CSO/CCM Diversity Fellowship Program 2017 banner image featuring Diana Flores with the Cincinnati Symphony Orchestra.

CCM and CSO Announce Next Class of Diversity Fellows and Renewal Funding from The Andrew W. Mellon Foundation

The University of Cincinnati College-Conservatory of Music (CCM) and the Cincinnati Symphony Orchestra (CSO) have selected four outstanding musicians for the next class of the CSO/CCM Diversity Fellowship. Born out of a mutual desire to make American orchestras more inclusive, this groundbreaking fellowship program launched in 2015 with a grant from The Andrew W. Mellon Foundation.

In addition, The Andrew W. Mellon Foundation has approved a generous renewal grant of $850,000, funding two additional classes of Fellows, through June 2021. This ensures the program will continue to develop, as the CSO and CCM strengthen different components and recruit highly qualified candidates who will achieve audition success as they embark on their careers, thus realizing the program’s mission to change the face of American orchestras. The Foundation’s continued support allows the Orchestra and University to create deep connections between students, as well as an alumni network that will impact these graduate-level musicians for years to come.

From left-to-right: CCM Interim Dean bruce mcclung, Anita Graef, Weiyi Shao, Ian Saunders, Dan Wang and CSO Concertmaster Timothy Lees. Photo by Stephen Easley.

From left-to-right: CCM Interim Dean bruce mcclung, Anita Graef, Weiyi Shao, Ian Saunders, Dan Wang and CSO Concertmaster Timothy Lees. Photo by Stephen Easley.

The next class of CSO/CCM Diversity Fellows are Anita Graef, 22 (cello); Ian Saunders, 30 (double bass); Weiyi Shao, 24 (violin); and Dan Wang, 31 (viola). These four exceptional string players will officially join the two-year fellowship program in August 2017, bringing the total number of CSO/CCM Diversity Fellows to eight for the 2017–18 academic year and performance season. The inaugural class of Diversity Fellows — comprised of Emilio Carlo, Diana Flores, Vijeta Sathyaraj and Maurice Todd — will complete the second year of the program in April 2018. An additional Fellow from the inaugural class, Blake-Anthony Johnson, just accepted a cello position with the New World Symphony in Miami, Florida, and credits the CSO/CCM Diversity Fellowship with the next step in his professional career:

“As a Fellow I received valuable guidance and support from not only my peers participating in the Fellowship but also from the CSO and CCM conductors, musicians and administrative staff members. The resources and opportunities available to me as a Fellow were crucial in my musical career development, and I couldn’t be happier to be a part of this great network of people who became family in such short time.”

The CSO/CCM Diversity Fellowship Program is open to exceptional violin, viola, cello and double bass players coming from populations that are historically underrepresented in classical music. The program utilizes a broad definition of diversity that encompasses race and culture while also including underrepresented populations like first-generation college students and individuals who took non-traditional pathways to higher education. The program’s tagline — “Bravos Without Barriers” — gets to the heart of its mission: eliminating obstacles that can prevent extraordinary musicians from achieving their full potential.

“Thanks to the generosity of The Andrew W. Mellon Foundation, the Diversity Fellowship Program allows us to provide outstanding early-career musicians with access to the combined resources and expertise of the CSO and CCM,” said CCM Interim Dean bruce mcclung. “The result is an unparalleled experience-based education that will empower these musicians and prepare them to succeed in their chosen fields. Our hope is that this program will also inspire the next generation of diverse young artists. This will allow us to continue making American orchestras better reflect the diversity of their communities.”

HOW THE FELLOWSHIP WORKS
Fellows perform the equivalent of five weeks per season with the CSO while enrolled in a two-year Master of Music (MM) or Artist Diploma (AD) degree program at CCM. Each class of Fellows is selected through a rigorous series of auditions, which saw hundreds of graduate-level musicians audition for CCM faculty members. Fifteen string players were invited back to Cincinnati’s Taft Theatre for a final round of auditions judged by CSO musicians on March 11, 2017.

Each Fellow receives full tuition scholarship support from CCM, in addition to a $10,000 per year graduate stipend and a one-time Graduate School Dean’s Excellence Award of $3,000. Each Fellow also receives compensation of $8,000 per season while performing with the CSO.

With this collaborative Fellowship program, CCM and the CSO hope to provide new opportunities for underrepresented musicians, while simultaneously fostering a more inclusive environment in the orchestral industry. This mission is part of the appeal for Fellowship participant Anita Graef:

“I believe that adaptability and diversification are crucial to the modern landscape of classical music, and the CSO/CCM Diversity Fellowship is a pioneering opportunity in that field,” said Graef. “I am excited to further my education and to uphold the standards of this prestigious orchestra. I hope that my work will inspire others and show that when we embrace musicians from all walks of life, we enrich the meaning and purpose of making music.”

“The Diversity Fellowship presents students like me with not only a first-rate education from a great institution like the UC College-Conservatory of Music but also real life on-the-job training with the fantastic Cincinnati Symphony Orchestra,” said Diversity Fellow Weiyi Shao. “I am very grateful that this program offers a generous scholarship, which makes it possible for me to attend. I feel very honored and humbled to be one of the participants.”

“The inaugural class of Fellows played an important role with the Orchestra throughout the 2016–17 season, and not only are we looking forward to their continued artistic contributions, but also we are seeing a very promising future for the next class starting this fall,” said Cincinnati Symphony Orchestra Vice President and General Manager Robert McGrath. “Through our partnership with CCM and with the extraordinary support of The Andrew W. Mellon Foundation, we will continue to provide all of our Fellows with guidance and transformative experiences that ultimately help them achieve their goals as professional musicians.”

MEET THE FELLOWS

CSO/CCM Diversity Fellow Anita Graef.

CSO/CCM Diversity Fellow Anita Graef.

Anita Graef, Master of Music (MM) student, Cello
A native of Chicago, Anita Graef began her cello studies at age four and made her concerto debut at age 12. She went on to obtain a bachelor’s degree from the University of Michigan’s School of Music, Theatre and Dance, where she studied with Professor Anthony Elliott. This fall, she will begin pursuing a master’s degree at CCM, under the tutelage of CSO principal cellist Ilya Finkelshteyn. She is thrilled to appear with the Cincinnati Symphony Orchestra as part of the CSO/CCM Diversity Fellowship.

Previously, she has had the opportunity to work with such cellists as Stephen Geber, Johannes Moser and Felix Wang. Graef has studied with several members of the Chicago Symphony Orchestra, including Jonathan Pegis, Richard Hirschl and Brant Taylor. She has performed in several orchestras under the baton of maestros such as Leonard Slatkin, Miguel Harth-Bedoya, JoAnn Falletta and Keith Lockhart.

She recently participated in the 79th season of the Brevard Music Festival as principal cellist, as well as Credo Chamber Music Festival at Oberlin Conservatory. She is a proud member of the Juliani Ensemble, where she has collaborated with members of both the Chicago Symphony and Lyric Opera Orchestra, among others. She was recently awarded the Silver Prize with Distinction at the Young Classical Virtuosos of Tomorrow international competition.

Outside of music, she is an avid reader, equestrian and lover of all things fashion. She also enjoys traveling, weight lifting, hiking and quality time with friends and family.

CSO/CCM Diversity Fellow Ian Saunders.

CSO/CCM Diversity Fellow Ian Saunders.

Ian Saunders, Artist Diploma (AD) student, Double Bass
A multi-faceted musician, Ian Saunders enjoys an exciting career as a sought-after bassist and educator. The Virginia native began his studies with Christopher White, principal bassist of the Virginia Symphony, in his hometown of Norfolk. Within a year he received his first major scholarship from R&B legend Ben E. King. Saunders completed his bachelor’s degree under the tutelage of renowned bassist Robert Nairn at the Pennsylvania State University. As an undergraduate, he took part in several world premieres by the prolific Finnish composer Teppo Hauto-Aho.

Saunders continued his graduate studies under Nairn while fulfilling numerous professional engagements with the Williamsport Symphony, Penn’s Woods Festival Orchestra, Ballet Theatre of Central Pa and Manassas Ballet Theatre bass sections. In addition, he served as principal bassist of the Penn Centre Orchestra, Nittany Valley Symphony and Altoona Symphony.

In 2016, Saunders received his doctorate from the University of Maryland while studying with Robert Oppelt, principal bassist of the National Symphony Orchestra. Saunders is currently in demand within the competitive Baltimore and DC freelance community, most notably as the bassist for the critically acclaimed Post-Classical Ensemble. In addition, he has also performed with the National Philharmonic and the Collaborative Artist of Baltimore. In March 2016, he was featured on WBJC 91.5 Baltimore performing Guillaume Connesson’s Sextuor. Furthermore, he has fulfilled engagements abroad in Canada, Mexico and the Bahamas as well as across America in renowned concert halls including the Kennedy Center, Heinz Hall and Carnegie Hall.

Outside of the classical world, Saunders has been invited to participate in orchestras backing Bootsy Collins, Kansas and hip-hop artist Thee Phantom. He can also be seen in the nationally televised special Cherish the Ladies: An Irish Homecoming, backing the Irish super group Cherish the Ladies. The program was nationally syndicated on PBS in 2013.

As an educator, Saunders recently served as the interim double bass professor at Penn State. In addition, he has taught classes at the University of Maryland, Juniata College in Huntingdon, PA, and St. Mary’s College of Maryland. Saunders also spends his summers as the Associate Dean of Students at the Eastern Music Festival in Greensboro, NC.

CSO/CCM Diversity Fellow Weiyi Shao.

CSO/CCM Diversity Fellow Weiyi Shao.

Weiyi Shao, Master of Music (MM) student, Violin
Born in Daqing, China, Weiyi Shao began studying the violin at age five. She attended the Middle School of the Shenyang Conservatory of Music, where she was concertmaster of the school orchestra as a student of Professor Tong Mu. She came to the United States in 2011 with a full scholarship to the Texas Christian University (TCU), where she earned a bachelor’s degree in violin performance under the tutelage of Curt Thompson, Swang Lin and Michael Shih.

During her studies at TCU, Shao received numerous awards and prizes, including the Modena Rogers Clark Spitler Violin Scholarship in 2013 and the Faculty and Friends Chamber Music Society Award in 2014. In 2015, she was a Strings Department Winner of TCU’s annual Concerto Competition. She has also attended the Aspen Music Festival and School as a pupil of Naoko Tanaka, and performed in master classes given by Karen Gomyo, Augustin Hadelich, Gary Levinson and Midori.  Since 2013, she has been a member of the Las Colinas Symphony Orchestra in Texas.

Currently, Weiyi is pursuing a Master of Music degree at CCM as a student of Professor Won-Bin Yim.

CSO/CCM Diversity Fellow Dan Wang.

CSO/CCM Diversity Fellow Dan Wang.

Dan Wang, Artist Diploma (AD) student, Viola
Dan Wang is a first-year Artist Diploma student in viola performance at CCM. She is currently being mentored by CSO principal violist Christian Colberg and CCM visiting scholar Jan Grüning, violist of CCM’s string quartet-in-residence, the Ariel Quartet. She came to the United States from Shenyang, China to study at CCM in 2009, graduating with a master’s degree in violin performance in 2012. She previously studied at the Shenyang Conservatory of Music and the Hong Kong Academy for Performing Arts (HKAPA). During her previous musical training, she had been mentored by CCM Professor Kurt Sassmannshaus, Professor Michael Ma and Professor Tong Mu.

Wang has also performed with the Shenyang Conservatory of Music Orchestra and HKAPA Symphony Orchestra as concertmaster, and with the City Chamber Orchestra of Hong Kong and the Hong Kong Sinfonietta as section/substitute section violin. She has served as concertmaster of the CCM Philharmonia and CCM Concert Orchestra. In 2017, she won a permanent position in the viola section of the Cincinnati Chamber Orchestra.

Wang received a full scholarship from HKAPA and CCM. She has also won several music competitions, most notably fourth prize in the seventh China National Violin Competition.

LEARN MORE
CCM and the CSO will begin accepting applications for the 2018-20 class of Fellows on Aug. 1, 2017. The application deadline is Friday, Dec. 1, 2017.

Live auditions with CCM faculty will be held on Jan. 13, Jan. 27 and Feb. 17, 2018Finalists will audition for the CSO at the Taft Theatre in Cincinnati in March of 2018. Fellowship decisions will be sent in April of 2018.

Learn more by visiting ccm.uc.edu/chance2perform.

CCM News Student Salutes
Cincinnati World Piano Competition 60th Anniversary Concert

Join the CSO at CCM on July 30 for a Concert of Orchestral Piano Repertoire Celebrating the Cincinnati World Piano Competition!

A poster for the 60th Anniversary Concert of the Cincinnati World Piano Competition.

Click here to learn more about the program.

Join us for a concert of orchestral piano repertoire celebrating the 60th anniversary of the Cincinnati World Piano Competition this Saturday, July 30! Performances include past CWPC medalists Angela Cheng and Daria Rabotkina, along with CCM Professor and CWPC Artistic Director Awadagin Pratt. All performances accompanied by the Cincinnati Symphony Orchestra led by Keitaro Harada.

This special one-night-only performance honors CWPC founder and former Executive Director Gloria Ackerman, who retired in 2013. You can order your tickets online here.

Video by CCM Electronic Media graduate Ari Kruger.

CCM News CCM Video Faculty Fanfare
Rock out for summer credit at CCM.

Dance, Rock Out and Binge Watch for College Credit this Summer with CCM’s New Online Arts Elective Classes!

Do you need to fulfill your fine arts credits? Have you always wanted to learn to dance but couldn’t get over the stage fright? Do you have free time this summer to jam with a virtual band on your laptop or study the music of The Beatles, all while earning class credit?

This summer, you can complete your elective requirements online. UC’s College-Conservatory of Music offers 20 different general studies and fine arts elective courses during five different sessions this summer. These credit-granting courses cover a wide range of topics and are open to UC and non-UC students alike!

Online arts courses are just a click away: select a course type or session from the list below or visit ccm.uc.edu/summer/finearts to learn more!

Dance for summer credit at CCM. Jam for summer credit at CCM.
Binge watch for summer credit at CCM. Rock out for summer credit at CCM.

May-Mester: May 9 – 29
Full Summer Semester: May 9 – August 6
Session A: May 31 – July 3
Session E: June 22 – August 6
Session B: July 5 – August 6

Course Fees & Registration Info

May-Mester: May 9 – 29

JAPANESE POP, ANIME AND VIDEO GAME MUSIC – ONLINE
FAM 2050-001 | Credits: 3
Learn the evolution of Japanese Pop, Anime and Video Game Music (post 1980), including Anime theme songs, video game music and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, while also investigating the cultural differences between Japan and America.
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Summer Semester (Full): May 9 – August 6

MUSIC APPRECIATION – ONLINE
FAM 2005-002 | Credits: 3

Get introduced to a wide range of composers, compositions, musical styles and musical terms and will place these musical works in the historical and culture context of each period.
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MUSIC OF THE BEATLES – ONLINE
FAM 2061-001 & 002 | Credits: 3

The Music of the Beatles has made an impact throughout the world both musically and sociologically. Their music reflects the cultural and social revolution of the 1960s and serves as a model for understanding all subsequent popular music. This class chronologically traces the band’s development from the early days through their dissolution and examines their groundbreaking production techniques, writing styles and the impact their music had on other musicians and social trends.
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WHAT’S HOT IN POPULAR MUSIC – ONLINE
FAM 2062-001 & 002 | Credits: 3

Examine current popular music and its trending styles and genres. Students will critique selected songs from the weekly Billboard charts and various other media resources, considering both the hottest artists as well as promising up-and-comers. Students will identify and compare unique composing and performing styles of today’s artists and identify links between the music business and societal trends. Weekly activities include reading, viewing and listening to examples, as well as completing assignments online
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Session A: May 31 – July 3

INTEGRATED MEDIA PRODUCTION – ONLINE
EMED 1015-001 | Credits: 3

Integrated Media Production I is an introductory course that provides students with a theoretical and practical foundation in the intersecting worlds of digital media production, content development, and new media design. This course is an overview of concepts and processes in convergent media production.
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MODERN DANCE BASICS – ONLINE
DNCE 1022-001 | Credits: 3
This one semester, repeatable course for non-dance majors introduces the techniques and movement vocabulary for contemporary and modern dance. Students will explore fundamental movement principles while developing improvisational and performance skills. They will also develop the perspectives necessary to critically analyze and further appreciate dance as an art form and educational tool with cultural values. Through interactive online instruction, students use recording devices (smartphones, laptops, camcorders, etc.) to develop their dance technique and build a dance community.
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GOING TO THE MOVIES – ONLINE
EMED 1075-001 | Credits: 3
Through lectures and screenings of classic films, students will explore the evolution of the motion picture as a unique and significant form of expression. The course includes investigation into film style, structure, distribution and consumption. Students will be guided in the development of aesthetic criteria for critical examination.
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MUSIC APPRECIATION – ONLINE
FAM 2005-001 | Credits: 3
Get introduced to a wide range of composers, compositions, musical styles and musical terms and will place these musical works in the historical and culture context of each period.
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AMERICAN MUSIC – ONLINE
FAM 2006-001 | 3 Credit Hours
A history of music in America from approximately 1620 to the present. The course considers musical developments in America and the social, political and religious movements that have shaped American musical life. Examines musical genres, styles, personalities and trends. No prior musical experience required.
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WORLD MUSIC – ONLINE
FAM 2007-001 | Credits: 3
An overview of traditional music from many cultures and regions throughout the world, with emphasis on non-Western traditions. This course examines music as a cultural phenomenon influencing the lives and traditions of contemporary cultures and past civilizations. World Music focuses primarily on traditional and folk music, both in the culture’s region of origin and its diaspora.
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JAMMIN’ WITH LAPTOPS – ON CAMPUS (MWF 10:00am–12:40pm)
FAM 2014-001 | Credits: 3
Explore the potentials of laptop computers for music making! Various technical topics (including analog versus digital sound, audio software, effects, gear, MIDI and audio programming languages) will be surveyed. In addition, a survey of the history of computer music will be conducted through seminal readings and recordings. These will provide participants with the technical and analytical skills to utilize their laptops to creative ends in both individual and group projects.
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EXPERIMENTAL ROCK – ON CAMPUS (MWF 1:30–4:10pm)
FAM 2016-001 | Credits: 3
This course will provide a detailed overview of the tools, techniques and musical styles which impacted Rock Music in the 1960s and 70s, as well as many mainstream and non-mainstream musical trends of the last 30 years. It will focus on innovations such as multi-tracking tape machines (which allowed for sound on sound, tape-delay and flange) and provide a technical overview of electronic instruments such as the synthesizer. Musical trends including the 1950s avant-garde and Minimalism will serve as a bridge to examinations of seminal acts such as the Beatles, Pink Floyd, Kraftwerk, Can, Neu!, Brian Eno and Talking Heads among others.
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JAMMIN’ WITH LAPTOPS – ONLINE
FAM 2023-001 | Credits: 3

Play, record, and make music with online instruments! There are three units, each with a distinctive music-making session: Individual Session (Unit 1), Collaborative Session (Unit 2) and Creative Jam Session (Unit 3). In Unit 1, you will study the basic knowledge of music making, including identifying musical instruments, playing online instruments and recording music you played through the exercises. In Units 2 and 3, you will form your own laptop band with online classmates to play and record music.
_____

JAPANESE POP, ANIME AND VIDEO GAME MUSIC – ONLINE
FAM 2050-002 | Credits: 3
Learn the evolution of Japanese Pop, Anime and Video Game Music (post 1980), including Anime theme songs, video game music and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, while also investigating the cultural differences between Japan and America.
_____

HISTORY OF ROCK ‘N ROLL I – ONLINE
FAM 3031-001 | Credits: 3
Rock and Roll had humble beginnings in the Southeastern United States, but over time it developed into a force that has defined youth culture on a global scale. This course provides a chronological survey that examines the relationship between the music, its most successful and colorful artists, the associated recording technology and the impact of the genre on American culture. Through critical listening and reading, students will be able to make historically informed and thoughtful decisions about the music they select and enjoy. Finally, the course will encourage students to seek and appreciate new styles (and perhaps inspire those who seek a career as a pop music artist). No prerequisite necessary.
_____

Session E: June 22 – August 6

MEDIA IN YOUR LIFE – ONLINE
EMED 1011-001 | Credits: 3

The typical American spends about 11 hours a day consuming media. Could it be, based upon time usage alone, that media consumption is the most important activity in our lives? The media industry plays an enormously important role in our lives and is foundational to the effective functioning of our democracy. Would you like to possess a more sophisticated understanding of media production and its artistic and theoretical underpinnings? Wouldn’t you like to know more about the latest digital production tools? If you answered “yes” to any one of these questions, then this course is for you.
_____

Session B: July 5 – August 6

MODERN DANCE BASICS – ONLINE
DNCE 1022-002 | Credits: 3
This one semester, repeatable course for non-dance majors introduces the techniques and movement vocabulary for contemporary and modern dance. Students will explore fundamental movement principles while developing improvisational and performance skills. They will also develop the perspectives necessary to critically analyze and further appreciate dance as an art form and educational tool with cultural values. Through interactive online instruction, students use recording devices (smartphones, laptops, camcorders, etc.) to develop their dance technique and build a dance community.
_____

JAMMIN’ WITH LAPTOPS – ONLINE
FAM 2023-002 | Credits: 3

Play, record, and make music with online instruments! There are three units, each with a distinctive music making session: Individual Session (Unit 1), Collaborative Session (Unit 2) and Creative Jam Session (Unit 3). In Unit 1, you will study the basic knowledge of music making, including identifying musical instruments, playing online instruments and recording music you played through the exercises. In Units 2 and 3, you will form your own laptop band with online classmates to play and record music.
_____

JAPANESE POP, ANIME AND VIDEO GAME MUSIC – ONLINE
FAM 2050-003 | Credits: 3
Learn the evolution of Japanese Pop, Anime and Video Game Music (post 1980), including Anime theme songs, video game music and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, while also investigating the cultural differences between Japan and America.
_____

HISTORY OF ROCK ‘N ROLL II – ONLINE
FAM 3032-001 | Credits: 3
Rock and Roll had humble beginnings in the Southeastern United States, but over time it developed into a force that has defined youth culture on a global scale. This course provides a chronological survey that examines the relationship between the music, its most successful and colorful artists, the associated recording technology and the impact of the genre on American culture. Through critical listening and reading, students will be able to make historically informed and thoughtful decisions about the music they select and enjoy. Finally, the course will encourage students to seek and appreciate new styles (and perhaps inspire those who seek a career as a pop music artist). No prerequisite necessary.
_____

Course Fees and Registration Info

Course fees for part-time students are $519 per credit hour for Ohio residents and $1158 per credit hour for non-residents. Costs include program fees.

UC students can register online at webapps2.uc.edu/ScheduleOfClasses.

Non-UC students can begin the registration process by visiting admissions.uc.edu/transfer/transfer_non-matric.

CCM News
The logo for CET's "arts Bridge" television program.

CET Spotlights Revolutionary New iPad App Developed by CCM and DAAP Faculty Members

Two University of Cincinnati faculty members will appear on local PBS member station CET at 6 p.m. this Saturday, July 18, to discuss a revolutionary new project that could change the world of psychiatry.

The CET program arts Bridge will feature CCM Assistant Professor of Electronic Media John Hebbeler and DAAP Assistant Professor of Design Emily Verba. The duo are developing an iPad application entitled Brain to Screen, which is a visual and auditory interactive tool for patients diagnosed with Generalized Anxiety Disorder as well as their psychotherapists.

The proposed app converges cross-disciplinary expertise in design, sound, psychology, neuroscience and software development in order to deliver immersive, interactive experiences. The Brain to Screen app works in conjunction with a biofeedback headset and allows patients complete control of all visuals and sounds on their iPad screen using only their brainwaves.

The two UC professors and co-investigators bring a great deal of professional experience and expertise to this ambitious project. Professor Hebbeler has over a decade of experience in sound, video and web production, and 10 years of teaching experience in a variety of production-based courses. His area of expertise is creating interactive trans-media compositions that integrate a wide range of technological devices. His focus in this project is the sound development of Brain to Screen, as well as its interaction with the biofeedback headset.

Meanwhile, Professor Verba brings several years of experience in the field of graphic design and design education to this empirical research project. Her area of expertise and research focus is data visualization — the simplified depiction of complex content for ease of understanding by the masses. She is spearheading the visualization of biofeedback headset data and the design of an interface for psychotherapists to access and interpret the information collected from the app.

The arts Bridge segment will also bring Hebbeler together with several current and former students from CCM’s Division of Electronic Media and UC Blue Ash’s Department of Electronic Media Communications. Alumnus Don Hancock (BFA Electronic Media, 2006) is producing the story, and Deshon Able (AAS Electronic Media Technology, 2013) acts as the production assistant; furthermore, current E-Media student Ari Kruger is also working at CET as an intern, writer and editor.

arts Bridge is a locally-produced program that is part of a unique public television collaboration. Features about Cincinnati area arts and artists are paired with stories from across the country. In addition, Cincinnati area segments from arts Bridge are made available to public television stations nationally, extending the reach of greater Cincinnati arts well beyond southwest Ohio.

For more information, please make sure to visit www.cetconnect.org/arts-bridge.

The Brain to Screen segment will premiere at 6 p.m. on Saturday, July 18, on CET (Channel 13 or 1013 on Time Warner Cable; Channel 48 on DirectTV). There will also be several repeat airings:

  • 5:30 p.m. and 8 p.m. Sunday, July 19 (Channel 16 Time Warner and Direct TV)
  • 8 a.m., 1 p.m. and 5 p.m. Monday, July 20 (Channel 987 Time Warner)
  • 10 a.m., 3 p.m. and 10 p.m. Tuesday July 21 (Channel 987 Time Warner)

Learn more about CCM E-Media by visiting ccm.uc.edu/emedia.

CCM News Faculty Fanfare Student Salutes

CCM Spotlights Talented Young Performers and Acclaimed Guest Artists During Summer 2015 Performance Series

Young artists from all corners of the globe will make their way to Cincinnati this summer to work with CCM’s world-class faculty and renowned guest artists while in residence at the state-of-the-art CCM Village.

CCM offers a wide array of high caliber summer programs, and the general public can experience the artistry themselves during a series of nearly 40 public performances and guest artist recitals running Tuesday, June 2, through Saturday, Aug. 8, 2015.

Logo for the Cincinnati World Piano Competition.A complete schedule of summer performances is listed below, with highlights including the Cincinnati World Piano Competition’s Finalists Concert featuring the Cincinnati Symphony Orchestra on June 13, the Art of the Piano’s Recital Series (curated by CCM faculty member and Cincinnati World Piano Competition Artistic Director Awadagin Pratt) running June 14 – 28, the Classical Guitar Workshops Concert Series running July 12 – 18 and a semi-staged production of Georges Bizet’s Carmen on Aug. 8.

Learn more about these and dozens of other performing and media arts events by referring to the list below.

Event Information

All events listed here take place in CCM Village on the campus of the University of Cincinnati unless otherwise indicated. Admission is free to many CCM performances, although some events do require purchased tickets. Please see individual event information for single ticket and subscription prices, along with ordering information.

Tickets to Cincinnati World Piano Competition events are available through the Cincinnati Symphony Orchestra Box Office. Tickets for all other summer performances are available through the CCM Box Office.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U-Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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JUNE

7 p.m. Tuesday, June 2
• Harpsichord & Cello/Continuo Workshop •
MICHAEL UNGER AND ADRIANA CONTINO RECITAL

Adriana Contino (cello) and Michael Unger (harpsichord) present an evening of sonatas, suites and reflections.
Location:
CCM Master Classroom (Mary Emery Hall Room 3250)
Admission:
FREE

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7 p.m. Wednesday, June 3
• Harpsichord & Cello/Continuo Workshop •
PARTICIPANT RECITAL
Location:
CCM Master Classroom (Mary Emery Hall Room 3250)
Admission:
FREE

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7 p.m. Thursday, June 4
• Cincinnati Young Artist Chamber Music Workshop •
CYA FACULTY RECITAL
Featuring directors Sarah Kim and Alan Rafferty joined by guest faculty Annie Fullard and Mari Sato of the Cavani Quartet, CCM piano faculty Sandra Rivers and Cincinnati Symphony Orchestra musician Gerry Itzkoff
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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7 p.m. Friday, June 5
• Cincinnati Young Artist Chamber Music Workshop •
CYA STUDENT RECITAL
Featuring 2015 Cincinnati Young Artists advanced Chamber Music Workshop students
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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1 p.m. Saturday, June 6
• Cincinnati Young Artist Chamber Music Workshop •
CYA STUDENT FESTIVAL
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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2 – 5:45 p.m. Sunday, June 7
12 – 1:45 p.m. and 7 – 8:45 p.m. Monday, June 8
• Cincinnati World Piano Competition •
CWPC FIRST ROUND
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

The world’s best come to the Queen City during the 2015 Cincinnati World Piano Competition, hosted by UC’s College-Conservatory of Music and featuring the world-renowned Cincinnati Symphony Orchestra! During the Competition’s opening rounds, 24 pianists will compete head to head for their position in Round Two, with each day featuring 12 competitors. Each competitor will perform a 15-minute program.
Location:
Corbett Auditorium
Tickets:
$30 All-Access Pass to First Rounds & Semifinals, $15 One Day Pass, $11.25 Group One Day Pass, $10 Student. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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10 a.m. – 1:45 p.m., 4 – 5:45 p.m. and 7 – 8:45 p.m. Tuesday, June 9
• Cincinnati World Piano Competition •
CWPC SECOND ROUND
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

All 24 competitors will compete head to head in Round Two for one of 12 spots in Round Three. Each competitor will perform at 15-minute program.
Location:
Corbett Auditorium
Tickets:
$30 All-Access Pass to First Rounds & Semifinals, $15 One Day Pass, $11.25 Group One Day Pass, $10 Student. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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10 a.m. – 1:15 p.m. and 5 – 8:45 p.m. Wednesday, June 10
• Cincinnati World Piano Competition •
CWPC THIRD ROUND
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

12 competitors will compete head to head in Round Three for one of six spots in the Semifinals. Each competitor will perform at 30-minute program.
Location:
Corbett Auditorium
Tickets:
$30 All-Access Pass to First Rounds & Semifinals, $15 One Day Pass, $11.25 Group One Day Pass, $10 Student. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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10 a.m. Thursday, June 11
• Cincinnati World Piano Competition •
CWPC JURY SYMPOSIUM
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

Are you curious about how a jury member decides to advance one competitor versus another? Maybe you’d like to learn more about the processes jury members go through at competitions or maybe you’d like to hear feedback from the jury about the challenges and opportunities of judging a bracket-style competition for the first time. Come meet the jury and engage in a discussion about their role in the Cincinnati World Piano Competition. Coffee and donuts will be served.
Location:
Baur Room
Tickets:
$10, $8 student. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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12 – 3 p.m. and 6 – 9 p.m. Thursday, June 11
• Cincinnati World Piano Competition •
CWPC SEMIFINALS
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

Six competitors compete head to head in the Semifinals for one of three spots in the Finals. Each competitor will perform at 40-minute program. Advancing competitors will perform in the Finals with the Cincinnati Symphony Orchestra. The finalist announcement is scheduled for 9:30 p.m.
Location:
Corbett Auditorium
Tickets:
$30 All-Access Pass to First Rounds & Semifinals, $15 One Day Pass, $11.25 Group One Day Pass, $10 Student. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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7 p.m. Saturday, June 13
• Cincinnati World Piano Competition •
CWPC FINALISTS CONCERT
Featuring the Cincinnati Symphony Orchestra
Competition Jurors: Akemi Alink-Yamamoto, Jura Margulis, Yoshikazu Nagai, Boris Slutsky and Frank Weinstock

Three competitors will perform concerti with the Cincinnati Symphony Orchestra for $45,000 in prize money, a debut recital in New York City and additional performance opportunities. The 2015 Awards Ceremony and a reception will follow the performances and jury deliberation.
Location:
Corbett Auditorium
Tickets:
Starting at $35. Purchase tickets through the Cincinnati Symphony Orchestra website at www.cincinnatisymphony.org or by calling the CSO box office at 513-381-3300.

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7 p.m. Sunday, June 14
• CCM Summer Programs: Art of the Piano Guest Artist Series •
JURA MARGULIS RECITAL

Curated by Awadagin Pratt, the Art of the Piano Guest Artist Series presents Russian-born Jura Margulis in concert. Praised by the Los Angeles Times for his “excellent pianism,” Margulis has won numerous competitions, appeared at the Hollywood Bowl and recorded for Sony. Experience for yourself why the Washington Post has applauded his “titanic reserves of sheer power” and his “effortless spontaneity.”
Location:
Robert J. Werner Recital Hall
Tickets:
$15 general admission; $10 student admission.

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7 p.m. Tuesday, June 16
• CCM Summer Programs: Art of the Piano Guest Artist Series •
URSULA OPPENS RECITAL

Curated by Awadagin Pratt, the Art of the Piano Guest Artist Series presents four-time Grammy winner Ursula Oppens in concert. Oppens performs with the world’s top orchestras and has premiered works by today’s leading composers including Ligeti, Carter and Corigliano, to name a few. This is a rare chance to hear Rzewski’s The People United Will Never Be Defeated!, a work premiered by Oppens. Her recording on the Vanguard label of the piece was named Record of the Year by Record World and received a Grammy nomination.
Location:
Robert J. Werner Recital Hall
Tickets:
$15 general admission; $10 student admission.

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7 p.m. Wednesday, June 17
7 p.m. Thursday, June 18
7 p.m. Friday, June 19
7 p.m. Saturday, June 20
7 p.m. Friday, June 26
7 p.m. Sunday, June 28
• CCM Summer Programs: Art of the Piano Student Artist Series •
PARTICIPANT RECITALS

Students world-wide participated in a rigorous screening and audition process to play in master classes with some of the world’s most sought-after teachers. These students focus on their recital and competition repertoire while in Cincinnati, and performance is an important part of their residency at CCM. Take a break from the heat and catch some rising stars!
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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1 p.m. 11 a.m. Saturday, June 20
• Encore Chamber Orchestra Workshop •
ENCORE ADVANCED CHAMBER ORCHESTRA CONCERT
Location:
Patricia Corbett Theater
Admission:
FREE

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11 a.m. Friday, June 26
• CCM Preparatory Department •
JAZZ EXPLOSION WORKSHOP PERFORMANCE
Location:
Kings High School, 5620 Columbia Rd, Kings Mills, OH 45034
Admission:
FREE

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3 p.m. Friday, June 26
• CCM Prep Summer Theatre Arts •
CAMP BRAVO PERFORMANCE
Location:
Cincinnati Country Day School, 6905 Given Road, Cincinnati, OH 45243
Admission:
FREE

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7 p.m. Saturday, June 27
• CCM Summer Programs: Art of the Piano Guest Artist Series •
YONG HI MOON RECITAL

Yong Hi Moon has performed extensively throughout Asia, Europe and the US as a recitalist and with orchestras including the Osaka, Seoul, Tokyo and Korean National symphony orchestras. She is currently a faculty member at the Peabody Institute.
Location:
Robert J. Werner Recital Hall
Tickets:
$15 general admission; $10 student admission.

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JULY

8 p.m. Sunday, July 12
• CCM’s Classical Guitar Workshop •
FACULTY ENSEMBLE RECITAL
Featuring Renato Butturi, Clare Callahan, Rodney Stucky, Jeffrey Van, Christopher Wilke, William Willits, Karl Wohlwend and Stanley Yates
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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8 p.m. Monday, July 13
• CCM’s Classical Guitar Workshop •
GUITAR CHAMBER MUSIC RECITAL
Featuring guest guitarists, instrumentalists and vocalists
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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8 p.m. Wednesday, July 15
• CCM’s Classical Guitar Workshop •
HANSER-McCLELLAN DUO RECITAL

John McClellan and Kirk Hanser began performing together in 1996, each already being an established solo artist in his own right. As a duo, they quickly became known for their choice of entertaining programs, their technical and musical prowess, and their abilities for connecting with audiences. Over the years, they have become recognized by critics and audiences alike as one of the most highly respected chamber music groups in the U.S.
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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8 p.m. Thursday, July 16
• CCM’s Classical Guitar Workshop •
STANLEY YATES RECITAL

British-born guitarist Stanley Yates has established an international career as concert performer and recording artist, teacher, arranger and scholar. Performing to wide critical and audience acclaim on both sides of the Atlantic, he has been praised by the English magazine Classical Guitar as “one of an elite breed of guitarists,” the Fort Worth Star Telegram for the “transcendent quality of his interpretative abilities” and the Italian magazine Suonare for his “musical instinct and brilliant technique.”
Location:
Robert J. Werner Recital Hall
Admission:
FREE

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7 p.m. Friday, July 17
2:30 p.m. Saturday, June 18
• Center Stage! Workshop •
BRIEF INTERVIEWS WITH INTERNET CATS

Location:
Cincinnati Country Day School, 6905 Given Road, Cincinnati, OH 45243
Admission:
FREE

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8 p.m. Friday, July 17
• CCM’s Classical Guitar Workshop •
SOLOS, CHAMBER MUSIC, GUITAR ORCHESTRA
Location:
Patricia Corbett Theater
Admission:
FREE

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11 a.m. Saturday, July 18
• CCM Prep Summer Arts Immersion •
MUSICAL THEATRE SHOWCASE
Location:
Robert J. Werner Recital Hall
Admission:
FREE

____

1 p.m. Saturday, July 18
• CCM Prep Summer Arts Immersion •
ACTING WORKSHOP SHOWCASE
Location:
Cohen Family Studio Theater
Admission:
FREE

____

2 p.m. Saturday, July 18
• CCM’s Classical Guitar Workshop •
PARTICIPANTS RECITAL
Location:
Patricia Corbett Theater
Admission:
FREE

____

2 p.m. Friday, July 24
CINCINNATI PIANO INSTITUTE STUDENT RECITAL
Location:
CCM Master Classroom (Mary Emery Hall Room 3250)
Admission:
FREE

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AUGUST

3 p.m. Saturday, Aug. 1
• CCM Ensemble-in-Residence •
CINCINNATI CHILDREN’S CHOIR SUMMER FESTIVAL CONCERT
Robyn Lana, director
Location:
Corbett Auditorium
Tickets:
$10 general. Tickets will go on sale beginning on July 27 and may be purchased by calling 513-556-0338.

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6 p.m. Saturday, Aug. 1
• CCM Summer Programs: Opera Studio •
OPERA STUDIO STUDENT RECITAL

A select group of talented young singers from around the country were chosen to spend three weeks in residence at CCM, under the guidance of a renowned faculty led by CCM Voice Professor Amy Johnson, with an emphasis on French repertoire. Join these young artists as they present an evening of art songs and operatic repertoire.
Location:
CCM Master Classroom (Mary Emery Hall Room 3250)
Admission:
FREE

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4 p.m. Friday, Aug. 7
• CCM Summer Programs: Opera Studio •
OPERA STUDIO SCENES

A select group of talented young singers from around the country were chosen to spend three weeks in residence at CCM, under the guidance of a renowned faculty, with an emphasis on French repertoire. Their experience culminates with an evening of operatic scenes under the direction of CCM’s Joseph Weinberger Chair of Acting for the Lyric Stage, Vincent DeGeorge.
Location:
Cohen Family Studio Theater Patricia Corbett Theater
Admission:
FREE

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8 p.m. Saturday, Aug. 8
• CCM Summer Programs: Creating Carmen
CARMEN

Music by Georges Bizet
Libretto by Ludovic Halévy and Henri Meihac
Featuring student conductors from CCM’s Summer Workshops
Mark Gibson, artistic director
Jose Maria Condemi, stage director

Up to 12 young conductors, along with a carefully selected cast, were invited to participate in this one-of-a-kind “opera bootcamp” while in residence at CCM. Working with an internationally renowned faculty, led by Mark Gibson, Director of Orchestral Studies at CCM, these young artists have daily language instruction, text and style sessions and conducting and coaching master classes, and also participate in staging rehearsals, work with singers and lead orchestra rehearsals. The course culminates in a semi-staged performance, with orchestra, of Bizet’s beloved Carmen.
Location:
Corbett Auditorium
Tickets:
$15 general admission; $10 student admission.

________________________________

Tickets to the Cincinnati World Piano Competition events are available through the Cincinnati Symphony Orchestra Box Office.

Tickets to the Cincinnati Children’s Choir Summer Festival Concert are available by phone at 513-556-0338.

Tickets for all other summer performances are available through the CCM Box Office.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

CCM News
An Art of the Piano master class.

CCM Announces 2015 Schedule of Summer Programs, Educational Workshops and Special Events

CCM will offer a variety of educational workshops for both emerging artists and music educators in the summer of 2015, along with additional intensives and special events throughout the year.

Students can participate in programs centered on piano and opera performance, wind and orchestral conducting, film scoring, audio production, music education and more. Applications are now being accepted for all programs.

Please see below for a complete schedule of interactive workshop opportunities and special events. Learn more by visiting ccm.uc.edu/summer.

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CCM’S 2015 SCHEDULE OF SUMMER PROGRAMS, EDUCATIONAL WORKSHOPS AND SPECIAL EVENTS

WIND CONDUCTING

Director: CCM Director of Wind Studies Glenn Price
February 12 – 14

Participants will concentrate on developing the skill of leading clearly and with artistic depth, while providing educational experiences that are stimulating and fulfilling for young students, pre-professional and professional performers alike.

Class sessions cover topics such as baton technique, score study and rehearsal methods with a focus on the intersection of conducting and education. This workshop is open to conductors of all levels.

WEBSITEccm.uc.edu/summer/wind-conducting
REGISTRATION
https://ccmsummer.wufoo.com/forms/spring-wind-conducting-workshop

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A student conductor.

CONDUCTING STRAVINSKY

Director: CCM Director of Orchestral Studies Mark Gibson
April 24 – 26

Now in its eighth year, the CCM Orchestral Conducting Workshop offers an exciting and unique opportunity to explore two of the three pivotal ballets by Russian master IGOR STRAVINSKY.

Participants will have the opportunity to work with CCM’s top-flight orchestras, the Philharmonia and Concert Orchestra, on these iconic monuments of the 20th century.

Music directors Mark Gibson and Neil Varon will explore the rhythmic, sonic and metric complexities of these masterpieces with participants and apprentices from around the world.

WEBSITEccm.uc.edu/summer/conducting-stravinsky
APPLICATION
https://app.getacceptd.com/ccmsummer

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DIGITAL PORTFOLIO WORKSHOP

Director: CCM Associate Professor of E-Media Peter DePietro
May 4 – 8

A unique website is one of the most important marketing tools, public relations platforms and means of showcasing talent for artists looking for work. In this five day workshop, tailored especially for performing and visual artists with no or little experience in web design and production, you will receive instruction in industry-standard Adobe software tools as well as scripting languages like HTML, CSS and JavaScript. You will learn how to incorporate videos, audio clips and photographic slideshows of your work into a media-rich online presence. By the end of the course, you will have created and launched your very own website.

WEBSITEccm.uc.edu/summer/digital-portfolio-design
REGISTRATIONccm.uc.edu/summer/digital-portfolio-design/register

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The Cincinnati World Piano Competition

59TH CINCINNATI WORLD PIANO COMPETITION

In Collaboration with: Cincinnati World Piano Competition and Cincinnati Symphony Orchestra
June 7 – 13

The reinvigorated Cincinnati World Piano Competition attracts applicants from every corner of the world. These talented artists proceed through a series of auditions over the course of a week to compete for over $45,000 in prize money.

The competition takes place in CCM’s Corbett Auditorium and culminates in a final round concert with the Cincinnati Symphony Orchestra. Tickets for the competition will be on sale through the CSO box office in the spring.

WEBSITEhttp://www.cincinnatiwpc.org

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ART OF THE PIANO

Artistic Director: CCM Chair of Piano Awadagin Pratt
June 12 – 28

This two-week program gives up and coming pianists the opportunity to work with outstanding professional artists from across the globe. Each student will play in three master classes throughout the workshop’s duration and will also have the opportunity to converse with the guest artists during scheduled roundtable lunches.

Student recitals and guest artist concerts round out the schedule, and are open to the general public.

WEBSITEccm.uc.edu/summer/art_of_piano
APPLICATION
https://app.getacceptd.com/ccmsummer

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CCM Professor Tom Haines.

FILM SCORING INSTITUTE

Institute Director: CCM Professor of Commercial Music Production Tom Haines
June 13 – July 3

Students of the Film Scoring Institute learn the ins and outs of composing music for the silver screen. Guest faculty members give students practical knowledge of the business and put it to use by using the latest composition technology to compose for a film clip.

The workshop ends with a live recording session so students leave with a fully realized and produced portfolio piece.

WEBSITEccm.uc.edu/summer/film_scoring
APPLICATION
https://app.getacceptd.com/ccmsummer

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32ND ANNUAL CLASSICAL GUITAR WORKSHOP

Director: CCM Professor of Classical Guitar Clare Callahan
July 12 – 18

An intensive seven-day workshop for classical guitar enthusiasts of all levels. Participation in master classes and ensembles is organized according to individual skill levels (beginning, intermediate or advanced). A separate schedule of activities is available for young guitarists age 14 and under. There are special sessions on topics like recital preparation, performance, music theory, arranging for guitar, early music instruments, etc.

Each evening there is a concert, beginning with Sunday night’s Faculty Ensemble Recital. Established players and teachers from neighboring schools are a part of the coaching staff.

The workshop is a rich environment of players of all levels from all ages and geographical locations — junior high school through college and graduate school, young professionals in music and other fields, and retirees. The common denominator is love for the classical guitar.

WEBSITE: ccm.uc.edu/summer/classicalguitar
APPLICATION: ccm.uc.edu/summer/classicalguitar/application

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Music educators.

ORFF LEVELS I AND II

Director: CCM Assistant Professor of Music Education Amy Beegle
July 20 – 31

Music education teachers will work with students from CCM’s Preparatory Division to develop and apply skills in singing, expressive speech, movement, recorder and more. This uniquely designed program gives real time practical experience and feedback in working with a classroom of children.

The program has expanded from previous years to include Level II as well as Level I and will feature one of the nation’s leading Orff specialists Danai Gagné as guest faculty.

WEBSITEccm.uc.edu/summer/orff-schulwerk
REGISTRATION
ccm.uc.edu/summer/orff-schulwerk/registration

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RECORDING AND SOUND PRODUCTION/WOOD AND WIRES

Director: Ric Hordinsky
Off-Campus Location: Monastery Studio
July 20 – 31

Participants will work with Grammy-nominated producer Ric Hordinsky to record and produce tracks for a musical artist.

This workshop gives students an overview of setting cues and levels, mixing tracks and working with an artist to get their desired musical result.

WEBSITEccm.uc.edu/summer/recording

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Student singers.

OPERA STUDIO

Director: CCM Assistant Professor of Voice Amy Johnson
July 20 – August 8

A select group of talented young singers will be chosen to spend three weeks in residence at CCM under the guidance of a renowned faculty, with an emphasis on Italian repertoire.

Participants will receive daily Italian language classes, daily coaching and staging sessions and two voice lessons each week. Students will perform in recital as well as in the culminating opera scenes concert.

WEBSITEccm.uc.edu/summer/opera_studio
APPLICATION
https://app.getacceptd.com/ccmsummer

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CREATING CARMEN: AN OPERA BOOT CAMP

Director: CCM Director of Orchestral Studies Mark Gibson
July 22 – August 8

Working with an internationally renowned faculty led by Mark Gibson, director of Orchestral Studies at CCM, conductors and pianists will have daily Italian instruction, text and style sessions and conducting and coaching master classes. Students will also participate in staging rehearsals, work with singers and lead orchestra rehearsals.

Advanced opera singers will have the opportunity to learn a role in its entirety and work with renowned faculty and industry professionals, along with daily Italian classes and coachings. The course culminates in a semi-staged performance.

WEBSITEccm.uc.edu/summer/operaconducting
APPLICATION
https://app.getacceptd.com/ccmsummer

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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For more information on summer programs and special events, please visit ccm.uc.edu/summer.

CCM News

CCM and the ‘La Calisto’ Connection

 

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Cincinnati Opera’s season continues this week with a production of Francesco Cavalli’s La Calisto (July 17 – 27), a Baroque opera that has a long history with CCM.

Cincinnati Opera’s current production features a number of CCM alumni in the cast, including Michael Maniaci (BM, 1999) as Endymion, Nathan Stark (AD, 2009) as Sylvano, Andrew Garland (MM, 2002; AD, 2004) as Mercurio and Daniel Okulitch as Jove.

La Calisto drew limited audiences during its initial run of 11 performances in 1651. The long-forgotten opera was resurrected by British conductor Raymond Leppard at the 1970 Glyndebourne Festival. CCM actually mounted the American premiere of La Calisto in April of 1972, with a production conducted by Carmon DeLeone with stage direction by the Metropolitan Opera’s Henry Butler.

That production’s cast featured Barbara Daniels, Leigh Dodson, Tom Fox, Brad Liebl, Don Ronci and Nancy Stelling, amongst others. Photos from that 1972 production are featured in the slideshow above!

Learn even more about CCM’s connections to La Calisto courtesy of the Cincinnati Enquirer.

CCM Alumni Applause CCM News

Art of the Piano Concert Series Continues Tonight With Awadagin Pratt and Dennis Thurmond Joint Recital

CCM faculty member and World Piano Competition Artistic Director Awadagin Pratt.

CCM faculty member and World Piano Competition Artistic Director Awadagin Pratt.

CCM’s Art of the Piano summer festival and concert series continues at 7 p.m. this evening with a joint recital featuring Tai Chi of Improvisation author Dennis Thurmond and World Piano Competition Artistic Director (and CCM Artist-in-Residence) Awadagin Pratt.

Thurmond and Pratt’s program promises to be a true blending of genres, as the duo present the world premiere of “VII Structures” for two pianos, bass and percussion, which has influences from Bill Evans to Sergei Prokofiev to Keith Jarrett to Olivier Messiaen.

Pratt also promises that the concert will feature a rousing Fourth of July encore!

CCM News

Moye Chen Named Gold Medalist at the 2014 World Piano Competition

2014 World Piano Competition Gold Medalist Moye Chen.

2014 World Piano Competition Gold Medalist Moye Chen.

After a week of thrilling performances, Moye Chen has been named Gold Medalist of the 2014 World Piano Competition!

Feng Bian and Reed Tetzloff were named Co-Bronze Medalists during last Saturday’s Finals Round, which saw all three pianists perform with the world-renowned Cincinnati Symphony Orchestra. Learn more about Chen below.

Although this year’s World Piano Competition may be over, the excitement continues through Saturday, July 12, with the Art of the Piano, a unique summer festival and concert series curated by WPC Artistic Director (and CCM Artist-in-Residence) Awadagin Pratt. Learn more by visiting ccm.uc.edu/boxoffice/artofthepiano.

About Moye Chen
Moye Chen has performed extensively as a concert pianist in Asia and the United States. He has performed in renowned venues such as Carnegie Hall, Finney Chapel, Benaroya Concert Hall, the Krannert Center for the Performing Arts, Beijing Concert Hall, Shanghai Concert Hall and the Shanghai Grand Theatre. Chen is a winner of many competitions, including Seattle, Heida Hermanns, and Buono and Bradshaw International Piano Competitions, Krannert Debut Artist Competition and Palatino Piano and Composition Competition. In addition, he was a recipient of the June and Charles Ross Fellowship Award in 2012 and 2013.

A native of Beijing, Chen began his piano study at the age of 7, and in 1997 he moved to Shanghai and had the great honor of performing during the ceremony of Macao’s return to China in 1999, broadcast by CCTV and SHTV. He has performed as a soloist with the Beijing Symphony Orchestra, Oberlin Chamber Orchestra, Oberlin Orchestra and Asian Ensemble Orchestra. Chen earned his bachelor’s and master’s degrees from the Shanghai Conservatory of Music and an Artist Diploma from the Oberlin Conservatory of Music. Chen is currently pursuing his Doctorate of Musical Arts at the University of Illinois.

CCM News

The Art of the Piano Summer Festival and Concert Series Returns to CCM Village June 27 – July 12

Bearcat Piano Festival organizer Awadagin Pratt.

CCM faculty member and World Piano Competition Artistic Director Awadagin Pratt.

This summer, some of the world’s most sought-after piano performers and pedagogues are in residence at UC’s College-Conservatory of Music. For the next two weeks, CCM proudly presents the Art of the Piano workshop and concert series, curated by CCM faculty member and World Piano Competition Artistic Director Awadagin Pratt.

This year’s festival welcomes master teachers Ning An, Enrico Elisi, Hee Sung Joo, Gabriel Kwok, Myong-joo Lee, Yoshikazu Nagai, Andrey Pisarev and Ory Shihor. Several of these guest artists will present special event concerts during the festival in CCM’s beautiful Robert J. Werner Recital Hall.

The concert series opens at 7 p.m. this Friday, June 27, with a performance by World Piano Competition Jury Member Andrey Pisarev.

Flex ticket packages are available for this year’s Art of the Piano Special Event Concerts featuring Pisarev, Hee Sung Joo, Enrico Elisi, Dennis Thurmond and Awadagin Pratt. All student recitals are free and open to the general public. See below for more information.

CCM News