'Il signor Bruschino' preview image by Adam Zeek.

CCM Presents Rossini’s One-Act Operatic Farce ‘Il signor Bruschino,’ Feb. 19 – 21

CCM’s acclaimed Studio Series resumes Feb. 19 – 21 with Il signor Bruschino, the last – and arguably best – in a series of one-act operatic farces composed by Gioachino Rossini between 1810 and 1813. CCM graduate student Avishai Shalom conducts, with stage direction by fellow graduate student Frances Rabalais.

Admission to Il signor Bruschino is free, but reservations are required. Tickets become available at the CCM Box Office at noon on Monday, Feb. 15.

Il signor Bruschino features all of the traditional hallmarks of opera buffa: mistaken identities, star-crossed lovers, betrothed confusion and an ending that somehow ties up all of the loose ends!

Student stage director Frances Rabalais works with the cast of 'Il signor Bruschino' during rehearsals. Photography by Adam Zeek.

Student stage director Frances Rabalais works with the cast of ‘Il signor Bruschino’ during rehearsals. Photography by Adam Zeek.

Artist Diploma candidate Rabalais explains, “The comedy of Il signor Bruschino will be familiar to today’s audience. There are the young lovers who can’t get together, the older grumpy gentlemen who are more interested in being right than being nice and a few local eccentrics thrown in for good measure. The plot tosses them all together, we add some physical comedy and you end up with an evening full of laughter.”

According to Shalom, the playfulness of the plot is reinforced by Il signor Bruschino‘s music, which is remarkably cheery. “The score is almost entirely in the major mode and there is wonderful comedy in Rossini’s frequent use of vocal patter,” he explains.

Rabalais adds, “Rossini’s music for Bruschino is beautiful, but not always easy to sing. The performers have been working diligently for months on the music.”

Student conductor Avishai Shalom. Photography by Adam Zeek.

Student conductor Avishai Shalom. Photography by Adam Zeek.

Shalom was already familiar with the overture from Il signor Bruschino, in which Rossini famously asks the violins to tap their bows on their instruments. Now, after five full months of preparing for this production, Shalom has become intimately familiar with every other detail of this early masterpiece, as well!

Not only will Shalom be conducting the orchestra for this production, but he has also taken on the ambitious task of performing all of the continuo parts on a fortepiano, a close relative of the harpsichord and a precursor to the modern pianoforte. Although Shalom admits there was a learning curve involved, he is thrilled with the results.

Rabalais is similarly enthused about her involvement in Il signor Bruschino. “I have always enjoyed working on Rossini comedies, but have never had the opportunity to direct one,” she says. “I am excited to put my ideas on stage with this fantastic cast. The intimate size of the Cohen Family Studio Theater allows the performers to share this opera in a very immediate way.”

When asked what else audiences can expect from the production, Rabalais adds, “The entire design is beautiful, but I think the costumes are particularly excellent! We’ve set the opera in the 1780s, which is a fascinating time in history for clothing. We get a taste of a few different styles in this opera, which is quite a feast for the eyes.”

Next weekend, relax your mind and enjoy a playful romp in a French Castle!

Performance Times

  • 8 p.m. Friday, Feb. 19
  • 8 p.m. Saturday, Feb. 20
  • 2 p.m. Sunday, Feb. 21

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission is free, but reservations are required. Tickets become available at noon on Monday, Feb. 15. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News Student Salutes
CCM's inaugural artists-in-residence at Twin Towers: Alyssa Griffith and Annie Barr.

McKnight’s Senior Living Magazine Spotlights CCM Artist-in-Residence Program With Twin Towers

The McKnight’s Senior Living magazine and media brand has turned the spotlight on CCM’s new artist-in-residence program with the Twin Towers Senior Living Community.

As previously reported, this partnership offers free housing to two CCM graduate students on one of Twin Towers’ campuses for the duration of their degree programs. In return, these students will perform one recital per month and allow the community’s citizens unprecedented interaction through discussions and open rehearsals.

The inaugural artists-in-residence are soprano Annie Barr and collaborative pianist Alyssa Griffith, both of whom are first-year Master of Music students at CCM.

In the recently published McKnight’s article, Twin Towers Executive Director Jim Lay explores the surprises brought about through this intergenerational program:

“The simple vision that these students would provide pleasing musical entertainment for Twin Towers’ residents has blossomed into a depth of kinship and connection between unlikely acquaintances,” Lay observes. “When semester break led to the students heading home to be with their families for the holidays, their Twin Towers family anxiously anticipated their January return.”

Barr and Griffith have expressed similar enthusiasm for the innovative new program.

“I loved the idea of living in the Twin Towers community, having more opportunities to perform and practice for the residents’ enjoyment,” Griffith says.

“I feel honored and thankful to have this opportunity,” Barr adds. “I love interacting with all of my neighbors, they’re all so sweet and kind. The neighborhood is a happy place to live.”

CCM Dean Peter Landgren views this new partnership as a natural extension of the college’s ongoing community engagement activities throughout Greater Cincinnati. “An important part of CCM’s responsibility as a training ground for the performing and media arts is to provide aspiring artists with opportunities to interact with and give back to their communities,” he says.

Read the complete McKnight‘s article online at www.mcknightsseniorliving.com/guest-columns/intergenerational-program-brings-nice-surprises/article/471691/.

Learn more about CCM’s partnership with Twin Towers at ccm.uc.edu/about/villagenews/notations-ovations/ccm-twin-towers-partnership.

CCM News Student Salutes
CCM alumnus Alex Smith accompanies Lady Gaga on a performance of the national anthem before Super Bowl 50. (Photo: Cary Edmondson, Cary Edmondson/USA TODAY Sports)

CCM Alumni Help Make Super Bowl 50 Performances a Hit

If you were one of the estimated 167 million viewers watching last Sunday’s Super Bowl 50, then you caught two CCM graduates in action!

For her buzzed-about rendition of “The Star-Spangled Banner,” pop singer/songwriter Lady Gaga was joined on piano by CCM alumnus Alex Smith (BM Jazz Studies, 2001).

CCM alumna Lindsey Grebeldinger-Stewart (MM Voice, 2013) was also featured in the pre-game performances, singing “America the Beautiful” as an alto vocalist with the United States Armed Forces Chorus.

USA Today caught up with Smith after his well-received performance and reported on how the pianist and Soundview Preparatory School music teacher prepared for the most-viewed performance of his career.

“Some of my experience with Gaga had primed me a little bit,” Smith explained to reporter Kevin Phelan. “Doing a nationally broadcast television show with her; that was really nerve wracking for me at the time. And getting to play with Tony Bennett was a huge honor and thrill and was also something that created sort of a nerve-wracking experience for me in terms of wanting to do well for someone who’s such a legend… those moments really provided good practice for something like this.”

As previously reported, Smith is a member of the Brian Newman Quintet, which also includes CCM alumni Brian Newman (CCM, 1999-2003), saxophonist Steve Kortyka (BM Jazz, 2004) and bassist Scott Ritchie (BM, 2003). Newman knew Lady Gaga “before she was famous” and his Quintet first performed with her on the 2011 ABC Holiday Special A Very Gaga Thanksgiving, before playing on Gaga’s duet album with Tony Bennett, Cheek to CheekThe quintet also toured North America and Europe with the duo this past summer.

You can read USA Today‘s profile of Alex Smith here.

You can read Billboard‘s report on the Armed Forces Chorus’ rendition of “America the Beautiful” here.

CCM Alumni Applause CCM News
Beverly Hills Bar Association logo.

CCM Alumnus Darrell D. Miller Named 2016 Entertainment Lawyer of the Year

CCM’s Department of Musical Theatre has produced scores of successful graduates over the years. Alumni of the program have been seen on Broadway, on television, in movies and in theaters around the country. They work as actors, dancers, writers, directors, producers, musicians and lawyers.

Yes, you read that last sentence correctly: lawyers!

CCM alumnus Darrell D. Miller.

CCM alumnus Darrell D. Miller.

Case in point: alumnus Darrell D. Miller (BM Musical Theatre, 1985) has recently been named Entertainment Lawyer of the Year by the Beverly Hills Bar AssociationThe Beverly Hills Bar Association boasts the largest entertainment law section in the country and awards this particular honor to an attorney whose accomplishments contribute greatly to the profession. Throughout his career, Miller has certainly embodied that description.

This is just the latest in a long line of honors for Miller. The CCM graduate has also been recognized in Variety‘s prestigious “Dealmakers Impact Report” for three consecutive years, made Hollywood Reporter’s list of the Top 100 Power Lawyers and was named the National Bar Association Entertainment Attorney of the Year in 2012.

After graduating from CCM, Miller began his professional life as an actor touring with several national production companies. He also landed a lead role in the jazz opera Leo and traveled with an international tour of the musical The Princess and the Pea. Miller then took his career in a slightly different direction.

In 1990, Miller received his Juris Doctor from the Georgetown University Law Center, and has gone on to become one of the world’s leading entertainment attorneys, working in film, television, theatre and digital media. Now the managing partner of Fox Rothschild LLP’s Los Angeles offices and the chair of the firm’s Entertainment Law Department, Miller’s client list includes Academy Award-nominated actress Angela Bassett, star of the hit CBS program NCIS (and fellow Cincinnati-native and SCPA alumnus) Roscoe “Rocky“ Carroll, music mogul and actor Chris “Ludacris” Bridges, reality television star NeNe Leakes and more.

In addition to his decorated law career, Miller recently released his first book, The 16th Minute of Fame, which details the serious perils that come with blindly embracing and enjoying the fleeting fun of celebrity fame and fast money.

Miller explains some of his motivation to write the book, “In reflection, I would say that getting into CCM and performing with the CLO was my first 15 minutes of fame, but at the time, I was just enjoying the experience and praying that it would last.”

Miller’s experience as a performer gives him great insight and has helped him build a career guiding those in the entertainment industry through their first “15 minutes” and maintain their success. Part professional memoir, part insider’s guide to the entertainment industry and part manual for strategic career planning, The 16th Minute of Fame ultimately focuses on the pathways to a more successful life.

Miller will be honored by the Beverly Hills Bar Association during an awards ceremony on Tuesday, May 17, 2016. The entire University of Cincinnati community congratulates him on this latest award and wishes him continued success in the future!

To learn more about Darrell D. Miller and his work in the entertainment industry, visit www.foxrothschild.com/darrell-d-miller.

CCM Alumni Applause CCM News
CCM performance photography by UC Photojournalism major Lauren Kremer.

CCM Spring 2016 Calendar of Major Events – February and March Updates

Please note the following updates to CCM’s schedule of major events for the spring 2016 semester:

  • Percussion Group Cincinnati’s Faculty Artist Series concert on Friday, Feb. 19, has been canceled.
  • CCM welcomes the U.S. Army Ground Forces Band’s “Forscom Four” Clarinet Quartet for a free performance in Mary Emery Hall room 3250 (the “master class room”) at 6 p.m. on Sunday, March 6.
  • Guest speaker Brian Kane’s Thinking About Music Lecture on Friday, March 11, has been canceled.
  • CCM welcomes the U.S. Army Band’s “Pershing’s Own” Woodwind Quintet for a free performance in Watson Hall at 8 p.m. on Wednesday, March 16.
  • Guest artist Caroline Hong will open CCM’s 2016 Bearcat Piano Festival with a concert in the Robert J. Werner Recital Hall at 8 p.m. on Tuesday, March 29.
  • The Bearcat Piano Festival continues with a student performance of J. S. Bach’s The Complete Well-Tempered Clavier Book II in Robert J. Werner Recital Hall at 7 p.m. on Thursday, March 31.

CCM’s full schedule of major performances for the Spring Semester is available online at ccm.uc.edu/about/villagenews/notations-ovations/spring-2016-calendar-of-events.

You can always find the most up-to-date information on CCM’s calendar of events at ccm.uc.edu/boxoffice/calendar.

CCM News
Andrew Huyler Ramsey and Emily Walton in CCM's production of 'Ah, Wilderness!' Photography by Mark Lyons.

CCM Drama Presents Bittersweet Production of Eugene O’Neill’s Comedy ‘Ah, Wilderness!’ Feb. 10-14

CCM resumes its Mainstage Series with Eugene O’Neill’s Ah, Wilderness!: A Comedy of Recollection in Three Acts, playing Feb. 11-14 with a special preview performance on Wednesday, Feb. 10. The show also bids a fond farewell to its director, and Associate Dean of Academic Affairs and Graduate Studies, R. Terrell Finney as he retires from fulltime status at CCM.

Poster for CCM's February 2016 production of AH, WILDERNESS!The words “Eugene O’Neill” and “comedy” are rarely used in the same sentence unless that sentence is “Eugene O’Neill does NOT write comedy.” The Pulitzer Prize-winning writer of Long Day’s Journey into Night and Mourning Becomes Electra is primarily known for his semi-autobiographical plays about characters who struggle to maintain their hopes and aspirations but ultimately slide into despair and disillusionment. Ah, Wilderness! is not one of those plays.

Set in an idyllic Connecticut town (presumably New London, O’Neill’s hometown) on the Fourth of July weekend of 1906, the play focuses on the Miller family and their 16-year-old son Richard, whose coming of age story offers a tender portrait of small town family values, teenage growing pains, and young love.

“It’s really quite the opposite of a typical O’Neill family story,” says director R. Terrell Finney. “The subtitle of the play is ‘A Comedy of Recollection,’ so my take on it is this is the family unit that O’Neill wishes he had.”

Even though it’s a comedy, the show still has plenty of the classic O’Neill depth-of-character for which he is known, “If it were written by a playwright of lesser skill, it could verge on the sentimental, but [O’Neill] brings elements that his other plays deal with: alcoholism, squandered love, intolerance and political strife. So, although it is a very loving and romantic portrait of a family, it has some depth as well,” explains Finney.

CCM’s production will be very true to the original look and feel of the play as written. “We’ve tried to create a world that’s going to let us live in 1906, so everything on stage is very period-specific,” says Finney. For example, it was important to obtain the exact music requested by O’Neill for various parts of the play, “I have to thank Dr. bruce mcclung from the Department of Musicology; he really helped us locate the music and source material so we could stay true to the original script,” Finney adds.

Ah! Wilderness!’s tender feel makes it a fitting farewell for it’s director, R. Terrell Finney. Finney’s tenure as a fulltime faculty member will come to an end this semester after 33 years of service as a member of the Department of Drama and head of CCM’s Division of Opera, Musical Theatre, Dramatic Arts and Arts Administration (now known as the Division of Theatre Arts, Production and Arts Administration, or TAPAA). Finney has most recently served as Associate Dean of Academic Affairs and Graduate Studies at CCM.

R. Terrell Finney directs this beloved classic by Eugene O'Neill.

R. Terrell Finney directs this beloved classic by Eugene O’Neill.

Over his time at CCM, Finney’s approach to directing has changed, he says, for the better, “I’d like to think I’m more relaxed than when I started! Sometimes you just have to roll with the punches in the theater. I’ve also really come to respect and trust actor instinct. If a director can open a door to the creativity the actor can bring, he’s done his job.”

Finney says directing Ah Wilderness! has reinvigorated his love for the creative process and, even though he’s entering a much-deserved retirement, he hopes to stay involved in the future, “I’ve had a ball directing this show. It’s been six years since I’ve directed and it’s been so liberating. It’s amazing to be involved in the creative process, so if you had asked me, without having done this show, what I wanted to do in retirement I may have just said, ‘Oh, tend my garden,’ but now I would hope that I can continue to direct. I’m not quite ready to be put out to pasture!”

The Company

  • Jonah Sorscher as Tommy Miller
  • Olivia Passafiume as Mildred Miller
  • Owen Alderson as Arthur Miller
  • Katie Langham as Essie Miller
  • Rachel Baumgarten as Lily Miller
  • Devan Pruitt as Nat Miller
  • Andrew Iannacci as Sid Davis
  • Andrew Huyler Ramsey as Richard Miller
  • Spencer Lackey as David McComber
  • Mickey Tropeano as Norah
  • Isaac Hickox-Young as Went Selby
  • Annie Grove as Belle
  • James Egbert as Bartender
  • Ryan Garrett as Salesman
  • Emily Walton as Muriel McComber

The Creative Team

  • R. Terrell Finney, director
  • Thomas C. Umfrid and Whitney Glover, scenic designers
  • Adam Ditzel, lighting designer
  • Mathew D. Birchmeier, sound designer
  • Maria Lenn, costume designer
  • Missy White, wig & make-up designer
  • k. Jenny Jones, fight choreographer
  • Scott Slucher, stage manager

Performance Times

  • 8 p.m. Wednesday, Feb. 10 (preview)
  • 8 p.m. Thursday, Feb. 11
  • 8 p.m. Friday, Feb. 12
  • 2 and 8 p.m. Saturday, Feb. 13
  • 2 p.m. Sunday, Feb. 14

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Ah, Wilderness! are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID. Tickets to the Feb. 10 preview performance are just $15.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/ah-wilderness.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Ah, Wilderness!: A Comedy of Recollection in Three Acts is presented by special arrangement with SAMUEL FRENCH, INC.

CCM News Faculty Fanfare
JoanoFArcImage

CCM Presents New Semi-Staged Production of Honegger’s ‘Joan of Arc at the Stake’ on Feb. 13

CCM’s Department of Choral Studies presents four exciting concerts this semester, beginning with a new semi-staged production of Arthur Honegger’s Jeanne d’Arc au bûcher (Joan of Arc at the Stake) at 8 p.m. on Saturday, Feb. 13. This concert will be sung in English with surtitles.

Poster for CCM's production of Honegger's 'Joan of Arc at the Stake.'Honegger’s monumental oratorio premiered in Basel, Switzerland, in May of 1938. Over the course of eleven scenes, Joan of Arc at the Stake recounts the timeless tale of 15th century French heroine Joan of Arc. Inspired by both popular and classical music trends of the 1930s, Honegger sprinkled his oratorio with flares of jazz, military fanfares, atonality and Hollywood styles.

CCM’s semi-staged concert production of this imposing work is a massive undertaking, requiring the combined forces of the CCM Philharmonia Orchestra, Chamber Choir and Chorale, along with the UC Men’s and Women’s Choruses and Cincinnati Children’s Choir. The production also features soloists from CCM’s voice and dramatic performance programs, along with technical support from the Lighting Design and Technology department, all of which allows Joan’s brief life to unfold in a truly dynamic fashion on stage.

CCM Director of Choral Studies Earl Rivers conducts this performance. “The drama takes place during Joan’s last minutes on the stake, with flashbacks to her younger days and her trial. Honegger entitled his work a dramatic oratorio, adding speaking roles and actors,” he says. “Joan’s life unfolds in cinematic scenes of heavenly visions, conquests, her trial and her eventual fate at the stake.”

Artist Diploma candidate Marcus Shields provides the stage direction for this production, explaining, “In a typical concert presentation of Joan of Arc at the Stake, the soloists would be using music with music stands. For our production, all of the solo parts are going to be memorized, allowing us to realize Joan’s story in three dimensional space. This allows us to shift the focus to real characters forging real relationships, detached from a music stand.”

This production’s feature soloists include soprano Tara Morrow as St. Catherine, mezzo-soprano Alyssa Narum as St. Marguerite and soprano Ann Toomey as the Virgin, along with tenor Robert Stahley and bass-baritone Junbo Zhou.

Joan of Arc at the Stake‘s two primary roles are actually spoken roles, so Rivers and Shields have also enlisted two actors from CCM’s Department of Dramatic Performance: Laura McCarthy as Joan and Landon Hawkins as Brother Dominique.

The last documented performance of Honegger’s Joan of Arc at the Stake in Cincinnati was at the May Festival in 1952, making CCM’s new production a very rare treat.

CCM’s Department of Choral Studies also presents three other exciting concerts this spring. On Wednesday, March 30, the UC Men’s and Women’s Choruses and Cabaret Singers perform Daniel Elder’s The Brightest Heaven and a variety of other celebrated masterpieces.

On Sunday, April 17, the Jazz and Choral Departments share the stage in a concert featuring Wynton Marsalis’ Abyssinian Mass. Prepare to be dazzled by this fusion of jazz and gospel.

Finally, the Department of Choral Studies concludes this year’s series with a celebration of the 400th anniversary of Shakespeare’s death. This concert features talent from CCM’s Drama Department, along with premieres of newly commissioned choral works on Shakespeare texts by American composers Ola Gjeilo, Dominick DiOrio, and Jake Runestad.

Event Information
All events listed below take place on the campus of the University of Cincinnati unless otherwise indicated. Some events do require purchased tickets; please see individual event information for single ticket prices and ordering information.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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2016 SPRING CHORAL SERIES

8 p.m. Saturday, Feb. 13
HONEGGER’S JOAN OF ARC AT THE STAKE AND VERDI’S OVERTURE FROM GIOVANNA D’ARCO
CCM Philharmonia, Chamber Choir and Chorale; UC Men’s and Women’s Choruses; and Cincinnati Children’s Choir Earl Rivers, conductor

Marcus Shields, stage director
CCM showcases the American university premiere of a staged concert production of Arthur Honegger’s 1938 Joan of Arc at the Stake (Jeanne d’Arc au bûcher), featuring Joan of Arc in the final moments of her life, with flashbacks to her trial and younger days. Actors, soloists, choristers and children play and sing multifaceted roles in Honegger’s borderline opera and oratorio of classical, popular and jazz styles. This program also features the Overture to Verdi’s take on the Joan of Arc story: 1845’s Giovanna d’Arco.
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.

Performance Sponsor: Willard and Jean Mulford Charitable Fund of the Cambridge Foundation

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8 p.m. Wednesday, March 30
UC MEN’S AND WOMEN’S CHORUSES
Christopher Albanese and Alex Sutton, conductors
Comprised of students from all 14 UC colleges, the UC Men’s and Women’s Choruses and Cabaret Singers present a variety of classical, popular, folk and jazz works. The program will include a newly commissioned work from Daniel Elder titled The Brightest Heaven (with texts from Shakespeare’s Henry V) and highlights from the UC Choruses Spring Break Tour to Washington, D.C., featuring masterpieces by Bernstein, Dickau, Barber, Miller, Belen, Gibbs, Lang, Mendelssohn, Pergolesi, DeCormier, Nelson, Burchard, Sperry and Thompson.
Location: Patricia Corbett Theater
Admission: $15 general, $10 non-UC students, UC students FREE

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3 p.m. Sunday, April 17
WYNTON MARSALIS’ ABYSSINIAN MASS: A GOSPEL CELEBRATION
CCM Jazz Orchestra and Chorale and Central State University Gospel Choir
Scott Belck, Brett Scott and Jeremy Winston, directors
Featuring guest artist Damien Sneed, conductor
Commissioned to celebrate the 2008 bicentennial of Harlem’s Abyssinian Baptist Church, Marsalis’ Mass is a landmark collaboration of jazz, gospel, instrumentals and vocals with “hand-clappin’” and “tambourine-slappin’,” reflecting the form of the African American church service.
Location: Zion Baptist Church, 630 Glenwood Avenue, Cincinnati, OH 45229
Tickets: $15 general, $10 non-UC students, UC students FREE.

Joseph and Frances Jones Poetker Visiting Artists.

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7:30 p.m. Saturday, April 23
MUSIC OF THE BARD IV – 400TH ANNIVERSARY OF THE DEATH OF SHAKESPEARE
CCM Chamber Choir and CCM Drama Department
CCM’s Choral Department culminates its two-year Shakespeare Quadricentennial, honoring the 400th anniversary of Shakespeare’s passing (April 23, 1616). The Chamber Choir will perform music on Shakespeare’s texts with scenes presented by actors from CCM’s Drama Department. Featured are premieres of newly commissioned choral works on Shakespeare texts by American composers Ola Gjeilo, Dominick DiOrio and Jake Runestad.
Location: Knox Presbyterian Church, Michigan and Observatory Avenues, Cincinnati, OH 45208
Admission: $15 general, $10 non-UC students, UC students FREE.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

Visiting Artists Sponsor: The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel

Choral Studies Sponsors: Jan Rogers; Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation

CCM News