CCM welcomes 2015 Pulitzer Prize-winning composer Julia Wolfe for a two-day residency on March10 and 11, 2016. During her stay in Cincinnati, Wolfe will work with students in CCM’s Composition Department during their Composition Symposium.
“I’ve known Julia Wolfe since the early 1990s, when we both had residencies in Amsterdam,” explains CCM Professor of Composition Michael Fiday. “It’s such a thrill to be hosting her as a Pulitzer Prize-winning composer at CCM all these years later.”
A monumental half-hour piece inspired by an old English tale of the same name, Cruel Sister will be performed along with the world premiere of a new symphony by CCM Norman Dinerstein Professor of Composition Scholar Douglas Knehans and a concerto performance of Jennifer Hidgon’s Soprano Sax Concerto featuring CCM Faculty Artist and Performance Studies Division Head James Bunte.
“Julia’s music is both sensitive and visceral, and CruelSister is a powerful and bracing piece,” says Fiday. “We’re excited she’ll be here to spend time with our performers and our composition students. Can’t wait!”
Wolfe recently won the Pulitzer Prize for her concert-length oratorio Anthracite Fields, which chronicles the lives and hardships of miners in Pennsylvania’s coalfields. She has also regularly collaborated with and written for some of the world’s most recognized ensembles including the Kronos String Quartet, the Munich Chamber Orchestra and the BBC Orchestra. She is also the co-founder of Bang on a Can, a New York-based community whose mission is to create and perform new music.
Later on this March, the Kronos Quartet and the Cincinnati Symphony Orchestra will perform Wolfe’s MyBeautiful Scream as part of this year’s MusicNOW Festival.
Peter Landgren, dean and Thomas James Kelly professor of music at the University of Cincinnati College-Conservatory of Music (CCM), has announced that the internationally acclaimed Ariel Quartet will continue to serve as the college’s string quartet-in-residence for the next seven years. An ensemble-in-residence since 2012, this extension will keep the Quartet at CCM through the 2021-22 academic year and concert season.
“I am thrilled that the Ariel Quartet will call CCM its permanent home for the foreseeable future,” said Landgren. “Their residency has already had a notable impact on both our college and the city of Cincinnati. In their first three and a half years, the members of the Ariel Quartet have provided unparalleled coaching and mentorship to our students, presented our community with its first complete cycle of Beethoven’s string quartets, performed as part of Bryce Dessner’s MusicNOW Festival, collaborated with distinguished CCM guest artists like Menahem Pressler and David Geringas, and served as ambassadors for the Queen City as part of the CINCYinNYC initiative.”
The Ariel Quartet is comprised of AlexandraKazovsky, violin; Amit Even-Tov, cello; Gershon Gerchikov, violin; and Jan Grüning, viola. The group was formed in Israel in 1998, and they have been playing together ever since. 2014 recipients of the prestigious Cleveland Quartet Award, the Quartet directs CCM’s chamber music program as part of this residency, in addition to their annual series of concerts at the college.
“The past three and a half years exceeded our initial expectations of this residency in every respect,” the members of the Ariel Quartet explained. “The eagerness of CCM’s students paired with the incredible support of our esteemed faculty colleagues has enabled us to help cultivate the active and enthusiastic chamber music community of our dreams. We are thrilled to be able to make Cincinnati our permanent home and are excited at the prospect of continuing to be a part of this community’s musical life.”
The Ariel Quartet will continue to perform four concerts per year in CCM’s Corbett Auditorium for the duration of this new seven-year agreement. The Quartet will continue to coach 20 – 25 student string quartets in the fine art of chamber music performance, as well. The members of the Ariel Quartet will also expand their pedagogic roles at CCM by adding one-on-one teaching to their responsibilities.
CCM’s new agreement with the Quartet also provides a fund to attract guest artists who will perform with the Ariels and provide masterclasses for students, along with funding to support an annual student string quartet competition.
The Ariel Quartet will also be able to maintain its impressive international performance schedule thanks to support from the University of Cincinnati, which was key in assisting the members of the Quartet in obtaining their H-1B visas.
According to Paul Katz, the scope of the Ariel Quartet’s new arrangement with CCM is quite noteworthy. Founding cellist of the world-renowned Cleveland Quartet and a master teacher at the New England Conservatory, Katz said, “The long-term nature of this agreement brings both deserved economic security to this amazing young string ensemble, and gives CCM and the Ariel Quartet time together to build a first class string chamber music program for the school.”
Prior to its residency at CCM, the Ariel Quartet was the resident ensemble of the New England Conservatory’s Professional String Quartet Training Program, which is led by Katz. “I am delighted that my 26 years in the Cleveland Quartet and our groundbreaking residency arrangement at the Eastman School of Music was able to serve as a successful model for CCM’s relationship with the Ariel Quartet,” he observed.
Katz concluded, “In 45 years of mentoring extraordinary young groups, seldom have I seen an arrangement of comparable perception, detail and mutual benefit.”
“This has all been made possible by a group of individuals who understand how their investment in this young quartet revives a proud tradition initiated by the LaSalle Quartet,” Landgren explained, referring to CCM’s storied string quartet-in-residence from 1953-88. “Cincinnati and CCM will continue to benefit from the remarkable talents and engaging personality of the Ariel Quartet, whose members are writing an exciting new chapter in our community’s strong history of chamber music.”
Learn more about the Ariel Quartet’s upcoming CCM Concert Series by visiting ccm.uc.edu/ariel.
A New Era Dawns: The Ariel Quartet’s 2015-16 Concert Series
For its next season in residence at CCM, the Ariel Quartet will present concerts at 8 p.m. on Sept. 1, Nov. 10, Jan. 26 and March 1. These Tuesday night concerts will be held in CCM’s acoustically stunning Corbett Auditorium and will feature works by Tchaikovsky, Bartók, Brahms, Haydn and others.
Series highlights will also include a performance of Alban Berg’s Lyric Suite and a collaboration with CCM artist-in-residence Awadagin Pratt on Dvorák’s Piano Quintet No. 2, Op. 81. Complete concert series repertoire is available online at ccm.uc.edu/ariel.
Audiences can experience the Ariel Quartet’s next concert series in its entirety for just $75 per subscription, a savings of 25% off single ticket prices. Subscription packages can be purchased in person at the CCM Box Office or over the telephone at 513-556-4183.
Single tickets become available on Monday, August 24, and are $25 for general audiences and $15 for non-UC students. Single tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.
About the Ariel Quartet
Characterized by its youth, brilliant playing, and soulful interpretations, the Ariel Quartet has quickly earned a glowing international reputation.
The Quartet was formed in Israel 17 years ago when its members were young students, and they have been playing together ever since. Recently awarded the prestigious Cleveland Quartet Award, the Quartet serves as the faculty quartet-in-residence at the University of Cincinnati College-Conservatory of Music, where its members direct the chamber music program and perform their own annual series of concerts – a remarkable achievement for an ensemble so young.
Highlights of the 2014-15 season include a groundbreaking Beethoven cycle performed at New York’s SubCulture that featured a midnight performance of the Grosse Fuge; a performance featuring music by three generations of Israeli composers at the Kennedy Center in Washington, D.C.; performances resulting from the Cleveland Quartet Award in Kansas City, Austin and Buffalo; and a tour of South America.
The Ariel Quartet performs widely in North America, Europe and Israel, including two recent record-setting Beethoven cycles, performed before all the members of the quartet turned 30. The Ariel continues to astonish with its performances of complete works by memory and has remained committed to performing extensively in Israel. In addition, the Ariel has collaborated with the pianist Orion Weiss; violist Roger Tapping; cellist Paul Katz; and the American and Jerusalem String Quartets. The Quartet toured with the cellist Alisa Weilerstein during the 2013-14 season, and performs regularly with the legendary pianist Menahem Pressler. Additionally, the Ariel was quartet-in-residence for the Steans Music Institute at the Ravinia Festival, the Yellow Barn Music Festival and for the Perlman Music Program.
Formerly the resident ensemble in the New England Conservatory’s Professional String Quartet Training Program, the Ariel has won a number of international prizes including the Grand Prize at the 2006 Fischoff National Chamber Music Competition and First Prize at the international competition “Franz Schubert And The Music Of Modernity” in Graz, Austria, in 2003, when the Quartet’s members were remarkably young. After they won the Székely Prize for their performance of Bartók, as well as the overall Third Prize at the Banff International String Quartet Competition in 2007, the American Record Guide described the Ariel Quartet as “a consummate ensemble gifted with utter musicality and remarkable interpretive power” and called their performance of Beethoven’s Op. 132 “the pinnacle of the competition.”
The Ariel Quartet has been mentored extensively by Itzhak Perlman, Paul Katz, Donald Weilerstein, Miriam Fried, Kim Kashkashian and Martha Strongin Katz, among others. The Quartet has received extensive scholarship support throughout its studies in the United States from the America-Israel Cultural Foundation, Dov and Rachel Gottesman, the Legacy Heritage Fund, as well as The A. N. and Pearl G. Barnett Family Foundation.
CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
Community Partner: ArtsWave
The Ariel Quartet’s 2015-16 CCM concert series is made possible by the generous contributions of The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. & Mrs. Randolph L. Wadsworth, Mr. & Mrs. J. David Rosenberg, Mr. & Mrs. Harry H. Santen, Mr. & Mrs. Thomas E. Stegman.
A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.
All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.
CCM’s Guest Artist Series proudly presents Grammy Award-winning flutist (and CCM alumna) Molly Alicia Barth and acclaimed guitarist Dieter Hennings in concert at 8 p.m. this Thursday, Jan. 24, in the Cohen Family Studio Theater. Tickets to this performance are free. Reservations are not required.
Barth and Hennings’ Jan. 24 performance is scheduled to include a performance of CCM Associate Professor of Composition Michael Fiday‘s Five Haiku for alto flute and guitar, along with Philippe Hurel’s Loops, Juan Trigos’ From Partita, André Jolivet’s Ascèses, Herbet Vazquez’s El jardín del pasaje púrpura, David Lang’s Vent, Jean Micahel Damase’s Quatre Facettes and Toru Takemitsu’s Toward the Sea.
Grammy Award-winning flutist Molly Alicia Barth.
About Molly Alicia Barth
Described as “ferociously talented” by The Oregonian, Grammy-Award winning flutist Molly Alicia Barth is an active solo, chamber and orchestral musician, specializing in the music of today. As a founding member of the new music sextet eighth blackbird, Barth toured extensively throughout the world, recorded four CDs with Cedille Records, won a 2008 Grammy (“Best Chamber Music Performance”) and was granted the 2000 Naumburg Chamber Music Award, first prize at the 1998 Concert Artists Guild International Competition, the 1998/2000/2002 CMA/ASCAP Awards for Adventurous Programming, first prize at the 1997 Coleman Chamber Music Competition and first prize at the 1996 Fischoff National Chamber Music Competition.
Tomorrow afternoon, CCM welcomes composer Philip Glass and cellist Matt Haimovitzfor a special talk presented by the Cincinnati Symphony Orchestra. Led by CSO assistant conductor William White, the panel will delve into the topics of personal stye and inspiration and how one goes about preparing to perform a brand new concerto by this giant of American music.
“A Conversation with Philip Glass and Matt Haimovitz” takes place at 4:30 p.m. on Thursday, March 29 at CCM’s Robert J. Werner Recital Hall. Space is limited and reservations are required. Contact the Cincinnati Symphony Orchestra Box Office at 513-381-3300 to reserve.