CCM’s 2013-14 Mainstage Series Opens Next Week With ‘The Crucible’

Joe Markesbery is "John Proctor" and Laura McCarthy is "Abigail Williams" in CCM's 'The Crucible.' Photography by Mark Lyons.

Joe Markesbery is “John Proctor” and Laura McCarthy is “Abigail Williams” in CCM’s ‘The Crucible.’ Photography by Mark Lyons.

CCM opens its 2013-14 Mainstage Series with an intensely physical retelling of the American classic The Crucible. This epic drama of morality and justice runs Oct. 3 through 6 in CCM’s Patricia Corbett Theater, with a preview performance at 8 p.m. on Wednesday, Oct. 2.

Under the direction of Richard Hess, Professor and Chair of CCM’s Department of Drama, this production of The Crucible “is a post-modern expression” of the world we live in, says Hess. “There’s no fanciness; it doesn’t need to be tampered with. The Crucible was powerful when it was presented in a time and place where it resonated beyond the Salem witch trials.”

Audience members will be surprised by the amount of physicality on stage. “This Crucible will not be stuffy people standing and talking and arguing. They’re going to be running, tearing at each other, moving. It’s pretty down and dirty,” explains Hess. The physicality of the characters embodies the conflicts and moral dilemmas that they face. “It’s not a pretty costume drama.” Even the recognizable setting of Salem may feel different. The scenic design by Dana Hall, second-year scenic design graduate student, will be stark and very clean with a three-story motorized wall that moves throughout the performance.

Joe Markesbery, senior, plays the role of John Proctor, while Abigail Williams is brought to life by sophomore Laura McCarthy. Anna Stapleton plays Elizabeth Proctor. “What I love so much about Richard’s direction of this show is that one really gets a sense of the hysteria, betrayal and selfish ambition that John Proctor fights so hard against,” says Markesbery of his portrayal of John Proctor. “Proctor is a man who, because of his affair with Abigail, truly isn’t sure if he is good or evil. Ultimately, every action he commits in the play is to defend the truth and bring evil to the light, but still he thinks himself a fraud. From peace and simplicity to betrayal and the destruction of a man and his good name: there’s the tragedy for me.”

View the official trailer for CCM’s Mainstage Series production of The Crucible here.

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CCM Video: The Mainstage Series Presents Arthur Miller’s ‘The Crucible’ (Official Trailer)

Next month, CCM’s Mainstage Series proudly presents the original American horror story: Arthur Miller’s Tony Award-winning The Crucible.

CCM E-Media seniors Dan Marque and TIm Neumann collaborated with CCM Drama Chair Richard E. Hess and the cast and crew of The Crucible to produce a chilling trailer for this new production. Marque and Neumann are both National Broadcasting Society grand prize-winners in the categories of “Live Music Video” and “60 Second Promotional Video.”

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LCT Awards ‘S.L.U.T.’ Top Prize in CCM’s TRANSMIGRATION Series

transmigrationSLUT

Panelists for the League of Cincinnati Theatres (LCT) have recognized S.L.U.T. as the best production at CCM’s 2013 TRANSMIGRATION Festival, the Drama department’s annual presentation of student written and produced work. Panelists awarded second place to Sentenced, and honorable mentions to 2122 Michigan Avenue and The Sherwin Williams Effect. Congratulations to all involved!

The fifth-annual festival allows the audience to experience half-hour works produced by small groups of Drama majors, who create and design all aspects of their productions from start to finish. The festival is an exciting event for both guests and the presenters, as audiences get the opportunity to see up to four very different pieces of new theatre in a single night and the students premiere works that are entirely their own. This year, six shows were presented. “TRANSMIGRATION teaches our actors to be entrepreneurs,” says Richard Hess, chair of CCM’s Drama Department and director of the TRANSMIGRATION Festival. “There are absolutely no holds barred, with the exception of the thirty-minute time limit, allowing our students to learn to express from within.”

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The 2013 TRANSMIGRATION Festival’s New Works

Running March 7 – 9, this year’s TRANSMIGRATION festival will feature student-created new works 2122 MICHIGAN AVENUE, The Opening, Sentenced, The Sherwin Williams Effect, S.L.U.T. and Void.

Audience members will have the opportunity to customize their theater-going experience by choosing to watch up to four different productions, which are performed simultaneously and in non-traditional spaces throughout CCM’s Corbett Center for the Performing Arts. Learn more about each of these new, student-created works after the jump!

CCM News

CCM Drama Students Present Edgy, Original Works During TRANSMIGRATION Festival

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CCM Drama students continue to learn what it takes to produce their own art as they prepare for the 2013 TRANSMIGRATION Festival of Student-Created New Works taking place March 7-9 throughout CCM Village.

The fifth-annual festival allows the audience to experience half-hour works produced by small groups of Drama majors, who create and design all aspects of their productions from start to finish. Admission to the festival is free, but reservations are required.

A.B., Dolly, Ralph and Julia Cohen Chair in Drama Richard Hess.

A.B., Dolly, Ralph and Julia Cohen Chair in Drama Richard Hess.

The festival is an exciting event for both guests and the presenters, as audiences get the opportunity to see up to four very different pieces of new theatre in a single night and the students premiere works that are entirely their own. “TRANSMIGRATION teaches our actors to be entrepreneurs,” says Richard Hess, chair of CCM’s Drama Department and director of the TRANSMIGRATION Festival. “There are absolutely no holds barred, with the exception of the thirty-minute time limit, allowing our students to learn to express from within.”

TRANSMIGRATION came into being in response to the dynamic careers of today’s professional actors. Though auditioning and getting cast for roles is the conventional way for an actor to make a name for his or herself, “the second way to make work is to gather a group of like-minded people, get together and create something… students need to know how to go into a storefront theatre and say ‘we’re going to make something in this raw space,’” Hess asserts. TRANSMIGRATION gives students real-world creative experiences that will last and develop through the rest of their careers.

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