CCM’s acclaimed 2012-13 Mainstage Series comes to a close this week with a colorful new production of Mozart’s beloved comedic singspiel The Magic Flute. This production runs April 4–7 in UC’s Corbett Auditorium.
The Cincinnati Enquirer‘s Janelle Gelfand recently visited CCM to take a behind-the-scenes look at The Magic Flute‘s costumes, wigs and make-up designs. Watch her exclusive video preview here.
Jacqueline Echols as Pamina and Yi Li as Tamino in CCM’s ‘The Magic Flute.’ Photography by Mark Lyons.
CCM proudly presents Mozart’s beloved comedic singspiel The Magic Flute (Die Zauberflöte, 1791) from April 4–7 in UC’s Corbett Auditorium. The fourth most frequently performed opera worldwide, this production will be sung in German with English dialogue (with supertitles displayed). Mark Gibson conducts with stage direction by Steven Goldstein.
Composed by Wolfgang Amadeus Mozart with a libretto by Emanuel Schikaneder, this beloved opera offers something for everyone: a hero and heroine questing for true love, evil villains, a comical sidekick and a whole range of beastly creatures. According to Goldstein, The Magic Flute is a sort of vaudeville variety show of the 18th century. However, this iteration isn’t all about the slapstick comedy. “My charge to the performers,” Goldstein explains, “is for the comedy to come from somewhere genuine. There is a real play back and forth between light-heartedness and deep morality in Flute and our goal is to find the truth inside of it.”
Rafael de Acha reviews CCM’s historic production of Street Scene for Seen and Heard International, praising stage director Steven Goldstein‘s “unfaltering hand,” conductor Mark Gibson‘s “fervent leadership” and scenic designer Brian Ruggaber‘s “impressively life-like three-story set,” along with “Abbi Squires spot-on costumes, Amy Whitaker authentic wigs and make up, David LaRose’s summery lighting and Danny Jama’s hyper-realistic sound design. Usually unsung heroes, the diction coaching of Rocco dal Vera and the musical preparation of Sylvia Plyler amply equipped the cast with authentic accents and stylish musicality.”
You can read de Acha’s full review here.
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