zeek1web

Exploring Magic and Mystery in the Music of ‘Cendrillon’ with Mark Gibson

The University of Cincinnati College-Conservatory of Music continues its Mainstage Series with Jules Massenet’s classic fairytale opera, Cendrillon (Cinderella) at 8 p.m. on Thursday, Nov. 17 in Corbett Auditorium.

Directed by Robin Guarino, the J. Ralph Corbett Distinguished Chair in Opera, this charming story takes place on the set of a movie where more than just Hollywood magic is in play. In addition to the familiar love story and characters of the original fairytale, CCM’s production includes an added dream sequence, which blurs the lines between dreams and reality.

'Cendrillon' preview photography by Adam Zeek.

‘Cendrillon’ preview photography by Adam Zeek.

Jules Massenet’s enchanting musical score shines under the direction of Mark Gibson, Director of Orchestral Studies at CCM. Graduate student Charlotte Kies had the pleasure of speaking with Professor Gibson about the spellbinding music that brings this opera to life.

Have you conducted Massenet’s Cendrillon before? How is it different from the classic fairytale?
No, this is my first Cendrillon. I’m so excited! The basic shape of the Cinderella story remains the same in Massenet’s opera, but what sets it apart is the exquisitely beautiful music shared by Cendrillon and Prince Charming, as well as the duets between Cendrillon and Pandolfe, her father.

Have you made any changes to Massenet’s original music that the audience might like to know about?
In order to accommodate the concept of the production as envisioned by the director, Robin Guarino, we have made appropriate cuts to move the action forward, but the music is all Massenet and all quite lovely.

zeek2

“Cendrillon” preview photography by Adam Zeek.

This opera features a handful of offstage musicians. How is their role different from that of the pit orchestra?
Massenet wrote some magical effects for instrumental ensembles performed outside the pit at several moments in the opera. In Act Two, there is a delightful trio of flute, viola and harp that represents an onstage divertissement during the ball. In Act Three, harp, celesta and organ join an offstage chorus to create a splendid effect in support of the fairy godmother’s supernatural presence. Trumpets and drums introduce the final scene of Act Four with a brilliant D-major fanfare when Cendrillon and the Prince are reunited.

Robin Guarino named Cendrillon as one of your personal favorite operas. What are some of the reasons that you love this particular opera?
The music is so wonderful! Stylistically, it moves between neoclassical and rococo forms and lush romantic duets. The story is charming and vocally gratifying. I just find it irresistible.

What are some of the challenges that the orchestra students face in learning and performing this opera?
As in most romantic operas, the orchestra must be flexible in terms of tempo and rubato in order to accommodate the singers. There is also the matter of French style that demands beauty of sound and delicacy of timbre.

One of your students, Yael Front, will conduct a matinee performance of Cendrillon. What kind of challenges do conducting students face when working on a piece of this magnitude, and what are a few of the things you expect them to learn or take away from this production?
First, as always, there is knowing and understanding the text, the design of the story and its dramatic arc. Second, there is mastering the style and sound of Massenet’s orchestration. Finally, there is the pliancy of gesture needed to shape phrases and accommodate the singer’s vocalism. All in all, quite a series of challenges, and Yael Front, a brilliant young conductor from Israel, has proven more than up to them.

Do you have anything else you’d like our readers to know about the music in this production?
Come, enjoy, laugh, cry, rediscover the wonder of theatre, fall in love again with theatre through the music of Massenet’s Cendrillon.

CCM presents Cendrillon on Thursday, Nov. 17 through Sunday, Nov. 20 in Corbett Auditorium. Find more information on the production in the program below:

Performance Times
8 p.m. Thursday, Nov. 17
8 p.m. Saturday, Nov. 19
2 p.m. Sunday, Nov. 20

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Cendrillon are $31-35 for general admission, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Customizable subscription packages are also available.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Opera Department Sponsor Mr. and Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
____

Story by CCM graduate student Charlotte Kies

CCM News
ccm-cendrillon-media-fb-a

Fairytale Opera ‘Cendrillon’ Arrives on CCM’s Mainstage Nov. 17

The University of Cincinnati College-Conservatory of Music presents a fairytale opera for the ages, Cendrillon (Cinderella), Nov. 17-20 in Corbett Auditorium as part of this year’s Mainstage Series. Director of Orchestral Studies, Mark Gibson, conducts with stage direction by Robin Guarino, the J. Ralph Corbett Distinguished Chair in Opera.

‘Cendrillon’ sketch by student costume designer, Maria Lenn.

‘Cendrillon’ sketch by student costume designer, Maria Lenn.

With original music by Jules Massenet and Libretto by Henri Caïn, Cendrillon is based on Charles Perrault’s original Cinderella story. However, Guarino weaves a bit more magic into CCM’s version of the classic fairytale — movie magic.

Inspired by Francois Truffaut’s 1973 French film Day for Night, CCM’s Cendrillon takes place on the set of a movie. Lucette, a script girl, is the opera’s “Cinderella” who falls asleep on set and dreams of becoming an actress. Her fairy godmother, in the guise of a costume designer, transforms Lucette into the star of the film and transports her to the ball where she falls in love with the Prince, an actor in the film. When Lucette awakes, she is surprised to find the film’s cast arguing about a mysterious woman who attracted the Prince at the ball.

CCM’s Cendrillon, including the added dream sequence, explores themes of transformation and surrealism. Under Guarino’s direction, the opera invites audiences to ask: if it was a dream, does that mean it wasn’t real?

Guarino particularly enjoys working on fairytale operas because of the potential she finds in their accessible storylines. “I love clear, simple, direct story-telling that connects to not only young people, but people of all ages,” she says.

A show for the whole family to enjoy, Cendrillon is ripe with all of the magic and romance of the original fairytale, complete with familiar characters such as the “ugly stepsisters” who appear as diva actresses in this retelling.

The opera is performed in four acts with a brief pause after Act I and an intermission between Acts II and III. It will be sung in French with English supertitles.

Creative Team
Mark Gibson, conductor
Yael Front, conductor on Sunday, Nov. 20*
Robin Guarino, stage director
Marie-France Lefebvre, musical preparation
Vince DeGeorge, choreographer
Thomas Umfrid, scenic designer
Maria Lenn, costume designer*
Nicki Berger, stage manager*
Erik McCandless, lighting designer*
Shannon Hutchins, wig & make-up designer*
*CCM student

Cast
Grace Newberry* as Lucette, the script girl
Jasmin White^ as Lucette, the script girl
Kayleigh Decker* as Actor playing the Prince
Amber Fasquelle^ as Actor playing the Prince
Alex Harper as The Director “Herald”/Ensemble
Murella Parton as Assistant Director/Ensemble
Michael Hyatt as The Camera Man/Ensemble
Christian Pursell* as Pandolfe, an actor (Lucette’s father)
John Tibbetts^ as Pandolfe, an actor (Lucette’s father)
Karis Tucker* as Madame de La Haltière, an actress (Pandolfe’s second wife)
Rebecca Printz^ as Madame de La Haltière, an actress (Pandolfe’s second wife)
Nicole Hodgins as Noémie, an actress (Madame de La Haltière’s daughter)
Chelsea Melamed as Dorothée, an actress (Madame de La Haltière’s daughter)
Erica Intilangelo* as The Costume Designer “Fairy”
Heidi Middendorf^ as The Costume Designer “Fairy”
Brianna Bragg, Shannon Cochran, Abigail Hoyt, Claire Lopatka, Lisa Rogali, Amy Joy
Stephans as Assistant Costume “Spirits”/Ensemble
Samson McCrady as Actor “The King”/Ensemble
Zane Hill as Actor “The Prime Minister”/Ensemble
Robert Stahley as Actor “The Dean”/Ensemble
Page Michels, Natalie Sheppard as Make-up Girls/Ensemble
Rebecca Castillo as Female Extra/Ensemble
Logan Wagner as Male Extra/Ensemble
Donghwi Baek as Lighting Crew/Ensemble

* Thursday, Nov. 17 and Sunday, Nov. 20
^ Saturday, Nov. 19

Performance Times
8 p.m. Thursday, Nov. 17
8 p.m. Saturday, Nov. 19
2 p.m. Sunday, Nov. 20

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Cendrillon are $31-35 for general admission, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Customizable subscription packages are also available.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____
CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Opera Department Sponsor Mr. and Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
____

Story by CCM graduate student Charlotte Kies

CCM News
Mark Gibson conducts the CCM Philharmonia at Moveable Feast.

Discussing CCM’s Polish Festival with Professor Mark Gibson

The University of Cincinnati College-Conservatory of Music is proud to present an interdisciplinary collection of concerts in the month-long Polish Festival running Sept. 9 through Oct. 2.

200px-herb_polski-svg

The coat of arms of Poland.

Through a series of classical and jazz concerts, lectures and a special art installation, CCM’s Polish Festival celebrates the wealth of extraordinary music and creative expression of one of the world’s great cultures.

The festival’s opening concert begins at 8 p.m. on Friday, Sept. 9, with a performance by the CCM Philharmonia in Corbett Auditorium. CCM Director of Orchestral Studies Mark Gibson will lead the Philharmonia in a concert featuring the world premiere of American Dreams by alumnus Piotr Szewczyk (BM Violin, 2000; MM Violin and Composition, 2003). The program will also include Witold Lutosławski’s Concerto for Orchestra. Naumburg Gold Medalist and CCM faculty artist Soyeon Kate Lee will join the Philharmonia for a performance of Chopin’s Piano Concerto No. 2.

Follow this link to the Polish Festival Schedule to view all of the events: http://ccm.uc.edu/boxoffice/concerts/orchestras/polishfest.

CCM graduate student Charlotte Kies sat down with Polish Festival Artistic Director Mark Gibson to learn more about the creation and inspiration behind the event.

What originally inspired you to create the Polish Festival?
The initial inspiration came through discussion with Polish friends on the wealth of extraordinary music from Poland, especially in the last century. I jokingly suggested that the only reason we don’t perform more of it is because the names are unfamiliar and daunting. After overcoming that minor stumbling block, the music on the other side – masterworks by Lutosławski, Szymanowski, Skrowaczewski, Penderecki and more – immediately rose to the level of challenge and quest.

What do you hope students will learn from participating in the Polish Festival concerts?
They are learning that there is so much beyond Chopin, even as we enjoy the rare opportunity to share both Chopin piano concertos with our students and public. Specifically, the Lutosławski Concerto for Orchestra takes its place next to, not beneath, its namesake by Bartók. The Szymanowski “Song of the Night” is nothing less than the most colorful Polish Impressionism, inspired by Ravel but uniquely crafted and painted in sound. And Penderecki’s magnum opus, “Threnody for the Victims of Hiroshima,” remains one of the most dramatic, powerful evocations of the horrors of war ever committed to paper.

Every score we have programmed, from the legendary opera composer Stanisław Moniuszko to the Grammy Award-winning jazz pianist and composer Włodek Pawlik, bears the mark of mastery and import. They all demand to be heard and experienced.

Besides the fact that the composers of the festival are Polish, how did you program all of the music? Could you tell me what led you to pair Chopin’s Piano Concerto No. 2 with Lutosławski’s Concerto for Orchestra for your opening concert?
The opening concert of the CCM Philharmonia season has more than once featured a faculty guest artist as a soloist. I had been looking for a chance to work with Soyeon Kate Lee, former Naumburg Competition winner, ever since her arrival at CCM several years ago. The Chopin was the ideal opportunity; when I asked which of the two concertos she preferred to play, she offered the F Minor. The Lutosławski leapt out as among the most celebratory, virtuosic scores I have never conducted, though I have admired it for decades. We perform Bartók’s Concerto for Orchestra in November, so the Lutosławski was therefore an easy choice to open the season. The Philharmonia is eating it up!

As for the remainder of the programming, I had the difficult task of choosing between literally dozens of worthy composers and styles. A work such as Górecki’s gorgeous and moving “Symphony of Sad Songs” is by now part of the canon. Along with the Penderecki Threnody, a broad spectrum of Polish music will be performed. Skrowaczewski’s English Horn Concerto was selected to provide a venue to feature another of our superb students. The Szymanowski Third Symphony, the “Song of the Night,” has been on my wish list for at least 20 years. It will be an honor to share it not only with our students and public, but with the Xavier University Choir and tenor soloist CCM faculty artist Daniel Weeks as collaborators on this performance. Ultimately, there were too many scores to choose from and unfortunately we can’t devote an entire year to Polish music. I hope our public might be inspired to explore further by what they hear.

Did you have a strong relationship with the Cincinnati Polish community before planning this festival?
My primary contact with the Polish community in Cincinnati has been through my jazz colleague, Rick VanMatre, who is married to the brilliant Polish visual artist, Anna Socha VanMatre. In fact, she has donated a major art work, a dramatic piece from her “Metamorphosis” series, for display in Corbett Auditorium for the Festival concerts. Through my friendship with the VanMatre’s, I have been introduced to more members of the local community, notably the scientist Piotr Chomczynski and his wife, Dr. Judith Heiny, whose generous sponsorship makes this festival possible. It has been gratifying to see the support from the local community, in particular the Polish-American Society of Greater Cincinnati, led by Emilia Bacca.

Music making is about community after all, the creation of family through sound. Our family just became significantly bigger.

Is the Polish Festival a one-time event, or do you hope to make it into a recurring celebration of Polish music?
For the past 10 years, we have started our orchestral season with a festival dedicated either to a specific composer or a national style. I felt it was time that Polish music be celebrated in a similar fashion, and though I cannot anticipate another festival dedicated to Polish music, I know that we will continue to feature it in our programming. Next year, we are committing major resources to celebrate the centenary of Leonard Bernstein, one of my conducting teachers and a major influence on the lives of so many American musicians.

Do you have any other thoughts you’d like to share?
I promise those who come to our concerts will be delighted with and inspired by the music of Poland, and they will absolutely learn how to pronounce the names of the composers by the end! I encourage one and all to join us for this unique tribute to one of the world’s great musical traditions.

____________________

The Polish Festival runs Sept. 9-Oct. 2 throughout the CCM Village. You can learn more about the festival’s opening concert and other events here.

CCM Alumni Applause CCM News Faculty Fanfare
CCM faculty artists Craig Bailey, James Bunte and Scott Belck. Photography by Andrew Higley.

CCM Presents Free Performances by World-Class Musicians with Fall 2016 Faculty Artist Series

The esteemed faculty artists at UC’s College-Conservatory of Music take center stage during 12 diverse performances this fall! Running from August 29 through November 1, these programs highlight music from multiple genres, from classical styles to contemporary commercial music and beyond.

Each concert in CCM’s Faculty Artist Series series is free and open to the general public, offering audiences the chance to hear recitals by world-class artists in CCM’s stunning performance halls.

Please refer to the listings below for a complete schedule and additional performance information.

____________________

CCM’S FALL 2016 FACULTY ARTIST SERIES

8 p.m. Monday, Aug. 29
TIMMER AND FRIENDS
Timothy Northcut, tuba
Location: Cohen Family Studio Theater
____

8 p.m. Wednesday, Sept. 7
Alan Siebert, trumpet
Sandra Rivers, piano
A night of trumpet and piano, with selections by Joseph Turrin, George Gershwin, Robert Schumann, J.G.B. Neruda, Brendan Collins and others.
Location: Robert J. Werner Recital Hall
____

4 p.m. Sunday, Sept. 11
Marie-France Lefebvre, piano
Featuring Mark Gibson, piano; Donna Loewy, piano; and Nathaniel Chaitkin, cello
This program will include Rachmaninoff’s Cello Sonata, Op. 19, and Corigliano’s Gazebo Dances, along with works by Mozart and Schubert.
Location: Robert J. Werner Recital Hall
____

The previously announced Sept. 19 performance by Daniel Weeks and Donna Loewy has been rescheduled for 4 p.m. on Sunday, Jan. 22, 2017. The performance will remain in the Robert J. Werner Recital Hall.

____

8 p.m. Monday, Sept. 19
Allen Otte, Percussion
Featuring music written for Allen Otte by Rzewski, Schuette and Applebaum as well as original compositions by Otte himself!
Location: Cohen Family Studio Theater
____

8 p.m. Tuesday, Sept. 20
Mary Stucky, mezzo-soprano
Rodney Stucky, guitar and lute
Performing songs from the rich repertory of French, German, Spanish and English music for voice, guitar and lute.
Location: Robert J. Werner Recital Hall
____

8 p.m. Tuesday, Sept. 20
Russell Burge, vibraphone
Steve Allee, piano
Original compositions and great American standards.
Location: Cohen Family Studio Theater
____

8 p.m. Wednesday, Sept. 21
Mara Helmuth, composition
Pianists Shiau-uen Ding and Kristofer Rucinsky perform Helmuth’s All Alarms Sounding, a new work for two pianos and 8-channel electronics. This recital also features from O for two cellos and electronics, along with works from the Sonic Refuges projects, which was inspired by Helmuth’s trip to Australia.
Location: Robert J. Werner Recital Hall
____

4 p.m. Sunday, Sept. 25
Michael Chertock, piano
Featuring the music of Ravel, Prokofiev, Stravinsky and Messiaen.
Location: Robert J. Werner Recital Hall
____

The previously announced Sept. 26 performance by Thomas Baresel, Amy Johnson, Kenneth Griffiths and Mark Gibson has been rescheduled for 8 p.m. on Tuesday, Jan. 17, 2017. The performance will remain in the Robert J. Werner Recital Hall.
____

8 p.m. Tuesday, Sept. 27
Commercial Music Production Faculty Concert
Experience the musical innovations of CCM’s Commercial Music Production (CMP) faculty members with a concert program featuring musical genres from across the globe! For this concert, our faculty artists perform original music with their own groups and also collectively as the CMP Faculty Group! CMP Program Director Kim Pensyl performs with faculty members Aaron Jacobs, John Taylor and Rusty Burge, along with faculty emeritus Rick VanMatre. CMP faculty artists Jim Connerely, Dan Karlsberg and Ric Hordinski also perform during this special event, which is the first concert presented by the CMP department!
Location: Robert J. Werner Recital Hall
____

7 p.m. Tuesday, Oct. 11
CCM Faculty Jazztet
CCM’s world-famous jazz faculty artists show off their skills with a set of cool charts and blazing solos!
Location: Robert J. Werner Recital Hall
____

8 p.m. Tuesday, Nov. 1
Percussion Group Cincinnati
Featuring music by Cage, Stockhausen and a premiere from CCM alumnus Mark Saya.
Location: Patricia Corbett Theater
____

Event Information
All events listed here take place in CCM Village on the campus of the University of Cincinnati. Admission to Faculty Artist Series performances is free and reservations are not required.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

____

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

____________________

A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News Faculty Fanfare
Mark Gibson conducts the CCM Philharmonia at Moveable Feast.

CCM Showcases Three Centuries of Polish Music in Month-Long Festival

The University of Cincinnati College-Conservatory of Music showcases Polish music from the Romantic era to the Modern age in a month-long festival running Sept. 9 – Oct. 2, 2016. Organized by CCM Director of Orchestral Studies Mark Gibson, the festival unites students, faculty and alumni with award-winning guest artists and world-renowned scholars in a celebration of the culture of Poland.

The general public can experience the creative expressions of one of the world’s great cultures through a series of classical music and jazz concerts, art installations, lectures and more occurring throughout CCM Village this fall.

Throughout the month, audiences will have the opportunity to hear works both well-known and unjustly neglected from Polish voices old and new. Performance highlights include two of Fryderyk Chopin’s virtuosic piano concerti; Witold Lutosławski’s thrilling Concerto for Orchestra; a world premiere from composer, violinist and CCM alumnus Piotr Szewczyk (BM Violin, 2000; MM Violin and Composition, 2003); and an evening of jazz with Grammy Award-winner Włodek Pawlik.

The CCM Philharmonia opens the Polish Festival in stunning fashion at 8 p.m. on Friday, Sept. 9 in Corbett Auditorium. The concert program includes the world premiere of Piotr Szewczyk’s American Dreams and a performance of the signature work of one of the greatest Polish composers of the modern era, Lutosławski’s Concerto for Orchestra. Naumburg Gold Medalist and CCM faculty artist Soyeon Kate Lee also joins the Philharmonia for a performance of Chopin’s Piano Concerto No. 2. Mark Gibson conducts this can’t-miss concert event.

Aik Khai Pung leads CCM’s Café MoMus Contemporary Music Ensemble as they play works of Polish composers from three different generations — Krzysztof Penderecki, Bettina Skrzypczak and Artur Słotwiński — at 8 p.m. on Tuesday, Sept. 13. Audience members can sample Polish desserts and delicacies at a reception after the free concert in CCM’s beautiful Cohen Family Studio Theater and meet Słotwiński and the musicians.

Pung also conducts the CCM Concert Orchestra in a performance of Chopin’s Piano Concerto No. 1 and Górecki’s Symphony No. 3 (“Symphony of Sad Songs”) at 8 p.m. on Saturday, Sept. 17 in Corbett Auditorium. The concert features the winners of CCM’s piano and voice competitions.

Grammy award-winning jazz pianist Włodek Pawlik joins the CCM Jazz Orchestra and the Faculty Jazztet on stage at 7 p.m. on Sunday, Sept. 18 in Corbett Auditorium. Under the direction of conductor Scott Belck, the concert will feature Pawlik’s original compositions and arrangements.

A rare performance of Szymanowski’s masterwork Symphony No. 3, Op. 27 (“Song of the Night”) will close the festival at 4 p.m. Sunday, Oct. 2. The CCM Philharmonia, Chamber Choir and faculty soloist Dan Weeks, tenor, will be joined by the Xavier University Concert Choir in presenting this evocative symphony.

Festival highlights also include a free presentation from visiting lecturer Halina Goldberg. Acknowledged as one of the world’s foremost experts on Polish Music, Goldberg will give audiences a look into Polish art and culture at 2:30 p.m. Friday, Sept. 9 in the Baur Room of CCM’s Corbett Center of the Performing Arts.

An integral part of many of the festival concerts will be a large-scale work by Polish painter and visual artist, Anna Socha VanMatre. The music of Penderecki inspired her work, “Metamorphoses-Fire,” which will serve as an inspiring backdrop for the festival’s major orchestra concerts in Corbett Auditorium.

CCM’s Polish Festival will leave listeners with a deeper appreciation of the music and art of a country vast in history and tradition. See below for a complete list of festival events. We hope you join us in this unique series as we celebrate Poland!

Event Information

All events listed below take place on the campus of the University of Cincinnati. Some events require paid admission. Please see individual event information for single ticket prices and ordering information.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Purchasing Tickets

Concert flex ticket packages are on sale now! Single tickets go on sale Monday, Aug. 22, 2016.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
_____

POLISH FESTIVAL SCHEDULE

2:30 p.m. Friday, Sept. 9
• The Joseph and Frances Jones Poetker Thinking About Music Lecture Series •
A LOOK INTO POLISH ART AND CULTURE
Halina Goldberg, Jacobs School of Music
Dr. Halina Goldberg, acknowledged as one of the world’s foremost experts on Polish music, will present a lecture on aspects of Polish art and culture.
Location: Baur Room
Admission: FREE
_____

8 p.m. Friday, Sept. 9
• Orchestra Series •
OPENING CONCERT
CCM Philharmonia
Featuring faculty artist Soyeon Kate Lee, piano
Mark Gibson, music director and conductor
Join us as the acclaimed CCM Philharmonia commences a month-long Polish Festival featuring performances by student and faculty artists from throughout the college. The festival opening performances include the world premiere of a new work American Dreams, composed by accomplished CCM alumnus Piotr Szewczyk!
CHOPIN: Piano Concerto No. 2 in F Minor, Op. 21
Featuring Soyeon Kate Lee, piano
LUTOSŁAWSKI: Concerto for Orchestra
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE
_____

8 p.m. Tuesday, Sept. 13
• Orchestra Series •
PENDERECKI, SKRZYPCZAK AND SŁOTWIŃSKI
Café MoMus
Aik Khai Pung, music director
As part of the Polish Festival, Café MoMus will present works of Polish composers from three different generations: Krzysztof Penderecki, Bettina Skrzypczak and Artur Słotwiński. Join us for coffee and conversation with Artur Słotwiński and the musicians after the performance.
Location: Cohen Family Studio Theater
Admission: FREE
_____

8 p.m. Saturday, Sept. 17
• Orchestra Series •
CHOPIN AND GÓRECKI
CCM Concert Orchestra
Aik Khai Pung, music director and conductor
CHOPIN: Piano Concerto No. 1
Featuring the winner of the CCM Piano Competition
GÓRECKI: Symphony No. 3 (“Symphony of Sad Songs”)
Featuring the winner of the CCM Voice Competition
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.
_____

7 p.m. Sunday, Sept. 18
• Jazz Series •
THE MUSIC OF VIRTUOSO JAZZ PIANIST AND COMPOSER WŁODEK PAWLIK
CCM Jazz Orchestra and Faculty Jazztet
Featuring guest artist Włodek Pawlik, piano
Scott Belck, conductor
Join us as we celebrate the stunning music and musicians of Poland and feature Grammy Award-winning pianist and composer Włodek Pawlik as he performs his original compositions and arrangements.
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.
_____

4 p.m. Sunday, Oct. 2
• Orchestra & Choral Series •
POLISH FESTIVAL CLOSING CONCERT
CCM Philharmonia, CCM Chamber Choir and Xavier University Concert Choir
Featuring faculty artist Daniel Weeks, tenor
Mark Gibson, music director and conductor
MONIUSZKO: Overture to Halka
PENDERECKI: Threnody to the Victims of Hiroshima
SKROWACZEWSKI: English Horn Concerto
SZYMANOWSKI: Symphony No. 3 in B-flat Major, Op. 27 (“Song of the Night”)
Featuring Daniel Weeks, soloist
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.
_____

CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Polish Festival Sponsor: Judith Heiny and Piotr Chomczynski

Orchestral Sponsor: Mr. & Mrs. Joseph W.  Hirschhorn
____________________

A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at http://ccm.uc.edu.

CCM News
Join us in 2016-17 as CCM presents a season of passion, courage and romance.

CCM’s 2016-17 Subscription Packages Are On Sale Now. Plan Your Season With Our New Brochure Today!

Join us for a season of passion, courage and romance!

This year, the faculty, staff and students of the University of Cincinnati College-Conservatory of Music proudly present over 50 major performing and media arts events.

CCM's 2016-17 Season Subscription Brochure.

Click on the graphic above to view CCM’s 2016-17 Season Brochure.

Whether you prefer effervescent operas or daring dramas, sophisticated symphonies or soulful jazz, old favorites or world premieres, this season has something for everyone.

Join us as our stars-of-tomorrow bring passion, courage and romance to the stage.

With a variety of subscription and flex ticket packages available, it has never been easier to experience CCM’s star power for yourself.

Plan your season today by downloading a digital copy of CCM’s 2016-17 brochure. Physical copies are also available at CCM’s Box Office.

Subscription and flex ticket packages are on sale now.

Single Concert Series and Ariel Series tickets go on sale beginning Aug. 22, 2016. Single Mainstage Series tickets go on sale beginning Aug. 29, 2016.

For more details about CCM’s 2016-17 performance schedule, contact the CCM Box Office at 513-556-4183 or visit ccm.uc.edu.

____________________

SPONSORS AND PARTNERS

CCM recognizes and thanks the following corporations, foundations and individuals for their generous support:

Louise Dieterle Nippert Trust
Scholarship and Resident Artist Sponsor

The Andrew W. Mellon Foundation
CCM/CSO Diversity Fellowship Sponsor

The Otto M. Budig Family Foundation
Season Presenting Sponsor, Musical Theatre Program Sponsor & Event Sponsor

The Corbett Endowment at CCM
Dance Department Supporter
All-Steinway School Sponsor

The Greater Cincinnati Foundation
H. Wayne Ferguson Family Foundation
The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation
The Louise H. and David S. Ingalls Foundation Inc.
Frances R. Luther Charitable Trust

Community Partners

Macy’s
Mainstage Season Production Sponsor

Mr. & Mrs. Edward S. Rosenthal
Opera Department Sponsor

Genevieve Smith
Opera Production Sponsor

The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel
Visiting Artists Sponsor

Anonymous
Estate of Mr. William A. Friedlander
Mrs. William A. Friedlander
Dr. & Mrs. Randolph L. Wadsworth
Mr. & Mrs. Frank Bloom
Mr. & Mrs. J. David Rosenberg
Mr. & Mrs. Harry H. Santen
Mr. & Mrs. Paul G. Sittenfeld
Mr. & Mrs. Thomas E. Stegman
Mr. & Mrs. Theodore W. Striker
The Thomas J. Emery Memorial

Ariel Quartet Sponsors

Jan Rogers
Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation

Choral Studies Sponsors

Ms. Margaret L. Straub & Mr. Neil R. Artman
Studio Drama Series Sponsor

Judith Heiny and Piotr Chomczynski
Polish Festival 
Sponsor

The Sarah Marvin Foundation for the Performing Arts
Classical Guitar Sponsor

Mr. & Mrs. Joseph W. Hirschhorn
Orchestral Sponsor

CCMpower
The CCM Harmony Fund: Challenging Hate
and Prejudice through Performing Arts

The Otto M. Budig Family Foundation
Jeff Thomas Catering
PNC
Trish & Rick Bryan
Keating, Muething & Klekamp P.L.L.
Rhonda & Larry Sheakley

Event Sponsors
____________________

A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
CCM Winds' 2010 Prism XIII Concert

CCM Conducting Alumni Receive Prestigious Award from the Solti Foundation

We are honored to announce that two conducting alumni of the University of Cincinnati College-Conservatory of Music (CCM) were among 11 musicians recently announced as recipients of the Solti Foundation U.S. Career Assistance Awards, a grant prize given to help up-and-coming conductors further their careers.

Christopher G. Allen (MM Orchestral Conducting, 2011) and Stefano Sarzani (CCM 2012-2013) join a group of only 46 conductors to receive this award since it was founded by the Solti Foundation in 2004. As the foremost organization in the United States dedicated exclusively to helping young composers, the Solti Foundation is currently the only American organization to grant such awards annually.

Christopher Allen.

Christopher Allen.

Both alumni are in high demand worldwide. Allen, who is currently the John L. Margo Resident Conductor for the Cincinnati Opera, is also the Associate Conductor of the Los Angeles Opera. His conducting credits include Lyric Opera of Kansas City, Opera Santa Barbara Montana’s Intermountain Opera and South Korea’s Daegu Opera House and the Atlanta Symphony. Along with the Solti prize, Allen was nominated as a finalist for the 2015 International Opera awards in London in the “Newcomer” category.

Stefano Sarzani.

Stefano Sarzani.

Sarzani was recently been appointed Associate Conductor of the Des Moines Metro Opera for their Summer 2016 season. His collaborations include the Boise Philharmonic Orchestra, National Repertory Orchestra of Colorado, Atlanta and Sarasota Operas, and numerous orchestras in Italy including Orchestra Sinfonica di Sanremo and Orchestra Filarmonica Marchigiana. A recent finalist for the New World Symphony’s 2015-16 conducting fellowship, he is also highly decorated from numerous competitions, most notably taking second prize in The American Prize competition in 2012.Please join us in congratulating these gifted young conductors on their accomplishment!

Please join us in congratulating these gifted young conductors on their accomplishment!

About the Solti Foundation U.S.

Now in its twelfth year of assisting outstanding young U.S. conductors to further develop their talent and careers, The Solti Foundation U.S. is the foremost organization in the United States dedicated exclusively to helping young conductors.

Established in 2000 to honor the memory of Sir Georg Solti by lending significant support to career-ready young American musicians, in 2004, the Foundation concentrated the focus of its award program to exclusively assist talented young American conductors early in their professional careers.

The Foundation endeavors to seek out those musicians who have chosen to follow a path similar to that followed by Sir Georg himself. In keeping with the spirit of Sir Georg’s active approach to his career, young conductors must apply to be considered for the awards.

While dedicated to identifying and assisting young conductors early on, the Foundation is also concerned with the long-term development of its award recipients, continuing to offer support and maintaining a constant interest in their growth and achievements.

____________________

Story by CCM graduate Kevin Norton (DMA Saxophone, 2015)

CCM Alumni Applause CCM News