A photo of CCM resident artists the Ariel Quartet performing with students.

CCM’s Streaming Concert Series Continues on Feb. 12

Watch the Ariel Quartet collaborate with CSO/CCM Diversity Fellows Cristian Diaz and Denielle Wilson during this upcoming virtual performance.

Arts lovers from around the world are invited to tune in to the next episode of CCMONSTAGE Online at 7:30 p.m. EST on Friday, Feb. 12, 2021. The premiere will stream simultaneously on CCM’s websiteYouTube channel and Facebook page.

Titled Joining Hands, this 30-minute-long virtual concert features CCM string quartet-in-residence the Ariel Quartet collaborating with master’s degree students Cristian Diaz and Denielle Wilson, who are also both second-year participants in CCM’s innovative Diversity Fellowship initiative with the Cincinnati Symphony Orchestra.

To open the concert, Wilson and Diaz – a cellist and a violist respectively – join the Ariel Quartet on the stage of CCM’s Robert J. Werner Recital Hall for a performance of the first movement of Johannes Brahms’ String Sextet in B-flat Major.

The Ariel Quartet – which is comprised of CCM faculty members Alexandra “Sasha” Kazovsky, violin; Amit Even-Tov, cello; Gershon Gerchikov, violin; and Jan Grüning, viola – then perform the third movement of Felix Mendelssohn’s String Quartet in D Major.

For the finale of this digital program, the Ariel Quartet are rejoined by Diaz for a performance of the fourth movement of Wolfgang Amadeus Mozart’s String Quintet in G Minor.

Like other episodes in CCM’s new virtual performance series, Joining Hands also features commentary from CCM students and faculty. All episodes of CCMONSTAGE Online will be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s websiteYouTube channel and Facebook page.

Video production by MasseyGreenAVP, LLC. Additional footage provided by the Cincinnati Symphony Orchestra. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.


The CSO/CCM Diversity Fellowship

A promotional image for the CSO/CCM Diversity Fellowship program featuring two student participants playing with the CSO under the banner: Bravos Without Barriers.

Funded by The Andrew W. Mellon Foundation, the CSO/CCM Diversity Fellowship provides an unparalleled learning experience for graduate-level violin, viola, violoncello and double bass players coming from populations that are historically underrepresented in classical music.

Participants get paid to perform with the acclaimed Cincinnati Symphony Orchestra while completing your two-year graduate degree at CCM with full scholarship support plus stipend. Learn more


Streaming Premiere

7:30 p.m. EST Friday, Feb. 12, 2021

Performance Details

Repertoire

  • Johannes Brahms: String Sextet in B-flat Major No. 1, Op. 18 (1860)
    • I. Allegro ma non troppo
  • Felix Mendelssohn: String Quartet in D Major No. 3, Op. 44, No. 1 (1838)
    • III. Andante espressivo ma con moto
  • Wolfgang Amadeus Mozart: String Quintet in G Minor No. 4, K. 516 (1787)
    • IV. Adagio – Allegro

Performers

The Ariel Quartet

A portrait of the four members of CCM string quartet-in-residence the Ariel Quartet.

Distinguished by its virtuosity, probing musical insight, and impassioned, fiery performances, the Ariel Quartet has garnered critical praise worldwide over the span of nearly two decades. Formed in Israel as teenagers at the Jerusalem Academy Middle School of Music and Dance and celebrating their 20th anniversary in 2020-21, the Ariel was named recipient of the prestigious Cleveland Quartet Award, granted by Chamber Music America in recognition of artistic achievement and career support. Since 2012 the members of the ensemble have served as the faculty quartet-in-residence at CCM since, where they direct the chamber-music program and present a concert series in addition to maintaining a busy touring schedule in the United States and abroad.

The ensemble has dedicated much of its artistic energy and musical prowess to the groundbreaking Beethoven quartets, and has performed the complete Beethoven cycle on five occasions throughout the United States and Europe. The Quartet has written a powerful and comprehensive series of program notes on the sixteen quartets, open to the public on their website. The Ariel Quartet regularly collaborates with today’s eminent and rising young musicians and ensembles, including pianist Orion Weiss, violist Roger Tapping, cellist Paul Katz, and the American, Pacifica and Jerusalem String Quartets. The Quartet has toured with cellist Alisa Weilerstein and performed frequently with pianists Jeremy Denk and Menahem Pressler. In addition, the Ariel served as quartet-in-residence for the Steans Music Institute at the Ravinia Festival, the Yellow Barn Music Festival and the Perlman Music Program, as well as the Ernst Stiefel String Quartet-in-Residence at the Caramoor Festival.

Formerly the resident ensemble of the Professional String Quartet Training Program at the New England Conservatory, from which the players obtained their undergraduate and graduate degrees, the Ariel was mentored extensively by acclaimed string quartet giants Walter Levin and Paul Katz. It has won numerous international prizes in addition to the Cleveland Quartet Award: Grand Prize at the 2006 Fischoff National Chamber Music Competition and the Székely Prize for the performance of Bartók’s String Quartet No. 4, and Third Prize at the Banff International String Quartet Competition. About its performances at the Banff competition, the American Record Guide described the group as “a consummate ensemble gifted with utter musicality and remarkable interpretive power” and noted, in particular, their playing of Beethoven’s monumental Quartet in A minor, Op. 132, as “the pinnacle of the competition.”

The Ariel Quartet has received significant support for its studies in the United States from the American-Israel Cultural Foundation, Dov and Rachel Gottesman, the Legacy Heritage Fund and the A.N. and Pearl G. Barnett Family Foundation. The members of the Ariel Quartet are graduates of the Young Musician’s unit of the Jerusalem Music Centre. Visit the Ariel Quartet’s website to learn more.

Cristian Diaz

A portrait of CSO/CCM Diversity Fellow Cristian Diaz.

Cristian Diaz is a violist from Colombia who holds a bachelor’s degree in violin performance from Colombia’s National University-Conservatory of Music, and a master’s degree in chamber music from Kent State University. His former professors include members of the acclaimed Miami String Quartet, Keith Robinson and Cathy Meng Robinson, and his viola professor Joanna Patterson Zakany, member of the prestigious Cleveland Orchestra.

Diaz has been part of many orchestras across the globe, and was runner up in the Kent State University concerto competition (2017), he was selected to become part of the Mahler Chamber Orchestra Academy 2018 in Dortmund, Germany, winner of the inaugural Diversity Fellowship of the CityMusic Cleveland Chamber Orchestra and is also a member of the Efferus String Quartet.

He has attended the XI Cartagena Music Festival (Colombia, 2017), the first and second International Festival of String Quartets (Colombia, 2015 and 2016), III Bogota’s Viola Festival (Colombia, 2015), Santa Catarina Music Festival FEMUSC (Brazil, 2012) and also the Kent Blossom Music Festival (2019). Diaz began his master’s degree at CCM in the fall of 2019 where he studies with Professor Catharine Lees.

Denielle Wilson

A portrait of CSO/CCM Diversity Fellow Denielle Wilson.

Denielle Wilson is a cellist from Lithonia, Georgia. A former resident of Evanston, Illinois, she has played in the Civic Orchestra of Chicago and maintains a studio of private cello students. She completed an undergraduate degree at Northwestern University in 2017, having majored in cello performance and music education.

Wilson’s musical mentors have included Hans Jørgen Jensen, Joel Dallow and Nan Kimberling. She has spent summers at the Meadowmount School of Music, Bowdoin Music Festival, Aspen Music Festival and School, and the Grant Park Music Festival.

Wilson plays in a piano trio with her siblings, and they enjoy sharing classical and religious music with their local community.


About the Series

CCMONSTAGE Online is a series of free digital concerts and performing arts presentations showcasing the unparalleled artistry and expertise of CCM’s students, faculty and staff. Enjoy a sneak peek at a few of our upcoming episodes:

The series has recently been featured by Broadway WorldCincinnati Business CourierCincinnati CityBeatCincinnati EnquirerCincinnati MagazineCincinnati Public RadioLocal 12 WKRC-TVMovers and MakersMusical America and The Violin Channel.

CCM News CCM Video

CCM’s Virtual Moveable Feast Premieres Tonight

CCM’s Moveable Feast is making its online debut, and you have the best seats in (your) house! Join the arts fundraiser at 8 p.m. tonight, Jan. 22 to enjoy student and alumni performances that span the spectrum of the performing arts. Tickets are available online.

Get your first taste of Moveable Feast: From Coast to Coast by watching the teaser trailer, featuring clips of performances that will be featured in the event.

Moveable Feast: From Coast to Coast features performances by student and alumni stars from across the country, including offerings from New York, Los Angeles, San Francisco, Cincinnati and more! Program highlights include:

  • CCM Opera alum and 2020 Glyndebourne Opera cup winner Edward Nelson singing “Someone to Watch Over Me”
  • Current students of CCM Musical Theatre Class of 2022 performing with Broadway alumni Leslie Kritzer (Beetlejuice, Something Rotten!), Noah J. Ricketts (Frozen, Beautiful The Carol King Musical), Stephanie Jae Park (Hamilton, War Paint), John Riddle (Frozen, The Visit) and Nikki Renée Daniels (Hamilton, The Book of Mormon)
  • An original piece called “We Dare to Dream” featuring CCM acting alumni Diana Maria Riva (Dead to Me), Dominic Bogart (Fear the Walking Dead), Blake Kubena (Vikings), Torie Wiggins (Ensemble Theatre Cincinnati), Brandon Jones (Wildflowers) and more!
  • Student performances by the CCM Wind Symphony, CCM Philharmonia and CCM Jazz Orchestra
  • Student performances also showcase CCM Dance and CCM Piano as well as video pieces by CCM E-Media and Theatre Design and Production students

In addition to the performances, Moveable Feast’s virtual debut features a silent auction, private VIP chat rooms and dinner at home from Jeff Thomas Catering for Cincinnati audiences.

Audiences can learn more about Moveable Feast: From Coast to Coast in the event details below and in news coverage by Broadway World, Musical America, Cincinnati Enquirer, Local 12, WGUC, Behind the Curtain Cincinnati and arts reporter Janelle Gelfand.

Hosted by CCMpower — a dedicated volunteer group comprised of friends, advocates and alumni — Moveable Feast generates essential support to fund student scholarships, projects and travel opportunities. These unique educational offerings are essential to the CCM experience and provide creative opportunities for students that are vital to their growth as creators and collaborators. This year, COVID-19 cancelled paid work that students rely on and drastically changed students’ family financial circumstances. Our students need scholarship and emergency funds now more than ever. Your support will set the stage for our students to be and to create what is next in the arts.

Virtual Moveable Feast: From Coast to Coast

8 p.m. Jan. 22, 2021

Schedule of events:

  • Sponsor pre-show chat: 6:30-7:45 p.m.
  • Performances: 8-9 p.m.

Program details:

CCM Jazz Orchestra
Scott Belck, director
KAI ECKHARDT: The Shadow, arranged by Joe Duran (BM, ’13; MM, ’15)


CCM Wind Symphony
Kevin Michael Holzman, conductor
OMAR THOMAS: A Mother of a Revolution!


Edward Nelson, baritone (BM, ’11; MM, ’13)
Accompanied by San Francisco Opera guest artist Ronny Michael Greenberg, piano
GEORGE GERSHWIN: Someone to Watch Over Me


CCM Ballet Ensemble
Excerpts from Napoli (1842)
Originally choreographed by August Bournonville
Restaged by Tricia Sundbeck
Set to “Pas De Six” by Niels W. Gade, Edvard Helsted and Holger Simon Paulli
Featuring student dancers Maia Blake, Amanda Kenner, Ying-Chi Lu, Anne McGovern, Gabby Savka, David Lopena and Garrett Steagall


CCM Chamber Choir
Joe Miller, conductor
THOMAS MORLEY: Nolo mortem peccatoris


The Ariel Quartet with CSO/CCM Diversity Fellow Cristian J. Diaz, viola
W. A. MOZART: String Quintet in G. Minor No. 4, K. 516 (1787), IV. Adagio-Allegro


Electronic Media
Documentary: The Making of “Hope After Hate”
Hagit Limor, executive producer
Featuring students and alumni Carlee Coulehan, Nicole Fishburn, Kela Parker, Skylar Heizer, Jonathan Kilberg, Ed Kohls, Jason Obergefell, Ethan Qureshi, Dillon Trafzer, Gianna Vitali, Madison White, Thomas Zins and Michael Stanwick
Special thanks to Michael Benedic and Eric Dietrich


CCM Acting
“We Dare to Dream”
Richard Hess, producer
Original music composed and performed by Colin Edgar
Text: Nobody Knows My Name (James Baldwin) and He Wishes for the Cloths of Heaven (W.B. Yeats)
Featuring alumni Torie Wiggins (BFA, ’03), Aaron Serotsky (BFA, ’97), Sarah Ellen Stephens (BFA, ’08), Jabari Carter (BFA, ’20),  Jaclyn Chantél (BFA, ’14),  Blake Kubena (BFA, ’07),  Ellyn Jameson (BFA, ’13), Brandon Jones (BFA, ’03),  Diana Maria Riva (BFA, ’91; MFA, ’95) and Dominic Bogart (BFA, ’00)


CCM Piano
Featuring student Jiajun (David) Lai, piano
J.S. BACH: Italian Concerto in F Major, BWV 971 – I


CCM Philharmonia
Mark Gibson, conductor
Featuring student artist Brittany Logan, soprano
GUSTAVE CHARPENTIER: “Depuis le jour” from Louise (1900)


CCM Jazz Orchestra
Featuring student artists Maya Threat, vocals; Ricky Roshell, tenor saxophone; Myles Twitty, trumpet; Anthony Bryson, trombone; Chris Caporale, piano; Mason Daugherty, bass; Derek Johnson, drums
ABEL MEEROPOL: “Strange Fruit” arranged by Myles Twitty


CCM Musical Theatre
Eric Santagata, editor and producer
Featuring the Musical Theatre Class of 2022 and alumni guest artists John Riddle (BFA, ’12), Stephanie Jae Park (BFA, ’14), Leslie Kritzer (BFA. ’99), Noah J. Ricketts (BFA, ’14) and Nikki Renée Daniels (BFA, ’01)
STEPHEN SONDHEIM: “No One is Alone” from Into the Woods, arranged by Julie Spangler


Silent Auction

Guests will pre-register for access to the silent auction through the Moveable Feast event website. The auction officially opened on January 15 and closes at 11:59 p.m. EST on January 25.

There are over 50 items to peruse and bid on, ranging from “buy it now” experiences including:

  • A special serenade from CCM students and accompanying gift certificate to Graeter’s Ice Cream to make a birthday or anniversary memorable
  • An evening with CCM alumnus Aaron Lazar (star of Fox’s Filthy Rich)
  • A visit to a Warner Bros. Sound Stage to witness a recording for a popular primetime television show episode
  • A private coaching by Aubrey Berg and Patricia Linhart for an aspiring CCM Musical Theatre student.
  • And more!

There are also many items for those who also love the visual and sculptural arts including pieces from local artist Bill Feinberg, a football signed by Bengals head coach Zac Taylor and a special Zoom experience with Reds Legend Johnny Bench.

Purchasing Tickets

Tickets to Moveable Feast are on sale now and can be purchased online at foundation.uc.edu/MoveableFeast2021 or over the telephone at 513-556-2100.

General Admission and Young Professional tickets cost $25 each; CCM Alumni tickets cost $15.

After purchasing tickets, audience members will receive registration information on how to access the event website. If you don’t live in the Eastern Standard Time zone or simply want to watch Moveable Feast at a different time, the performances will be accessible at your convenience on the event website with your login information.

Sponsorship and host levels range from $150-$10,000. To discuss benefit details or sponsorship opportunities, please contact Libby Coletta, Assistant Director of Development, at 513-556-2100 or olivia.coletta@uc.edu.

CCM Alumni Applause CCM News CCM Video CCMONSTAGE Faculty Fanfare Student Salutes

CCM’s Moveable Feast makes virtual debut on Jan. 22, 2021

Enjoy the artistry of CCM students and prominent alumni — all from the comfort of your own home during the college’s virtual fundraising event. Tickets are on sale now.

Cincinnati’s premier arts fundraiser gets a virtual makeover when CCM presents Moveable Feast online on Jan. 22, 2021. Join us as we travel around the country to see firsthand how CCM sets the bar in the arts world.

Enjoy an evening with the CCM family, despite the miles or the social distance that may separate us. Audiences from coast to coast can experience CCM’s student and alumni stars in a variety of online performances that showcase the full spectrum of the performing and media arts.

Alumni guest artists include stars from popular titles of the stage and screen like Hamilton, Frozen, Amazon’s The Marvelous Mrs. Maisel, Netflix’s Dead to Me and more! Featuring CCM Musical Theatre alumni Nikki Renée Daniels (BFA, ‘01), Noah J. Ricketts (BFA, ’14) and Stephanie Jae Park (BFA, ’14); Opera alumnus Edward Nelson (BM, ’11; MM, ‘13); and Acting alumni Diana Maria Riva (BFA, ’91; MFA, ’95), Aaron Serotsky (BFA, ’97), Torie Wiggins (BFA, ’03), Blake Kubena (BFA, ’07) and more. Moveable Feast offerings feature performances by the college’s Wind Symphony, Philharmonia and Jazz Ensemble, and by students in CCM’s Musical Theatre, Dance and Piano programs. The program also showcases video pieces by CCM Media Production and Theatre Design and Production students. The full lineup of alumni guest artists and program details will be announced in the coming weeks!

In addition to the performances, Moveable Feast’s virtual debut features a silent auction, private VIP chat rooms and dinner at home from Jeff Thomas Catering for Cincinnati audiences.

Hosted by CCMpower — a dedicated volunteer group comprised of friends, advocates and alumni — Moveable Feast generates essential support to fund student scholarships, projects and travel opportunities. These unique educational offerings are essential to the CCM experience and provide creative opportunities for students that are vital to their growth as creators and collaborators. This year, COVID-19 cancelled paid work that students rely on and drastically changed students’ family financial circumstances. Our students need scholarship and emergency funds now more than ever. Your support will set the stage for our students to be and to create what is next in the arts. Learn how to become a sponsor of Moveable Feast.

Virtual Moveable Feast: From Coast to Coast

8 p.m. Jan. 22, 2021

Schedule of events:

  • Sponsor pre-show chat: 6:30-7:45 p.m.
  • Performances: 8-9 p.m.

Purchasing Tickets

Tickets to Moveable Feast are on sale now and can be purchased online at foundation.uc.edu/MoveableFeast2021 or over the telephone at 513-556-2100.

General Admission and Young Professional tickets cost $25; CCM Alumni tickets cost $15.

After purchasing tickets, audience members will receive registration information on how to access the event website. If you don’t live in the Eastern Standard Time zone or simply want to watch Moveable Feast at a different time, the performances will be accessible at your convenience on the event website with your login information.

Sponsorship and host levels range from $150-$10,000. To discuss benefit details or sponsorship opportunities, please contact Libby Coletta, Assistant Director of Development, at 513-556-2100 or olivia.coletta@uc.edu.

CCM Alumni Applause CCM News CCMONSTAGE Faculty Fanfare Student Salutes
Students in the CCM Philharmonia perform in a still image from the first installment of CCMONSTAGE Online. Photo/MasseyGreenAVP.

Watch a preview of CCM’s new digital performance series

CCM’s ‘stars of tomorrow’ are back on stage, and you get the best seats in the house

The show goes on with CCMONSTAGE Online beginning Dec. 11!

Enjoy excerpts from the first four episodes of CCM’s new digital performance series in our official teaser trailer:

Click here to view from email.

CCMONSTAGE Online is a dynamic new series of digital concerts and performing arts presentations showcasing the unparalleled artistry and expertise of CCM’s students, faculty and staff. Each episode can be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s website and YouTube channel.

Learn more about the series.

Save the date for our series premiere at 7:30 p.m. EST on Friday, Dec. 11, 2020. Additional episodes will be released throughout 2021!

Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.


About The Premiere Episode

Watch the CCM Philharmonia perform a program of “Classical Virtuosity” with works by Claude Debussy/Maurice Ravel, Ottorino Respighi, Julia Perry and Wolfgang Amadeus Mozart during the premiere episode of CCMONSTAGE Online.

Download the program.

Under the direction of Professor Mark Gibson, the CCM Philharmonia is CCM’s premier orchestral ensemble and is recognized as one of the world’s elite conservatory orchestras. The CCM Philharmonia has risen to world prominence through the quality of its performances, recordings, and its national and international tours.


A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music offers nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs.

The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

For more information, please visit us online at ccm.uc.edu.


Featured image at top: students in the CCM Philharmonia perform in a still image from the first installment of CCMONSTAGE Online. Photo/MasseyGreenAVP

CCM News CCM Video CCMONSTAGE

Program Spotlight: CCM Classical Guitar

Declared “one of this country’s leading conservatories” by the New York Times, CCM provides first-rate Bachelor of Music and Master of Music programs in Classical Guitar. Applications are open to join CCM’s fall 2021 class; apply by December 1.

Study is strongly performance-based and the cornerstone of the program is private lessons with faculty, who serve as mentors for students and direct their individual musical, performing and teaching growth.

Classical Guitar curriculum emphasizes the development of the well-rounded, holistic musician by providing a solid background in music history and theory as well as areas specific to each musical medium. Undergraduate students enjoy a close collaboration with the University of Cincinnati through a general education core that supplements their education with academic course work while graduate students specialize more precisely in their chosen field.

“In the CCM guitar program we never neglect the past, but we can’t afford to pretend we don’t live in the present,” says Chris Wilke, director of CCM Classical Guitar. “Our ultimate goal is to prepare true musicians for a professional career in the 21st century.”

All incoming students in 2021-22 will receive an iPad, which will be equipped for audio-visual work to help students gain digital career skills crucial for 21st-century musicians.

Program highlights include:

  • Free iPad to all incoming 2021-22 classical guitar students
  • Generous scholarships available for promising students
  • Chamber music and networking opportunities
  • Opportunities to explore historical plucked instruments and broaden skill sets
  • 21st-century digital career integration

Applications and Additional Information

CCM is now accepting applications for fall 2021. The application deadline is December 1. Learn more at ccm.uc.edu/admissions.

Learn more about the CCM Classical Guitar program.

CCM News Faculty Fanfare Student Salutes
CCM Village at night

CCMONSTAGE Online: Stay connected with the latest news from the college

Although we are still unable to perform for you live, you can continue to experience the artistry and expertise of our students, alumni, faculty and staff through our CCMONSTAGE Online e-newsletter. Our latest edition features performance videos, stories and other resources designed to help us stay connected even when we have to temporarily stay apart.

Sign up to receive CCM’s e-newsletter at ccm.uc.edu/subscribe.

Get the latest news from CCM:

CCMONSTAGE: Watch the CCM Philharmonia’s Sept. 12 performance

The virtual concert also features mezzo-soprano and CCM Professor Quinn Patrick Ankrum. Read more


CCM alumni in Tony Award-nominated productions

Watch Aaron Tveit and CCM alumna Karen Olivo sing “Come What May” from Moulin Rouge! musical. Read more.


CCM shares Spring 2021 registration details

Last week, CCM Associate Dean for Academic Affairs Stephanie P. Schlagel provided information on spring course registration and CCM’s online accommodation resources. Read more.


CCM piano professor featured in upcoming streamed performances

Awadagin Pratt will perform as a soloist with three symphony orchestras in the next two months. Read more.


Dada Rafiki honors CCM staff member for community engagement work

Anne Cushing-Reid has supported arts education in Greater Cincinnati for more than 25 years. Read more.


Students take spotlight in UC commercial

Meet the Bearcats behind the university’s latest TV spot, “Push Forward.” Read more.

 


Arts Engines: CSO/CCM Diversity Fellow graduate speaks to the power of music

Aaron Dworkin interviews alumnus Ian Saunders about his experience in the program and his career. Read more.


Classical Singer Magazine: CCM alumna harnesses girl power on the operatic stage

CCM Stage director Jennifer Williams discusses how to create empowered portrayals of women in opera. Read more.


Additional Resources

Bridging the divide

Meet the women tackling tough conversations about race at UC. Read more.

 


UC Answers: How can mindfulness help us cope?

UC Center for Integrative Health and Wellness Director Sian Cotton, expert in mindfulness and its benefits, offers advice to the UC community. Read more.


UC’s Center for Integrative Health and Wellness

The University of Cincinnati’s Center for Integrative Health and Wellness is providing information and resources to promote wellness. Learn more about the center’s wellness tips during times of stress and consider signing up for their email newsletter.


FAQs and Online Resources

Please continue to refer to CCM’s coronavirus resource website to help answer your frequently asked questions. This website is updated as new information develops, so please check back often.
For more information about the University of Cincinnati’s response to COVID-19, please visit uc.edu/publichealth.

Sign up to receive CCM’s bi-weekly e-newsletter at ccm.uc.edu/subscribe.
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CCM Village at night

CCM’s Music Theory and Musicology Society hosts student conference Sept. 11-12, 2020

CCM Village at night

The conference is designed to engage UC and non-UC students in the broad field of music scholarship

The Music Theory and Musicology Society (MTMS) at the University of Cincinnati College-Conservatory of Music (CCM) hosts its eighth biennial student conference on Sept. 11 and 12, 2020 (rescheduled from April 3-4). Entitled “Conversations in Music,” the conference is designed to engage both UC students and students from other institutions in the broad field of music scholarship.

The conference features keynote speakers Daniel Goldmark (Case Western Reserve University) and Jennifer Beavers (University of Texas at San Antonio). It will be held in conjunction with the long-running Joseph and Frances Jones Poetker Thinking About Music Lecture Series at CCM.

The conference will include pre-recorded video presentations and live interactive sessions held virtually via Zoom. Please fill out the registration form below to receive emails with further information and links to access the presentation videos and Zoom platform.

Please note that the times listed in the schedule are in Eastern time zone.

Schedule

Friday, Sept. 11

2 p.m.

PIXAR’S MEMORIES: CONTEMPORARY CARTOON MUSIC SPEAKS TO THE PAST
Daniel Goldmark, Case Western Reserve University

The ever-increasing popularity of Hollywood animation, driven in part by the dominance of Pixar, has come about not just through technological advances or the breaking down of decades-old biases about cartoons being just for kids, but also through the emotionally nuanced storytelling deployed recently by studios. While practically all of Pixar’s features are overrun with issues of nostalgia, their more recent films—Inside OutFinding DoryCars 3Incredibles 2Toy Story 4—do more than simply revel in the remembrance of times past (real or imagined): they also explore the creation of memory and the reasons why memories fade or endure. Sound and music have played key roles in the recollections and impressions of all these films. In this presentation, I look at trends in scoring and sound design in animation to show how the melodies of childhood—and adulthood—are being used to drive the stories of recent Hollywood animated features—and how these stories revolve around how our notions of the past speak to the present and guide our future.


4:30 p.m.

MEET-AND-GREET “RECEPTION”


5:30 p.m.

PRESENTER Q&A SESSION


Saturday, Sept. 12

8-9:30 a.m.

CONFERENCE WORKSHOP
This year’s conference will include a workshop led by ethnomusicologist and CCM faculty member Scott Linford, PhD, inviting conference participants to engage in an interactive discussion focused on the application of sound studies in the areas of musicology, music theory and ethnomusicology.


10 a.m.-2 p.m.

PRESENTER Q&A SESSIONS


2 p.m.

The Music Theory and Musicology Society Conference Keynote
RAVEL’S SONIC ILLUSIONS
Jennifer Beavers, University of Texas at San Antonio
Ravel’s interwar compositions and transcriptions reveal a sophisticated engagement with timbre and orchestration. Of interest, is the way he uses timbre to connect and conceal passages in his music. In this talk, I look at the way he manipulates instrumental timbre to create sonic illusions that transform expectations, mark the form, and create meaning. I examine how he uses instrumental groupings to create distinct or blended auditory events. Using a sound-based analytical approach, I develop these descriptions of timbre and auditory scenes to interpret ways in which different timbre-spaces function. Through techniques such as timbral transformations, magical effects, and timbre and contour fusion, I examine the ways in which Ravel conjures sound objects in his music that are imaginary, transformative or illusory.


Conference Registration

Register for the conference by filling out an online form.

CCM’s Music Theory and Musicology Society engages all interested members of the UC community to discuss issues relating to music theory and musicology. The MTMS regularly maintains forums for the purpose of discussing theoretical, historical and cultural topics in music. Past MTMS Conference programs are available online.

Please e­mail all inquiries to MTMS Executive Board Members Rebecca Schreiber, Jacy Pedersen, Hannah Blanchette and Kabelo Chirwa at ccm.mtms@gmail.com.

CCM News Faculty Fanfare Student Salutes

Stay Connected: CCMONSTAGE Online’s Latest Newsletter

Experience the artistry and expertise of our students, alumni, faculty and staff through our CCMONSTAGE Online e-newsletter. Our latest edition features performance videos, stories and other resources designed to help us stay connected.

UC plans to welcome back students to campus on Aug. 24 for the start of the fall semester. A thoughtful blend of in-person and virtual offerings, in addition to enhanced health and safety measures, will provide students with the best collegiate experience possible in this new era of living and learning. Learn more about UC’s Return to Campus.

Sign up to receive CCM’s e-newsletter at ccm.uc.edu/subscribe.

Get the latest news from CCM:

CCM Dance co-ops create pipeline from student to professional artist

The college’s co-op program connects students to professional ballet companies while they complete their BFA degrees, creating a pipeline that leads young artists to their future careers. Student Grace Mccutcheon and alumna Hannah Holtsclaw share how CCM Dance co-ops have impacted their careers so far. Read more.


WVXU and CCM Acting’s “O’Toole From Moscow” is available to stream on demand

Listen online to enjoy Rod Serling’s comedy about confusion between Russians and the Cincinnati Reds. Directed by CCM Professor Richard Hess, the radio play features a cast of CCM Acting students with narration by Serling’s daughter, Anne. Read more.


Internationally acclaimed stage director Greg Eldridge joins CCM’s opera faculty

Eldridge has worked across eight countries at some of the world’s most famous opera houses. His work has been praised by critics for its “thoughtful and effective” staging, with “detailed characterizations and considered through-lines” a hallmark of his directing style. Read more.


Eight UC faculty recognized for excellence in mentoring undergraduate researchers

CCM Assistant Professor-Educator of Piano Andy Villemez was named one of this year’s outstanding research mentors. UC offers numerous opportunities for undergraduate students to participate in research and explore it as a possible career. Read more.


Arts for all: CCM offers mix of online, in-person electives in fall 2020

CCM offers dozens of different general studies and arts elective courses in fall 2020. These credit-granting courses are open to all UC students and cover a wide range of topics including dance, movies and media, music and theatre arts. Read more.


CCM Organ Professor spotlights C.B. Fisk Opus 148 Organ on “Around Cincinnati”

Cincinnati’s Christ Church Cathedral dedicated a new C.B. Fisk Organ Opus 148 in 2018. To learn more about this special instrument, WVXU’s Alexander Watson recently spoke with CCM Professor of Organ and Harpsichord Michael Unger and David Pike, head tonalist from C. B. Fisk Organ Builders. Read more.


CCM Sounds Design student wins Pat MacKay Diversity in Design Scholarship

BFA Sound Design student Alena Milos is a recipient of the 2020 Pat MacKay Diversity in Design Scholarship, presented by Questex’s Live Design International (LDI) in partnership with TSDCA and USITT. Live Design, a creative and technical resource for live design professionals, recently featured Milos in a Q&A published online. Read more.


FAQs and Online Resources

Please refer to our coronavirus resource website to help answer your frequently asked questions. This website is updated as new information develops, so please check back often. See more UC answers to your important questions.

For more information about the University of Cincinnati’s response to COVID-19, please visit uc.edu/publichealth.


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Internationally acclaimed stage director Greg Eldridge joins CCM’s opera faculty

 

CCM Dean Stanley E. Romanstein has announced the addition of acclaimed stage director Greg Eldridge to the college’s roster of distinguished performing and media arts faculty members. Eldridge joins CCM as Associate Professor of Opera Directing.

Greg Eldridge. Photo/Andrej Uspenski

Greg Eldridge. Photo/Andrej Uspenski

Originally from Australia, Eldridge has worked on over 60 productions across eight countries at some of the world’s most famous opera houses. His work has been praised by critics for its “thoughtful and effective” staging, with “detailed characterizations and considered through-lines” a hallmark of his directing style.

A former recipient of a Bayreuth Scholarship from the Wagner Society of Victoria, Eldridge is one of only two people to have graduated from both of the world’s most prestigious opera directing programs – the Merola Program in San Francisco and the Jette Parker Young Artist Programme in the UK. He has received 5-star reviews for his work for the national opera companies of Australia, Iceland and the United Kingdom, and has been the recipient of awards including Most Outstanding Director (OperaChaser Awards, 2018) and Best Director (Broadway World Awards in Sydney, 2019).

After receiving the 2004 Premier’s Award for Excellence in the Study of Philosophy, Eldridge studied Opera Directing at The Opera Studio Melbourne in Australia and the Accademia Europea di Firenze in Italy before relocating to the United Kingdom. After serving as Trainee Resident Director at The King’s Head Theatre in London, Eldridge worked on productions including I gioielli della Madonna for Opera Holland Park, all four operas of Der Ring des Nibelungen for Longborough Festival Opera, Così fan tutte for the Landestheater Rudolstadt and he became the youngest director ever engaged by the state opera company in his hometown when he directed Ludus Danielis for Victorian Opera.

In 2013, Eldridge became the youngest – and first Australian – director to join the young artist program of The Royal Opera, Covent Garden in London. There, he worked under luminary directors including Sir David McVicar, Sir Richard Eyre, John Copley and Kasper Holten, along with conductors including Sir Antonio Pappano, Mark Wigglesworth, Alexander Joel, Nicola Luisotti, Marc Minkowski, Ivor Bolton and Gianandrea Noseda. Eldridge has also worked alongside international opera stars including Jonas Kaufmann, Sondra Radvanovsky, Rolando Villazón, Sonya Yoncheva, Sir Bryn Terfel, Anne Sofie von Otter, Sir Willard White, Dame Sarah Conolly, Nina Stemme, Roberto Alagna, Denyce Graves, Angela Gheorghiu and many others.

In 2016, The Royal Opera created a new position especially for Eldridge – the Jette Parker Associate Director – and Eldridge joined the board of Stage Directors UK (SDUK), the industry body representing and advocating for directors of live theatre throughout the United Kingdom. During his time on the board, SDUK published papers exposing inequalities in the freelance artist sector, provided evidence-based studies to government bodies and authored a major report alongside the National Theatre, RADA and The Old Vic that provided recommendations for structural changes in the way arts training organizations and theatres engage with directors from underrepresented demographics.

Eldridge has contributed articles to publications including Limelight Magazine, The Guardian UK and OperaNow Magazine, and has given guest lectures at the Victorian College of the Arts, The University of Melbourne, the Royal Birmingham Conservatoire and St John’s College Cambridge, among others. He holds an Exceptional Talent visa from the United Kingdom, and has been recognized as an Artist of Extraordinary Ability by the United States government.

“CCM’s Departments of Opera and Voice provide unparalleled training programs for singers, stage directors and opera coaches. Our students will benefit from Greg’s vast experience on the world stage,” said Romanstein. “I want to thank our search committee – which was co-chaired by Robin Guarino and Denton Yockey, and included Bill McGraw, Mary Stucky, Jim Gage and Mark Gibson – for their help identifying CCM’s next great opera faculty member.”

About CCM Opera

The Department of Opera at CCM boasts one of the most comprehensive training programs for opera singers, coaches and directors in the United States. Students at CCM work with some of the most renowned teachers and artists active in the field today.

CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions, which is widely considered to be the nation’s most prestigious vocal competition. In 2019, soprano Elena Villalón (BM Voice, ’19) was named a Grand Finals Winner at the competition while she was still finishing her undergraduate degree at CCM. CCM’s other recent Grand Finals Winners include Jessica Faselt (MM Voice, ’16) in 2018, Amanda Woodbury (MM Voice, ’12) and Yi Li (AD Opera, ’13) in 2014 and Thomas Richards (MM Voice, ’13) in 2013. At least two CCM singers advanced to the Upper Midwest Regional Auditions in this year’s Met National Council Auditions: artist diploma students Amber Monroe and Teresa Perrotta.

CCM singers also recently won awards in other prestigious national competitions. Jessica Faselt won a $10,000 award and Alisa Jordheim (DMA Voice, ’15; MM Voice,’ 10) won a $1,000 Encouragement award at the 2020 George London Foundation Awards Competition for young American and Canadian opera singers. Jasmine Habersham (AD Opera, 2015; MM Voice, 2013) won the silver medal in the 2020 American Traditions Vocal Competition. Edward Nelson (BM Voice, 2011; MM Voice, 2013) won first prize at the 2020 Glyndebourne Opera Cup. Perrotta also advanced to the finals of the 2020 Lotte Lenya Competition.

In addition, CCM Opera productions have received some of the National Opera Association Production Competition’s highest honors throughout the years.

CCM Opera graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, Metropolitan Opera (New York), Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy) and more.

Learn more at ccm.uc.edu.


Featured image at top: A production photo of La scala di seta directed by Greg Eldridge at Royal Opera House Covent Garden London. Photo/Holly Pigot

CCM News Faculty Fanfare

Watch CCM’s 2020 Musical Theatre Senior Showcase

A group shot of CCM Musical Theatre's Class of 2020

Although the theaters and concert halls at UC’s nationally ranked and internationally renowned College-Conservatory of Music are temporarily silent, audiences can still experience world-class performances through the CCMONSTAGE Online video series. This week’s release features the CCM Musical Theatre Class of 2020’s Senior Showcase, which was performed on March 12, 2020, in Patricia Corbett Theater.

Featuring hit songs from Broadway, Off-Broadway and pop music, the Senior Showcase was created by CCM’s Musical Theatre Class of 2020 under the supervision of faculty. This year’s showcase was directed by CCM Musical Theatre alumnus Justin Bohon and advised by Rachel Hoffman. The showcase was associate directed by Katie Johannigman and produced by Diane Lala and Denton Yockey. Musical direction by Julie Spangler. The showcase also features an original song by CCM Acting alumnus Todd Almond.

Receive updates on future CCMONSTAGE Online performances by subscribing to our mailing list.

Get to know the graduating seniors by reading their professional summaries! 


Get to know CCM Musical Theatre’s Class of 2020

Andrew Alstat: Originally from Pomona, Illinois. Regional credits: Chuck Cranston in Footloose (The Muny), Albert in Newsies (Wagon Wheel Center for the Arts), Emmett in Legally Blonde, Billy Crocker in AnythingGoes (McLeod Summer Playhouse). CCM credits: Rocky in The Rocky Horror Show, Frederick in TheHunchback of Notre Dame, Angie the Ox in Guys and Dolls, Jesus Christ Superstar. Proud member of AEA. For more, visit andrewalstat.com and follow @a12tat on Instagram.


Nick Berninger:Originally from Wayne, New Jersey. Regional credits: A Gentleman’s Guide To Love And Murder (The D’Ysquith Family), Cabaret (Emcee), The Little Mermaid (Scuttle/Chef Louis) at Clinton Area Showboat Theatre, New Jersey Regional premier of School of Rock (Dewey Finn) at Union County PAC, South Pacific (Billis), Cats (Bustopher/Gus) at Interlakes Summer Theatre. CCM credits: 42nd Street (Julian Marsh), Guys and Dolls (Nicely Nicely Johnson), Mack and Mabel (Fatty Arbuckle) Seussical (Horton u/s) and The Secret Garden (Ben). Workshops/Readings: Home Street Home (Big John), Nasha America (Uncle Vadim) and Rocket Science (Doyle) with the CCM Musical Theatre Incubator Project. Proud member of the AEA. For more, visit nickberninger.com and follow @nick_berninger on Instagram. 

Kurtis Bradley Brown: Originally from Louisville, Kentucky. Regional credits: 42nd Street at Bucks County Playhouse, Sondheim on SondheimNewsies and Legally Blonde at the Lexington Theatre Company in the Euan Morton track, as the Crutchie understudy and as “Kiki, the colorist” (fierce!), respectively. CCM Credits: Dickon in The Secret Garden and many more. Currently training at the Upright Citizens Brigade Theatre. For more, visit kurtisbradleybrown.com and follow @kurtisbradleybrown on Instagram.

Michael Canu: Originally from Rochester, Michigan. Regional credits: A Chorus Line (Mark) at the Cape Playhouse, Mamma Mia! (Sky) and West Side Story (Snowboy) at Shenandoah Summer Music Theatre, Footloose (Ren McCormack) and Newsies (Albert, Jack u/s) at the Clinton Showboat Theatre and The Nutcracker (Russian Soloist) with Michigan Ballet Theatre. He was also apart of the first symphonic version of Children of Eden (Adam) with Rochester Summer Music Theatre. CCM credits: 42nd Street (Andy Lee), Jesus Christ Superstar and Guys and Dolls (Harry The Horse). Michael won the Battaglia Scholarship Award for performance excellence in a musical. For more visit, michaelcanu.com and follow @michael_canu on Instagram.

Matt Copley: Originally from Detroit, Michigan. Regional credits: Grease and Oklahoma! at Pittsburgh CLO. Footloose (Ren) and Newsies at Wagon Wheel Center for the Arts. Hockey: The Musical! (World Premiere) at City Theatre Detroit. Thoroughly Modern Millie (Jimmy) at Riverbank Theatre. CCM credits: Guys and Dolls (Nathan Detroit), The Hunchback of Notre DameJesus Christ Superstar. Additional credits: Writer, Composer and Creator of blueprint the musical, Niko in Home Street Home workshop. Proud member of AEA. For more, visit matt-copley.com and follow @matt_copley on Instagram.

Madison Deadman: Originally from Ann Arbor, MI. Regional credits: Rock of Ages (Young Groupie) at PCLO, Cabaret (Sally Bowles) at Clinton Area Showboat Theatre, Les Miserables (Eponine), Joseph… Dreamcoat (Narrator) and Little Women (Amy) at Encore Musical Theatre Company, The Addams Family (Wednesday) at Thunder Bay Theatre. CCM credits: Godspell (Jesus), Theory of Relativity (Caroline). Workshops: Home Street Home (Mom) with Kevin McCollum, Jeff Marx and NOFX; Rocket Science (Jenny Ryerson) with Richard Israel. Television: PBS special: SciEngiMathePloration. Film: A Girl Like Her (Emily Sailler). Print: model for Kotex UBY. For more, visit madisondeadman.com and follow @mjdeadman on Instagram.

Bailee Endebrock: Originally from Herrin, Illinois. Regional credits: Mamma Mia (Sophie), Singin’ in the Rain (Kathy Selden), Oklahoma! (Dance Captain) at Wagon Wheel Center for the Arts. A Chorus Line (Maggie) and Sondheim on Sondheim (Leslie Kritzer Track) at The Lexington Theatre Company. The Sound of Music (Liesl) and Bring it On (Campbell) at McLeod Summer Playhouse. CCM credits: 42nd Street (Peggy Sawyer), The Secret Garden (Dance Captain/Alice), Yeast Nation (Jan-the-Sweet), Guys and Dolls (Hot Box Girl). For more, visit baileeendebrock.com and follow @bailee_endebrock on Instagram.

Zoë Grolnick: Originally fromBoulder, Colorado. Regional credits: Rock of Ages at Lake Dillon Theatre Company, Godspell at Center Stage Theatre Company. CCM credits: 42nd Street (Anytime Annie), Guys and Dolls (Hot Box Chick), Theory of Relativity (Jenny), A Chorus Line (Vicki/Swing), Hunchback of Notre Dame and Seussical. For more, visit zoegrolnick.com and follow @zoegrolnick on Instagram.

Delaney Guyer: Originally from Seattle, Washington. Delaney studied Meisner at the Maggie Flanigan Studio in New York for two months following her sophomore year. She has performed in regional theatres across the country including the 5th Avenue Theatre of Seattle, Village Theatre of Issaquah, Washington, the Lexington Theatre Company in Kentucky, the KNOW Theatre of Cincinnati and Sound Theatre Company of Seattle. CCM credits: The Rocky Horror Show (Magenta)and Yeast Nation (Jan The Sly) Secret Garden (Lily), Gruesome Playground Injuries (Kayleen). For more, visit delaneyguyer.com and follow @delaneyguyer on Instagram.

Madison Hagler: Originally from Rainsville, Alabama. Regional credits: Gabe in Next to Normal (Porthouse Theatre), Pastor Olgethorpe in Smoke on the Mountain and Ensemble/Brother in Joseph…Dreamcoat (Totem Pole Playhouse). CCM credits: Archibald Craven in The Secret Garden, Judas/John the Baptist in Godspell, Annas in Jesus Christ Superstar, Tap Ensemble in 42nd Street, Gargoyle/ King Louis XI in The Hunchback of Notre Dame, Seussical the Musical, Children of Eden and Lewinsky in Rocket Science, a new musical workshop. As an expert magician, Madison has toured the southeast with his grand illusion show, and has appeared as Magic Consultant for shows such as Pippin, Godspell, Big Fish and The Bartered Bride. For more, visit madisonhagler.com or follow @MadisonAdamsHagler on Instagram. 

Elijah Lee King:Originally from Arlington, Virginia. Regional credits: Man of La Mancha (Pedro) and Music Man at Porthouse Theatre, Mamma Mia! at Totem Pole Playhouse and Joseph…Dreamcoat (Joseph) at City of Fairfax Theatre Co. CCM credtis: The Secret Garden (Ian Shaw), 42nd Street (Assistant Director), Yeast Nation (The Youngest), Guys and Dolls (Big Jule), Jesus Christ Superstar (Solider), The Little Mermaid Ballet (King Triton), Mack and Mabel (Ensemble). TV/Film: Power (STARZ), I Was Possessed (Lifetime), Copycat Killers (REELZ) and Evil Kin (Discovery ID). For more, visit elijahleeking.com and follow @Elijah_Lee_King on Instagram.

Kylie Liya Page:Originally adopted from China, from New York. Broadway credits: 2006 revival Les Miserables (Young Cosette/ Eponine) at the Broadhurst Theater. National Tours credits: How The Grinch Stole Christmas (Annie Who/ u.s. Cindy Lou), Les Miserables (Young Cosette/ Eponine) at Theater of the Stars. Readings/Workshops: The Nightingale by Duncan Shiek/Steven Sadar (Nightingale) NYSAF with James Lapine and at Vassar College with Moises Kaufman. Nasha America (Jackie) at CCM. Film/TV: Friends From College (Teenager) Netflix, Gossip Girl (Constance Girl) CW Network/ Netflix, Ninja Assassin (Young Kariko) Warner Bros., Step Up 3D (Ice Cream Truck Girl) Disney. Off Broadway: Carousel (Louise) NAAP at the Peter J. Sharp Theater. CCM credits: (Dance Ensemble) in Jesus Christ SuperstarThe Hunchback of Notre Dame42nd Street at CCM. She is a proud member of AEA and SAG-AFTRA. For more, visit kylieliya.com and follow @kylieliya on Instagram. 

Sam Pickart: Originally from Wisconsin. Regional credits: Anything Goes (Billy Crocker) and Saturday Night Fever (Gus) at Mac-Haydn Theatre, Mamma Mia (Sam Carmichael) and Bonnie & Clyde (Bob Alcorn) at Summer Repertory Theatre, Parade (Frankie Epps) at Greendale Theatre. CCM credits: The Secret Garden (Dr. Neville Craven), Guys and Dolls (Benny Southstreet), Theory of Relativity (Paul), 42nd Street (Pat Denning), The Hunchback of Notre Dame (Tribunal/Gargoyle). For more, visit sampickart.com and follow @sampickart on Instagram.

Erich W. Schleck: Originally from Seattle, Washington. Regional credits: Jesus Christ Superstar (Peter) and Newsies (Finch) at NCC Summer Theatre, Spring Awakening (Melchior) and Cabaret (Emcee) at Ballyhoo Theatre and the Original Cast Recording of A Christmas Story: The Musical with the 5th Avenue Theatre. CCM credits: The Rocky Horror Show (Riff Raff), Yeast Nation (Jan-the-Wise), Guys and DollsJesus Christ SuperstarSondheim on SondheimChildren of Eden and the CCM Musical Theatre Incubator of Rocket Science (Heston). He originated the role of Rodrich in Nasha America in Cincinnati and NYC with Alchemation. Erich is also a choreographer with work that includes Big Fish (Village Theatre), Spring AwakeningWizard of OzRENT and Once on this Island (5th Avenue Award Recipient). His original dance show This Moment premiered at CCM during a workshop in Spring 2019. For more, visit erichschleck.com and follow @erichschleck on Instagram.

Hank von Kolnitz: Originally from Alexandria, Virginia. Regional credit: West Side Story (Big Deal) at The Lex; Little Mermaid (Prince Eric), Jesus Christ Superstar (Pontius Pilate) at the Clinton Area Showboat. West Side Story (Riff), Chicago and The Drowsy Chaperone at Santa Rosa Summer Rep; Mamma MiaBest Little Whorehouse in Texas at Totem Pole Playhouse. CCM credits: Rocky Horror Picture Show (Eddie/Dr. Scott), Hunchback of Notre Dame (Ensemble), Seussical (Ensemble U/S Wickershams), Guys and Dolls (Rusty Charlie) and more. For more, visit hankvonkolnitz.com and follow @hankvonko on Instagram.


About CCM Musical Theatre

The Musical Theatre program at the University of Cincinnati College-Conservatory of Music (CCM) is the oldest in the country and was the first of its kind. A four-year bachelor of fine arts (BFA) program, it was used by the National Association of Schools of Theatre in formulating the guidelines for the accreditation of Musical Theatre programs nationwide.

The program provides professional conservatory training designed to help singers, dancers and actors become accomplished musical theatre performers. Students participate in a number of productions while in residence and create a freshman and a senior showcase, the latter functioning as their New York debut for agents and casting directors. In addition, students undertake courses in English, history, psychology, dramatic literature, social and ethical issues and the humanities.

CCM Musical Theatre is widely recognized for its “triple-threat” approach to training and many of its graduates are following careers as performers and creative artists in every facet of the entertainment industry. CCM Musical Theatre graduates are working on Broadway and throughout the nation in such productions as AnastasiaHamiltonWaitressMoulin RougeThe Phantom of the OperaThe Book of Mormon, Pippin, WickedJersey BoysLes Misérables, Kinky Boots, Big Fish, Newsies and The Lion King. Students represent CCM in national and international touring productions, in dinner theatres and theme parks, on cruise ships, on television, in talent agencies, as producers and in many of the related entertainment fields.

The Musical Theatre program is part of a larger academic division known as TAPAA: Theatre Arts, Production and Arts Administration. At the time of its establishment in 1991, the Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM was the only academic chair of its kind in the United States, the American equivalent of the Chair in Musical Theatre endowed by Cameron Macintosh in honor of Stephen Sondheim at Oxford one year later.

Learn more about CCM’s BFA Musical Theatre program.

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