CCM Showcases the Music of Composer-in-Residence Tom Cipullo on April 12

CCM’s Guest Artist Series showcases the music of award-winning composer Tom Cipullo with a free concert performance on Wednesday, April 12, in the Robert J. Werner Recital Hall.

Described by Opera News as “a shrewd dramaturge as well as a compelling composer,” Cipullo will spend three days in residence at CCM, coaching singers, pianists and instrumentalists from April 10-12, 2017.

Cipullo’s residency will culminate in a public performance featuring 26 of CCM’s stars-of-tomorrow. The concert’s program includes Cipullo’s Insomnia for vocal quartet and piano; The Husbands for soprano, baritone and piano; Late Summer for soprano and piano and the Entr’acte from Glory Denied for cello and piano, as well as other works. View full concert repertoire online here. 

Tom Cipullo at the Liguria Study Center in Bogliasco, Italy. Photo by Hedwig Brouckaert.

About Tom Cipullo
Hailed by the American Academy of Art and Letters for music of “inexhaustible imagination, wit, expressive range and originality,” composer Tom Cipullo is the winner of the 2016 Pellicciotti Opera Composition Prize from SUNY/Potsdam. He is also the recipient of a 2012 Guggenheim Fellowship, the 2013 Sylvia Goldstein Award from Copland House and the 2013 Arts & Letters Award from the American Academy.

Cipullo has received commissions from dozens of performing ensembles and singers, and he has received fellowships and awards from Yaddo, the MacDowell Colony, the Liguria Study Center (Italy), the Fundacion Valparaiso (Spain) and the Oberpfaelzer Kuenstlerhaus (Bavaria).

The New York Times has called his music “intriguing and unconventional,” and the Pittsburgh Post-Gazette has called him “an expert in writing for the voice.” Cipullo’s music is published by Oxford University Press and Classical Vocal Reprints and recorded on the Naxos, Albany, CRI, PGM, MSR, GPR, Centaur and Capstone labels.

Cipullo has composed orchestral works, solo piano pieces and a vast quantity of vocal music, including over 200 songs and several vocal chamber works. His song cycle Of a Certain Age won the National Association of Teachers of Singing (NATS) Art Song Award in 2008. Cipullo’s first opera, Glory Denied, has enjoyed numerous productions, and the Fort Worth Opera recording on Albany Records was cited by Opera News as among the best of 2014. Reviewers have hailed the work as “terrifically powerful… superbly written” (Fanfare), praising its “luminous score (Washington Post),” and noting “the dramatic tension was relentless (Opera News).” Cipullo’s second opera, After Life (libretto by David Mason), has been called “a finely wrought exploration of the role of art in times of grave crisis (Washington Post)” and “unfailingly inventive (Opera News).” Recorded on the Naxos label, After Life is the winner of the 2017 the Domenick Argento Chamber Opera Composition prize from the National Opera Association.

Cipullo received his Master’s degree in composition from Boston University and his B.S. from Hofstra University, Phi Beta Kappa with highest honors in music.

Performance Time
8 p.m. Wednesday, April 12

Location
Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Admission
Admission to this performance is FREE. Reservations are not required.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

CCM gratefully acknowledges the Philippe Fund for their generous support of Mr. Cipullo’s residency.

CCM Students Advance to the Final Round of the 2016 Lotte Lenya Competition

We are elated to report that CCM students Talya Lieberman and Reilly Nelson have been named as finalists for the 2016 Lotte Lenya Competition. They have been selected alongside 13 other young singer/actors and will take part in the final round of the competition on Saturday, April 16.

Both Lieberman and Nelson also made strong showings in last year’s Lotte Lenya Competition. Nelson advanced to the semifinal round of the competition (along with three other CCM-trained singers), while Lieberman won the Lys Symonette Award for Outstanding Performance of an Individual Number during the final round.

Lieberman and Nelson are the latest in a long line of CCM students and alumni who have reached the final rounds of the Lotte Lenya Competition. CCM alumna Lauren Roesner (BFA Musical Theatre, 2013) took Third Prize in the 2013 installment of this prestigious international theatre singing contest. CCM alumna Caitlin Mathes (MM Voice, 2009; Artist Diploma in Opera, 2010) earned First Prize in 2011 and fellow alumna Alisa Suzanne Jordheim (BM Voice, 2008; MM Voice, 2010; DMA candidate) progressed to the final round of the competition that same year.

Selected from 31 semifinalists, this year’s finalists represent a diverse range of performers, ages 21 to 31, from across the United States, Canada, Europe and Israel. All will sing repertoire from the operatic, golden age and contemporary musical stages, and of course, the music of Kurt Weill, for a chance win the top prize of $15,000.

Semifinalist judges, Tony Award-winners Jeanine Tesori and Victoria Clark, adjudicated and coached the performers. Clark, who first judged the competition in 2008, noted that “I can feel the leap in overall talent from when I last judged the semifinals.”

Kurt Weill Foundation President Kim Kowalke stated that “this year’s finalists are the largest and most diverse group in the Competition’s 19-year history, with contestants currently working on- and off-Broadway, in national touring companies, and in major regional theaters and opera companies. Many are well on their way to distinguished careers.”

The final round takes place April 16 at Kilbourn Hall at the Eastman School of Music in Rochester, NY. Each finalist will present a 15 minute program of four selections in the daytime round, 11:00-4:00. An evening concert, in which contestants sing only a segment of their programs, follows at 8:00. The concert concludes with the announcement of awards and prizes. Both the daytime round and evening concert are free and open to the public.

All finalists receive a minimum cash award of $1,000, with additional discretionary awards of $3,500 each, and top prizes ranging from $7,500 to $15,000. Total prizes will exceed $60,000.

Returning to judge for the tenth time, international opera legend Teresa Stratas leads the judges’ panel. The Lenya Competition remains the only vocal competition she has ever consented to adjudicate. Joining her on the jury are Rodgers & Hammerstein Organization President and former American Theater Wing Chairman Theodore S. Chapin (also returning for his tenth time), and Broadway (and Audra McDonald’s) music director, conductor and accompanist Andy Einhorn.

Past prize winners have gone on to appear on major theater, opera and concert stages around the world. Don’t miss the competition described by Opera News as “target[ing] today’s total-package talents, unearthing up-and-coming singers who are ready for their close-ups.”

About the Kurt Weill Foundation
The Kurt Weill Foundation for Music, Inc. is dedicated to promoting understanding of the life and works of composer Kurt Weill (1900-50) and preserving the legacies of Weill and his wife, actress-singer Lotte Lenya (1898-1981). The Foundation administers the Weill-Lenya Research Center, a Grant Program, the Kurt Weill Book Prize and the Lotte Lenya Competition, and publishes the Kurt Weill Edition and the Kurt Weill Newsletter. Learn more by visiting www.kwf.org.

CCM student Talya Lieberman.

About Talya Lieberman
Originally from Forest Hills, New York, soprano Talya Ilana Lieberman is currently pursuing an Artist Diploma at CCM as a student of Professor William McGraw.

Recently described by Opera News as “poetically compelling,” “delectably stylish” and “technically refined,” Lieberman is equally at home with operatic, art song and musical theatre repertoire. Starting in September 2016 she will be seen frequently on stage at Komische Oper Berlin, where she will be assuming the soprano position in the Opernstudio. Her upcoming performances include debuts with Cincinnati Opera and Opera Columbus, as well as the title role in CCM’s Mainstage Series production of Janáček’s The Cunning Little Vixen.

Lieberman returned to Cincinnati this fall after completing a summer as a Filene Young Artist with Wolf Trap Opera, where her ability to “make a point with the merest flick of a finger” (Washington Post) shined in a highly lauded run as Susanna in Mozart’s Le Nozze di Figaro. She also appeared in concert with Steven Blier at Wolf Trap in a program celebrating the Broadway legacy of the Rodgers family (The Rodgers Family – A Century of Musicals).

Lieberman is a convert from the orchestra pit and started singing after receiving her master’s degree in trumpet performance from the University of North Carolina School of the Arts under the tutelage of Judith Saxton. She completed her BA at Duke University with highest distinction in linguistics (Phi Beta Kappa, Magna Cum Laude). She is a two-time winner of full tuition and stipend—winning the Russell-Seybold and Italo Tajo Awards, respectively—at CCM’s Opera Scholarship Competition.

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

About Reilly Nelson
Born in the coastal town of Sault Ste. Marie in Ontario, Canada, Reilly Nelson attended the Eastman School of Music where she received a Bachelor of Music in Vocal Performance and CCM where she completed a Master of Music in Vocal Performance.

Nelson is currently pursuing her Doctor of Musical Arts degree at CCM.

At CCM she performed Hansel in Hansel and Gretel and Mary in Ricky Ian Gordon’s Morning Star. She also performed Hansel, as well as Cherubino in Le nozze di Figaro, at Janiec Opera Company at the Brevard Music Center.

The mezzo-soprano was a vocal fellow at the renowned Tanglewood Music Festival for the summers of 2014 and 2015, performing Les nuits d’été, Op. 7 and Folk Songs by Bernard Rands.

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Story by Curt Whitacre

CCM Students and Alumni Featured in NANOWorks’ Season Closing Productions June 27 – 29

Composer (and CCM alumna) Jennifer Jolley, co-founder of NANOWorks.

We are delighted to report that North American New Opera Workshop’s (NANOWorks) season-closing production of Marie Incontrera’s At the Other Side of the Earth and Eric Knechtges’ Last Call will feature a number of current and former CCM students!

This exciting double-bill production opens with the Midwestern premiere of Incontrera’s riot girl opera, showcasing the talents of sopranos Molly Hanes (MM, 2013), Autumn West (MM, 2013) and Esther Kang (MM, 2012), along with bass-baritone Ben Flanders (MM, 1998). Instrumentalists for this piece include violinists Nick Naegele (BM, 2007; MM, 2008; AD, 2010) and Dylan Firlie (current BM student), along with rehearsal pianist Stephen Variames (AD, 2014).

The production also features the world premiere of Knechtges’ Last Call, an opera loosely based on Cincinnati’s gay bar scene. That work features mezzo-soprano Lauren McAllister (MM, 2014) and sopranos Stacey Sands (MM, 2010) and Katherine Krueger (MM, 2012).

Aik Khai Pung (MM, 2009) conducts both operas.

NANOWorks’ season-closing double-bill runs June 27 – 29 at the Cabaret Room above the Below Zero Lounge. Learn more about both works by visiting www.nanoworksopera.com.

NANOWorks was co-founded by CCM alumna Jennifer Jolley (MM, 2009; DMA, 2012) and is dedicated to raising the spotlight on young singers, composers, librettists, directors, choreographers and other company artists in order to give them a stepping stone to national attention.

Last July, Opera News’ Kyle MacMillan profiled Jolly and observed that NANOWorks is based in Cincinnati “partly because Jolley and her collaborators live there and partly because of the rich pool of vocal talent there, due to the presence of the respected University of Cincinnati College-Conservatory of Music.”

CCM Alumna Audrey Luna Wins Grammy for Best Opera Recording

Audrey Luna (center) as Ariel in the Metropolitan Opera’s production of ‘The Tempest.’

Congratulations to CCM alumna Audrey Luna (MM ’03, AD ’05), soprano, on her Grammy win last night! Luna received a Grammy for Best Opera Recording for singing the role of Ariel on the Metropolitan Opera recording of Thomas Adès’ The Tempest.

Born in Salem, Oregon, the soprano studied with Barbara Honn during her time at CCM. You can read more about her Grammy win courtesy of Janelle Gelfand and the Cincinnati Enquirer here.

You can read Luna’s recent Opera News “Sound Bite” spotlight here.

CCM Alumna Profiled by ‘Opera News’ Magazine

Composer (and CCM alumna) Jennifer Jolley.

Congratulations to CCM alumna Jennifer Jolley (DMA, 2012) on her profile in the August issue of Opera News.

Classical music critic Kyle MacMillan interviewed Jolley about the North American New Opera Workshop, or NANOWorks, which she co-founded last year.

NANOWorks is based in Cincinnati, MacMillan observes, “partly because Jolley and her collaborators live there and partly because of the rich pool of vocal talent there, due to the presence of the respected University of Cincinnati College-Conservatory of Music.”

You can read the entire article online here.

CCM Alumnus David Daniels Featured on NPR’s Morning Edition

Countertenor David Daniels (right) and dancer Reed Luplau in the Santa Fe Opera’s world-premiere production of Oscar, based on the life of Oscar Wilde.

Acclaimed countertenor and CCM alumnus David Daniels (BM, 1990) was the topic of discussion on NPR’s Morning Edition today, as Renée Montagne and Miles Hoffman previewed Theodore Morrison’s new opera Oscar, which premieres Saturday at the Santa Fe Opera with Daniels in the title role. Based on the life of Irish writer and poet Oscar Wilde, Morrison wrote Oscar specifically for Daniels.

You can listen to the entire broadcast here.

A 2012 Opera News Awards recipient, Daniels returned to CCM last September for a master class. He sang the title role in the Metropolitan Opera’s new production of Giulio Cesare earlier this year.

CCM Senior Lauren Roesner Wins Third Prize at 2013 Lotte Lenya Competition

2013 Lotte Lenya Competition winners (left to right): Lauren Roesner, Alison Arnop, Douglas Carpenter, and Maren Weinberger. Photo: Kurt Weill Foundation for Music.

We are delighted to announce that graduating CCM student Lauren Roesner (BFA Musical Theatre, 2013) has been named a winner of the 2013 Lotte Lenya Competition. The soprano was awarded third prize in the prestigious international theater singing contest during the final round of the competition on Saturday, April 13. Congratulations Lauren!

The Kurt Weill Foundation for Music, which sponsors the competition, distributed a record $61,500 in prizes this year. Roesner received a third prize of $7,500. CCM alumna Heather Phillips, soprano, was also a finalist in the competition and received an award of $1000.

Several other current and former CCM students were awarded special prizes during this year’s competition. Learn more about those awards here.

CCM Alumnus David Daniels Profiled in April 2013 issue of ‘Opera News’

Photographed by Michal Daniel as Orfeo in the Minnesota Opera production of Orfeo ed Euridice, 2010
© Michal Daniel 2013

CCM alumnus David Daniels (BM, 1990) is profiled in the April issue of Opera News, which is on newsstands now. As previously reported, the acclaimed countertenor is a 2012 Opera News Award-winner.

In the lengthy profile, Opera News editor Adam Wasserman writes, “Daniels has the uncanny ability to bridge the gap and make us believe that the composer’s note barely had time to dry on the page before it came forth from his mouth. It seems to me that the highest compliment one can pay Daniels — now in the third decade of an unprecedented career in opera — is that the music he sings sounds both strikingly contemporary and as though it were written precisely for his voice.”

Read the entire profile here.

Daniels will be singing the title role in the Metropolitan Opera’s new production of Giulio Cesare this month. The production is scheduled to be broadcast as a part of the Met’s “Live in HD” Series on April 27, 2013.

CCM Student Among 10 Finalists in Met Opera National Council Auditions

We are pleased to report that bass-baritone Thomas Richards, a student of William McGraw at CCM, will be singing onstage at the Metropolitan Opera in the Grand Finals Concert of the Metropolitan Opera District Council Auditions this Sunday!

The public concert will be accompanied by the Metropolitan Opera Orchestra and will be broadcast nationwide on the Metropolitan Opera Radio Network.

Learn more courtesy of Janelle Gelfand and the Cincinnati Enquirer.

Renowned Countertenor and CCM Alumnus David Daniels Returns to Campus for Master Class

CCM alumnus David Daniels. Photography by Robert Recker licensed to Virgin Classics.

CCM welcomes alumnus David Daniels (BM, 1990) back to campus for a master class from 3–5 p.m. this Friday, Sept. 28, in UC’s Robert J. Werner Recital Hall. This master class is free and open to the public. Reservations are not required.