Old 'Thinking About Music' lecture logo.

CCM’s Thinking About Music Lecture Series Resumes On Friday, Jan. 27

Each semester, CCM welcomes distinguished experts for a series of free Friday afternoon musical discussions. This spring, the Thinking About Music lecture series will present four free public talks, beginning with a presentation on Arnold Schoenberg and the 1913 Scandal Concert by Vanderbilt University Professor of Musicology Joy H. Calico on Friday, Jan. 27.

Schoenberg caricature originally published in 'Die Zeit' on April 6, 1913.

Schoenberg caricature originally published in ‘Die Zeit’ on April 6, 1913.

Sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, these music theory and history discussions feature diverse topics presented by distinguished experts from all over the United States and are designed to engage participants’ imaginations and to consider music in new ways.

This semester’s guest lecturers also include University of Kentucky Professor Donna Kwon (Feb. 10), Case Western Reserve University Professor Francesca Brittan (March 3) and Bowling Green State University Professor Per Broman (April 7). See the listings below for more information on this semester’s presentation topics.

Since its inception in 1997, the Thinking About Music Series has presented over 130 lectures and one symposium by guests from a number of different colleges, universities, schools of music, foundations, institutes, museums and publications.

The subjects of the lectures have covered historical musicology, music theory and ethnomusicology, along with the ancillary fields of organology, dance, music business and law, cognitive psychology, and the philosophy, theology and sociology of music.
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2017 SPRING JOSEPH AND FRANCES JONES POETKER THINKING ABOUT MUSIC LECTURE SERIES

TAM guest lecturer Joy Calico.2:30 p.m. Friday, Jan. 27
ARNOLD SCHOENBERG AND THE 1913 SCANDAL CONCERT
Joy H. Calico, Vanderbilt University

On March 31 of 1913, Arnold Schoenberg conducted a concert in the Great Hall of Vienna’s Musikverein, which became known as the city’s most notorious scandal concert. The event was broken up by a melee, charges were filed and the subsequent court proceedings were reported in the press. This lecture analyzes the ways in which both the scandal and Schoenberg’s response to it sit at the nexus of fin-de-siècle anxieties about Central European concert life, the anti-noise movement and emerging copyright law.
Location: Baur Room
Admission: FREE
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TAM guest lecturer Donna Kwon.2:30 p.m. Friday, Feb. 10
STEPPING IN THE MADANG: SITE-SPECIFIC PERFORMANCE IN KOREAN DRUMMING AND DANCE
Donna Kwon, University of Kentucky

In Korean folk expressive culture, the outdoor village courtyard or madang is often conceived in opposition to the concert stage or mudae. In this presentation, Donna Kwon will discuss how the madang became central to the promotion of site-specific Korean drumming and dance. She will first discuss how this contributes to the expressive ecology of a place-based tradition in shamanist ritual forms of Korean drumming or p’ungmul. Then she will explore how the madang and site-specific performance concepts are applied by contemporary ch’angjak yeonhui groups. These groups consist of performers who are trained in Korean drumming and other traditional performing arts but who combine them into new works.
Location: Baur Room
Admission: FREE
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TAM guest lecturer Francesca Brittan.2:30 p.m. Friday, March 3
ELECTRIC BATON: SOUND, SCIENCE AND THE BIRTH OF THE PODIUM CONDUCTOR
Francesca Brittan, Case Western Reserve University

Hector Berlioz, among the first of the modern conductors, was a larger-than-life figure, at once magisterial, quasi-magical and military. Among the formative moments of his conducting career was a concert given at the height of the Exposition universelle (Paris, 1855), which established him as a musical leader of formidable power. Here he relied on a new wedding of music and technology — an “electric baton” — to wield the massive forces under his command. This talk examines the nature of his device and, more broadly, the ways in which telegraphy and electricity (both artificial and nervous) emerged as central to romantic notions of conducting.
Location: Baur Room
Admission: FREE
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TAM guest lecturer Per Broman.2:30 p.m. Friday, Apr. 7
BERGMAN’S MUSIC(IANS): MIRROR AND MEANING
Per Broman, Bowling Green State University

Ingmar Bergman’s love of classical music, especially that of J.S. Bach, is well known and is exhibited frequently in his films. Many films also feature musicians. In this presentation, Broman will analyze the role of these characters — who they are, what they do, how they behave and what they talk about — and argue that they are essential for understanding Bergman’s aesthetics.
Location: Baur Room
Admission: FREE
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Event Information
Unless otherwise indicated, all Thinking About Music lectures take place on Fridays at 2:30 p.m. in the Baur Room of CCM’s Corbett Center for the Performing Arts, which is located on the campus of the University of Cincinnati.

These events are free and open to the public. All event dates and programs are subject to change. Visit ccm.uc.edu for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

CCM’s Thinking About Music Series is sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel; along with support from Interim Dean mcclung’s Office, the Graduate Student Association and the Division of Composition, Musicology and Theory at CCM.

 

 

CCM News
CCM's Cohen Family Studio Theater. Photography by Adam Zeek.

CCM Announces 2016-17 Studio Series of Opera, Musical Theatre, Dance and Acting Productions

All-time favorites and daring new works receive equal billing during CCM’s 2016-17 Studio Series. This year’s 13-part series of performing and media arts events features an eclectic mix of opera, musical theatre, dance and acting productions, all featuring CCM’s acclaimed “stars-of-tomorrow.”

CCM's Studio Series opens with Elizabeth Swados' RUNAWAYS, co-produced with Know Theatre of Cincinnati.

CCM’s Studio Series opens with Elizabeth Swados’ RUNAWAYS, co-produced with Know Theatre of Cincinnati.

Season highlights include Elizabeth Swados’ powerful and rarely-seen musical Runaways co-produced with Know Theatre of Cincinnati and two world-premieres produced by the Opera Fusion: New Works Lab in partnership with Cincinnati Opera.

CCM’s Department of Musical Theatre also presents the world-premiere of a musical revue showcasing the work of legendary Broadway collaborators Tom Jones and Harvey Schmidt. Devised and directed by Aubrey Berg, the Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM, They Were You: The Songs of Tom Jones and Harvey Schmidt features songs from throughout the celebrated duo’s oeuvre.

This year’s lineup also includes the return of two popular festivals, the 48-Hour Film Festival and the TRANSMIGRATION Festival of Student-Created Plays.

CCM’s Studio Series runs from Sept. 21, 2016, through April 22, 2017. Please see below for full production and ticketing details.

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CCM’S 2016-17 STUDIO SERIES

8 p.m. Wednesday, Sept. 21 (preview)
8 p.m. Thursday, Sept. 22
8 p.m. Friday, Sept. 23
3 and 8 p.m. Saturday, Sept. 24
3 and 7:30 p.m. Sunday, Sept. 25
• Studio Musical Theatre Series •
A co-production between CCM and Know Theatre of Cincinnati
RUNAWAYS
Music, lyrics and book by Elizabeth Swados
Vince DeGeorge, director and choreographer
Luke Flood, music director

Runaways is a collage of songs, monologues and dances that captures the energy, courage and honesty of a group of teenagers who are running away “from home… from a boyfriend… from a predator… from themselves.” Created in 1977 by groundbreaking theatre artist Elizabeth Swados, Runaways was born from interviews and workshops that she held with children and young adults who were escaping from their deteriorating family lives. It is a challenging piece of theatre that ultimately celebrates the power of the imagination and the resilience of the human spirit.
Location: Know Theatre of Cincinnati, 1120 Jackson Street, Cincinnati, OH 45202
Admission: Ticket prices range from $15 – $25. Tickets available through the Know Theatre Box Office by calling 513-300-5669 or online at http://knowtheatre.com.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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7:30 p.m. Thursday, Sept. 22
• Opera Fusion: New Works Lab •
A collaboration between CCM Opera and Cincinnati Opera
Co-Artistic Directors Robin Guarino and Marcus Küchle
SOME LIGHT EMERGES
Composed by Laura Kaminsky
Libretto by Mark Campbell and Kimberly Reed
Robin Guarino, director
Bradley Moore, conductor

Funded by a grant from The Andrew W. Mellon Foundation, CCM Opera and Cincinnati Opera present a rare behind-the-scenes look at the creation of an original work! Presented in collaboration with Houston Grand Opera, Some Light Emerges takes its inspiration from the creation of Houston’s iconic Rothko Chapel by philanthropist and art collector Dominique de Menil.
Location: Cincinnati Club Oak Room, 30 Garfield Place, Cincinnati 45202
Admission: Admission is free. Reservations are required. Tickets become available on Monday, Sept. 12. Please contact the Cincinnati Opera box office for tickets at 513-241-2742 or www.cincinnatiopera.org.
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8 p.m. Wednesday, Oct. 5
8 p.m. Thursday, Oct. 6
8 p.m. Friday, Oct. 7
2 & 8 p.m. Saturday, Oct. 8
2 p.m. Sunday, Oct. 9
• Studio Musical Theatre Series •
THEY WERE YOU: The Songs of Tom Jones and Harvey Schmidt
Lyrics by Tom Jones
Music by Harvey Schmidt
Aubrey Berg, director
Stephen Goers, musical arrangements

CCM proudly presents the world premiere of a musical revue showcasing the work of Tom Jones and Harvey Schmidt. Devised and directed by Aubrey Berg with musical arrangements by Steve Goers, They Were You features songs from The Fantasticks, Celebration, 110 in the Shade, The Bone Room, Colette Collage and more. This revue celebrates Jones’ and Schmidt’s ability to reflect the human condition with humor, compassion and wry affection.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 3. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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8 p.m. Thursday, Oct. 20
8 p.m. Friday, Oct. 21
2 & 8 p.m. Saturday, Oct. 22
• Studio Acting Series •
MIDDLETOWN
Written by Will Eno
Richard E. Hess, director

Middletown considers the strange beauty of life and its sometimes unbearable weight. Inspired by Thornton Wilder’s Our Town, the inhabitants of Middletown have a remarkable talent for articulating the hiccups of fear and anxiety in their souls with moving delicacy. The folks are friendly, and the view of star-dappled skies and modest homes is familiar and comforting. Welcome to Middletown.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 17. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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8 p.m. Friday, Nov. 4
8 p.m. Saturday, Nov. 5
2 p.m. Sunday, Nov. 6
• Studio Opera Series •
BRIGHT-EYED JOY! A RICKY IAN GORDON CABARET
Composer Ricky Ian Gordon, one of America’s most respected composers of art song, opera and musical theatre, joins CCM’s Opera and Voice singers and pianists for an evening of his music. Come watch our “stars-of-tomorrow” work with a living legend!
Location:
Cohen Family Studio Theater
Admission:
Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 31. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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7:30 p.m. Monday, Nov. 14
• Opera Fusion: New Works Lab •
A collaboration between CCM Opera and Cincinnati Opera in partnership with the Metropolitan Opera/Lincoln Center Theater’s New Works Program
Co-Artistic Directors Robin Guarino and Marcus Küchle
INTIMATE APPAREL
Composed by Ricky Ian Gordon
Libretto by Lynn Nottage
Robin Guarino, director
Paul Cremo, Dramaturg
Timothy Meyers, conductor

Funded by a grant from the Andrew W. Mellon Foundation, CCM Opera and Cincinnati Opera present a rare behind-the-scenes look at the creation of an original work! Adapted by Lynn Nottage from her prize-winning 2003 play of the same name, Intimate Apparel tells the story of Esther, a 35-year-old seamstress in 1905 New York City. Esther sews lingerie for a living, interacting with a wealthy Fifth Avenue wife, a Tenderloin prostitute and a Jewish fabric merchant on the Lower East Side, with whom she shares a closeness that cannot be pursued further because of his religion. Esther embarks on a letter-writing relationship with a Panama Canal laborer, leading to marriage and ultimately heartbreak, but she maintains her strength of character and determination to make a better life for herself.
Location: Cincinnati Club Oak Room, 30 Garfield Place, Cincinnati 45202
Admission: Admission is free. Reservations are required. Tickets become available on Tuesday, Nov. 1. Please contact the Cincinnati Opera box office for tickets at 513-241-2742 or www.cincinnatiopera.org.
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7 p.m. Sunday, Nov. 20
• E-Media/Acting Film Series •
THIRD ANNUAL CCM 48-HOUR FILM FESTIVAL
Join us for our annual celebration of original film work by students. After random team placement, student authors, actors, directors, editors and composers have 48 hours from 7 p.m. on Friday night to 7 p.m. on Sunday night to create finished original short films. At the close of the 48-hour period, audiences can join us in UC’s MainStreet Cinema to enjoy eight original short films by eight amazing teams.
Location: MainStreet Cinema, UC’s Tangeman University Center
Admission: FREE
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8 p.m. Friday, Feb. 3
8 p.m. Saturday, Feb. 4
2 p.m. Sunday, Feb. 5
• CCM Opera d’arte – Undergraduate Opera Series •
ALBERT HERRING
Composed by Benjamin Britten
Libretto by Eric Crozier, freely adapted from a story of Guy de Maupassant
Jesse Leong, conductor
Kenneth Shaw, director

Britten’s brilliantly witty score comes to life again at CCM, presented with the effervescence and energy unique to the outstanding young artists of Opera d’arte! Set in the small town of Loxford, in East Sussex, Albert Herring explores the themes of losing innocence and coming of age in the face of old fashioned morality and social stratification.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Jan. 30. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

This production of Albert Herring is presented in honor of Rafael and Kimberly de Acha

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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8 p.m. Friday, Feb. 17
8 p.m. Saturday, Feb. 18
2 p.m. Sunday, Feb. 19
• Studio Opera Series •
TRANSFORMATIONS
Music by Conrad Susa
Libretto by Anne Sexton
Avishay Shalom, conductor
Emma Griffin, director

CCM’s Studio Series presents the Brothers Grimm fairy tales like you’ve never seen them before! This 1973 chamber opera, with a libretto by Pulitzer Prize-winning poet Anne Sexton, is darkly humorous with audaciously recounted tales, and filled with mid-20th-century references, both literary and musical. Based on Sexton’s acclaimed 1971 book of poems of the same name, Transformations promises to challenge audiences’ understanding of what “happily-ever-after” truly means. This production contains adult themes and is not recommend for young audiences.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Feb. 13. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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8 p.m. Thursday, March 2
8 p.m. Friday, March 3
2 & 8 p.m. Saturday, March 4
• Studio Dance Series •
DANCE STUDENT CHOREOGRAPHER’S SHOWCASE
André Megerdichian, director
Come experience the next generation of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, Feb. 27. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

The Dance Department gratefully acknowledges the support of the Corbett Endowment at CCM.
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7 p.m. Wednesday, March 8
7 p.m. Thursday, March 9
7 p.m. Friday, March 10
• Studio Acting Series •
TRANSMIGRATION 2017
A Festival of Student-Created New Works
Richard E. Hess and Brant Russell, producers

TRANSMIGRATION, so named for “the movement from one place to another” or “the transition from one state of being to another,” is a festival of new works created by the acting students in CCM Acting. Six teams of actors craft and perform five original 30-minute shows. Performed simultaneously in different locations throughout CCM Village, TRANSMIGRATION will allow the audience to sample four different new works of their choosing in one spectacular evening. “Thanks to the [Acting] program at UC’s College-Conservatory of Music,” observed CityBeat’s Rick Pender, “theater fans were offered a jolt of onstage vitality.”
Location: Various locations throughout CCM Village
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 6. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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8 p.m. Thursday, March 30
8 p.m. Friday, March 31
2 & 8 p.m. Saturday, April 1
• Studio Musical Theatre Series •
CHILDREN OF EDEN
Music and lyrics by Stephen Schwartz
Book by John Caird
Vince DeGeorge, director and choreographer
Steve Goers, musical director

From the composer of smash hits Wicked and Godspell comes a uniquely personal and intimate retelling of the biblical Genesis story. Through the narratives of Adam and Eve, Cain and Abel, and Noah and his family, this beloved 1991 musical explores the uniquely human trait to desire adventure but yearn for the comfort and safety of home, or, “Eden.”
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 27. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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8 p.m. Thursday, April 20
8 p.m. Friday, April 21
2 & 8 p.m. Saturday, April 22
• Studio Acting Series •
VERY DUMB KIDS
By Gracie Gardner
Brant Russell, director

Sarah Nehal was murdered while working as a correspondent in New Delhi while her college friends were at home in the U.S. watching TV on the internet and peddling their esoteric skill sets. One year after her funeral, her friends meet for their annual Fourth of July reunion. Very Dumb Kids explores entitlement and how its effects are visited upon the disenfranchised as well as the privileged. But it’s also about empowerment, exploring how to live responsibly in an irresponsible universe. Join CCM Acting as we embark on our new play commissioning initiative: plays that speak to the unique experience that is being young in America; plays that are written for and about our students; plays that will go on to be produced by educational institutions and professional theater companies all over the country; plays that will involve a new generation of artists and audiences. And you’ll be able to say you were there when it all started.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, April 17. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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Reserving Tickets
All Studio Series performances held in CCM’s Cohen Family Studio Theater are free and open to the general public, but reservations are required. Reservations can be made the Monday before each show by visiting the CCM Box Office in person or calling 513-556-4183. Limit two tickets per order.

For additional information on reserving tickets for CCM’s Studio Series, visit ccm.uc.edu/about/villagenews/did-you-know/how-to-studio-series.

Some off-campus Studio Series productions require paid admission or reservations through a partner organization’s box office. Please refer to individual production listings for more information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
Join us in 2016-17 as CCM presents a season of passion, courage and romance.

CCM’s 2016-17 Subscription Packages Are On Sale Now. Plan Your Season With Our New Brochure Today!

Join us for a season of passion, courage and romance!

This year, the faculty, staff and students of the University of Cincinnati College-Conservatory of Music proudly present over 50 major performing and media arts events.

CCM's 2016-17 Season Subscription Brochure.

Click on the graphic above to view CCM’s 2016-17 Season Brochure.

Whether you prefer effervescent operas or daring dramas, sophisticated symphonies or soulful jazz, old favorites or world premieres, this season has something for everyone.

Join us as our stars-of-tomorrow bring passion, courage and romance to the stage.

With a variety of subscription and flex ticket packages available, it has never been easier to experience CCM’s star power for yourself.

Plan your season today by downloading a digital copy of CCM’s 2016-17 brochure. Physical copies are also available at CCM’s Box Office.

Subscription and flex ticket packages are on sale now.

Single Concert Series and Ariel Series tickets go on sale beginning Aug. 22, 2016. Single Mainstage Series tickets go on sale beginning Aug. 29, 2016.

For more details about CCM’s 2016-17 performance schedule, contact the CCM Box Office at 513-556-4183 or visit ccm.uc.edu.

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SPONSORS AND PARTNERS

CCM recognizes and thanks the following corporations, foundations and individuals for their generous support:

Louise Dieterle Nippert Trust
Scholarship and Resident Artist Sponsor

The Andrew W. Mellon Foundation
CCM/CSO Diversity Fellowship Sponsor

The Otto M. Budig Family Foundation
Season Presenting Sponsor, Musical Theatre Program Sponsor & Event Sponsor

The Corbett Endowment at CCM
Dance Department Supporter
All-Steinway School Sponsor

The Greater Cincinnati Foundation
H. Wayne Ferguson Family Foundation
The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation
The Louise H. and David S. Ingalls Foundation Inc.
Frances R. Luther Charitable Trust

Community Partners

Macy’s
Mainstage Season Production Sponsor

Mr. & Mrs. Edward S. Rosenthal
Opera Department Sponsor

Genevieve Smith
Opera Production Sponsor

The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel
Visiting Artists Sponsor

Anonymous
Estate of Mr. William A. Friedlander
Mrs. William A. Friedlander
Dr. & Mrs. Randolph L. Wadsworth
Mr. & Mrs. Frank Bloom
Mr. & Mrs. J. David Rosenberg
Mr. & Mrs. Harry H. Santen
Mr. & Mrs. Paul G. Sittenfeld
Mr. & Mrs. Thomas E. Stegman
Mr. & Mrs. Theodore W. Striker
The Thomas J. Emery Memorial

Ariel Quartet Sponsors

Jan Rogers
Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation

Choral Studies Sponsors

Ms. Margaret L. Straub & Mr. Neil R. Artman
Studio Drama Series Sponsor

Judith Heiny and Piotr Chomczynski
Polish Festival 
Sponsor

The Sarah Marvin Foundation for the Performing Arts
Classical Guitar Sponsor

Mr. & Mrs. Joseph W. Hirschhorn
Orchestral Sponsor

CCMpower
The CCM Harmony Fund: Challenging Hate
and Prejudice through Performing Arts

The Otto M. Budig Family Foundation
Jeff Thomas Catering
PNC
Trish & Rick Bryan
Keating, Muething & Klekamp P.L.L.
Rhonda & Larry Sheakley

Event Sponsors
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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News

BroadwayBox Spotlights CCM Alumna Jennifer Bowles

CCM alumna Jennifer Bowles.

CCM alumna Jennifer Bowles.

Last month, BroadwayBox turned the spotlight on CCM alumna Jennifer Bowles (BFA Musical Theatre, 2004) as part of the website’s popular “Singular Sensation” series, which profiles New York’s most mesmerizing ensemble members.

Bowles is currently making waves in the Broadway production of Matilda. BroadwayBox’s Josh Ferri writes:

“In ‘Matilda,’ Bowles catches your eye dancing up a storm in the ensemble and breaking your heart as The Acrobat; she also understudies Mrs. Phelps and Miss Honey.”

You can read the full Singular Sensation interview with Bowles here.

Bowles was also recently seen as Irma in Irma La Douce at City Center Encores. She appeared in the original Broadway production of American Idiot in 2010 and was in the ensemble for the rock opera’s national tour in 2011.

She also had a recurring role on HBO’s Boardwalk Empire and appeared as a backup dancer during Kanye West’s Saturday Night Live appearance.

Learn more about the achievements of CCM’s students and alumni by subscribing to The Village News!

CCM Alumni Applause CCM News
The Lotte Lenya Competition.

CCM Students Advance to the Final Round of the 2016 Lotte Lenya Competition

We are elated to report that CCM students Talya Lieberman and Reilly Nelson have been named as finalists for the 2016 Lotte Lenya Competition. They have been selected alongside 13 other young singer/actors and will take part in the final round of the competition on Saturday, April 16.

Both Lieberman and Nelson also made strong showings in last year’s Lotte Lenya Competition. Nelson advanced to the semifinal round of the competition (along with three other CCM-trained singers), while Lieberman won the Lys Symonette Award for Outstanding Performance of an Individual Number during the final round.

Lieberman and Nelson are the latest in a long line of CCM students and alumni who have reached the final rounds of the Lotte Lenya Competition. CCM alumna Lauren Roesner (BFA Musical Theatre, 2013) took Third Prize in the 2013 installment of this prestigious international theatre singing contest. CCM alumna Caitlin Mathes (MM Voice, 2009; Artist Diploma in Opera, 2010) earned First Prize in 2011 and fellow alumna Alisa Suzanne Jordheim (BM Voice, 2008; MM Voice, 2010; DMA candidate) progressed to the final round of the competition that same year.

Selected from 31 semifinalists, this year’s finalists represent a diverse range of performers, ages 21 to 31, from across the United States, Canada, Europe and Israel. All will sing repertoire from the operatic, golden age and contemporary musical stages, and of course, the music of Kurt Weill, for a chance win the top prize of $15,000.

Semifinalist judges, Tony Award-winners Jeanine Tesori and Victoria Clark, adjudicated and coached the performers. Clark, who first judged the competition in 2008, noted that “I can feel the leap in overall talent from when I last judged the semifinals.”

Kurt Weill Foundation President Kim Kowalke stated that “this year’s finalists are the largest and most diverse group in the Competition’s 19-year history, with contestants currently working on- and off-Broadway, in national touring companies, and in major regional theaters and opera companies. Many are well on their way to distinguished careers.”

The final round takes place April 16 at Kilbourn Hall at the Eastman School of Music in Rochester, NY. Each finalist will present a 15 minute program of four selections in the daytime round, 11:00-4:00. An evening concert, in which contestants sing only a segment of their programs, follows at 8:00. The concert concludes with the announcement of awards and prizes. Both the daytime round and evening concert are free and open to the public.

All finalists receive a minimum cash award of $1,000, with additional discretionary awards of $3,500 each, and top prizes ranging from $7,500 to $15,000. Total prizes will exceed $60,000.

Returning to judge for the tenth time, international opera legend Teresa Stratas leads the judges’ panel. The Lenya Competition remains the only vocal competition she has ever consented to adjudicate. Joining her on the jury are Rodgers & Hammerstein Organization President and former American Theater Wing Chairman Theodore S. Chapin (also returning for his tenth time), and Broadway (and Audra McDonald’s) music director, conductor and accompanist Andy Einhorn.

Past prize winners have gone on to appear on major theater, opera and concert stages around the world. Don’t miss the competition described by Opera News as “target[ing] today’s total-package talents, unearthing up-and-coming singers who are ready for their close-ups.”

About the Kurt Weill Foundation
The Kurt Weill Foundation for Music, Inc. is dedicated to promoting understanding of the life and works of composer Kurt Weill (1900-50) and preserving the legacies of Weill and his wife, actress-singer Lotte Lenya (1898-1981). The Foundation administers the Weill-Lenya Research Center, a Grant Program, the Kurt Weill Book Prize and the Lotte Lenya Competition, and publishes the Kurt Weill Edition and the Kurt Weill Newsletter. Learn more by visiting www.kwf.org.

CCM student Talya Lieberman.

CCM student Talya Lieberman.

About Talya Lieberman
Originally from Forest Hills, New York, soprano Talya Ilana Lieberman is currently pursuing an Artist Diploma at CCM as a student of Professor William McGraw.

Recently described by Opera News as “poetically compelling,” “delectably stylish” and “technically refined,” Lieberman is equally at home with operatic, art song and musical theatre repertoire. Starting in September 2016 she will be seen frequently on stage at Komische Oper Berlin, where she will be assuming the soprano position in the Opernstudio. Her upcoming performances include debuts with Cincinnati Opera and Opera Columbus, as well as the title role in CCM’s Mainstage Series production of Janáček’s The Cunning Little Vixen.

Lieberman returned to Cincinnati this fall after completing a summer as a Filene Young Artist with Wolf Trap Opera, where her ability to “make a point with the merest flick of a finger” (Washington Post) shined in a highly lauded run as Susanna in Mozart’s Le Nozze di Figaro. She also appeared in concert with Steven Blier at Wolf Trap in a program celebrating the Broadway legacy of the Rodgers family (The Rodgers Family – A Century of Musicals).

Lieberman is a convert from the orchestra pit and started singing after receiving her master’s degree in trumpet performance from the University of North Carolina School of the Arts under the tutelage of Judith Saxton. She completed her BA at Duke University with highest distinction in linguistics (Phi Beta Kappa, Magna Cum Laude). She is a two-time winner of full tuition and stipend—winning the Russell-Seybold and Italo Tajo Awards, respectively—at CCM’s Opera Scholarship Competition.

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

CCM student Reilly Nelson. Photography by Kate Lemmon (http://www.katelphotography.com).

About Reilly Nelson
Born in the coastal town of Sault Ste. Marie in Ontario, Canada, Reilly Nelson attended the Eastman School of Music where she received a Bachelor of Music in Vocal Performance and CCM where she completed a Master of Music in Vocal Performance.

Nelson is currently pursuing her Doctor of Musical Arts degree at CCM.

At CCM she performed Hansel in Hansel and Gretel and Mary in Ricky Ian Gordon’s Morning Star. She also performed Hansel, as well as Cherubino in Le nozze di Figaro, at Janiec Opera Company at the Brevard Music Center.

The mezzo-soprano was a vocal fellow at the renowned Tanglewood Music Festival for the summers of 2014 and 2015, performing Les nuits d’été, Op. 7 and Folk Songs by Bernard Rands.

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Story by Curt Whitacre

CCM Alumni Applause CCM News Student Salutes
Photography by Dottie Stover.

CCM’s Bearcat Piano Festival Presents Guest Artists and Student Showcases March 29 – April 3, 2016

CCM showcases the world of classical piano this spring with the return of the annual Bearcat Piano Festival! The festivities begin on Tuesday, March 29, and conclude on Sunday, April 3 with the Piano-POW-Looza showcase featuring CCM’s own talented student performers. All events will take place in the intimate Robert J. Werner Recital Hall.

Launched in 2010 by CCM Professor of Piano and Artist-in-Residence Awadagin Pratt, this year’s festival invites several internationally acclaimed artists to the stage. Concert pianist Caroline Hong, hailed for her “expressive and powerful playing,” “formidable technique” and “keen sense of lyricism and the classical style” opens the series with a recital at 8 p.m. on Tuesday, March 29. Pulitzer Prize and Academy Award-winning composer John Corigliano referred to her as “one of the greatest pianists [he has] ever heard.”

Ann Schein performs a recital at 8 p.m. on April 1, followed by a master class at noon on April 2. “Thank heaven for Ann Schein,” the Washington Post observed of her talents, “what a relief it is to hear a pianist who, with no muss or fuss, simply reaches right into the heart of whatever she is playing—and creates music so powerful you cannot tear yourself away.” Stein served on the piano faculty of Peabody Conservatory from 1980-2001. In addition, she has been an artist-faculty member of the Aspen Music Festival and School since 1984, and served as a visiting faculty member at Indiana University from 2008-09.

This year’s Bearcat Piano Festival also sees the continuation of CCM’s collaboration with the University of Michigan’s doctoral piano program. This year, pianist and DMA student Azariah Tan performs at 8 p.m. on Saturday, April 2. Tan is a highly acclaimed performer who has won top prizes at competitions including the American Prize in 2012, the WPTA International Piano Competition in 2013, the New York International Artists Association Piano Competition in 2014 and numerous others.

Finally, the 2016 Bearcat Piano Festival comes to a close with Piano-POW-looza at 7 p.m. on Sunday, April 3. Organized by Piano Department Chair Michael Chertock and curated by Andy Villemez and Sophie Wang the event spotlights the talents of a select few from CCM’s nearly 100 dazzling piano majors; these young artists will provide witty repartee and stunning performances in a triumphant conclusion to the series.

This series only happens once a year, so make sure to not miss out!
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2016 BEARCAT PIANO FESTIVAL SCHEDULE

8 p.m. Tuesday, March 29
CAROLINE HONG RECITAL
J.S. Bach: Goldberg Variations, BWV 988
Location: Robert J. Werner Recital Hall
Admission: FREE

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2 p.m. Wednesday, March 30
CAROLINE HONG MASTER CLASS
Location: Robert J. Werner Recital Hall
Admission: FREE

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7 p.m. Wednesday Thursday, March 31
J.S. BACH: THE COMPLETE WELL-TEMPERED CLAVIER BOOK II
Featuring CCM student pianists Jing’er Xu, Youkyoung Kim, Sanwei Zhang, SanSung Aum, Xuan Guo, Narae Lee, Jaesung Kim, Jordan Neiman, Brendan Jacklin, Dobin Park, Kseniia Polstiankina, Sejeong Jeong, Hanqing Chang, Jeffrey Anderson, Shing-Ming Liao, Julan Wang and Patrick Lechner

Location: Robert J. Werner Recital Hall
Admission: FREE
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8 p.m. Friday, April 1
ANN SCHEIN RECITAL
Beethoven: Sonata No. 26 in E-flat Major, Op. 81a
Schumann: Davidsbündlertänze, Op. 6
Chopin: Sonata No. 3 in B Minor, Op. 58
Location: Robert J. Werner Recital Hall
Admission: FREE

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12 p.m. Saturday, April 2
ANN SCHEIN MASTER CLASS
Location:
 Robert J. Werner Recital Hall
Admission: FREE

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8 p.m. Saturday, April 2
UNIVERSITY OF MICHIGAN STUDENT EXCHANGE RECITAL
Featuring Azariah Tan, DMA Candidate
Chopin: Two Nocturnes, Op. 62
Beethoven: Sonata in A-flat Major, Op. 110
Schubert: Sonata in A Major, D. 959
Location: Robert J. Werner Recital Hall
Admission: FREE

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7 p.m. Sunday, April 3
PIANO-POW-LOOZA: STUDENT SHOWCASE
Andrew Villemez and Sophie Wang, music curators
Celebrate April as CCM’s leading pianists shower the Robert J. Werner Recital Hall with cascades of notes, lightning-fast arpeggios and thunderous octaves. Selected from CCM’s nearly 100 piano majors, these young artists are already carving out their own places in the sun and will triumphantly help us conclude a week of special events in our annual Bearcat Piano Festival!
Location: Robert J. Werner Recital Hall
Tickets: $15 general, $10 non-UC students, UC students FREE.

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Event Information
All events listed below take place on the campus of the University of Cincinnati unless otherwise indicated. The Piano-POW-looza Student Showcase concert requires paid admission. All other Bearcat Piano Festival events are free and open to the general public.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

All-Steinway School Sponsor: The Corbett Endowment at CCM

CCM is proud to be an All-Steinway School

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Story by CCM graduate student Charlotte Kies and CCM alumnus Kevin Norton (DMA Saxophone, 2015)

CCM News
Cherished by music-lovers since its 1843 premiere, DON PASQUALE will delight audiences of all ages. Mark Gibson conducts this beloved opera buffa, with stage direction by Omer Ben-Seadia. Photography by Mark Lyons.

CCM Announces 2016 Opera Scholarship Competition Results

Five voice students were named winners of CCM’s 2016 Opera Scholarship Competition, which was held on Saturday, March 12, in UC’s Corbett Auditorium.

Since its inauguration in 1976, the annual competition welcomes current and incoming CCM voice students to compete for scholarships and cash prizes, and a panel of judges composed of opera industry professionals selects each year’s class of prizewinners.

The 2016 CCM Opera Scholarship Competition winners are:

Kayleigh Decker (first year Master of Music student)
From Woodstock, Md., studying with William McGraw
Prize: Full-tuition scholarship and the Corbett Award ($15,000)
The Corbett Award is supported by the Corbett Foundation in cooperation with the University of Cincinnati College-Conservatory of Music.

Christian Pursell (first year Master of Music student)
From Aptos, Calif., studying with Thomas Baresel
Prize: Full-tuition scholarship and the Italo Tajo Memorial Award ($15,000)
This award is supported by the Italo Tajo Memorial Scholarship Fund (established by Mr. Tajo’s wife, Mrs. Inelda Tajo) in cooperation with the University of Cincinnati College-Conservatory of Music.

Erica Intilangelo (second year Master of Music student)
From Fairfield, Conn., studying with William McGraw
Prize: Full-tuition scholarship and the Andrew White Memorial Award ($12,500)
This award is supported by the Andrew White Memorial Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

Murrella Parton (first year Master of Music student)
From Seymour, Tenn., studying with William McGraw
Prize: Full-tuition scholarship and the Seybold-Russell Award ($10,000)
The Seybold-Russell Award is supported by the Seybold-Russell Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

Grace Newberry (first year Master of Music student)
From San Rafael, Calif., studying with William McGraw
Prize: Full-tuition scholarship and the John Alexander Memorial Award ($10,000)
This award is sponsored by the John Alexander Memorial Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

The following student also received an award as part of the competition:

Alexandra Schoeny (incoming Doctor of Musical Arts student)
From Cincinnati, Ohio
Prize: Corbett Incentive Award for new graduate students ($2,000)
This award is supported by the Corbett Foundation in cooperation with the University of Cincinnati College-Conservatory of Music.

The judges’ panel for CCM’s 2016 Opera Scholarship Competition included:

  • Michael Heaston, Director of the Domingo-Cafritz Young Artist Program and Advisor to the Artistic Director at Washington National Opera and Associate Artistic Director of Glimmerglass Festival
  • Peter Kazaras, Professor of Music and Director of Opera at UCLA Herb Albert School of Music
    Stage Director
  • Viswa Subbaraman, Artistic and Music Director of the Skylight Music Theatre in Milwaukee

About CCM Opera
The Department of Opera at CCM boasts one of the most comprehensive training programs for opera singers, coaches and directors in the United States. Students at CCM work with some of the most renowned teachers and artists active in opera today.

CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. As recently reported by the Cincinnati Enquirer, four singers with ties to CCM advanced to the semi-final round of this year’s Met Auditions.

In addition, CCM’s Mainstage and Studio Series of Opera have received some of the National Opera Association Production Competition’s highest honors throughout the years, taking home six of the 18 non-professional prizes awarded in 2010 and four prizes in 2011.

CCM Opera graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, Metropolitan Opera (New York), Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy) and more.

CCM’s 2015-16 opera season concludes next month with Janáček’s classic The Cunning Little Vixen (April 8 – 10), conducted by Mark Gibson with stage direction by Vince DeGeorge. Learn more about the production at ccm.uc.edu/boxoffice/mainstage/cunning-little-vixen.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM News Student Salutes