Wynton Marsalis performs with CCM students during a visit to UC's campus in the fall of 2008. Photo/UC Creative Services.

CCM Jazz Studies Named Inaugural College Affiliate of the Acclaimed Jazz at Lincoln Center

When the Jazz at Lincoln Center Orchestra with Wynton Marsalis (JALCO) embarks on its next international residency, the world-renowned big band will be accompanied by nearly two dozen CCM students and faculty members.

CCM’s Department of Jazz Studies has been named Jazz at Lincoln Center‘s inaugural College Affiliate, a distinction reserved for the country’s top-ranked jazz programs. Led by Grammy Award-winning trumpeter and composer Wynton Marsalis, the JALCO will invite a premier student ensemble on tour for educational residencies through this new program.

Left to right: Scott Belck, Wynton Marsalis and Stanley Romanstein.

Left to right: Scott Belck, Wynton Marsalis and Stanley Romanstein.

For the initial installment of this program, the CCM Jazz Orchestra directed by Professor Scott Belck, DMA, will join Marsalis and the JALCO for an international residency in São Paulo, Brazil, from June 22-30. The residency will provide participants with an unprecedented level of real-world performance and teaching experience in an international setting.

Nine undergraduate and 10 graduate students will participate in the trip, alongside Belck and fellow CCM faculty members Craig Bailey, Steve Allee and Kimothy Pensyl. During the intensive week-long program, CCM’s students and faculty will work with JALCO members, perform in São Paulo schools, perform at the US Consulate and serve as the opening band on a number of JALCO concerts at venues around the city.

“We want our students and faculty to be part of a global network of alumni and artists — to experience other cultures, other languages and other ways of looking at and creating art,” says CCM Dean Stanley E. Romanstein, PhD. “CCM is cultivating these opportunities so we can provide students with more hands-on learning experiences that prepare them to take the next steps in their lives and careers.”

Wynton Marsalis performs with CCM students during a visit to UC's campus in the fall of 2008. Photo/UC Creative Services.

Wynton Marsalis performs with CCM students during a visit to UC’s campus in the fall of 2008. Photo/UC Creative Services.

Throughout this landmark residency, the JALCO and CCM Jazz Orchestra will appear in performances, a Jazz for Young People concert, clinics, and workshops in performance halls and schools throughout São Paulo. The two orchestras will also demonstrate jazz’s rich history of collaboration by performing with Brazilian musicians and exploring the melding of Afro-Latin influences with improvisation and jazz harmony.

Education is central to JALC’s mission and its official College Affiliate ensembles will take part in education activities, master classes and performances throughout the selected residencies. Following a parallel schedule with the JALCO, the college affiliate ensemble will perform in educational and public performances. The program will culminate with the ensemble opening for the Jazz at Lincoln Center Orchestra in concert.

The CCM students participating in this exciting international opportunity include:

  • Christopher Glenn Andrews: graduate student from Columbia, SC
  • Justin Daniel Dawson: undergraduate from Dayton, OH
  • Thomas Hayden Floro: undergraduate from Dayton, OH
  • Timothy Francis Fogarty: graduate from East Setauket, NY
  • Hector John Gagnet: undergraduate from Dayton, OH
  • Robert Conwell Gooch: undergraduate from Dublin, OH
  • Wade Andrew Goodwin: graduate student from Greensburg, IN
  • Zachary Robert Granger: graduate student from West Chester, OH
  • Carly Elizabeth Hood: graduate student from Edgewood, KY
  • Marcelo Invernizzi da Silveira: graduate student from Campinas, Brazil
  • Simon Richard Carol Jansen: undergraduate from Cincinnati, OH
  • Ryan Thomas Jones: graduate student from Bremen, KY
  • Jacob Matthew Lemons: graduate student from Harlan, IA
  • Spencer Merk: undergraduate from Cincinnati, OH
  • Christian Joseph Paradiso: undergraduate from Liberty Township, OH
  • Mitchell Thomas Parton: undergraduate from Chicago, IL
  • John Thomas Phillips, Jr.: undergraduate from Trenton, OH
  • Andrew Chapin Walits: graduate student from Valparaiso, IN
  • Jonathan Lloyd Wiseman: graduate student from Concord, NC

About Jazz at Lincoln Center

Jazz at Lincoln Center is a 501(c)3 not-for-profit organization, which is part of New York’s Lincoln Center for the Performing Arts. Founded in 1987, its mission is to entertain, enrich and expand a global community for jazz through performance, education and advocacy.

Representing the totality of jazz music, Jazz at Lincoln Center’s mission is carried out through four elements – educational, curatorial, archival, and ceremonial – capturing, in unparalleled scope, the full spectrum of the jazz experience. It produces an annual concert season in Rose Theater and the Appel Room and nightly concerts at Dizzy’s Club, all located in at Frederick P. Rose Hall on the 5th floor of the Time Warner Center in New York City’s Columbus Circle.

Hailed as the “finest big band in the world today” by The Telegraph, the Jazz at Lincoln Center Orchestra, led by Wynton Marsalis, is made up of 15 of the finest soloists, ensemble players, and arrangers in jazz music today. Learn more by visiting www.jazz.org/about.

About the CCM Jazz Orchestra

The CCM Jazz Orchestra performs under the direction of Professor Scott Belck at the 2016 Moveable Feast gala fundraiser. Photo/UC Creative Services.

The CCM Jazz Orchestra performs under the direction of Professor Scott Belck at the 2016 Moveable Feast gala fundraiser. Photo/UC Creative Services.

The CCM Jazz Orchestra is the CCM’s premier big band. Under the direction of CCM Professor of Jazz Studies Scott Belck, the acclaimed ensemble performs a wide variety of styles including historical swing, bebop, post-bop, fusion, Latin and avant-garde. Special emphasis is placed on the idiom’s great art-music composers such as Thad Jones, Bill Holman and Bob Brookmeyer. The ensemble also focuses on projects like the annual Essentially Ellington Festival sponsored by Jazz at Lincoln Center and on the performance of student arrangements.

Concerts have included historical tributes to Woody Herman and Stan Kenton, as well as composer residency programs featuring artists like Maria Schneider, Jim McNeely, Slide Hampton, Tim Hagans, Kenny Wheeler and many others as guest conductors and performers.

The CCM Jazz Orchestra has been invited to appear at numerous professional festivals and educational conferences, and has been featured on several radio broadcasts. Many internationally recognized artists have performed as soloists with the CCM Jazz Orchestra, including Eddie Daniels, John Fedchock, Frank Foster, Curtis Fuller, Kenny Garrett, Joe Henderson, Ahmad Jamal, Dave Liebman and Joshua Redman.

The CCM Jazz Orchestra’s recent recording projects have included original collaborations with modern creative innovators. In Search of Garaj Mahal is a recording of new original arrangements performed by student and alumni members of the CCM Jazz Orchestra with guitar virtuoso Fareed Haque, which was released on the Harmonized Record label in 2016. That same program was performed live at Dizzy’s Club Coca-Cola in Jazz at Lincoln Center and was also featured as the opening night main stage performance at the Jazz Education Network’s international conference in 2016. Nobody Does it Better: The CCM Jazz Orchestra Does Bond featuring trumpeter, composer and arranger Steven Bernstein was released in 2017 to glowing reviews. Duke Ellington’s Nutcracker Suite will be released later this year.

In 2012, the CCM Jazz Orchestra recorded a live concert performance for public television (An Evening with Gerald Wilson, National Endowment of the Arts Jazz Master). This hour-long video special featured the CCM Jazz Orchestra with Wilson conducting, interspersed with commentary and anecdotes by the composer. Stream the entire video on demand below:

About CCM Jazz Studies

Offering both bachelor and master of music degrees, the Jazz Studies program at CCM teaches the fundamentals of classical music, stylistic elements of each historical jazz period, strategies for enhancing originality, techniques of electronic media and today’s cutting-edge trends that defy categorization.

By receiving a wide musical perspective and the command of a broad jazz language, the student is equipped to pursue a future in jazz music. At the same time, this thorough course of study serves as the best preparation for related careers in commercial music. Learn more at ccm.uc.edu/jazz.
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Featured image at top: The CCM Jazz Orchestra performs under the direction of Professor Scott Belck at the 2016 Moveable Feast gala fundraiser. Photo/UC Creative Services.

CCM News Faculty Fanfare Student Salutes

In Memoriam: Emeritus Faculty Member Ronald de Kant

We are saddened to share news of the passing of Ronald Zecher de Kant, Emeritus Professor of Clarinet at CCM. Born in Lancaster, PA, on Oct. 30, 1931, de Kant passed away in Cincinnati on June 22, 2016. He is survived by his wife, Brenda Mitchell of Cincinnati, daughter Monique (Niki) of Vancouver, BC, and cousin Barrie Zecher (wife Leoma) of Lititz, PA.

CCM Professor Emeritus Ronald de Kant.

CCM Professor Emeritus Ronald de Kant.

De Kant was professor of clarinet at CCM from 1987 until his retirement in 2004. During his tenure at CCM, he also served as chair of woodwinds and brass from 1989-2004. Many of his former students have held positions in major Canadian and US orchestras and military bands.

De Kant received the Artist Diploma from Juilliard in 1953, where he studied with Daniel Bonade. Following Juilliard, during his military service, he taught for two years at the U.S. Naval School of Music in Washington, DC. He then performed as principal clarinet for a year in Toronto with Canada’s National Ballet Orchestra. He was principal clarinet with the New Orleans Philharmonic Orchestra from 1956-65, then principal clarinet of the Vancouver Symphony Orchestra from 1965-80. He was also principal clarinet of the CBC Vancouver Chamber Orchestra 1967-83 and performed with the Santa Fe Opera 1970-72. An active chamber musician, at various times he was a member of the New Orleans Woodwind Quintet, the Vancouver Woodwind Quintet, the Vancouver Symphony Orchestra Chamber Ensemble, and the Cassenti Players. He was a soloist with both the Vancouver Symphony Orchestra and the CBC Vancouver Chamber Orchestra. Recordings as clarinet soloist include the Mozart Quintet with the Purcell String Quartet and the Copland Clarinet Concerto with the CBC Vancouver Chamber Orchestra.

In addition to his time as a CCM faculty member, De Kant taught at the university level concurrently with his orchestral appointments in both New Orleans and Vancouver. He also taught part-time at the University of British Columbia from 1965-80, then full-time until 1983. From 1977-84 he coached woodwinds at the Banff Centre for the Arts, where he premiered the Sonata for Clarinet and Piano by Oscar Morawetz. He was professor of clarinet at Arizona State University 1983-87. He taught clarinet at Louisiana State University during the 2004-05 academic year.

Our thoughts and prayers are with Professor de Kant’s family and friends during this time. You can share your memories of Ronald de Kant online at www.neidhardyoungfuneralhome.com/obituaries/Ronald-De-KantMemorial contributions may be made to the American Heart Association.

CCM News Faculty Fanfare
Rock out for summer credit at CCM.

Dance, Rock Out and Binge Watch for College Credit this Summer with CCM’s New Online Arts Elective Classes!

Do you need to fulfill your fine arts credits? Have you always wanted to learn to dance but couldn’t get over the stage fright? Do you have free time this summer to jam with a virtual band on your laptop or study the music of The Beatles, all while earning class credit?

This summer, you can complete your elective requirements online. UC’s College-Conservatory of Music offers 20 different general studies and fine arts elective courses during five different sessions this summer. These credit-granting courses cover a wide range of topics and are open to UC and non-UC students alike!

Online arts courses are just a click away: select a course type or session from the list below or visit ccm.uc.edu/summer/finearts to learn more!

Dance for summer credit at CCM. Jam for summer credit at CCM.
Binge watch for summer credit at CCM. Rock out for summer credit at CCM.

May-Mester: May 9 – 29
Full Summer Semester: May 9 – August 6
Session A: May 31 – July 3
Session E: June 22 – August 6
Session B: July 5 – August 6

Course Fees & Registration Info

May-Mester: May 9 – 29

JAPANESE POP, ANIME AND VIDEO GAME MUSIC – ONLINE
FAM 2050-001 | Credits: 3
Learn the evolution of Japanese Pop, Anime and Video Game Music (post 1980), including Anime theme songs, video game music and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, while also investigating the cultural differences between Japan and America.
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Summer Semester (Full): May 9 – August 6

MUSIC APPRECIATION – ONLINE
FAM 2005-002 | Credits: 3

Get introduced to a wide range of composers, compositions, musical styles and musical terms and will place these musical works in the historical and culture context of each period.
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MUSIC OF THE BEATLES – ONLINE
FAM 2061-001 & 002 | Credits: 3

The Music of the Beatles has made an impact throughout the world both musically and sociologically. Their music reflects the cultural and social revolution of the 1960s and serves as a model for understanding all subsequent popular music. This class chronologically traces the band’s development from the early days through their dissolution and examines their groundbreaking production techniques, writing styles and the impact their music had on other musicians and social trends.
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WHAT’S HOT IN POPULAR MUSIC – ONLINE
FAM 2062-001 & 002 | Credits: 3

Examine current popular music and its trending styles and genres. Students will critique selected songs from the weekly Billboard charts and various other media resources, considering both the hottest artists as well as promising up-and-comers. Students will identify and compare unique composing and performing styles of today’s artists and identify links between the music business and societal trends. Weekly activities include reading, viewing and listening to examples, as well as completing assignments online
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Session A: May 31 – July 3

INTEGRATED MEDIA PRODUCTION – ONLINE
EMED 1015-001 | Credits: 3

Integrated Media Production I is an introductory course that provides students with a theoretical and practical foundation in the intersecting worlds of digital media production, content development, and new media design. This course is an overview of concepts and processes in convergent media production.
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MODERN DANCE BASICS – ONLINE
DNCE 1022-001 | Credits: 3
This one semester, repeatable course for non-dance majors introduces the techniques and movement vocabulary for contemporary and modern dance. Students will explore fundamental movement principles while developing improvisational and performance skills. They will also develop the perspectives necessary to critically analyze and further appreciate dance as an art form and educational tool with cultural values. Through interactive online instruction, students use recording devices (smartphones, laptops, camcorders, etc.) to develop their dance technique and build a dance community.
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GOING TO THE MOVIES – ONLINE
EMED 1075-001 | Credits: 3
Through lectures and screenings of classic films, students will explore the evolution of the motion picture as a unique and significant form of expression. The course includes investigation into film style, structure, distribution and consumption. Students will be guided in the development of aesthetic criteria for critical examination.
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MUSIC APPRECIATION – ONLINE
FAM 2005-001 | Credits: 3
Get introduced to a wide range of composers, compositions, musical styles and musical terms and will place these musical works in the historical and culture context of each period.
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AMERICAN MUSIC – ONLINE
FAM 2006-001 | 3 Credit Hours
A history of music in America from approximately 1620 to the present. The course considers musical developments in America and the social, political and religious movements that have shaped American musical life. Examines musical genres, styles, personalities and trends. No prior musical experience required.
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WORLD MUSIC – ONLINE
FAM 2007-001 | Credits: 3
An overview of traditional music from many cultures and regions throughout the world, with emphasis on non-Western traditions. This course examines music as a cultural phenomenon influencing the lives and traditions of contemporary cultures and past civilizations. World Music focuses primarily on traditional and folk music, both in the culture’s region of origin and its diaspora.
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JAMMIN’ WITH LAPTOPS – ON CAMPUS (MWF 10:00am–12:40pm)
FAM 2014-001 | Credits: 3
Explore the potentials of laptop computers for music making! Various technical topics (including analog versus digital sound, audio software, effects, gear, MIDI and audio programming languages) will be surveyed. In addition, a survey of the history of computer music will be conducted through seminal readings and recordings. These will provide participants with the technical and analytical skills to utilize their laptops to creative ends in both individual and group projects.
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EXPERIMENTAL ROCK – ON CAMPUS (MWF 1:30–4:10pm)
FAM 2016-001 | Credits: 3
This course will provide a detailed overview of the tools, techniques and musical styles which impacted Rock Music in the 1960s and 70s, as well as many mainstream and non-mainstream musical trends of the last 30 years. It will focus on innovations such as multi-tracking tape machines (which allowed for sound on sound, tape-delay and flange) and provide a technical overview of electronic instruments such as the synthesizer. Musical trends including the 1950s avant-garde and Minimalism will serve as a bridge to examinations of seminal acts such as the Beatles, Pink Floyd, Kraftwerk, Can, Neu!, Brian Eno and Talking Heads among others.
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JAMMIN’ WITH LAPTOPS – ONLINE
FAM 2023-001 | Credits: 3

Play, record, and make music with online instruments! There are three units, each with a distinctive music-making session: Individual Session (Unit 1), Collaborative Session (Unit 2) and Creative Jam Session (Unit 3). In Unit 1, you will study the basic knowledge of music making, including identifying musical instruments, playing online instruments and recording music you played through the exercises. In Units 2 and 3, you will form your own laptop band with online classmates to play and record music.
_____

JAPANESE POP, ANIME AND VIDEO GAME MUSIC – ONLINE
FAM 2050-002 | Credits: 3
Learn the evolution of Japanese Pop, Anime and Video Game Music (post 1980), including Anime theme songs, video game music and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, while also investigating the cultural differences between Japan and America.
_____

HISTORY OF ROCK ‘N ROLL I – ONLINE
FAM 3031-001 | Credits: 3
Rock and Roll had humble beginnings in the Southeastern United States, but over time it developed into a force that has defined youth culture on a global scale. This course provides a chronological survey that examines the relationship between the music, its most successful and colorful artists, the associated recording technology and the impact of the genre on American culture. Through critical listening and reading, students will be able to make historically informed and thoughtful decisions about the music they select and enjoy. Finally, the course will encourage students to seek and appreciate new styles (and perhaps inspire those who seek a career as a pop music artist). No prerequisite necessary.
_____

Session E: June 22 – August 6

MEDIA IN YOUR LIFE – ONLINE
EMED 1011-001 | Credits: 3

The typical American spends about 11 hours a day consuming media. Could it be, based upon time usage alone, that media consumption is the most important activity in our lives? The media industry plays an enormously important role in our lives and is foundational to the effective functioning of our democracy. Would you like to possess a more sophisticated understanding of media production and its artistic and theoretical underpinnings? Wouldn’t you like to know more about the latest digital production tools? If you answered “yes” to any one of these questions, then this course is for you.
_____

Session B: July 5 – August 6

MODERN DANCE BASICS – ONLINE
DNCE 1022-002 | Credits: 3
This one semester, repeatable course for non-dance majors introduces the techniques and movement vocabulary for contemporary and modern dance. Students will explore fundamental movement principles while developing improvisational and performance skills. They will also develop the perspectives necessary to critically analyze and further appreciate dance as an art form and educational tool with cultural values. Through interactive online instruction, students use recording devices (smartphones, laptops, camcorders, etc.) to develop their dance technique and build a dance community.
_____

JAMMIN’ WITH LAPTOPS – ONLINE
FAM 2023-002 | Credits: 3

Play, record, and make music with online instruments! There are three units, each with a distinctive music making session: Individual Session (Unit 1), Collaborative Session (Unit 2) and Creative Jam Session (Unit 3). In Unit 1, you will study the basic knowledge of music making, including identifying musical instruments, playing online instruments and recording music you played through the exercises. In Units 2 and 3, you will form your own laptop band with online classmates to play and record music.
_____

JAPANESE POP, ANIME AND VIDEO GAME MUSIC – ONLINE
FAM 2050-003 | Credits: 3
Learn the evolution of Japanese Pop, Anime and Video Game Music (post 1980), including Anime theme songs, video game music and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, while also investigating the cultural differences between Japan and America.
_____

HISTORY OF ROCK ‘N ROLL II – ONLINE
FAM 3032-001 | Credits: 3
Rock and Roll had humble beginnings in the Southeastern United States, but over time it developed into a force that has defined youth culture on a global scale. This course provides a chronological survey that examines the relationship between the music, its most successful and colorful artists, the associated recording technology and the impact of the genre on American culture. Through critical listening and reading, students will be able to make historically informed and thoughtful decisions about the music they select and enjoy. Finally, the course will encourage students to seek and appreciate new styles (and perhaps inspire those who seek a career as a pop music artist). No prerequisite necessary.
_____

Course Fees and Registration Info

Course fees for part-time students are $519 per credit hour for Ohio residents and $1158 per credit hour for non-residents. Costs include program fees.

UC students can register online at webapps2.uc.edu/ScheduleOfClasses.

Non-UC students can begin the registration process by visiting admissions.uc.edu/transfer/transfer_non-matric.

CCM News
Cincinnati World Piano Competition gold medal.

Cincinnati World Piano Competition Announces 2015 Finalists

After an incredible Semifinal Round on June 11, the 2015 Cincinnati World Piano Competition has its three finalists!

Congratulations to Artem Yasynskyy, Mei Rui and Nino Bakradze! You can learn more about each of these competitors below.

The final round will take place in Corbett Auditorium at 7 p.m. on Saturday, June 13, with the Cincinnati Symphony Orchestra. The order of performance is as follows:

  • Mei Rui, United States
  • Artem Yasynskyy, Ukraine
  • Intermission
  • Nino Bakradze, Georgia

 The awards ceremony will follow immediately after the performances. Dessert and coffee with the medalists in CCM’s Baur Room will follow the awards ceremony.

Congratulations to all of our semi finalists and best of luck to our three final competitors! Order your tickets online at here.

Cincinnati World Piano Competition 2015 finalist Nino Bakradze.

CWPC 2015 finalist Nino Bakradze.

About Nino Bakradze
Nino Bakradze was born in Tbilisi, Georgia, into a family of musicians. From a very early age, she has presented piano recitals worldwide including Finland, Poland, Armenia, Georgia, China, Spain, Brazil and the USA. In 2014, she was a Prizewinner in Spain’s Maria Canals International Piano Competition, and in 2012, she was awarded Third Place at the BNDS International Piano Competition of Rio de Janeiro. She won both New England Conservatory’s Concerto Competition and the Piano Honors Competition. Ms. Bakradze was a prizewinner at the International A. Khachaturian Competition in Armenia, and at the J. Flier International Piano Competition. Awards from within her home country include First Place at the N. Gabunia National Competition and the R. Rozhok and E. Gurevich Young Georgian Piano Competitions.

During tomorrow’s performance, Bakradze will perform Rachmaninoff’s Concerto No. 3 in D Minor, Op. 30.

Cincinnati World Piano Competition 2015 finalist Mei Rui.

CWPC 2015 finalist Mei Rui.

About Mei Rui
Pianist Mei Rui’s playing has been praised as “riveting,” full of “dramatic tension and lucidity” by the Boston Globe. Dr. Rui graduated from Yale, and holds degrees in molecular biophysics and biochemistry and music. While pursuing her D.M.A., she taught as Visiting Professor of Organic and General Chemistry at the City University of New York.

In September 2013, Dr. Rui played to a sold-out audience with violinist Xiang Yu at the Louvre Museum in Paris, France. She has appeared at Yellowbarn, Taos, and Norfolk, and has collaborated with Itzhak Perlman, George Manahan, Shinik Hahm, Paul Katz and Roger Tapping.

At age 11, she made her orchestral debut soloing with the Beijing Radio Symphony and has since played with the Beijing Radio Symphony, Shanghai Philharmonic Orchestra and the Yale Philharmonic. Recently she recorded Eric Nathan’s solo works to be released by Albany Records in 2015.

During tomorrow’s performance, Rui will perform Rachmaninoff’s Concerto No. 3 in D Minor, Op. 30.

Cincinnati World Piano Competition 2015 finalist Artem Yasynskyy.

CWPC 2015 finalist Artem Yasynskyy.

About Artem Yasynskyy
Ukrainian pianist Artem Yasynskyy has appeared on many international stages. He has won prizes at major international piano competitions such as the Gina Bachauer Piano Artist Competition, the Sendai and Gian Battista Viotti Music competitions, as well as the Horowitz and First German competitions.

Mr. Yasynskyy has appeared at festivals such as the Bremer Musikfest, the Maggio Piano Festival Vercelli, the Summer Night Music Festival of Kiev, the Festival “Days of Slavic Culture” in Rome and the Polish Music Festival in Hamburg.

During tomorrow’s performance, Yasynskyy will perform Tchaikovsky’s Concerto No. 1 in B-flat Minor, Op. 23.

Performance Time
7 p.m., Saturday, June 13

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to the Cincinnati World Piano Competition Finals Concert start at $35. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

CCM News
Cincinnati World Piano Competition 2014 Finals Concert with the CSO.

24 International Competitors Take the Stage This Week for the Cincinnati World Piano Competition

CCM’s Summer Performance Series is heating up this week with the return of the Cincinnati World Piano Competition!

If you missed the coverage in yesterday’s Cincinnati Enquirer, you can find Janelle Gelfand‘s extensive report on the Competition online here. See how our new bracket format works in the video below!

The First Round of the 2015 Cincinnati World Piano Competition continues through June 10, with the Semifinal Round scheduled for June 11. On Saturday, June 13, our finalists take the stage with the Cincinnati Symphony Orchestra for the summer’s can’t-miss concert!

Tickets are still available for all rounds of the Competition and are on sale now through the Cincinnati Symphony Orchestra Box Office!

CCM News CCM Video
'The Birth Song Cycle' rehearsals featuring Audrey Luna, Libby Larsen, Lydia Brown and Gwen Detwiler. Photography by Joseph Fuqua II.

CCM Faculty and Alumni Artists Premiere New Work by Grammy Award-Winning Composer Libby Larsen at SongFest 2015

This summer, a trio of faculty and alumni artists from CCM will premiere a new work by Grammy award-winning composer Libby Larsen.

The Birth Song Cycle will be performed at the Colburn School’s Thayer Hall at 7:30 p.m. on Friday, June 12, as part of this year’s SongFest Signature Series of concerts. The concert is free and open to the public.

The Birth Song Cycle was written for CCM Associate Professor of Voice Gwen Coleman Detwiler and CCM alumna Audrey Luna (MM Voice, 1988). The two sopranos will collaborate with internationally renowned pianist and CCM Associate Professor of Opera Lydia Brown in performing this cutting edge composition, giving fresh and current perspective to the powerful subject of childbirth.

While the canon of vocal literature touches on many deeply felt human experiences, the profound transformation of childbirth is scarcely addressed. Larsen’s The Birth Song Cycle breaks that taboo, exploring those human sensations of exuberance and loss, of pain and triumph that are the emotional fabric of childbirth.

Through humor and lyricism, Larsen illuminates our humanity with a genius blending of music and the words of modern authors including Pheobe Damrosch, M. K. Dean, Jennifer Gilmore, Lauren Groff, Langston Hughes, Heidi Pitlor, A. E. Stallings, Cheryl Strayed, Akiko Yosano and Gina Zucker.

You can learn more about this and other SongFest 2015 events by visiting www.songfest.us/2015-festival.

Following the work’s world premiere at SongFest, The Birth Song Cycle will be performed as part of CCM’s 2015-16 Faculty Artist Series on Saturday, Sept. 26.

About Libby Larsen

Grammy award-winning composer Libby Larsen.

Grammy award-winning composer Libby Larsen.

Libby Larsen is one of America’s most prolific and most performed living composers. She has created a catalogue of over 400 works spanning virtually every genre from intimate vocal and chamber music to massive orchestral works and over 12 operas. Her music has been praised for its dynamic, deeply inspired and vigorous contemporary American spirit. Constantly sought after for commissions and premieres by major artists, ensembles and orchestras around the world, Larsen has established a permanent place for her works in the concert repertory.

Larsen has been hailed as “the only English-speaking composer since Benjamin Britten who matches great verse with fine music so intelligently and expressively” by USA Today; as “a composer who has made the art of symphonic writing very much her own” by Gramophone; as “a mistress of orchestration” by Times Union; and for “assembling one of the most impressive bodies of music of our time” by Hartford Courant. Her music has been praised for its “clear textures, easily absorbed rhythms and appealing melodic contours that make singing seem the most natural expression imaginable” by the Philadelphia Inquirer. According to the Wall Street Journal, “Libby Larsen has come up with a way to make contemporary opera both musically current and accessible to the average audience.”

Larsen has received numerous awards and accolades, including a 1994 Grammy as producer of the CD The Art of Arlene Augér, an acclaimed recording that features Larsen’s Sonnets from the Portuguese. Her opera Frankenstein, The Modern Prometheus was selected as one of the eight best classical music events of 1990 by USA Today. The first woman to serve as a resident composer with a major orchestra, she has held residencies with the California Institute of the Arts, the Arnold Schoenberg Institute, the Philadelphia School of the Arts, the University of Cincinnati College-Conservatory of Music, the Minnesota Orchestra, the Charlotte Symphony and the Colorado Symphony. Larsen’s many commissions and recordings are a testament to her fruitful collaborations with a long list of world-renowned artists, including the King’s Singers, Benita Valente and Frederica von Stade, among others. Her works are widely recorded on such labels as Angel/EMI, Nonesuch, Decca, and Koch International.

As a past holder of the 2003-04 Harissios Papamarkou Chair in Education at the Library of Congress and recipient of the Eugene McDermott Award in the Arts from the Massachusetts Institute of Technology as well as a Lifetime Achievement Award from the American Academy of Arts and Letters, Larsen is a vigorous, articulate champion of the music and musicians of our time. In 1973, she co-founded (with Stephen Paulus) the Minnesota Composers Forum, now the American Composers Forum, which has been an invaluable advocate for composers in a difficult, transitional time for American arts. Consistently sought-after as a leader in the generation of millennium thinkers, Larsen’s music and ideas have refreshed the concert music tradition and the composer’s role in it.

About Gwen Coleman Detwiler

CCM Associate Professor Gwen Coleman Detwiler.

CCM Associate Professor Gwen Coleman Detwiler.

Soprano Gwen Coleman Detwiler has been praised by music critics for possessing a voice of “divine beauty” with “sparkling coloratura” and “impressive high-flying top notes.” Her solo concert work includes appearances with the San Francisco Opera Orchestra, Cincinnati Symphony Orchestra, Buffalo Philharmonic Orchestra, San Antonio Symphony Orchestra, Louisville Orchestra, Colorado Symphony Orchestra, Bangor Symphony Orchestra and the Western New York Chamber Orchestra. Dr. Detwiler made her European debut as the soprano soloist for the Klassiche Musikfest’s performances of Haydn’s Die Jahreszeiten and Beethoven’s Mass in C at the Esterhazy Palace in Eisenstadt, Austria. Her opera role repertoire includes Gilda in Rigoletto, Adele in Die Fledermaus, Blonde in Die Entfuhrung aus dem Serail, the Governess in Turn of the Screw, Monica in The Medium and the title role in Cendrillon, among others. Dr. Detwiler can be heard on the Newport Classic’s CD recording of Moore’s The Ballad of Baby Doe and as the leading soprano, Suleika, on Centaur Record’s world-premier recording of Schubert’s Der Graf von Gleichen.

In recital, Dr. Detwiler’s repertoire includes literature spanning Baroque chamber music, German lieder, and the modern American art song. Audiences have enjoyed her performances at the Chautauqua Institute in New York, Summerfest Chamber Music Festival in Missouri, the Grandin Chamber Music Festival in Ohio, the Fitton Center for Creative Arts in Ohio, the Fredonia Opera House in New York, the Château de Vianden in Luxembourg and in Central City, Colorado, among many others.

A 1999 Metropolitan Opera National Council regional winner, Dr. Detwiler has won numerous national awards for her artistry, including a MacAllister Award, the Italo Opera Award, a Presser Award and the Naftzger Young Artists Auditions first prize. She received her vocal and opera training at Northwestern University, the University of Cincinnati College-Conservatory of Music and the San Francisco Opera Center Merola Young Artist Program.

Dr. Detwiler is currently an associate professor of voice at CCM. In the summer of 2012, she joined the faculty of SongFest at the Colburn School in Los Angeles. In addition, she has taught at the Spoleto Festival in Italy (2011), the Vianden International Music Festival in Luxembourg (2010) and the State University of New York at Fredonia (1999-2010). Her vocal students have sung on the some of world’s most illustrious stages from the New York Metropolitan Opera to the stages of Broadway, others have attended prestigious graduate schools in the United States and in Europe. Dr. Detwiler was the recipient of the 2006 Revolutionary Woman on Campus Award and the 2001 Outstanding Professor Award. Dr. Detwiler performs and provides vocal master classes throughout the United States. She currently lives in the greater Cincinnati area with her husband, Jim, and two children, Jacob and Katelyn.

About Audrey Luna

CCM alumna Audrey Luna.

CCM alumna Audrey Luna.

Audrey Luna has been heard in international festivals and concert halls across the US, Europe, Asia, South America, and the Middle East. She launched her career abroad on tour with the famous Hagen Quartet and in Germany as a fest soloist in Bremen, where she was lauded as “musically and theatrically first class… with technical sovereignty, she laid before us so much warmth, expression, and sensitivity that it was pure joy.”

Luna has enjoyed a widely varied career opera, oratorio, chamber music, art song recitals and contemporary music. Among her credits are the Salzburger Festspiel, Schleswig-Holstein Festival, the Ludwigsburg Schlossfestspiel, Mettlach Chamber Music Festival, Jerusalem Festival, Shanghai Spring Festival, Lexington Bach Festival, Konzerthaus Wien, Berlin Philharmonie, Wigmore Hall, Queens Hall, the Louvre, St. John the Divine and the Kennedy Center to name a few.

Luna’s love of chamber music has led to collaborations with not only the Hagen Quartet, but also the Artis Quartet, Baseler Quartet, Ciompi Quartet, Amernet Quartet, Carpe Diem Quartet and the Bennewitz Quartet. She works regularly with renowned percussionist and CCM faculty member Allen Otte in recital and experimental theatre and recently performed at the Lucerne Festival with Walter Levin (of CCM’s legendary string quartet-in-residence the LaSalle Quartet) in his lecture recitals. A frequent collaborator with pianists Brad Caldwell and CCM Eminent Scholar in Chamber Music James Tocco, she has appeared in numerous recitals across the Midwestern United States and at the Great Lakes Chamber Festival. Recent performances with Laura Hynes and their soprano duo Detour de Force, have received wide acclaim.

Luna’s extensive work in contemporary music is marked by her invitation to sing with the Hagen Quartet at the historic opening of the Schoenberg Institute in Vienna and to premier music of Chinese composer Qu Xiao-Song at the Shanghai Spring International Music Festival. Dramatic work with Dagmar Birke led to the commission of the monodrama CLOTHO, based on original writings of Camille Claudel, for soprano, percussion and computer. Her most recent contemporary music projects include work in Paris with Hungarian composer György Kurtag, which resulted in her recording of his Kafka Fragmente, as well as work with Chinese composer Chen Yi, German composer and guitarist Wolfgang Netzer and American composers Moiya Callahan, CCM Professor Mara Helmuth, Allen Otte and John Corigliano. Luna also appeared in New York City Opera’s Showcase of American Composers series.

Luna currently teaches at Miami University of Ohio and during the summer teaches voice and the Alexander Technique at SongFest at the Colburn School. Her students are singing in opera houses internationally, have toured worldwide with William Christie and Chanticleer and are winners in competitions in the US including the Metropolitan Opera Regional and District Council Auditions, Columbus Opera and NATSAA. Luna’s students sing with young artist programs and in opera houses across the US and attend some of the most prestigious graduate schools in the US and Europe: CCM, Eastman, Mannes School of Music, Manhattan School of Music, Indiana University, Rice University, the Royal College of Music in London and Paris Conservatory. Luna has mentored students to win Fullbright, Marshall and Frank Huntington Beebe scholarships.

Luna has sung with such noted conductors as Niklaus Harnoncourt, Marcello Viotti, Anthony Pappano, Jesús López-Cobos, Helmut Rilling, José-Luis Novo, Stephen Cleobury and Stephanie Gonley. Luna is recording the music for soprano and percussion in Mode Records’ integrated edition of the complete music of John Cage with Percussion Group Cincinnati, as well as the voice and percussion music of Qu Xiao-Song for Peer Publishers. She can be heard on the Bonneville Classics, Oehms Classics, and arsmoderna labels.

About Lydia Brown

CCM Associate Professor Lydia Brown.

CCM Associate Professor Lydia Brown.

Lydia Brown has performed extensively as a soloist and collaborative pianist throughout the world. A graduate of the Metropolitan Opera Lindemann Young Artist Development Program, she currently serves as assistant conductor at the Metropolitan Opera.

Brown won the Second Prize of the 1996 New Orleans International Piano Competition and was honored as an NFAA Presidential Scholar in the Arts. Her recital appearances include notable venues such as the Salle Cortot, the Theatre des Champs-Elysees, the Dusseldorf InselFestival, Alice Tully Hall, 92nd St. Y, Caramoor, the Goethe Institute of New York, the Phillips Gallery and Steinway Hall among others.

Brown holds a Doctor of Musical Arts degree in Collaborative Piano from the Juilliard School as well as degrees from the Eastman School of Music and Yale University. She studied art song with Elly Ameling and pianist Rudolf Jansen and has served on the musical coaching staffs of the Spoleto Festival USA, Opera Cleveland, Chautauqua Institute Voice Program, the Marlboro Music Festival and the Ravinia Steans Institute.

CCM Alumni Applause CCM News Faculty Fanfare

CCM Spotlights Talented Young Performers and Acclaimed Guest Artists During Summer 2015 Performance Series

Young artists from all corners of the globe will make their way to Cincinnati this summer to work with CCM’s world-class faculty and renowned guest artists while in residence at the state-of-the-art CCM Village.

CCM offers a wide array of high caliber summer programs, and the general public can experience the artistry themselves during a series of nearly 40 public performances and guest artist recitals running Tuesday, June 2, through Saturday, Aug. 8, 2015.

Logo for the Cincinnati World Piano Competition.A complete schedule of summer performances is listed below, with highlights including the Cincinnati World Piano Competition’s Finalists Concert featuring the Cincinnati Symphony Orchestra on June 13, the Art of the Piano’s Recital Series (curated by CCM faculty member and Cincinnati World Piano Competition Artistic Director Awadagin Pratt) running June 14 – 28, the Classical Guitar Workshops Concert Series running July 12 – 18 and a semi-staged production of Georges Bizet’s Carmen on Aug. 8.

Learn more about these and dozens of other performing and media arts events by referring to the list below.

Event Information

All events listed here take place in CCM Village on the campus of the University of Cincinnati unless otherwise indicated. Admission is free to many CCM performances, although some events do require purchased tickets. Please see individual event information for single ticket and subscription prices, along with ordering information.

Tickets to Cincinnati World Piano Competition events are available through the Cincinnati Symphony Orchestra Box Office. Tickets for all other summer performances are available through the CCM Box Office.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U-Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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JUNE

7 p.m. Tuesday, June 2
• Harpsichord & Cello/Continuo Workshop •
MICHAEL UNGER AND ADRIANA CONTINO RECITAL

Adriana Contino (cello) and Michael Unger (harpsichord) present an evening of sonatas, suites and reflections.
Location:
CCM Master Classroom (Mary Emery Hall Room 3250)
Admission:
FREE

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7 p.m. Wednesday, June 3
• Harpsichord & Cello/Continuo Workshop •
PARTICIPANT RECITAL
Location:
CCM Master Classroom (Mary Emery Hall Room 3250)
Admission:
FREE

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7 p.m. Thursday, June 4
• Cincinnati Young Artist Chamber Music Workshop •
CYA FACULTY RECITAL
Featuring directors Sarah Kim and Alan Rafferty joined by guest faculty Annie Fullard and Mari Sato of the Cavani Quartet, CCM piano faculty Sandra Rivers and Cincinnati Symphony Orchestra musician Gerry Itzkoff
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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7 p.m. Friday, June 5
• Cincinnati Young Artist Chamber Music Workshop •
CYA STUDENT RECITAL
Featuring 2015 Cincinnati Young Artists advanced Chamber Music Workshop students
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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1 p.m. Saturday, June 6
• Cincinnati Young Artist Chamber Music Workshop •
CYA STUDENT FESTIVAL
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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2 – 5:45 p.m. Sunday, June 7
12 – 1:45 p.m. and 7 – 8:45 p.m. Monday, June 8
• Cincinnati World Piano Competition •
CWPC FIRST ROUND
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

The world’s best come to the Queen City during the 2015 Cincinnati World Piano Competition, hosted by UC’s College-Conservatory of Music and featuring the world-renowned Cincinnati Symphony Orchestra! During the Competition’s opening rounds, 24 pianists will compete head to head for their position in Round Two, with each day featuring 12 competitors. Each competitor will perform a 15-minute program.
Location:
Corbett Auditorium
Tickets:
$30 All-Access Pass to First Rounds & Semifinals, $15 One Day Pass, $11.25 Group One Day Pass, $10 Student. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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10 a.m. – 1:45 p.m., 4 – 5:45 p.m. and 7 – 8:45 p.m. Tuesday, June 9
• Cincinnati World Piano Competition •
CWPC SECOND ROUND
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

All 24 competitors will compete head to head in Round Two for one of 12 spots in Round Three. Each competitor will perform at 15-minute program.
Location:
Corbett Auditorium
Tickets:
$30 All-Access Pass to First Rounds & Semifinals, $15 One Day Pass, $11.25 Group One Day Pass, $10 Student. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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10 a.m. – 1:15 p.m. and 5 – 8:45 p.m. Wednesday, June 10
• Cincinnati World Piano Competition •
CWPC THIRD ROUND
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

12 competitors will compete head to head in Round Three for one of six spots in the Semifinals. Each competitor will perform at 30-minute program.
Location:
Corbett Auditorium
Tickets:
$30 All-Access Pass to First Rounds & Semifinals, $15 One Day Pass, $11.25 Group One Day Pass, $10 Student. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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10 a.m. Thursday, June 11
• Cincinnati World Piano Competition •
CWPC JURY SYMPOSIUM
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

Are you curious about how a jury member decides to advance one competitor versus another? Maybe you’d like to learn more about the processes jury members go through at competitions or maybe you’d like to hear feedback from the jury about the challenges and opportunities of judging a bracket-style competition for the first time. Come meet the jury and engage in a discussion about their role in the Cincinnati World Piano Competition. Coffee and donuts will be served.
Location:
Baur Room
Tickets:
$10, $8 student. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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12 – 3 p.m. and 6 – 9 p.m. Thursday, June 11
• Cincinnati World Piano Competition •
CWPC SEMIFINALS
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

Six competitors compete head to head in the Semifinals for one of three spots in the Finals. Each competitor will perform at 40-minute program. Advancing competitors will perform in the Finals with the Cincinnati Symphony Orchestra. The finalist announcement is scheduled for 9:30 p.m.
Location:
Corbett Auditorium
Tickets:
$30 All-Access Pass to First Rounds & Semifinals, $15 One Day Pass, $11.25 Group One Day Pass, $10 Student. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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7 p.m. Saturday, June 13
• Cincinnati World Piano Competition •
CWPC FINALISTS CONCERT
Featuring the Cincinnati Symphony Orchestra
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

Three competitors will perform concerti with the Cincinnati Symphony Orchestra for $45,000 in prize money, a debut recital in New York City and additional performance opportunities. The 2015 Awards Ceremony and a reception will follow the performances and jury deliberation.
Location:
Corbett Auditorium
Tickets:
Starting at $35. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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7 p.m. Sunday, June 14
• CCM Summer Programs: Art of the Piano Guest Artist Series •
JURA MARGULIS RECITAL

Curated by Awadagin Pratt, the Art of the Piano Guest Artist Series presents Russian-born Jura Margulis in concert. Praised by the Los Angeles Times for his “excellent pianism,” Margulis has won numerous competitions, appeared at the Hollywood Bowl and recorded for Sony. Experience for yourself why the Washington Post has applauded his “titanic reserves of sheer power” and his “effortless spontaneity.”
Location:
Robert J. Werner Recital Hall
Tickets:
$15 general admission; $10 student admission.

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7 p.m. Tuesday, June 16
• CCM Summer Programs: Art of the Piano Guest Artist Series •
URSULA OPPENS RECITAL

Curated by Awadagin Pratt, the Art of the Piano Guest Artist Series presents four-time Grammy winner Ursula Oppens in concert. Oppens performs with the world’s top orchestras and has premiered works by today’s leading composers including Ligeti, Carter and Corigliano, to name a few. This is a rare chance to hear Rzewski’s The People United Will Never Be Defeated!, a work premiered by Oppens. Her recording on the Vanguard label of the piece was named Record of the Year by Record World and received a Grammy nomination.
Location:
Robert J. Werner Recital Hall
Tickets:
$15 general admission; $10 student admission.

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7 p.m. Wednesday, June 17
7 p.m. Thursday, June 18
7 p.m. Friday, June 19
7 p.m. Saturday, June 20
7 p.m. Friday, June 26
7 p.m. Sunday, June 28
• CCM Summer Programs: Art of the Piano Student Artist Series •
PARTICIPANT RECITALS

Students world-wide participated in a rigorous screening and audition process to play in master classes with some of the world’s most sought-after teachers. These students focus on their recital and competition repertoire while in Cincinnati, and performance is an important part of their residency at CCM. Take a break from the heat and catch some rising stars!
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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1 p.m. 11 a.m. Saturday, June 20
• Encore Chamber Orchestra Workshop •
ENCORE ADVANCED CHAMBER ORCHESTRA CONCERT
Location:
Patricia Corbett Theater
Admission:
FREE

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11 a.m. Friday, June 26
• CCM Preparatory Department •
JAZZ EXPLOSION WORKSHOP PERFORMANCE
Location:
Kings High School, 5620 Columbia Rd, Kings Mills, OH 45034
Admission:
FREE

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3 p.m. Friday, June 26
• CCM Prep Summer Theatre Arts •
CAMP BRAVO PERFORMANCE
Location:
Cincinnati Country Day School, 6905 Given Road, Cincinnati, OH 45243
Admission:
FREE

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7 p.m. Saturday, June 27
• CCM Summer Programs: Art of the Piano Guest Artist Series •
YONG HI MOON RECITAL

Yong Hi Moon has performed extensively throughout Asia, Europe and the US as a recitalist and with orchestras including the Osaka, Seoul, Tokyo and Korean National symphony orchestras. She is currently a faculty member at the Peabody Institute.
Location:
Robert J. Werner Recital Hall
Tickets:
$15 general admission; $10 student admission.

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JULY

8 p.m. Sunday, July 12
• CCM’s Classical Guitar Workshop •
FACULTY ENSEMBLE RECITAL
Featuring Renato Butturi, Clare Callahan, Rodney Stucky, Jeffrey Van, Christopher Wilke, William Willits, Karl Wohlwend and Stanley Yates
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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8 p.m. Monday, July 13
• CCM’s Classical Guitar Workshop •
GUITAR CHAMBER MUSIC RECITAL
Featuring guest guitarists, instrumentalists and vocalists
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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8 p.m. Wednesday, July 15
• CCM’s Classical Guitar Workshop •
HANSER-McCLELLAN DUO RECITAL

John McClellan and Kirk Hanser began performing together in 1996, each already being an established solo artist in his own right. As a duo, they quickly became known for their choice of entertaining programs, their technical and musical prowess, and their abilities for connecting with audiences. Over the years, they have become recognized by critics and audiences alike as one of the most highly respected chamber music groups in the U.S.
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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8 p.m. Thursday, July 16
• CCM’s Classical Guitar Workshop •
STANLEY YATES RECITAL

British-born guitarist Stanley Yates has established an international career as concert performer and recording artist, teacher, arranger and scholar. Performing to wide critical and audience acclaim on both sides of the Atlantic, he has been praised by the English magazine Classical Guitar as “one of an elite breed of guitarists,” the Fort Worth Star Telegram for the “transcendent quality of his interpretative abilities” and the Italian magazine Suonare for his “musical instinct and brilliant technique.”
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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7 p.m. Friday, July 17
2:30 p.m. Saturday, June 18
• Center Stage! Workshop •
BRIEF INTERVIEWS WITH INTERNET CATS

Location:
Cincinnati Country Day School, 6905 Given Road, Cincinnati, OH 45243
Admission:
FREE

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8 p.m. Friday, July 17
• CCM’s Classical Guitar Workshop •
SOLOS, CHAMBER MUSIC, GUITAR ORCHESTRA
Location:
Patricia Corbett Theater
Admission:
FREE

____

11 a.m. Saturday, July 18
• CCM Prep Summer Arts Immersion •
MUSICAL THEATRE SHOWCASE
Location:
Robert J. Werner Recital Hall
Admission:
FREE

____

1 p.m. Saturday, July 18
• CCM Prep Summer Arts Immersion •
ACTING WORKSHOP SHOWCASE
Location:
Cohen Family Studio Theater
Admission:
FREE

____

2 p.m. Saturday, July 18
• CCM’s Classical Guitar Workshop •
PARTICIPANTS RECITAL
Location:
Patricia Corbett Theater
Admission:
FREE

____

2 p.m. Friday, July 24
CINCINNATI PIANO INSTITUTE STUDENT RECITAL
Location:
CCM Master Classroom (Mary Emery Hall Room 3250)
Admission:
FREE

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AUGUST

3 p.m. Saturday, Aug. 1
• CCM Ensemble-in-Residence •
CINCINNATI CHILDREN’S CHOIR SUMMER FESTIVAL CONCERT
Robyn Lana, director
Location:
Corbett Auditorium
Tickets:
$10 general. Tickets will go on sale beginning on July 27 and may be purchased by calling 513-556-0338.

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6 p.m. Saturday, Aug. 1
• CCM Summer Programs: Opera Studio •
OPERA STUDIO STUDENT RECITAL

A select group of talented young singers from around the country were chosen to spend three weeks in residence at CCM, under the guidance of a renowned faculty led by CCM Voice Professor Amy Johnson, with an emphasis on French repertoire. Join these young artists as they present an evening of art songs and operatic repertoire.
Location:
CCM Master Classroom (Mary Emery Hall Room 3250)
Admission:
FREE

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4 p.m. Friday, Aug. 7
• CCM Summer Programs: Opera Studio •
OPERA STUDIO SCENES

A select group of talented young singers from around the country were chosen to spend three weeks in residence at CCM, under the guidance of a renowned faculty, with an emphasis on French repertoire. Their experience culminates with an evening of operatic scenes under the direction of CCM’s Joseph Weinberger Chair of Acting for the Lyric Stage, Vincent DeGeorge.
Location:
Cohen Family Studio Theater Patricia Corbett Theater
Admission:
FREE

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8 p.m. Saturday, Aug. 8
• CCM Summer Programs: Creating Carmen
CARMEN

Music by Georges Bizet
Libretto by Ludovic Halévy and Henri Meihac
Featuring student conductors from CCM’s Summer Workshops
Mark Gibson, artistic director
Jose Maria Condemi, stage director

Up to 12 young conductors, along with a carefully selected cast, were invited to participate in this one-of-a-kind “opera bootcamp” while in residence at CCM. Working with an internationally renowned faculty, led by Mark Gibson, Director of Orchestral Studies at CCM, these young artists have daily language instruction, text and style sessions and conducting and coaching master classes, and also participate in staging rehearsals, work with singers and lead orchestra rehearsals. The course culminates in a semi-staged performance, with orchestra, of Bizet’s beloved Carmen.
Location:
Corbett Auditorium
Tickets:
$15 general admission; $10 student admission.

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Tickets to the Cincinnati World Piano Competition events are available through the Cincinnati Symphony Orchestra Box Office.

Tickets to the Cincinnati Children’s Choir Summer Festival Concert are available by phone at 513-556-0338.

Tickets for all other summer performances are available through the CCM Box Office.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

CCM News
An Art of the Piano master class.

CCM Announces 2015 Schedule of Summer Programs, Educational Workshops and Special Events

CCM will offer a variety of educational workshops for both emerging artists and music educators in the summer of 2015, along with additional intensives and special events throughout the year.

Students can participate in programs centered on piano and opera performance, wind and orchestral conducting, film scoring, audio production, music education and more. Applications are now being accepted for all programs.

Please see below for a complete schedule of interactive workshop opportunities and special events. Learn more by visiting ccm.uc.edu/summer.

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CCM’S 2015 SCHEDULE OF SUMMER PROGRAMS, EDUCATIONAL WORKSHOPS AND SPECIAL EVENTS

WIND CONDUCTING

Director: CCM Director of Wind Studies Glenn Price
February 12 – 14

Participants will concentrate on developing the skill of leading clearly and with artistic depth, while providing educational experiences that are stimulating and fulfilling for young students, pre-professional and professional performers alike.

Class sessions cover topics such as baton technique, score study and rehearsal methods with a focus on the intersection of conducting and education. This workshop is open to conductors of all levels.

WEBSITEccm.uc.edu/summer/wind-conducting
REGISTRATION
https://ccmsummer.wufoo.com/forms/spring-wind-conducting-workshop

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A student conductor.

CONDUCTING STRAVINSKY

Director: CCM Director of Orchestral Studies Mark Gibson
April 24 – 26

Now in its eighth year, the CCM Orchestral Conducting Workshop offers an exciting and unique opportunity to explore two of the three pivotal ballets by Russian master IGOR STRAVINSKY.

Participants will have the opportunity to work with CCM’s top-flight orchestras, the Philharmonia and Concert Orchestra, on these iconic monuments of the 20th century.

Music directors Mark Gibson and Neil Varon will explore the rhythmic, sonic and metric complexities of these masterpieces with participants and apprentices from around the world.

WEBSITEccm.uc.edu/summer/conducting-stravinsky
APPLICATION
https://app.getacceptd.com/ccmsummer

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DIGITAL PORTFOLIO WORKSHOP

Director: CCM Associate Professor of E-Media Peter DePietro
May 4 – 8

A unique website is one of the most important marketing tools, public relations platforms and means of showcasing talent for artists looking for work. In this five day workshop, tailored especially for performing and visual artists with no or little experience in web design and production, you will receive instruction in industry-standard Adobe software tools as well as scripting languages like HTML, CSS and JavaScript. You will learn how to incorporate videos, audio clips and photographic slideshows of your work into a media-rich online presence. By the end of the course, you will have created and launched your very own website.

WEBSITEccm.uc.edu/summer/digital-portfolio-design
REGISTRATIONccm.uc.edu/summer/digital-portfolio-design/register

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The Cincinnati World Piano Competition

59TH CINCINNATI WORLD PIANO COMPETITION

In Collaboration with: Cincinnati World Piano Competition and Cincinnati Symphony Orchestra
June 7 – 13

The reinvigorated Cincinnati World Piano Competition attracts applicants from every corner of the world. These talented artists proceed through a series of auditions over the course of a week to compete for over $45,000 in prize money.

The competition takes place in CCM’s Corbett Auditorium and culminates in a final round concert with the Cincinnati Symphony Orchestra. Tickets for the competition will be on sale through the CSO box office in the spring.

WEBSITEhttp://www.cincinnatiwpc.org

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ART OF THE PIANO

Artistic Director: CCM Chair of Piano Awadagin Pratt
June 12 – 28

This two-week program gives up and coming pianists the opportunity to work with outstanding professional artists from across the globe. Each student will play in three master classes throughout the workshop’s duration and will also have the opportunity to converse with the guest artists during scheduled roundtable lunches.

Student recitals and guest artist concerts round out the schedule, and are open to the general public.

WEBSITEccm.uc.edu/summer/art_of_piano
APPLICATION
https://app.getacceptd.com/ccmsummer

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CCM Professor Tom Haines.

FILM SCORING INSTITUTE

Institute Director: CCM Professor of Commercial Music Production Tom Haines
June 13 – July 3

Students of the Film Scoring Institute learn the ins and outs of composing music for the silver screen. Guest faculty members give students practical knowledge of the business and put it to use by using the latest composition technology to compose for a film clip.

The workshop ends with a live recording session so students leave with a fully realized and produced portfolio piece.

WEBSITEccm.uc.edu/summer/film_scoring
APPLICATION
https://app.getacceptd.com/ccmsummer

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32ND ANNUAL CLASSICAL GUITAR WORKSHOP

Director: CCM Professor of Classical Guitar Clare Callahan
July 12 – 18

An intensive seven-day workshop for classical guitar enthusiasts of all levels. Participation in master classes and ensembles is organized according to individual skill levels (beginning, intermediate or advanced). A separate schedule of activities is available for young guitarists age 14 and under. There are special sessions on topics like recital preparation, performance, music theory, arranging for guitar, early music instruments, etc.

Each evening there is a concert, beginning with Sunday night’s Faculty Ensemble Recital. Established players and teachers from neighboring schools are a part of the coaching staff.

The workshop is a rich environment of players of all levels from all ages and geographical locations — junior high school through college and graduate school, young professionals in music and other fields, and retirees. The common denominator is love for the classical guitar.

WEBSITE: ccm.uc.edu/summer/classicalguitar
APPLICATION: ccm.uc.edu/summer/classicalguitar/application

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Music educators.

ORFF LEVELS I AND II

Director: CCM Assistant Professor of Music Education Amy Beegle
July 20 – 31

Music education teachers will work with students from CCM’s Preparatory Division to develop and apply skills in singing, expressive speech, movement, recorder and more. This uniquely designed program gives real time practical experience and feedback in working with a classroom of children.

The program has expanded from previous years to include Level II as well as Level I and will feature one of the nation’s leading Orff specialists Danai Gagné as guest faculty.

WEBSITEccm.uc.edu/summer/orff-schulwerk
REGISTRATION
ccm.uc.edu/summer/orff-schulwerk/registration

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RECORDING AND SOUND PRODUCTION/WOOD AND WIRES

Director: Ric Hordinsky
Off-Campus Location: Monastery Studio
July 20 – 31

Participants will work with Grammy-nominated producer Ric Hordinsky to record and produce tracks for a musical artist.

This workshop gives students an overview of setting cues and levels, mixing tracks and working with an artist to get their desired musical result.

WEBSITEccm.uc.edu/summer/recording

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Student singers.

OPERA STUDIO

Director: CCM Assistant Professor of Voice Amy Johnson
July 20 – August 8

A select group of talented young singers will be chosen to spend three weeks in residence at CCM under the guidance of a renowned faculty, with an emphasis on Italian repertoire.

Participants will receive daily Italian language classes, daily coaching and staging sessions and two voice lessons each week. Students will perform in recital as well as in the culminating opera scenes concert.

WEBSITEccm.uc.edu/summer/opera_studio
APPLICATION
https://app.getacceptd.com/ccmsummer

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CREATING CARMEN: AN OPERA BOOT CAMP

Director: CCM Director of Orchestral Studies Mark Gibson
July 22 – August 8

Working with an internationally renowned faculty led by Mark Gibson, director of Orchestral Studies at CCM, conductors and pianists will have daily Italian instruction, text and style sessions and conducting and coaching master classes. Students will also participate in staging rehearsals, work with singers and lead orchestra rehearsals.

Advanced opera singers will have the opportunity to learn a role in its entirety and work with renowned faculty and industry professionals, along with daily Italian classes and coachings. The course culminates in a semi-staged performance.

WEBSITEccm.uc.edu/summer/operaconducting
APPLICATION
https://app.getacceptd.com/ccmsummer

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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For more information on summer programs and special events, please visit ccm.uc.edu/summer.

CCM News

Moye Chen Named Gold Medalist at the 2014 World Piano Competition

2014 World Piano Competition Gold Medalist Moye Chen.

2014 World Piano Competition Gold Medalist Moye Chen.

After a week of thrilling performances, Moye Chen has been named Gold Medalist of the 2014 World Piano Competition!

Feng Bian and Reed Tetzloff were named Co-Bronze Medalists during last Saturday’s Finals Round, which saw all three pianists perform with the world-renowned Cincinnati Symphony Orchestra. Learn more about Chen below.

Although this year’s World Piano Competition may be over, the excitement continues through Saturday, July 12, with the Art of the Piano, a unique summer festival and concert series curated by WPC Artistic Director (and CCM Artist-in-Residence) Awadagin Pratt. Learn more by visiting ccm.uc.edu/boxoffice/artofthepiano.

About Moye Chen
Moye Chen has performed extensively as a concert pianist in Asia and the United States. He has performed in renowned venues such as Carnegie Hall, Finney Chapel, Benaroya Concert Hall, the Krannert Center for the Performing Arts, Beijing Concert Hall, Shanghai Concert Hall and the Shanghai Grand Theatre. Chen is a winner of many competitions, including Seattle, Heida Hermanns, and Buono and Bradshaw International Piano Competitions, Krannert Debut Artist Competition and Palatino Piano and Composition Competition. In addition, he was a recipient of the June and Charles Ross Fellowship Award in 2012 and 2013.

A native of Beijing, Chen began his piano study at the age of 7, and in 1997 he moved to Shanghai and had the great honor of performing during the ceremony of Macao’s return to China in 1999, broadcast by CCTV and SHTV. He has performed as a soloist with the Beijing Symphony Orchestra, Oberlin Chamber Orchestra, Oberlin Orchestra and Asian Ensemble Orchestra. Chen earned his bachelor’s and master’s degrees from the Shanghai Conservatory of Music and an Artist Diploma from the Oberlin Conservatory of Music. Chen is currently pursuing his Doctorate of Musical Arts at the University of Illinois.

CCM News
Cincinnati World Piano Competition gold medal.

Tickets Still Available For Tonight’s World Piano Competition Finals!

 

The Final Round of the 2014 World Piano Competition opens in less than two hours! Tickets are still available, so don’t miss your chance to see 2014 finalists Reed Tetzloff, Feng Bian and Moye Chen each perform with the Cincinnati Symphony Orchestra! Who will take home the gold? Find out tonight!

This evening’s program includes Liszt’s Piano Concerto No. 2, Tchaikovsky’s Piano Concerto No. 1 and Rachmaninoff’s Piano Concerto No. 3.

Visit www.cincinnatiwpc.org/get-tickets for more information.

Pay-on-entry parking for this event is available on the University of Cincinnati campus in the CCM Garage for $8 (cash only).

CCM News