CCM Shares Artistic Menu of Moveable Feast Performances

Cincinnati’s premier fundraiser returns next Friday, Jan. 17, 2020, when UC’s College-Conservatory of Music (CCM) presents Moveable Feast. Take a look at this year’s artistic menu to create your own schedule of 20-minute samplings of live entertainment, along with backstage tours and much more.

For one night only, Cincinnati audiences can experience CCM’s student stars of tomorrow in a variety of performances that showcase the full spectrum of the performing and media arts. Tickets to Moveable Feast are on sale now and can be purchased online at ccm.uc.edu/moveablefeast or over the phone at 513-556-2100.

The festivities begin with cocktails and appetizers at 6:30 p.m. CCM’s Jazz Orchestra kicks off the performances with a tribute to The Rolling Stones in Corbett Auditorium at 7:30 p.m. Then attendees are free to roam CCM Village to create their own menu of artistic experiences including a dazzling light show, acting, dance, musical theatre and opera performances; concerts by CCM’s Chamber Choir, Steel Drum Band, Chamber Winds and piano students; and more! The evening concludes with a grand finale performance by the CCM Philharmonia Orchestra at 10 p.m. in Corbett Auditorium.

This slideshow requires JavaScript.

Hosted by CCMpower — a dedicated volunteer group comprised of fans, advocates and alumni — Moveable Feast showcases students and faculty members in an evening of world-class live entertainment. The funds raised by the event enable CCMpower to fuel the future of the arts by awarding student scholarships and grants. Attendees roam through the expansive CCM Village, socializing and enjoying dinner-by-the-bite provided by Jeff Thomas Catering while creating their own menu of artistic experiences. A complete list of performance details is below.

Moveable Feast Artistic Menu

Attendees will receive a program with a map of CCM Village and performance information. The below performances are organized by location.

JAZZ ORCHESTRA PRELUDE
The CCM Jazz Orchestra Rolling Stones Project features vocalist Clyde Brown in popular hits by Mick Jagger and Keith Richards including Honky Tonk Woman, Wild Horses and Satisfaction.

  • Time: 7:30 p.m.
  • Location: Corbett Auditorium

STEEL DRUM BAND
Featuring two traditional Trinidadian tunes by Boogsie Sharpe and two new pop arrangements by CCM students.

  • Time: 8:30 p.m.
  • Location: Corbett Auditorium

PHILHARMONIA ORCHESTRA FINALE
Featuring Dvořák’s Slavonic Dance No. 1 in C Major, Op. 46 and Brahms’ Symphony No. 2 in D Major, Op. 73, 4. Allegro con spirito.

  • Time: 10 p.m.
  • Location: Corbett Auditorium

BACKSTAGE TOURS
Go behind-the-scenes to visit CCM’s Hair, Wig and Make-Up studios and get an up-close view of the creative work that goes into making our performers ready for the stage. Tours meet in the CCM Atrium and will require some stairs.

  • Times: 8 p.m., 8:30 p.m., 9 p.m., 9:30 p.m.
  • Location: Meet in the CCM Atrium

ELECTRONIC MEDIA
Learn about the student-created documentary “The Fifth Mode” that follows UC Engineering students who design a Hyperloop pod and made it to the finals of Elon Musk’s International SpaceX Hyperloop Competition.

  • Times: 8 p.m., 8:30 p.m., 9 p.m., 9:30 p.m.
  • Location: Room 3140c

THEATRE DESIGN AND PRODUCTION
Meet CCM’s outstanding student designers and view their senior portfolios, which feature the stunning work you’ve seen on CCM stages. If you’re lucky, you may get a sneak peek at upcoming production designs!

  • Times: 8 p.m., 8:30 p.m., 9 p.m., 9:30 p.m.
  • Location: Room 3240

LIGHTING SHOWCASE: BOOM!
Prepare to be dazzled by the spectacular creations of CCM’s stage lighting, technical production and sound students as they unite to present performance art of robotic lighting and technical systems integration.

  • Times: 8 p.m., 8:30 p.m., 9 p.m., 9:30 p.m.
  • Location: Cohen Family Studio Theater

CHAMBER WINDS
Enjoy hearing CCM students perform Carl Reinecke’s Octet, Op. 126.

  • Times: 8 p.m., 9 p.m.
  • Location: Room 3250

PIANO
CCM piano students perform Debussy’s L’isle joyeuse and the Romance and Tarantella from Rachmaninoff’s Suite No. 2, Op. 17 for 2 pianos at 8:30 p.m. The 9:30 p.m. performance features the Rachmaninoff piece and Liszt’s Rigoletto-Paraphrase.

  • Times: 8:30 p.m., 9:30 p.m.
  • Location: Room 3250

CHAMBER CHOIR
The CCM Chamber Choir and Graduate Brass Quintet present a cappella masterworks and a highlight from our Feast of Carols performance. Featuring graduate choral conducting students.

  • Times: 8 p.m., 9 p.m.
  • Location: Robert J. Werner Recital Hall

MUSICAL THEATRE
Enjoy performances of pop songs and contemporary Broadway hits from the Musical Theatre Freshman Women and CCM’s Musical Theatre Class of 2020 present a medley featuring songs River Deep, Mountain High; Ain’t No Mountain High Enough and Go Into Your Dance.

  • Times: 8:30 p.m., 9:30 p.m.
  • Location: Robert J. Werner Recital Hall

PREPARATORY & COMMUNITY ENGAGEMENT
The rising stars from CCM Prep present music, dance and musical theatre performances.

  • Times: 8 p.m., 8:30 p.m., 9 p.m., 9:30 p.m.
  • Location: Room 3705

DANCE
CCM Ballet Ensemble presents En Tournée, set to music by Dmitri Shostakovich with choreography by Jiang Qi.

  • Time: 8 p.m.
  • Location: Patricia Corbett Theater

OPERA
CCM Artist Diploma students perform selections from beloved operas including The Bartered Bride, The Magic Flute and Candide.

  • Times: 8:30 p.m., 9:30 p.m.
  • Location: Patricia Corbett Theater

ACTING
k. Jenny Jones, the only woman in the country recognized as a “Fight Master” by the Society of American Fight Directors, and CCM’s Acting Class of 2021 give a sneak peek into the illusion and magic of stage combat!

  • Time: 9 p.m.
  • Location: Patricia Corbett Theater

Event Location

CCM Village, University of Cincinnati

Purchasing Tickets

Tickets to Moveable Feast are on sale now and can be purchased online at ccm.uc.edu/moveablefeast or over the telephone at 513-556-2100.

  • Soloist Package: $600 – price includes two tickets to Moveable Feast and two tickets to CCM Musical Theatre’s “Not Famous Yet” Showcase (March 13, 2020), valet parking for Moveable Feast and program recognition
  • Patron Package: $225 – price includes one ticket to Moveable Feast, one ticket to CCM Musical Theatre’s “Not Famous Yet” Showcase, valet parking for Moveable Feast and program recognition
  • Host Ticket: $150 – price includes one ticket to Moveable Feast, valet parking for Moveable Feast and program recognition
  • General Public Tickets: $75 – price includes one ticket to Moveable Feast
  • CCM Alumni and Young Professional (40 and under) Tickets: $50 – price includes one ticket to Moveable Feast

Seating is limited. Event proceeds raised by CCMpower support student scholarships for CCM’s “stars of tomorrow” and help fund student and ensemble travel, master class opportunities and collaborative projects.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus.

For detailed maps and directions, please visit uc.edu/visitors.

CCM Alumni Applause CCM News CCM Slideshows CCMONSTAGE Faculty Fanfare Student Salutes

Welcome to What’s Next: CCM Shares Spring 2020 Calendar

The UC College-Conservatory of Music’s spring CCMONSTAGE events range from choral and winds concerts to theatre arts productions and more. Events start on Jan. 17, 2020.

UC’s College-Conservatory of Music welcomes the dawn of a new decade and the start of a new semester with sensational CCMONSTAGE performances by student stars, faculty artists and renowned guests.

Click the image to view a digital version of CCM’s spring 2020 calendar of major events.

Click the image to view a digital version of CCM’s spring 2020 calendar of major events.

CCM’s spring 2020 performance series begins with the return of Moveable Feast on Friday, Jan. 17, a one-of-a-kind event that lets audiences sample artistic and culinary delights while exploring CCM Village. Hosted by CCMpower, this star-powered showcase perfectly illustrates why the future of the performing and media arts lives here.

Spring highlights include events that bring exciting guest artists to collaborate with CCM students and faculty, including a CCM Philharmonia concert with special guest Louis Langrée, Ariel Quartet performances with visiting artists Alexander Fiterstein and Anton Nel, CCMONSTAGE Musical production of The Secret Garden with Broadway choreographer Connor Gallagher (BFA Musical Theatre, 2006) and more.

Tickets are available online at ccmonstage.universitytickets.com and in person through the CCM Box Office. Please note: the CCM Box Office is closed for winter season days until Monday, Jan. 13.

Learn more about CCM’s spring schedule of major events in the list below or pick up a copy of the spring 2020 calendar booklet from the CCM Box Office. You can also view a digital copy of the CCMONSTAGE Spring Calendar of Events by visiting https://issuu.com/ccmpr/docs/ccm-spring-2020-calendar-booklet.

CCMONSTAGE Spring 2020 Calendar of Major Events

January

6:30 p.m. Friday, Jan. 17
MOVEABLE FEAST RETURNS
Experience the return of Cincinnati’s favorite arts fundraiser as CCMpower proudly presents Moveable Feast! Create your own menu and timetable of artistic selections by our “stars of tomorrow.” Where else can you sample performances of jazz, musical theatre, piano, opera, acting, dance, choir, orchestra and much more all in one night? This one-of-a-kind evening can only happen at CCM!
Location: CCM Village
Tickets: Special ticket pricing and limited seating. For more information, visit https://bit.ly/34sYv2I or call CCM External Relations at 513-556-2100.


7:30 p.m. Saturday, Jan. 18
BOOM!
CCM Moving Light Programming II Course Project
Mark C. Williams, instructor and coordinator
Prepare to be dazzled by the spectacular creations of CCM’s talented stage lighting, technical production and sound students as they come together to present performance art of robotic lighting and technical systems integration!
Location: Cohen Family Studio Theater
Admission: FREE


CANCELLED
4 p.m. Sunday, Jan. 19
THE PAT AND JULIE SHOW
Patricia Linhart, soprano
Julie Spangler, piano
If you’ve attended the Pat and Julie Show before, you know this will be a wild evening featuring a mix of cabaret, pop and musical theatre favorites, as well as party favors and guest appearances by CCM students and faculty!
Location: Patricia Corbett Theater
Admission: FREE


7:30 p.m. Tuesday, Jan. 21
• CCM String Quartet-in-Residence •
A REGIONAL PREMIERE
The Ariel Quartet
Featuring guest artist Alexander Fiterstein, clarinet
The Ariel Quartet continues its 2019-20 concert series with a Midwest premiere by Christopher Theofanidis, commissioned by the Manchester Music Festival and written for the Ariel Quartet with guest artist Alexander Fiterstein.
MOZART: Clarinet Quintet in A Major, K. 581
THEOFANIDIS: Clarinet Quintet
BEETHOVEN: String Quartet No. 12 in E-flat Major, Op. 127
Location: Robert J. Werner Recital Hall
Tickets: Prices start at $29.50; student and group discounts available. Buy tickets online.

The Ariel Quartet’s 2019-20 CCM concert series is made possible by the generous contributions of an anonymous donor, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. Randolph L. Wadsworth, Judith Schonbach Landgren and Peter Landgren, Mr. and Mrs. Harry H. Santen, Elizabeth C. B. and Paul G. Sittenfeld, Mr. and Mrs. Thomas E. Stegman, Dr. and Mrs. Theodore W. Striker and Mrs. Harry M. Hoffheimer.


1:30 p.m. Friday, Jan. 24
• The Joseph and Frances Jones Poetker Thinking About Music Lecture Series •
IDEALIST AND EMPIRICAL PERSPECTIVES IN THEORIES OF THE ECCLESIASTICAL MODES
Edward Nowacki, CCM Emeritus Professor of Musicology
Location: CCM Baur Room
Admission: FREE


4 p.m. Sunday, Jan. 26
• Faculty Artist Series •
James Bunte, saxophone
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Sunday, Jan. 26
A TRIP TO TRINIDAD AND BACK
CCM Steel Drum Band
Russell Burge, music coordinator
Featuring guest artists the Vienna Jammers and CCM alumnus Jonathan Bisesi
CCM’s Steel Drum Band presents an evening of traditional music from Trinidad, along with pop, folk and reggae compositions. This year, the Vienna Jammers children’s steel drum band joins the show, as well as CCM alumnus Jonathan Bisesi (BM Percussion, ’00) who has been a member of the President’s Own United States Marine Band since 2004.
Location: Corbett Auditorium
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


7:30 p.m. Monday, Jan. 27
• Guest Artist Series •
Dozier Winds Woodwind Quintet (282d Army Band)
Featuring works by Dvořák, Kilar, Novak and Pärt.
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Thursday, Jan. 30
• Guest Artist Series •
Henry Kramer, piano
Featuring works by Ravel, Chopin and Haydn.
Location: Robert J. Werner Recital Hall
Admission: FREE

Sponsored by Louis and Susan Meisel


 7:30 p.m. Friday, Jan. 31
• Orchestra Series •
THE LONG GOODBYE
CCM Philharmonia
Mark Gibson, music director and conductor
BEETHOVEN: Piano Sonata in E-flat Major, Op. 81a, “Les Adieux
MAHLER: Symphony No. 9 in D Major
Location: Corbett Auditorium
Tickets: Prices start at $25; student and group discounts available. Buy tickets online.


February

11 a.m. Saturday, Feb. 1
THEATRE DESIGN AND PRODUCTION STUDENT PORTFOLIO SHOWCASE
Come see the spectacular work of CCM’s talented senior and graduate Theatre Design and Production (TD&P) students as they highlight their portfolios, websites and designs in this annual event! A gala event will follow the showcase from 6-8:30 p.m.
Location: Dieterle Vocal Arts Center, Room 300
Admission: FREE


7:30 p.m. Monday, Feb. 3
• Guest Artist Series •
Nathan Nabb, saxophone
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Tuesday, Feb. 4
• Jazz Series •
MILES AHEAD
CCM Jazz Lab Band
Craig Bailey, music director
Featuring the music of Miles Davis.
Location: Corbett Auditorium
Admission: FREE


7:30 p.m. Wednesday, Feb. 5
• Orchestra Series •
THE ROMANTIC
CCM Concert Orchestra
Aik Khai Pung, music director and conductor
MONICK: World Premiere New Work
BRUCKNER: Symphony No. 4 in E-flat Major, “Romantic”
Location: Corbett Auditorium
Admission: FREE


7:30 p.m. Thursday, Feb. 6
DUMBARTON OAKS
CCM Chamber Orchestra
Aik Khai Pung and Kevin Michael Holzman, music directors and conductors
Featuring faculty artist Michael Unger, harpsichord
DEBUSSY: Petite Suite
FRANÇAIX: Dixtuor for Wind Quintet and String Quintet
MARTINŮ: Concerto for Harpsichord and Small Orchestra, H. 246
STRAVINSKY: Dumbarton Oaks
Location: Robert J. Werner Recital Hall
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


7:30 p.m. Thursday, Feb. 6
2 p.m. Saturday, Feb. 8
2 p.m. Sunday, Feb. 9
• CCM Opera d’arte – Undergraduate Opera Series •
L’ORFEO
Music by Claudio Monteverdi
Libretto by Alessandro Striggio
Amy Johnson, director and co-producer
Kenneth Shaw, co-producer
Brett Scott, music director and conductor
This opera, premiered in 1607, bridges the musical divide between the late Renaissance and early Baroque eras. It is the oldest opera that is still regularly performed to this day. In the story, the musician Orpheus loses his bride, Eurydice, and must travel to the underworld in an attempt to win her back. If he is to return her to the land of the living, Orpheus must combat his own doubts, or else he will lose his beloved forever.
Location: Cohen Family Studio Theater
Tickets: Prices start at $10; student and group discounts available (tickets on sale Jan. 13).

Sponsored by The Rafael & Kimberly Daniel de Acha Foundation


7:30 p.m. Friday, Feb. 7
• Winds Series •
TRANSFORMATIONS: MASLANKA 4
CCM Wind Symphony
Featuring the Mason High School Wind Symphony
Kevin Michael Holzman, music director and conductor
Featuring faculty artist Denise Tryon, horn
The CCM Wind Symphony celebrates the new decade with a concert featuring Ash by CCM alumna Jennifer Jolley (MM Composition, 2009; DMA Composition, 2012).
SIERRA: Fandangos
JOLLEY: Ash
BECKEL: The Glass Bead Game
MASLANKA: Symphony No. 4
Location: Corbett Auditorium
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


8 p.m. Friday, Feb. 7
8 p.m. Saturday, Feb. 8
• CSO/CCM Collaboration •
PLAY OF LIGHT: RAVEL’S ENCHANTMENT
Presented by the Cincinnati Symphony Orchestra
Louis Langrée, conductor
Jean-Yves Thibaudet, piano
Isabel Leonard, mezzo-soprano
Grégoire Pont, concept and video
James Bonas, director
Thibault Vancraenenbroeck, set and costumes
Christophe Chaupin, lighting
CCM Chamber Choir, Earl Rivers, director
The Cincinnati Symphony Orchestra presents a fully staged production of Ravel’s fantastical L’Enfant et les sortilèges in collaboration with the CCM Chamber Choir and student soloists. Mezzo-soprano Isabel Leonard reprises her Grammy-winning title role as “the child” in this production, which features animations projected in light on and around the orchestra. This CSO performance also includes Saint-Saëns’ Piano Concerto No. 5, Egyptian, featuring Jean-Yves Thibaudet on piano.
Location: Cincinnati Music Hall, 1241 Elm St., Cincinnati, OH 45202
Tickets: Visit cincinnatisymphony.org or call the Music Hall Box Office at 513-381-3300 for ticket details.


4 p.m. Sunday, Feb. 9
• Winds Series •
OCTANDRE
CCM Chamber Winds
Kevin Michael Holzman, music director and conductor
VARÈSE: Octandre
STRAUSS: Serenade in E-flat, Op. 7
WEBER: Concertino for Oboe and Wind Band
GIPPS: Seascapes, Op. 53
REINECKE: Octett, Op. 216
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Monday, Feb. 10
• Winds Series •
CCM BRASS SHOWCASE: VERDI, JANÁČEK, HUSA
CCM Brass Choir
Kevin Michael Holzman, music director and conductor
JANÁČEK: Sokol Fanfare
HUSA: Divertimento
VERDI: Selections from Requiem
Location: Corbett Auditorium
Admission: FREE


7:30 p.m. Monday, Feb. 10
• Faculty Artist Series •
Marty Garcia, bassoon
Join the Cincinnati Symphony bassoon section for a recital celebrating the 95th birthday of composer and bassoonist Bernard Garfield!
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Wednesday, Feb. 12 (preview)
7:30 p.m. Thursday, Feb. 13
7:30 p.m. Friday, Feb. 14
2 and 7:30 p.m. Saturday, Feb. 15
2 p.m. Sunday, Feb. 16
• Play Series •
CLYBOURNE PARK
By Bruce Norris
Richard E. Hess, director
Clybourne Park was awarded the 2011 Pulitzer Prize for Drama and the 2012 Tony Award for Best Play. Inspired by Lorraine Hansberry’s A Raisin in the Sun (1959), the play explodes in two high-powered acts set 50 years apart. It imagines events in a racially-charged America and reveals that underneath a house in a typical neighborhood, racial fault lines run deep and wide. This production contains strong language.
Location: Patricia Corbett Theater
Tickets: Prices start at $32.50; student and group discounts available. Buy tickets online. Preview performance tickets start at $15.50.

CCMONSTAGE Production Sponsor: Macy’s


7:30 p.m. Saturday, Feb. 15
• Orchestra Series •
WELCOME TO CCM, MAESTRO LANGRÉE
CCM Philharmonia
Mark Gibson, music director
Louis Langrée, conductor
DEBUSSY: Prélude à L’après-midi d’un faune
RAVEL: Piano Concerto
BERLIOZ: Symphonie Fantastique
Location: Corbett Auditorium
Tickets: Prices start at $29.50; student and group discounts available. Buy tickets online.

Sponsored by Mr. & Mrs. Joseph W. Hirschhorn


3 p.m. Sunday, Feb. 16
• Choral Series •
ANDREA STANILAND’S DARK STAR REQUIEM
CCM Chorale
Brett Scott, music director and conductor
Audrey Chait, stage director
CCM presents the American premiere of Andrea Staniland’s Dark Star Requiem, a work simultaneously challenging and joyous, complex and beautiful. Over the course of its 14 movements, a sequence of 19 poems chart a short history of HIV and AIDS. These poems vary from linked haikus to ghazals, praise poems and free verse. This piece features soloists, chorus, piano trio and percussion.
Location: Corbett Auditorium
Admission: FREE


 4 p.m. Sunday, Feb. 16
• Faculty Artist Series •
Alan Rafferty, cello
Colleagues and friends from near and far join Alan Rafferty for an afternoon of chamber music.
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Tuesday, Feb. 18
• Faculty Artist Series •
Demarre McGill, flute
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Tuesday, Feb. 18
A VIEW FROM THE EDGE
A showcase of music by CCM student composers.
Location: Patricia Corbett Theater
Admission: FREE


7:30 p.m. Wednesday, Feb. 19
• Winds Series •
DANCE AND MOVE WITH US
CCM Wind Ensemble
Thomas Gamboa, music director and conductor
Featuring conductor-in-residence Fangfang Li and faculty artist Ron Aufmann, clarinet
The CCM Wind Ensemble performs music inspired by movement, marches and dances.
BEETHOVEN: March for Military Band No. 1 in F Major, WoO 18
HINDEMITH: “Geschwindmarsch” Paraphrase from Symphonia Serena
BENSON: The Solitary Dancer
NAVARRO: Clarinet Concerto No. 1
QIAN: Come, Drink One More Cup
REED: Armenian Dances
ETEZADY: Anahita
TCHAIKOVSKY: Dance of the Jesters
Location: Corbett Auditorium
Admission: FREE


7:30 p.m. Thursday, Feb. 20
7:30 p.m. Friday, Feb. 21
7:30 p.m. Saturday, Feb. 22
2 p.m. Sunday, Feb. 23
• Opera Series •
PARTENOPE
Music by George Frideric Handel
Libretto by Silvio Stampiglia
Caleb Glickman, conductor
Greg Eldridge, director
Four rival suitors must navigate their way through mistaken identities, cross-dressing and declarations of war as they vie for Queen Partenope’s hand in marriage. Written in 1730, Handel’s witty romantic comedy features gorgeous arias and captivating music.
Location: Cohen Family Studio Theater
Tickets: Prices start at $23.50; student and group discounts available. Buy tickets online.


7:30 p.m. Friday, Feb. 21
• Winds Series •
STAR WARS: POPS IN SPACE
CCM Wind Symphony
Kevin Michael Holzman, music director and conductor
Featuring conductor-in-residence Fangfang Li and the Cincinnati Youth Wind Ensemble (CYWE)
BACH: Toccata and Fugue in D Minor
WHITACRE: Deep Field, featuring images from NASA
HOLST: Selections from The Planets
WILLIAMS: Star Wars Suite
Location: Corbett Auditorium
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


5 p.m. Saturday, Feb. 22
• Starling Series •
STARLING SHOWCASE
Kurt Sassmannshaus, music director
Showcasing Starling violin students from the college and pre-college programs, including violinist KayCee Galano performing Elgar’s epic Violin Concerto.
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Saturday, Feb. 22
• Jazz Series •
ESSENTIALLY ELLINGTON FESTIVAL: GALA CONCERT
Scott Belck, music director
Featuring guest artist James Chirillo, guitar
CCM’s Essentially Ellington festival, sponsored by Wynton Marsalis’ Jazz at Lincoln Center, returns in full swing! The daylong event features the region’s top high school jazz ensembles, and the gala concert will feature the CCM Jazz Orchestra with guitarist James Chirillo, who appears regularly with the Jazz at Lincoln Center Orchestra.
Location: Corbett Auditorium
Tickets: Prices start at $23.50; student and group discounts available. Buy tickets online.


4 p.m. Sunday, Feb. 23
• Faculty Artist Series •
Dror Biran, piano
Featuring Alan Rafferty, cello, and Timothy Lees, violin
BRAHMS: Cello Sonata No. 1 in E Minor, Op. 38
SCHUBERT: Piano Trio No. 2 in E-flat Major, D. 929
Location: Robert J. Werner Recital Hall
Admission: FREE


2:30 p.m. and 4 p.m. Sunday, Feb. 23
CREATIVE COMMISSIONS PREMIERES CONCERT AND EXHIBITION
Sponsored by the CCM Harmony Fund
Andy Villemez, director
Creative Commissions and CCM’s Harmony Fund present an art and music exhibition featuring visual artists and choral ensembles from the Tristate area. The event will premiere new works that celebrate the power of the arts to promote inclusion and unity, as well its ability to fight hate and prejudice. Participating schools and ensembles include: the May Festival Youth Chorus, Cincinnati Youth Choir, UC Men’s and Women’s Choruses, St. Xavier High School and Harrison High School. Participating composers include Alex Gartner, Ellen Harrison, Cara Haxo, Carrie Magin, Brian Nabors and Sarah Riskind.
Art Exhibit: 2:30 p.m. in the Patricia Corbett Theater Lobby and Atrium
Premieres Concert: 4 p.m. in Patricia Corbett Theater
Admission: FREE


7:30 p.m. Tuesday, Feb. 25
• Faculty Artist Series •
Soyeon Kate Lee, piano
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Thursday, Feb. 27
CHINA TOWN IV
CCM Chamber Orchestra
Aik Khai Pung, music director and conductor
DUN: Circle with Four Trios, Conductor, and Audience
LONG: Dhyana
HUANG: Resonant Theatre No. 2: Woven
Location: Robert J. Werner Recital Hall
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


7 p.m. Saturday, Feb. 29
• Starling Series •
Starling Chamber Orchestra
Kurt Sassmannshaus, music director
Christina Nam and other student soloists
Showcasing the superbly talented young students from the Starling Preparatory String Project.
SCHUBERT: Death and the Maiden arr. for string orchestra
PAGANINI/MILONE: Caprice No. 9 for String Orchestra
TCHAIKOVSKY: Violin Concerto
Location: Robert J. Werner Recital Hall
Admission: FREE


March

 4 p.m. Sunday, March 1
• Winds Series •
SINFONIETTA
CCM Chamber Winds
Kevin Michael Holzman, music director and conductor
MILHAUD: Chamber Symphony No. 5, Op. 75
CRAWFORD SEEGER: Suite
SCHUBERT: Little Symphony for Winds
RAFF: Sinfonietta
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Tuesday, March 3
• Faculty Artist Series •
Ran Dank, piano
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Thursday, March 5
7:30 p.m. Friday, March 6
2 and 7:30 p.m. Saturday, March 7
2 p.m. Sunday, March 8
• Musical Series •
THE SECRET GARDEN
Book and lyrics by Marsha Norman
Music by Lucy Simon
Based on the Novel by Frances Hodgson Burnett
Connor Gallagher, director and choreographer
Jeremy Robin Lyons, musical director
This enchanting classic of children’s literature is reimagined in musical style by composer Lucy Simon and Marsha Norman, the Pulitzer Prize-winning playwright of ‘Night Mother. Orphaned in India, 11-year-old Mary Lennox returns to Yorkshire to live with her embittered, reclusive uncle Archibald and his ailing son Colin. The estate’s many wonders include a magic garden which beckons the children with haunting melodies and the “Dreamers,” spirits from Mary’s past who guide her through her new life, dramatizing The Secret Garden‘s compelling tale of forgiveness and renewal.
Location: Corbett Auditorium
Tickets: Prices start at $35.50; student and group discounts available. Buy tickets online.

CCMONSTAGE Production Sponsor: Macy’s, Dr. & Mrs. Carl G. Fischer and Graeter’s Ice Cream


7:30 p.m. Thursday, March 5
7:30 p.m. Friday, March 6
7:30 p.m. Saturday, March 7
2 p.m. Sunday, March 8
• Dance Series •
STUDENT CHOREOGRAPHERS’ SHOWCASE
Shauna Steele, director
Experience six emerging choreographers as CCM dance majors present dynamic and diverse works from classical ballet to traditional jazz dance with music ranging from Bizet to Queen.
Location: Cohen Family Studio Theater
Tickets: Prices start at $15.50; student and group discounts available. Buy tickets online.


4 p.m. Sunday, March 8
• Jazz Series •
SWING, SWANG, SWINGING
CCM Jazz Lab Band
Craig Bailey, music director
 
Featuring classic swing music from different eras.
Location: Patricia Corbett Theater
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


7:30 p.m. Monday, March 9
• Guest Artist Series •
American Horn Quartet
Featuring Kerry Turner, Geoffrey Winter, Kristina Mascher-Turner and Denise Tryon, horns.
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Tuesday, March 10
• CCM String-Quartet-in-Residence •
HUNGARY
The Ariel Quartet
Featuring guest artist and CCM alumnus Anton Nel, piano
HAYDN: String Quartet No. 62 in C Major, Op. 76, No. 3, “Emperor”
BRAHMS: Piano Quartet No. 1 in G Minor, Op. 25
DOHNÁNYI: Piano Quintet No. 2 in E-flat Minor, Op. 26
Location: Robert J. Werner Recital Hall
Tickets: Prices start at $29.50; student and group discounts available. Buy tickets online.

The Ariel Quartet’s 2019-20 CCM concert series is made possible by the generous contributions of an anonymous donor, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. Randolph L. Wadsworth, Judith Schonbach Landgren and Peter Landgren, Mr. and Mrs. Harry H. Santen, Elizabeth C. B. and Paul G. Sittenfeld, Mr. and Mrs. Thomas E. Stegman, Dr. and Mrs. Theodore W. Striker and Mrs. Harry M. Hoffheimer.


7 p.m. Wednesday, March 11
7 p.m. Thursday, March 12
7 p.m. Friday, March 13
TRANSMIGRATION 2020
A Festival of Student-Created New Works
Richard E. Hess and Brant Russell, producers
Transmigration, so named for “the movement from one place to another” or “the transition from one state of being to another,” features six teams of CCM Acting students who craft and then perform original 30-minute shows simultaneously in different locations throughout CCM Village. Transmigration audience members will have the opportunity to experience four different works of their choosing in one spectacular evening.
Location: CCM Village
Admission: Admission is free, but reservations are required. Tickets become available at 12:30 p.m. on Monday, March 9. Call 513-556-4183 or visit the CCM Box Office to reserve. Limit two tickets per order.


7:30 p.m. Wednesday, March 11
• Orchestra and Choral Series •
CCM Concert Orchestra and Chorale
Aik Khai Pung and Brett Scott, music directors
Aik Khai Pung, conductor
This collaboration between the CCM Concert Orchestra and Chorale features Brahms’ Alto Rhapsody, Op. 53; Nänie (A Funeral Song), Op. 82 and Schicksalslied (Song of Destiny), Op. 54. The CCM Concert Orchestra will also perform Elgar’s Enigma Variations.
Location: Corbett Auditorium
Admission: FREE


7 p.m. Thursday, March 12
4 p.m. Saturday, March 14
CCM MUSICAL THEATRE SENIOR SHOWCASE
Created and performed by the Class of 2020 in Musical Theatre
See and hear our musical theatre “stars of tomorrow” in action at the 28th edition of the “Not Famous Yet” showcase, featuring the Class of 2020 prior to its New York City debut.
Location: Patricia Corbett Theater
Admission: Admission is free, but reservations are required. Tickets become available at 12:30 p.m. on Monday, March 9. Call 513-556-4183 or visit the CCM Box Office to reserve. Limit two tickets per order.


7:30 p.m. Thursday, March 12
• Winds Series •
CCM BRASS SHOWCASE: THE PLANETS
CCM Brass Choir
Kevin Michael Holzman, music director and conductor
CCM’s nationally-recognized Brass Choir performs classical, popular and folk selections, featuring brass ensembles large and small consisting of students from the CCM horn, trumpet, trombone, tuba/euphonium and percussion studios.
NYMAN: For John Cage
HOLST: The Planets
Location: Corbett Auditorium
Admission: FREE


7 p.m. Friday, March 13
CCM MUSICAL THEATRE SENIOR SHOWCASE
A CCMpower Benefit
Created and performed by the Class of 2020 in Musical Theatre
See and hear our musical theatre “stars of tomorrow” in action at the 28th edition of the “Not Famous Yet” showcase, featuring the Class of 2020 prior to its New York City debut. The annual CCM Musical Theatre Young Alumni Award will be presented at the showcase.
Location: Patricia Corbett Theater
Tickets: Special ticket pricing and limited seating. For more information, call CCM External Relations at 513-556-2100.


10 a.m. Saturday, March 14
OPERA SCHOLARSHIP COMPETITION
Experience tomorrow’s opera stars today as CCM hosts its prestigious national competition, featuring current and newly admitted students vying for tuition scholarships and cash awards.
Location: Corbett Auditorium
Admission: FREE


2 p.m. Sunday, March 15
• CCM Ensemble-in-Residence •
AROUND THE WORLD: CELEBRATING OUR STORIES
Cincinnati Youth Choir
Robyn Lana, music director
CYC resident choirs sing of growth, encouragement and unity while connecting our stories with music and special theatrical performances from CCM Acting alumnus Graham Rogers.
Location: Corbett Auditorium
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


7:30 p.m. Tuesday, March 24
• Winds Series •
AMERICA AND RUSSIA
CCM Wind Ensemble
Thomas Gamboa, music director and conductor
Join the CCM Wind Ensemble as they feature American and Russian music showcasing cultural connections.
SHOSTAKOVICH: Folk Dances
DELLO JOIO: Scenes from the Louvre
McFARLAND: Sunset on the New England Coast
HANSON: Chorale and Alleluia
McCUNE: High Water Rising
KOZHEVNIKOV: Symphony No. 3, “Slavyanskaya”
Location: Corbett Auditorium
Admission: FREE


7:30 p.m. Tuesday, March 24
• Faculty Artist Series •
Awadagin Pratt, piano
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Thursday, March 26
CCM CELLO-BRATION!
CCM Chamber Orchestra
Kevin Michael Holzman, music director and conductor
Alan Rafferty and Sarah Kim, co-coordinators and soloists
KLENGEL: Hymnus for 12 cellos, op. 57
BOULEZ: Messagesquisse
VILLA-LOBOS: Bachianas Brasileiras
VIVALDI: Double Cello Concerto
SOLLIMA: Violoncelles Vibrez!
DVOŘÁK: Serenade for Winds, Op. 44
Location: Robert J. Werner Recital Hall
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


2 and 7 p.m. Friday, March 27
CCM ACTING SENIOR SHOWCASE
Enjoy the talents of the CCM Acting Class of 2020 in its exciting industry showcase prior to its professional debut in New York and Los Angeles. The evening performance will be followed by the 17th annual DOLLY awards recognizing excellence by students in the Acting Department, as well as a reception in the Baur Room.
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Saturday, March 28
• Winds Series •
FIREWORKS
CCM Wind Symphony
Kevin Michael Holzman, music director and conductor
Featuring Percussion Group Cincinnati, with the Carmel High School Wind Symphony
Indiana’s nationally-acclaimed Carmel High School Wind Symphony joins the CCM Wind Symphony for a blockbuster program featuring Percussion Arts Society Hall of Fame ensemble Percussion Group Cincinnati.
MONTAGUE: Intrada 1631
JACOBSEN: World Premiere Composition
GOTKOVSKY: Poeme du feu
GRAINGER: Lincolnshire Posy
PECK: The Glory and the Grandeur
Location: Corbett Auditorium
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


4 p.m. Sunday, March 29
MUSIC FOR FOOD: CCM BENEFIT CONCERT
Gwen Coleman Detwiler and the Ariel Quartet, series coordinators
CCM presents the sixth year of its chamber series supporting Music For Food, a national musician-led initiative for local hunger relief. Concerts raise resources and awareness in the fight against hunger. CCM is pleased to partner on this series with the Freestore Foodbank, Cincinnati’s leading hunger relief organization. Bring non-perishable food items or a cash donation and enjoy a feast of chamber music favorites!
Location: Dieterle Vocal Arts Center, Room 300
Admission: Non-perishable food items or cash donation.
Suggested donation: $20 general, $15 students.


April

7:30 p.m. Thursday, April 2
7:30 p.m. Friday, April 3
7:30 p.m. Saturday, April 4
2 p.m. Sunday, April 5
• Opera Series •
THE MAGIC FLUTE
Composed by Wolfgang Amadeus Mozart
Libretto by Emanuel Schikaneder
Mark Gibson, conductor
Robin Guarino, director
Joshua Cook, associate director
In a world at war and suffering the devastating effects of climate change, two young people undertake a great journey to save their lives and the planet. Director Robin Guarino presents a unique, contemporary spin on this all-time classic. Mozart composed this beloved opera for the person who wants everything: a hero and heroine questing for true love, evil villains and a comical sidekick. The opera will be sung in German with English dialogue. There will be English supertitles.
Location: Patricia Corbett Theater
Tickets: Prices start at $39.50; student and group discounts available. Buy tickets online.

CCMONSTAGE Production Sponsor: Macy’s


7:30 p.m. Thursday, April 2
7:30 p.m. Friday, April 3
2 and 7:30 p.m. Saturday, April 4
2 p.m. Sunday, April 5
• Musical Series •
BRIGHT STAR
Inspired By A True Story
Music, Book and Story by Steve Martin
Music, Lyrics and Story by Edie Brickell
Katie Johannigman, director and choreographer
Stephen Goers, musical director
Inspired by a real event and featuring the Grammy-nominated score by Steve Martin and Edie Brickell, Broadway’s Bright Star tells a sweeping tale of love and redemption set against the rich backdrop of the American South in the 1920s and ’40s. When literary editor Alice Murphy meets a young soldier just home from World War II, he awakens her longing for the child she once lost. Haunted by their unique connection, Alice sets out on a journey to understand her past – and what she finds has the power to transform both of their lives. Propelled by an ensemble of onstage musicians and dancers, the story unfolds as a rich tapestry of deep emotion, beautiful melodies and powerfully moving performances.
Location: Cohen Family Studio Theater
Tickets: Prices start at $29.50; an extremely limited number of tickets are still available. Buy tickets online.

Sponsored by Greg Mathein


1:30 p.m. Friday, April 3
• The Joseph and Frances Jones Poetker Thinking About Music Lecture Series •
THE FIDDLER ON THE ROOF IN HAYDN’S STRING QUARTETS
Danuta Mirka, Northwestern University

This lecture will explore Haydn’s use of the high register in his first violin parts for string quartet, as well as how these undermine the ideal of the string quartet as a conversation among peers. This lecture also marks the beginning of the Music Theory and Musicology Society Student Conference.
Location: Albino Gorno Memorial CCM Library, 600 Blegen Library
Admission: FREE


10 a.m. Saturday, April 4
• The Music Theory and Musicology Society Conference Keynote •
Daniel Goldmark, Case Western Reserve University
The Music Theory and Musicology Society Student Conference presents this lecture on how music shapes our understanding of the past and our memories, with a focus on popular music and animation.
Location: Baur Room
Admission: FREE


12 p.m. Saturday, April 4
ANDREW HOWELL HORN SCHOLARSHIP COMPETITION
Hear performances by outstanding young horn players during the Andrew Howell Memorial Scholarship Competition. Open to current undergraduates as well as applicants who have committed to attend CCM in 2020-21, the winner of this competition will receive a $3,000 scholarship and a solo performance opportunity. The competition is held in loving memory of Andrew Howell, an extraordinary musician and an exceptional person who passed away during his undergraduate studies as a horn major at CCM.
Location: Robert J. Werner Recital Hall
Admission: FREE


4 p.m. Sunday, April 5
• Choral Series •
UC CHORUSES’ CENTENNIAL CELEBRATION
UC Men’s and Women’s Choruses and Cabaret Singers
Matthew Coffey, Molly Getsinger and Shane Thomas, conductors
Comprised of students from all 14 of UC’s colleges, the UC Men’s and Women’s Choruses and Cabaret Singers celebrate their 100th anniversary with a reunion concert featuring classics, jazz, pops and spirituals. UC Choruses alumni are invited to participate in this special performance, which will be followed by a celebratory reception.
Location: Corbett Auditorium
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


7:30 p.m. Tuesday, April 7
A VIEW FROM THE EDGE
A showcase of music by CCM student composers.
Location: Cohen Family Studio Theater
Admission: FREE


7:30 p.m. Tuesday, April 7
Classical Guitar Ensemble
Clare Callahan and Christopher Wilke, directors
Solos, duos, trios and quartets for classical guitar.
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Wednesday, April 8
• Winds Series •
CCM BRASS SHOWCASE: RULE BRITANNIA!
CCM Brass Choir
Kevin Michael Holzman, music director and conductor
HOLST: Suite from The Perfect Fool
HANDEL: Music for the Royal Fireworks
VAUGHAN WILLIAMS: Henry V
Location: Corbett Auditorium
Admission: FREE


7:30 p.m. Friday, April 10
CCM Percussion Ensemble
James Culley, music coordinator
Including works by Mark Applebaum, Dennis DeSantis, Mark Saya and Karel Goeyvaerts.
Location
: Cohen Family Studio Theater
Admission: FREE


7 p.m. Saturday, April 11
• Starling Series •
Starling Chamber Orchestra
Kurt Sassmannshaus, music director
Lilyanne Thoroughman, Miriam Smith and other student soloists
Showcasing the superbly talented young students from the Starling Preparatory String Project.
RAVEL: Duo for Violin and Cello
MILONE: Carmen Fantasy
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Saturday, April 11
• Jazz Series •
SIMPLY SINATRA
CCM Jazz Orchestra
Scott Belck, music director
Featuring guest artist Steve Lippia, vocals
Critically-acclaimed jazz vocalist Steve Lippia joins CCM’s Big Band for a hard-swinging tribute to the legendary Frank Sinatra. Experience the romance of an evening filled with hits including Come Fly With Me, New York, New York and My Way.
Location: Corbett Auditorium
Tickets: Prices start at $29.50; student and group discounts available. Buy tickets online.


7:30 p.m. Tuesday, April 14
SONIC EXPLORATIONS
Mara Helmuth, coordinator

Featuring an evening of electroacoustic and computer music by CCM students, faculty and guests.
Location: Cohen Family Studio Theater
Admission: FREE


7:30 p.m. Thursday, April 16
• Winds Series •
CCM Wind Ensemble
Thomas Gamboa, music director and conductor
Christopher Nichter, conductor
Featuring the Cincinnati Youth Wind Ensemble Symphonic Band
WILLIAMS: Symphonic Dance No. 3
STILL: “Summerland” from Three Visions
GOULD: Symphony No. 4, “West Point”
HESKETH: Masque
GRAINGER: Three Miniatures
BERNSTEIN: “Make Our Garden Grow” from Candide
Location: Patricia Corbett Theater
Admission: FREE


5 p.m. Saturday, April 18
• Starling Series •
STARLING SHOWCASE
Kurt Sassmannshaus, music director
Showcasing Starling violin students from the college and pre-college programs performing concertos for string soloists and orchestra, including violinist Christy Kim performing Saint-Saëns’ Violin Concerto.
Location: Robert J. Werner Recital Hall
Admission: FREE


4 p.m. Sunday, April 19
• Choral Series •
MONTEVERDI’S VESPERS OF 1610
CCM Chamber Choir and Concert Orchestra
Featuring student soloists, faculty and guest early music artists with the Dark Horse Consort (cornetti and sackbuts), Adriane Post, Baroque violin; Adriana Contino, Baroque cello; Michael Unger, harpsichord and organ
Earl Rivers, conductor
Monteverdi’s Vespers of 1610 serves as the “Brandenburg Gate” that ushered in the Baroque era with grand-scale choral-orchestral masterworks and virtuosic vocal and instrumental pieces. Early music guest artists join the CCM Concert Orchestra to accompany vocal lines of one through 10 parts in a variety of musical textures and colors.
Location: Christ Church Cathedral, 318 East 4th St., Cincinnati, OH 45202
Tickets: Prices start at $25; student and group discounts available. Buy tickets online.


4 p.m. Sunday, April 19
• Winds Series •
OLD MEETS NEW
CCM Chamber Winds
Kevin Michael Holzman, music director and conductor
MOZART: Divertimento in B-flat, K. 186 (K. 159b)
JANÁČEK: Mladi Suite for Wind Sextet
SCHMITT: Lied et Scherzo
BERGER: Serendade in F Major, Op. 102
Location: Robert J. Werner Recital Hall
Admission: FREE


7 p.m. Sunday, April 19
Classical Guitar Chamber Music
Clare Callahan and Christopher Wilke, directors
An evening of music for guitar with cello, flute, voice, and others.
Location: Watson Hall
Admission: FREE


7:30 p.m. Thursday, April 23
7:30 p.m. Friday, April 24
7:30 p.m. Saturday, April 25
2 p.m. Sunday, April 26
• Dance Series •
SERENADE + STRETTO + STRAVINSKY
Jiang Qi, director
Mark Gibson, conductor
CCM Dance and the CCM Philharmonia presents Serenade, the first ballet George Balanchine crafted in America, restaged by guest artist Joysanne Sidimus. With music by Pyotr Illyich Tchaikovsky, it is considered to be a defining moment in the creation of the American ballet aesthetic. In addition, guest choreographer Matthew Farmer presents Stretto, set to the six movements of Johann Sebastian Bach’s Suites for Solo Cello. The second half of this concert celebrates Igor Stravinsky and his ongoing and inspiring influence on dance with new original choreography to The Rite of Spring and Suite No. 2 by CCM dance faculty Jiang Qi and Shauna Steele.
Location: Corbett Auditorium
Tickets: Prices start at $25.50; student and group discounts available. Buy tickets online.

The performance of Serenade, a Balanchine® Ballet, is presented by arrangements with The George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique® Service standards established and provided by the Trust.


7:30 p.m. Thursday, April 23
7:30 p.m. Friday, April 24
2 and 7:30 p.m. Saturday, April 25
2 p.m. Sunday, April 26
• Play Series •
PUNK ROCK
By Simon Stephens
Brant Russell, director
In the library of a British high school, William and his fellow classmates prepare for their final exams while navigating the pressures of teenage life. They are educated and aspirational young people, but the savagery and combustibility of their world infects them. For mature audiences.
Location: Cohen Family Studio Theater
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


7:30 p.m. Thursday, April 23
DER SCHWANENDREHER
CCM Chamber Orchestra
Aik Khai Pung and Kevin Michael Holzman, music directors and conductors
Catharine Lees, viola
MICHAEL HAYDN: Divertimento in G Major
BACH: Brandenburg Concerto No. 1, BWV 1046
HINDEMITH: Der Schwanendreher
Location: Patricia Corbett Theater
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


5 p.m. Sunday, April 26
• Winds and Choral Series •
BRUCKNER & BRAHMS
CCM Wind Symphony and Chorale
Kevin Michael Holzman and Brett Scott, music directors and conductors
LAURIDSEN: O Magnum Mysterium
STRAVINSKY: Symphonies of Wind Instruments (1947)
SIMON: Amen!
BRAHMS: Begräbnisgesang, Op. 13
BRUCKNER: Mass No. 2 in E Minor
Location: Patricia Corbett Theater
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


7 p.m. Monday, April 27
• CCM Preparatory and Community Engagement •
Cincinnati Youth Wind Ensemble and Jr. Youth Wind Ensemble
Ann Porter, Kevin Michael Holzman, Christopher Nichter and Rick Canter, conductors
The area’s most talented middle school and high school instrumentalists perform traditional and contemporary band music.
Location: Corbett Auditorium
Admission: FREE


7 p.m. Tuesday, April 28
UC Bearcat and Jazz Bands
Christopher Nichter, music director
Join the UC Bearcat Bands for a thrilling evening of music. Consisting primarily of students majoring in fields outside music, these future musical citizens are sure to impress and inspire!
Location: Corbett Auditorium
Admission: FREE


7:30 p.m. Wednesday, April 29
• CCM Preparatory and Community Engagement •
Preparatory Brass Choir
Paul Hillner, director
Location: Robert J. Werner Recital Hall
Admission: FREE


7:30 p.m. Wednesday, April 29
UC Symphony Orchestra
Aik Khai Pung, music director and conductor
Alice Markiewicz, Gayle Castle and Shaun Day, associate conductors
Comprised of non-music majors, UC’s campus orchestra is designed to provide students with an opportunity to share their love of great music from the orchestral repertoire.
Location: Corbett Auditorium
Admission: FREE


May

7:30 p.m. Friday, May 1
7:30 p.m. Saturday, May 2
• CCM Preparatory and Community Engagement •
SPRING YOUTH BALLET CONCERT
Jonnie Lynn Jacobs-Percer, director
The CCM Youth Ballet Companies feature talented students from ages nine through adult performing traditional and contemporary works choreographed by CCM and CCM Prep faculty.
Location: Patricia Corbett Theater
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


2 and 5 p.m. Sunday, May 3
• CCM Ensemble-in-Residence •
A MUSICAL MOSAIC
Cincinnati Youth Choir
Robyn Lana, music director 
Completing the 27th anniversary concert series, the Cincinnati Youth Choir, including CCM resident choirs, ChoralQuest, Cincinnati Choral Academy community choirs and local dance troupes, produce a beautiful picture of hope by arranging smaller pieces to create a musical masterpiece.
Location: Corbett Auditorium
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


7 p.m. Friday, May 8
3 p.m. Saturday, May 9
• CCM Preparatory and Community Engagement •
ANNIE JR.
Music by Charles Strouse
Lyrics by Martin Charnin
Book by Thomas Meehan
Becca Kloha Strand, Rebecca N. Childs and Karie-Lee Sutherland, co-directors
Based on the popular comic strip and adapted from the Tony Award-winning Best Musical, Annie JR. features everyone’s favorite little redhead in her very first adventure. With equal measures of pluck and positivity, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. She eventually foils Miss Hannigan’s evil machinations, finding a new home and family in billionaire Oliver Warbucks, his personal secretary, Grace Farrell, and a lovable mutt named Sandy.
Location:
Cohen Family Studio Theater
Tickets: Prices start at $19.50; student and group discounts available. Buy tickets online.


3 p.m. Sunday, May 10
• CCM Preparatory and Community Engagement •
Cincinnati Junior Strings
Rachel Bierkan, director
The area’s finest young string musicians perform a concert of music composed and arranged for string orchestra.
Location: Corbett Auditorium
Admission: FREE


Event Information

All events listed above take place in CCM Village on UC’s campus unless otherwise indicated. Admission is free to many CCM performances, although some events do require purchased tickets or reservations. Please see individual event information for details and ordering information. Repertoire and dates are subject to change.

Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Inclement Weather Policy: In the event of inclement weather conditions, CCM will handle the cancellation of events and performances as follows: if the University of Cincinnati is closed, all CCM performances on that day will be cancelled.

Purchasing Tickets

Experiencing the magic of CCMONSTAGE has never been easier! Purchase your tickets:

  • Online at ccmonstage.universitytickets.com
  • Over the phone at 513-556-4183
  • In person at the CCM Box Office in the Atrium of UC’s Corbett Center for the Performing Arts.

Ticket discounts are available for UC and non-UC students and groups.

CCM’s Box Office is open Mon-Fri from 12:30-6 p.m., Sat. from 12-4 p.m. and one hour prior to curtain for ticketed performances. Hours subject to change based on the University of Cincinnati calendar. Please note: the CCM Box Office is closed for winter season days until Monday, Jan. 13, 2020.

CCM Student Ticket Options

Advance Sales
Want to guarantee your seat? Current CCM students can purchase up to two tickets for each spring 2020 CCMONSTAGE concert and production at the discounted rate of just $5 per ticket. Tickets must be purchased in person at the CCM Box Office. A valid student ID is required.

Rush Tickets
Current CCM students also have the opportunity to attend most CCMONSTAGE events at no charge through student rush. CCM student rush tickets become available two days before each concert performance and one hour prior to the start of each theatre arts (dance, plays, musicals, opera) performance. CCM student rush tickets subject to availability. Tickets must be requested in person at the CCM Box Office. A valid student ID is required.

Other restrictions may apply. Inquire at the CCM Box Office for full details.

Parking and Directions

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. CCMONSTAGE patrons can order prepaid parking at $10 for each performance selected. Prepaid parking is date/performance specific. UC CCM Garage parking rates for a performance or special event is usually available for $10-15.

For additional information on parking at UC, please visit uc.edu/parking.

For detailed maps and directions, please visit uc.edu/parking/visitors-maps. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.


Sponsors and Partners

CCM recognizes and thanks the following corporations, foundations and individuals for their generous support:

Louise Dieterle Nippert Trust
Scholarship and Resident Artist Sponsor

The Andrew W. Mellon Foundation
CCM/CSO Diversity Fellowship Sponsor

The Corbett Endowment at CCM
Dance Department Supporter
All-Steinway School Sponsor

ArtsWave
Wayne Ferguson Family Foundation
Louise H. & David S. Ingalls Foundation, Inc.
Community Partners

The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel
Visiting Artists & Thinking About Music Sponsor

Dr. & Mrs. Carl Fischer
Macy’s
CCMONSTAGE Production Sponsors

Elizabeth C. B. & Paul G. Sittenfeld
Musical Theatre Showcase Sponsor

Genevieve Smith
Opera Production Sponsor 

Ms. Margaret A. Straub & Mr. Neil R. Artman
Collaborative Piano Sponsor

Anonymous
Estate of Mr. William A. Friedlander
Mrs. William A. Friedlander
Dr. Randolph L. Wadsworth
Judith Schonbach Landgren and Peter Landgren
Mr. & Mrs. Harry H. Santen
Elizabeth C. B. & Paul G. Sittenfeld
Mr. & Mrs. Thomas E. Stegman
Dr. & Mrs. Theodore W. Striker
Mrs. Harry M. Hoffheimer
Ariel Quartet Sponsors

Jan Rogers
Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation
Choral Studies Sponsors

Robert & Debra Chavez
Three Arts Scholarship Fund
DIGS
CCMpower Partners

Mr. & Mrs. Joseph W. Hirschhorn
Orchestral Sponsor

 Mr. & Mrs. James L. Miller
Musical Theatre Production Sponsor

Graeter’s Ice Cream
Greg Mathein
Musical Theatre Performance Sponsors

Trish & Rick Bryan
CCMpower
The CCM Harmony Fund: Challenging Hate and Prejudice through Performing Arts
The Carol Ann and Ralph V. Haile, Jr./ U.S. Bank Foundation
KMK Law
Paula Boggs Muething & Brian Muething
PNC
Jeff Thomas Catering
Event Sponsors

Rafael & Kimberly Daniel de Acha Foundation
Voice Sponsor

The Sarah Marvin Foundation for the Performing Arts
Classical Guitar Sponsor

CCM Alumni Applause CCM News CCMONSTAGE Faculty Fanfare Student Salutes

CCM Jazz and Musical Theatre present Duke Ellington’s “Nutcracker Suite” Nov. 24

CCM presents a special seasonal treat at 4 p.m. on Sunday, Nov. 24, 2019, as CCMONSTAGE Jazz and Musical Theatre unite to present Duke Ellington’s Nutcracker Suite in Corbett Auditorium.

One of the most influential jazz musicians of the 20th century, Duke Ellington recorded The Nutcracker Suite for the Columbia record label in 1960. The album featured jazz interpretations of well-known melodies by Peter Ilyich Tchaikovsky, arranged by Ellington and Billy Strayhorn.

Under the musical direction of Scott Belck, dancers from CCM’s Musical Theatre program will join the Jazz Orchestra to transform The Nutcracker Suite’s romantic orchestrations into jumping jazz melodies, including “Toot Toot Tootie Toot (Dance of the Reed-Pipes),” “Peanut Brittle Brigade” and “Sugar Rum Cherry (Dance of the Sugar-Plum Fairy).” Featuring choreography by Diane Lala, a classical ballet becomes cool-cat jazz, infused with Vegas glitz, Hollywood glamour and a little New York razzmatazz.

Tickets to the Duke Ellington Nutcracker Suite concert can be purchased online through CCM’s e-box office, over the phone at 513-556-4183 or in person at the CCM Box Office in the atrium of UC’s Corbett Center for the Performing Arts.

Performance Time

4 p.m. Sunday, Nov. 24

Location

Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Ticket prices start at $29.50; student and group discounts available. Pricing is inclusive of all fees. All performances are reserved seating.

Tickets can be purchased online though our e-box office, over the phone at 513-556-4183 or in person at the CCM Box Office in the Atrium of UC’s Corbett Center for the Performing Arts.

Learn about additional ticket options for current CCM students.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in the CCM Garage (located at the end of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit the UC Parking Services website for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

CCM News CCMONSTAGE Student Salutes
CCMONSTAGE Musical Series presents "The Rocky Horror Show." Photos by Mark Lyons.

First Look: CCMONSTAGE ‘The Rocky Horror Show’

CCMONSTAGE Musical Series presents "The Rocky Horror Show." Photos by Mark Lyons.

CCMONSTAGE Musical Series presents “The Rocky Horror Show.” Photos by Mark Lyons.

Tickets are going fast for CCM’s performances of The Rocky Horror ShowThe CCMONSTAGE musical only has limited tickets left for the performances on Oct. 31, Nov. 1-3, 9 and 10, 2019. Tickets can be purchased through the CCM Box Office. For mature audiences.

Take a first look at the cult musical in the gallery below. Photos by Mark Lyons.

This slideshow requires JavaScript.

The demand is high for CCMONSTAGE‘s 2019-20 musical theatre productions. After experiencing the college’s production of 42nd Street last week, ArtsWave dubbed CCM as “the jewel in the Queen City’s crown.” The League of Cincinnati Theatres beckoned audiences to “come see the future of Broadway at CCM and get a first look at the next generation headed to the Great White Way.”

After The Rocky Horror Show closes, you only have one more chance to see CCM’s musical theatre stars in action during the 2019-20 performance season. The next big musical presented by CCM is The Secret Garden, which runs March 5-8, 2020 in Corbett Auditorium. Tickets for CCM’s spring production of Bright Star (April 2-5, 2020) are currently booked up!

A female explorer emerging from foliage in a promotional image for the musical 'The Secret Garden.' Photo by Mark Lyons.Based on the novel by Frances Hodgson Burnett, The Secret Garden is directed and choreographed by CCM alumnus Connor Gallagher (BFA, ’06) who is currently the choreographer for Broadway’s Beetlejuice. The Secret Garden is a “turn-of-the-century fairy tale” (Los Angeles Times) that won three Tony Awards and the Drama Desk Award for Outstanding Musical. Centered on an orphaned girl and her ailing cousin, the musical offers a magical tale of forgiveness and renewal. Learn more about the musical and purchase tickets while you still can!


Richard O’Brien’s
The Rocky Horror Show

Creative Team

  • Vincent DeGeorge, Director/Choreographer
  • Stephen Goers, Musical Director
  • Joshua E. Gallagher*, scenic designer
  • Maddie Kevelson*, costume designer
  • Michael E. Nardella*, lighting designer
  • Hannah Werle*, sound designer
  • Kelly Yurko, wig & make-up designer
  • Abby Sauer*, production stage manager
  • Chris Jacobs*, associate sound designer
  • Payton Epperson*, prop master
  • K. Jenny Jones, fight/intimacy director
  • Sammi Grant*, dialect coach
  • Elle Zambarano*, assistant director
  • Em Joy, community educator

* CCM Student

Cast

  • Jake Waford as Brad
  • Mikayla Renfrow as Janet
  • John Harrison as Narrator
  • Erich Schleck as Riff-Raff
  • Sofie Flores as Magenta
  • Delaney Guyer as Columbia
  • Ethan Zeph as Frank ‘N’ Furter
  • Andrew Alstat as Rocky
  • Joseph (Hank) Von Kolnitz as Eddie/ Dr. Scott
  • Britta Cowan, Jack Johnson, Christian Kidd, Tyler Martin, Sasha Spitz, Brandon Schumacker, Veronica Stern, Jordyn Walker as Phantoms

Performance Times

  • 7:30 p.m. Thursday, Oct. 31* 
  • 7:30 p.m. Friday, Nov. 1
  • 2 and 7:30 p.m. Saturday, Nov. 2
  • 2 p.m. Sunday, Nov. 3
  • 7:30 p.m. Thursday, Nov. 7
  • 7:30 p.m. Friday, Nov. 8*
  • 2 and 7:30 p.m. Saturday, Nov. 9*
  • 2 p.m. Sunday, Nov. 10 

*Please note that parking and traffic on and around campus will be heavier than normal due to a UC Basketball game on Thursday, Oct. 31 and due to UC Homecoming activities on Friday, Nov. 8 and Saturday, Nov. 9.

CCM strongly encourages patrons to purchase pre-paid parking passes to UC’s CCM Garage through the Box Office for just $8. UC Parking Services will be charging “Special Event” rates.

Location

Cohen Family Studio Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Single tickets prices start at $29; student discounts and group rates are also available. Ticketing is limited.

Learn about additional ticket options for current CCM students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-box office.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Patrons can purchase pre-paid parking for UC’s CCM Garage through the CCM Box Office. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

____________________

Musical Theatre Production Sponsor: Mr. & Mrs. James L. Miller

The Rocky Horror Show is presented by special arrangement with SAMUEL FRENCH, INC.

CCM Slideshows CCMONSTAGE Faculty Fanfare
CCMONSTAGE presents "42nd Street" Oct. 24-27, 2019. Photos by Mark Lyons.

First Look: CCMONSTAGE Presents “42nd Street”

CCM brings the glitz and glamour of Broadway to Cincinnati this week with its CCMONSTAGE musical 42nd Street. Featuring tap dancing and classic show tunes, the musical runs tonight, Oct. 24, through Sunday, Oct. 27, 2019, at CCM’s Corbett Auditorium. Tickets are on sale through the CCM Box Office.

Take a sneak peek at the production in the gallery below. Photos by Mark Lyons.

This slideshow requires JavaScript.

Directed by Diane Lala with musical direction by Roger Grodsky, 42nd Street celebrates Broadway, Times Square and the people who make the magic of musical theatre. Aspiring chorus girl Peggy Sawyer comes to the big city from Allentown, Pennsylvania, and soon lands her first big job in the ensemble of a glitzy new Broadway show. But just before opening night, the leading lady breaks her ankle. Will Peggy be able to step in and become a star?

Get to know senior CCM Musical Theatre student Bailee Endebrock, who plays Peggy Sawyer, in this Q&A by Anne Simendinger of The News Record.

You can also read more about CCM’s production of 42nd Street here.

The 2019-20 CCMONSTAGE Musical Series presents 42nd Street on Oct. 24-27, 2019, at Corbett Auditorium. Tickets are on sale now through the CCM Box Office; student discounts are available.

42nd Street Billing Credits

  • Music by Harry Warren
  • Lyrics by Al Dubin
  • Book by Michael Stewart and Mark Bramble
  • Based on the Novel by Bradford Ropes
  • Original Direction and Dances by Gower Champion
  • Originally Produced on Broadway by David Merrick

The use of all songs is by arrangement with Warner Bros., the owner of music publishers’ rights.

42nd Street is presented by arrangement with TAMS-WITMARK, www.tamswitmark.com

Creative Team

  • Diana Lala, director
  • Roger Grodsky, musical director
  • Diana Lala and Katie Johannigman, co-choreographers
  • Mark Halpin, scenic designer
  • Reba Senske, costume designer
  • Jeremy Mayo*, lighting designer
  • Hankyu Lee*, sound designer
  • Samantha Kittle*, wig and make-up designer
  • Jennelle John-Lewis*, production stage manager
  • Eddy Mineishi*, associate sound designer
  • Ashley Crockett*, prop master
  • k. Jenny Jones, fight director
  • Sammi Grant, dialect coach

Cast List

  • Michael Canu as Andy Lee
  • Joey Vaz as Oscar
  • Matthew Skrovan as Mac
  • Zoë Grolnick as Annie
  • Camila Paquet as Maggie Jones
  • John Collins as Bert Barry
  • Anna Chase Lanier as Ethel
  • Kylie Liya Page as Diane
  • Tori Heinlein as Gladys
  • Jack Brewer as Billy Lawlor
  • Bailee Endebrock as Peggy Sawyer
  • Allison Bossart as Lorraine
  • Haley Holcomb as Phyllis
  • Nick Berninger as Julian Marsh
  • Jamie Goodson as Dorothy Brock
  • Sam Cohen as Abner Dillon
  • Sam Pickart as Pat Denning
  • Madison Hagler, Stone Mountain as Thugs
  • Kurtis Brown as Doctor
  • Ensemble: Jenna Bienvenue, Kurtis Brown, Carina Florio, Ashton Francis, Alloria Frayser, Madison Hagler, Cole Harksen, Chip Hawver, Tori Heinlein, Kai Horvit, Joshua Kenneth Allen Johnson, Anna Chase Lanier, David Littlefield, Kylie Liya Page, Cassie Maurer, Eli Mayer, Kassi McMillan, Chesney Mitchell, Stone Mountain, Eli Owens, Ben Pimental, Aaron Richert, Sammy Schechter, Quinn Surdez, Abby Tucker, Julia Yameen, Jess Zylstra
  • Swings: Christian Feliciano and Delaney Benson
  • Dance Captain: Joshua Kenneth Allen Johnson
  • Tap Captain: Zoë Grolnick
  • Assistant Director: Elijah King

Performance Times

  • 7:30 p.m. Thursday, Oct. 24
  • 7:30 p.m. Friday, Oct. 25
  • 2 and 7:30 p.m. Saturday, Oct. 26
  • 2 p.m. Sunday, Oct. 27

Location

Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Single tickets prices start at $35.50. Student discounts and group rates are also available.

Learn about additional ticket options for current CCM students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-box office.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


CCMONSTAGE Production Sponsors: Macy’s and Dr. & Mrs. Carl G. Fischer

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio. All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM Slideshows CCMONSTAGE Student Salutes

Classic Broadway Hit ’42nd Street’ Opens CCM’s 2019-20 Musical Series This Thursday

The CCMONSTAGE Musical Series presents the ultimate show-biz musical “42nd Street” on Oct. 24-27, 2019. Tickets available online.

Declared by Playbill Magazine as one of the most represented schools on Broadway, CCM presents 42nd Street on Oct. 24-27, 2019 at Corbett Auditorium. Featuring tap dancing and classic show tunes, CCM’s musical theatre student stars of tomorrow bring this beloved story to life on stage with all of the glitz and glamour of the Great White Way.

The ultimate show-biz musical, 42nd Street celebrates Broadway, Times Square and the people who make the magic of musical theatre. Aspiring chorus girl Peggy Sawyer comes to the big city from Allentown, Pennsylvania, and soon lands her first big job in the ensemble of a glitzy new Broadway show. But just before opening night, the leading lady breaks her ankle. Will Peggy be able to step in and become a star?

Lee Roy Reams in Broadway's "42nd Street."

Lee Roy Reams in Broadway’s “42nd Street.”

Featuring music by Harry Warren, lyrics by Al Dubin and a book by Michael Stewart and Mark Bramble, the score is chock-full of Broadway standards, including “You’re Getting To Be A Habit With Me,” “Dames,” “We’re In the Money,” “Lullaby of Broadway,” “Shuffle Off to Buffalo” and “Forty-Second Street.”

A special guest and distinguished alumnus returns to CCM during the run of 42nd Street to work with musical theatre students. Lee Roy Reams (’64, ‘82; HonDoc ’98) originated the role of Billy Lawlor in 42nd Street when it opened on Broadway in 1980. He was nominated for Tony and Drama Desk awards for his performance. Reams’ master class at CCM will focus on auditioning, the importance and impact on 42nd Street in the realm of American musical theatre, tap dancing and the “business of the business.”

The 2019-20 CCMONSTAGE Musical Series presents 42nd Street on Oct. 24-27, 2019, at Corbett Auditorium. Tickets are on sale now through the CCM Box Office; student discounts are available.

42nd Street Billing Credits

  • Music by Harry Warren
  • Lyrics by Al Dubin
  • Book by Michael Stewart and Mark Bramble
  • Based on the Novel by Bradford Ropes
  • Original Direction and Dances by Gower Champion
  • Originally Produced on Broadway by David Merrick

The use of all songs is by arrangement with Warner Bros., the owner of music publishers’ rights.

42nd Street is presented by arrangement with TAMS-WITMARK, www.tamswitmark.com

Creative Team

  • Diana Lala, director
  • Roger Grodsky, musical director
  • Diana Lala and Katie Johannigman, co-choreographers
  • Mark Halpin, scenic designer
  • Reba Senske, costume designer
  • Jeremy Mayo*, lighting designer
  • Hankyu Lee*, sound designer
  • Samantha Kittle*, wig and make-up designer
  • Jennelle John-Lewis*, production stage manager
  • Eddy Mineishi*, associate sound designer
  • Ashley Crockett*, prop master
  • k. Jenny Jones, fight director
  • Sammi Grant, dialect coach

Cast List

  • Michael Canu as Andy Lee
  • Joey Vaz as Oscar
  • Matthew Skrovan as Mac
  • Zoë Grolnick as Annie
  • Camila Paquet as Maggie Jones
  • John Collins as Bert Barry
  • Anna Chase Lanier as Ethel
  • Kylie Liya Page as Diane
  • Tori Heinlein as Gladys
  • Jack Brewer as Billy Lawlor
  • Bailee Endebrock as Peggy Sawyer
  • Allison Bossart as Lorraine
  • Haley Holcomb as Phyllis
  • Nick Berninger as Julian Marsh
  • Jamie Goodson as Dorothy Brock
  • Sam Cohen as Abner Dillon
  • Sam Pickart as Pat Denning
  • Madison Hagler, Stone Mountain as Thugs
  • Kurtis Brown as Doctor
  • Ensemble: Jenna Bienvenue, Kurtis Brown, Carina Florio, Ashton Francis, Alloria Frayser, Madison Hagler, Cole Harksen, Chip Hawver, Tori Heinlein, Kai Horvit, Joshua Kenneth Allen Johnson, Anna Chase Lanier, David Littlefield, Kylie Liya Page, Cassie Maurer, Eli Mayer, Kassi McMillan, Chesney Mitchell, Stone Mountain, Eli Owens, Ben Pimental, Aaron Richert, Sammy Schechter, Quinn Surdez, Abby Tucker, Julia Yameen, Jess Zylstra
  • Swings: Christian Feliciano and Delaney Benson
  • Dance Captain: Joshua Kenneth Allen Johnson
  • Tap Captain: Zoë Grolnick
  • Assistant Director: Elijah King

Performance Times

  • 7:30 p.m. Thursday, Oct. 24
  • 7:30 p.m. Friday, Oct. 25
  • 2 and 7:30 p.m. Saturday, Oct. 26
  • 2 p.m. Sunday, Oct. 27

Location

Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Single tickets prices start at $35.50. Student discounts and group rates are also available.

Learn about additional ticket options for current CCM students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-box office.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


CCMONSTAGE Production Sponsors: Macy’s and Dr. & Mrs. Carl G. Fischer

A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio. All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM Alumni Applause CCM News CCMONSTAGE Student Salutes

CCM Offers Arts Classes to All UC Students in Spring 2020

CCM offers dozens of different general studies and fine arts elective courses in spring 2020. These credit-granting courses are open to all UC students and cover a wide range of topics including dance, movies and media, music and theatre arts!

Master the hip-hop dance moves seen in current music videos or learn the basics of modern dance and ballet in CCM’s dance classes. Film a digital video or binge-watch classic movies, Disney animated musicals and TV sitcoms in movie and media appreciation classes.

CCM’s music appreciation classes cover the music of Woodstock, The Beatles, Japanese Pop and more, or students can study women’s impact on music and the impact of music on politics. Students can also turn their laptops into musical instruments and jam with a virtual band, or learn how to play the piano and guitar in hands-on music performance classes.

In theatre appreciation classes students can study the history of theatre, explore how Lin-Manuel Miranda’s Hamilton revolutionized musical theatre, learn the craft of acting or stage design and more!

CCM’s spring 2020 arts elective classes are offered online or in person; view a complete list of class offerings below. Find the most up-to-date information and register at catalyst.uc.edu.

Dance Classes

Advanced Intermediate Ballet II (3 credits)
FAM 1021-001 (Tuesday/Thursday, 2-3:20 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

This course is intended for non-Dance majors with prior training in classical ballet at the advanced/intermediate level. It is repeatable and is offered each semester. The ballet class will consist of a traditional ballet barre followed by center practice and enchantment following the usual progression. A preexisting knowledge of the ballet French terminology is required in addition to the physical mastery and overall knowledge of classical ballet expected at the advanced/intermediate level.


Ballet Basics (3 credits)
FAM 1011-001 (Tuesday/Thursday, 9:30-10:50 a.m.)
FAM 1011-002 (Tuesday/Thursday, 7:30-8:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

This is an introductory course for any non-major wishing to learn the fundamentals of classical ballet technique. It is a studio course, meaning students will be in the dance studio, in full attire (leotard, tights, ballet slippers for women; white T-shirt, tights and ballet shoes for men), learning the essentials of traditional classical ballet. We will study the French terminology associated with the movement and poses we dance in order to better facilitate learning and comprehension of the movement. Mind/body awareness will be facilitated while a more thorough knowledge of the art form, including historical perspective, origin, and philosophical issues as to its importance in today’s cultural world will also be discussed.


Ballet Conditioning for Athletes (3 credits)
FAM 1019-001 (Tuesday/Thursday, 9:30-10:50 a.m.)
Breadth of Knowledge Areas: FA Fine Arts

This is a beginning level of ballet designed especially for athletes and dance team members. As well as focusing on increasing the skill and artistry level within the parameters of classical ballet, the student will also learn to understand the historical perspectives of the art form and the value it has to the culture of society. Within the framework of the traditional ballet class, students will focus on developing strong core muscles, as well as lengthening and toning of the body with additional mat work and conditioning exercises, as part of the conditioning program. Daily proper attire is expected for this class. Exercise bands and mat or towel are also required.


Beginning Ballet II (3 credits)
FAM 1016-001 (Tuesday/Thursday, 2-3:20 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

This is a continuation of FAM 1015 Beginning Ballet I for any non-major wishing to learn the fundamentals of classical ballet technique or student who has had an introductory ballet course in the past. It is a studio course, meaning students will be in the dance studio, in full attire (leotard, tights, ballet slippers for women/ white t-shirt, tights and ballet shoes for men) learning the essentials of a traditional classical ballet class. We will study the French terminology associated with the movement and poses we dance in order to better facilitate learning and comprehension of the movement. Mind/body awareness will be facilitated while a more thorough knowledge of the art form including historical perspective, origin, and philosophical issues as to its importance in today’s cultural world will also be discussed.


Beginning Modern Dance I (3 credits)
FAM 1025-001 (Monday/Wednesday/Friday, 10:10-11:05 a.m.)
Breadth of Knowledge Areas: FA Fine Arts

In this course for non-dance majors, students are introduced to the techniques and movement vocabulary of contemporary and modern dance. Students will explore fundamental movement principles while emphasizing the development of improvisational and performance skills. The student will also develop the critical perspectives necessary to analyze and further appreciate dance as an art form and educational tool with cultural values.


Beginning Modern Dance II (3 credits)
FAM 1026-001 (Monday/Wednesday/Friday, 10:10-11:05 a.m.)
Breadth of Knowledge Areas: FA Fine Arts

In this course for non-dance majors, students continue to develop the techniques and movement vocabulary of contemporary and modern dance. Students will continue to explore fundamental movement principles while emphasizing the development of improvisational and performance skills. The student will also continue to develop the critical perspectives necessary to analyze and further appreciate dance as an art form and educational tool with cultural values.


Dance Appreciation – Online (3 credits)
FAM 1095-001
Breadth of Knowledge Areas: FA Fine Arts

This ONLINE course introduces dance as a performing art, focusing on the Western European and American dance forms of Ballet, Modern and Contemporary. The course will trace their development, historical development and cultural characteristics. Additional course topics will include viewing live dance performances.


Hip-Hop Dance (1 Credit)
FAM 1030-001 (Monday, 5:30-6:30 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

A beginning/intermediate level dance course with no experience required. This class is designed to teach the fundamentals of Hip-Hop through choreographed dances. Hip-Hop style similar to that seen on current music videos will be the style taught in class. Individual work, floor work, and partner work will be emphasized. Combinations will be performed to Rap and R & B music.


Intermediate Modern Dance II (3 credits)
FAM 1028-001 (Monday/Wednesday/Friday, 9:05-10 a.m.)
Breadth of Knowledge Areas: FA Fine Arts

A one semester, repeatable (by audition or permission of instructor) course for non-dance majors, providing a more sophisticated approach to the techniques and movement vocabulary of contemporary and modern dance. Students will also continue to explore and further develop fundamental movement principles while emphasizing the cultivation of improvisational and performance skills. The student will also develop the critical perspectives necessary to analyze and further appreciate dance as an art form and educational tool within our society.


Intermediate Ballet II (3 credits)
FAM 1018-001 (Tuesday/Thursday, 3:30-4:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

This is a ballet course designed for dancers with previous ballet training. It is a repeatable course for the non-major wishing to further pursue the complexities and artistic nuances of classical ballet technique. It is a studio course, meaning students will be in the dance studio, in full attire (leotard, tights, ballet slippers for women/ white t-shirt, tights and ballet shoes for men) learning the essentials of a traditional classical ballet class. We will study the French terminology associated with more complex movement and positions we dance in order to better facilitate learning and comprehension of the movement. Mind/body awareness will be facilitated while a more thorough knowledge of the art form including historical perspective, origin and philosophical issues as to its importance in today’s cultural world will also be discussed.


Legends of Dance in America – Online (3 credits)
FAM 1094-001
Breadth of Knowledge Areas: FA Fine Arts

This course introduces dance legends of Ballet, Modern and Contemporary Dance, their significant contribution to the world of dance in America, as well as the passion and insight that brought the legends to their height of success. Additional course topics include viewing live dance performances.


Modern Dance Basics – Online (3 credits)
FAM 1022-001
Breadth of Knowledge Areas: FA Fine Arts

In this course for non-dance majors, students are introduced to the techniques and movement vocabulary of contemporary and modern dance. Students will explore fundamental movement principles while emphasizing the development of improvisational and performance skills. The student will also develop critical perspectives necessary to analyze and further appreciate dance as an art form and educational tool with cultural values. Through interactive online instruction students use recording devices (e.g., smartphones, laptops, and camcorders) to develop their dance technique while building a dance community. To complete assignments students may film the dances with friends and/or family in locations of their choosing (e.g., dorm room, apartment, basement, backyard, park, and riverside). Students may also utilize the 414 Video Production Room in Langsam Library.


Movie and Media Appreciation Classes

Electronic Music Production with Ableton Live and Push (3 credits)
FAM 2045-001 (Wednesday, 6-8:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, TI Technology & Innovation

This is a course designed around contemporary electronic and pop music production techniques using Ableton Live Software and Ableton Push MIDI controllers.  We will be using existing genres and associated production strategies as a vehicle for learning music production. This is also an exploration of your own creativity and unlocking individual expression through electronic music production. This class is appropriate for musicians of all ability levels and backgrounds and has applications in music education, production, music therapy, and preparatory education. By the end of this course, students will have made a small portfolio of music and will gain familiarity to a wide variety of modern electronic pop music production techniques.


Art of Recording (3 credits)
FAM 1050-001 (Thursday, 4:30-7:20 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

Art of Recording focuses on the basic technical musical understanding needed to engage music at progressively deeper levels of understanding. Starting from simple listening experiences you will soon be able to appreciate what it means to be an “expert listener.” A musician learns the function musical scales; a painter, the knowledge paint and brushes; a writer, the craft of words and sentences. The expert listener integrates specific gateways that can reveal the depths of sound possibilities. This course expresses the Art of Recording from basic sound physics, music and brain functions as they pertain to the technology used in producing the popular music we love over the last five decades.


Digital Audio for Non-Majors (3 credits)
EMED 2007-001 (Tuesday/Thursday, 3:30-4:50 p.m.)

This course is designed to introduce the student to the fundamentals of digital audio theory and practices through the development of basic digital audio production projects. Course topics include general production principles and theory of operation of digital audio workstations with an emphasis placed on internet radio, podcast, and commercial production processes. The student will be introduced to basic audio production techniques through the corresponding laboratory phase of this course. The student will be required to demonstrate knowledge of the principles of audio production and apply those principles in laboratory exercises.
Prerequisite: To take this course you must: Have taken the following Courses EMDT 1011C min grade D-, or EMED 1005 min grade D- or EMED 1015 min grade D-.


Film and Television Production for Non-Majors (3 credits)
EMED 2002-001 (Monday/Wednesday, 10:10-11:30 a.m.)

The medium of digital video has become an increasingly pervasive means of communication in contemporary culture. Digital Video allows students to apply media aesthetic theory, processes and techniques in communicating their ideas to a specified audience via the digital video production process. While taking this course, each student is required to write, produce, shoot and edit several projects using digital video cameras, working in a digital nonlinear editing environment, and delivering their content through a variety of digital distribution channels to a specified audience.


Going to the Movies: 20th Century Classics (3 Credits)
EMED 1075-001 (Tuesday, 6-8:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

Through lectures and screenings of classic films students will explore the evolution of the motion picture as a unique and significant form of expression. The course includes investigation into film style and structure, distribution and consumption. Students will be guided in the development of aesthetic criteria for critical examination.


Integrated Media Production 1 for Non-Majors (3 credits)
EMED 1015-001 (Online)
EMED 1015-002 (Wednesday, 6-8:50 p.m.)
EMED 1015-003 (Monday/Wednesday, 3:30-4:50 p.m.)
Breadth of Knowledge Areas: TI Technology and Innovation

Media convergence is a vital component of our new media culture. In new media there is a melding of production, design and message with user-experience. Integrated Media Production I is an introductory course — the first of a two-course sequence within the E-Media major at CCM — that provides students with a theoretical and practical foundation in the intersecting worlds of digital media production, content development and new media design. This course is an overview of concepts and processes in convergent media production.


Japanese Pop, Anime & Video Game Music – Online (3 credits)
FAM 2050-001
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture, and Ethics

You will learn the evolution of Japanese Pop, Anime, and Video Game Music (post 1980) including anime theme songs, video game music, and popular songs. Each topic will provide the composer’s biography, historical background, and word-by-word translation of lyrics, and will investigate the cultural differences between Japan and America.


Media in your Life Non-Majors – Online (3 credits)
EMED 1011-001
Breadth of Knowledge Areas: TI Technology & Innovation

Did you know that the typical American spends about 11 hours a day consuming media? Think about that for a moment. How long is a typical workday? How many hours a night do you sleep? Could it be, based upon time usage alone, that media consumption is the most important activity in our lives? Whether those comments frighten you or inspire you, the fact remains that the media industry plays an enormously important role in our individual lives, is vital to the success of every major industry, and is foundational to the effective functioning of our representative democracy. Would you like to possess a more sophisticated understanding of the media production process and its artistic and theoretical underpinnings? Wouldn’t you like to know more about the latest digital production tools? Do you think you might want to pursue a media career? If you answered “yes” to any one of these questions, then “The Media in Your Life” is exactly the right course for you.


The Evolution of the Television Comedy (3 credits)
EMED 1050-001 (Wednesday, 6-8:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, HU Humanities and Literature

Through lectures and screenings of classic scenes and episodes, students will explore the American television comedy as a significant form of storytelling; as a uniquely elastic form of expression and contemporary critique; and as an exceptionally creative and influential art. The course includes investigation into comedy and sitcom style and structure, as well as historical and societal context and impact. Students will be guided in the development of aesthetic criteria for critical examination. This course is focused in the historical and cultural development of television comedies from their pre-TV origins to their contemporary manifestations. Students will develop the strategies for reading media properly while also investigating the historical, literary, cultural and aesthetic contributions of television to 20th- and 21st-century art forms.


Music Appreciation Classes

American Music – Online (3 credits)
FAM 2006-001
Breadth of Knowledge Areas: FA Fine Arts, HP Historical Perspectives

An online history of music in America c. 1620 to the present. Musical life as we experience it in the USA today is the product of a history that is in many ways unique, but never far from world-wide influences. This course surveys a wide variety of music along with the social, political, and religious movements that have shaped American musical life right up to the present. Examines the contributions of numerous cultural groups, regional developments over four centuries, and the ways music reflects values, aspirations, and problems of the population. Course topics include musical genres, styles, personalities, and trends. Musical examples, discussions, quizzes, and videos are all online. No prior experience with music required.


Aural Skills and Music Fundamentals (3 credits)
FAM 1040-001 (Monday/Wednesday/Friday, 2:30-3:25 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

The appreciation of music is enhanced by a deeper knowledge of musical materials and structures. This course will build on the concepts introduced in Critical Listening (FAM-1055), furthering the understanding of theoretical aspects of music, harmonization, part-writing, and form, as well as improving aural skills and recognition. The skills learned in this course will provide basis for further study and understanding of music of all genres.


CCM Excursions Abroad – Guatemala
FAM 2000-001 (Thursday, 6-6:55 p.m.)
Second Half-Semester + Study Tour May 29-June 7
Breadth of Knowledge Areas: FA Fine Arts

This 10-day excursion to Guatemala involves a collaboration with the music program at Universidad del Valle de Guatemala (UVG). During the spring second half-session (March 2-April 25), we will set individual and group goals for the experience, learn about the musical and cultural background of Guatemala, prepare for the logistics of international travel, and virtually meet with students at our partnering institution (UVG). During a ten-day trip to Guatemala (May 29-June 7), we will be based in the scenic highlands campus of UVG in Sololá, overlooking the world-famous, volcano-ringed Lake Atitlán. We will visit local Mayan communities and join students from UVG in a week-long “music camp” which will involve composing and performing music that draws from and blends our respective cultural orientations and musical skill sets. On the final two days of the trip we will trek on a volcano and visit the markets and architectural wonders.


Disney Animated Musicals (3 credits)
FAM 2090-001 (Class: Tuesday/Thursday, 12:30-1:50 p.m.) (Screening: Tuesday, 2-4 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

This course explores the genre of the animated film musical with a special emphasis on its presumed originator, the Walt Disney Studios. We will consider the unique expressive properties of this form, examining the ways in which both song and the animated medium distort, rearrange, and reflect the world for its audiences. As we trace the genre’s history and evolution from the earliest experiments with sound technology to the latest multi-billion-dollar franchises, we will simultaneously track shifting trends in popular song and film. This history will run alongside discussions of Disney’s complex and often problematic roles as a purveyor of American and global entertainment.


Experimental Rock – Online (3 credits)
FAM 2013-001 (Jan. 13-March 1, 2020)
FAM 2013-002 (March 2-April 25, 2020)
Breadth of Knowledge Areas: FA Fine Arts, TI Technology & Innovation

This course will provide a detailed overview of the tools, techniques and musical styles which had a tremendous impact on the aesthetic of various genres of Rock Music in the 1960s and 70s, the resonance of which can be observed in many mainstream and non-mainstream musical trends of the last 30 years. It will begin with an examination of multi-tracking tape machines: their development and techniques such as sound on sound, tape-delay and flange, which had become standard practice in studios by the late 1960s. This is followed by a technical overview of electronic instruments, specifically the synthesizer, whose development will be traced from the Theremin. Musical trends such as the 1950s avant-garde and Minimalism will serve as a bridge to examinations of seminal bands such as the Beatles, Pink Floyd, Kraftwerk, Can, Neu:, Brian Eno and the Talking Heads among others; the technical knowledge gained from the initial lectures on tape techniques and electronic instruments will be used to gain a deeper understanding of the music of these artists.


Hamilton: A Musical Theater Revolution (3 credits)
FAM 2075-001 (Tuesday/Thursday, 9:30-10:50 a.m.)
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture, and Ethics

Lin-Manuel Miranda’s musical, Hamilton, has been credited as revolutionary and a game changer in the history of the American musical since its off-Broadway opening in 2015. This course explores the revolutionary aspect of this musical, covering song and plot conventions of musical theater as they appear in musicals from the 1920s to the present and investigating how Miranda employs, challenges, and transforms them in Hamilton. We will also consider Hamilton among other “history musicals,” its relationship with popular music (especially hip-hop and sociopolitical issues of race and ethnicity derived from Miranda’s choice to offer a multi-racial cast to represent the Founding Fathers. We will thus contextualize Hamilton in musical theater history and investigate what aspects of the musical are conventional and which ones are original.


History of Rock & Roll II – Online (3 credits)
FAM 3032-001
Breadth of Knowledge Areas: FA Fine Arts

Rock and Roll had humble beginnings in the Southeastern United States, but over time it developed into a force, beyond mere entertainment, that has defined youth culture on a global scale. Rock and roll culture is embedded in the fabric of youth identity. Rock and roll music is a commodity that young people use daily, often with an obsessive devotion. Marketing campaigns that target youth are so relentless that young people are under enormous media and social pressure to join the ranks of consumers. The goal of History of Rock and Roll is, therefore, threefold: 1. To provide for students a chronological survey that examines the relationship between the music, its most successful and colorful artists, the associated recording technology, and the impact of the genre on American culture. 2. Through critical listening and reading, the course will provide students with useful, evaluative tools so that they can make historically informed and thoughtful decisions.


Japanese Pop, Anime & Video Game Music – Online (3 credits)
FAM 2050-001
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture, and Ethics

You will learn the evolution of Japanese Pop, Anime, and Video Game Music (post 1980) including anime theme songs, video game music, and popular songs. Each topic will provide the composer’s biography, historical background, and word-by-word translation of lyrics, and will investigate the cultural differences between Japan and America.


Jazz Appreciation (3 credits)
FAM 2051-001 (Tuesday, 6-8:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture, and Ethics

A one-semester overview of America’s true art form: jazz. The course will introduce students to the various styles of jazz, its major performers, its history and origins, and will also involve attending jazz performances at CCM or elsewhere.


Live at CCM (2-3 credits)
FAM 1060-001 (TBA)
Breadth of Knowledge Areas: FA Fine Arts

Through this course, students will have the opportunity to experience concerts at CCM in a directed environment. Learn about a broad range of music and style through exposure to a wide variety of instrumental ensembles. Attend orchestral, wind ensemble, choral, jazz and contemporary music programs and more with the chance to discuss and write about them through interaction with knowledgeable graduate assistants and the directors of the respective ensembles themselves.


Lyric Songwriting (3 credits)
FAM 3071-001 (Monday/Wednesday, 9:05-10:25 a.m.)
Breadth of Knowledge Areas: FA Fine Arts

Writing Lyrics to Music analyzes a variety of song forms to instruct you on key lyrical and melodic components; stressed and unstressed beats, rhyme positions, melodic sections and tone. You’ll work through different musical feels and time signatures, and discover how the natural shapes of the words follow the shape of the melody, ultimately creating a much more expressive composition. This is a “can’t miss” course – it’s bound to take your writing to the next level. It will also make you a more valuable co-writer.


Music Appreciation – Online (3 credits)
FAM 2005-001
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture, and Ethics

An online course that introduces students to a wide range of music in the Western World, covering several historical periods, including our own time. Examines musical styles, musical terms, composers, and other aspects of the music listening experience. Considers the historical and cultural context of musical activity and the way it has shaped the musical life from medieval Europe up to the present in our own communities. Students will discuss their own experiences with music and have the opportunity to attend a musical performance of their choice, near where they live, for class credit. Musical examples, discussions, quizzes, videos and film are all online. No prior experience with music required.


Music of the Beatles (3 credits)
FAM 2061-001 (Online)
FAM 2061-002 (Online)
FAM 2061-003 (Tuesday/Thursday, 12:30-1:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture, and Ethics

The Music of the Beatles has made an impact in the whole world both musically and sociologically. The Beatles are considered one of the most influential bands of any era. Their music reflects the cultural and social revolution of the 1960s and serves as a model for understanding all subsequent popular music. This class will chronologically trace the development of the Beatles from their early days through the band’s dissolution. There will be analysis of selected compositions with regard to lyrics, harmony, song structure, instrumentation, and arranging. This class will examine their groundbreaking production techniques, individual writing styles, and the impact of their music on other musicians and social trends.


Music and Politics (3 credits)
FAM 2018-001 (Monday/Wednesday, 11:15 a.m.-12:35 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture, and Ethics

This course examines the impact of music on politics during the last 100 years in the contemporary classical realm, as well as folk and popular musical styles. Students will become familiar with prominent politically influenced musicians and composers such as Fela Kuti, Woody Guthrie, Bob Marley, and Frederic Rzewski. Also, this class will cover the impact on music from major political and historical events throughout the century, such as World War II’s influence on jazz, or the life and career of Dmitri Shostakovich under Stalin’s Soviet Union. By studying the biographies and major works of this broad spectrum of musicians, students will be able to outline the diverse characteristics of politically oriented music.


Music of Woodstock (3 credits)
FAM 2070-001 (Tuesday, 6-8:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture, and Ethics

The course thoroughly examines the musical artists and the works they performed at history’s most iconic pop music festival, Woodstock (officially the “Woodstock Music and Art Fair”). As many as half a million people or more, descending on a dairy farm in upstate New York in August of 1969 for “three days of peace and music,” were treated to a wildly diverse lineup of musicians and artists hailing from no less than five different continents. The Woodstock Festival is the perfect prism through which to view the 1960s popular scene, when various streams of musical genres converged to forge a new breed of “pop”; the soundtrack of the counterculture and a young, idealistic generation. How did a music festival, let alone pop music in general, become a catalyst for social, political, and artistic change and upheaval? How was the motley assortment of musicians of various stripes, genres, genders, and ethnicities received by the crowd, temporarily the fourth-largest city in New York? How did this crowd co-exist and survive without virtually any of the realities that plague a similar-sized urban center? These are just a few of the many questions posed in this course as we study and—equally as important—savor and experience the musical performances of the 1969 Woodstock Festival.


Progressive Rock (3 credits)
FAM 2020-001 (Tuesday/Thursday, 1:30-2:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

This course will provide a detailed overview of the Progressive Rock phenomenon of the 1970’s; further study will be made of other relevant hybrid genres of this era such as Jazz/Fusion and Afrobeat. In order to better understand and appreciate these styles students will examine the evolution of Jazz during the 1960’s and its cross pollination with Rock in the later part of the decade. There will also be an emphasis on the technological breakthroughs in musical instruments: electro-acoustic instruments such as the Fender rhodes and synthesizers such as the Moog. Throughout, students will examine samples of music and explore its influence on mainstream and non-mainstream musical trends of the last 30 years.


What’s Hot in Popular Music – Online (3 credits)
FAM 2062-001
FAM 2062-002
Breadth of Knowledge Areas: FA Fine Arts

This online course examines current popular music in its trending styles and genres. Students will critique selected songs from the weekly “Billboard” charts and various other media resources, including You Tube and digital download statistics, and consider both the hottest artists as well as promising up-and-comers. Students will develop skills for evaluating artistic intent with respect to lyrics, some basic literary techniques, melody, harmony, rhythm, song form, and psychology, and with a look at cutting edge production techniques. Students will identify and compare unique composing and performing styles of today’s artists and identify links between the music business and societal trends. Weekly activity will include reading, viewing, and listening to examples online and completing assignments on Canopy. No prerequisite. No textbook.


Women in Music (3 credits)
FAM 2025-001 (Monday/Wednesday/Friday, 11:15 a.m-12:10 p.m.
Breadth of Knowledge Areas: FA Fine Arts, DEI Diversity, Equity, and Inclusion

Women in Music is an historical survey of women’s lives and accomplishments in Western music from the medieval period to the present time. The course includes women of diverse races, classes and cultures, and the historical issues that impacted or limited their work. An examination of women’s roles as composers, performers, and patrons reveals their achievements that have been largely ignored because of their gender. Furthermore, although the cultural and societal values change over time and geographic locations, it is evident that suppression and exploitation are recurring themes with regard to social status, education, economics, politics, religion or racial prejudice.


World Music Lab (0-1 credits)
FAM 3085-001 Indian Raga (Monday/Wednesday, 7:15-8:10 p.m.)
FAM 3085-002 Bluegrass and Old-Time Band (Tuesday, 5-7 p.m.)
FAM 3085-003 Tabla I (Wednesday, 6-7:40 p.m.)
FAM 3085-004 Tabla II (Wednesday, 7:45-9:25 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

Students learn to play music of a given cultural tradition in an ensemble setting using appropriate instruments and/or voice.


Music Performance Classes

Beginning Jazz Improv
FAM 1065-001 (Monday, 1:30-4:20 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

This course will provide the student with the fundamentals of Jazz improvisation. It will introduce the student to the language of the jazz improviser, from chord recognition and their related scales, to important compositions and their construction. It will aid the development of aural training skills from harmony to melodic patterns. Emphasis is placed on jazz feel, performance skills and knowledge of scales modes, jazz patterns and phrasing, from 7th chord construction to analysis and performance of the blues. Basic knowledge of scales and chords is expected prior to enrolling.


CCM Excursions Abroad – Guatemala
FAM 2000-001 (Thursday, 6-6:55 p.m.)
Second Half-Semester + Study Tour May 29-June 7
Breadth of Knowledge Areas: FA Fine Arts

This 10-day excursion to Guatemala involves a collaboration with the music program at Universidad del Valle de Guatemala (UVG). During the spring second half-session (March 2-April 25), we will set individual and group goals for the experience, learn about the musical and cultural background of Guatemala, prepare for the logistics of international travel, and virtually meet with students at our partnering institution (UVG). During a ten-day trip to Guatemala (May 29-June 7), we will be based in the scenic highlands campus of UVG in Sololá, overlooking the world-famous, volcano-ringed Lake Atitlán. We will visit local Mayan communities and join students from UVG in a week-long “music camp” which will involve composing and performing music that draws from and blends our respective cultural orientations and musical skill sets. On the final two days of the trip we will trek on a volcano and visit the markets and architectural wonders


Classical Guitar Class (2 credits)
GTAR 5175-001 (Undergraduate)
GTAR 6075-001 (Graduate)
All Sections: Tuesday/Thursday, 12:20-1:15 p.m.
Breadth of Knowledge Areas: FA Fine Arts

Applied course in basic guitar skills. Emphasis on playing classical and folk styles. Review of current published methods and materials. Open to non-CCM students. Course repeats each semester. Students provide their own nylon string guitars.


Electronic Music Production with Ableton Live and Push (3 credits)
FAM 2045-001 (Wednesday, 6-8:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, TI Technology & Innovation

This is a course designed around contemporary electronic and pop music production techniques using Ableton Live Software and Ableton Push MIDI controllers.  We will be using existing genres and associated production strategies as a vehicle for learning music production. This is also an exploration of your own creativity and unlocking individual expression through electronic music production. This class is appropriate for musicians of all ability levels and backgrounds and has applications in music education, production, music therapy, and preparatory education. By the end of this course, students will have made a small portfolio of music and will gain familiarity to a wide variety of modern electronic pop music production techniques.


Group Music Instrument Lessons: Violin, Saxophone, Trumpet and Clarinet
FAM 1080 (Class Days and Times TBA)
Breadth of Knowledge Areas: CT Critical Thinking, KI Knowledge Integration, FA Fine Arts

This course provides an opportunity for non-music majors to receive lessons on their instrument in a small group setting (up to 6 students per instrument group). Students will study fundamentals of sound production, develop their technique, enhance their pedagogical and critical listening skills, and expand their repertoire. Students will prepare etudes and appropriate works, perform them in class, and receive feedback from their peers. Students are expected to practice outside of class. Students are expected to have some fluency on their instrument prior to enrolling in this course. Students must supply their own instrument and bring it to class. No instruments will be provided, although exceptions may be made for certain percussion instruments. Group lessons are offered for each instrument based on instructor availability.


Group Piano for Non-music Majors (3 credits)
PIAN 1001-001 (Tuesday/Thursday, 10:10-11:05 a.m.)
PIAN 1001-002 (Tuesday/Thursday, 9:05-10 a.m.)
PIAN 1001-003 (Tuesday/Thursday, 10:10-11:05 a.m.)
PIAN 1001-004 (Tuesday/Thursday, 1:25-2:20 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

Designed for those with little or no piano experience; teaches the fundamentals of reading music, playing by ear, using chord charts, and improving finger flexibility.


Group Piano for Non-Majors II (3 credits)
PIAN 1002-001 (Monday/Wednesday/Friday, 1:25-2:20 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

This is a continuation of Group Piano for Non-music Majors I. Students learn the basics of piano playing and chord playing, as well as basic music theory. Technical skills are taught.


Jammin’ with Laptops (3 credits)
FAM 2014-001 (Tuesday/Thursday, 11 a.m.-12:20 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

This course will explore the potentials of laptop computers for music making. Various technical topics, including analog v. digital sound, audio software, effects, gear, MIDI and audio programming languages will be surveyed. In addition, a survey of the history of computer music will be conducted by way of an investigation into seminal readings and recordings. Both of these inquiries will provide participants with the technical and analytical skills to utilize their laptops to creative ends. Participants will also be expected to work in small groups on creative projects.


Jammin’ with Laptops – Online (3 credits)
FAM 2023-001
Breadth of Knowledge Areas: FA Fine Arts

In this course, you will play, record, and make music with online instruments. There are three units, and each unit includes a distinctive music making session; Individual Session (Unit 1), Collaborative Session (Unit 2), and Creative Jam Session (Unit 3 In the Unit 1, you will individually study the basic knowledge of music making, including identifying musical instruments, playing online instruments, and recording the music that you played through the exercises. In the Midterm Exam, you will be asked to answer the basic knowledge that you have learned so far. In the Unit 2 and 3, you will form your laptop band with your online classmates to play and record music together. In the Unit 2, you will collaborate with 1~2 classmate(s) to complete the assignment together. In the Unit 3, you will collaborate with 2~4 classmates to create your own band under your instruction to direct your band members, and play for your band member’s music under their respective directions. In the Final Exam, you will be asked to answer all the materials that you have learned.


Piano Elective for Undergraduates (1-2 credits)
PIAN 5030-001 (TBA)

Piano lessons for students who want to study as an elective. By permission only.


Piano Elective for Graduate Students (1-2 credits)
PIAN 8030-001 (TBA)

Applied weekly lessons. Content (repertoire and technical exercises) determined by professor based on the specific needs of each student.


Pop Piano for Non-Majors (3 credits)
PIAN 1003-001 (Tuesday/Thursday, 11:15 a.m.-12:10 p.m.)
PIAN 1003-002 (Tuesday/Thursday, 12:20-1:15 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

Students will learn how to play piano parts of popular idiom piano pieces. They will learn how to realize chord “lead” sheets and also listen to music to pick up piano accompaniment styles. Learning to read music is not part of this course, although you will learn to read rhythm charts. Music will be chosen from artists such as Coldplay, Rihanna, Bruno Mars, as well as earlier works by Chicago, Motley Crue and John Lennon. Choices will be made depending on the type of accompaniment style you are learning.


UC Guitar Orchestra (2 credits)
FAM 1075-001 (Tuesday/Thursday, 12:30-1:25 p.m.)
Breadth of Knowledge Area: FA Fine Arts

The UC Guitar Orchestra provides players of any type of guitar (steel or nylon string acoustic; electric) with the opportunity to come together as community to rehearse and perform in a large ensemble format. We will explore a diverse range of repertoire including classical, folk, pop and non-Western genres. Participation in the orchestra is open to all guitarists who own their own guitar, have basic technical proficiency and the ability to read either standard musical notation or tablature. The semester will culminate in a public performance.


World Music Lab (0-1 credits)
FAM 3085-001 Indian Raga (Monday/Wednesday, 7:15-8:10 p.m.)
FAM 3085-002 Bluegrass and Old-Time Band (Tuesday, 5-7 p.m.)
FAM 3085-003 Tabla I (Wednesday, 6-7:40 p.m.)
FAM 3085-004 Tabla II (Wednesday, 7:45-9:25 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

Students learn to play music of a given cultural tradition in an ensemble setting using appropriate instruments and/or voice.


 Theatre Appreciation Classes

Acting for Non-Majors (3 credits)
FAM 1001-001 (Monday/Wednesday, 1-2:20 p.m.)
FAM 1001-002 (Monday/Wednesday, 6-7:20 p.m.)
FAM 1001-003 (Monday/Wednesday, 4-5:20 p.m.)
FAM 1001-004 (Monday/Wednesday, 2:30-3:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

An introductory course in the craft of acting designed for University students interested in theatre performance. Students will work on unscripted material in group improvisations and scripted material in the presentation of monologues or scenes. Basic actor vocabulary common to all styles of performance will be taught.


Hamilton: A Musical Theater Revolution (3 credits)
FAM 2075-001 (Tuesday/Thursday, 9:30-10:50 a.m.)
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture, and Ethics

Lin-Manuel Miranda’s musical, Hamilton, has been credited as revolutionary and a game changer in the history of the American musical since its off-Broadway opening in 2015. This course explores the revolutionary aspect of this musical, covering song and plot conventions of musical theater as they appear in musicals from the 1920s to the present and investigating how Miranda employs, challenges, and transforms them in Hamilton. We will also consider Hamilton among other “history musicals,” its relationship with popular music (especially hip-hop and socio-political issues of race and ethnicity derived from Miranda’s choice to offer a multi-racial cast to represent the Founding Fathers. We will thus contextualize Hamilton in musical theater history and investigate what aspects of the musical are conventional and which ones are original.


Introduction to Stage Lighting & Sound (3 credits)
THPR 1020C-001 (Tuesday/Thursday, 9:30-10:50 a.m.)
Breadth of Knowledge Areas: FA Fine Arts

In this course, the student will learn hands on skills with lighting and sound equipment, while discovering the ways in which modern technology can be effectively applied as a key production element in drama, musical theatre, opera and dance. Through experiences both practical and theoretical, each student will gain operational skills, and recognize the importance of teamwork and collaboration in creating art and discovering a personal aesthetic.


Stage Lighting Lab & Crew for Non-Majors (1-2 credits)
THPR 1018C-001 (Friday, 10:10-11:05 a.m.)
Breadth of Knowledge Areas: FA Fine Arts

Practical production undergraduate crew work in the execution of stage lighting designs for major opera, musical theatre, dance and dramatic productions. Each student will practice their understanding in accomplishing the execution of a realized lighting design project(s). Non-typical work session hours required (evening and weekends) for installation and running crews for productions. May be repeated for credit.


Theatre History for Non-Majors (3 credits)
DRPF 2055-001 (Monday/Wednesday/Friday, 11:15-12:10 p.m.)
DRPF 2055-002 (Monday/Wednesday/Friday, 2:30-3:25 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, HP Historical Perspectives

History of Theatre is a chronological look at the rise of Western theatre from ancient times to the Renaissance. The course examines how theatre emerges, its dramatic structure, styles of acting, various visual elements and different production techniques. The course also explores how theatre artisans built upon the experiences of one another, introduces key figures from theatre history and shows how theatre continues to influence us today.


Voice Class (1-2 credits)
VOIC 1075/7075-001 (Thursday, 2-2:55 p.m.)
VOIC 1075/7075-002 (Tuesday, 4-4:55 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

Voice Class is intended to impart the rudiments of classical vocal technique. Topics addressed include breathing for singing, phonation, anatomy of the breathing process, anatomy of the larynx, posture, vowel formation, and characteristics of consonant sounds. The class will culminate in the student performing a song in English.


Registration Information

Find the most up-to-date class information and register at catalyst.uc.edu. For more information on the registration process, please visit uc.edu/registrar/registration.

*The course information posted above is accurate as of Oct. 11, 2019. Consult the UC course offerings available at catalyst.uc.edu for possible schedule changes.

CCM News Student Salutes