CCM Sound Design Alumnus Matthew Tibbs Named Visiting Assistant Professor

Matthew Tibbs

CCM Interim Dean bruce mcclung has announced the appointment of Matthew Tibbs to the position of Visiting Assistant Professor of Sound Design. Tibbs’ appointment will officially begin on Aug. 15, 2018.

A sound designer with experience in live performance, film and advertising, Tibbs’ nearly 100 sound designs have been seen on stages nationally, including in New York City, Washington DC, Chicago, Cincinnati, Salt Lake City and Portland. His film work has been seen at national and international film festivals and his advertising work has been distributed on the West Coast in local and regional TV markets.

Tibbs’ theatrical sound design has been featured at Ensemble Theatre of Cincinnati, Indiana Repertory Theatre, Salt Lake City’s Pioneer Theatre Company, the Clarence Brown Theatre at the University of Tennessee, New York City’s Fresh Fruit Festival and Utah Shakespeare Festival. For the past seven years, Tibbs has regularly designed for the Great River Shakespeare Festival in Minnesota.

An experienced educator, Tibbs most recently served on the faculty of Ball State University’s Department of Theatre and Dance. He previously spent three years as Resident Sound Designer for the Pioneer Theatre Company and served as an adjunct faculty member at the University of Utah. He has also taught as visiting faculty at Pacific University and as a graduate assistant at CCM.

Tibbs is a member of the designers’ union United Scenic Artists Local 829 and serves as a secretary for the Theatrical Sound Designers and Composers Association (TSDCA).

He holds a MFA in Sound Design from CCM (2007) and a BA in Communication Arts from George Fox University (2004).

On the announcement of Tibbs’ appointment, mcclung commented:

“CCM alumnus Matthew Tibbs’ extensive professional experience as a sound designer for such companies as the Utah Shakespeare Festival, Great River Shakespeare Festival and Indiana Repertory Theatre will be valuable for CCM’s BFA and MFA students.”

Please join us in welcoming Matthew Tibbs to the CCM family!

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Two Cincinnati Middle School Students Win Grants to Attend the CCM Experience Camp

Two Cincinnati students who participated in the Educational Theatre Association’s JumpStart Theatre program will have the opportunity to attend the CCM Experience performing arts camp at the University of Cincinnati College Conservatory of Music. Thanks to a generous gift to CCM from the Cincinnati Symphony Club, JumpStart Theatre students Keyshawn Townsend from Aiken New Tech High School and Tychod “Jay” Smith from Oyler School will each receive a grant that will cover camp tuition for the students to attend July 9-20.

Tychod “Jay” Smith at JumpStart Theatre.

Tychod “Jay” Smith at JumpStart Theatre.

JumpStart Theatre is a three-year scalable program designed to bring musical theatre into schools that currently do not have a performing arts program, created by the Cincinnati-based national association, Educational Theatre Association, in collaboration with New York City-based companies iTheatrics and Music Theatre International (MTI). Townsend and Smith participated in the program during the 2017-18 school year, which culminated in a showcase performance at Memorial Hall in May.

CCM has contributed to JumpStart Theatre by sharing resources of costumes and props for student productions. The two organizations are also connected through CCM Preparatory and Community Engagement (CCM Prep) instructors Becca Kloha Strand and Dee Anne Bryll, who are both program coordinators at JumpStart Theatre. Strand is the director of the musical theatre track at the CCM Experience, where Bryll is a guest artist. CCM Prep Coordinator of Special Projects and Programs Amy Dennison is the director of the summer arts camp.

Keyshawn Townsend at JumpStart Theatre.

Keyshawn Townsend at JumpStart Theatre.

Strand said, “Keyshawn performed the role of Horton the Elephant in Seussical, Jr. last year at Aiken New Tech, as a part of the JumpStart Theatre program. As a leader both on stage and off, he truly embodied the role of Horton. The CCM Experience camp will be a wonderful opportunity for Keyshawn to exercise and grow his talents as a younger performer.”

Tiffaney Hamm, enrichment program manager at Oyler said, “Tychod is a special young man with a lot of talent. We chose him for this camp because his dream is to perform on stage, as he wants to have a life of acting and performing. This was Jay’s first year at Oyler and he came alive, forming great connections with his cast mates and peers. He continues to work hard in school even when obstacles get in the way. He is a really great kid, and I am proud to have him as a student.”

Offered through CCM Prep, the CCM Experience is an exciting new two-week summer program that combines dance, theatre and music for students ages 8-15. Students study at one of the finest performing arts schools in the country and take classes in multiple areas of concentration including instrumental music, acting, musical theatre, voice or dance. Each day students will have the opportunity to try something new, take a tour, make their own props, costumes and instruments, and learn more about how to be a professional artist. The program culminates with a fantastic showcase where students are put front and center on one of CCM’s stages.

“We look forward to our first CCM Experience Camp and are excited to welcome the two Cincinnati Symphony Club scholarship recipients from JumpStart Theatre,” said John Martin, Assistant Dean of CCM Preparatory and Community Engagement. “CCM Prep, the Cincinnati Symphony Club and the Educational Theatre Association share the same goal — to support excellence in the performing arts and provide engaging and accessible arts education to the community at large.”

Learn more about the Educational Theatre Association online at schooltheatre.org/about/mission.

About Jumpstart Theatre
The JumpStart Theatre pilot started in Cincinnati in the 2015-16 school year, and three schools moved to self-sustainability this year after completing three years in the program: Holmes Middle School, Finneytown Middle School, and James N. Gamble Montessori High School. In November 2017, the first expansion to St. Louis and San Diego was announced, and in June, 2018 an expansion to Atlanta for the 2019-20 school year was announced. In total 39 middle schools will have sustainable musical theatre programs where there previously were none.

About CCM Preparatory and Community Engagement
CCM Prep offers a wide variety of programs in music, dance and theatre arts for all ages and levels — pre-professional students preparing for a future in the performing arts and arts enthusiasts of all ages and abilities. Programs are offered throughout the year for youth, teens and adults at the University of Cincinnati College-Conservatory of Music and through numerous satellite locations and community partnerships. We aim to provide excellent and accessible arts opportunities within a highly creative environment that educates and inspires the whole student, serving as a catalyst for transforming and empowering our communities. Learn more at ccm.uc.edu/prep or contact CCM Prep directly by emailing ccmprep@uc.edu or calling 513-556-2595.

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CCM Sound Design Alumnus Wins Daytime Emmy for Disney’s Broadway Hits Broadcast

Theatre will always be Matt Kraus’ first love, but the CCM alumnus has made a name for himself by taking on diverse sound design opportunities in multiple mediums. He’s worked on theatrical productions with Liza Minelli and Kristen Chenoweth, and has also been involved in many live telecasts such as the Macy’s Thanksgiving Day Parade and NBC’s Jesus Christ Superstar live in concert.

Most recently, Kraus (BFA Sound Design, 2001) won a Daytime Emmy Award for Outstanding Sound Mixing for his work on the TV broadcast of Disney’s Broadway Hits at Royal Albert Hall. Directed by Jeff Lee, the production brought well-known Disney artists and beloved hits to the London stage.

The broadcast featured the BBC orchestra, led by Keith Lockhart, and nine Broadway vocalists including CCM alums Alton Fitzgerald (BFA Musical Theatre, 1986) and Ashley Brown (BFA Musical Theatre, 2004). It also included the West End cast of Aladdin, a children’s choir of 100 singers and award-winning composer Alan Menken. Kraus has worked on similar shows with Disney over the years but says that this production was much larger.

“The logistics were daunting, as we were loading into the iconic venue and performing all in the same day,” he remembers. “We prepared for months to make sure that once we arrived at Royal Albert Hall, we would have all the tools at hand that we’d need to do the show.”

“The hardest part was keeping the audio team on track to make sure that we kept up with the tight schedule and quality of the audio. All that while getting nine primary vocalists and a world-renowned orchestra comfortable and happy with the sound.”

Disney’s Broadway Hits at Royal Albert Hall aired to much acclaim internationally on SKY TV, Broadway HD and BBC Radio. Kraus says he has enjoyed his work with Disney Theatrical because the productions always bring together a talented team of artists, musicians and directors.

Kraus has worked on many live telecasts, including Macy’s July 4th Fireworks, Tony Bennet’s 90th Birthday Celebration at Radio City, The Wiz, Peter Pan, The Sound of Music and the 2016 International Jazz Day broadcast live from the White House. He has also been the audio coordinator on remote shoots of the Tonight Show, which has filmed all over the country. He’s worked on hundreds of high-profile events like iHeart Radio’s annual Music Festival in Las Vegas, a Gucci/H&M Fashion Show featuring Prince and Nicki Minaj, and Elton John’s 60th Birthday Celebration at St. John the Divine.

Kraus is now a nationally-known sound designer, but he still fondly remembers his time as a student at CCM. He recalls countless late nights drafting and finishing CCM tech rehearsals and finishing the long days with “a milkshake at UDF and a high five.” He credits CCM with molding him into the sound designer he is today.

“Current students should be open to all kinds of opportunities that may come their way,” Kraus advises. “It’s normal to be focused on one medium or design aspect, but there are so many rewards to becoming a well-rounded artist with diversified projects.”

“Theatre will always be my first love, but I’ve had some really amazing experiences working on concerts, live events and television.”

Learn more about CCM Sound Design at ccm.uc.edu/theatre/tdp/sound.

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CCM Alumni in 5 Tony-Nominated Productions

Update: Congratulations to CCM alumnus Stephen Flaherty (BM Composition, 1982), who wrote the music for Once On This Island — winner of the 2018 Tony Award for Best Revival of a Musical! Alysha Deslorieux (BFA Musical Theatre, 2012) plays the role of Andrea in the musical and Chris Fenwick (BM Piano, 2001) is the music supervisor.

Tony Awards LogoCCM alumni are involved in at least five productions that have been nominated in the 2018 Tony Awards, which air live on CBS at 8/7 central on Sunday, June 10.

John Riddle (BFA Musical Theatre, 2012) stars as Hans in Disney’s Frozen, the Broadway installment based off the hit animated feature film. Noah Ricketts (BFA Musical Theatre, 2014) also performs in the Frozen‘s ensemble. The musical has received three Tony nominations.

Joe Medeiros (BFA Musical Theatre, 2006) is in the ensemble for Edward Albee’s Three Tall Women, which received six Tony nominations.

Christine Cornish Smith (BFA Musical Theatre, 2013) is in the ensemble of the Broadway revival of My Fair Lady, which received 10 Tony nominations.

Alysha Deslorieux (BFA Musical Theatre, 2012) plays the role of Andrea in the Broadway revival of Once On This Island, which was nominated for eight Tony Awards. The musical features music by CCM alumnus Stephen Flaherty (BM Composition, 1982) with book and lyrics by Lynn Ahrens and alumnus Chris Fenwick (BM Piano, 2001) is the music supervisor.

Nick Belton (BFA Musical Theatre, 2002), Garrett Hawe (BFA Musical Theatre, 2009) and Kelly McCormick (MM Theatre Performance and Voice, 1996) are ensemble members in the Broadway revival of Carousel, which received 11 Tony nominations. Belton is also the understudy for the leading role of Billy Bigelow and McCormick is the understudy for the role of Mrs. Mullin.

The Tony Awards, hosted by Sara Bareilles and Josh Groban, will be broadcast live on CBS at 8/7 central on Sunday, June 10. Find out more by visiting tonyawards.com.

Are you a CCM alum with news? Stay in touch by sharing your story with us!

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Stanley E. Romanstein Named Dean of University of Cincinnati College-Conservatory of Music

An accomplished leader in education and the arts as well as a UC alumnus, Romanstein’s appointment follows a national search for CCM’s next dean.

Kristi A. Nelson, senior vice president for academic affairs and provost at the University of Cincinnati, today announced the appointment of Stanley E. Romanstein, PhD, as Dean of the College-Conservatory of Music (CCM). Romanstein’s appointment becomes effective July 1, 2018, pending approval of the University’s Board of Trustees.

“I am delighted to welcome Stanley Romanstein back to his alma mater as Dean of UC’s College-Conservatory of Music,” said Nelson. “He is an outstanding organizational leader, entrepreneur and scholar, in addition to being a proud UC alumnus. I was most impressed with his passion for arts advocacy, his engaging interpersonal skills, and his forward-thinking and student-centric approach to education.”

Romanstein is an accomplished nonprofit executive with 22 years of leadership and management experience in education and the arts. He comes to CCM from Georgia State University’s Creative Media Institute, where he has served as a professor of practice/music and the arts for the past four years. He also serves as a principal at BLJackson Associates, a consulting firm that works with arts, humanities and education-focused nonprofits across the country. Romanstein was previously President and CEO of the Atlanta Symphony Orchestra, President and CEO of the Minnesota Humanities Center, Director of Development at the Frederick R. Weisman Art Museum at the University of Minnesota, Executive Director of the Baltimore School for the Arts and Baltimore School for the Arts Foundation, and Associate Professor and Chair of the Department of Music at St. Lawrence University.

“I have firsthand knowledge of CCM’s excellence in music and arts education and I am a proud beneficiary of those high standards. I am honored to have the opportunity to contribute to my alma mater’s continued success as its next dean,” said Romanstein. “CCM’s reputation as a leading performing and media arts school is 150 years strong, and that reputation continues to grow thanks to the talents and dedication of its faculty, staff, alumni, donors, volunteers and community partners. Working together, we will continue to nurture the talents of our students and inspire future generations of artists, teachers, creative thinkers, innovative problem-solvers and media-savvy arts entrepreneurs.”

Romanstein continued, “I have found ideal partners in President Pinto and Provost Nelson and I look forward to working with them to build on CCM’s history and successes while advancing CCM’s role within the university’s strategic direction, Next Lives Here.”

Romanstein’s appointment follows a national search begun in fall 2017. The search was led by the UC Provost Office and chaired by Greer Glazer, Dean of the College of Nursing.

Nelson expressed her gratitude to bruce mcclung, who has served as CCM’s interim dean since July 2016. “I would like to acknowledge the outstanding service of Dean mcclung,” said Nelson. “UC owes mcclung a huge debt of gratitude for his leadership during the past two academic years, culminating with CCM’s 150th anniversary celebration.”

About Stanley E. Romanstein
Stanley E. Romanstein, PhD, brings to his new role at CCM extensive experience as a visionary leader, entrepreneurial strategist, engaging communicator, passionate fundraiser and successful manager.

In November of 2014, Romanstein began his tenure as professor of practice/music and the arts at Georgia State University’s Creative Media Institute, where his work focused on building music industry collaborations. During this time, he also served as a principal at BLJackson Associates, a consulting firm based in Atlanta that works with arts, humanities and education-focused nonprofits across the country. The firm creates and implements tailored solutions to challenges in organizational strategy, governance and development/ fundraising.

Romanstein has 22 years of leadership and management experience in education and the arts. As President and CEO of the Atlanta Symphony Orchestra (2010-14), he strengthened the orchestra’s connection to the community through expanded concert offerings and a wide range of impactful education offerings. He also created and implemented a new business model that reversed a 12-year history of financial loss and positioned the orchestra for long-term sustainability and artistic achievement.

As President and CEO of the Minnesota Humanities Center (2001-10), Romanstein transformed the center from a small organization with a local focus to a highly regarded regional and national leader in its field. He also created and distributed acclaimed new media; this included a collection of four Somali folk tales taken from oral tradition and written down for the very first time, as well as an Emmy Award-winning documentary, Iron Range: Minnesota Building America.

Romanstein proved to be an enthusiastic and productive fundraiser at the Minnesota Humanities Center, Frederick R. Weisman Art Museum and the Baltimore School of the Arts. He attracted new local, regional and national funding to support the center’s $4 million annual budget, including support from the Minnesota State Legislature by establishing partnerships with the state’s four ethnic councils: American Indian, African American, Latino and Asian. As Director of Development at the University of Minnesota’s Frederick R. Weisman Art Museum (2000-01), Romanstein led what was, at the time, the highest grossing annual fund drive while laying the groundwork for the museum’s successful capital campaign. As Director of Baltimore School for the Arts (1996-2000), Romanstein positioned the school for a successful capital campaign as well as a facility renovation and expansion.

From 1987-96, Romanstein served as an associate professor and chair of the music department at St. Lawrence University, a highly selective liberal arts institution in New York. He refocused the department’s traditional music curriculum to emphasize interdisciplinary and multicultural perspectives and created meaningful connections with departments and colleagues across the campus.

Romanstein earned a Bachelor of Music Education degree, cum laude, from Carson-Newman College in 1976. He then came to CCM to earn a Master of Music in Choral Conducting in 1980 and a PhD in Music in 1990. He was a Fulbright Scholar in Israel in 1985-86 and in Japan in November-December 1998.

About the University of Cincinnati College-Conservatory of Music
Declared “one of the nation’s leading conservatories” by the New York Times, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world’s stage.

CCM’s world-class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-of-the-art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. More than 150 internationally recognized faculty members work with students from around the world, specializing in the areas of:

  • Composition/Musicology/Theory,
  • Electronic Media,
  • Ensembles and Conducting (Choral Studies, Commercial Music Production, Jazz Studies, Orchestral Studies and Wind Studies),
  • Keyboard Studies (Harpsichord, Organ and Piano),
  • Music Education,
  • Performance Studies (Strings, Voice and Woodwinds/Brass/Percussion) and
  • Theatre Arts, Production and Arts Administration (Acting, Arts Administration, Dance, Musical Theatre, Opera and Theatre Design and Production).

The largest single source of performing arts events in the state of Ohio, CCM presents nearly 1,000 major public performances each year, ranging from faculty and guest artist concerts to fully supported acting, dance, musical theatre and opera productions.

CCM is an accredited institution of the National Association of Schools of Dance (NASD), the National Association of Schools of Music (NASM) and the National Association of Schools of Theatre (NAST), as well as a member of the University/ Resident Theatre Association (U/RTA).

Learn more by visiting http://ccm.uc.edu.

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Cover artwork for CCM's 2018-19 Mainstage Series Subscription Brochure.

CCM 2018-19 Mainstage Series Subscriptions On Sale Now!

New subscription packages are now on sale for CCM’s 2018-19 Mainstage Series of Acting, Dance, Musical Theatre and Opera Productions. With CCM’s streamlined subscriptions, it has never been easier to get the best seats at the best prices. Arts lovers can simply mix and match the shows they want to see with customizable eight, six, four or three-show packages. Subscription orders placed before Sept. 10 will get seated before any single ticket buyers!

Cover artwork for CCM's 2018-19 Mainstage Series Subscription Brochure.

About CCM’s 2018-19 Mainstage Series
CCM was recently declared “Best of Cincinnati” in CityBeat‘s annual readers’ choice poll, but the best is yet to come with CCM’s 2018-19 Mainstage SeriesFrom October 2018 through April 2019, CCM presents eight masterworks spanning the spectrum of theatrical arts, including:

  • the best of comedic and dramatic acting with The Government Inspector and Our Country’s Good,
  • classic and contemporary musicals with Guys and Dolls and The Hunchback of Notre Dame,
  • great operas from master composers with Britten’s The Turn of the Screw and Mozart’s La Clemenza di Tito,
  • and innovative dance programs with Birthday Variations and Cinderella!

Last season, single ticket buyers missed out on sold-out performances of Hamlet, Seussical (voted the year’s “Best Play” by CityBeat readers), Candide and Jesus Christ Superstar. Subscribers have a guaranteed seat to see the phenomenal talent and polished professionalism of CCM’s young performers. Download CCM’s 2018-19 Mainstage Subscription Brochure to learn even more about our upcoming productions!

Ordering Your Subscriptions
CCM’s customizable subscription packages range in price from $81-$192. Download our 2018-19 Mainstage Subscription price sheet, seating chart and order form for complete details. Then choose your shows and select whether you want seats in Section A (the best views) or Section B (the lowest prices). To pay by check, simply return your order form by mail or drop it off at the CCM Box Office in the Atrium of CCM’s Corbett Center for the Performing Arts. For credit card transactions, call the Box Office.

The CCM Box Office staff is always ready to answer your questions by phone at 513-556-4183 or by email at boxoff@uc.edu.

Don’t wait to get the best seats at the best prices!
Single tickets go on sale Sept. 10, 2018.

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Mainstage Season Production Sponsor: Macy’s

CCM News
Photography from CCM's Fall 2017 Mainstage Series production of 'Seussical' by Mark Lyons.

Become a Mainstage Subscriber and See Why CCM Was Voted “Best of Cincinnati”

Photography from CCM's Fall 2017 Mainstage Series production of 'Seussical' by Mark Lyons.

Photography from CCM’s Fall 2017 Mainstage Series production of ‘Seussical’ by Mark Lyons.

Audiences recently declared CCM “Best of Cincinnati,” but the best is yet to come with CCM’s 2018-19 Mainstage Series! New subscriptions are on sale now for CCM’s eight-part series of Acting, Dance, Musical Theatre and Opera productions.

Running from October 2018 through April 2019, CCM presents eight masterworks spanning the spectrum of theatre arts, including the best of comedic and dramatic acting, classic and contemporary musicals, great operas from master composers and innovative dance programs … all featuring CCM’s stars-of-tomorrow!

With new streamlined subscription packages, it’s never been easier to get the best tickets at the season’s best prices. Subscriptions are on sale now! Place your priority subscription order by Friday, Aug. 31, 2018, to take advantage of Subscriber-Only Week (Sept. 4-7, 2018).

To order subscriptions, download the new subscription order form or contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.

The complete 2018-19 Mainstage Series lineup is listed below. Titles and dates are subject to change – rights pending.
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CCM’S 2018-19 MAINSTAGE SERIES
Acting, Musical Theatre, Opera, Dance

"The Government Inspector" promo image by Mark Lyons.THE GOVERNMENT INSPECTOR
Adapted by Jeffrey Hatcher
From the original by Nikolai Gogol
Richard E. Hess, director

When the locals in a small Russian hamlet learn that an undercover government inspector is coming for a surprise visit, a case of mistaken identity sends the whole village spiraling into a world of panic and greed. Part farce, part slapstick and wholly entertaining, this timely and spirited adaptation of Nikolai Gogol’s classic play exposes the corruption of a provincial town with biting hilarity.

Performance Dates: Oct. 3 (preview), Oct. 4-7, 2018
Location: Patricia Corbett Theater

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"Guys and Dolls" preview photography by Mark Lyons.GUYS AND DOLLS
A Musical Fable of Broadway
Based on a Story and Characters of Damon Runyon
Music and Lyrics by Frank Loesser
Book by Jo Swerling and Abe Burrows
Diane Lala, director and choreographer
Roger Grodsky, musical director

Set in Damon Runyon’s mythical New York City, Guys and Dolls is the perfect musical comedy and a “golden oldie” from the Broadway season of 1950. Nathan Detroit is a gambler trying to find the cash to set up the biggest craps game in town while the authorities breathe down his neck. Meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they’ve been engaged for 14 years. Nathan turns to fellow gambler Sky Masterson for the dough, and Sky ends up chasing straight-laced missionary Sarah Brown as a result. Guys and Dolls takes us from the heart of Times Square to the cafés of Havana, Cuba and even into the sewers of New York City, but eventually everyone ends up right where they belong.

Performance Dates: Oct. 19 and 21, Oct. 26-27, 2018
Note: A special gala performance of Guys and Dolls will be presented on Saturday, Oct. 20, in honor of CCM Musical Theatre’s 50th anniversary; special pricing applies.
Location: Corbett Auditorium

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"The Turn of the Screw" preview photography by Mark Lyons.THE TURN OF THE SCREW
Music by Benjamin Britten
Libretto by Myfanwy Piper, after a story by Henry James
Aik Khai Pung, conductor
Vince DeGeorge, director

Based on Henry James’ classic ghost-story novella, Britten’s compelling chamber opera presents the story of a governess charged with the care of two orphaned children at their absentee uncle’s country estate, where the ghosts of a former valet and his lover haunt the grounds. With a blend of 12-tone techniques, arresting motifs and stirring lyricism, the action moves with incredible fluidity, creating a chilling tale of sexual repression and the corruption of innocence. For mature audiences.

Performance Dates: Nov. 15-18, 2018
Location: Patricia Corbett Theater

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"Birthday Variations" preview photography by Mark Lyons.BIRTHDAY VARIATIONS
Jiang Qi, director

CCM Dance showcases an array of classic and contemporary works restaged and choreographed by CCM Dance faculty members. The thrilling highlight of the evening is Birthday Variations, set to music by Giuseppe Verdi and staged by guest artist Nicole Duffy Robertson, a répétiteur for the Gerald Arpino Foundation. The performance of Birthday Variations, an Arpino ballet, is presented with the permission of the Gerald Arpino Foundation and has been produced in accordance with the Foundation service standards established and provided by the Foundation.

Performance Dates: Dec. 6-9, 2018
Location: Patricia Corbett Theater

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"Our Country's Good" preview photography by Mark Lyons.OUR COUNTRY’S GOOD
By Timberlake Wertenbaker
Based on the novel The Playmaker by Thomas Keneally
Susan Felder, director

Set in Botany Bay in 1789, Our Country’s Good is a darkly comedic tale based on the true story of Australia’s first theatrical performance. A marine lieutenant decides to put on a play to celebrate the king’s birthday. He casts the play with convicts who populate an Australian prison camp. Few of them can read, let alone act, and the play is produced against a background of food shortages and barbaric prison punishments. Our Country’s Good is as an inspiring tribute to the transforming power of drama. For mature audiences.

Performance Dates: Feb. 13 (preview), Feb. 14-17, 2019
Location: Patricia Corbett Theater

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"Hunchback of Notre Dame" preview image by Mark Lyons.THE HUNCHBACK OF NOTRE DAME
Music by Alan Menken
Lyrics by Stephen Schwartz
Book by Peter Parnell
Based on the Victor Hugo novel and songs from the Disney film
Originally developed by Disney Theatrical Productions
Aubrey Berg, director
Stephen Goers, musical director
Katie Johannigman, choreographer

Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame begins as bells sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer, observes all of Paris reveling in the Feast of Fools, but he is held captive by his devious caretaker, the archdeacon Dom Claude Frollo. He escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though — the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies and it’s up to Quasimodo to save them all. The musical premiered as Der Glöckner von Notre Dame in 1999 in Berlin.

Performance Dates: March 7-10, 2019
Location: Corbett Auditorium

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"La Clemenza di Tito" preview photography by Mark Lyons.LA CLEMENZA DI TITO
(THE CLEMENCY OF TITUS)
Music by Wolfgang Amadeus Mozart
Libretto by Caterino Mazzolà
Jiannan Cheng, conductor
Robin Guarino, director

Mozart’s last opera seria displays some of his most memorable and marvelous arias! The story centers on Roman emperor Titus (Tito) who must choose a wife, but is unable to find a suitable match. In his search for an empress, Tito narrowly avoids an assassination plot instigated by his protégé Sesto and the former emperor’s daughter, Vitellia, who wants the throne for herself. Caught between his duty and his heart, the emperor must choose whether to rule with mercy or with an iron fist.

Performance Dates: April 12-14, 2019
Location: Corbett Auditorium

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CCM Dance preview image by Mark Lyons.CINDERELLA
Deirdre Carberry and Michael Tevlin, co-directors
Karen Russo Burke, choreographer

Celebrate spring’s arrival with a fully staged fairytale ballet choreographed by guest artist Karen Russo Burke, Artistic Director of the Dayton Ballet. A poor girl wishes to escape the authoritarian rule of her evil stepmother and stepsisters, so her fairy godmother gives her a ticket to the ball! The girl meets Prince Charming and they fall in love, but she vanishes when the clock strikes midnight. Set to music by Sergei Prokofiev, Cinderella is known for its jubilant melodies, lush scenery and graceful retelling of the timeless romance by Charles Perrault.

Performance Dates: April 26-28, 2019
Location: Patricia Corbett Theater

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Mainstage Series Subscriptions
The 2018-19 CCM Mainstage Series of Acting, Musical Theatre, Opera and Dance productions includes subscription packages for combinations of Eight Shows, Six Shows, Four Shows or Three Shows. Newly streamlined subscription packages make this process easier than ever before. Simply choose your shows and select whether you want seats in Section A (the best views) or Section B (the lowest prices)!

Subscription packages are on sale now, with packages ranging in price from $81-$192.

Place your priority subscription order by Friday, Aug. 31, to take advantage of Subscriber-Only Week (Sept. 4-7, 2018).

Single tickets go on sale beginning Sept. 10, 2018, but subscribing is the only way to guarantee your seats and your savings for CCM’s Mainstage Series!

To order subscriptions, download the new subscription order form or contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.

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2018-19 MAINSTAGE SERIES PERFORMANCE TIMES

THE GOVERNMENT INSPECTOR
Performance Times:

  • 8 p.m. Wednesday, Oct. 3 (preview)
  • 8 p.m. Thursday, Oct. 4
  • 8 p.m. Friday, Oct. 5
  • 2 p.m. Saturday, Oct. 6
  • 8 p.m. Saturday, Oct. 6
  • 2 p.m. Sunday, Oct. 7

Location: Patricia Corbett Theater

GUYS AND DOLLS
Performance Times:

  • 8 p.m. Friday, Oct. 19
  • 8 p.m. Saturday, Oct. 20 (CCM Musical Theatre 50th Anniversary gala performance; special pricing applies)
  • 1 p.m. Sunday, Oct. 21
  • 7 p.m. Sunday, Oct. 21
  • 8 p.m. Friday, Oct. 26
  • 2 p.m. Saturday, Oct. 27
  • 8 p.m. Saturday, Oct. 27

Location: Corbett Auditorium

THE TURN OF THE SCREW
Performance Times:

  • 8 p.m. Thursday, Nov. 15
  • 8 p.m. Friday, Nov. 16
  • 8 p.m. Saturday, Nov. 17
  • 2 p.m. Sunday, Nov. 18

Location: Patricia Corbett Theater

BIRTHDAY VARIATIONS
Performance Times:

  • 8 p.m. Thursday, Dec. 6
  • 8 p.m. Friday, Dec. 7
  • 8 p.m. Saturday, Dec. 8
  • 3 p.m. Sunday, Dec. 9

Location: Patricia Corbett Theater

OUR COUNTRY’S GOOD
Performance Times:

  • 8 p.m. Wednesday, Feb. 13 (preview)
  • 8 p.m. Thursday, Feb. 14
  • 8 p.m. Friday, Feb. 15
  • 2 p.m. Saturday, Feb. 16
  • 8 p.m. Saturday, Feb. 16
  • 2 p.m. Sunday, Feb. 17

Location: Patricia Corbett Theater

THE HUNCHBACK OF NOTRE DAME
Performance Times:

  • 8 p.m. Thursday, March 7
  • 8 p.m. Friday, March 8
  • 2 p.m. Saturday, March 9
  • 8 p.m. Saturday, March 9
  • 2 p.m. Sunday, March 10

Location: Corbett Auditorium

LA CLEMENZA DI TITO
Performance Times:

  • 8 p.m. Friday, April 12
  • 8 p.m. Saturday, April 13
  • 2 p.m. Sunday, April 14

Location: Corbett Auditorium

CINDERELLA
Performance Times:

  • 8 p.m. Friday, April 26
  • 2 p.m. Saturday, April 27
  • 8 p.m. Saturday, April 27
  • 2 p.m. Sunday, April 28

Location: Patricia Corbett Theater

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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

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