Sunday, April 8, 2018, in CCM’s Cohen Family Studio Theater. The CCM Chamber Choir, student soloists and early music guest artists unite under the direction of Earl Rivers for this feast of chamber and large-scale choral works.

The concert features Monteverdi’s madrigals from Book 7 (1619) and Book 8 (1638), as well as concertato motets from the Selva Morale e Spirituale of 1641. These pieces will be contrasted with four works from contemporary composers Dominick Argento, Claude Baker, William Hawley and Ildebrando Pizzetti, who were each influenced by Monteverdi’s compositions.

With support from the Cambridge Charitable Foundation, CCM has invited seven professional early music guest artists to perform on period violins, lute, baroque guitar, theorbo, baroque harp, baroque cello and contrabass at the concert. The guest artists will also coach CCM harpsichord and organ students who perform at the concert.

CCM’s Monteverdi Festival enhances student experiences in historical performance practice and provides CCM voice students with chamber music experiences within a large choral ensemble — all while presenting a feast of works by Monteverdi and his followers that audiences will relish.

The following week, the CCM Chorale and CCM piano professor Kenneth Griffiths perform Franz Liszt’s Via Crucis under the direction of Brett Scott. This masterwork was composed between 1866 and 1878 and portrays Jesus’ journey carrying the cross in 14 meditations. The program, which takes place at 4 p.m. on Saturday, April 14 in CCM’s Patricia Corbett Theater, will also include art songs by Liszt performed by eight student soloists.
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EVENT INFORMATION

3 p.m. Sunday, April 8
Monteverdi Festival
Location: Cohen Family Studio Theater
Tickets: $15 general, $10 non-UC students, UC Students FREE
____

4 p.m. Saturday, April 14
Liszt’s Via Crucis
Location: Patricia Corbett Theater
Tickets: $15 general, $10 non-UC students, UC Students FREE
____

PURCHASING TICKETS
Tickets for each choral performance are $15 general, $10 non-UC students, UC Students FREE.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.
____

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________ 

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Choral Studies Sponsors: Jan Rogers; Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation
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Story by CCM Graduate Student Alexandra Doyle

CCM News Student Salutes
CCM Village at night. Photo by Jay Yocis.

CCM Presents a Concert 150 Years in the Making with Sesquicentennial Alumni Showcase

Audiences have the rare opportunity to see an eclectic group of University of Cincinnati College-Conservatory of Music (CCM) alumni perform with current students for one night only on Saturday, April 21, in the newly renovated Corbett Auditorium. A concert 150 years in the making, the Sesquicentennial Alumni Showcase marks the culmination of CCM’s yearlong anniversary celebration!

The CCM Philharmonia student orchestra will be joined by nearly a dozen remarkable alumni for a program set to include Strauss’ Overture to Die Fledermaus, Beethoven’s “Emperor” Concerto, Saint-Saëns’ Violin Concerto No. 3, Schumann’s Konzertstück for Four Horns and much more. CCM faculty members Mark Gibson and Roger Grodsky conduct.

Alumni guest artists include a Solti Conducting Award-winner, a Naumburg gold medalist, a Tchaikovsky Competition Prize-winner, stars from the Metropolitan Opera and Broadway, military band members and more, all of whom studied at CCM before taking distinguished positions on the world’s stage. A full list of alumni guest artists can be found below.

In addition to this once-in-a-lifetime concert event, CCM and the UC Alumni Association will host an Alumni Weekend where graduates can reconnect with classmates and faculty. CCM’s 150th Anniversary Alumni Weekend begins with a Welcome Happy Hour at the Ladder 19 Bar and Restaurant in the Short Vine district on Friday, April 20, and continues with a wide range of activities on Saturday, April 21, including tours of CCM’s newly renovated facilities and a Keynote Luncheon scheduled to feature Tim Cynova, Larry Hamby and Jack Rouse, moderated by CCM Professor of E-Media Hagit Limor. Full Alumni Weekend details are available online at alumni.uc.edu/ccm/alumniweekend.

Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are on sale now through the CCM Box Office. Complete event information is below.
____________________

ALUMNI SHOWCASE GUEST ARTISTS
Listed in Order of Appearance

CCM alumnus Christopher Allen.Christopher Allen (MM Orchestral Conducting, 2011), recipient of last year’s $30,000 Sir Georg Solti Conducting Award — the largest grant awarded to young American conductors in the United States. He has been featured in Opera News magazine as “one of the fastest rising podium stars in North America.”

CCM alumnus Anton Nel.Anton Nel (MM Piano, 1984), first prize winner in the 1987 Naumburg International Piano Competition at Carnegie Hall. The classical pianist is an acclaimed Beethoven interpreter and has enjoyed a multifaceted career that has taken him to North and South America, Europe, Asia and South Africa.

CCM alumnus Yang Liu.Yang Liu (AD Violin, 2014), former prize winner of the prestigious International Tchaikovsky Competition in Moscow and first prize winner of China’s National Violin Competition. He has appeared internationally at major festivals and venues such as the Kennedy Center, Oficina Music Festival in Brazil, Algarve Music Festival in Portugal and throughout China.

CCM alumna Tamara Wilson.Tamara Wilson (BM Voice, 2004), acclaimed soprano who has received multiple honors, including the 2016 Richard Tucker Award. Wilson was a finalist in the 2004 Metropolitan Opera National Council Auditions and she made her much-anticipated Metropolitan Opera debut in December 2014 in the title role of Aida; the New York Times praised the “laserlike authority of her high notes.”

CCM alumna Janelle Reichman.Janelle Reichman (BM Jazz Saxophone, 2005), a clarinetist and saxophonist whose rich tone and creative melodies landed her a spot in the International Association for Jazz Education Sisters-in-Jazz Quintet. She has performed with musical greats such as Doc Severinsen, Les Paul, Ann Hampton Callaway, Sherrie Maricle and DIVA, Dave Liebman, Donny McCaslin and many others.

CCM alumna Helene Schneiderman.Helene Schneiderman (MM Voice, 1979; AD Opera, 1981), an award-winning mezzo-soprano who made her Metropolitan Opera debut in 2017 as Annina in Der Rosenkavalier. She has been a company member in Germany’s Stuttgart State Theatre since 1984 and made her Royal Opera House debut in 1995 as Cherubino in The Marriage of Figaro. In 2018, she will play the role of Madame Larina in the Canadian Opera Company’s production of Eugene Onegin.

CCM alumna Allene Hackleman.Allene Hackleman (BM Horn Performance, 2002), principal horn of the Edmonton Symphony Orchestra. In addition, Hackleman is a member of the Canadian National Brass Project, a large ensemble made up of some of the finest brass players in the country.

CCM alumna Julie Beckel Yager.Julie Beckel Yager (Horn Performance, att. 2004), horn player with the Indianapolis Symphony and Ronen Chamber Ensemble. She was previously a member of the Honolulu Symphony and has also performed for three summers with the Verbier Festival Orchestra, touring throughout Europe, Asia and South America.

CCM alumnus Nathaniel Willson.Nathaniel Willson (MM Horn Performance, 2005), joined the U.S. Navy Band as a French Hornist in 2014, after serving more than four years with the U.S. Naval Academy Band in Annapolis, Maryland. Prior to joining the Navy, he was a member of the Oregon Symphony Orchestra and the Sarasota Orchestra.

CCM alumna Jennifer Paul.Jennifer Paul (MM Horn Performance, 2003), a member of “The President’s Own” U.S. Marine Band since 2004 and assistant section leader since 2016. Prior to joining the U.S. Marine Band, she served as a teaching assistant for CCM’s horn studio from 2001-03 and was a freelance musician in Philadelphia.

CCM alumna Betsy Wolfe.Betsy Wolfe (BFA Musical Theatre, 2004), a Broadway star who has appeared in Waitress, 110 in the Shade, Everyday Rapture, The Mystery of Edwin Drood, Bullets Over Broadway and Falsettos. She has also soloed with the Cincinnati Pops, New York Pops, New York City Ballet and more. Wolfe was the recipient of CCM’s Musical Theatre Young Alumni Award in 2017.
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SESQUICENTENNIAL ALUMNI SHOWCASE CONCERT

REPERTOIRE
STRAUSS: Overture to Die Fledermaus (1874); featuring the CCM Philharmonia led by Christopher Allen
BEETHOVEN: Piano Concerto No. 5 in E-Flat Major, Op. 82 “Emperor” (Movement 1) (1811); featuring Anton Nel, piano
WALLER: Ain’t Misbehavin’; featuring Janelle Reichman, saxophone
WARREN: There Will Never Be Another You; featuring Janelle Reichman, saxophone
WAGNER: “Mild und leise,” from Tristan und Isolde (1859); featuring Tamara Wilson, soprano
-Intermission-
ROSSINI: “Cruda sorte,” from L’Italiana in Algeri (1813); featuring Helene Schneiderman, mezzo-soprano
SCHUMANN: Konzertstück for Four Horns, Op. 86 (1849); featuring Allene Hackleman, Julie Beckel Yager, Nathaniel Willson, Jennifer Paul, soloists
BROWN: “A Summer in Ohio,” from The Last Five Years; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
BAREILLES: “She Used to Be Mine,” from Waitress; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
SCHWARTZ: “Meadowlark,” from The Baker’s Wife; featuring Betsy Wolfe, vocalist, with Roger Grodsky, conductor
SAINT-SAENS: Violin Concerto No. 3 in B Minor, Op. 61 (Movement 3); featuring Yang Liu, violin
STRAUSS: Champagne Song from Die Fledermaus; featuring Tamara Wilson, soprano, and Helene Schneiderman, mezzo-soprano

PERFORMANCE TIME
8 p.m. Saturday, April 21

Please note: UC’s Nippert Stadium will also host an FC Cincinnati game at 7 p.m. on Saturday, April 21, 2018. The full FC Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2018-schedule.

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets for CCM’s Sesquicentennial Alumni Showcase Concert are $20 general, $15 non-UC students, and FREE for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News Student Salutes

CCM Mainstage Presents Legends of Dance on April 12-14

CCM Mainstage Dance presents Legends of Dance.

CCM Dance makes its return to the newly renovated Corbett Auditorium with a mixed repertoire concert, featuring the CCM Concert Orchestra and guest artists from the Cincinnati Ballet.

The Dance Department at UC’s College-Conservatory of Music brings the Sesquicentennial Mainstage Series to a stunning conclusion with its mixed repertoire concert Legends of Dance. The production runs Thursday, April 12, 2018, through Saturday, April 14, 2018, and celebrates the Mainstage Series’ return to CCM’s newly renovated Corbett Auditorium.

Directed by Dance Department Chair Jiang Qi with music direction by Aik Khai Pung, Legends of Dance features the CCM Ballet Ensemble with accompaniment from the CCM Concert Orchestra. The performance features two guest artists from the Cincinnati Ballet — soloist David Morse and Derek E. Brockington of the Cincinnati Ballet’s Second Company.

“The high caliber of these two professional dancers not only elevates the performances, but also provides an excellent experience and learning opportunity for CCM’s student dancers,” Jiang says.

Beginning with one of the most celebrated pieces in all of classical ballet, the production opens with “The Kingdom of the Shades” from Act II of Marius Petipa’s La Bayadère, with music by Ludwig Minkus.

“From its first performance, the ballet was hailed by critics as one of Petipa’s supreme masterpieces,” Jiang says. “’The Kingdom of the Shades’ scene was regularly extracted from the full-length work as an independent showpiece for the ballet stages around the world, and it has remained so to the present day.”

The second piece is A Choreographic Offering by American modern dance pioneer José Limón, set to music by Johann Sebastian Bach. The piece was restaged for CCM’s performance by guest artist Pablo Francisco Ruvalcaba, a former dancer and teacher for the José Limón Dance Foundation.

The performance concludes with “Aurora’s Wedding” from Act III of Petipa’s The Sleeping Beauty, set to music by Pyotr Ilyich Tchaikovsky. The Sleeping Beauty is considered one of the most popular classical ballets in the world, Jiang says.

“Aurora’s Wedding is frequently presented by the world’s leading ballet companies because of its colorful fairytale characters and the exquisite showcase of Aurora and the Prince’s grand pas de deux.”

CCM’s Legends of Dance runs April 12-14, 2018 in Corbett Auditorium. Tickets can be purchased in person at the CCM Box Office, over the telephone 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/legends-of-dance.
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CREATIVE TEAM

  • Jiang Qi, director
  • Aik Khai Pung, music director
  • Evan Carlson*, lighting designer
  • Chelsea Taylor*, stage manager
  • Daniel Mallampalli*, Fernando Gaggini*, conductors for “The Kingdom of Shades”
  • Maria Fuller*, conductor for A Choreographic Offering
  • Alexandria Black*, Joseph McNamara*, conductors for “Aurora’s Wedding”

* CCM student

Sleeping Beauty and La Bayadère Drop Provided by: Cincinnati Ballet

GUEST ARTISTS
Derek E. Brockington, of the Cincinnati Ballet’s Second Company, will play Solor in “The Kingdom of the Shades” evening performances Friday, April 13 and Saturday, April 14.

David Morse, of the Cincinnati Ballet, will play Prince Desire in the performances of “Aurora’s Wedding.”

The full cast list will be available at ccm.uc.edu/boxoffice/mainstage/legends-of-dance.

PERFORMANCE TIMES

  • 8 p.m. Thursday, April 12
  • 8 p.m. Friday April 13
  • 2 p.m. Saturday, April 14
  • 8 p.m. Saturday, April 14

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets to Legends of Dance are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/legends-of-dance.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Dance Department Supporter: The Corbett Endowment at CCM

Dance Performance Sponsor: Teri Jory & Seth Geiger

This performance of A Choreographic Offering is presented by arrangement with the José Limón Dance Foundation, Inc.
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Story by CCM Graduate Student Jonathan Dellinger

CCM News Faculty Fanfare Student Salutes
CCM Musical Theatre's Class of 2018.

CCM Musical Theatre Presents Annual Senior Showcase

Cincinnati audiences can see the first performances of an original showcase created by CCM Musical Theatre’s Class of 2018 at the annual “Not Famous Yet” Senior Showcase on April 5 (CCMpower benefit performance), 6 and 7, 2018, in Patricia Corbett Theater.

The benefit performance on Thursday, April 5 starts at 7 p.m. and features a reception prior to the show with CCM Musical Theatre Young Alumni Award recipients Matt Bogart and Jessica Boevers. Tickets include wine and dinner-by-the-bite after the showcase in the CCM Atrium. For tickets and additional information, visit ccm.weshareonline.org/ws/opportunities/NotFamousYetShowcase2018.

In addition to the benefit performance, the musical theatre students also present the showcase at 8 p.m. on Friday, April 6, and at 4 p.m. on Saturday, April 7. These two performances are free, but reservations must be made in advance. Tickets become available at noon on Monday, April 2.

Each year, seniors from CCM’s musical theatre program travel to New York to present a showcase for leading agents, casting directors and managers in the business. The show takes the format of a Broadway audition, with the actors showing off their solo and ensemble skills through song and dance numbers. The work is created by the students themselves under the supervision of program chair Aubrey Berg and with the assistance of musical director Julie Spangler.

The annual showcase began with the establishment of the Patricia A. Corbett Distinguished Chair of Musical Theatre in 1991. At the time of its inception, it was the only academic chair of its kind in the United States. Learn more about the Musical Theatre Class of 2018 here: ccm.uc.edu/theatre/musical_theatre/overview/currentclass.

CCMpower Benefit Performance

The opening performance of the Musical Theatre Senior Showcase on April 5 is part of a benefit for CCMpower. The Host Reception begins at 6 p.m. in CCM’s Baur Room before the performance. The event is followed with wine and dinner-by-the-bite in CCM’s Atrium.

Matt Bogart and Jessica Boevers.

Matt Bogart and Jessica Boevers.

The event also includes the presentations of the Musical Theatre Young Alumni Award, which recognizes professional achievement by graduates of CCM’s Musical Theatre program. This year’s recipients are Matt Bogart and Jessica Boevers, who both graduated in 1994. Bogart has appeared on Broadway in Jersey Boys as Nick Massi, Chris in Miss Saigon, Radames in Elton John’s Aida, The Civil War and Smokey Joe’s Cafe, filmed for PBS. Jessica has appeared as Ado Annie in Sunsa Stroman’s revival of Oklahoma!, and opposite Nathan Lane and Whoopi Goldberg in A Funny Thing Happened on the Way to the Forum.

Tickets for the April 5 Benefit are:

  • Host Ticket – $100 (includes reception prior to the performance with Matt Bogart and Jessica Boevers (Young Alumni Award Recipients), general performance seating, dinner-by-the-bite, wine and garage parking)
  • General Admission – $75 (includes general performance seating, dinner-by-the-bite, wine and garage parking)
  • CCM Alumni/Young Professional – $50 (includes general performance seating, dinner-by-the-bite, wine and garage parking)

Proceeds benefit student career development grants and scholarships. Seating is limited. To reserve a ticket, call CCM External Relations at 513-556-2100 or visit ccm.weshareonline.org/ws/opportunities/NotFamousYetShowcase2018

CCM Hosts FREE Performances of the Showcase on April 6 and 7
Admission to the Musical Theatre Senior Showcase at 8 p.m. on Friday, April 6 and 4 p.m. on Saturday, April 7, is FREE. Seating is limited and reservations are required. Tickets become available at noon on Monday, April 2; please visit the CCM Box Office or call 513-556-4183 to make a reservation. Limit two tickets per order.

PERFORMANCE TIMES

  • 7 p.m. Thursday, April 5
  • 8 p.m. Friday, April 6
  • 4 p.m. Saturday, April 7

LOCATION
Patricia Corbett Theater, CCM Village
University of Cincinnati

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Alumni Applause CCM News Student Salutes
The cast of "The Theory of Relativity." Photo by Kaelin Butts.

Musical Theatre Meets Physics in CCM’s “The Theory of Relativity”

Art and science unite in the next Studio Musical Theatre Series production at the University of Cincinnati College-Conservatory of Music. Using Albert Einstein’s general theory of relativity as a beautiful and thought-provoking metaphor, The Theory of Relativity offers a crash course in physics while telling the story of a group of interconnected people who are searching for love.

The cast of "The Theory of Relativity." Photo by Kaelin Butts.

The cast of “The Theory of Relativity.” Photo by Kaelin Butts.

The musical runs Thursday, March 29 through Saturday, March 31, 2018, at CCM’s Cohen Family Studio Theater. Admission is free but reservations are required. Tickets become available at noon on Monday, March 26 through the CCM Box Office.

From Drama Desk Award nominees Neil Bartram and Brian Hill, The Theory of Relativity presents an array of characters experiencing life’s joys and heartbreaks and the inevitability and wonder of human connection.

The physics metaphors are expressed through lyrics, formulas and movement on stage, says CCM Assistant Professor of Musical Theatre Katie Johannigman, director and choreographer of The Theory of Relativity.

CCM’s production invited Dr. Richard Gass, Undergraduate Director of UC’s Physics Department, to give the cast a crash course on General Relativity to prepare for the show. What was planned as a 30-minute lesson turned into an over two-hour interactive lesson about light cones, Newton’s laws, The Theory of Relativity and more, Johannigman says.

“Our students became enraptured by the physics and it launched a huge discussion about technology usage in our generation, perceptions people try to maintain through social media and how important our every action is during our time here on Earth.”

Gass listened to the musical and applied all of the physics lessons through the lyrics in the songs. He later brought ten of his students to watch a rehearsal of the show and had a discussion with the cast of CCM Musical Theatre students about how art and science overlap. Johannigman and The Theory of Relativity cast are grateful for Gass’ help, she says.

“We sing about the cosmos and our insatiable need to connect with each other through witty and contemporary lyrics that often reference Sir Isaac Newton and Albert Einstein’s findings,” Johannigman adds. “The Theory of Relativity is funny, sad, heart-warming and familiar — a whirl of stars figuring out where we fit into every expanding universe.”
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THE THEORY OF RELATIVITY
Music and Lyrics by Neil Bartram
Book by Brian Hill
Katie Johannigman, director and choreographer
Stephen Goers, musical director

CAST LIST
Delaney Guyer as Amy
Madison Deadman as Caroline
Camila Paquet as Catherine
Zoe Grolnick as Jenny
Kendall McCarthy as Julie
Mikayla Renthrow as Mira
Bailee Endebrock as Sara
Zach Triska as Adam
Dylan Mulvaney as Anthony
Dylan Dougal as Oliver
Jack Brewer as Mike
Sam Pickart as Paul
Frankie Thams as Ryan
Swings: Eli Goykham, Elle Zambarano 

PERFORMANCE TIMES

  • 8 p.m. Thursday, March 29
  • 8 p.m. Friday, March 30
  • 2 and 8 p.m. Saturday, March 31

LOCATION
Cohen Family Studio Theater, CCM Village
University of Cincinnati

ADMISSION
Admission is free. Reservations are required. Tickets become available at noon on Monday, March 26. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

 CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Theory of Relativity is presented through special arrangement with Musical Theatre International (MTI). All authorized performance materials are also supplied by MTI. http://www.MTIShows.com

CCM News Faculty Fanfare Student Salutes