Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM's Mainstage Series production of 'Peter Pan.' Photography by Mark Lyons.

CCM’s Mainstage Series Proudly Presents Broadway’s Timeless Musical ‘Peter Pan’ March 5-8, 2015

CCM continues its 2014-15 Mainstage Series with the classic fairytale musical Peter Pan. Directed and choreographed by guest artist Joe Locarro, with musical direction by CCM Professor of Musical Theatre Roger Grodsky, this production promises to whisk audiences away to a place where dreams are born and no one ever grows up! Peter Pan makes its CCM debut at 8 p.m. on Thursday, March 5, in Corbett Auditorium and plays through March 8, 2015. Tickets are on sale now.

Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM's Mainstage Series production of 'Peter Pan.' Photography by Mark Lyons.

Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM’s Mainstage Series production of ‘Peter Pan.’ Photography by Mark Lyons.

Based on J.M. Barrie’s classic tale and featuring an unforgettable score by Morris “Moose” Charlap and Jule Styne with lyrics by Carolyn Leigh and Betty Comden and Adolph Green, Peter Pan is one of the most beloved family favorites of all time. This high-flying Tony Award-winning musical has been performed around the world and delighted audiences for 60 years.

Peter Pan’s enduring status comes as no surprise to Locarro, who brings years of Broadway experience to CCM’s production. In addition to providing perspective on the end of the Victorian Era, Locarro explains that Barrie’s fairy tale is also “a story of longing and the continuum of life. Although Peter Pan is the catalyst, it is really Wendy’s journey through adolescence and subsequently the journey of her daughter Jane and Jane’s daughter after that. Having a 20-year-old daughter of my own, I too see the importance of this journey for all of our children and understand why Peter Pan is popular to this day.”

While CCM is widely known for its remarkable stage productions, audiences can expect something truly remarkable for this production of Peter Pan. This is thanks to Locarro’s unique vision and also to an exciting collaboration between CCM’s faculty, student and staff talent and the expertise of theatrical flying effects and equipment industry leaders, ZFX, Inc. CCM Professor of Drama and Peter Pan fight choreographer k. Jenny Jones explains, “ZFX Flying Effects and I are creating sword fights with aerial dynamics that have never been tried before. Several years ago, I commissioned ZFX for a study of the variables of fighting while flying, and how flying may enhance the action of staged combat. The duel between Peter and Hook in this production is a perfect representation of this research and it will make CCM’s Peter Pan quite special.”

ZFX is one of the many professional industry leaders in theatre technology that will be in Cincinnati for the 55th annual United States Institute for Theatre Technology (USITT) Conference and Stage Expo, which comes to the Duke Energy Convention Center March 18-21, 2015. Expo attendees will have the opportunity to visit CCM Village to see Peter Pan‘s groundbreaking flying effects set up for themselves even after the production has closed.

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Hannah Zazzaro, a senior from Clearwater, Florida, is one of two CCM students playing the demanding part of Peter Pan. She shares the role with junior musical theatre major Clara Cox. The role of Peter Pan will alternate between Cox (March 6; March 7 matinee) and Zazzaro (March 5; March 7; March 8 matinee).

Download Peter Pan‘s cast list here.

Zazzaro’s preparation began back in November when she read and re-read the script and watched every version of Peter Pan that she could find. Her goal was to understand her part in the storytelling and to know the text forward and backward. “Peter Pan is a demanding role in every way,” says Zazzaro. “I have to run, jump, fly, dance, sing while flying, do cartwheels, and sword fight both in the air and on the ground. I started a 60-day physical training program called ‘Insanity’ that I will continue to do regularly through the end of the show… and maybe even after because I like it so much!”

In addition to her copious musical theatre experience, Zazzaro is a classically trained singer, which makes her a perfect choice for this role. “My favorite part of the show is when Peter Pan turns into a ‘lady’ and sings a short aria with Captain Hook. This show has given me the opportunity to finally show off my low notes, my high belt and my high soprano! It’s so much fun,” she says enthusiastically.

Under Jones’ guidance, Zazzaro has also learned to sword fight. “Three things that I know I have to focus on are: trusting my wrists and allowing my sword to swing rather than forcing it to, having a spacial understanding with whomever I’m swinging at, and communicating with them through body language in order to be successful and safe,” Zazzaro explains. Mastering all of these things at once has been challenging, but Zazzaro states it’s been “completely worth it.”

Senior Dallas Padoven plays the role of Cecco the pirate alongside Zazzaro, but he faces his own unique challenges. Padoven is also Captain Hook’s understudy, meaning he has to be prepared to take on the iconic villain’s role on short notice. “Preparing for two characters is extremely interesting,” says Padoven. “I have to be on my toes while working at all times. While I am learning the pirate role, I also have to keep one eye on Hook to make sure I know what he is doing. I am in the same scenes as two different characters.”

Both Zazzaro and Padoven agree that working with Locarro has been wonderful. “He has a lot of experience in the field,” says Padoven. “While we are working with him we are figuring out our blocking and choreography but he also tells us about various shows he’s been in. He really teaches through personal stories, so we’ve learned a lot, especially things like what to do and not to do in audition and rehearsal situations.”

Zazzaro particularly appreciates Locarro’s attention to detail. “One of the hardest things is the Corbett Auditorium. The stage is huge, but it has seemed almost effortless for Joe to create pictures that fill out the entire stage.”

CCM’s production of Peter Pan also features scenic design by Mark Halpin, costume design by Dean Mogle and Rebecca Senske, lighting design by Chris Carter, sound design by Jeremy Lee and wig and make-up design by Kelly Yurko. With the iconic songs “I’m Flying,” “I Gotta Crow,” “I Won’t Grow Up” and “Never Never Land,” and a rousing book full of magic, warmth and adventure, Peter Pan is the perfect show for the child in all of us who dreamed of soaring high and never growing up.

About Joe Locarro
Joe Locarro is a director, choreographer and producer who has directed for stage, film and television. His film Finding Billy was nominated for two New York Emmy Awards (for best direction and best documentary) and was an official selection of the 2012 Dance on Camera Festival. Finding Billy has also been broadcast nationally on PBS for the past five years.

Locarro’s recent directing credits include two seasons of the PBS National series Intelligence Squared Debates, productions of Les Misérables for the University of Michigan Musical Theatre Department (April 2014) and Music Theatre of Wichita (August 2013), and the PBS series Vine Talk starring Stanley Tucci. Some of his PBS specials include Remember Me with Parsons Dance Co & The East Village Opera Company, A Tale of Two Cities in Concert and three specials with Deepak Chopra.

Locarro specializes in filming and editing dance, theatre and music and is currently guest director for the live web broadcasts from Jazz at Lincoln Center’s Appel Room. He has also directed numerous stage productions including regional productions of Ragtime and Les Misérables.

Locarro began his career as a dancer and choreographer, dancing with the Boston, Joffrey and Hartford Ballet Companies creating and choreographing 30 works for dance companies across the U.S. After a career in ballet, he went on to perform on Broadway and first national tours in six musicals including the role of ‘Enjolras’ in Les Misérables (both on Broadway and in the first national tour), the original Broadway companies of Ragtime, Goodbye Girl and Merlin as well as the role of Munkstrap in Cats and West Side Story.

Locarro brings his many years of performance experience to his work with artists and arts organizations. He continues to film and edit for dance companies around the world, as well as create promotional videos and documentaries for arts organizations and individual artists.

About ZFX, Inc.
Founded in 1994, ZFX, Inc. is the complete service provider for Flying Effects. They don’t just handle the rigging or flying harnesses. They’re not just skilled at automation, choreography and flying design. ZFX covers every aspect of flying possibilities. From high schools to Broadway, churches to special events, ZFX zealously pursues its goal of worldwide domination of the performer flying industry. Their infectious enthusiasm comes at no additional charge. They don’t wake up and put their pants on one leg at a time like the other guys. They wrap themselves in kilts and stride boldly out into the world. ZFX offers performer flying, high speed hoists, flying of props, automated systems, stunt gags, truss equipment mounting, aerial acts, manually operated systems, corporate shows and events, custom harnesses, spectacle flying and safety consultation. Learn more by visiting www.zfxflying.com.

Performance Times

  • 8 p.m. Thursday, March 5
  • 8 p.m. Friday, March 6
  • 2 and 8 p.m. Saturday, March 7
  • 2 p.m. Sunday, March 8

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Peter Pan are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/peter-pan-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mainstage Production Sponsor: Wells Fargo Advisors, LLC

Community Partner: ArtsWave

Peter Pan is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com

CCM News CCM Slideshows
Scenes from CCM's Mainstage Series production of 'The Heidi Chronicles.' Photography by Mark Lyons.

CCM Slideshows: The Heidi Chronicles

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CCM’s 2014-15 Mainstage Series continues TONIGHT with Wendy Wasserstein’s groundbreaking comedy The Heidi Chronicles, playing through Sunday, Feb. 15, in Patricia Corbett Theater. See a complete list of performance times below.

Winner of the 1989 Pulitzer Prize for Drama and the Tony Award for Best Play, The Heidi Chronicles is directed by CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance Richard Hess.

Rick Pender takes a closer look at The Heidi Chronicles and the legacy of playwright Wendy Wasserstein for CityBeat. Read the story online here.

David Lyman previews the production for the Cincinnati Enquirer. Read the story online here.

Sexuality, feminism, education, gender equality, marriage, women’s rights – there’s no hot-button issue the play doesn’t touch. Learn more about this poignant comedy here.

Performance Times

  • 8 p.m. Thursday, Feb. 12
  • 8 p.m. Friday, Feb. 13
  • 2 and 8 p.m. Saturday, Feb. 14
  • 2 p.m. Sunday, Feb. 15

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Heidi Chronicles are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Saturday matinee student rush discount tickets are available beginning at 1 p.m. on Saturday, Feb. 14 and are $12-15.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/heidi-chronicles-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News CCM Slideshows
Sarah Davenport as Heidi Holland in CCM's Mainstage Series production of THE HEIDI CHRONICLES. Photography by Jay Yocis.

CCM’s Mainstage Series Presents the Tony Award and Pulitzer Prize-Winning ‘The Heidi Chronicles’ Next Week

Sarah Davenport as Heidi Holland in CCM's THE HEIDI CHRONICLES. photography by Mark Lyons.

Sarah Davenport as Heidi Holland in CCM’s THE HEIDI CHRONICLES. photography by Mark Lyons.

CCM’s Department of Drama opens its spring Mainstage Series with its debut of Wendy Wasserstein’s The Heidi Chronicles, running Feb. 11 through Feb. 15, in the Patricia Corbett Theater.

An examination of feminism and its evolution from the 1960s through the late 1980s, The Heidi Chronicles follows Heidi Holland, a successful art historian, who tries to find her true self in a rapidly changing world as the roles of women were being redefined.

Students and audience members alike will get the chance to witness a piece of history on stage as director Richard E. Hess, A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance, attempts to make connections between a generation who lived through the ’60s, ’70s and ’80s and students who are now products of this age.

Hess asks a thought-provoking and timely question: “What would Wendy think of life in America in 2015, where we still must deeply question this country’s commitment to racial and gender equality?”

Wasserstein was the first woman playwright to receive a Tony Award for Best Play for The Heidi Chronicles. Her work also earned her prestigious awards including the 1989 Pulitzer Prize, a New York Drama Critics Circle Award and a Drama Desk Award, among others.

Hess says that Wasserstein liked to create characters “who struggled with the shifting demands and definitions of self, unique to a time and place.” This struggle rings true even today.

Second-year Theater Design and Production graduate student Jillian Coratti serves as costume designer for this production. She talked with Hess at the beginning of rehearsals about his vision for the look and feel of the production. “The hardest part about this production was making it look real,” she explains. “This show is dramatic and thoughtful, but very rarely flashy. The characters are real and contemporary, so I didn’t want to make anything come across as overly theatrical.”

Coratti did a great deal of research in magazines and blogs, even pulling out older family photo albums. Her uncles grew up as members of the “baby boomer” generation, so she was able to find looks from the 70s and 80s in their wedding albums. Since each scene in The Heidi Chronicles is set in a new time period, there are a lot of quick costume changes. Heidi alone has 13 changes!

But the easiest and most rewarding part has been the fittings. Coratti says, “The actors are so eager and willing to see their costumes because they can connect with these clothes. They’re very similar to what we wear everyday, yet some come from our parents closets.”

  • Richard E. Hess, director
  • Thomas C. Umfrid, scenic designer
  • Jillian Coratti, costume designer
  • Taylor Malott, wig & make-up designer
  • Joe Beumer, lighting designer
  • Corbin Wescott, sound designer
  • k. Jenny Jones, fight choreographer
  • Susan Stephenson, stage manager

The Heidi Chronicles Cast List:

  • Sarah Davenport as Heidi Holland
  • Clare Combest as Susan Johnston
  • Colin Edgar as Peter Patron
  • Connor Lawrence as Scoop Rosenbaum
  • Ryan Garrett as Chris Boxer/Steve/Waiter
  • Katie McDonald as Jill/Sandra Zucker-Hall
  • AC Horton as Fran
  • Julia Netzer as Becky
  • Rachel Baumgarten as Debbie
  • Owen Alderson as 1968 Hippie/Mark/Dr. Ray
  • Michaela Tropeano as Molly McBride/Clara
  • Alice Skok as Lisa
  • Carli Rhoades as Betsy
  • Sydney Ashe as Denise
  • Katie Langham as April

About The Heidi Chronicles
After its initial opening in November 1988 Off-Broadway, The Heidi Chronicles was praised by the New York Daily News as “witty, hilarious…not just a funny play, but a wise one… I doubt we’ll see a better play this season.” Even Variety raved, “Not many plays manage Heidi’s feat of inducing almost continuous laughter while forcing the audience to examine its preconceptions.” In March of 1989, The Heidi Chronicles was transferred to Broadway and became a long-running success with an impressive 622 performances when it closed in September of 1990.

Comprised of a series of interrelated scenes, the play traces the coming of age of Heidi Holland, a successful art historian, as she tries to find her bearings in a rapidly changing world. Gradually distancing herself from her friends, she watches them move from the idealism and political radicalism of their college years through militant feminism and, eventually, back to the materialism that they had sought to reject in the first place. Eventually Heidi comes to accept the fact that liberation can be achieved only if one is true to oneself, with goals that come out of need rather than circumstance.

Read Rick Pender’s thoughts on the legacy of Wendy Wasserstein and the importance of The Heidi Chronicles, courtesy of CityBeat.

Performance Times

  • 8 p.m. Wednesday, Feb. 11 (preview)
  • 8 p.m. Thursday, Feb. 12
  • 8 p.m. Friday, Feb. 13
  • 2 and 8 p.m. Saturday, Feb. 14
  • 2 p.m. Sunday, Feb. 15

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Heidi Chronicles are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Saturday matinee student rush discount tickets are available beginning at 1 p.m. on Saturday, Feb. 14 and are $12-15. Tickets to the Feb. 11 preview performance are just $12.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/heidi-chronicles-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News
Owen Alderson, Ryan Garrett and Katie Langham in CCM's production of 'Speech and Debate.' Photo by Richard E. Hess.

CCM’s Studio Series Production of ‘Speech and Debate’ Receives a 4.5 Star Rating from the League of Cincinnati Theatres

League of Cincinnati TheatresWe are delighted to report that panelists for the League of Cincinnati Theatres (LCT) have recognized CCM’s Studio Series production of Speech and Debate with a 4.5 star recommendation.

Written by Pulitzer Prize nominated playwright Stephen Karam, Speech and Debate feels ripped from today’s headlines. What begins as a story of on-line stalking quickly snowballs into a play that is part mystery, part coming-of-age story; a smart comedy and an insightful reflection of what it means to be young in America today.

Panelists called Speech and Debate “a wonderful production… contemporary, real and sometimes raw.” They were unanimous in praising CCM Drama Chair Richard Hess’ direction: “tight and economical, allowing his actors to bond together in their awkwardness while slowly revealing their secrets.”

The ensemble in the show “couldn’t be better… they worked marvelously together as a seamless unit.” Panelists singled out actress Katie Langham’s performance as Diwata: “brilliant, quick-delivery, comic in the truest sense.”

Critics have heaped praise on this production, with David Lyman calling the show “glorious to watch” in his review for the Cincinnati Enquirer.

Kirk Sheppard observed that Langham is “on track to be a major comedic star” in his review for The Sappy Critic.

In his review for Behind the Curtain Cincinnati, Rob Bucher wrote that, “The show features excellent direction by Richard E. Hess, and is extremely well-cast with a committed and fearless leading trio.”

MacKenzie Bower concluded that Speech and Debate was “a lovable show for all” in her review for The News Record.

CCM Drama will next present a free play reading series from Nov. 17 – 20, focusing on dramatic treatments of war and aggression. From England to Vietnam to Africa and beyond, this series will allow CCM’s Dramatic Performance majors to consider global and historical conflicts through the lens created by the playwright. All readings will begin at 7 p.m. in room 4735 of UC’s Corbett Center for the Performing Arts. The schedule includes:

  • Monday, Nov. 17: Shirley Lauro’s A Piece of My Heart, directed by k. Jenny Jones
  • Tuesday, Nov. 18: Jackie Sibblies Drury’s We Are Proud to Present a Presentation about the Herero of Namibia, Formerly Known as Southwest Africa, From the German Sudwestafrika, Between the Years 1884-1915, directed by Richard E. Hess.
  • Wednesday, Nov. 19: William Shakespeare’s Henry V, directed by Diane Kvapil
  • Thursday, Nov. 20: Charise Castro Smith’s The Hunchback of Seville, directed by Brant Russell

CCM’s Drama Season then resumes Feb. 11 – 15 with a Mainstage Series production of Wendy Wasserstein’s The Heidi Chronicles, directed by Richard E. Hess. Tickets are on sale now.

About the League of Cincinnati Theatres
The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. Learn more about the LCT here.

CCM Audio Faculty Fanfare Student Salutes
Senior musical theatre major Lawson Young as Elle in CCM's production of LEGALLY BLONDE, playing Oct. 23 - Nov. 2, 2014. Photography by Mark Lyons.

CCM Slideshows: Legally Blonde – The Musical

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CCM’s 2014-15 Mainstage Series continues TONIGHT with the all-singing, all-dancing romantic comedy Legally Blonde – The Musical, playing through Sunday, Nov. 2, in Patricia Corbett Theater. See a complete list of performance times below.

Based on the novel by Amanda Brown and the MGM motion picture of the same name, Legally Blonde is a modern-day coming of age tale featuring perky and lovable sorority girl Elle Woods. Elle enrolls in Harvard Law School in an attempt to win back her lost love, Warner. In order for Elle to make it at Harvard she must prove to everyone, including herself, that she has what it takes. When her resolution is tested, Elle discovers what she is truly made of, surpassing her own wildest expectations and finding her inner strength and intelligence.

Legally Blonde is a lively musical romp with a touching lesson. Audiences will thoroughly enjoy this production and may even learn not to judge a book by its cover!

Performance Times

  • 8 p.m. Thursday, Oct. 23
  • 8 p.m. Friday, Oct. 24
  • 2 and 8 p.m. Saturday, Oct. 25
  • 2 p.m. Sunday, Oct. 26
  • 8 p.m. Thursday, Oct. 30
  • 8 p.m. Friday, Oct. 31
  • 2 and 8 p.m. Saturday, Nov. 1
  • 2 p.m. Sunday, Nov. 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to Legally Blonde are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID, with $12-$15 student rush tickets available for both of the Saturday matinees beginning at 1 p.m. on Oct. 25 and Nov. 1.

Customizable subscription packages are also available. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/legally-blonde-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mainstage Production Sponsor: Wells Fargo Advisors, LLC

Community Partner: ArtsWave

Legally Blonde: The Musical is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com

CCM News CCM Slideshows
Senior musical theatre major Lawson Young as Elle in CCM's production of LEGALLY BLONDE, playing Oct. 23 - Nov. 2, 2014. Photography by Mark Lyons.

CCM’s Mainstage Series Proudly Presents ‘Legally Blonde – The Musical’

Senior Lawson Young as Elle and junior Chris Collins-Pisano as Emmett in CCM's production of LEGALLY BLONDE, playing Oct. 23 - Nov. 2, 2014. Photography by Mark Lyons.

Senior Lawson Young as Elle and junior Chris Collins-Pisano as Emmett in CCM’s production of LEGALLY BLONDE, playing Oct. 23 – Nov. 2, 2014. Photography by Mark Lyons.

CCM continues its 2014-15 Mainstage Series this week with the upbeat musical, Legally Blonde.

Directed and choreographed by Professor of Musical Theatre Diane Lala with musical direction by second-year graduate student Craig DaltonLegally Blonde makes its CCM debut Oct. 23 – Nov. 2 in Patricia Corbett Theater.

Based on the novel by Amanda Brown and the MGM motion picture of the same name, Legally Blonde is a modern-day coming of age tale featuring perky and lovable sorority girl Elle Woods. Elle enrolls in Harvard Law School in an attempt to win back her lost love, Warner. In order for Elle to make it at Harvard she must prove to everyone, including herself, that she has what it takes. When her resolution is tested, Elle discovers what she is truly made of, surpassing her own wildest expectations and finding her inner strength and intelligence.

Guest artist Joe Leonard provides the scenic design for this musical movie adaptation. A 1989 graduate of CCM’s Department of Theatre Design and Production, Leonard’s vision for Legally Blonde was incredibly dynamic. This result is a set in which everything moves, flips, turns and flies. “The positive energy of Elle’s story is carried through to every element of the production,” Lala explains.

Legally Blonde features 16 memorable musical numbers by the Drama Desk and Tony Award nominated composer and lyricist team of Laurence O’Keefe and Nell Benjamin, with a book by Heather Hach.

The role of Elle Woods is incredibly fun but is also very demanding. Because Elle appears in every scene of this high-energy musical, the role has been double cast and will be played by Sarah Bishop and Lawson Young, both senior musical theatre majors. Likewise, the role of Emmett will be played by senior Nathanial Irvin and junior Chris Collins-Pisano.

Legally Blonde also features two special performers who are brand new to the CCM stage. Jackson and Jilly will play the parts of Rufus and Bruiser, two of musical theatre’s most beloved dogs. Jilly is a Legally Blonde veteran, having played the part of Bruiser in Covedale Theater’s production of Legally Blonde last spring. Jackson is making his acting debut in this fun-filled production.

Legally Blonde is a lively musical romp with a touching lesson. Audiences will thoroughly enjoy this production and may even learn not to judge a book by its cover!

Read more about the production here.

CCM News
CCM's Mainstage Series proudly presents MACBETH, playing Oct. 2 - 5, 2014. Photography by Mark Lyons.

CCM Slideshows: Macbeth

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CCM’s 2014-15 Mainstage Series opens with a dynamic new production of Shakespeare’s Macbeth, playing tonight through Sunday, Oct. 5, in Patricia Corbett Theater.

In the dark and twisted landscape of 11th century Scotland, Macbeth will go to any means necessary to prove that he’s a man (even if this Macbeth is played by a woman). With the help of his wife, and pushed by a trio of gnarly creatures (witches who were women once), Macbeth schemes to take the throne and eliminate anyone standing in his way.

Brant Russell directs this iconic tragedy in his Mainstage Series debut!

Performance Times

  • 8 p.m. Thursday, Oct. 2
  • 8 p.m. Friday, Oct. 3
  • 2 and 8 p.m. Saturday, Oct. 4
  • 2 p.m. Sunday, Oct. 5

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Macbeth are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID, with $12-$15 student rush tickets available for the Saturday matinee beginning at 1 p.m. on Oct. 4. Customizable subscription packages are also available.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/macbeth-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News CCM Slideshows