Logo for the Opera Fusion: New Works program.

CCM and Cincinnati Opera Co-Host Free Performance of ‘Some Light Emerges’ Tomorrow

 

Logo for the Opera Fusion: New Works program.

CCM and Cincinnati Opera’s Opera Fusion: New Works program presents excerpts from the new American opera Some Light Emerges at 7:30 p.m on Thursday, Sept. 22, in the Cincinnati Club’s Oak Room. This free public performance provides audience members with a rare behind-the-scenes look at the creation of an original work! Tickets are available now though the Cincinnati Opera box office by calling 513-241-2742 or visiting cincinnatiopera.org.

The Broken Obelisk outside of the Rothko Chapel.

The Broken Obelisk outside of the Rothko Chapel.

Opera Fusion: New Works is currently providing a workshop for Some Light Emerges, which is composed by Laura Kaminsky to a libretto by Mark Campbell and Kimberly Reed. Inspired by the creation of Houston’s iconic Rothko Chapel by philanthropist and art collector Dominique de Menil, the opera is commissioned by HGOco, Houston Grand Opera’s community collaboration and education initiative. The chamber opera will have its world premiere in Houston in March 2017. The Cincinnati workshop is directed by Robin Guarino, CCM’s J. Ralph Corbett Distinguished Chair, and conducted by Bradley Moore, Houston Grand Opera’s head of music staff and music director for HGO Studio.

In the mid-1960s, the renowned art collector Dominique de Menil commissioned the noted American artist Mark Rothko to create a series of paintings and the ideal gallery in which to house them. Mrs. de Menil also envisioned that the resultant Rothko Chapel, which opened in 1971, would serve as a spiritual space for “those of all faiths, or no faith.” Some Light Emerges is set mostly within the Rothko Chapel and chronicles the direct and tangential intersections of five people across four decades who visit the chapel, as well as the struggles and triumphs of Dominique de Menil in realizing her dream.

Opera Fusion: New Works will also workshop Intimate Apparel, a new American opera by composer Ricky Ian Gordon with a libretto by Lynn Nottage, from November 5 to 14, 2016. The new opera is commissioned by the Metropolitan Opera/Lincoln Center Theater’s New Works Program. The workshop will be directed by Guarino and conducted by Timothy Myers, the artistic and music director of North Carolina Opera. Paul Cremo, dramaturg and director of opera commissioning programs for the Metropolitan Opera, will be the dramaturg for the workshop. This residency will culminate in a free public performance of excerpts in Cincinnati at 7:30 p.m. on Monday, Nov. 14,  in the Cincinnati Club’s Oak Room. Tickets are available beginning Tuesday, November 1 through the Cincinnati Opera box office.

About Opera Fusion: New Works
Funded by a generous grant from The Andrew W. Mellon Foundation, Opera Fusion: New Works is a groundbreaking joint program of Cincinnati Opera and the University of Cincinnati College-Conservatory of Music created in 2011 to foster the development of new American operas. The program offers composers or composer/librettist teams the opportunity to workshop an opera during a 10-day residency in Cincinnati, utilizing the talent, personnel and facilities of both organizations. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a public performance. The program is led by co-artistic directors Marcus Küchle, Director of Artistic Operations of Cincinnati Opera, and Robin Guarino, the J. Ralph Corbett Distinguished Chair of Opera at CCM. In 2015, The Andrew W. Mellon Foundation renewed the program’s funding, allowing for a second cycle of six workshops over three years.

In 2011, Opera Fusion: New Works awarded its first workshop to composer Douglas J. Cuomo and librettist John Patrick Shanley in support of their new opera Doubt, which premiered at Minnesota Opera in January 2013. In 2012, Opera Fusion: New Works provided workshops for Champion, by composer Terence Blanchard and librettist Michael Cristofer, which premiered at Opera Theatre of Saint Louis in June 2013; and Morning Star, by composer Ricky Ian Gordon and librettist William M. Hoffman, which premiered at Cincinnati Opera in June 2015. In 2013, the residency went to Fellow Travelers, by composer Gregory Spears and librettist Greg Pierce, which premiered at Cincinnati Opera in June 2016. In 2014, the program invited composer Jake Heggie and librettist Terrence McNally to workshop Great Scott, which premiered at the Dallas Opera in October 2015. For the final workshop of the original six-workshop grant, the residency was awarded to Meet John Doe, with music and libretto by the late Daniel Catán. The first workshop of the second grant cycle was given in October 2015 to Shalimar the Clown, by composer Jack Perla and librettist Rajiv Joseph, which premiered at Opera Theatre of Saint Louis in June 2016.

Opera Fusion: New Works Lab Presents
SOME LIGHT EMERGES
Composed by Laura Kaminsky

Libretto by Mark Campbell and Kimberly Reed
Robin Guarino, director
Bradley Moore, conductor

Performance Time
7:30 p.m. Thursday, Sept. 22

Location
The Cincinnati Club’s Oak Room
30 Garfield Place, Cincinnati OH 45202

Reserving Tickets
Admission to Some Light Emerges is free, but reservations are required. Please contact the Cincinnati Opera box office for tickets by calling 513-241-2742 or visiting cincinnatiopera.org.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News
CCM's Cohen Family Studio Theater. Photography by Adam Zeek.

CCM Announces 2016-17 Studio Series of Opera, Musical Theatre, Dance and Acting Productions

All-time favorites and daring new works receive equal billing during CCM’s 2016-17 Studio Series. This year’s 13-part series of performing and media arts events features an eclectic mix of opera, musical theatre, dance and acting productions, all featuring CCM’s acclaimed “stars-of-tomorrow.”

CCM's Studio Series opens with Elizabeth Swados' RUNAWAYS, co-produced with Know Theatre of Cincinnati.

CCM’s Studio Series opens with Elizabeth Swados’ RUNAWAYS, co-produced with Know Theatre of Cincinnati.

Season highlights include Elizabeth Swados’ powerful and rarely-seen musical Runaways co-produced with Know Theatre of Cincinnati and two world-premieres produced by the Opera Fusion: New Works Lab in partnership with Cincinnati Opera.

CCM’s Department of Musical Theatre also presents the world-premiere of a musical revue showcasing the work of legendary Broadway collaborators Tom Jones and Harvey Schmidt. Devised and directed by Aubrey Berg, the Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM, They Were You: The Songs of Tom Jones and Harvey Schmidt features songs from throughout the celebrated duo’s oeuvre.

This year’s lineup also includes the return of two popular festivals, the 48-Hour Film Festival and the TRANSMIGRATION Festival of Student-Created Plays.

CCM’s Studio Series runs from Sept. 21, 2016, through April 22, 2017. Please see below for full production and ticketing details.

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CCM’S 2016-17 STUDIO SERIES

8 p.m. Wednesday, Sept. 21 (preview)
8 p.m. Thursday, Sept. 22
8 p.m. Friday, Sept. 23
3 and 8 p.m. Saturday, Sept. 24
3 and 7:30 p.m. Sunday, Sept. 25
• Studio Musical Theatre Series •
A co-production between CCM and Know Theatre of Cincinnati
RUNAWAYS
Music, lyrics and book by Elizabeth Swados
Vince DeGeorge, director and choreographer
Luke Flood, music director

Runaways is a collage of songs, monologues and dances that captures the energy, courage and honesty of a group of teenagers who are running away “from home… from a boyfriend… from a predator… from themselves.” Created in 1977 by groundbreaking theatre artist Elizabeth Swados, Runaways was born from interviews and workshops that she held with children and young adults who were escaping from their deteriorating family lives. It is a challenging piece of theatre that ultimately celebrates the power of the imagination and the resilience of the human spirit.
Location: Know Theatre of Cincinnati, 1120 Jackson Street, Cincinnati, OH 45202
Admission: Ticket prices range from $15 – $25. Tickets available through the Know Theatre Box Office by calling 513-300-5669 or online at http://knowtheatre.com.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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7:30 p.m. Thursday, Sept. 22
• Opera Fusion: New Works Lab •
A collaboration between CCM Opera and Cincinnati Opera
Co-Artistic Directors Robin Guarino and Marcus Küchle
SOME LIGHT EMERGES
Composed by Laura Kaminsky
Libretto by Mark Campbell and Kimberly Reed
Robin Guarino, director
Bradley Moore, conductor

Funded by a grant from The Andrew W. Mellon Foundation, CCM Opera and Cincinnati Opera present a rare behind-the-scenes look at the creation of an original work! Presented in collaboration with Houston Grand Opera, Some Light Emerges takes its inspiration from the creation of Houston’s iconic Rothko Chapel by philanthropist and art collector Dominique de Menil.
Location: Cincinnati Club Oak Room, 30 Garfield Place, Cincinnati 45202
Admission: Admission is free. Reservations are required. Tickets become available on Monday, Sept. 12. Please contact the Cincinnati Opera box office for tickets at 513-241-2742 or www.cincinnatiopera.org.
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8 p.m. Wednesday, Oct. 5
8 p.m. Thursday, Oct. 6
8 p.m. Friday, Oct. 7
2 & 8 p.m. Saturday, Oct. 8
2 p.m. Sunday, Oct. 9
• Studio Musical Theatre Series •
THEY WERE YOU: The Songs of Tom Jones and Harvey Schmidt
Lyrics by Tom Jones
Music by Harvey Schmidt
Aubrey Berg, director
Stephen Goers, musical arrangements

CCM proudly presents the world premiere of a musical revue showcasing the work of Tom Jones and Harvey Schmidt. Devised and directed by Aubrey Berg with musical arrangements by Steve Goers, They Were You features songs from The Fantasticks, Celebration, 110 in the Shade, The Bone Room, Colette Collage and more. This revue celebrates Jones’ and Schmidt’s ability to reflect the human condition with humor, compassion and wry affection.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 3. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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8 p.m. Thursday, Oct. 20
8 p.m. Friday, Oct. 21
2 & 8 p.m. Saturday, Oct. 22
• Studio Acting Series •
MIDDLETOWN
Written by Will Eno
Richard E. Hess, director

Middletown considers the strange beauty of life and its sometimes unbearable weight. Inspired by Thornton Wilder’s Our Town, the inhabitants of Middletown have a remarkable talent for articulating the hiccups of fear and anxiety in their souls with moving delicacy. The folks are friendly, and the view of star-dappled skies and modest homes is familiar and comforting. Welcome to Middletown.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 17. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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8 p.m. Friday, Nov. 4
8 p.m. Saturday, Nov. 5
2 p.m. Sunday, Nov. 6
• Studio Opera Series •
BRIGHT-EYED JOY! A RICKY IAN GORDON CABARET
Composer Ricky Ian Gordon, one of America’s most respected composers of art song, opera and musical theatre, joins CCM’s Opera and Voice singers and pianists for an evening of his music. Come watch our “stars-of-tomorrow” work with a living legend!
Location:
Cohen Family Studio Theater
Admission:
Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 31. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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7:30 p.m. Monday, Nov. 14
• Opera Fusion: New Works Lab •
A collaboration between CCM Opera and Cincinnati Opera in partnership with the Metropolitan Opera/Lincoln Center Theater’s New Works Program
Co-Artistic Directors Robin Guarino and Marcus Küchle
INTIMATE APPAREL
Composed by Ricky Ian Gordon
Libretto by Lynn Nottage
Robin Guarino, director
Paul Cremo, Dramaturg
Timothy Meyers, conductor

Funded by a grant from the Andrew W. Mellon Foundation, CCM Opera and Cincinnati Opera present a rare behind-the-scenes look at the creation of an original work! Adapted by Lynn Nottage from her prize-winning 2003 play of the same name, Intimate Apparel tells the story of Esther, a 35-year-old seamstress in 1905 New York City. Esther sews lingerie for a living, interacting with a wealthy Fifth Avenue wife, a Tenderloin prostitute and a Jewish fabric merchant on the Lower East Side, with whom she shares a closeness that cannot be pursued further because of his religion. Esther embarks on a letter-writing relationship with a Panama Canal laborer, leading to marriage and ultimately heartbreak, but she maintains her strength of character and determination to make a better life for herself.
Location: Cincinnati Club Oak Room, 30 Garfield Place, Cincinnati 45202
Admission: Admission is free. Reservations are required. Tickets become available on Tuesday, Nov. 1. Please contact the Cincinnati Opera box office for tickets at 513-241-2742 or www.cincinnatiopera.org.
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7 p.m. Sunday, Nov. 20
• E-Media/Acting Film Series •
THIRD ANNUAL CCM 48-HOUR FILM FESTIVAL
Join us for our annual celebration of original film work by students. After random team placement, student authors, actors, directors, editors and composers have 48 hours from 7 p.m. on Friday night to 7 p.m. on Sunday night to create finished original short films. At the close of the 48-hour period, audiences can join us in UC’s MainStreet Cinema to enjoy eight original short films by eight amazing teams.
Location: MainStreet Cinema, UC’s Tangeman University Center
Admission: FREE
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8 p.m. Friday, Feb. 3
8 p.m. Saturday, Feb. 4
2 p.m. Sunday, Feb. 5
• CCM Opera d’arte – Undergraduate Opera Series •
ALBERT HERRING
Composed by Benjamin Britten
Libretto by Eric Crozier, freely adapted from a story of Guy de Maupassant
Jesse Leong, conductor
Kenneth Shaw, director

Britten’s brilliantly witty score comes to life again at CCM, presented with the effervescence and energy unique to the outstanding young artists of Opera d’arte! Set in the small town of Loxford, in East Sussex, Albert Herring explores the themes of losing innocence and coming of age in the face of old fashioned morality and social stratification.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Jan. 30. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

This production of Albert Herring is presented in honor of Rafael and Kimberly de Acha

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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8 p.m. Friday, Feb. 17
8 p.m. Saturday, Feb. 18
2 p.m. Sunday, Feb. 19
• Studio Opera Series •
TRANSFORMATIONS
Music by Conrad Susa
Libretto by Anne Sexton
Avishay Shalom, conductor
Emma Griffin, director

CCM’s Studio Series presents the Brothers Grimm fairy tales like you’ve never seen them before! This 1973 chamber opera, with a libretto by Pulitzer Prize-winning poet Anne Sexton, is darkly humorous with audaciously recounted tales, and filled with mid-20th-century references, both literary and musical. Based on Sexton’s acclaimed 1971 book of poems of the same name, Transformations promises to challenge audiences’ understanding of what “happily-ever-after” truly means. This production contains adult themes and is not recommend for young audiences.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Feb. 13. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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8 p.m. Thursday, March 2
8 p.m. Friday, March 3
2 & 8 p.m. Saturday, March 4
• Studio Dance Series •
DANCE STUDENT CHOREOGRAPHER’S SHOWCASE
André Megerdichian, director
Come experience the next generation of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, Feb. 27. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

The Dance Department gratefully acknowledges the support of the Corbett Endowment at CCM.
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7 p.m. Wednesday, March 8
7 p.m. Thursday, March 9
7 p.m. Friday, March 10
• Studio Acting Series •
TRANSMIGRATION 2017
A Festival of Student-Created New Works
Richard E. Hess and Brant Russell, producers

TRANSMIGRATION, so named for “the movement from one place to another” or “the transition from one state of being to another,” is a festival of new works created by the acting students in CCM Acting. Six teams of actors craft and perform five original 30-minute shows. Performed simultaneously in different locations throughout CCM Village, TRANSMIGRATION will allow the audience to sample four different new works of their choosing in one spectacular evening. “Thanks to the [Acting] program at UC’s College-Conservatory of Music,” observed CityBeat’s Rick Pender, “theater fans were offered a jolt of onstage vitality.”
Location: Various locations throughout CCM Village
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 6. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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8 p.m. Thursday, March 30
8 p.m. Friday, March 31
2 & 8 p.m. Saturday, April 1
• Studio Musical Theatre Series •
CHILDREN OF EDEN
Music and lyrics by Stephen Schwartz
Book by John Caird
Vince DeGeorge, director and choreographer
Steve Goers, musical director

From the composer of smash hits Wicked and Godspell comes a uniquely personal and intimate retelling of the biblical Genesis story. Through the narratives of Adam and Eve, Cain and Abel, and Noah and his family, this beloved 1991 musical explores the uniquely human trait to desire adventure but yearn for the comfort and safety of home, or, “Eden.”
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 27. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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8 p.m. Thursday, April 20
8 p.m. Friday, April 21
2 & 8 p.m. Saturday, April 22
• Studio Acting Series •
VERY DUMB KIDS
By Gracie Gardner
Brant Russell, director

Sarah Nehal was murdered while working as a correspondent in New Delhi while her college friends were at home in the U.S. watching TV on the internet and peddling their esoteric skill sets. One year after her funeral, her friends meet for their annual Fourth of July reunion. Very Dumb Kids explores entitlement and how its effects are visited upon the disenfranchised as well as the privileged. But it’s also about empowerment, exploring how to live responsibly in an irresponsible universe. Join CCM Acting as we embark on our new play commissioning initiative: plays that speak to the unique experience that is being young in America; plays that are written for and about our students; plays that will go on to be produced by educational institutions and professional theater companies all over the country; plays that will involve a new generation of artists and audiences. And you’ll be able to say you were there when it all started.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, April 17. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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Reserving Tickets
All Studio Series performances held in CCM’s Cohen Family Studio Theater are free and open to the general public, but reservations are required. Reservations can be made the Monday before each show by visiting the CCM Box Office in person or calling 513-556-4183. Limit two tickets per order.

For additional information on reserving tickets for CCM’s Studio Series, visit ccm.uc.edu/about/villagenews/did-you-know/how-to-studio-series.

Some off-campus Studio Series productions require paid admission or reservations through a partner organization’s box office. Please refer to individual production listings for more information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
Join us in 2016-17 as CCM presents a season of passion, courage and romance.

CCM’s 2016-17 Subscription Packages Are On Sale Now. Plan Your Season With Our New Brochure Today!

Join us for a season of passion, courage and romance!

This year, the faculty, staff and students of the University of Cincinnati College-Conservatory of Music proudly present over 50 major performing and media arts events.

CCM's 2016-17 Season Subscription Brochure.

Click on the graphic above to view CCM’s 2016-17 Season Brochure.

Whether you prefer effervescent operas or daring dramas, sophisticated symphonies or soulful jazz, old favorites or world premieres, this season has something for everyone.

Join us as our stars-of-tomorrow bring passion, courage and romance to the stage.

With a variety of subscription and flex ticket packages available, it has never been easier to experience CCM’s star power for yourself.

Plan your season today by downloading a digital copy of CCM’s 2016-17 brochure. Physical copies are also available at CCM’s Box Office.

Subscription and flex ticket packages are on sale now.

Single Concert Series and Ariel Series tickets go on sale beginning Aug. 22, 2016. Single Mainstage Series tickets go on sale beginning Aug. 29, 2016.

For more details about CCM’s 2016-17 performance schedule, contact the CCM Box Office at 513-556-4183 or visit ccm.uc.edu.

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SPONSORS AND PARTNERS

CCM recognizes and thanks the following corporations, foundations and individuals for their generous support:

Louise Dieterle Nippert Trust
Scholarship and Resident Artist Sponsor

The Andrew W. Mellon Foundation
CCM/CSO Diversity Fellowship Sponsor

The Otto M. Budig Family Foundation
Season Presenting Sponsor, Musical Theatre Program Sponsor & Event Sponsor

The Corbett Endowment at CCM
Dance Department Supporter
All-Steinway School Sponsor

The Greater Cincinnati Foundation
H. Wayne Ferguson Family Foundation
The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation
The Louise H. and David S. Ingalls Foundation Inc.
Frances R. Luther Charitable Trust

Community Partners

Macy’s
Mainstage Season Production Sponsor

Mr. & Mrs. Edward S. Rosenthal
Opera Department Sponsor

Genevieve Smith
Opera Production Sponsor

The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel
Visiting Artists Sponsor

Anonymous
Estate of Mr. William A. Friedlander
Mrs. William A. Friedlander
Dr. & Mrs. Randolph L. Wadsworth
Mr. & Mrs. Frank Bloom
Mr. & Mrs. J. David Rosenberg
Mr. & Mrs. Harry H. Santen
Mr. & Mrs. Paul G. Sittenfeld
Mr. & Mrs. Thomas E. Stegman
Mr. & Mrs. Theodore W. Striker
The Thomas J. Emery Memorial

Ariel Quartet Sponsors

Jan Rogers
Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation

Choral Studies Sponsors

Ms. Margaret L. Straub & Mr. Neil R. Artman
Studio Drama Series Sponsor

Judith Heiny and Piotr Chomczynski
Polish Festival 
Sponsor

The Sarah Marvin Foundation for the Performing Arts
Classical Guitar Sponsor

Mr. & Mrs. Joseph W. Hirschhorn
Orchestral Sponsor

CCMpower
The CCM Harmony Fund: Challenging Hate
and Prejudice through Performing Arts

The Otto M. Budig Family Foundation
Jeff Thomas Catering
PNC
Trish & Rick Bryan
Keating, Muething & Klekamp P.L.L.
Rhonda & Larry Sheakley

Event Sponsors
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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
'Romeo and Juliet' photo by Mark Lyons.

CCM Announces 2016-17 Mainstage Series of Acting, Dance, Musical Theatre and Opera

CCM is pleased to announce details for its 2016-17 Mainstage Series of acting, dance, musical theatre and opera productions. Between Sept. 29, 2016 and April 15, 2017, CCM’s stars-of-tomorrow and world-class faculty and staff members will present eight diverse masterworks, which span the spectrum of the theatre arts.

Mainstage Hero Image

Click the graphic for more information.

Dubbed “a season of passion, courage and romance,” CCM’s 2016-17 Mainstage Series will bring new interpretations of popular classics in the fall with a retelling William Shakespeare’s Romeo and Juliet, a revival of the nine-time Tony Award-winning musical A Chorus Line, a flirty and fun-filled production of the fairytale opera Cendrillon and a mixed repertoire dance concert featuring Classics with a Twist.

In the spring, CCM will also present the Mainstage Series debuts of stirring drama Her Naked Skin, powerful musical Mack and Mabel and epic opera Idomeneo, along with the Dance Department’s celebration of Masterworks and Beyond.

Production and ticketing details are listed below. Single tickets go on sale beginning Aug. 29, 2016, but subscribing is the best way to guarantee your seats for these must-see shows! Fully customizable renewal subscriptions are on sale now with priority seating before July 15, 2016. Subscription packages for new subscribers will go on sale July 18, 2016.

Additional Information
Titles and dates are subject to change – rights pending. To order subscriptions, contact the CCM Box Office at 513-556-4183.

For a complete calendar of events, please visit us online at ccm.uc.edu.
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CCM 2016-17 MAINSTAGE SERIES
Acting, Dance, Musical Theatre, Opera

ROMEO AND JULIET
Written by William Shakespeare
Brant Russell, director

“For never was a story of more woe than this of Juliet and her Romeo.” William Shakespeare’s legendary tale of young love and bitter hatred returns to the CCM stage like you’ve never seen it before. Witness the deadly feud between the Montagues and Capulets in this subversive retelling of the Bard’s iconic story. It’s a comedy ­— until it’s not.

Performance Dates: Sept. 28 (preview), Sept. 29–Oct. 2, 2016
Location: Patricia Corbett Theater
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A CHORUS LINE
Conceived and originally directed and choreographed by Michael Bennett
Book by James Kirkwood Jr. and Nicholas Dante
Music by Marvin Hamlisch
Lyrics by Edward Kleban
Diane Lala, director and choreographer
Roger Grodsky, musical director

A nine-time Tony Award-winner, and one of the longest-running productions in Broadway history, A Chorus Line tells a strikingly honest tale about the backstage world of musical theatre as 17 dancers vie to make the final cut for the latest smash hit. As the auditions proceed, the diverse backgrounds and motivations of the hopefuls come to the fore, revealing stories that run the gamut of human experience and emotion as they all compete with and learn about one another. It is a process that will change them all forever… for better or worse. A Pulitzer Prize-winning fusion of dance, song and drama, A Chorus Line is a powerful metaphor for all human aspiration.

Performance Dates: Oct. 20–30, 2016
Location: Patricia Corbett Theater
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CENDRILLON (CINDERELLA)
Composed by Jules Massenet
Libretto by Henri Caïn
Mark Gibson, conductor
Robin Guarino, director

One of the world’s most beloved fairy tales comes to the CCM stage in a new modernist production! Despite being under the thumb of her evil stepmother, a poor girl wishes for her dream to come true. Enter her fairy godmother, who provides a ticket to the ball! The poor girl meets Prince Charming and they fall in love. When the clock strikes 12, though, she vanishes… leaving only a single shoe behind. Jules Massenet’s elegant score brings wit and charm to this timeless romance based on Charles Perrault’s telling of the Cinderella fairy tale. This production is sung in French with English supertitles.

Performance Dates: Nov. 17 – 20, 2016
Location: Corbett Auditorium
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CLASSICS WITH A TWIST
CCM Ballet Ensemble
Jiang Qi and Andre Megerdichian, co-directors

CCM’s Department of Dance opens its performance season with a concert of mixed repertoire featuring alumnus James Cunningham of the Cincinnati Ballet, who will choreograph a new work La Nymph with music by Youngwon French. Highlights also include a performance of Schubert’s Winterreise with choreography by Dance Department Chair Jiang Qi and accompaniment by CCM students Yijia Fang, cello and Xinyuan Li, piano. In addition, the graceful performers from CCM Dance will mount a staging of Glazunov’s Scénes de Ballet with choreography by Associate Professor Michael Tevlin, and Assistant Professor Andre Megerdichian will choreograph a collage of dance scenes spanning diverse genres.

Performance Dates: Dec. 1–4, 2016
Location: Patricia Corbett Theater
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HER NAKED SKIN
Written by Rebecca Lenkiewicz
Richard Hess, director

London 1913. Women are demanding the right to vote. Thousands of suffragettes of all classes serve time in Holloway Prison in their determination to gain equality through the vote. Their willingness to suffer for social injustice serves as the backdrop for an unlikely love story set in a period of turmoil. Described by the Independent as “a great drama about women, by a woman,” Her Naked Skin premiered to great acclaim at London’s National Theatre in 2008. By exploring the hunger for political and personal emancipation, this play plants a defiant feminist flag center stage. This production contains adult themes and is not recommend for young audiences.

Performance Dates: Feb. 8 (preview), Feb. 9–12, 2017
Location: Patricia Corbett Theater
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MACK AND MABEL
Based on an idea by Leonard Spigelglass
Book by Michael Stewart
Music and lyrics by Jerry Herman
Aubrey Berg, director
William Evan Roider, musical director
Patti James, choreographer

Set against the madcap world of Keystone Kops, Bathing Beauties and pies-in-the-face, the tumultuous relationship between workaholic film director Mack Sennett and his silent-screen star Mabel Normand was the stuff of Hollywood legend. With a memorable score by Broadway master Jerry Herman (Hello, Dolly!, Mame, La Cage aux Folles) Mack and Mabel is a star-crossed, bittersweet love story that explores both the lighter and the darker side of the Golden Age of Comedy. Nominated for eight Tony Awards, Mack and Mabel was praised by the New York Times as “a musical in the old and true tradition.”

Performance Dates: March 2–5, 2017
Location: Corbett Auditorium
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IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco (after Antoine Danchet)
Aik Khai Pung, conductor
Marcus Shields, director

Set in the aftermath of the Trojan War, Mozart’s opera seria weaves a tale of gods and monsters, unrequited love and selfless heroism. During his perilous journey back to Greece after years at war, King Idomeneo pledges to sacrifice the first mortal he finds to Neptune in exchange for a safe journey home. When that mortal turns out to be his son Idamante, Idomeneo struggles to find another way to appease the gods, which creates dire repercussions for the people of Crete. Completed in 1780 when the composer was only 24 years old, Idomeneo is widely considered the first of Mozart’s great operas and remains a favorite of opera houses around the world. This production is sung in Italian with English supertitles.

Performance Dates: March 30–April 2, 2017
Location: Patricia Corbett Theater
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MASTERWORKS AND BEYOND
Jiang Qi and Deirdre Carberry, co-directors

Celebrate spring’s arrival with the CCM Ballet Ensemble as they present an exciting mixed bill. Highlights of the program include George Balanchine’s masterwork Valse-Fantaisie with a restaging by guest artist Viki Psihoyos. This concert also includes a world premiere created by Alabama Ballet associate artistic director Roger Van Fleteren, along with new works by CCM faculty members Michael Tevlin and Andre Megerdichian. Valse-Fantaisie is performed by permission of George Balanchine Trust.

Performance Dates: April 13–15, 2017
Location: Patricia Corbett Theater
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Mainstage Series Subscriptions
The 2016-17 CCM Mainstage Series of acting, dance, musical theatre and opera productions includes subscription packages for six-or-more show, four-show and three-show combinations.

Renewal subscription packages are on sale now. CCM’s fully customizable subscription packages range in price from $69 – $188. Subscribers to CCM’s 2015-16 Mainstage Series can receive priority access to seating by renewing their subscriptions by Friday, July 15, 2016.

New subscriptions go on sale July 18, 2016. Single tickets will be available for purchase beginning Monday, Aug. 29, 2016.

To order subscriptions, contact the CCM Box Office at 513-556-4183.

Concert Series Options
As the largest single source of performing arts events in Ohio, CCM also offers world-class chamber music, choral, jazz, orchestra, percussion, piano and wind ensemble concerts each season. CCM’s Mainstage subscribers receive priority access to Ariel Quartet subscription packages, CCM Concert Series flex ticket packages, prepaid parking and other exclusive perks.

Full programming and package details for CCM’s 2016-17 Ariel Quartet Series and Concert Series will be announced in July. Visit ccm.uc.edu for more information.
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A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change. For a complete calendar of events, please visit us online at http://ccm.uc.edu.

CCM News
CCM’s production of Leoš Janáček’s 'The Cunning Little Vixen.’ Photo by Mark Lyons.

CCM Slideshows: Leoš Janáček’s ‘The Cunning Little Vixen’

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Come see Leoš Janáček’s fantastical opera The Cunning Little Vixen, which opens tonight (Friday) at 8 p.m. and runs through Sunday as part of this year’s Mainstage Series.

Directed by Vince DeGeorge, this anthropomorphic opera explores the intimate relationship between man and nature. This production will be conducted by Mark Gibson and sung in English, with a new translation by CCM Professor Emeritus David Adams.

Learn more about the performance or view the cast list.

Leoš Janácek’s
THE CUNNING LITTLE VIXEN
An Opera in Three Acts
Critical revised version by Jiri Zahrádka
Used by arrangement with European American Music Distributors Company, U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner.

Performance Times

  • 8 p.m. Friday, April 8
  • 8 p.m. Saturday, April 9
  • 2 p.m. Sunday, April 10

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to The Cunning Little Vixen are $31-35 for adults, $20-24 for non-UC students and $18-22 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/cunning-little-vixen.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News CCM Slideshows
One of the design inspirations for CCM's new production of THE CUNNING LITTLE VIXEN.

Discussing the Cycles of Life Presented in CCM’s ‘The Cunning Little Vixen’ with Director Vince DeGeorge

Leoš Janáček’s fantastical opera The Cunning Little Vixen comes to the CCM stage April 8 – 10 as part of this year’s Mainstage Series. To share what inspired his vision for the anthropomorphic production, Stage Director and Choreographer Vince DeGeorge reflected on the relationship between humans and nature with CCM Public Information Graduate Assistant Charlotte Kies.

A mask from CCM's 2016 production of THE CUNNING LITTLE VIXEN. Photography by Mark Lyons.

A mask from CCM’s 2016 production of THE CUNNING LITTLE VIXEN. Photography by Mark Lyons.

Could you tell me about your inspiration for the design of the masks in this production?

I’ve had this little vixen figurine for about 10 years. It was a gift from my wife, and it has become a touchstone for this project. You’ll see the geometric nature of the fox sculpture reflected in the masks by third-year graduate student and Costume Designer Oran Wongpandid. They’re very cool looking. There’s a sort of formalism about this little creature that I love, but there’s also a playfulness that embodies the spirit of this production.

CCM’s production of Leoš Janáček’s 'The Cunning Little Vixen.’ Photo by Mark Lyons.

CCM’s production of Leoš Janáček’s ‘The Cunning Little Vixen.’ Photo by Mark Lyons.

How do they use these masks?

They carry the masks and sometimes wear them. They don’t sing with the masks on. One of the things that is most prevalent in this opera is the relationship between humans and animals. The actors come on stage as humans and they transform into animals in front of the audience. It’s a simple transformation through movement and mask work.

Is this something traditionally done, or is this a new idea of your own?

That’s something that I bring to it. Mark Halpin, the designer of the set, and I have never done a show together but we’ve worked a lot together. He sort of understands my aesthetic and he brought his own point of view to it as well. He has come up with this design that I think really embodies this very human aspect of this story. We become animals to tell a very human story.

'The Cunning Little Vixen'

CCM’s production of Leoš Janáček’s ‘The Cunning Little Vixen.’ Photo by Mark Lyons.

What is that human story?

I think the human story is that every day, life is happening all around us. Often times we are too distracted, or aggressive, or controlling to notice. If you actually take the time to be aware, you will experience everything that’s going on around you. You may not experience all of it, but you will be more receptive to experiences. That’s the journey of the Forester, from very aggressive and controlling, to very open and receptive.

CCM’s production of Leoš Janáček’s 'The Cunning Little Vixen.’ Photo by Mark Lyons.

CCM’s production of Leoš Janáček’s ‘The Cunning Little Vixen.’ Photo by Mark Lyons.

The Vixen has a different journey. She starts very innocent, open and receptive. Then events occur that change her to become more aggressive and more controlling. She eventually finds her way back into a much more open and receptive place with her love, the Fox.

What’s so beautiful about this opera is that it runs in cycles, in circles. Someone starts a scene and ends up in almost the same place, but something has changed within them. There is a giant cycle that’s going on within the entire opera and the Vixen has a cycle that’s running through her and the Forester. We don’t see the top of the Forester’s cycle but we see him changing back to this more open and receptive person. The music just cycles and cycles in a wonderful repetition and revision that Janáček is an expert at creating.

That sort of fits in with what I’ve read.

The opera is full of life cycles! But within them are tiny little journeys that are going on within ALL of the characters.

That is one aspect that makes this opera so amazing, and another reason why Mark and I decided to set it in a more distilled, abstract way, as opposed to setting it in the 1920s or in Czechoslovakia. To nail it down to a certain time period could diminish the universality of the performance. It doesn’t have a time period, but I think the story in itself is timeless. I’m not saying this is the way to approach this opera, this is the way we approached it.

'The Cunning Little Vixen'

CCM’s production of Leoš Janáček’s ‘The Cunning Little Vixen.’ Photo by Mark Lyons.

Is this opera often translated into English?

Well, I’m not an expert at that. What I can say is that when I was an undergrad here, David Adams was my voice teacher. Then he did the translation of my first opera here!

That’s a nice little cycle!

Yes, it is! And even though he is a professor emeritus here, David has been at a lot of rehearsals. He has been really involved. It’s been fantastic to work with him in a very different way and still learn from him.

Was it his choice to put this in English?

Actually, David wrote this for Professor Kenneth Shaw’s production here but then retired after spending a lifetime here. This is one of our ways to thank and honor him and the work that he’s done for CCM.

Are English-sung operas a theme this year?

Well, that’s something that we as a department really made an effort to do this year. Both Mainstage Operas were in English, which is more challenging to sing than other languages. The students need to learn how to sing in English and make it understandable and not lose their vocal quality.

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Leoš Janáček’s The Cunning Little Vixen runs April 8 – 10 in UC’s Corbett Auditorium. Mark Gibson conducts with stage direction and choreography by Vince DeGeorge. This production will be sung in English, with a new translation by CCM Professor Emeritus David Adams. You can learn more about the production here.

CCM News Faculty Fanfare
A mask from CCM's 2016 production of THE CUNNING LITTLE VIXEN. Photography by Mark Lyons.

CCM’s Mainstage Series Presents ‘The Cunning Little Vixen’ April 8 – 10, 2016

CCM brings you Leoš Janácek’s anthropomorphic opera, The Cunning Little Vixen, from April 8 – 10 as part of this year’s Mainstage Series. Instead of the typical protagonists of kings, queens and courtly staff, the stars of Janácek’s opera are foxes, dragonflies and badgers, and a host of woodland creatures, as well as the humans who try to tame them. Mark Gibson conducts with stage direction and choreography by Vince DeGeorge. This production will be sung in English, with a new translation by CCM Professor Emeritus David Adams.

The story begins with a Forester who, asleep at the base of a tree after a long night of drinking, awakens to the sight of a playful vixen cub. Delighted with his newfound furry friend, the Forester stumbles home to his farm to show his family. Discontent with her life in captivity, the cunning Vixen plots her escape, ruffles some feathers among the farm animals, and flees into the night. The Forester is then devastated and left alone to pine after his lost treasure.

Meanwhile, the Forester’s drinking buddies have troubles of their own. The Schoolmaster lusts after a young woman engaged to another man, and the Priest struggles to reconcile a misstep in his past with his present life of piety. Each man finds himself tormented by his own obsession, and struggles to accept the natural progression of life and death when it is out of his control.

One of the design inspriations for CCM's new production of THE CUNNING LITTLE VIXEN.

One of the design inspriations for CCM’s new production of THE CUNNING LITTLE VIXEN.

Inspired by a serial comic strip printed in the local paper, Leoš Janácek uses music and dance to breathe life into the characters he saw on the page. DeGeorge said a muse in the form of a little wooden vixen, gifted from his wife 10 years ago, inspired his vision for CCM’s production of the opera.

The geometric nature of the figurine, which is featured on the program cover, is reflected in the masks worn and carried by the characters as they transform throughout the opera.

“One of the things that is most prevalent in this opera is the relationship between humans and animals. The actors come on stage as humans and they transform into animals in front of the audience,” DeGeorge said. “There’s a sort of formalism about this little creature that I love but there’s also a playfulness that embodies the spirit of this production.”

It’s that very spirit, the transformative essence and flow of cycles within the opera, that Janácek masterfully elicits in your ears. Janácek will mesmerize you with his lush harmonies and sweeping melodies, Hollywood strings, flittering elfin-like woodwinds solos, and powerful romantic brass, in this fantastical tale of the intimate relationship between man and nature.

Join us in CCM’s Corbett Auditorium, this April 8-10, to explore the human condition within the enchanted world of music and dance.

Leoš Janácek’s
THE CUNNING LITTLE VIXEN
An Opera in Three Acts
Critical revised version by Jiri Zahrádka
Used by arrangement with European American Music Distributors Company, U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner.

The Creative Team

  • Mark Gibson, conductor
  • Vince DeGeorge, stage director and choreographer
  • Marie-France Lefebvre, musical preparation
  • Mark Halpin, scenic designer
  • Jeremy Dominik, lighting designer*
  • Oran Wongpandid, costume designer*
  • Kelly Yurko, wig & make-up designer
  • Kristen Budke, properties designer*
  • Susan Moser, choreographer
  • Michael Medina, stage manager*
  • John Murton, assistant conductor (Sunday matinee)*
  • Maria Fuller, rehearsal pianist*
  • Levi Hammer, rehearsal pianist*
  • Michael Medina, rehearsal pianist*

* CCM student

Performance Times

  • 8 p.m. Friday, April 8
  • 8 p.m. Saturday, April 9
  • 2 p.m. Sunday, April 10

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Cunning Little Vixen are $31-35 for adults, $20-24 for non-UC students and $18-22 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/cunning-little-vixen.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News