Romeo and Juliet preview photography by Mark Lyons.

CCM Opens 2016-17 Mainstage Series with a Retelling of “Romeo and Juliet”

The University of Cincinnati’s College-Conservatory of Music opens its 2016-17 Mainstage Series with a preview performance of William Shakespeare’s Romeo and Juliet on Wednesday, Sept. 28 in Patricia Corbett Theater.  With this modern production of the Bard’s beloved tragedy, director Brant Russell aims to preserve Shakespeare’s intentions and give CCM students the opportunity to bring these iconic roles to life.

CCM’s retelling of Romeo and Juliet weaves the familiar story of ill-fated young love with a modern comedic twist. “It’s a comedy…until it’s not,” said Assistant Professor of Acting Brant Russell.

“What I’m hoping the audience will take away from this is everything that CCM does so well; lavish production values and excellent young actors coming together to tell a story that means something to everyone,” Russell said. “Everything an audience has come to expect from CCM and its eye-popping productions will be present in this show.”

Romeo & Juliet

Photography by Mark Lyons.

CCM Acting seniors Spencer Lackey and Katie McDonald play the title roles — an experience that would be a dream come true for many young actors. Russell is happy to showcase fresh faces, which is what the script actually calls for. According to the play’s text, Juliet is almost 14 years old and Romeo’s age is never explicitly mentioned.

“This production puts the beauty and eloquence of Shakespeare’s language front and center, but, in the mouths of these young actors, you’ll hear the language like you’ve never heard it before,” Russell said.

Romeo and Juliet opens on Wednesday, Sept. 28 (preview) and runs through Sunday, Oct. 2 at the CCM’s Patricia Corbett Theater.
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Creative Team
• Brant Russell, director
• Whitney Glover, scenic designer*
• Nick Saiki, lighting designer*
• Jeremy Lee, sound designer
• Sean K. Tingle, sound designer*
• Raphael Regan, costume designer*
• Erin Schwob, wig and make-up designer*
• Hope Rice, dramaturg*
• Brianna Latrash, choreographer*
• Hamilton Moore, choreographer*
• k. Jenny Jones, fight choreographer
• Andi Radujkovic, stage manager*
* CCM student

Cast List
Owen Alderson as Capulet
• Carissa Cardy as Montague
• Jabari Carter as Gregory
• Clare Combest as Lady Capulet
• Jacqueline Daaleman as Lady Montague/ Chorus 1
• Gabriella Divincenzo as Friar Lawrence’s Assistant/ Watchman
• Sarah Durham as Watchwoman
• James Egbert as Friar Lawrence
• Ryan Garrett as Paris
• Annie Grove as Mercutio
• Landon Hawkins as Tybalt
• Carter La Cava as Sampson/ Watchman
• Spencer Lackey as Romeo
• Katie Langham as Nurse/ Actor
• Katie McDonald as Juliet
• Julia Netzer as Abraham/ Apothecary/ Watchman
• Josh Reiter as Balthasar
• Mickey Tropeano as Benvolio
• Emily Walton as Prince

Performance Times
• 8 p.m. Wednesday, Sept. 28 (preview)
• 8 p.m. Thursday, Sept. 29
• 8 p.m. Friday, Sept. 30
• 2 and 8 p.m. Saturday, Oct. 1
• 2 p.m. Sunday, Oct. 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Romeo and Juliet are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Tickets to the Sept. 28 preview performance are just $15.

Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Customizable subscription packages are also available for CCM’s 2016-17 Mainstage Series.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/romeo-and-juliet.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

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Story by CCM graduate student Alexandra Doyle

CCM News
TRANSMIGRATION, CCM Drama's festival of student-created new works.

Introducing the 2016 TRANSMIGRATION Festival’s New Works

Running March 10-12, this year’s TRANSMIGRATION festival will feature six original dramas: A Brief Eternity, Colony Collapse Disorder, The Elephant in the Room, Vices, Elliot Popkin and The Home.

Audience members will have the opportunity to customize their theater-going experience by choosing to watch up to four different productions, which are performed simultaneously and in non-traditional spaces throughout CCM’s Corbett Center for the Performing Arts.

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A Brief Eternity, TRANSMIGRATION 2016.

A Brief Eternity, TRANSMIGRATION 2016.

A BRIEF ETERNITY
History repeats itself. History repeats. History.
Highly dangerous and experimental technology has provided us (and you) the opportunity of a lifetime: to visit the past, future and perhaps even the alternate present. From the comfort of our transporter you’ll be able to safely observe dinosaurs, historical events happening in the flesh and perhaps even your own birth. Why wonder, when you can see it with your own eyes? You’re sure to lose your senses and you just might find yourself along the way. Warning: possible side effects include dizziness, time radiation and general incidents. Must be at least 40 inches tall to ride.
Featuring: Ethan Finder, Alison Sluiter, Madeleine Page-Schmit, Isaac Hickox-Young, Rupert Spraul, Ryan Garrett, Michaela Tropeano, Colleen Ladrick
Location: Corbett Center 4735

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Colony Collapse Disorder, TRANSMIGRATION 2016.

Colony Collapse Disorder, TRANSMIGRATION 2016.

COLONY COLLAPSE DISORDER
Well, let’s hope it doesn’t come to that.
Bees are an intrinsic and beautiful part of our environment. However, these bees are not immune to danger. Spores from a parasitic fungus called cordyceps may infiltrate their bodies, and their minds. It’s infected brain directs the bee back to the hive to spread the infection further. Those afflicted, if they’re discovered by the worker bees, are quickly taken and dumped far away from the hive. It may seem extreme, but if they are unable to stop the infected bee, the hive may collapse.
Featuring: Sarah Durham, Jacqueline Daaleman, Landon Hawkins, James Egbert, Clare Combest, Sydney Ashe, Hannah Kornfeld, Bartley Booz, and Devan Pruitt.
Location: Corbett Center 4735

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The Elephant in the Room, TRANSMIGRATION 2016.

The Elephant in the Room, TRANSMIGRATION 2016.

THE ELEPHANT IN THE ROOM
It’s a play about an elephant ghost.
A young, bright-eyed actor trying to make it in the big city—Milwaukee is the big city—has booked the dream job of a part on long-running local children’s show, Oofa Moobooz. Entering the jungle-themed studio with nervous excitement, he joins an endearing cast of local stars, all with their own funny quirks… and secrets.
Featuring: Colin Edgar, Andrew Iannacci, Spencer Lackey, Katie McDonald, Andrew Ramsey, Joshua Reiter, Graham Rogers, Sara Haverty
Location: Corbett Center 3705

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Vices, TRANSMIGRATION 2016.

Vices, TRANSMIGRATION 2016.

VICES
The freaks come out at night.
Cocaine. Neon. Drag. Rum. A dirty women’s bathroom and a crime gone wrong. Welcome to 1990 South Beach, Miami, where the days are full of sun and sand, and the nights are full of energy and excess. Another day, another deal, but what happens when “just another night out” could be your last?
Featuring: Rachel Baumgarten, Arielle de Versterre, Emily Walton, Julia Netzer, Carissa Cardy, Mafer Del Real, Derek Kastner, Jabari Carter
Location: Corbett Center 3705

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Elliot Popkin, TRANSMIGRATION 2016.

Elliot Popkin, TRANSMIGRATION 2016.

ELLIOT POPKIN
The best friends I never had
An 8-year-old boy has some classmates over for a play date. When it comes to third graders, you never know what you’re gonna get.
Featuring: Alice Skok, Keisha Kemper, Katie Langham, Olivia Passafiume, Nicholas Heffelfinger, Meg Olson, Gabriella DiVincenzo
Location: Corbett Center 4755

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The Home, TRANSMIGRATION 2016.

The Home, TRANSMIGRATION 2016.

THE HOME
Who wants it more?
When Tod and Karen Fazzari learn of their grandfather’s sudden death, they each see a promising opportunity to change their fate. But conflict arises when the siblings realize they aren’t alone in their endeavors. Trapped between a rock and a hard place, the Fazzari kids have a difficult choice to make. Sure, family is great, but diamonds are forever.
Featuring: Lauren Carter, Laura McCarthy, Kenzie Clark, Owen Alderson, Carter LaCava, and Sydney Martin, Annie Grove
Location: Corbett Center 4755

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Performance Times

  • 7 p.m. Thursday, March 10
  • 7 p.m. Friday, March 11
  • 7 p.m. Saturday, March 12

Location
Various locations around CCM Village
University of Cincinnati

Reserving Tickets
Admission to CCM’s TRANSMIGRATION Festival is free, but reservations are required. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

Drama Studio Series Sponsors: Neil Artman & Margaret Straub

CCM News
CCM's Mainstage Series presents David Edgar's PENTECOST. Photo by Mark Lyons.

CCM Slideshows: Pentecost

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CCM’s Mainstage Series opens this week with a powerful production of David Edgar’s Pentecost.

Declared an “important opportunity to be ‘taken in’ by theater” by Rick Pender in his CityBeat preview story, Pentecost details the discovery of a painting stunningly similar to Giotto di Bondone’s The Lamentation in an abandoned church in Eastern Europe. If proven to pre-date the master’s work, the fresco will revolutionize Western Art.

A dramatic power struggle ensues, as representatives from the worlds of art history, religion and politics stake their claims for the ultimate prize. The unexpected arrival of 12 asylum seekers sets events spiraling toward an explosive climax. Richard E. Hess directs.

Described by the Daily Telegraph as “funny, frightening and deeply moving,” this powerful play by the Tony Award-winning adapter of Nicholas Nickleby and author of numerous plays won the Evening Standard Award for Best Play of 1995. This production contains mature subject matter.

Special Seating Available
Witness Pentecost up close and personal in the best seats in the house. Ticket holders may seat themselves in any black on-stage seat unclaimed by a program for any performance of Pentecost. Access to on-stage seating can be found at the ends of aisles 1 and 5.

Take advantage of this once-in-a-lifetime opportunity to intimately experience David Edgar’s “funny, frightening and deeply moving” masterpiece.

Performance Times

  • 8 p.m. Thursday, Oct. 1
  • 8 p.m. Friday, Oct. 2
  • 2 and 8 p.m. Saturday, Oct. 3
  • 2 p.m. Sunday, Oct. 4

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Pentecost are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/pentecost.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News CCM Slideshows
TRANSMIGRATION, CCM Drama's festival of student-created new works.

CCM Drama Students Present New Works in TRANSMIGRATION Festival This Week

CCM’s Drama students flex their writing, editing, designing and directing muscles to produce the 2015 TRANSMIGRATION Festival of Student-Created New Works taking place March 11-13 in non-traditional performances spaces throughout CCM Village. Admission is free, but reservations are required.

Brant Russell, Assistant Professor of Drama and producer of this year’s TRANSMIGRATION Festival describes how the students begin their projects. “The groups are chosen at random at the beginning of each school year. The only thing we do is make sure that there is representation from each grade level in every group.”

The students are given freedom to explore what they want to do for their productions, and the instructors typically don’t see the pieces until about a week before opening night.

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Because of the intense schedule of productions in the fall, the student groups meet after UC’s winter break and come up with concepts. Senior AC Horton says that this year her group “sat down and created a list of things we want to have in the play or the process: a fantastical element, poetic language, to begin the production by moving and not sitting down. On the don’t-wants list we had things like domestic violence and drugs. We like to establish values at the top of the process.” The final idea “shows up one day at rehearsal,” she says, describing the process as very organic.

“Each group has a different way they like to work. Figuring out the needs of each group is the most difficult part, but it’s also the best part. We rehearse every day by doing a song with choreography. We pull open the mirrors and sing and do cartwheels. It’s our own process,” laughs Horton.

These unique methods have helped all of the students grow as artists. Junior Colleen Ladrick says, “you learn where you’re needed. I saw a need and was able to bring that to a collaborative situation… and it lifted a pressure off of the other people in my group.” This year Ladrick took on a lot of the scripting; something she had never considered doing previously. “You discover your tack as a result of filling a necessity,” adds Russell.

Horton recalls filling the role of TRANSMIGRATION electrician. “You have 85 extension cords, two power strips and a half an hour to set up, perform and tear down. It’s my goal to short out a TRANSMIGRATION classroom,” she jokes.

Ladrick agrees that “the process never stops. The challenges keep happening and you have to keep improvising. There’s never enough time to get comfortable. That’s what makes it so fun. You never know what’s going to happen.”

Russell feels that TRANSMIGRATION is an important activity for CCM drama students. “It would be very irresponsible [for this program] to turn out students who did not know how to produce their own work. We want to create actors who are technically proficient and also have something to say. Transmigration empowers them.”

After all of the insanity and fun surrounding TRANSMIGRATION has come to a close, each of the participants will be required to turn in a paper. This is still school, after all.

TRANSMIGRATION 2015 will feature the original works Coulter Cliffs Inn, Neutral and Non-Partisan, [cult]ured, A Fool’s Paradise, Seven Feet Under and Mandatory Fun. Audience members will have the opportunity to customize their evening of theater experiences by choosing to watch as many as four different productions, which are performed simultaneously in non-traditional spaces throughout CCM’s Corbett Center for the Performing Arts.

Performance Times

  • 7 p.m. Wednesday, March 11
  • 7 p.m. Thursday, March 12
  • 7 p.m. Friday, March 13

Locations
Various locations throughout CCM Village, including:

  • Room 3705, Corbett Center for the Performing Arts
  • Room 4735, Corbett Center for the Performing Arts
  • Room 4755, Corbett Center for the Performing Arts

Festival Schedule

7 p.m.

  • Coulter Cliffs Inn, Room 4755
  • Seven Feet Under, Room 4735
  • Neutral and Nonpartisan, Room 3705

7:45 p.m.

  • Coulter Cliffs Inn, Room 4755
  • cult[ured], Room 4735
  • Mandatory Fun, Room 3705

  8:30 p.m.

  • A Fool’s Paradise, Room 4755
  • cult[ured], Room 4735
  • Neutral and Nonpartisan, Room 3705

 9:15 p.m.

  • A Fool’s Paradise, Room 4755
  • Seven Feet Under, Room 4735
  • Mandatory Fun, Room 3705

Reserving Tickets
Admission to TRANSMIGRATION is free, but reservations are required. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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TRANSMIGRATION 2015 PRODUCTION SYNOPSES AND CAST LISTS


Coulter Cliffs Inn

There are no secrets that time does not reveal.

Established in 1852 by the Jospeh L. Coulter family, the Coulter Cliffs In has been revered for its antique charm and timeless atmosphere. Nestled in the misty cliffs of Northern Maine, the Coulter Cliffs Inn has attracted a diverse array of curious travelers for generations. Let us take you back to a simpler time with our cozy rooms, full bar and nighttime entertainment. But be advised, once you step foot into your new serene home, you may never want to leave.

Cast: 
Trey Wright, Alison Sluiter, Colin Edgar, Clare Combest, Annie Grove, Kenzie Clark and Rupert Spraul
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Neutral and Non-Partisan
Capture their minds, and hearts and souls will follow.

Operation [BLANK] has been compromised. Indoctrination tactics, regarding GREY PSYCHOLOGICAL OPERATIONS (PSYOP), implemented to “Leave it to Beaver” have been breached. Target [BLANK] detected an abnormality resulting in an imminent threat of exposure. Joint staffer, [BLANK], has declined to give a statement in order to maintain plausible deniability for the US government. Sector [BLANK] running operation [BLANK] sanctioned “the six” to fabricate authenticity in order to enhance productivity to the effect of [BLANK], which would dissolve variables concerning gross domestic product and quality of life. It is advised, and therefore essential, to dispose all records of incrimination and proceed by code [BLANK].

Cast: Connor Lawrence, Rachel Baumgarten, Laura McCarthy, Ryan Garrett, Katie McDonald, Lauren Carter and Meg Olson
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[cult]ured

Fresh yogurt. Fresh ideas.

An unsuspecting reporter serendipitously stumbles upon a mystical frozen yogurt stand in rural Oregon. The charming characters that populate the stand catalyze a spritiual journey and raise more questions than expected. What does it mean to be part of a community? The reporter is forced to confrontsocial norms and societal constraints, and is left forever wondering: Are we all homogenized, or are we… cultured?

Cast: Anna Stapleton, Carli Rhoades, Keisha Kemper, Alice Skok, Sydney Ashe, Christian Thomason, Landon Hawkins, Mafer Del Real and Andrew Ramsey
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A Fool’s Paradise

Death was never more full of life.

When the Boca Raton Community Theatre Players notice their subscriptions taking a drastic drop, Peaches Montgomery and her cast of actors ban together to mount one of Shakespeare’s classic tales, directed at her least subscribed audience – urban youth.

Cast: Spencer House, Fabiola Rodriguez, Devan Pruitt, Spencer Lackey, Katie Langham, Isaac Hickox-Young and Olivia Passfiume
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Seven Feet Under

How low would you go before you’re buried alive?

This twisted depression-era fairy tale follows an eccentric family of seven miners as they pursue a legendary treasure for their mistress. In a story of adventure, obsession and greed, they must figure out how low they are willing to go to attain a better life.

Cast: Arielle De Versterre, Bartley Booz, Emily Walton, Owen Alderson, Nicholas Heffelfinger, Eliza Lore and Joshua Reiter
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Mandatory Fun
A good time is required.

In a futuristic dystopia where robots hold all the cards, six humans are forced to participate in “Mandatory Fun.” This gameshow pits contestants against each other to provide entertainment for humans and robots alike. Integrity, Alliances and Plot Structure will be tested – but who will take home The Grand Prize?

Cast:
 AC Horton, Colleen Ladrick, Andrew Iannacci, Julia Netzer, Michaela, Tropeano, James Egbert and Carissa Cardy

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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Drama Studio Series Sponsor: Neil Artman and Margaret Straub

Community Partner: ArtsWave

CCM News CCM Slideshows Student Salutes

CCM Slideshows: The Heidi Chronicles

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CCM’s 2014-15 Mainstage Series continues TONIGHT with Wendy Wasserstein’s groundbreaking comedy The Heidi Chronicles, playing through Sunday, Feb. 15, in Patricia Corbett Theater. See a complete list of performance times below.

Winner of the 1989 Pulitzer Prize for Drama and the Tony Award for Best Play, The Heidi Chronicles is directed by CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance Richard Hess.

Rick Pender takes a closer look at The Heidi Chronicles and the legacy of playwright Wendy Wasserstein for CityBeat. Read the story online here.

David Lyman previews the production for the Cincinnati Enquirer. Read the story online here.

Sexuality, feminism, education, gender equality, marriage, women’s rights – there’s no hot-button issue the play doesn’t touch. Learn more about this poignant comedy here.

Performance Times

  • 8 p.m. Thursday, Feb. 12
  • 8 p.m. Friday, Feb. 13
  • 2 and 8 p.m. Saturday, Feb. 14
  • 2 p.m. Sunday, Feb. 15

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Heidi Chronicles are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Saturday matinee student rush discount tickets are available beginning at 1 p.m. on Saturday, Feb. 14 and are $12-15.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/heidi-chronicles-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News CCM Slideshows
Sarah Davenport as Heidi Holland in CCM's Mainstage Series production of THE HEIDI CHRONICLES. Photography by Jay Yocis.

CCM’s Mainstage Series Presents the Tony Award and Pulitzer Prize-Winning ‘The Heidi Chronicles’ Next Week

Sarah Davenport as Heidi Holland in CCM's THE HEIDI CHRONICLES. photography by Mark Lyons.

Sarah Davenport as Heidi Holland in CCM’s THE HEIDI CHRONICLES. photography by Mark Lyons.

CCM’s Department of Drama opens its spring Mainstage Series with its debut of Wendy Wasserstein’s The Heidi Chronicles, running Feb. 11 through Feb. 15, in the Patricia Corbett Theater.

An examination of feminism and its evolution from the 1960s through the late 1980s, The Heidi Chronicles follows Heidi Holland, a successful art historian, who tries to find her true self in a rapidly changing world as the roles of women were being redefined.

Students and audience members alike will get the chance to witness a piece of history on stage as director Richard E. Hess, A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance, attempts to make connections between a generation who lived through the ’60s, ’70s and ’80s and students who are now products of this age.

Hess asks a thought-provoking and timely question: “What would Wendy think of life in America in 2015, where we still must deeply question this country’s commitment to racial and gender equality?”

Wasserstein was the first woman playwright to receive a Tony Award for Best Play for The Heidi Chronicles. Her work also earned her prestigious awards including the 1989 Pulitzer Prize, a New York Drama Critics Circle Award and a Drama Desk Award, among others.

Hess says that Wasserstein liked to create characters “who struggled with the shifting demands and definitions of self, unique to a time and place.” This struggle rings true even today.

Second-year Theater Design and Production graduate student Jillian Coratti serves as costume designer for this production. She talked with Hess at the beginning of rehearsals about his vision for the look and feel of the production. “The hardest part about this production was making it look real,” she explains. “This show is dramatic and thoughtful, but very rarely flashy. The characters are real and contemporary, so I didn’t want to make anything come across as overly theatrical.”

Coratti did a great deal of research in magazines and blogs, even pulling out older family photo albums. Her uncles grew up as members of the “baby boomer” generation, so she was able to find looks from the 70s and 80s in their wedding albums. Since each scene in The Heidi Chronicles is set in a new time period, there are a lot of quick costume changes. Heidi alone has 13 changes!

But the easiest and most rewarding part has been the fittings. Coratti says, “The actors are so eager and willing to see their costumes because they can connect with these clothes. They’re very similar to what we wear everyday, yet some come from our parents closets.”

  • Richard E. Hess, director
  • Thomas C. Umfrid, scenic designer
  • Jillian Coratti, costume designer
  • Taylor Malott, wig & make-up designer
  • Joe Beumer, lighting designer
  • Corbin Wescott, sound designer
  • k. Jenny Jones, fight choreographer
  • Susan Stephenson, stage manager

The Heidi Chronicles Cast List:

  • Sarah Davenport as Heidi Holland
  • Clare Combest as Susan Johnston
  • Colin Edgar as Peter Patron
  • Connor Lawrence as Scoop Rosenbaum
  • Ryan Garrett as Chris Boxer/Steve/Waiter
  • Katie McDonald as Jill/Sandra Zucker-Hall
  • AC Horton as Fran
  • Julia Netzer as Becky
  • Rachel Baumgarten as Debbie
  • Owen Alderson as 1968 Hippie/Mark/Dr. Ray
  • Michaela Tropeano as Molly McBride/Clara
  • Alice Skok as Lisa
  • Carli Rhoades as Betsy
  • Sydney Ashe as Denise
  • Katie Langham as April

About The Heidi Chronicles
After its initial opening in November 1988 Off-Broadway, The Heidi Chronicles was praised by the New York Daily News as “witty, hilarious…not just a funny play, but a wise one… I doubt we’ll see a better play this season.” Even Variety raved, “Not many plays manage Heidi’s feat of inducing almost continuous laughter while forcing the audience to examine its preconceptions.” In March of 1989, The Heidi Chronicles was transferred to Broadway and became a long-running success with an impressive 622 performances when it closed in September of 1990.

Comprised of a series of interrelated scenes, the play traces the coming of age of Heidi Holland, a successful art historian, as she tries to find her bearings in a rapidly changing world. Gradually distancing herself from her friends, she watches them move from the idealism and political radicalism of their college years through militant feminism and, eventually, back to the materialism that they had sought to reject in the first place. Eventually Heidi comes to accept the fact that liberation can be achieved only if one is true to oneself, with goals that come out of need rather than circumstance.

Read Rick Pender’s thoughts on the legacy of Wendy Wasserstein and the importance of The Heidi Chronicles, courtesy of CityBeat.

Performance Times

  • 8 p.m. Wednesday, Feb. 11 (preview)
  • 8 p.m. Thursday, Feb. 12
  • 8 p.m. Friday, Feb. 13
  • 2 and 8 p.m. Saturday, Feb. 14
  • 2 p.m. Sunday, Feb. 15

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Heidi Chronicles are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Saturday matinee student rush discount tickets are available beginning at 1 p.m. on Saturday, Feb. 14 and are $12-15. Tickets to the Feb. 11 preview performance are just $12.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/heidi-chronicles-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News
CCM Summer Playrights Conference

CCM Slideshows: Macbeth

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CCM’s 2014-15 Mainstage Series opens with a dynamic new production of Shakespeare’s Macbeth, playing tonight through Sunday, Oct. 5, in Patricia Corbett Theater.

In the dark and twisted landscape of 11th century Scotland, Macbeth will go to any means necessary to prove that he’s a man (even if this Macbeth is played by a woman). With the help of his wife, and pushed by a trio of gnarly creatures (witches who were women once), Macbeth schemes to take the throne and eliminate anyone standing in his way.

Brant Russell directs this iconic tragedy in his Mainstage Series debut!

Performance Times

  • 8 p.m. Thursday, Oct. 2
  • 8 p.m. Friday, Oct. 3
  • 2 and 8 p.m. Saturday, Oct. 4
  • 2 p.m. Sunday, Oct. 5

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Macbeth are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID, with $12-$15 student rush tickets available for the Saturday matinee beginning at 1 p.m. on Oct. 4. Customizable subscription packages are also available.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/macbeth-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News CCM Slideshows
CCM Drama major Laura McCarthy as Macbeth.

CCM’s 2014-15 Mainstage Series Opens This October With a Gender-Bending Production of ‘Macbeth’

CCM student Laura McCarthy as Macbeth. Photography by Mark Lyons.

CCM student Laura McCarthy as Macbeth. Photography by Mark Lyons.

CCM opens its 2014-15 Mainstage Series with William Shakespeare’s dark and twisted tragedy Macbeth. Under the direction of Brant Russell, Assistant Professor of Drama, Macbeth will make its CCM debut Oct. 2 through 5 in CCM’s Patricia Corbett Theater, with a preview performance at 8 p.m. on Wednesday, Oct. 1.

Russell’s unique take on this classic features third-year female drama student Laura McCarthy in the title role.

Macbeth is the tale of a man, hungry to claim the throne and fulfill a prophesy that named him king. Cajoled by his wife, he achieves his ambitions through treachery and murder, only to find that victory isn’t as sweet as it seemed. “I wanted to explore transgendered identity and how it translates into masculinity, and in turn how that would be a part of the character dynamic,” says Russell on his decision to cast a woman as Macbeth. In addition, there are several other traditionally male roles that will be played by women, including Banquo, Angus and Cathness.

McCarthy has been preparing for the role of Macbeth since she was cast last spring. She’s given up her vegetarian diet and taken up a weight-training regimen. “I’m more conscious of when I’m being feminine or when I’m being masculine,” says McCarthy.

Watch McCarthy begin her transformation into Macbeth in an exclusive behind-the-scenes video, shot and edited by CCM Electronic Media major Dan Marque:

To complete the transformation, McCarthy decided to shave her head. In addition to rehearsing the substantial Shakespearian material, she talks about the personal aspects of her metamorphosis: “The CCM community has been very vocal in their support, which has been very important to me. I pass people in the hallway and they will say ‘you look great’ or something to that effect. It has given me the confidence that I need in an otherwise vulnerable position.”

Overall, though, McCarthy describes the general public’s interactions with her now as “cautious.” “It is as if… [the people around me] are trying to place me but can’t and therefore are on edge. It is the lack of identifiable gender that sets them off I think. I live in the unknown grey area now.” McCarthy explains that Russell is the perfect conduit for this performance. “He gives just the right amount of freedom to all the artists involved to make it their own… Through conversation and exploration he humbly lights our way to finding our own interpretation of the text.” This powerful directorial style lends an important gravity to each individual’s personal performance. Audiences can expect a genuine experience, profound in its honesty.

Despite being Shakespeare’s most popular play, Macbeth is making its first appearance on the CCM stage with this production. In addition, this drama marks Russell’s inaugural Mainstage production. Russell’s transition to the Mainstage is a natural progression, considering his success last year directing Boeing Boeing, a collaboration with the Carnegie’s Theatre Series in Covington. Russell also received critical acclaim this summer for his production and direction of the World’s Fair Play Festival at the Queens Theater in the Park, which received a coveted New York Times ‘Critic’s Pick.’ Read more about Russell’s Queens Theater success by visiting NYTimes.com.

About Brant Russell
Brant Russell is a graduate of Kenyon College (BA, political science) and Northwestern University (MFA, stage direction). He is a member of the Lincoln Center Directors Lab, an associate member of SDC and has worked on the staffs of Writers’ Theatre, Chicago Shakespeare Theater and Steppenwolf. He has worked as a producer and/or director for Theater Seven, Steep Theater, Steppenwolf, Collaboraction, MoonPie Productions, Next Theater, Victory Gardens, the Side Project and Around the Coyote, among others. Collaboraction and American Blues Theater have produced his short plays. Russell has appeared onstage in productions and readings for Next, Theater-Hikes, Steep / Naked Angels and Strawdog Theater. He has taught at Northwestern University, Kenyon College and Steppenwolf.

In January 2015, Russell will direct the American premiere of Brett Neveu’s RED BUD at Signal Ensemble in Chicago. He will also direct a CCM Studio Series production in the spring entitled You’re Welcome (A Cycle of Bad Plays) and produce the 2015 installment of the popular TRANSMIGRATION Festival. At CCM, he teaches Artist in Society, Script Analysis, History of Directing and graduate courses including Intro to Dramaturgy and Collaboration Techniques. He has taught independent studies in Absurdist Theater, Politics in Drama and Performance Art.

Performance Times

  • 8 p.m. Wednesday, Oct. 1 (preview)
  • 8 p.m. Thursday, Oct. 2
  • 8 p.m. Friday, Oct. 3
  • 2 and 8 p.m. Saturday, Oct. 4
  • 2 p.m. Sunday, Oct. 5

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Macbeth are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID, with $12-$15 student rush tickets available for the Saturday matinee beginning at 1 p.m. on Oct. 4. Tickets to the Oct. 1 preview performance are just $12.

Customizable subscription packages are also available.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/macbeth-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News

LCT Awards ‘PO 11259: Sincerely Yours’ Top Prize in CCM’s TRANSMIGRATION Festival

Six teams of student actors craft and perform original 30-minute shows during the 2014 TRANSMIGRATION Festival.

Six teams of student actors craft and perform original 30-minute shows during the 2014 TRANSMIGRATION Festival.

Panelists for the League of Cincinnati Theatres (LCT) have recognized PO 11259: Sincerely Yours as the best production at CCM’s 2014 TRANSMIGRATION Festival, CCM Drama’s annual presentation of student written and produced work. Congratulations to that show’s creative team of Jaclyn Chantel, Hannah Halvorson, Spencer Lackey, Laura McCarthy, Fabiola Rodriguez and Anna Stapleton!

Panelists awarded second place to The 17th Annual Snipes, Arkansas, Harvest Festival, and honorable mentions to Dreams R Us: Tonight’s Answers to Tomorrow’s Questions and Complex: A Structure of Sound, An Organism of Vibrations.

The sixth-annual festival allows the audience to experience half-hour works produced by small groups of Drama majors, who create and design all aspects of their productions from start to finish. The festival is an exciting event for both guests and the presenters, as audiences get the opportunity to see up to four very different pieces of new theatre in a single night and the students premiere works that are entirely their own. This year, six shows were presented.

PO 11259 was praised for being “funny and poignant” and “a cool concept,”while The Snipes, Arkansas, Harvest Festival allowed its actors to show “a lot of dimensions in a short play.”

CCM News Student Salutes

CCM Drama Students Present New Works in Sixth Annual TRANSMIGRATION Festival This Week

CCM TRANSMIGRATION 2014 logo.

CCM TRANSMIGRATION 2014 logo.

Students in CCM’s Department of Drama flex their writing, editing, designing, directing and acting muscles with the 2014 TRANSMIGRATION Festival of Student-Created New Works, taking place March 6-8 throughout CCM Village. Admission is free, but reservations are required.

The sixth-annual festival allows audiences to experience half-hour works produced by small groups of drama majors, who create all aspects of their productions from start to finish.

“As a faculty member, I’m making an active effort to stay out of their way,” says Brant Russell, Assistant Professor of Drama and producer of this year’s TRANSMIGRATION Festival. “The audience will get a real sense of what our students are reacting to in their world, and we want that rawness to come through in each show.”

TRANSMIGRATION came into being in response to the dynamic careers of today’s professional actors. “There are two very important lessons TRANSMIGRATION gives us the opportunity to learn,” asserts Shaun Sutton, senior drama major from Overland Park, Kansas. “First, we don’t choose our groups – they’re assigned. It’s important for us to learn how to negotiate and work with new people in a medium we’re all so passionate about. Second, in the world of YouTube and Vine where anyone can be an actor, we need to develop our skills to tell a more powerful story. TRANSMIGRATION is our time to play with an unprecedented lack of structure in an intense professional training program.”

Each year, TRANSMIGRATION is different. This year’s shows include a soundscape in a dark room, a piece about dream creation, the story of a cosmic post office box and a work about community and sticking to your roots. See below for more information on this year’s original works.

CCM News