CCM Piano Series Presents Annual Bearcat Piano Festival and Piano-POW-Looza

CCM spotlights world-class pianists this spring with the return of the annual Bearcat Piano Festival! The festivities begin on Friday, March 31 and conclude on Sunday, April 2 with the Piano-POW-Looza concert, featuring CCM’s own talented student performers. All events will take place in the Robert J. Werner Recital Hall.

Launched in 2010 by CCM Professor of Piano and Artist-in-Residence Awadagin Pratt, this year’s Bearcat Piano festival invites several internationally acclaimed artists to the stage. Pianist John Perry opens the festival with a master class at 2 p.m. on Friday, March 31. Perry has won numerous awards including the highest prizes in both the Busoni and Viotti international piano competitions in Italy and special honors at the Marguerite Long International Competition in Paris.

Traveling all the way from China, students of Shandong University perform a special program of Chinese classical music at 8 p.m. on Friday, March 31. Also joining the festival this year are University of Michigan students, who visit CCM to perform at 7 p.m. on Saturday, April 1.

Winner of the prestigious Avery Fisher Career Grant, pianist Paul Schenly will teach a master class at 2 p.m. on Saturday, April 1. Schenly has toured twice in the United States with the Rotterdam Philharmonic and toured with the same orchestra in Europe. He has been a soloist with the Atlanta Symphony, Cleveland Orchestra, Chicago Symphony, Los Angeles Philharmonic, San Francisco Symphony and New York Philharmonic.

Finally, the 2017 Bearcat Piano Festival comes to a close with Piano-POW-looza at 7 p.m. on Sunday, April 2. Organized by Piano Department Chair Michael Chertock, the event spotlights the talents of a select few from CCM’s nearly 100 dazzling piano majors. This year’s concert features a special tribute to the beloved musicians who have passed away in recent months.

Schedule of Events

 2 p.m. Friday, March 31
• Bearcat Piano Festival •
Master Class with John Perry, piano
Location:
Robert J. Werner Recital Hall
Admission: FREE
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8 p.m. Friday, March 31
• Bearcat Piano Festival •
Shandong University Student Recital
The Bearcat Piano Festival welcomes student pianists from Shandong University for a special recital of Chinese classical music.
Location: Robert J. Werner Recital Hall
Admission: FREE
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 2 p.m. Saturday, April 1
• Bearcat Piano Festival •
Master Class with Paul Schenly, piano
Location:
Robert J. Werner Recital Hall
Admission: FREE
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7 p.m. Saturday, April 1
• Bearcat Piano Festival •
PROGRAM CHANGE: John Perry’s guest artist performance has been cancelled. In his place CCM welcomes University of Michigan Student Pianists.
Guest artists from the University of Michigan perform as part of this year’s annual Bearcat Piano Festival!
Location: Robert J. Werner Recital Hall
Admission: FREE
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7 p.m. Sunday, April 2
• Piano Series •
PIANO-POW-LOOZA: FINGERS OF FIRE
Some of CCM’s award-winning piano students and alumni demonstrate their amazing talents at one, two and three pianos. This concert also features a surprise tribute!
Location: Robert J. Werner Recital Hall
Tickets: $15 general, $10 non-UC students, UC students FREE
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Event Information
All events listed take place on the campus of the University of Cincinnati unless otherwise indicated. The Piano-POW-looza Student Showcase concert requires paid admission. All other Bearcat Piano Festival events are free and open to the general public.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

All-Steinway School Sponsor: The Corbett Endowment at CCM

CCM is proud to be an All-Steinway School
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Story by CCM Graduate Student Charlotte Kies

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Lotte Lenya Competition Graphic.

Alumni and Students Named Finalists in 2017 Lotte Lenya Competition

Three current and former CCM students are among 14 young artists selected as finalists in the 20th Lotte Lenya Competition. Those include Jasmine Habersham (AD Opera, 2015; MM Voice, 2013), DMA Voice candidate Paulina Villarreal (MM Voice, 2015) and first-year voice masters student Lisa Marie Rogali.

This isn’t the first time Habersham has advanced in the Lotte Lenya Competition. In 2015, Habersham competed in the competition’s semifinal round. At CCM she appeared as Norina in Don Pasquale, Mrs. Julian in Owen Wingrave and Pearl in Ricky Ian Gordon’s Morning Star.

Villarreal, who began her DMA studies at CCM in 2015, was a Young Artist at Cincinnati Opera. CCM patrons may have seen her perform in Ricky Ian Gordon’s Bright-Eyed Joy in November. She has also appeared in Some Light Emerges, Il signor Bruschino, Hansel and Gretel and William Bolcom’s Cabaret Songs.

Rogali began her studies at CCM in the fall of 2016. She appeared in the ensemble and as an assistant costume “spirit” in the CCM Mainstage production of Cendrillon in November.

All 14 contestants range in age from 19 to 32 and hail from across the U.S., Canada, Mexico, France and Israel. They were chosen from a pool of 266 preliminary audition videos — the most applications ever received in competition history. Thirty-two of those applicants moved on to the semifinal round, where they auditioned live in New York for judges Judy Blazer and Ted Sperling.

“Working with these singers is an enlightening and thrilling experience and whether they win the brass ring or not they all win in a sense for having done it,” Blazer said of her experience coaching the semifinalists.

Kurt Weill Foundation President Kim H. Kowalke stated, “This year’s semifinals were more competitive than some of our finals in previous years; the judges in Rochester are going to have their work cut out for them, especially with the stakes increased this year to a top prize of $20,000.”

The finalists will sing a program of four selections from the operatic, Golden Age, contemporary musical theatre repertoires and the music of Kurt Weill to compete for prizes totaling more than $75,000.

In celebration of the 20th competition, top prizes have increased to $20,000, $15,000 and $10,000. Judges may also bestow additional discretionary awards of $3,500 each for outstanding performances of individual numbers. The new Kurt Weill Award for $5,000, established this year, will recognize an outstanding performance of two contrasting Weill selections. All finalists receive a minimum cash award of $1,000.
The finals take place Saturday, April 22 at Kilbourn Hall at the Eastman School of Music in Rochester, New York. Each finalist will present his or her entire program in the daytime round, 11 a.m.-4 p.m. An evening concert, in which contestants sing only a portion of their programs, follows at 8 p.m. The concert concludes with the announcement of awards and prizes. Both the daytime round and evening concert are free and open to the public.

This year’s judges’ panel brings together three internationally recognized artists. Renowned stage director Anne Bogart brings diverse theatrical and operatic credits to the jury. In January 2017, she directed the highly acclaimed production of Lost in the Stars with the Los Angeles Chamber Orchestra. Tony Award-winning actor Shuler Hensley has demonstrated his versatility as an actor on Broadway in roles as wide-ranging as Pozzo in Waiting for Godot, The Monster in Young Frankenstein and a Tony and Olivier Award-winning performance as Jud Fry in Oklahoma!. Bogart and Hensley, both first-time judges, join veteran judge Rob Berman, who returns to the competition for a seventh time. Berman has been seen on Broadway most recently as music director for Bright Star and Dames at Sea; he is music director for the popular Encores! series at New York City Center.

Over the last 20 years, the Lotte Lenya Competition has grown from a small contest exclusively for students of the Eastman School of Music, to one of the widest-reaching international vocal competitions. Past prize winners have gone on to appear on major theater, opera and concert stages around the world. This season, LLC laureates can be seen in seven Broadway shows, at the Metropolitan Opera, Royal Opera House, Komische Oper, in concert with the Los Angeles Chamber Orchestra, on national and international theatrical tours and heard on two Grammy Award-winning recordings. See why Opera News said of the competition, “[N]o vocal contest better targets today’s total-package talents, unearthing up-and-coming singers who are ready for their close-ups.”

About the Kurt Weill Foundation
The Kurt Weill Foundation for Music, Inc. is dedicated to promoting understanding of the life and works of composer Kurt Weill (1900-50) and preserving the legacies of Weill and his wife, actress-singer Lotte Lenya (1898-1981). The Foundation administers the Weill-Lenya Research Center, a Grant Program, the Kurt Weill Book Prize and the Lotte Lenya Competition, and publishes the Kurt Weill Edition and the Kurt Weill Newsletter. Learn more by visiting www.kwf.org.

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Binge watch for summer credit at CCM.

CCM Summer Electives Bring Arts Experiences to All

Do you need to fulfill your fine arts credits? Have you always wanted to learn to dance but couldn’t get over the stage fright? Do you have free time this summer to jam with a virtual band on your laptop or study the music of The Beatles, all while earning class credit?

This summer, you can complete your arts elective requirements on campus or online. UC’s College-Conservatory of Music offers more than 30 different general studies and fine arts elective courses during six different sessions this summer. These credit-granting courses cover a wide range of topics and are open to UC and non-UC students alike!

Learn the basics of modern dance or ballet in on campus or online classes designed for beginners or experienced dancers. Study the history of classic Hollywood films or learn about the modern evolution of Japanese Pop, anime and video game music in movie and media appreciation courses. You can also learn how to create your own videos or study entertainment culture at large.

CCM’s music appreciation courses cover genres from jazz and pop to rock ‘n’ roll, including the music of The Beatles, Pink Floyd and Talking Heads. You can also turn your laptop into a musical instrument, or you can learn to play the piano with hands-on music performance classes.

On-Campus and Online arts courses are just a click away: visit ccm.uc.edu/summer/finearts to learn more!

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Bengals Coach Paul Alexander hosts Gino James DiMario Memorial Fundraiser

Faculty from Preparatory and Community Engagement Programs at UC’s College-Conservatory of Music will perform in a special fundraising event at 7 p.m. on Friday, March 17. Hosted by Assistant Head Coach of the Cincinnati Bengals Paul Alexander and his wife Kathy, the fundraiser benefits the Gino James DiMario Memorial Scholarship.

The scholarship fund is in honor of Gino DiMario, a second-grade student in CCM Prep who tragically and unexpectedly passed away in 2005. His memorial scholarship gives other preparatory students the opportunity to experience one of Gino’s favorite things — music. More than 50 CCM Prep students have received scholarships through the fund since its inception.

Paul Alexander, who participates in piano lessons through CCM Prep, will host the fundraiser at his home in Mason. Faculty performers for the fundraiser include Lilyanne Thoroughman, violin; Harold Byers, violin; Peggy Grant, oboe; Colin Lambert, cello, Nathaniel Chaitkin, cello; Karie-Lee Sutherland, soprano; Nave Graham, flute and Yukin Brandenburgh, piano.

Event Information
The fundraiser will begin with dinner and drinks at 7 p.m. on Friday, March 17. CCM Prep faculty will perform at 8:30 p.m. Tickets for the fundraiser are $100 per person or $175 per couple; seating is limited. Tickets are available by calling CCM Prep at 513-556-2595.

About the Gino James DiMario Memorial Scholarship Fund
Gino DiMario was 4 1/2 years old when he began taking lessons in CCM Preparatory’s Suzuki Piano program. Gino loved music, starting with Kindermusik when he was 2, singing in his church’s Cherub Choir and later playing the drums. He died tragically on Feb. 19, 2005, after performing in his first CCM Concerto Competition at Werner Recital Hall. His love of music moved his parents and CCM Preparatory to establish an endowed scholarship in 2006 to further the education of students and faculty who show the determination, commitment and creativity that Gino embodied.

About CCM Preparatory and Community Engagement
The CCM Preparatory Department provides instruction and performance opportunities in music, theater and dance to students of all ages and abilities through private instruction, classes, ensembles, internship experiences and various performance opportunities in accordance with the highest levels of excellence of the University of Cincinnati College-Conservatory of Music.  Call us at 513-556-2595 or visit us at ccm.uc.edu/prep.

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CCM Opera Presents Mozart’s Heroic Greek Tragedy, ‘Idomeneo’

A model of the scenic design for CCM's production of 'Idomeneo.'

A model of the scenic design for CCM’s production of ‘Idomeneo.’ Photo by Marcus Shields. Set Design by Matthew Hamel.

The Opera Department at UC’s College-Conservatory of Music presents an epic tale of love, war and sacrifice on March 30-April 2 in Patricia Corbett Theater. Hailed as Mozart’s first great opera seria, Idomeneo takes place in the aftermath of the fabled Trojan War.

Artist Diploma student Marcus Shields directs the CCM’s production of Idomeneo. Teetering on the edge between student and professional, Shields finds that he and the cast have a lot in common with Mozart, who composed this opera at the ripe young age of 25.

“This is essentially Mozart’s graduate thesis on the world,” says Shields. “It’s an amazing thing that he wrote this when he was 25, and we should be humbled by that fact. We’re all in the exact same place. In writing this challenging opera, Mozart was trying to prove himself — just like we are now.”

Idomeneo is a classic story of unrequited love, sacrifice and revenge. The plot revolves around King Idomeneo who is lost at sea during his journey home from war. To survive, he strikes a deal with vengeful god Neptune, but the king is then faced with an impossible decision — to sacrifice his entire nation or his son, Idamante. The King banishes his son from the kingdom, which separates the young prince from the two women who are in love with him.

While Idomeneo might not be as familiar as Mozart’s Cosí fan tutte, The Magic Flute or The Marriage of Figaro, the opera is just as exciting and inspired, Shields says. The work mostly adheres to the opera seria structure, which is known for its formulaic librettos and serious tone. However, Mozart “shatters the genre” in Idomeneo.

“The music is so amazing and virtuosic,” says Shields, “Mozart’s tap-dancing as hard as he can as he fights against the typical opera seria structure. It seems a bit stuffier on the outside because of the genre but it’s actually way more urgent and young.”

Mozart’s quest to infuse his own style in opera seria is similar to Shields’ unique vision for CCM’s production of Idomeneo. The opera is not set in a specific time period and has an abstract set, with lighting effects and costumes by CCM’s Theatre Design and Production Department. Shields uses costumes to represent the great division the characters feel from each other. Some cast members don stiff button-up coats reminiscent of the late eighteenth century and others wear full Greco-Roman attire.

“We are using the lighting, costumes and set to show people how to actually listen to the music,” Shields says. “It’s a beautiful harmonization of everything that this school can do.”

CCM’s production of Idomeneo is conducted by Assistant Professor of Music Aik Khai Pung, it is sung in Italian with English supertitles.
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IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco
Aik Khai Pung, conductor
Marcus Shields, director

Performance Times
8 p.m. Thursday, Mar. 30
8 p.m. Friday, Mar. 31
8 p.m. Saturday, April 1
2 p.m. Sunday, April 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Idomeneo are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/idomeneo.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s
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Story by CCM Graduate Student Charlotte Kies
CCM News Student Salutes

CCM Holds Inaugural Andrew Howell Memorial Scholarship Competition

UC’s College-Conservatory of Music will hold the inaugural Andrew Howell Memorial Scholarship Competition 2 p.m., Sunday, March 26, 2017
 in the Robert J. Werner Recital Hall. The performance is a free event and open to the public.

CCM honors the memory of student Andrew Howell with a Memorial Concert on Sunday, Oct. 23, 2011.

CCM honors the memory of student Andrew Howell with a Memorial Scholarship Competition on Sunday, March 26, 2017.

This competition is held in loving memory of Andrew Howell, an extraordinary musician and an exceptional person who passed away during his undergraduate studies at CCM. A junior from Charlotte, N.C., Howell was a member of the CCM horn studio and a student of Randy Gardner.

Open to current undergraduate horn majors as well as applicants who have committed to attend CCM in 2017-18, the winner of the Andrew Howell Memorial Horn Scholarship Competition will receive a one-year $3,000 scholarship and a solo performance opportunity.

The scholarship will be offered annually to support the studies of an exceptional undergraduate horn student and perpetuate Andrew’s memory.

Application Details
The application deadline is March 10, 2017.

For further details and an application, contact Professor Randy Gardner at randy.gardner@uc.edu.

About Andrew Austin Howell
Andrew Howell (1990-2010) was beginning his third year as a horn performance major at CCM when he died in an outdoor accident on October 23, 2010 while admiring the bright night sky above the lights of the city below.

Andrew was a student of Randy Gardner, and a well loved member of the CCM community. He is remembered by his family, friends and classmates for his genuine encouragement of others, his love of animals, his charming and unassuming manner, and for his rare sense of humor. He had a musical soul, possessing a broad appreciation for the world and the people around him.

Born into a family of professional church musicians, Andrew was immersed in music from his earliest days, demonstrating a keen observation and attention to musical performances and shows. In addition to his skilled horn playing, he loved to sing and improvise on the piano. Whether he was painting, photographing, singing or playing, Andrew pursued an artful expression of what he saw as a beautiful world.

A participant in the Pensacola Children’s Chorus, the Charlotte Children’s Choir, the Charlotte Symphony Youth Orchestra and the music programs of his churches and schools, Andrew was happiest making music. He studied horn with Bob Blalock of the Charlotte Symphony and spent summers studying at the Brevard Music Center Summer Institute and Festival, the Tanglewood Horn Workshop, and the Chautauqua Music Festival with Richard Deane, Kristy Morrell, Jean Martin-Williams, Eric Ruske and Roger Kaza.

Event Information

Performance Time
2 p.m., Sunday, March 26

Location
Robert J. Werner Recital Hall, CCM Village,
University of Cincinnati

Admission
Admission is free and open to the public.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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Voice Alumni Compete in 2017 Met Opera National Council Auditions Semi-Final

Four UC College-Conservatory of Music alumni will compete in the Semi-Final round of the 2017 Metropolitan Opera National Council Auditions, which will take place in New York on Sunday, March 12.

The prestigious competition for young singers has four rounds: District, Regional, Semi-Final and Final. Ten of the semi-finalists will move on to the final round, where five of them will be pronounced winners. Each winner receives $15,000, and the other finalists receive $5,000 each. This year’s final round will take place on Sunday, March 19 on the stage of the Met Opera.

The four CCM alumni who will participate in the Met Council Semi-Finals are Jessica Faselt, soprano (MM Voice, 2016); Summer Hassan, soprano (MM Voice, 2014); Andrew Manea, baritone (MM Voice, 2016); and Cody Quattlebaum, bass-baritone (BM Voice, 2015). Read their bios below to learn more about these outstanding young musicians.

Known for her “keen expression and impressive delivery” (Music in Cincinnati), soprano Jessica Faselt hails from Iowa. Faselt completed her master’s degree at CCM, where she was the recipient of the Corbett Award, and she earned her Bachelor of Music from the University of Iowa. Faselt has sung with the Institute for Young Dramatic Voices, studying with mezzo-soprano Dolora Zajick, and will return there in 2017. She was a Gerdine Young Artist with Opera Theatre of Saint Louis in 2015 and was engaged there in 2016 to cover the role of Ariadne in Ariadne auf Naxos. Other roles include: Fiordiligi in Così fan tutte, Hanna in The Merry Widow, Rosalinda in Die Fledermaus, Vitellia in La Clemenza di Tito and Mrs. Grose in The Turn of the Screw.

Soprano Summer Hassan is a member of LA Opera’s Domingo-Colburn-Stein Young Artist Program. She made her company debut in 2014 as the Second Lady in Dido and Aeneas and returned as the Ghost Quartet Soprano in The Ghosts of Versailles in 2015. Her LA Opera appearances in the 2015/16 season include the Second Lady in The Magic Flute.  Recent performances include Rossini’s Petite Messe Solennelle under the baton of Placido Domingo, as well as Barber’s Knoxville: Summer of 1915 and Strauss’s Four Last Songs with the Colburn Orchestra. She was featured as Musetta in Wolf Trap Opera’s 2016 production of La Bohème and in recital with Steven Blier at The Barns at Wolf Trap. Ms. Hassan made her Carnegie Hall debut as Second Niece in Britten’s Peter Grimes with the St. Louis Symphony, and in 2014 she made her debut as the Second Lady in The Magic Flute with Opera Theatre of Saint Louis where she was a Gerdine Young Artist. Other roles have included Mimì in La Bohème, Betty in The Threepenny Opera and Vitellia in La Clemenza di Tito. She received her Master of Music from CCM and her Bachelor of Music from the Oberlin Conservatory.

Lauded for his, “charming…robust baritone…,” Romanian-American baritone Andrew G. Manea has been continually rising to the top of the opera world at an impressively young age. Andrew’s recent roles include Marcello in La Bohème, No. 7 in Transformations, Forester in The Cunning Little Vixen, Escamillo in Carmen, Danilo in The Merry Widow and the Father in Hansel and Gretel. In a very successful 2016 season, Andrew was awarded first place and audience favorite in the Mary Jacobs Smith Singer of the Year Competition with Shreveport Opera, second place and audience favorite in the Opera Columbus Cooper-Bing International Vocal Competition, Finalist in the Jensen Foundation Vocal Competition and he was a Career Grant recipient in the Giulio Gari Foundation Competition. Continuing to rise to success, Andrew has been awarded a position as a new member of the San Francisco Opera’s Adler Fellowship program. This coming season at San Francisco Opera, he will be performing Marullo in Rigoletto, covering Marcello in La Bohème, performing Marchese d’Obigny in La Traviata, performing in a world premiere of John Adams’ Girls of the Golden West and performing a Schwabacher Debut Recital with esteemed pianist Warren Jones. Andrew holds a bachelor’s degree from the Cleveland Institute of Music and a master’s degree from the CCM, where he studied with Bill McGraw.

Bass-baritone Cody Quattlebaum from Ellicott City, Maryland, is currently earning a Master of Music in Voice Performance at the Juilliard School. He received his bachelor’s degree from CCM. He has performed Figaro in Le Nozze di Figaro, Lautsprecher in Der Kaiser von Atlantis, Der Fischer in Matsukaze, Melisso in Alcina and Colonel in a premier workshop of Daniel Catán’s Meet John Doe. He recently performed Guglielmo in Così fan Tutte with Merola Opera. He won the Seybold-Russell Award in the 2015 Corbett Opera competition, first place and “Audience Favorite” award at the 2016 James Toland competition and second place in the 2016 Gerda Lissner Liederkranz competition. He recently performed Claudio in Handel’s Agrippina in Alice Tully Hall and Wilson Theater in New York City. He will also perform under the baton of Maestro Michael Morgan with the Oakland Symphony next season.

About the Metropolitan Opera’s National Council Auditions
The Metropolitan Opera National Council Auditions is a program designed to discover promising young opera singers and assist in the development of their careers. Known as the venue for the world’s greatest voices, the Metropolitan Opera holds National Council Auditions throughout the United States and Canada each year. The goal of the National Council Auditions is to discover promising young singers, give singers from around the country a chance to be heard by the major opera companies of the U.S. and Canada, and find potential participants for the Lindemann Young Artist Development program, an opera training program sponsored by the Met.

For more than six decades, this competition for exceptionally talented singers from across the country has helped launch the careers of some of opera’s greatest stars, including Stephanie Blythe, Renée Fleming, Susan Graham, Thomas Hampson, Ben Heppner, Patricia Racette and Deborah Voigt — as well as, more recently, Lawrence Brownlee and Angela Meade.

View a full list of this year’s National Council Auditions Grand Finals Winners at www.metopera.org/about/auditions/nationalcouncil.

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