CCM Moveable Feast. Photo by Joseph Fuqua II

Moveable Feast Returns to CCM Village on Jan. 20, 2017

Cincinnati’s premier fundraiser returns in early 2017 when the University of Cincinnati College-Conservatory of Music (CCM) presents its annual “Moveable Feast.”

Hosted by the CCMpower volunteer group of fans, advocates and alumni, this unique benefit event features students from all corners of the college in an evening of live entertainment and by-the-bite cuisine. Funds raised by Moveable Feast enable CCMpower to award student scholarships and grants. The festivities begin at 6:30 p.m. on Friday, Jan. 20, 2017.

A stunning showcase of CCM’s world-class performing and media arts programs, Moveable Feast gives guests a chance to sample artistic and culinary delights throughout the college’s state-of-the-art facilities. Attendees roam through the expansive CCM Village at their leisure, socializing and enjoying dinner-by-the-bite while creating their own menu of artistic experiences.

Guests plan their own schedule of 20-minute samplings of student and faculty entertainment, including Jazz, Choral, Musical Theatre, Piano, Opera, Acting, Dance and Orchestra performances, along with tours of CCM’s Electronic Media facilities, Lighting Design labs and other backstage areas.

Christy Altomare

Christy Altomare

New for 2017! Each year, CCM’s Moveable Feast provides Cincinnati audiences with an opportunity to see the performing and media arts “stars-of-tomorrow” before they’re famous. This year’s program also features a performance by one of CCM’s acclaimed “Broadway babies,” as alumna Christy Altomare (BFA Musical Theatre, 2008) returns to CCM to provide a preview of her next Broadway role! Recently cast as Anya in the new Broadway musical production of Anastasia, which features music by acclaimed composer and fellow CCM graduate Stephen Flaherty (BM Composition, 1982), Altomare will perform the Oscar-nominated song “Journey to the Past” with the CCM Philharmonia Orchestra as the “opening course” on this year’s artistic menu.

Anastasia’s promotional team will be on campus to film Altomare’s Moveable Feast performance, which will then be used to promote the show’s Broadway run. Anastasia opened to rave reviews at the Hartford Stage; the show comes to Broadway’s Broadhurst Theatre on March 23, 2017.

Altomare’s performance kicks off three hours’ worth of fully customizable arts experiences. Cocktails and dinner-by-the-bite provided by Jeff Thomas Catering will be served throughout the evening.

Event Time
6:30 p.m. on Friday, Jan. 20

Location
CCM Village, University of Cincinnati

Purchasing Tickets

Tickets to “Moveable Feast” are on sale now and can be purchased online at ccm.uc.edu/support/events or over the telephone at 513-556-2100.

  • Celebrate CCM Package: $500 (package price includes two tickets to Moveable Feast and two tickets to CCM Musical Theatre’s 25th Annual “Not Famous Yet” Showcase in March, name on Moveable Feast invitation and program, valet parking for Moveable Feast and parking voucher for Showcase)
  • Host Package: $200 (package price includes one ticket to Moveable Feast and one ticket to CCM Musical Theatre’s 25th Annual “Not Famous Yet” Showcase in March, name on Moveable Feast invitation and program, valet parking for Moveable Feast and parking voucher for Showcase)
  • Host Ticket: $125 (ticket price includes valet parking, name listed on Moveable Feast invitation and program)
  • General Public Tickets: $75 (ticket price includes a discounted CCMpower membership)
  • CCM Alumni and Young Professional (40 and under) Tickets: $50 – discounted ticket price only available until Dec. 15, 2016.

Seating is limited. Event proceeds raised by CCMpower support student scholarships for CCM’s “stars of tomorrow” and also help fund student and ensemble travel, master class opportunities and collaborative projects.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

ccmpowerAbout CCMpower
The result of a merger of the Friends of CCM and the CCM Alumni Governing Board, CCMpower is a volunteer group of fans, advocates and alumni dedicated to empowering students and fueling the future of the arts through scholarship opportunities and more. This new organization is a combination of people who love and support the arts along with graduates of CCM investing back in their school. To learn more, visit ccm.uc.edu/ccmpower.

CCM Alumni Applause CCM News Student Salutes
CCM Village panoramic photo; Winter of 2015. Photography by Curt Whitacre.

CCM Holiday Gift Guide: Treat Family and Friends to Performing Arts

The University of Cincinnati College-Conservatory of Music has gifts for all of the art lovers on your shopping list this holiday season. Whether it’s CCM-branded merchandise, tickets to a performance or hiring student musicians for your holiday party, CCM offers something for everyone.

Holiday “CCM Swag”
090116-Ignite 3131-CCM-G185The undergraduate student government (CCM Tribunal) is selling officially branded sweatshirts, long-sleeve T-shirts and hoodies online through Dec. 1. Proceeds benefit student projects throughout the college such as undergraduate masterclasses, Memorial Hall music stands and more.

Prices vary from $18 to $25; items will ship by mid-December to arrive before the holidays. Please visit uc.ignitecx.com/CCMHoliday to place your order.

Book CCM Talent For Hire
Photography by Dottie Stover.Need some carolers for your holiday party? Or a pianist during your family dinner? CCM students and alumni are available to provide live entertainment for your event through Talent for Hire.

Book some of CCM’s “stars of tomorrow” to perform at your event before they go on to the world’s stage. Talent for Hire’s online referral service will connect you with student artists, from singers to actors or instrumentalists. Pay is determined by the individual performers.

Find more information and book CCM Talent for Hire online at ccm.uc.edu/talentforhire.html.

Feast of Carols Holiday Celebration, Dec. 3 and 4
CCM's Feast of Carols Holiday ConcertThis annual concert features yuletide favorites performed by the CCM Concert Orchestra, CCM choral ensembles and outstanding high school and community choirs from the Tristate. Performances take place at 2 and 5 p.m. on Saturday, Dec. 3 and Sunday, Dec. 4 in CCM’s Corbett Auditorium.

Tickets are $15 for general admission, $10 for non-UC students and free for UC students with a valid ID. For tickets and information, contact the CCM Box Office at 513-556-4183 or online at ccm.uc.edu/boxoffice.html.

cccholidayconcertCincinnati Children’s Choir, Dec. 10
CCM ensemble-in-residence, the Cincinnati Children’s Choir, presents its annual Holiday Concert with performances at 2 and 5 p.m. on Saturday, Dec. 10 in CCM’s Corbett Auditorium. All 450 members of the ensemble, including CCM resident choirs and satellite choirs from across the Tristate area, will perform holiday songs from around the globe.

Tickets are $15 for general admission, $10 for non-UC students and free for UC students with a valid ID. For tickets and information, contact the CCM Box Office at 513-556-4183 or online at ccm.uc.edu/boxoffice.html.

Join us in 2016-17 as CCM presents a season of passion, courage and romance.Mainstage Series Subscriptions and Single Tickets Available
For the acting, dance, musical theatre and opera lovers in your life, CCM offers a variety of Mainstage Series subscription packages. The final performances of the 2016 season occur Dec.1-4, featuring Classics with a Twist from the Department of Dance.

The series continues February through April with suffragette drama Her Naked Skin, Broadway master Jerry Herman’s powerful musical Mack and Mabel, Mozart’s epic opera Idomeneo and the Department of Dance’s celebration of Masterworks and Beyond

Choose between 4-Show or 3-Show Subscriber Packages to ensure the theater aficionados in your life get the most from their Mainstage experience. Packages range from $69 to $112.

Or pick and choose your favorite shows by purchasing single tickets. Prices range from $17 to $35.

For more information on Mainstage Series tickets, please contact the CCM Box Office at 513-556-4183 or online at ccm.uc.edu/boxoffice.html.

CCM has hundreds of additional performing and media arts events from December through May. Visit ccm.uc.edu for more information and a schedule of events.

 

CCM News
Cendrillon

CCM Slideshows: “Cendrillon”

A bit of movie magic comes to CCM’s Mainstage in Jules Massenet’s fairytale opera Cendrillon, which continues at 8 p.m. Saturday, Nov. 19 in Corbett Auditorium.

Inspired by Francois Truffaut’s 1973 French film Day for Night, director Robin Guarino stages Cendrillon on the set of a movie. The opera is based on  Charles Perrault’s original Cinderella story and features all of your favorite characters including the fairy godmother, in the guise of a costume designer, and the ugly stepsisters as diva actresses.

This slideshow requires JavaScript.

Cendrillon plays in CCM’s Corbett Auditorium Nov. 19-20; tickets are available through the CCM Box Office. The opera is performed in four acts with a brief pause after Act I and an intermission between Acts II and III. It will be sung in French with English supertitles.

Performance Times
8 p.m. Saturday, Nov. 19
2 p.m. Sunday, Nov. 20

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Cendrillon are $31-35 for general admission, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Customizable subscription packages are also available.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Opera Department Sponsor Mr. and Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News CCM Slideshows

Arts Administration Students Get Work Experience at Local Organizations

CCM is partnered with the University of Cincinnati’s nationally ranked Lindner College of Business in one of the few MA/MBA graduate Arts Administration programs in the country. We train future CEOs and senior managers of nonprofit arts institutions by giving our students real world experience at local and national arts organizations.

Applications are now open for fall 2017 admissions into the program. In the past six years, 100% of arts administration graduates have found jobs in their field. Many go on to leadership positions in small and large organizations, while others launch their own nonprofits. While enrolled, students have multiple opportunities to gain real-world experience through internships and graduate assistantships. This year, two first-year students are balancing school work with internships at local organizations — the Cincinnati Youth Symphony Orchestra and concert:nova. Below you can read about their experiences so far.

Stephanie Calascione | First-year Graduate Student in Arts Administration
Graduate Assistant for the Cincinnati Youth Symphony Orchestra

Stephanie Calascione.

Stephanie Calascione.

The Cincinnati Youth Symphony Orchestra is my new home. I am the current CCM Graduate Assistant for the CSYO and it has been an amazing opportunity for me. The CSYO is under the umbrella of the Cincinnati Symphony Orchestra and consists of the younger Concert Orchestra and the upper Philharmonic Orchestra. My main role within the organization is the active librarian for both orchestras as well as the general operations and personnel administrator for the upper orchestra.

Being a part of the CSYO is a perfect opportunity to experience a little bit of everything in an organization. Although it is linked to the CSO, the youth orchestras seem to operate separately from the major orchestra. This, in part, is attributed to the very small education staff through the CSO that focuses specifically on the youth programs. It is also attributed to the fact that it has its own budget, programming, schedules, personnel and equipment. I have the opportunity to interact with the employees of the CSO and communicate with the CSO musicians.

Growing up, I was a part of the Colorado Youth Symphony Orchestra; this background has given me perspective into how important this program is to kids. Going to a rehearsal every week to play advanced repertoire is imperative to the musical growth of a child. For some kids, this orchestra could be their only opportunity. For others, it is an opportunity to further their musical capacity. For everyone, it is a time each week to make music in an enriching environment with friends.

This experience has affirmed my love for orchestras and enriched my enjoyment of helping today’s youth. I’ve gained useful experience in operations, production, personnel management and librarianship. Expanding my professional connections by communicating with the CSO staff and musicians to get them involved with the CSYO and has opened the door to many opportunities in the future.

Deborah Stevens | First-year Graduate Student, Arts Administration
Internship: Administrative Intern for concert:nova

deborah-stevens-headshot

Deborah Stevens.

For the 2016-17 school year, I’m serving as an Administrative Intern for concert:nova, a small chamber music organization that creates innovative and collaborative classical music performances. My duties span a variety of administrative areas, including donor solicitation and acknowledgment, email marketing blasts, grant writing and reporting and box office management. With an undergraduate degree and several internships in theatre, this has been my first opportunity to work with a music organization. It has allowed me to broaden my horizons to different art forms, and to utilize the skills I am learning in the classroom.

concert:nova is known as “Cincinnati’s Music Lab” because of its artist-driven collaborations that create multidimensional performances. Seeing these performances evolve from concepts to artistic experiences and knowing that I have contributed has been incredibly rewarding. concert:nova’s first event of the season was a caffeinated collaboration with Deeper Roots Coffee, inspired by composers who loved coffee. It featured a myriad of musical selections — from Bach’s Coffee Cantata to “Taylor the Latte Boy” — all interspersed with narratives about the history of coffee. Running the box office, I had the opportunity to connect with the attendees of this event and hear the overwhelmingly positive things they had to say about the performance.

Another exciting aspect of concert:nova’s programming is their educational program, Next:Generation, which gives music students at local universities, including CCM, the opportunity to develop entrepreneurial skills in order to pursue a career in music. This year concert:nova is expanding its educational programming to include more community engagement events. In mid-October, it held the first of a series of free Late:Night events targeted at young professionals. An experience in synesthesia, it featured solo instrumentations of Berio works paired with wine. With complimentary admission and wine tasting, this event was successful in bringing in students who otherwise may not have attended a concert:nova performance, due to time, cost or other constraints.

concert:nova is such an innovative organization, and I am delighted to join it this season. Working there has given me the opportunity to see how a musical organization runs, an experience I would not have undertaken were it not for the Arts Administration program. I am gaining invaluable knowledge in grant-writing, marketing, communication and non-profit administration — skills that will prepare me to work in any art form.

The deadline to apply to CCM’s Arts Administration program is Dec. 1. Learn more about the program online at ccm.uc.edu/theatre/arts_admin.

 

 

CCM News Student Salutes
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Exploring Magic and Mystery in the Music of ‘Cendrillon’ with Mark Gibson

The University of Cincinnati College-Conservatory of Music continues its Mainstage Series with Jules Massenet’s classic fairytale opera, Cendrillon (Cinderella) at 8 p.m. on Thursday, Nov. 17 in Corbett Auditorium.

Directed by Robin Guarino, the J. Ralph Corbett Distinguished Chair in Opera, this charming story takes place on the set of a movie where more than just Hollywood magic is in play. In addition to the familiar love story and characters of the original fairytale, CCM’s production includes an added dream sequence, which blurs the lines between dreams and reality.

'Cendrillon' preview photography by Adam Zeek.

‘Cendrillon’ preview photography by Adam Zeek.

Jules Massenet’s enchanting musical score shines under the direction of Mark Gibson, Director of Orchestral Studies at CCM. Graduate student Charlotte Kies had the pleasure of speaking with Professor Gibson about the spellbinding music that brings this opera to life.

Have you conducted Massenet’s Cendrillon before? How is it different from the classic fairytale?
No, this is my first Cendrillon. I’m so excited! The basic shape of the Cinderella story remains the same in Massenet’s opera, but what sets it apart is the exquisitely beautiful music shared by Cendrillon and Prince Charming, as well as the duets between Cendrillon and Pandolfe, her father.

Have you made any changes to Massenet’s original music that the audience might like to know about?
In order to accommodate the concept of the production as envisioned by the director, Robin Guarino, we have made appropriate cuts to move the action forward, but the music is all Massenet and all quite lovely.

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“Cendrillon” preview photography by Adam Zeek.

This opera features a handful of offstage musicians. How is their role different from that of the pit orchestra?
Massenet wrote some magical effects for instrumental ensembles performed outside the pit at several moments in the opera. In Act Two, there is a delightful trio of flute, viola and harp that represents an onstage divertissement during the ball. In Act Three, harp, celesta and organ join an offstage chorus to create a splendid effect in support of the fairy godmother’s supernatural presence. Trumpets and drums introduce the final scene of Act Four with a brilliant D-major fanfare when Cendrillon and the Prince are reunited.

Robin Guarino named Cendrillon as one of your personal favorite operas. What are some of the reasons that you love this particular opera?
The music is so wonderful! Stylistically, it moves between neoclassical and rococo forms and lush romantic duets. The story is charming and vocally gratifying. I just find it irresistible.

What are some of the challenges that the orchestra students face in learning and performing this opera?
As in most romantic operas, the orchestra must be flexible in terms of tempo and rubato in order to accommodate the singers. There is also the matter of French style that demands beauty of sound and delicacy of timbre.

One of your students, Yael Front, will conduct a matinee performance of Cendrillon. What kind of challenges do conducting students face when working on a piece of this magnitude, and what are a few of the things you expect them to learn or take away from this production?
First, as always, there is knowing and understanding the text, the design of the story and its dramatic arc. Second, there is mastering the style and sound of Massenet’s orchestration. Finally, there is the pliancy of gesture needed to shape phrases and accommodate the singer’s vocalism. All in all, quite a series of challenges, and Yael Front, a brilliant young conductor from Israel, has proven more than up to them.

Do you have anything else you’d like our readers to know about the music in this production?
Come, enjoy, laugh, cry, rediscover the wonder of theatre, fall in love again with theatre through the music of Massenet’s Cendrillon.

CCM presents Cendrillon on Thursday, Nov. 17 through Sunday, Nov. 20 in Corbett Auditorium. Find more information on the production in the program below:

Performance Times
8 p.m. Thursday, Nov. 17
8 p.m. Saturday, Nov. 19
2 p.m. Sunday, Nov. 20

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Cendrillon are $31-35 for general admission, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Customizable subscription packages are also available.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Opera Department Sponsor Mr. and Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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Story by CCM graduate student Charlotte Kies

CCM News
Logo for the Opera Fusion: New Works program.

CCM, Cincinnati Opera Co-host Free Performance of ‘Intimate Apparel’ Nov. 14

The University of Cincinnati College-Conservatory of Music (CCM) and Cincinnati Opera’s Opera Fusion: New Works program presents a free performance of excerpts from new American opera Intimate Apparel at 7:30 p.m. on Monday, November 14 in the Cincinnati Club’s Oak Room.

'Bright Eyed Joy!' composer Ricky Ian Gordon.

‘Intimate Apparel’ composer Ricky Ian Gordon.

Tickets are available now though the Cincinnati Opera box office by calling 513-241-2742 or visiting cincinnatiopera.org.

Opera Fusion: New Works is currently providing a 10-day workshop for Intimate Apparel, which is composed by Ricky Ian Gordon to a libretto by Pulitzer Prize-winning playwright Lynn Nottage. The new opera is commissioned by The Metropolitan Opera/Lincoln Center Theater’s New Works Program.

The workshop is directed by Robin Guarino, CCM’s J. Ralph Corbett Distinguished Chair, and conducted by Timothy Myers, the artistic and music director of North Carolina Opera. Paul Cremo, dramaturg and director of opera commissioning programs for the Metropolitan Opera, will be the dramaturg for the workshop.

lynn-nottage

‘Intimate Apparel’ playwright, Lynn Nottage.

Adapted by Nottage from her prize-winning 2003 play of the same name, Intimate Apparel tells the story of Esther, a 35-year-old seamstress in 1905 New York City. Esther sews lingerie for a living, interacting with a wealthy Fifth Avenue wife, a Tenderloin prostitute, and a Jewish fabric merchant on the Lower East Side, with whom she shares a closeness that cannot be pursued further because of his religion. Esther embarks on a letter-writing relationship with a Panama Canal laborer, leading to marriage and ultimately heartbreak, but she maintains her strength of character and determination to make a better life for herself.

Learn more about Intimate Apparel at cincinnatiopera.org.

About Opera Fusion: New Works

Funded by a generous grant from The Andrew W. Mellon Foundation, Opera Fusion: New Works is a groundbreaking joint program of Cincinnati Opera and the University of Cincinnati College-Conservatory of Music created in 2011 to foster the development of new American operas. The program offers composers or composer/librettist teams the opportunity to workshop an opera during a 10-day residency in Cincinnati, utilizing the talent, personnel and facilities of both organizations. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a public performance. The program is led by co-artistic directors Marcus Küchle, Director of Artistic Operations of Cincinnati Opera, and Robin Guarino, the J. Ralph Corbett Distinguished Chair of Opera at CCM. In 2015, The Andrew W. Mellon Foundation renewed the program’s funding, allowing for a second cycle of six workshops over three years.

In 2011, Opera Fusion: New Works awarded its first workshop to composer Douglas J. Cuomo and librettist John Patrick Shanley in support of their new opera Doubt, which premiered at Minnesota Opera in January 2013. In 2012, Opera Fusion: New Works provided workshops for Champion, by composer Terence Blanchard and librettist Michael Cristofer, which premiered at Opera Theatre of Saint Louis in June 2013; and Morning Star, by composer Ricky Ian Gordon and librettist William M. Hoffman, which premiered at Cincinnati Opera in June 2015. In 2013, the residency went to Fellow Travelers, by composer Gregory Spears and librettist Greg Pierce, which premiered at Cincinnati Opera in June 2016. In 2014, the program invited composer Jake Heggie and librettist Terrence McNally to workshop Great Scott, which premiered at the Dallas Opera in October 2015. For the final workshop of the original six-workshop grant, the residency was awarded to Meet John Doe, with music and libretto by the late Daniel Catán. The first workshop of the second grant cycle was given in October 2015 to Shalimar the Clown, by composer Jack Perla and librettist Rajiv Joseph, which premiered at Opera Theatre of Saint Louis in June 2016.

Most recently Opera Fusion: New Works presented excerpts from new American opera Some Light Emerges on September 22, 2016. Composed by Laura Kaminsky to a libretto by Mark Campbell and Kimberly Reed, Some Light Emerges was originally inspired by the creation of Houston’s iconic Rothko Chapel by philanthropist and art collector Dominique de Menil.

Opera Fusion: New Works Lab Presents
Intimate Apparel
Composed by Ricky Ian Gordon
Libretto by Lynn Nottage
Co-artistic Directors Robin Guarino and Marcus Küchle
Robin Guarino, director
Paul Cremo, Dramaturg
Timothy Meyers, conductor

Performance Time
7:30 p.m. Monday, Nov. 14

Location

The Cincinnati Club’s Oak Room
30 Garfield Place, Cincinnati OH 45202

Reserving Tickets

Admission to Intimate Apparel is free, but reservations are required. Please contact the Cincinnati Opera box office for tickets by calling 513-241-2742 or visiting cincinnatiopera.org.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News
ccm-cendrillon-media-fb-a

Fairytale Opera ‘Cendrillon’ Arrives on CCM’s Mainstage Nov. 17

The University of Cincinnati College-Conservatory of Music presents a fairytale opera for the ages, Cendrillon (Cinderella), Nov. 17-20 in Corbett Auditorium as part of this year’s Mainstage Series. Director of Orchestral Studies, Mark Gibson, conducts with stage direction by Robin Guarino, the J. Ralph Corbett Distinguished Chair in Opera.

‘Cendrillon’ sketch by student costume designer, Maria Lenn.

‘Cendrillon’ sketch by student costume designer, Maria Lenn.

With original music by Jules Massenet and Libretto by Henri Caïn, Cendrillon is based on Charles Perrault’s original Cinderella story. However, Guarino weaves a bit more magic into CCM’s version of the classic fairytale — movie magic.

Inspired by Francois Truffaut’s 1973 French film Day for Night, CCM’s Cendrillon takes place on the set of a movie. Lucette, a script girl, is the opera’s “Cinderella” who falls asleep on set and dreams of becoming an actress. Her fairy godmother, in the guise of a costume designer, transforms Lucette into the star of the film and transports her to the ball where she falls in love with the Prince, an actor in the film. When Lucette awakes, she is surprised to find the film’s cast arguing about a mysterious woman who attracted the Prince at the ball.

CCM’s Cendrillon, including the added dream sequence, explores themes of transformation and surrealism. Under Guarino’s direction, the opera invites audiences to ask: if it was a dream, does that mean it wasn’t real?

Guarino particularly enjoys working on fairytale operas because of the potential she finds in their accessible storylines. “I love clear, simple, direct story-telling that connects to not only young people, but people of all ages,” she says.

A show for the whole family to enjoy, Cendrillon is ripe with all of the magic and romance of the original fairytale, complete with familiar characters such as the “ugly stepsisters” who appear as diva actresses in this retelling.

The opera is performed in four acts with a brief pause after Act I and an intermission between Acts II and III. It will be sung in French with English supertitles.

Creative Team
Mark Gibson, conductor
Yael Front, conductor on Sunday, Nov. 20*
Robin Guarino, stage director
Marie-France Lefebvre, musical preparation
Vince DeGeorge, choreographer
Thomas Umfrid, scenic designer
Maria Lenn, costume designer*
Nicki Berger, stage manager*
Erik McCandless, lighting designer*
Shannon Hutchins, wig & make-up designer*
*CCM student

Cast
Grace Newberry* as Lucette, the script girl
Jasmin White^ as Lucette, the script girl
Kayleigh Decker* as Actor playing the Prince
Amber Fasquelle^ as Actor playing the Prince
Alex Harper as The Director “Herald”/Ensemble
Murella Parton as Assistant Director/Ensemble
Michael Hyatt as The Camera Man/Ensemble
Christian Pursell* as Pandolfe, an actor (Lucette’s father)
John Tibbetts^ as Pandolfe, an actor (Lucette’s father)
Karis Tucker* as Madame de La Haltière, an actress (Pandolfe’s second wife)
Rebecca Printz^ as Madame de La Haltière, an actress (Pandolfe’s second wife)
Nicole Hodgins as Noémie, an actress (Madame de La Haltière’s daughter)
Chelsea Melamed as Dorothée, an actress (Madame de La Haltière’s daughter)
Erica Intilangelo* as The Costume Designer “Fairy”
Heidi Middendorf^ as The Costume Designer “Fairy”
Brianna Bragg, Shannon Cochran, Abigail Hoyt, Claire Lopatka, Lisa Rogali, Amy Joy
Stephans as Assistant Costume “Spirits”/Ensemble
Samson McCrady as Actor “The King”/Ensemble
Zane Hill as Actor “The Prime Minister”/Ensemble
Robert Stahley as Actor “The Dean”/Ensemble
Page Michels, Natalie Sheppard as Make-up Girls/Ensemble
Rebecca Castillo as Female Extra/Ensemble
Logan Wagner as Male Extra/Ensemble
Donghwi Baek as Lighting Crew/Ensemble

* Thursday, Nov. 17 and Sunday, Nov. 20
^ Saturday, Nov. 19

Performance Times
8 p.m. Thursday, Nov. 17
8 p.m. Saturday, Nov. 19
2 p.m. Sunday, Nov. 20

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Cendrillon are $31-35 for general admission, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Customizable subscription packages are also available.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____
CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Opera Department Sponsor Mr. and Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
____

Story by CCM graduate student Charlotte Kies

CCM News