Peter Landgren, Dean of the College-Conservatory of Music (CCM)

A Message From Peter Landgren

Dear CCM Community,

The power of CCM, which is fueled by you – the college’s faculty, staff, students, alumni, volunteers, donors and advisors – is as strong as ever at the University of Cincinnati. As such, I have accepted an offer from Interim President Beverly Davenport to fill the role of Interim Senior Vice President for Academic Affairs and Provost, paralleling her interim presidency. You can learn more about this appointment here.

This is an interim role for me, I’m not going far – just a few buildings away from the CCM Village – and CCM will have an excellent individual at the helm as Interim Dean.

brucce mcclung will be Interim Dean at CCMWe are fortunate to have a leader amongst leaders who has agreed to serve as CCM’s Interim Dean, Dr. bruce mcclung. A member of CCM’s faculty since 1992, Dr. mcclung has most recently served as head of the Division of Composition, Musicology and Theory. Dr. mcclung is a highly respected musicologist, a consummate researcher, pedagogue, advisor and mentor. He is detail-oriented, focused on excellence and possesses a watchful eye on fiscal health. He is a strong communicator and a leader who naturally turns listening and collaboration into action.

Dr. mcclung received his bachelor’s degree from the New England Conservatory, two master’s degrees from the Eastman School of Music and his Ph.D. from the University of Rochester. He has been awarded several campus-wide accolades from the University of Cincinnati, including the A. B. “Dolly” Cohen Award for Distinguished Excellence in Teaching in 2013, the UC Graduate School Excellence in Doctoral Mentoring Award in 2009 and was elected to the University’s Academy for Fellows of Teaching and Learning. You can read the official announcement of bruce’s interim appointment here.

When I asked if he would fill the role as CCM’s Interim Dean, bruce’s first question to me revealed his insight and dedication as a leader and creative individual: How could he continue to propel the ONECCM initiative forward during this interim period? Yes, there were other questions to follow, yet this lead enquiry told me a great deal about bruce’s desire to maintain the positive trajectory that the college has enjoyed. I am confident that bruce will assist each of you who hold an individual role in propelling the college beyond all imagination.

As a university community, we are equally fortunate to have a compassionate and compelling leader in Dr. Davenport. I cannot thank Dr. Davenport enough for her confidence in my leadership abilities. As Interim Senior Vice President of Academic Affairs and Provost, I will support her as Interim President in a unified vision for UC, and will assist all of the university’s deans and colleges in attaining or superseding their goals. My term will begin today and parallel Interim President Davenport’s.

Please join me in thanking bruce as he steps into this new role of intellectual and artistic guidance at CCM. I also want to thank you – the CCM community – for supporting Interim Dean mcclung, Interim President Davenport and me as each of us enter new positions to guide our university forward.

CCM is the college that has given me my career. I will always be a proud alum of this great college, and my pride and respect extends to each of you. Both CCM and UC have made great strides in recent years. Working together, we will continue to build upon those accomplishments and achieve even greater successes.

Sincerely yours,

DeanSignature
Peter Landgren, Dean
Thomas James Kelly Professor of Music
College-Conservatory of Music
University of Cincinnati

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In Memoriam: Emeritus Faculty Member Ronald de Kant

We are saddened to share news of the passing of Ronald Zecher de Kant, Emeritus Professor of Clarinet at CCM. Born in Lancaster, PA, on Oct. 30, 1931, de Kant passed away in Cincinnati on June 22, 2016. He is survived by his wife, Brenda Mitchell of Cincinnati, daughter Monique (Niki) of Vancouver, BC, and cousin Barrie Zecher (wife Leoma) of Lititz, PA.

CCM Professor Emeritus Ronald de Kant.

CCM Professor Emeritus Ronald de Kant.

De Kant was professor of clarinet at CCM from 1987 until his retirement in 2004. During his tenure at CCM, he also served as chair of woodwinds and brass from 1989-2004. Many of his former students have held positions in major Canadian and US orchestras and military bands.

De Kant received the Artist Diploma from Juilliard in 1953, where he studied with Daniel Bonade. Following Juilliard, during his military service, he taught for two years at the U.S. Naval School of Music in Washington, DC. He then performed as principal clarinet for a year in Toronto with Canada’s National Ballet Orchestra. He was principal clarinet with the New Orleans Philharmonic Orchestra from 1956-65, then principal clarinet of the Vancouver Symphony Orchestra from 1965-80. He was also principal clarinet of the CBC Vancouver Chamber Orchestra 1967-83 and performed with the Santa Fe Opera 1970-72. An active chamber musician, at various times he was a member of the New Orleans Woodwind Quintet, the Vancouver Woodwind Quintet, the Vancouver Symphony Orchestra Chamber Ensemble, and the Cassenti Players. He was a soloist with both the Vancouver Symphony Orchestra and the CBC Vancouver Chamber Orchestra. Recordings as clarinet soloist include the Mozart Quintet with the Purcell String Quartet and the Copland Clarinet Concerto with the CBC Vancouver Chamber Orchestra.

In addition to his time as a CCM faculty member, De Kant taught at the university level concurrently with his orchestral appointments in both New Orleans and Vancouver. He also taught part-time at the University of British Columbia from 1965-80, then full-time until 1983. From 1977-84 he coached woodwinds at the Banff Centre for the Arts, where he premiered the Sonata for Clarinet and Piano by Oscar Morawetz. He was professor of clarinet at Arizona State University 1983-87. He taught clarinet at Louisiana State University during the 2004-05 academic year.

Our thoughts and prayers are with Professor de Kant’s family and friends during this time. You can share your memories of Ronald de Kant online at www.neidhardyoungfuneralhome.com/obituaries/Ronald-De-KantMemorial contributions may be made to the American Heart Association.

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Header for Cincinnati's 2016 May Festival.

Cincinnati May Festival Features CCM Alumna Tamara Wilson as Guest Artist in Verdi’s Otello

Header for Cincinnati's 2016 May Festival.

As a rising star in the opera world, soprano and CCM alumna Tamara Wilson (BM Voice, 2004) has already amassed an impressive international reputation. Cincinnati residents will have an opportunity to hear her voice again this weekend as she joins the May Festival‘s 2016 line-up!

Soprano Tamara Wilson (BM Voice, 2004).

Soprano Tamara Wilson (BM Voice, 2004).

Wilson, a former student of Barbara Honn and the 2016 winner of the prestigious Richard Tucker Award, will return to the Queen City to perform the female lead role of Desdemona in Giuseppe Verdi’s famed opera Otello under the baton of May Festival Music Director James Conlon.

Wilson will be part of a star-studded cast including tenors Gregory Kunde (the 2015 International Opera Awards Male Singer of the Year) and May Festival regular Rodrick Dixon, along with the May Festival Chorus and the Cincinnati Symphony Orchestra.

The performances starts at 8 p.m. this Saturday, May 21, in Music Hall. Tickets are available online at https://my.cincinnatisymphony.org or by phone at 513-381-3300, so make sure to reserve today to see this rising CCM alumna!

About Tamara Wilson
American soprano Tamara Wilson made her much-anticipated Metropolitan Opera debut in December of 2014 in the title role of Aida, when the New York Times praised the “laserlike authority of her high notes,” and observed: “Her voice blooms with her palpable involvement in her own story: Her singing is urgent, her physical performance restrained yet powerful.”

Nominated for a 2016 Olivier Award for Outstanding Achievement in Opera after her English National Opera debut last fall as Leonora in La forza del destino, the soprano will make further debuts next season at the Bayerischer Staatsoper and Deutsche Oper Berlin. She was a finalist in the 2004 Metropolitan Opera National Council Auditions, a Grand Prize Winner at Barcelona’s Annual Francisco Viñas Competition, a winner of the George London Award and the recipient of both a 2008 Sara Tucker Study Grant and a 2011 Richard Tucker Career Grant from the Richard Tucker Music Foundation.

After launching the present season headlining Aida at the Aspen Music Festival, Wilson returned to Oper Frankfurt as Elisabeth de Valois in Don Carlo; sang Lucrezia in Verdi’s I due Foscari in Santiago, Chile; made her Cleveland Orchestra debut; and joined Marin Alsop for Mahler in São Paulo. Back in the States after touring Japan as Rosalinde in Die Fledermaus under the baton of Seiji Ozawa, the soprano looks forward to taking Brahms’s German Requiem on an East Coast tour with Seraphic Fire and singing Desdemona in Otello at Cincinnati’s May Festival, in celebration of James Conlon’s 37th and final year as Music Director. Last season Wilson made her role and house debuts headlining Norma at Barcelona’s Gran Teatre del Liceu, following recent debuts at Houston Grand Opera, Washington National Opera, Los Angeles Opera, and Carnegie Hall. In addition to being a CCM graduate, Wilson is also an alumna of the Houston Grand Opera Studio.

Learn more about the achievements of CCM’s students and alumni by subscribing to The Village News!
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Story by CCM graduate Kevin Norton (DMA Saxophone, 2015)

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A promotional image for the Animal Mother, a jazz trio comprised of CCM alumni.

CCM Jazz Alumni Receive Glowing Review from the Washington Post

CCM alumni Matt McAllister (BM Jazz Studies, 2013), Josh Kline (BM Jazz Studies, 2015) and Jon Massey (BM Jazz Studies, 2012) have been making waves with their latest musical project, Animal Mother.

In a glowing review of the ensemble’s May 8th performance at the Twins Jazz Club and Lounge in Washington, DC, Washington Post contributor Michael J. West suggests, “(T)hese guys — unlike many declared jazz musicians — had mastered the music’s basic foundation before reimagining it.”

A self-described “garage jazz” band, Animal Mother formed at CCM in 2013 with McAllister on drums, Kline on tenor saxophone and Masey on bass. Initially conceived as an opportunity to practice free improvisation, the ensemble soon began to focus on McAllister’s original compositions. The band released its debut album, The Youth Will Rule!, last year and recently embarked on a tour of the Midwest.

Back at home, Animal Mother has been nominated two years in a row for the Cincinnati Entertainment Awards in the “Best Jazz” category.

“Animal Mother deserves more ears,” West concludes in his review, “not least because they slyly suggest that they have even more musical ingredients than meet the ear.”

You can read the full write-up online at www.washingtonpost.com.

Learn more about the achievements of CCM’s students and alumni by subscribing to The Village News!
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Story by Curt Whitacre

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Lotte Lenya Competition Graphic.

CCM Students Talya Lieberman and Reilly Nelson Win Top Prizes in 2016 Lotte Lenya Competition

We are delighted to report that current CCM students Talya Lieberman and Reilly Nelson took home top prizes during the final round of the 2016 Lotte Lenya Competition. Sponsored by the Kurt Weill Foundation for Music, the prestigious competition was held on April 16 in Kilbourn Hall of the Eastman School of Music in Rochester, New York.

Lieberman won a Third Prize, which includes a cash award of $7,500. Nelson received a Carolyn Weber Award in recognition of outstanding creativity in the design of a diverse program and exceptional sensitivity to text/music relationships, which includes a $3,500 prize.

Nine awards and a total prize purse of $79,000 were given in the competition’s most competitive year yet. Foundation President and founder of the competition Kim Kowalke said of this year’s competition:

“The total amount and number of prizes awarded reflects the high level displayed at this year’s contest. It is a testament to the competition’s growth over nearly two decades.”

You can learn more about all of this year’s winners by visiting www.kwf.org.

Winners of the 2016 Lotte Lenya Competition, including CCM student Talya Lieberman (second from right).

Winners of the 2016 Lotte Lenya Competition, including CCM student Talya Lieberman (second from right).

Both Lieberman and Nelson also made strong showings in last year’s Lotte Lenya Competition. Nelson advanced to the semifinal round of the competition (along with three other CCM-trained singers), while Lieberman won the Lys Symonette Award for Outstanding Performance of an Individual Number during 2015’s final round.

Lieberman and Nelson are the latest in a long line of CCM students and alumni who have reached the final rounds of the Lotte Lenya Competition. CCM alumna Lauren Roesner (BFA Musical Theatre, 2013) took Third Prize in the 2013 installment of this prestigious international theatre singing contest. CCM alumna Caitlin Mathes (MM Voice, 2009; Artist Diploma in Opera, 2010) earned First Prize in 2011 and fellow alumna Alisa Suzanne Jordheim (BM Voice, 2008; MM Voice, 2010; DMA candidate) progressed to the final round of the competition that same year.

For this year’s competition, each finalist presented a 15 minute program of four selections in the daytime round. An evening concert followed, in which contestants sang only a segment of their programs.

All finalists received a minimum cash award of $1,000, with additional discretionary awards of $3,500 each, and top prizes ranging from $7,500 to $15,000.

The panel of judges included international opera star Teresa Stratas, Rodgers & Hammerstein President Theodore S. Chapin and Broadway music director and conductor Andy Einhorn. Finalists were selected from an initial pool of 224 contestants later narrowed to 31 semi-finalists, who were adjudicated and coached in the semi-final round by Tony Award-winners Jeanine Tesori and Victoria Clark. Clark, who last judged the competition in 2012, noted:

“I can feel the leap in overall talent from the last time I judged.”

Now in its 19th year, the Lotte Lenya Competition recognizes exceptionally talented singers/actors, ages 19-32, who are dramatically and musically convincing in a wide range of repertoire, with a focus on the works of Kurt Weill. Since 1998, the Kurt Weill Foundation has awarded more than $750,000 in prize money and continues to support previous winners with professional development grants.

Previous Lenya Competition winners enjoy successful careers performing in major theaters and opera houses around the globe.

About the Kurt Weill Foundation
The Kurt Weill Foundation for Music, Inc. is dedicated to promoting understanding of the life and works of composer Kurt Weill (1900-50) and preserving the legacies of Weill and his wife, actress-singer Lotte Lenya (1898-1981). The Foundation administers the Weill-Lenya Research Center, a Grant Program, the Kurt Weill Book Prize and the Lotte Lenya Competition, and publishes the Kurt Weill Edition and the Kurt Weill Newsletter. Learn more by visiting www.kwf.org.

CCM student Talya Lieberman.

CCM student Talya Lieberman.

About Talya Lieberman
Originally from Forest Hills, New York, soprano Talya Ilana Lieberman is currently pursuing an Artist Diploma at CCM as a student of Professor William McGraw.

Recently described by Opera News as “poetically compelling,” “delectably stylish” and “technically refined,” Lieberman is equally at home with operatic, art song and musical theatre repertoire. Starting in September 2016 she will be seen frequently on stage at Komische Oper Berlin, where she will be assuming the soprano position in the Opernstudio. Her upcoming performances include debuts with Cincinnati Opera and Opera Columbus, as well as the title role in CCM’s Mainstage Series production of Janáček’s The Cunning Little Vixen.

Lieberman returned to Cincinnati this fall after completing a summer as a Filene Young Artist with Wolf Trap Opera, where her ability to “make a point with the merest flick of a finger” (Washington Post) shined in a highly lauded run as Susanna in Mozart’s Le Nozze di Figaro. She also appeared in concert with Steven Blier at Wolf Trap in a program celebrating the Broadway legacy of the Rodgers family (The Rodgers Family – A Century of Musicals).

Lieberman is a convert from the orchestra pit and started singing after receiving her master’s degree in trumpet performance from the University of North Carolina School of the Arts under the tutelage of Judith Saxton. She completed her BA at Duke University with highest distinction in linguistics (Phi Beta Kappa, Magna Cum Laude). She is a two-time winner of full tuition and stipend—winning the Russell-Seybold and Italo Tajo Awards, respectively—at CCM’s Opera Scholarship Competition.

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

About Reilly Nelson
Born in the coastal town of Sault Ste. Marie in Ontario, Canada, Reilly Nelson attended the Eastman School of Music where she received a Bachelor of Music in Vocal Performance and CCM where she completed a Master of Music in Vocal Performance.

Nelson is currently pursuing her Doctor of Musical Arts degree at CCM.

At CCM she performed Hansel in Hansel and Gretel and Mary in Ricky Ian Gordon’s Morning Star. She also performed Hansel, as well as Cherubino in Le nozze di Figaro, at Janiec Opera Company at the Brevard Music Center.

The mezzo-soprano was a vocal fellow at the renowned Tanglewood Music Festival for the summers of 2014 and 2015, performing Les nuits d’été, Op. 7 and Folk Songs by Bernard Rands.

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Story by Curt Whitacre

CCM News Student Salutes
Rebecca Castillo performs in the Kentucky Bach Choir's Audrey Rooney Vocal Competition. Provided Photo.

CCM Singer Awarded in Kentucky Bach Choir’s Audrey Rooney Vocal Competition

We are thrilled to share that CCM Master of Music student Rebecca Castillo won the Encouragement Award after participating in Kentucky Bach Coir’s Audrey Rooney Vocal Competition on Saturday, April 9.

Singers Zackery Morris, Emily Yocum Black, Julius Cruse Miller III, Rebecca Castillo with vocal competition sponsor Audrey Rooney and Kentucky Bach Choir Artistic Director Marlon Hurst.

Singers Zackery Morris, Emily Yocum Black, Julius Cruse Miller III, Rebecca Castillo with vocal competition sponsor Audrey Rooney and Kentucky Bach Choir Artistic Director Marlon Hurst. Provided Photo.

Nine student singers from six different states and nine universities competed in the live vocal competition, held at the First Presbyterian Church in Lexington. The singers competed for a Grand Prize of $1,500, an Audience Choice Award of $750, and two Encouragement Awards. As a recipient of the Encouragement Award, Castillo was given $500 and the opportunity to return as a paid guest soloist in future Kentucky Bach choir concerts.

The Grand Prize winner was Emily Yocum Black, who is pursuing a Master’s in Vocal Performance at the University of Louisville. The Audience Choice Award went to Zackery Morris, who is in pursuit of a Doctor of Musical Arts in Vocal Performance at the University of Kentucky. Julius Cruse Miller III, who is pursuing a Bachelor of Music degree in Vocal Performance at Indiana University, won the other Encouragement Award.

Castillo is a soprano studying under the tutelage of Amy Johnson, assistant professor of voice, as part of the Master of Music program at CCM. She recently performed in the ensemble of CCM’s production of Leos Janacek’s The Cunning Little Vixen. Last fall, Castillo performed J. S. Bach’s B Minor Mass with Cincinnati’s Vocal Arts Ensemble under the direction of Craig Hella Johnson.

She graduated from Sam Houston State University with a Bachelor of Music Education and previously taught choir at South Houston High School. While there, she performed with Houston’s Bach Society Choir including works B Minor Mass, St. Matthew’s Passion and Magnificat.

About the Audrey Rooney Vocal Competition
In its sixth year, the vocal competition was created to encourage exceptional student singers in the study of the solo repertoire of J. S. Bach, Franz Joseph Haydn, and W. A. Mozart. Singers are selected for the live competition in Lexington by submitting recordings to Kentucky Bach Choir Artistic Director, Marlon Hurst. The competition was adjudicated by Hurst, Associate Professor of Voice and Director of Opera at the University of Alamaba Dr. Krintine Hurst-Wajszczuk, and Zach Klobnak, director of music at The Presbyterian Church in Danville, Centre College organist and instructor of organ, harpsichord, and piano. Klobnak also serves as the accompanist for the Kentucky Bach Choir. All singers in the competition were accompanied by Nan McSwain, vocal coach and lecturer in opera with the University of Kentucky Opera Theater.

Ms. Audrey Heyman Rooney became the sponsor of the competition in 2013. A member of the Kentucky Bach Choir Board of Directors, Ms. Rooney has been a longtime advocate for the arts and for the encouragement of young artists, making significant contributions towards these ends in Pennsylvania, Delaware, Maryland and Kentucky.

CCM News Student Salutes
Rehearsals for CCM's April 2016 production of SWAN LAKE.

Building a Ballet: E-Media students give inside look at CCM’s ‘Swan Lake’

CCM Electronic Media and UC journalism students take us behind-the-scenes with a look at the rehearsals for next week’s production of Swan Lake. The video series chronicles all of the work and dedication students, faculty and staff put into the lavish new production of Tchaikovsky’s timeless ballet.

Students within the News Writing and Reporting class, taught by Assistant Professor of E-Media Hagit Limor and Journalism Professor Bob Jonason, created the videos, which star faculty and students within CCM’s Dance Department.

In the video above, Dance Department chair and Swan Lake co-director Jiang Qi discusses the work that goes into presenting such an iconic ballet. He explains:

Swan Lake is one of the top classical ballets in the repertoire. It’s almost textbook. You learn Swan Lake and then you get much stronger. This is an art form that requires a lot of physical and mental endurance to get through.”

The videos and photos, created by students Brevin Couch, Mark D’Andrea, Tyler Dunn, Daniel Honerkamp, Ailish Masterston and Andrew Wilkins, can be viewed on the Building a Ballet website. Visit the website to view interviews with dance students Madison Holschuh (Odette), Sam Jones (Prince Siegfried), and Kiahna Saneshige (Odile). The package was recently featured in Cincinnati Magazine.

Swan Lake is only the second story ballet ever presented as part of CCM’s Mainstage Series. The production runs April 22 – 24 in CCM’s Corbett Auditorium.

Co-directed by Jiang and Professor Deirdre Carberry, the production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.”

The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Professor Aik Khai Pung.

This production marks the first time in CCM’s nearly 150-year history that a dance production has featured brand new costumes designed and built in-house. You can learn more about the work that went into costuming Swan Lake here.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

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Story by Curt Whitacre

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