Spring scenes on campus, CCM.

CCM Offers Arts Classes to all UC Students in Summer 2020

Spring scenes on campus, CCM.

UC’s College-Conservatory of Music offers general studies and fine arts elective courses during six different sessions in summer 2020. These credit-granting courses cover a wide range of topics and are open to UC and non-UC students alike.

Turn your laptop into a musical instrument and play with a virtual band or learn how to play piano in music performance classes. Learn about the technical elements of media production in electronic media classes. Study the music of The Beatles and Pink Floyd, examine the trending styles of today’s popular music or learn about the evolution of Japanese Pop, anime and video game music in music appreciation classes.

Select a session from the list below to view elective courses offered by CCM during the summer.

Full Academic Session: May 11-August 8

Group Piano for Non-music Majors (3 credits)
PIAN 1001-001; TR 10:10-11:05 a.m. and online
Breadth of Knowledge Areas: FA Fine Arts
Designed for those with little or no piano experience; teaches the fundamentals of reading music, playing by ear, using chord charts, and improving finger flexibility.


Music of the Beatles (3 credits)
FAM 2061-001; online
FAM 2061-002; online
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture and Ethics
The Music of the Beatles has made an impact in the whole world both musically and sociologically. The Beatles are considered one of the most influential bands of any era. Their music reflects the cultural and social revolution of the 1960s and serves as a model for understanding all subsequent popular music. This class will chronologically trace the development of the Beatles from their early days through the band’s dissolution. There will be analysis of selected compositions with regard to lyrics, harmony, song structure, instrumentation and arranging. This class will examine their groundbreaking production techniques, individual writing styles and the impact of their music on other musicians and social trends.


May-Mester (Session M): May 11-31

Jazz Appreciation (3 credits)
FAM 2051-001; online
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture and Ethics
A one-semester overview of America’s true art form: jazz. The course will introduce students to the various styles of jazz, its major performers, its history and origins and will also involve attending jazz performances at CCM or elsewhere.


Jammin’ with Laptops Online (3 credits)
FAM 2023-001; online
Breadth of Knowledge Areas: FA Fine Arts
In this course, you will play, record and make music with online instruments. There are three units, and each unit includes a distinctive music making session; Individual Session (Unit 1), Collaborative Session (Unit 2) and Creative Jam Session (Unit 3). In Unit 1, you will individually study the basic knowledge of music making, including identifying musical instruments, playing online instruments and recording the music that you played through the exercises. In the Midterm Exam, you will be asked to answer the basic knowledge that you have learned so far. In Units 2 and 3, you will form your laptop band with your online classmates to play and record music together. In Unit 2, you will collaborate with 1-2 classmate(s) to complete the assignment together. In Unit 3, you will collaborate with 2-4 classmates to create your own band under your instruction to direct your band members, and play for your band member’s music under their respective directions. In the Final Exam, you will be asked to answer all the materials that you have learned.


What’s Hot in Popular Music (3 credits)
FAM 2062-001; online
Breadth of Knowledge Areas: FA Fine Arts
This online course examines current popular music in its trending styles and genres. Students will critique selected songs from the weekly “Billboard” charts and various other media resources, including YouTube and digital download statistics, and consider both the hottest artists as well as promising up-and-comers. Students will develop skills for evaluating artistic intent with respect to lyrics, some basic literary techniques, melody, harmony, rhythm, song form and psychology, and with a look at cutting edge production techniques. Students will identify and compare unique composing and performing styles of today’s artists and identify links between the music business and societal trends. Weekly activity will include reading, viewing, and listening to examples online and completing assignments on Canopy.


First Half Term (Session D): May 11-June 23

American Music Online (3 credits)
FAM 2006-001; online
Breadth of Knowledge Areas: FA Fine Arts, HP Historical Perspectives
An online history of music in America c. 1620 to the present. Musical life as we experience it in the U.S. today is the product of a history that is in many ways unique, but never far from world-wide influences. This course surveys a wide variety of music along with the social, political and religious movements that have shaped American musical life right up to the present. It examines the contributions of numerous cultural groups, regional developments over four centuries and the ways music reflects values, aspirations and problems of the population. Course topics include musical genres, styles, personalities and trends. Musical examples, discussions, quizzes and videos are all online. No prior experience with music required.


Experimental Rock (3 credits)
FAM 2013-001; online
Breadth of Knowledge Areas: FA Fine Arts, TI Technology & Innovation
This course will provide a detailed overview of the tools, techniques and musical styles which had a tremendous impact on the aesthetic of various genres of rock music in the 1960s and ‘70s, the resonance of which can be observed in many mainstream and non-mainstream musical trends of the last 30 years. It will begin with an examination of multi-tracking tape machines: their development and techniques such as sound on sound, tape-delay and flange, which had become standard practice in studios by the late 1960s. This is followed by a technical overview of electronic instruments, specifically the synthesizer, whose development will be traced from the Theremin. Musical trends such as the 1950s avant-garde and Minimalism will serve as a bridge to examinations of seminal bands such as the Beatles, Pink Floyd, Kraftwerk, Can, Neu:, Brian Eno and the Talking Heads among others; the technical knowledge gained from the initial lectures on tape techniques and electronic instruments will be used to gain a deeper understanding of the music of these artists.


History of Rock and Roll 1
FAM 3031-001; online
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication
Rock and Roll had humble beginnings in the Southeastern United States, but over time it developed into a force beyond mere entertainment that has defined youth culture on a global scale. Rock and roll culture is embedded in the fabric of youth identity. Rock and roll music is a commodity that young people use daily, often with an obsessive devotion. Marketing campaigns that target youth are so relentless that young people are under enormous media and social pressure to join the ranks of consumers. The goal of History of Rock and Roll is, therefore, threefold: 1. To provide for students a chronological survey that examines the relationship between the music, its most successful and colorful artists, the associated recording technology and the impact of the genre on American culture; 2. Through critical listening and reading, the course will provide students with useful, evaluative tools so that they can make historically informed and thoughtful decisions about the music they select and enjoy; 3. Finally, the course will encourage students to seek and appreciate new styles, and perhaps inspire those who seek a career as a pop music artist.


Music Appreciation Online (3 credits)
FAM 2005-001; online
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture and Ethics
An online course that introduces students to a wide range of music in the Western World, covering several historical periods, including our own time. Examines musical styles, musical terms, composers and other aspects of the music listening experience. Considers the historical and cultural context of musical activity and the way it has shaped the musical life from medieval Europe up to the present in our own communities. Students will discuss their own experiences with music and have the opportunity to attend a musical performance of their choice, near where they live, for class credit. Musical examples, discussions, quizzes, videos and film are all online. No prior experience with music required.


Summer A (Session A): June 1-July 5

Japanese Pop, Anime & Video Game Music (3 credits)
FAM 2050-001; online
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture and Ethics
You will learn the evolution of Japanese Pop, Anime and Video Game Music (post 1980) including anime theme songs, video game music and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, and will investigate the cultural differences between Japan and America.


Integrated Media Production 1 for Non-Majors (3 credits)
EMED 1015-001; online
Breadth of Knowledge Areas: TI Technology and Innovation
Media convergence is a vital component of our new media culture. In new media there is a melding of production, design and message with user-experience. Integrated Media Production I is an introductory course, the first of a two-course sequence within the E-Media major or E-Media minor at CCM, that provides students with a theoretical and practical foundation in the intersecting worlds of digital media production, content development and new media design. This course is an overview of concepts and processes in convergent media production.


Second Half Term (Session E): June 24-August 8

Media in Your Life Non-Majors (3 credits)
EMED 1011-001; online
Breadth of Knowledge Areas: TI Technology & Innovation
Did you know that the typical American spends about 11 hours a day consuming media? Think about that for a moment. How long is a typical workday? How many hours a night do you sleep? Could it be, based upon time usage alone, that media consumption is the most important activity in our lives? Whether those comments frighten you or inspire you, the fact remains that the media industry plays an enormously important role in our individual lives, is vital to the success of every major industry and is foundational to the effective functioning of our representative democracy. Would you like to possess a more sophisticated understanding of the media production process and its artistic and theoretical underpinnings? Wouldn’t you like to know more about the latest digital production tools? Do you think you might want to pursue a media career? If you answered “yes” to any one of these questions, then Media in Your Life is exactly the right course for you.


Summer B (Session B): July 6-August 8

Integrated Media Production 2 for Non-Majors (3 credits)
EMED 1016-001; online
Breadth of Knowledge Areas: TI Technology and Innovation
Building on the concepts and production techniques introduced in Integrated Media Production 1, Integrated Media Production 2 explores the connections between digital media, content development and new media design in more depth. The course focuses on screen design issues relevant to the convergence of media assets, such as video and audio, with graphical assets in the communication of message. Topics include digital image production, GUI design, expanded Web design and production and digital aesthetics. Focal point, theme and design rightness are emphasized. There is instruction in industry-standard software tools, fundamental Web technologies and basic scripting languages.


Registration Details

UC students can register online by logging on to their Catalyst account at catalyst.uc.edu.

Non-UC students can begin the registration process by visiting uc.edu/pathways/nonmatric.html.

For information on course fees please refer to financialaid.uc.edu/fees/costs20.html

*The course information posted above is accurate as of Feb. 24, 2020. Consult the UC course offerings available at classes.catalystatuc.org/search/ for possible schedule changes.

CCM News Student Salutes

CCM presents Handel’s ‘Partenope’ on Feb. 20-23

The CCMONSTAGE Opera Series presents this witty romantic comedy from Feb. 20 through 23, 2020. Tickets available online.

CCM opera and voice students sing their way through mistaken identities and declarations of love and war in Partenope, with music by George Frideric Handel and libretto by Silvio Stampiglia. The opera, approaching its 300-year anniversary, tells the story of four rival suitors vying for the hand of Queen Partenope of Naples. Performances run from Thursday, Feb. 20 through Sunday, Feb. 23, 2020, at CCM’s Cohen Family Studio Theater.

Greg Eldridge directs this production and CCM master’s student Caleb Glickman conducts. The story centers on Queen Partenope and her surplus of potential husbands: the handsome Prince Arsace, the shy Prince Armindo, the volatile Prince Emilio and Eurimene, who is actually Arsace’s ex-fiancée Rosmira in disguise. Who will win the Queen’s heart? In his director’s note, Eldridge says audience members will be able to see glimpses of themselves in each of the characters in the opera.

“It is Handel’s ability to write music that at once humanizes his protagonists while underscoring their majestic or mythological natures that makes his work such a delight for directors, performers and audiences alike,” says Eldridge. “It is this relationship between characters, their emotions and each other that we seek to explore in this production.”

Partenope is Handel’s first comic opera; completed just two weeks before its premiere in 1730, it was such a departure from Handel’s successful opera seria works that the Royal Academy of Music rejected the opera. However, the public disagreed, and it had a successful seven-performance run during the premiere production, with revivals following in the next decade. After a lull in performances of over two centuries, it was premiered in the United States in 1988.

The 2019-20 CCMONSTAGE Opera Series presents Partenope on Feb. 20-23, 2020, in CCM’s Cohen Family Studio Theater. Tickets are on sale now through the CCM Box Office; student discounts are available.

Creative Team

  • Greg Elridge, director
  • Caleb Glickman*, conductor
  • Marie-France Lefebvre and Kathleen Kelly, preparing coaches
  • Nia Burns*, production stage manager
  • Mark Halpin, scenic designer
  • Kelly C. Howland*, lighting designer
  • Hakura Iihoshi*, sound designer

* CCM Student

Cast List

  • Claire Lopatka as Partenope
  • Nicholas Kelliher as Arsace
  • Grace Kiver as Armindo
  • Tyler Johnson as Emilio
  • Christina Hazen as Rosmira/Eurimene
  • Justin Burgess as Ormonte

Performance Times

  • 7:30 p.m. Thursday, Feb. 20
  • 7:30 p.m. Friday, Feb. 21
  • 7:30 p.m. Saturday, Feb. 22
  • 2 p.m. Sunday, Feb. 23

Location

Cohen Family Studio Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Single tickets prices start at $23.50; Student discounts and group rates are also available.

Learn about additional ticket options for current CCM students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-box office.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


CCMONSTAGE Production Sponsor: Macy’s and Dr. & Mrs. Carl G. Fischer

Opera Production Sponsor: Genevieve Smith

Story by CCM Graduate Student Alexandra Doyle

CCM News CCMONSTAGE Student Salutes

CCM Wind Symphony presents ‘Pops in Space’ concert on Feb. 21

Journey to the galaxy with an evening of celestial works, including John Williams’ ‘Star Wars Suite.’ Tickets available online.

The CCM Wind Symphony performs the music of the cosmos in its “Pops in Space” concert at 7:30 p.m. on Friday, Feb 21, 2020 in Corbett Auditorium. The concert features a mix of classic and contemporary space-inspired works by composers including Eric Whitacre, J.S. Bach, Gustov Holst and John Williams.

The Cincinnati Youth Wind Ensemble, led by Ann Porter, opens the performance with Joseph Wilcox Jenkins’ American Overture and Derek Jenkins’ We Seven, the title of which comes from a book by the same name written by the United States’ first astronauts.

The CCM Wind Symphony then takes the stage to present Bach’s famous Toccata and Fugue in D minor, led by conductor-in-residence Fangfang Li. The journey through outer space continues with Eric Whitacre’s Deep Field, featuring images from NASA’s Hubble Space Telescope. Audience members can enjoy both the sights and sounds of the galaxy during the concert by downloading the free Deep Field App from the App Store or Google Play Store. CCM Wind Symphony music director Kevin Michael Holzman will cue the audience to activate the app.

After a brief intermission, the performance resumes with Holst’s “Jupiter, the Bringer of Jollity” from The Planets. Known for its swelling brass and slow waltzing strings, the piece is led by Fangfang Li.

The performance’s epic finale features the Star Wars Suite by John Williams. The music behind the beloved media franchise invokes feelings of nostalgia with pieces including the “Star Wars Main Title,” “Imperial March,” “Princess Leia’s Theme” and more.

This concert is presented as part of the 2019-20 CCMONSTAGE Winds Series. Visit ccmonstage.universitytickets.com for a complete listing of upcoming ticketed performances. Save up to 10 percent off of single ticket prices by purchasing six or more tickets with a Concert Flex Package.

Repertoire

STAR WARS: POPS IN SPACE
CCM Wind Symphony
Kevin Michael Holzman, music director and conductor
Cincinnati Youth Wind Ensemble (CYWE)
Ann Porter, music director and conductor
Featuring conductor-in-residence Fangfang Li

J. JENKINS: American Overture
D. JENKINS: We Seven
BACH: Toccata and Fugue in D Minor
WHITACRE: Deep Field, featuring images from NASA
HOLST: Selections from The Planets
WILLIAMS: Star Wars Suite

Performance Time

7:30 p.m. Friday, Feb. 21, 2020

Location

Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Single ticket prices start at $19.50 each; student and group discounts available. Pricing is inclusive of all fees. All performances are reserved seating.

Tickets can be purchased online though our e-box office, over the phone at 513-556-4183 or in person at the CCM Box Office in the Atrium of UC’s Corbett Center for the Performing Arts.

Learn about additional ticket options for current CCM students.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in the CCM Garage (located at the end of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit the UC Parking Services website for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


Story by CCM Graduate Student Kelly Barefield

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio. All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News CCMONSTAGE Student Salutes

First Look: CCMONSTAGE ‘Clybourne Park’

CCMONSTAGE Play Series presents Bruce Norris’ provocative comedy inspired by Lorraine Hansberry’s “A Raisin in the Sun” through Feb. 16, 2020. Tickets are on sale now.

Bruce Norris’ award-winning play, Clybourne Park continues at UC’s College-Conservatory of Music tonight, Feb. 14, through Sunday, Feb. 16, 2020, as part of the CCMONSTAGE Play Series. Acting Professor Richard Hess, director of the production, recently discussed how he and students have prepared for the play with Cincinnati arts reporter Rick Pender on WVXU’s “Around Cincinnati” program.

“When choosing titles at CCM I try to pick exciting pieces that have something to say about the world today, and Clybourne Park might be yelling more loudly in 2020 than even when it was first written,” Hess says in the interview. Listen to the full interview on WVXU.

Get a sneak peek at the production in the slideshow below. Photos by Mark Lyons.

This slideshow requires JavaScript.

Now in its 10th anniversary year, Clybourne Park examines how Americans talk — or don’t talk — about race, class and real estate. It was written by Norris as a modernized response to Lorraine Hansberry’s A Raisin in the Sun, focusing on the home Hansberry’s protagonists were set to move into at the end of her seminal drama. Clybourne Park begins in 1959, as a grieving white family prepares to sell their home to an African-American family, causing anxiety in their middle-class Chicago neighborhood.

The second act takes place 50 years later, as a white family purchases the same home in the now predominantly African-American neighborhood, and makes plans to raze and rebuild the dwelling. Tensions rise in each act as the characters debate over the past, present and future of the home. This production contains strong language.

The 2019-20 CCMONSTAGE Play Series presents Clybourne Park through Feb. 16, 2020, at Patricia Corbett Theater. Tickets are on sale now through the CCM Box Office; student discounts are available.

Creative Team

  • Richard Hess, director
  • Will Graham*, production stage manager
  • Mark Halpin, scenic designer
  • Nina Agelvis*, lighting designer
  • Joanne West*, costume designer
  • Jerome Horng*, wig and make-up designer
  • Ryan Hurt*, sound designer
  • Sammi Grant, dialect and vocal coach

* CCM Student

Cast List

  • Matt Fox as Russ Stoller
  • Abby Palen as Bev Stoller
  • Paige Jordan as Francine
  • Charles Gidney as Albert
  • Dustin Parsons as Jim
  • Duncan Weinland as Karl
  • Julianna Weis-Palacios as Betsy
  • Lucas Prizant as Steve Driscoll
  • Madison Pullman as Lindsey Driscoll
  • Carlee Coulehan as Kathy
  • Neuma Joy as Lena
  • Trey Peterson as Kevin
  • AJ Civello as Tom
  • Gabe Nasato as Dan
  • Austin James Cleri as Kenneth

Performance Times

  • 7:30 p.m. Wednesday, Feb. 12 (preview)
  • 7:30 p.m. Thursday, Feb. 13
  • 7:30 p.m. Friday, Feb. 14
  • 2 and 7:30 p.m. Saturday, Feb. 15
  • 2 p.m. Sunday, Feb. 16

Location

Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Single tickets prices start at $32.50; preview performance ticket prices start at $15.50. Student discounts and group rates are also available.

Learn about additional ticket options for current CCM students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-box office.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


CCMONSTAGE Production Sponsor: Macy’s

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio. All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News CCM Slideshows CCMONSTAGE Faculty Fanfare Student Salutes

Review: CSO Presents ‘Spellbinding’ Concert with CCM Student Singers

CCM student singers joined the Cincinnati Symphony Orchestra in concert at Music Hall this past weekend. Next weekend, the CSO’s Louis Langrée comes to campus to conduct the CCM Philharmonia in a program of French works!

CCM boasts a top-notch opera and vocal performance program, and these students shone in the spotlight at Music Hall this past weekend. The Cincinnati Symphony Orchestra featured 10 CCM student soloists and the CCM Chamber Choir, led by Earl Rivers, in its performances of Ravel’s L’Enfant et les sortilèges, or “The Child and the Sorceries,” on Feb. 7-8, 2020.

In her review of the concert for the Cincinnati Business Courier, Janelle Gelfand described the entire staged production as “a spellbinding feat that blended a cast of terrific young singers with whimsical animations.”

“It was a stroke of genius to employ opera singers from the Opera Department of the University of Cincinnati College-Conservatory of Music, who added youthfulness as well as vibrant voices to the wondrous score,” wrote Gelfand.

The performance featured Grammy-winning mezzo-soprano Isabel Leonard in the title role. CCM students who performed as soloists are Yewon Yoon, coloratura; Raven McMillon, coloratura; Anyeé Farrar, coloratura; Elana Bell, mezzo-soprano; Joyner Horn, mezzo-soprano; Georgia Jacobson, mezzo-soprano; Brenda Iglesias Zarco, mezzo soprano; Victor Cardamone, tenor; Ryan Wolfe, bass, and Antonio Cruz, baritone.

This weekend, the onstage partnership between CCM and the CSO continues. On Saturday, Feb. 15, the CSO’s Music Director Louis Langrée will join the CCM Philharmonia in Corbett Auditorium for a concert of symphonic favorites, including Debussy’s Prélude à L’après-midi d’un faune and Berlioz’s Symphonie Fantastique. Kara Huber, a CCM doctoral candidate and Grammy-nominated pianist, will perform as the soloist on Ravel’s Piano Concerto for the Left Hand. Tickets are available through the CCM Box Office.

CCM and the CSO have long worked together on various projects; many of the musicians of the CSO are on faculty at CCM, and CCM alumni often find employment with the symphony as musicians or administrators. One significant development in this symbiotic relationship is the CSO/CCM Diversity Fellowship, a program generously funded by The Andrew W. Mellon Foundation that provides an unparalleled two-year learning experience for graduate-level violin, viola, violoncello and double bass players coming from populations that are historically underrepresented in classical music. These students perform alongside the CSO for five weeks of the performance season and receive several stipends from the CCM and the CSO.

More information on the CCM Philharmonia’s Saturday, Feb. 15, concert with Louis Langrée is available online and in the event information below.

Repertoire

CCM Philharmonia
Mark Gibson, music director
Louis Langrée, conductor
DEBUSSY: Prélude à L’après-midi d’un faune
RAVEL: Piano Concerto for the Left Hand in D Major, featuring Grammy-nominated CCM doctoral student Kara Huber
BERLIOZ: Symphonie Fantastique

Performance Time

7:30 p.m. Saturday, Feb. 15

Location

Corbett Auditorium, CCM Village
University of Cincinnati 

Purchasing Tickets

Single tickets prices start at $29.50; Student discounts and group rates are also available.

Learn about additional ticket options for current CCM students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-box office.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


 Story by CCM Graduate Student Alexandra Doyle

Orchestral Sponsor: Mr. & Mrs. Joseph Hirschhorn

CSO/CCM Diversity Fellowship Sponsor: The Andrew W. Mellon Foundation

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio. All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM Alumni Applause CCM News CCMONSTAGE Faculty Fanfare Student Salutes

CCM Opera d’arte Presents Monteverdi’s ‘L’Orfeo’

CCM Opera d’arte presents Monteverdi’s L’Orfeo, opening on Thursday, Feb. 6 with additional performances on Saturday, Feb. 8 and Sunday, Feb. 9. Tickets available online.

CCM showcases its undergraduate opera singers with an Opera d’arte production of L’Orfeo, opening at 7:30 p.m. on Thursday, Feb. 6 in the Cohen Family Studio Theater. L’Orfeo centers the Greek myth of the tragically-doomed musician, Orpheus, with music by Claudio Monteverdi and a libretto by Alessandro Striggio. Amy Johnson directs and co-produces the opera alongside Kenneth Shaw, with Brett Scott serving as music director and conductor.

L’Orfeo, premiered in 1607, bridges the musical divide between the late Renaissance and early Baroque eras. It is the oldest opera that is still regularly performed to this day. CCM’s production embraces the aesthetic of 1969’s iconic music festival, Woodstock. With the ideas of the Age of Aquarius, flower children, free love, social justice and peace in mind, the opera celebrates the 50th anniversary of the colorful and hopeful music festival.

The story opens on Orpheus and Eurydice’s wedding day, but their joy is cut short when Eurydice is fatally bitten by a venomous snake. Orpheus follows after her to Hades, where he vows to win her back or die trying. The queen of the underworld is moved by Orpheus’ song of woe and appeals to her husband to give Orpheus and Eurydice another chance at love and life. If he is to return her to the land of the living, Orpheus must combat his own doubts, or else he will lose his beloved forever.

L’Orfeo opens on Thursday, Feb. 6 with additional performances on Saturday, Feb. 8 and Sunday, Feb. 9 in CCM’s Cohen Family Studio Theater. Visit the CCM Box Office or call 513-556-4183 to reserve.

Cast List

  • Logan Wagner and Andrew Cunningham as Orfeo
  • Claudia Neff as La Musica
  • Melody Spencer as Eurydice
  • Alea Vernon as Nifa/Ensemble
  • Breanna Flores as Proserpina/Ensemble
  • Storm Hargrave and Sarah Scofield as Messaggiera (Sylvia)
  • Clara Reeves as Speranza
  • Briana Drew as Spirit 3/Ensemble
  • Katie Riederer as Spirit 2/Ensemble
  • Victoria Popritin as Spirit 1/Ensemble
  • Sam Dhobhany as Plutone/Ensemble
  • Josh Klein as Caronte/Ensemble
  • Matthew Goodheart as Apollo/Pastore II/Ensemble
  • Reed Demangone as Eco/Pastore I/Ensemble
  • Grant Peck as Pastore III/Ensemble
  • Henry Lunn as Pastore IV/Ensemble

Performance Times

  • 7:30 p.m. Thursday, Feb. 6
  • 2 p.m. Saturday, Feb. 8
  • 2 p.m. Sunday, Feb. 9

Location

Cohen Family Studio Theater, CCM Village
University of Cincinnati

Tickets

Prices start at $10. Please visit the CCM Box Office website or call 513-556-4183 to reserve.

Learn about additional ticket options for current CCM students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-box office.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.


Opera d’arte Sponsor: the Rafael and Kimberly Daniel de Acha Foundation

Story by CCM graduate student Alexandra Doyle

CCM News CCMONSTAGE Faculty Fanfare Student Salutes

Provocative Comedy ‘Clybourne Park’ Continues CCM’s 2019-20 Play Series

CCMONSTAGE Play Series presents Bruce Norris’ racially-charged play inspired by Lorraine Hansberry’s “A Raisin in the Sun” on Feb. 12-16, 2020. Tickets are on sale now.

CCM continues its new CCMONSTAGE Play Series with Bruce Norris’ Clybourne Park, running Feb. 13-16, 2020, with a preview performance on Wednesday, Feb. 12. Dubbed “vital,” “sharp-witted” and “ferociously smart” by the New York TimesClybourne Park imagines events in a typical American neighborhood and reveals that underneath a family home, racial fault lines run deep and wide.

Winner of a Pulitzer Prize, Olivier Award and Tony Award, Clybourne Park examines how Americans talk — or don’t talk — about race, class and real estate. It was written by Norris as a modernized response to Lorraine Hansberry’s A Raisin in the Sun, focusing on the home Hansberry’s protagonists were set to move into at the end of her seminal drama. Clybourne Park begins in 1959, as a grieving white family prepares to sell their home to an African-American family, causing anxiety in their middle-class Chicago neighborhood.

The second act takes place 50 years later, as a white family purchases the same home in the now predominantly African-American neighborhood, and makes plans to raze and rebuild the dwelling. Tensions rise in each act as the characters debate over the past, present and future of the home. This production contains strong language.

“Racial fault lines in America run deep and we have a duty to examine them closely if we hope to change,” says CCM Acting Professor Richard Hess, director of Clybourne Park. “The students in the CCM Acting Department are not afraid to step into dangerous territory as artists. The path forged by Lorraine Hansberry must be explored if we hope to honor the struggle for equality that demands our attention.”

Clybourne Park is whip smart and it sizzles and cracks with biting insight,” Hess adds. “You will gasp, you will laugh and you will understand better that the more things change in America, the more they stay the same.”

The 2019-20 CCMONSTAGE Play Series presents Clybourne Park on Feb. 12 (preview)-16, 2020, at Patricia Corbett Theater. Tickets are on sale now through the CCM Box Office; student discounts are available.

Creative Team

  • Richard Hess, director
  • Will Graham*, production stage manager
  • Mark Halpin, scenic designer
  • Nina Agelvis*, lighting designer
  • Joanne West*, costume designer
  • Jerome Horng*, wig and make-up designer
  • Ryan Hurt*, sound designer
  • Sammi Grant, dialect and vocal coach

* CCM Student

Cast List

  • Matt Fox as Russ Stoller
  • Abby Palen as Bev Stoller
  • Paige Jordan as Francie
  • Charles Gidney as Albert
  • Dustin Parsons as Jim
  • Duncan Weinland as Karl
  • Julianna Weis-Palacios as Betsy
  • Lucas Prizant as Steve Driscoll
  • Madison Pullman as Lindsey Driscoll
  • Carlee Coulehan as Kathy
  • Neuma Joy as Lena
  • Trey Peterson as Kevin
  • AJ Civello as Tom
  • Gabe Nasato as Dan
  • Austin James Cleri as Kenneth

Performance Times

  • 7:30 p.m. Wednesday, Feb. 12 (preview)
  • 7:30 p.m. Thursday, Feb. 13
  • 7:30 p.m. Friday, Feb. 14
  • 2 and 7:30 p.m. Saturday, Feb. 15
  • 2 p.m. Sunday, Feb. 16

Location

Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Single tickets prices start at $32.50; preview performance ticket prices start at $15.50. Student discounts and group rates are also available.

Learn about additional ticket options for current CCM students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-box office.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


CCMONSTAGE Production Sponsor: Macy’s

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio. All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News CCMONSTAGE Student Salutes

‘From the Top’ Names New Co-hosts with CCM Connection

Two CCM-affiliated musicians will join the team of NPR’s popular classical music program From the Top as co-hosts and creatives. Congrats to violinists Tessa Lark and Charles Yang, who both took lessons with CCM Professor of Violin Kurt Sassmannshaus!

Tessa LarkLark from Richmond, Kentucky, participated in Sassmannshaus’ Starling Preparatory String Project at CCM. Since then, Lark has attended the New England Conservatory and the Juilliard School. She has been awarded a Borletti-Buitoni Trust Fellowship and an Avery Fisher Career Grant. Lark was the winner of the 2012 Naumburg International Violin Competition and the silver medalist at the International Violin Competition of Indianapolis.

Charles YangYang also studied violin with Sassmannshaus. Yang was the recipient of the 2018 Leonard Bernstein Award and is a member of the crossover string band Time for Three. Yang also attended Juilliard, and has performed as a soloist with orchestras and in concert in the U.S., Europe, Brazil, Russia, China and Taiwan.

Lark and Yang were previously featured in From the Top’s show 286, which was recorded in CCM’s Corbett Auditorium in April 2014. The episode featured a performance by the Starling Chamber Orchestra and young musicians from the Starling Preparatory String project along with “The Starling/From the Top Alumni Trio,” comprised of Lark, Yang and Jonathan Miron.

The hiring of Lark and Yang is part of larger changes at From the Top. Pianist Peter Dugan has been named the new permanent host of the program, starting with the 2020-21 season. Violinist Vijay Gupta and clarinetist Alex Laing join Lark and Yang as co-hosts, and pianist Orli Shaham will solo guest host.

All will interview and collaborate with the From the Top young musicians and will serve as mentors to the From the Top musicians. They will also be actively involved in leadership training, community engagement and career development programs. As strategic and collaborative partners, their insight and experience will help to inform future development of From the Top.

For the past 20 years, From the Top has featured performances and stories of young classically-trained musicians, and continues to provide a national platform that showcases and supports the next generation of emerging classical artists, from live concert tapings to leadership training and community engagement programs.

About From the Top

From the Top is an independent non-profit organization that supports, develops, and shares the artistic voices and stories of young classically-trained musicians. Through its primary platform, a weekly one-hour NPR radio broadcast, and nationally-recognized arts leadership programs, From the Top amplifies the hope, passio, and discipline of today’s extraordinary young musicians.

From the Top provides young musicians with live performance opportunities in premier concert venues across the country, national exposure to nearly half a million listeners on its weekly NPR show, leadership and community engagement preparation and more than $3 million in scholarships since 2005.

From the Top’s programs are made possible in part by an award from the National Endowment of the Arts, a grant from the Jack Kent Cooke Foundation, generous contributions from individuals and institutions and partnerships with radio stations nationwide.

About the Starling Preparatory String Project

Founded in 1987 by CCM Professor Kurt Sassmannshaus, the Starling Preparatory String Project is a specialized honors program training young string students. The program is generously funded through a grant by the Dorothy Richard Starling Foundation. The superbly talented musicians perform as the Starling Chamber Orchestra and are selected by audition.

Students receive one hourly lesson per week, and take music theory, chamber music and orchestra each Saturday. Instructors include CCM faculty and graduate students specially trained and chosen by Professor Sassmannshaus. Most of the students are from the greater Cincinnati area, and many others commute on Saturdays from other states. SCO has a concert series at Robert J. Werner Recital Hall at CCM and tours regularly. For more information on the Starling Preparatory String Project, visit www.starling.org.


Story by CCM Graduate Student Alexandra Doyle

CCM News Faculty Fanfare
The four members of the Ariel Quartet, string quartet-in-residence at CCM, pose on a couch with their musical instruments. Photo by Marco Borggreve.

The Ariel Quartet Performs A Regional Premiere with Alexander Fiterstein on Jan. 21

Clarinetist Alexander Fiterstein joins CCM’s String Quartet-in-Residence for a concert showcasing clarinet quintets on Tuesday, Jan. 21. Tickets available online.

The Ariel Quartet continues its CCMONSTAGE concert series at 7:30 p.m. on Tuesday, Jan. 21 with a concert featuring the regional premiere of Christopher Theofanidis’ Clarinet Quintet, which was commissioned by the Manchester Music Festival and written for the Ariel Quartet and award-winning clarinetist Alexander Fiterstein. The performance also showcases Mozart’s beloved Clarinet Quintet in A Major, K. 581 and Beethoven’s String Quartet No. 12 in E-flat Major, Op. 127.

Described by the Washington Post as “[treating] his instrument as his personal voice, dazzling in its spectrum of colors, agility, and range,” Fiterstein won the Carl Nielsen International Clarinet Competition and received the Avery Fisher Career Grant Award. He has performed as a soloist with the St. Paul Chamber Orchestra, Danish National Radio Symphony, Jerusalem Symphony, Orchestra of St. Luke’s at Lincoln Center, and many more. He is currently Professor of Clarinet at the Peabody Institute of the Johns Hopkins University.

This concert is the third in the Ariel Quartet’s four-part concert series at CCM during the 2019-20 season. CCM alumnus Anton Nel, piano, joins the Ariel Quartet on March 10 for the series finale, entitled “Hungary,” which features works by Haydn, Brahms and Dohnányi.

Described by the American Record Guide as “a consummate ensemble gifted with utter musicality and remarkable interpretive power,” the Ariel Quartet has earned a glowing international reputation. The ensemble is comprised of Alexandra “Sasha” Kazovsky, violin; Amit Even-Tov, cello; Gershon Gerchikov, violin; and Jan Grüning, viola. The group was formed in Israel in 1998 and has served as CCM’s string quartet-in-residence since 2012.

About Alexander Fiterstein

Alexander Fiterstein. Photo by Lisa Mazzucco.

Alexander Fiterstein. Photo by Lisa Mazzucco.

Clarinetist Alexander Fiterstein is considered one of today’s most exceptional artists. Fiterstein has performed in recital, with distinguished orchestras, and with chamber music ensembles throughout the world. He won first prize at the Carl Nielsen International Clarinet Competition and received the prestigious Avery Fisher Career Grant Award. The Washington Post has described his playing as “dazzling in its spectrum of colors, agility, and range. Every sound he makes is finely measured without inhibiting expressiveness” and The New York Times described him as “a clarinetist with a warm tone and powerful technique.”

As soloist he has appeared with the Czech, Israel, Vienna and St. Paul Chamber Orchestras, Belgrade Philharmonic, Danish National Radio Symphony, Tokyo Philharmonic, China National Symphony Orchestra, KBS Orchestra of South Korea, Jerusalem Symphony, Orchestra of St. Luke’s at Lincoln Center, Kansas City Symphony and the Simon Bolivar Symphony Orchestra of Venezuela. He has performed in recital on the Music at the Supreme Court Series, the Celebrity Series in Boston, the Isabella Stewart Gardner Museum, the Kennedy Center, the Louvre in Paris, Suntory Hall in Tokyo, Tel Aviv Museum, and NYC’s 92nd Street Y.

A dedicated performer of chamber music, Fiterstein frequently collaborates with distinguished artists and ensembles and regularly performs with the prestigious Chamber Music Society of Lincoln Center. Among the highly regarded artists he has performed with are Daniel Barenboim, Yefim Bronfman, Mitsuko Uchida, Richard Goode, Emanuel Ax, Marc-Andre Hamelin, Pinchas Zukerman and Steven Isserlis. Fiterstein performed with the Dover, Pacifica, Jerusalem and Shanghai String Quartets as well as with Ensemble Wien-Berlin. He spent five summers at the Marlboro Music Festival and appeared at the Caramoor, Moab, Music@Menlo, Montreal, Toronto, Jerusalem and Storioni Chamber Music Festivals.

Fiterstein is a founder of the Zimro Project, a unique ensemble dedicated to incorporating Jewish art music into chamber music programs. He performed as principal clarinet of the West-East Divan Orchestra at the invitation of Daniel Barenboim and has appeared as guest principal clarinet with the Israel Philharmonic with Zubin Mehta, KBS Orchestra with Yoel Levi and with the St. Paul and Orpheus Chamber Orchestras.

Fiterstein has a prolific recording career and has worked with composers John Corigliano and Osvaldo Golijov and had pieces written for him by Samuel Adler, Mason Bates, Paul Schoenfield and Chris Brubeck, among others. Fiterstein was born in Belarus and immigrated to Israel at the age of two with his family. A Juilliard graduate, he won first prize at the Young Concert Artists International Auditions and received awards from the America-Israel Cultural Foundation. He is currently Professor of Clarinet and Chair of Winds at the Peabody Institute of the Johns Hopkins University. Fiterstein is a Buffet Crampon and Vandoren Performing Artist.

Repertoire

  • MOZART: Clarinet Quintet in A Major, K. 581
  • THEOFANIDIS: Clarinet Quintet
  • BEETHOVEN: String Quartet No. 12 in E-flat Major, Op. 127

Performance Time

7:30 p.m. Tuesday, Jan. 21

Location

Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Purchasing Tickets

Single ticket prices start at $29.50 each; student and group discounts available. Pricing is inclusive of all fees. All performances are reserved seating.

Tickets can be purchased online though our e-box office, over the phone at 513-556-4183 or in person at the CCM Box Office in the Atrium of UC’s Corbett Center for the Performing Arts.

Learn about additional ticket options for current CCM students.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in the CCM Garage (located at the end of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit the UC Parking Services website for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


The Ariel Quartet’s 2019-20 CCM concert series is made possible by the generous contributions of an anonymous donor, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. Randolph L. Wadsworth, Judith Schonbach Landgren and Peter Landgren, Mr. and Mrs. Harry H. Santen, Elizabeth C. B. and Paul G. Sittenfeld, Mr. and Mrs. Thomas E. Stegman, Dr. and Mrs. Theodore W. Striker and Mrs. Harry M. Hoffheimer.

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio. All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

Story by CCM Graduate Student Alexandra Doyle

CCM News CCMONSTAGE Faculty Fanfare

CCM Shares Artistic Menu of Moveable Feast Performances

Cincinnati’s premier fundraiser returns next Friday, Jan. 17, 2020, when UC’s College-Conservatory of Music (CCM) presents Moveable Feast. Take a look at this year’s artistic menu to create your own schedule of 20-minute samplings of live entertainment, along with backstage tours and much more.

For one night only, Cincinnati audiences can experience CCM’s student stars of tomorrow in a variety of performances that showcase the full spectrum of the performing and media arts. Tickets to Moveable Feast are on sale now and can be purchased online at ccm.uc.edu/moveablefeast or over the phone at 513-556-2100.

The festivities begin with cocktails and appetizers at 6:30 p.m. CCM’s Jazz Orchestra kicks off the performances with a tribute to The Rolling Stones in Corbett Auditorium at 7:30 p.m. Then attendees are free to roam CCM Village to create their own menu of artistic experiences including a dazzling light show, acting, dance, musical theatre and opera performances; concerts by CCM’s Chamber Choir, Steel Drum Band, Chamber Winds and piano students; and more! The evening concludes with a grand finale performance by the CCM Philharmonia Orchestra at 10 p.m. in Corbett Auditorium.

This slideshow requires JavaScript.

Hosted by CCMpower — a dedicated volunteer group comprised of fans, advocates and alumni — Moveable Feast showcases students and faculty members in an evening of world-class live entertainment. The funds raised by the event enable CCMpower to fuel the future of the arts by awarding student scholarships and grants. Attendees roam through the expansive CCM Village, socializing and enjoying dinner-by-the-bite provided by Jeff Thomas Catering while creating their own menu of artistic experiences. A complete list of performance details is below.

Moveable Feast Artistic Menu

Attendees will receive a program with a map of CCM Village and performance information. The below performances are organized by location.

JAZZ ORCHESTRA PRELUDE
The CCM Jazz Orchestra Rolling Stones Project features vocalist Clyde Brown in popular hits by Mick Jagger and Keith Richards including Honky Tonk Woman, Wild Horses and Satisfaction.

  • Time: 7:30 p.m.
  • Location: Corbett Auditorium

STEEL DRUM BAND
Featuring two traditional Trinidadian tunes by Boogsie Sharpe and two new pop arrangements by CCM students.

  • Time: 8:30 p.m.
  • Location: Corbett Auditorium

PHILHARMONIA ORCHESTRA FINALE
Featuring Dvořák’s Slavonic Dance No. 1 in C Major, Op. 46 and Brahms’ Symphony No. 2 in D Major, Op. 73, 4. Allegro con spirito.

  • Time: 10 p.m.
  • Location: Corbett Auditorium

BACKSTAGE TOURS
Go behind-the-scenes to visit CCM’s Hair, Wig and Make-Up studios and get an up-close view of the creative work that goes into making our performers ready for the stage. Tours meet in the CCM Atrium and will require some stairs.

  • Times: 8 p.m., 8:30 p.m., 9 p.m., 9:30 p.m.
  • Location: Meet in the CCM Atrium

ELECTRONIC MEDIA
Learn about the student-created documentary “The Fifth Mode” that follows UC Engineering students who design a Hyperloop pod and made it to the finals of Elon Musk’s International SpaceX Hyperloop Competition.

  • Times: 8 p.m., 8:30 p.m., 9 p.m., 9:30 p.m.
  • Location: Room 3140c

THEATRE DESIGN AND PRODUCTION
Meet CCM’s outstanding student designers and view their senior portfolios, which feature the stunning work you’ve seen on CCM stages. If you’re lucky, you may get a sneak peek at upcoming production designs!

  • Times: 8 p.m., 8:30 p.m., 9 p.m., 9:30 p.m.
  • Location: Room 3240

LIGHTING SHOWCASE: BOOM!
Prepare to be dazzled by the spectacular creations of CCM’s stage lighting, technical production and sound students as they unite to present performance art of robotic lighting and technical systems integration.

  • Times: 8 p.m., 8:30 p.m., 9 p.m., 9:30 p.m.
  • Location: Cohen Family Studio Theater

CHAMBER WINDS
Enjoy hearing CCM students perform Carl Reinecke’s Octet, Op. 126.

  • Times: 8 p.m., 9 p.m.
  • Location: Room 3250

PIANO
CCM piano students perform Debussy’s L’isle joyeuse and the Romance and Tarantella from Rachmaninoff’s Suite No. 2, Op. 17 for 2 pianos at 8:30 p.m. The 9:30 p.m. performance features the Rachmaninoff piece and Liszt’s Rigoletto-Paraphrase.

  • Times: 8:30 p.m., 9:30 p.m.
  • Location: Room 3250

CHAMBER CHOIR
The CCM Chamber Choir and Graduate Brass Quintet present a cappella masterworks and a highlight from our Feast of Carols performance. Featuring graduate choral conducting students.

  • Times: 8 p.m., 9 p.m.
  • Location: Robert J. Werner Recital Hall

MUSICAL THEATRE
Enjoy performances of pop songs and contemporary Broadway hits from the Musical Theatre Freshman Women and CCM’s Musical Theatre Class of 2020 present a medley featuring songs River Deep, Mountain High; Ain’t No Mountain High Enough and Go Into Your Dance.

  • Times: 8:30 p.m., 9:30 p.m.
  • Location: Robert J. Werner Recital Hall

PREPARATORY & COMMUNITY ENGAGEMENT
The rising stars from CCM Prep present music, dance and musical theatre performances.

  • Times: 8 p.m., 8:30 p.m., 9 p.m., 9:30 p.m.
  • Location: Room 3705

DANCE
CCM Ballet Ensemble presents En Tournée, set to music by Dmitri Shostakovich with choreography by Jiang Qi.

  • Time: 8 p.m.
  • Location: Patricia Corbett Theater

OPERA
CCM Artist Diploma students perform selections from beloved operas including The Bartered Bride, The Magic Flute and Candide.

  • Times: 8:30 p.m., 9:30 p.m.
  • Location: Patricia Corbett Theater

ACTING
k. Jenny Jones, the only woman in the country recognized as a “Fight Master” by the Society of American Fight Directors, and CCM’s Acting Class of 2021 give a sneak peek into the illusion and magic of stage combat!

  • Time: 9 p.m.
  • Location: Patricia Corbett Theater

Event Location

CCM Village, University of Cincinnati

Purchasing Tickets

Tickets to Moveable Feast are on sale now and can be purchased online at ccm.uc.edu/moveablefeast or over the telephone at 513-556-2100.

  • Soloist Package: $600 – price includes two tickets to Moveable Feast and two tickets to CCM Musical Theatre’s “Not Famous Yet” Showcase (March 13, 2020), valet parking for Moveable Feast and program recognition
  • Patron Package: $225 – price includes one ticket to Moveable Feast, one ticket to CCM Musical Theatre’s “Not Famous Yet” Showcase, valet parking for Moveable Feast and program recognition
  • Host Ticket: $150 – price includes one ticket to Moveable Feast, valet parking for Moveable Feast and program recognition
  • General Public Tickets: $75 – price includes one ticket to Moveable Feast
  • CCM Alumni and Young Professional (40 and under) Tickets: $50 – price includes one ticket to Moveable Feast

Seating is limited. Event proceeds raised by CCMpower support student scholarships for CCM’s “stars of tomorrow” and help fund student and ensemble travel, master class opportunities and collaborative projects.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus.

For detailed maps and directions, please visit uc.edu/visitors.

CCM Alumni Applause CCM News CCM Slideshows CCMONSTAGE Faculty Fanfare Student Salutes